“
I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
Like a puma in the barrens of Quitratue.
”
”
Pablo Neruda
“
I hunger for your sleek laugh and your hands the color of a furious harvest. I want to eat the sunbeams flaring in your beauty.
”
”
Pablo Neruda
“
Save yourselves!” Percy warned. “It is too late for us!”
Then he gasped and pointed to the spot where Frank was hiding. “Oh, no! Frank is turning into a crazy dolphin!”
Nothing happened.
“I said,” Percy repeated, “Frank is turning into a crazy dolphin!”
Frank stumbled out of nowhere, making a big show of grabbing his throat. “Oh, no,” he said, like he was reading from a teleprompter. “I am turning into a crazy dolphin.”
He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards.
The pirate crew disbanded in terror.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
The vampires start to close in. "shouldn't we stand back to back or something?" Clary said.
"What? Why?"
"I don't know. In movies that's what they do in this kind of...situation."
Jace laughs, "You, you are the most-"
The most what?" Clary demands indignantly.
Jace: Nothing. This isn't a situation okay? I save that word for when things get really bad."
"Really bad? This isn't really bad? What do you want, a nuclear-"
The windows exploded inward in a shower of broken glass. Through the shattered windows came dozens of sleek shapes, four footed and low to the ground, their coats scattering moonlight and broken bits of glass.
Wolves.
"Now, this," said Jace, "is a situation
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Let me have men about me that are fat,
...Sleek-headed men and such as sleep a-nights.
Yond Cassius has a lean and hungry look,
He thinks too much; such men are dangerous.
”
”
William Shakespeare (Julius Caesar)
“
Her fierce creature of a mind: sleek and sharp-clawed and utterly unwilling to be caught.
”
”
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
“
There’s an organic grocery store just off the highway exit. I can’t remember the last time I went shopping for food.” A smile glittered in his eyes. “I might have gone overboard.”
I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Curled up at the base of the scales, fast asleep, was the oddest monster I'd seen yet. It had the head of crocodile with a lion's mane. The front half of its body was a lion, but the back end was sleek, brown, and fat - a hippo, I decided. The odd bit was, the animal was tiny - I mean, no larger than an average poodle, which I suppose made him a hippodoodle.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Believe this," he whispered, and kissed her with the sharp, sleek kiss, the silver kiss, so swift and true, and razor sharp, and her warmth was flowing into him.
”
”
Annette Curtis Klause (The Silver Kiss)
“
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
”
”
Pablo Neruda (The Poetry of Pablo Neruda)
“
How about her?” Ben pointed to a sleek blonde who smiled and preened in response. “I bet she’d like to meet you.”
“Ooh, she’s shiny.”
“Why don’t you go ask her what her name is?” suggested Ben, patting him on the back.
“Do I need to know her name?”
“I’ve heard it helps.”
“Maybe for you,” Mal scoffed. “I just call out my own name during sex.
”
”
Kylie Scott (Play (Stage Dive, #2))
“
She attracted people to her; she had presence, an uncommon magnetism. Documenting her effect on her habitat, a naturalist would likely have compared her to a lioness: strong, sleek, and invariably surrounded by her pride.
”
”
Mohsin Hamid (The Reluctant Fundamentalist)
“
But now that she was my apprentice, every such thought caused a guilty twitch in my neck, as if someone had dropped a sleek, stinky ferret there. Guilt ferrets are bastards.
”
”
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
“
Don’t mind me,” I said. “I’m just the person who tried to rob the place last July.”
“No, you diddn’t,” Abby said, appearing on the roof. She was wearing a trim suit and tall black boots. Her hair was pulled into a sleek ponytail at the nape of her neck, and either i was imagining things or Townsend wasn’t quite as good a spy as I thought, because I could have sworn I saw him drool a little.
Note to self: your aunt is a hottie.
”
”
Ally Carter (Out of Sight, Out of Time (Gallagher Girls, #5))
“
Helen was beautiful in the way a supercomputer was beautiful: sleek with elegant but utilitarian styling, full of top-notch technological know-how, far too expensive for most people to possess.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Jack furiously chopped vegetables. "Captain Dependable! Wait, we vetoed that one. The Divine Door Maker? Too much? Hmm...Handsome Hero, but maybe I should move away from alliteration. Something sleek. Our Lord and Master Jack.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
His palm rests on the knob so I can't try to shut him out again. Rain droplets glisten along his sleek hair, which no doubt took gallons of glaze and hours to perfect. It's the one part of his appearance Taelor will actually approve of.
As for me, I favour the messy look - hair out of sorts, body slicked in sweat with motor oil or watercolours splashed across his olive skin.
