Sign Up Genius Quotes

Hemingway signed the contract, and got up from the couch. Then he said, “Never ran as no genius, but I’ll defend the title again against all the good young new ones.

Angeline, distraught over her son's obsession and afraid of the effects of the past year on Artemis's mind, signed her thirteen-year-old up for treatment with the school counselor. You have to feel sorry for him. The counselor, that is.

But there is an unbounded pleasure to be had in the possession of a young, newly blossoming soul! It is like a flower, from which the best aroma evaporates when meeting the first ray of the sun; you must pluck it at that minute, breathing it in until you’re satisfied, and then throw it onto the road: perhaps someone will pick it up! I feel this insatiable greed, which swallows everything it meets on its way. I look at the suffering and joy of others only in their relation to me, as though it is food that supports the strength of my soul. I myself am not capable of going mad under the influence of passion. My ambition is stifled by circumstances, but it has manifested itself in another way, for ambition is nothing other than a thirst for power, and my best pleasure is to subject everyone around me to my will, to arouse feelings of love, devotion and fear of me—is this not the first sign and the greatest triumph of power? Being someone’s reason for suffering while not being in any position to claim the right—isn’t this the sweetest nourishment for our pride? And what is happiness? Sated pride. If I considered myself to be better, more powerful than everyone in the world, I would be happy. If everyone loved me, I would find endless sources of love within myself. Evil spawns evil. The first experience of torture gives an understanding of the pleasure in tormenting others. An evil idea cannot enter a person’s head without his wanting to bring it into reality: ideas are organic creations, someone once said. Their birth gives them form immediately, and this form is an action. The person in whom most ideas are born is the person who acts most. Hence a genius, riveted to his office desk, must die or lose his mind, just as a man with a powerful build who has a sedentary life and modest behavior will die from an apoplectic fit. Passions are nothing other than the first developments of an idea: they are a characteristic of the heart’s youth, and whoever thinks to worry about them his whole life long is a fool: many calm rivers begin with a noisy waterfall, but not one of them jumps and froths until the very sea. And this calm is often the sign of great, though hidden, strength. The fullness and depth of both feeling and thought will not tolerate violent upsurges. The soul, suffering and taking pleasure, takes strict account of everything and is always convinced that this is how things should be. It knows that without storms, the constant sultriness of the sun would wither it. It is infused with its own life—it fosters and punishes itself, like a child. And it is only in this higher state of self-knowledge that a person can estimate the value of divine justice.

At its very core, the story of Jack the Ripper is a narrative of a killer’s deep, abiding hatred of women, and our culture’s obsession with the mythology serves only to normalize its particular brand of misogyny. We have grown so comfortable with the notion of “Jack the Ripper,” the unfathomable, invincible male killer, that we have failed to recognize that he continues to walk among us. In his top hat and cape, wielding his blood-drenched knife, he can be spotted regularly in London on posters, in ads, on the sides of buses. Bartenders have named drinks after him, shops use his moniker on their signs, tourists from around the world make pilgrimages to Whitechapel to walk in his footsteps and visit a museum dedicated to his violence. The world has learned to dress up in his costume at Halloween, to imagine being him, to honor his genius, to laugh at a murderer of women. By embracing him, we embrace the set of values that surrounded him in 1888, which teaches women that they are of a lesser value and can expect to be dishonored and abused.

If you want to work with genius, you usually aren’t signing up for easy.

I eventually signed up for breakfast duty not out of kindness but because I wanted my breakfast to be the gold standard. Yes, I cringe with humiliation as I publicly share such hubris, but as a self-righteous perfectionist, I was obsessed with keeping score, avoiding failure, and being impressive. Comparison and judgment were par for the course.*

Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.

Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo.