That's the Jeb I grew up with. The one I could count on. The one I've lost.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Staring at her face, she began to fancy her outer layer had begun to melt away while she wasn't paying attention, and something -- some new skeleton -- was emerging from beneath the softness of her accustomed self. With a deep, visceral ache, she wished her true form might prove to be a sleek and shining one, like a stiletto blade slicing free of an ungainly sheath. Like a bird of prey losing its hatchling fluff to hunt in cold, magnificent skies. That she might become something glittering, something startling, something dangerous.
”
”
Laini Taylor (Lips Touch: Three Times)
“
Once there was a seamstress who could weave fabric from feeling. She sewed gowns of delight: sheer, sparkling, sleek. She cut cloth out of ambition and ardor, idyll and industry.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Oh,you may not think I'm pretty,
But don't judge on what you see,
I'll eat myself if you can find
A smarter hat than me.
You can keep your bowlers black,
Your tops hats sleek and tall,
For I'm the Hogwarts Sorting Hat
And I can cap them all.
There's nothing hidden in your head
The Sorting Hat can't see,
So try me on and I will tell you
Where you ought to be.
Y ou might belong in Gryffindor,
Where dwell brave of heart,
Their daring, nerve, and chivalry
Set Gryffindors apart;
You might belong in Hufflepuff,
Where they are just and loyal,
Those patient Hufflepuffs are true
And unafraid of toil;
Or yet wise old Ravenclaw,
If you've a ready mind,
Where those of wit and learning,
Will always find their kind;
Or perhaps in Slytherin
You'll make your real friends,
Those cunning folk use any means
To achive their ends.
So put me on! Don't be afraid!
And you won't get in a flap!
You're safe in my hands(though I have none)
For I'm a Thinking Cap!!
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
She reminded him of some beautiful, sleek animal waking up in the sun.
”
”
Kate Chopin (The Awakening)
“
This new world was a vicious, sleek world made of street lights and tight jeans, sharp smiles and fast cars. This was a city, edited. A city, pared down to its bare minimums, beautiful and abusive.
”
”
Maggie Stiefvater
“
You could love the sleek, efficient beauty of a brand-new bullet train, but only a fool could imagine it would love you back.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
What a luxury a cat is, the moments of shocking and startling pleasure in a day, the feel of the beast, the soft sleekness under your palm, the warmth when you wake on a cold night, the grace and charm even in a quite ordinary workaday puss. Cat walks across your room, and in that lonely stalk you see leopard or even panther, or it turns its head to acknowledge you and the yellow blaze of those eyes tells you what an exotic visitor you have here, in this household friend, the cat who purrs as you stroke, or rub his chin, or scratch his head.
”
”
Doris Lessing (The Old Age of El Magnifico)
“
Maybe for girls made of snow, love was worth the melt. But she was made of stolen bones and sleek fur, grave dirt and strange blood - her heart wasn’t even hers to give. Her soul was all she had, and no love was worth losing it.
”
”
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
“
A kitten, a nice, little, sleek playful kitten, that I can play with, and teach, and feed, and feed, and feed!
”
”
Bram Stoker (Dracula)
“
Ridiculous!" Chrysaor's voice turned shrill. He didn't seem sure where to level his sword-at Percy or his own crew.
"Save yourselves!" Percy warned. "It is too late for us!"
Then he gasped and pointed to the spot where Frank was hiding. "Oh, no! Frank is turning into a crazy dolphin!"
Nothing happened.
"I said," Percy repeated, "Frank is turning into a crazy dolphin!"
Frank stumbled out of nowhere, making a big show of grabbing his throat. "Oh, no," he said, like he was reading from a teleprompter. "I am turning into a crazy dolphin."
He began to change, his nose elongating into a snout, his skin becoming sleek and gray. He fell to the deck as a dolphin, his tail thumping against the boards.
The pirate crew disbanded in terror, chattering and clicking as they dropped their weapons, forgot the captives, ignored Chrysaor's orders, and jumped overboard.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
There once was a miller
with a daughter as lovely as a grape.
He told the king that she could
spin gold out of common straw.
The king summoned the girl
and locked her in a room full of straw
and told her to spin it into gold
or she would die like a criminal.
Poor grape with no one to pick.
Luscious and round and sleek.
Poor thing.
To die and never see Brooklyn.
(Rumpelstiltskin)
”
”
Anne Sexton (Transformations)
“
He extended a finger to her face, the simple gesture bringing into play the sleek muscles of his shoulders and arms. “You are so beautiful, so adorable. I know full well you’re my doom, and I don’t care.
”
”
Chris Lange (A Touch Too Much)
“
Just as an apple a day keeps the doctor away,a book a week keeps the mind ever sleek
”
”
Azuka Onwuka
“
How do I look in the dark?”
Startled, Arin glanced at him. The question had had no edges. It wasn’t sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin’s squarely. The heavy feeling that Arin carried—that specific sadness, nestled just below his collar bone, like a pendant—lessened. He said, “Like my friend.”
Roshar didn’t smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. “You do, too.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
My sin grew sleek on my excesses.
”
”
Augustine of Hippo
“
I am chic, sleek, and so unique.
”
”
Charles F. Glassman (Brain Drain - The Breakthrough That Will Change Your Life)
“
Whit looks like an angel when she sleeps. She's all sweet, full lips, long, curly eyelashes, and a tumble of sleek, dark hair against the pillow.
She also kicks like a mule, snores like a bear, sweats like a hog, and steals the covers like a fat, menacing caterpillar about to cocoon herself before her metamorphosis. - Deo
”
”
Liz Reinhardt (Lengths (Silver Strand, #1))
“
He bent his head and brushed my lips with his. His hair spilled against my forehead, sleek and startling. Shock held me immobile, shock—and something else. Part of me wanted to lean into him.
”
”
Ann Aguirre (Enclave (Razorland, #1))
“
...for all its apparent speed, the ship was almost perfectly silent, and he experienced an enervating, eerie feeling, as though the ancient warship, mothballed all those centuries, had somehow not yet fully woken up, and events within its sleek hull still moved to another, slower tempo, made half of dreams.
”
”
Iain Banks (The Player of Games (Culture, #2))
“
He lounged on his side, bare-chested and barefooted, his jeans unbuttoned to show both the waistband of his underwear and the sleek lines of his ripped abs. His dark brown hair was sexily mussed and his emerald eyes were bright with mischief.
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
What size you wear?”
“Size?” Thomas thought for a second. “I … don’t know.” “Eleven.”
“Geez, shank, you got big feet.” Minho stood up holding a pair of sleek silver ones. “But looks like I’ve got some – man, we could go canoeing in these things.
”
”
James Dashner (The Maze Runner (The Maze Runner, #1))
“
My mind went back to that picture in the obstetrics book. A cow standing in the middle of a gleaming floor while a sleek veterinary surgeon in a spotless parturition overall inserted his arm to a polite distance. He was relaxed and smiling, the farmer and his helpers were smiling, even the cow was smiling. There was no dirt or blood or sweat anywhere.
That man in the picture had just finished an excellent lunch and had moved next door to do a bit of calving just for the sheer pleasure of it, as a kind of dessert. He hadn't crawled shivering from his bed at two o'clock in the morning and bumped over twelve miles of frozen snow, staring sleepily ahead till the lonely farm showed in the headlights. He hadn't climbed half a mile of white fell-side to the doorless barn where his patient lay.
”
”
James Herriot (If Only They Could Talk (All Creatures Great and Small, #1))
“
He's a pitiful soul. Gentle, frail, the least likely to protest. In a nation of hairy men, Father stands out like a sleek adolescent boy. For years, his hair was thin and wispy, then, in one year, gone. He couldn't even keep the hair on top of his head.
”
”
Michael Ben Zehabe (Persianality)
“
But a topee is not a turban, and I had been my teacher's pupil before I became my husband's wife, learning to my bones that half a disguise is none at all...The moment my short-cropped, pomade-sleek, unquestionably masculine hair passed beneath his nose was the closest thing I've ever seen Holmes to fainting dead away.
”
”
Laurie R. King (The Game (Mary Russell and Sherlock Holmes, #7))
“
I strolled into a downtown parking garage, wearing a black pantsuit and matching heels. I’d pulled my dark, chocolate-brown hair up into a high, sleek ponytail, while black glasses with clear lenses covered my cold
gray eyes. I looked like just another corporate office drone, right down to the enormous black handbag I carried.
”
”
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
“
For the most part, I'd say if you crossed a cat with a smart dog, made him a matriarchal vegetarian, gave him sleek beauty, a mass of muscle, and the desire to run, then what you'd have is a horse.
”
”
Tom Spanbauer (In the City of Shy Hunters)
“
But he had never seen Myrna in practice...never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stange, where everyone seemed to either glide or mince effortlessly on the tips of their pointes. and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music- only the choreographer rythmically clapping his hands and yelling harsh criticisms. No praise, only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it way, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer's clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living, they were killing themselves. Most of all he remembered their expressions- all that exhausted concentration, all that pain... but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it scared Jack because it had seemed inexplicable.
”
”
Stephen King (The Talisman)
“
What fascinated me about English was what I later recognized as its hybrid etymoogy: blunt Anglo-Saxon concreteness, sleek Norman French urbanity, and polysyllabic Greco-Roman abstraction. The clash of these elements, as competitive as Italian dialects is invigorating, richly entertaining, and often funny, as it is to Shaskespeare, who gets tremendous effects out of their interplay. The dazzling multiplicity of sounds and word choices in English makes it brilliantly suited to be a language of poetry..