True genius is the one of the heart, not of intellect. Because intellect-less heart, though exploited a lot, still does good, whereas heartless intellect, with or without the awareness of it, ends up only exploiting others. But here's the thing, even true genius of intellect is not without its fare sense of responsibility towards the society. It's only the genius of halfbaked intellect that has absolutely no sense of service towards society - the only sense they have towards society, is that of domination or control. That is why one of the guardians of nuclear physics, Albert Einstein though initially encouraged the US government in a letter, to develop a nuclear weapon of their own against the Nazi nuclear program, ended up being an outspoken activist of nuclear-disarmament, and called his letter to Roosevelt "one great mistake of life". That is why the mother of radioactivity, Marie Curie never made a dime out of her discovery of radium, because to her, even amidst obscurity, science was service, unlike most so-called scientists of the modern world. That is why the man who literally electrified the world with his invention of alternating current, Nikola Tesla embraced happily other people stealing his inventions, and died a poor man in his apartment. You see, it's easy to make billions out of other people's pioneering work, the sign of true genius is an uncorrupted sense of service.

Ass up is our best position No one could have told us              we never would’ve believed that someday we would kneel in this place, worshipped We use each other’s raw bodies to remind ourselves how to pray.   Where is this place our baby bodies sprinted towards even when we were holding still for as long as possible? Flight gave birth to birth. Fragment genius comes down to this                    heaven of ass thwack, the miracle of taking it the miracle of sweet good girl best girl good girl finally made it               made it home We don’t always know where this place is. We stumble looking for the light switch, the exit sign. Can we really just relax? When does this get pulled away? Did we finally make it home? Queer grief is a blueprint. We got this shit wired tight.

Fascism has opened up the depths of society for politics. Today, not only in peasant homes but also in city skyscrapers, there lives alongside of the twentieth century the tenth or thirteenth. A hundred million people us electricity and still believe in the magic power of signs and exorcisms. The Pope of Rome broadcasts over the radio about the miraculous transformation of water into wine. Movie stars go to mediums. Aviators who pilot miraculous mechanisms created by man’s genius wear amulets on their sweaters. What inexhaustible reserves they possess of darkness, ignorance and savagery! Despair has raised them to their feet, fascism has given them a ganner. Everything that should have been eliminated from the national organism in the form of cultural excrement in the course of normal development of society has now come gushing out from the throat; capitalist society is puking up the undigested barbarism. Such is the physiology of National Socialism.

The symbol of this battle, written in a script which has remained legible through all human history up to the present, is called “Rome against Judea, Judea against Rome.” To this point there has been no greater event than this war, this posing of a question, this contradiction between deadly enemies. Rome felt that the Jew was like something contrary to nature itself, its monstrous polar opposite, as it were. In Rome the Jew was considered “convicted of hatred against the entire human race.” And that view was correct, to the extent that we are right to link the health and the future of the human race to the unconditional rule of aristocratic values, to Roman values. By contrast, how did the Jews feel about Rome? We can guess that from a thousand signs, but it is sufficient to treat ourselves again to the Apocalypse of John, that wildest of all written outbursts which vengeance has on its conscience ... The Romans were indeed strong and noble men, stronger and nobler than any people who had lived on earth up until then or even than any people who had ever been dreamed up. Everything they left as remains, every inscription, is delightful, provided that we can guess what is doing the writing there. By contrast, the Jews were par excellence that priestly people of ressentiment, who possessed an unparalleled genius for popular morality. Just compare people with related talents — say, the Chinese or the Germans — with the Jews, in order to understand which is ranked first and which is ranked fifth.

Significance of madness in the history of morality. — When in spite of that fearful pressure of ‘morality of custom’ under which all the communities of mankind have lived, many millennia before the beginnings of our calendar and also on the whole during the course of it up to the present day (we ourselves dwell in the little world of the exceptions and, so to speak, in the evil zone): — when, I say, in spite of this, new and deviate ideas, evaluations, drives again and again broke out, they did so accompanied by a dreadful attendant: almost everywhere it was madness which prepared the way for the new idea, which broke the spell of a venerated usage and superstition. Do you understand why it had to be madness which did this? Something in voice and bearing as uncanny and incalculable as the demonic moods of the weather and the sea and therefore worthy of a similar awe and observation? something that bore so visibly the sign of total unfreedom as the convulsions and froth of the epileptic, that seemed to mark the madman as the mask and speaking-trumpet of a divinity? Something that awoke in the bearer of a new idea himself reverence for and dread of himself and no longer pangs of conscience and drove him to become the prophet and martyr of his idea? — while it is constantly suggested to us today that, instead of his grain of salt, a grain of spice of madness is joined to genius, all earlier people found it much more likely that wherever there is madness there is also a grain of genius and wisdom — something ‘divine’, as one whispered to oneself. Or rather: as one said aloud forcefully enough. ‘It is through madness that the greatest good things have come to Greece’, Plato said, in concert with all ancient mankind.

The Japanese sense the presence of a divinity in every industrial object. For us, that sacred presence has been reduced to a tiny ironic glimmer, a nuance of play and distantiation. Though this is, none the less, a spiritual form, behind which lurks the evil genius of technology which sees to it itself that the mystery of the world is well-guarded. The Evil Spirit keeps watch beneath artefacts and, of all our artificial productions, one might say what Canetti says of animals: that behind each of them there is a hidden someone thumbing his nose at us. Irony is the only spiritual form in the modern world, which has annihilated all others. It alone is the guardian of the mystery, but it is no longer ours to exercise. For it is no longer a function of the subject; it is an objective function, that of the artificial, object world which surrounds us, in which the absence and transparency of the subject is reflected. The critical function of the subject has given way to the ironic function of the object. Once they have passed through the medium or through the image, through the spectrum of the sign and the commodity, objects, by their very existence, perform an artificial and ironic function. No longer any need for a critical consciousness to hold up the mirror of its double to the world: our modern world swallowed its double when it lost its shadow, and the irony of that incorporated double shines out at every moment in every fragment of our signs, of our objects, of our models. No longer any need to confront objects with the absurdity of their functions, in a poetic unreality, as the Surrealists did: things move to shed an ironic light on themselves all on their own; they discard their meanings effortlessly. This is all part of their visible, all too visible sequencing, which of itself creates a parody effect.

That was when he knew he had to get a job somehow on the Powell estate to allow him to be there without arousing suspicion. He drove past Powell’s property and observed the oversized truck with the PERFECT ESTATES sign on it. He looked up the company and applied for a job. As a kid he had worked for a landscaper and picked up everything he needed to know about the job. It didn’t take a genius to mow a lawn or clip hedges and bushes or to plant flowers in the places pointed out by the boss.

I’d been proud of the parlor, over which I had spent a great deal of time. The ceiling had inlaid tiles in the same summer-sky blue that comprised the main color of the rugs and cushions and the tapestry on the wall opposite the newly glassed windows. Now I sneaked a look at the Marquis, dreading an expression of amusement or disdain. But his attention seemed to be reserved for the lady as he led her to the scattering of cushions before the fireplace, where she knelt down with a graceful sweeping of her skirts. Bran went over and opened the fire vents. “If I’d known of your arrival, it would have been warm in here.” Bran looked over his shoulder in surprise. “Well, where d’you spend your days? Not still in the kitchens?” “In the kitchens and the library and wherever else I’m needed,” I said; and though I tried to sound cheery, it came out sounding resentful. “I’ll be back after I see about food and drink.” Feeling very much like I was making a cowardly retreat, I ran down the long halls to the kitchen, cursing my bad luck as I went. There I found Julen, Oria, the new cook, and his assistant all standing in a knot talking at once. As soon as I appeared, the conversation stopped. Julen and Oria turned to face me--Oria on the verge of laughter. “The lady can have the new rose room, and the lord the corner suite next to your brother. But they’ve got an army of servants with them, Countess,” Julen said heavily. Whenever she called me Countess, it was a sure sign she was deeply disturbed over something. “Where’ll we house them? There’s no space in our wing, not till we finish the walls.” “And who’s to wait on whom?” Oria asked as she carefully brought my mother’s good silver trays out from the wall-shelves behind the new-woven coverings. “Glad we’ve kept these polished,” she added. “I’d say find out how many of those fancy palace servants are kitchen trained, and draft ‘em. And then see if some of the people from that new inn will come up, for extra wages. Bran can unpocket the extra pay,” I said darkly, “if he’s going to make a habit of disappearing for half a year and reappearing with armies of retainers. As for housing, well, the garrison does have a new roof, so they can all sleep there. We’ve got those new Fire Sticks to warm ‘em up with.” “What about meals for your guests?” Oria said, her eyes wide. I’d told Oria last summer that she could become steward of the house. While I’d been ordering books on trade, and world history, and governments, she had been doing research on how the great houses were currently run; and it was she who had hired Demnan, the new cook. We’d eaten well over the winter, thanks to his genius. I looked at Oria. “This is it. No longer just us, no longer practice, it’s time to dig out all your plans for running a fine house for a noble family. Bran and his two Court guests will need something now after their long journey, and I have no idea what’s proper to offer Court people.” “Well, I do,” Oria said, whirling around, hands on hips, her face flushed with pleasure. “We’ll make you proud, I promise.” I sighed. “Then…I guess I’d better go back.” As I ran to the parlor, pausing only to ditch my blanket in an empty room, I steeled myself to be polite and pleasant no matter how much my exasperating brother inadvertently provoked me--but when I pushed aside the tapestry at the door, they weren’t there. And why should they be? This was Branaric’s home, too.

She leans her head on him again. "I have a secret." she says. He stays silent, touching her face. "I’d like to confide in you." She sits up. "But you have to swear not to tell anyone." She looks at him, raising an eyebrow, before lowering her head and a curtain of hair covers her face. "I’d die of shame." Andrea takes her strands of hair and moves them back. "I swear. Cross my heart, like when we were little. Okay?" he makes a sign on his chest. She nods and takes two deep breaths. "It's a little long. I don’t know where to start." "Take all the time you need." He sits up and plays with the grass while he waits. "Well…." She lifts her clasped hands to her mouth. "I've written two novels," she begins. "Really?" Andrea gasps. "Great! Have they been published?" She nods. "How are they doing?" "Well," she says, decisively. "I’m very happy." "I’ll look you up and have a read." She tucks a strand of hair behind her ear. "I’m under a pseudonym, to be honest." Andrea raises his eyebrows. "Ah, I see. So that you feel more free to express yourself, I guess." Susy shakes her head. That isn’t the reason. "Is it because of the stories? Are they strange?" Susy looks down and puts a finger to her mouth, biting the nail. "A little." "Are they really violent? Do you write Tarantino type stories?" he jokes. "No, no." Andrea senses that they have started a guessing game. One piece of information at a time and then he will get to the answer. "Ah! I’ve got it," he points at her. "Love stories? Or, wait. What are they called....?" He snaps his fingers. "Barbara reads them. Those books with vampires, angels and….." "Paranormal Romance? No, not that either." Andrea scratches his ear. "Thrillers, crime novels, science fiction?" Only biographies and reference books remain. She shakes her head again and Andrea folds his arms in puzzlement. "What books have you written then?" Susy whispers a word, her finger in her mouth, and Andrea doesn’t catch it. He takes away her hand and moves closer to her. "Huh?" "Erotic novels," she says, blushing. Andrea gasps and looks at her, wide-eyed, then bursts out laughing and throws himself onto the ground. He holds his stomach and rolls around. "I don’t believe it..." he says, doubled up with laughter. "I knew I shouldn’t have told you!" she blurts out and starts getting up. Andrea grabs her arm. "Please. Sorry," he says. "It’s just that you don’t seem like a housewife who does S&M in the living room." Susy folds her arms. "No, I don’t write about that kind of fantasy." "What type of fantasy do you write about?" he asks with a mischievous smile. "First love in the classroom? Romance, but with sex?" He waves his eyebrows, amused. "Stupid!" she replies, annoyed. "Alright." He clears his throat. "I won’t make fun of you. I promise. I'm listening." He becomes serious again, biting his lips. Susy

At first, sending the confession by real mail had felt like a genius device. I would not have to sit by my phone and watch for the signs that indicated it had been sent and seen. Slim but solid paper would, I hoped, convey me better. Now I had to consider the very real frailties of the system. Ludicrous, in fact, to entrust something of such magnitude to a mailman. A perfect stranger. I looked up stories of nefarious New York mailmen. There was one who has willfully upturned the lives of ordinary people like myself by hoarding 40,000 pieces of undelivered mail. The city was crawling with thieves and malcontents.

9. Sign your work I often put my little signature at the bottom of things I write: Besides adding a touch of whimsy, it’s a visual signal of where the end of my piece is. When you glance at the copy, I want you to know that it won’t take you long to read. 10. P.S… Have you ever wondered why a lot of marketing emails use a postscript (a P.S.)? I used to think it looked amateurish. The reason is that – just like captions – the P.S. is one page element that people read first. Now, I use a P.S. if the format is appropriate – for example, if I’m writing an email. The trick I use is to basically sum up the entire message in the P.S. That way, even if somebody only reads the postscript, they’ve still got my message.

From his own enthusiastic point of view, he extended to his venerable father Peter Bernadone the exquisite excitement and inestimable privilege of assisting, more or less unconsciously, in the rebuilding of St. Damiens Church. In point of fact what he did first was to sell his own horse and then go off and sell several bales of his father’s cloth, making the sign of the cross over them to indicate their pious and charitable destination. Peter Bernadone did not see things in this light. Peter Bernadone indeed had not very much light to see by, so far as understanding the genius and temperament of his extraordinary son was concerned. Instead of understanding in what sort of a wind and flame of abstract appetites the lad was living, instead of simply telling him (as the priest practically did later) that he done an indefensible thing with the best intentions, old Bernadone took up the matter in the hardest style; in a legal and literal fashion.

We were flying to Fort Smith in the spring of 1962, and Sam was piloting the plane over the Boston Mountains. It was that Tri-Pacer by then, not the original plane that we had made a lot of trips in. Sam pulled this card out of his pocket, on which he had written down three or four names, and he handed it to me and asked me which one I liked best. They all had three or four words in the title, and I said, ‘Well, you know, Scotch as I am, I’d just keep the Walton name and make it a place to shop.’ I scribbled ‘W-A-L-M-A-R-T’ on the bottom of the card and said, ‘To begin with, there’s not as many letters to buy.’ I had bought the letters that said ‘Ben Franklin,’ and I knew how much it cost to put them up and to light them and repair the neon, so I said, ‘This is just seven letters.’ He didn’t say anything, and I dropped the subject. A few days later I went by to see when we could start setting the fixtures in the building, and I saw that our sign maker, Rayburn Jacobs, already had the ‘W-A-L’ up there and was headed up the ladder with an ‘M.’ You didn’t have to be a genius to figure out what the name was going to be. I just smiled and went on.” Something else about that sign that’s worth mentioning. On one side of it, I had Rayburn put “We Sell for Less,” and on the other, “Satisfaction Guaranteed,” two of the cornerstone philosophies that still guide the company.

She has a point,” Caleb’s voice came from the shadows behind the massive Dragon who was taking all of my attention and I turned my head to find him, Seth and Max all watching this exchange with interest. That would explain the stars not smiting us or whatever other bullshit they might want to do. Though I was guessing I should really stop touching him…not that I did. “You did this to…help him?” Darius asked like he couldn’t understand why the fuck I’d do that and I narrowed my eyes at him. “I’m only an asshole like, ninety percent of the time,” I said, rolling my eyes at him. “The other ten percent I’m a fucking saint. So yes, I did it to help him. Turns out I only hold two members of your family in low regard.” “You pushed my brother out of a fucking window,” he growled. “I would have caught him with my air magic if I had to. Besides, this way Daddy Acrux can’t try and claim he was in on it. It’s a genius plan and you know it. Plus, your mom told me to post it so I don’t have to explain myself to you.” “Mother?” Darius scoffed. “She hardly notices anything beyond appearances. The last thing she’d encourage is a scandal like this. She-” “That’s not true, she loves you, she just…” I trailed off as the deal I’d made with Catalina stayed my tongue. I’d sworn not to tell a soul about the way I’d freed herfrom Lionel’s Dark Coercion and I wasn’t going to take even more punishment from the stars by breaking my word. “Just what?” Darius demanded. Phoenix fire burned hot beneath my skin and my palms twitched against his chest as a thought occurred to me. One I really should have considered before now if I hadn’t been so caught up with studying, the shadows, cheer practice and just plain old pining away for this monster before me to think of it. “Do you trust me?” I asked, my fingers shifting on his skin just enough to draw his attention. “Why?” “I want to try something. Something I did for your mother. But you’ll have to stay still while I do it.” Darius looked at me for a long moment and a faint tremor in the ground beneath my feet let me know that the stars had realised just how close we were to one another. Even with company they didn’t like us to touch each other, though it seemed to take them a lot longer to notice if we were. Darius exhaled angrily but his eyes shifted back as he managed to rein in some of his temper, their deep brown colour ringed with black once again. “I trust you,” he growled and the other Heirs muttered something behind him, but I didn’t care to hear it because there had been a sincerity in his words which reached out and touched my soul. He meant it. For whatever reason, despite everything we’d been through, he was still able to put his trust in me. I offered him the hint of a smile as my Phoenix fire reared up to the surface of my skin before I guided it into his flesh where I touched him. His muscles tightened beneath my hands, his eyes widening as he looked at me but he didn’t pull back, waiting as the liquid fire tore beneath his skin and sought out any signs of Lionel placing restrictions on his soul. ... “You…” Darius lifted me into his arms, staring at me with wide eyes like he didn’t even have words to explain what I’d just done for him. ,,, “She…I think she…but I don’t understand how-” “Phoenix fire burns through bullshit,” I supplied. “I just released him from every Dark Coercion spell Lionel has ever placed on him.” The Heirs all turned to stare at me like I’d just told them an alien named Clive lived up my butt and I sighed as I leaned my head back against Caleb’s shoulder. I felt like I’d just gone ten rounds in the ring against a Dragon with toothache. My eyes were hooded already and I was pretty sure that if we stood here much longer I’d fall asleep. “Thank you, Roxy,” Darius breathed and the look he was giving me made my heart do a weird squeezing kind of thing as I bit down on my bottom lip. (Tory POV)

The fact that our ears are invisible to us is a sure sign of the Creator's genius', says Doc Ranee. 'Or a sign that she hates us all,' says you. Dr. Ranee shakes her head. She tells you the ears are karmic fingerprints and that your 'meat-cloak' is littered with clues to previous lives. The suliya on your head, the ratios of your toes, the patterns on your skin, the angles of your teeth, the bounce of your gait. There are reasons even the most journeyman of charm makers include hair or nails or teeth or blood in their huniyam curses. You are dragged along towards the lift shaft. Moses holds his staff to the wind. He-Man glares as if daring you to run. The wind has grown to a gale and roars like a cornered beast. 'If you want answers,' shouts Dr Ranee over it. 'To find the "Whoever" behind it all. First find the "whoever" between your ears.' You rise up through the shaft, amidst spirits floating in many directions. Floor after floor passes you by. If you were keeping track of the levels, you would count Forty-Two. 'It is difficult to know God's face. When you do not even know your own,' she says.

Some of my favorite quotes are: A genius is not one who knows all, but knows where to look it up. Unknown The sign of true genius is being able to explain the most complex ideas in the simplest terms. Albert Einstein