”
”
Camille Paglia (Break, Blow, Burn)
“
I grazed her from head to toe: black high heels, dark red lipstick, sleek brown pony and those tyrannical yellow-green eyes, burning holes into the glass. I was sharing an elevator with a tempestuous, electric storm that I refused to calm. I always wished to be swept into madness, if only for a moment, to truncate the mundane, ordinary moments of my existence.
”
”
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
“
His agony somehow became an invisible hand, stretching out through the Force, a hand that found her, far away, alone in her apartment in the dark, a hand that felt the silken softness of her skin and the sleek coils of her hair, a hand that dissolved into a field of pure energy, of pure feeling that reached inside her—
And now he felt her, really felt her in the Force, as though she could have been some kind of Jedi, too, but more than that: he felt a bond, a connection, deeper and more intimate than he’d ever had before with anyone, even Obi-Wan; for a precious eternal instant he was her … he was the beat of her heart and he was the motion of her lips and he was her soft words as though she spoke a prayer to the stars—
”
”
Matthew Woodring Stover (Star Wars: Revenge of the Sith (Star Wars Novelizations, #3))
“
Roarke: "Pull yourself together, Eve."
He was already in a business suit, his hair shining and sleek...
Eve: "How come you already are?"
Roarke: "Because staying in bed half the morning unless sex is involved is a waste of time. Since you didn't appear to be cooperative in that area, I started my day with coffee instead
”
”
J.D. Robb (Conspiracy in Death (In Death, #8))
“
That night, having wriggled down into my futon all alone, I found myself in the grips of a wrenching sadness. I was only a child, but I knew the feeling that came when you parted with something, and I felt that pain. I lay gazing up at the ceiling , feeling the sleek stiffness of the well-starched sheets against my skin. My distress was a seed that would grow into an understanding of what it meant to say goodbye. In contrast to the heavy ache I would come to know later on in life, this was tiny and fresh – a green bud of pain with a bright halo of light rimming its edges.
”
”
Banana Yoshimoto (Goodbye Tsugumi)
“
His nickname through all the wards was ' Little Friend of all the World'; and very often, being lithe and inconspicuous, he executed commissions by night on the crowded housetops for sleek and shiny young men of fashion. It was intrigue, of course.
”
”
Rudyard Kipling (Kim)
“
One morning as I closed the cyclone-fence gate / to begin a slow drift / down to the cookhouse on foot / (because my truck wheels were glued / in deep mud once again), / I walked straight into / the waiting non-arms of a snake, / its tan beaded-bag skin / studded with black diamonds.
Up it coiled to speak to me a eye level. / Imagine! that sleek finger / rising out of the land's palm / and coiling faster than a Hindu rope. / The thrill of a bull snake / startled in the morning / when the mesas lie pooled / in a custard of light / kept me bright than ball lightning all day.
Praise leapt first to mind / before flight or danger, / praise that knows no half-truth, and pardons all.
”
”
Diane Ackerman (I Praise My Destroyer: Poems)
“
For if in careless summer days
In groves of Ashtaroth we whored,
Repentant now, when winds blow cold,
We kneel before our rightful lord;
The lord of all, the money-god,
Who rules us blood and hand and brain,
Who gives the roof that stops the wind,
And, giving, takes away again;
Who spies with jealous, watchful care,
Our thoughts, our dreams, our secret ways,
Who picks our words and cuts our clothes,
And maps the pattern of our days;
Who chills our anger, curbs our hope,
And buys our lives and pays with toys,
Who claims as tribute broken faith,
Accepted insults, muted joys;
Who binds with chains the poet’s wit,
The navvy’s strength, the soldier’s pride,
And lays the sleek, estranging shield
Between the lover and his bride.
”
”
George Orwell (Keep the Aspidistra Flying)
“
What?" he asked.
"Nothing. Your bony hands of death amuse me, that's all."
"Wait until yours look the same," he said, preparing to scythe.
"Wait - what?" She batted the sapphire blade out of his hands. "What do you mean? Is that why everyone around here has such creepy fingers?"
"Yeah." He bent down to pick up his scythe. "I don't know why it happens, though. Probably the same weird reason our hair goes all wonky."
"What?" she barked, knocking his scythe to the ground once more.
"Stop that!"
"What happens to our hair?"
He gestured to the disaster atop his head. "You think I want to look like a drunken hedgehog all the time? It's from hanging out in the ether so much. It messes with your follicles or something. Doesn't happen to everyone, but I can assure you that Ferbus's wasn't always the color of a prison jumpsuit, Zara wasn't born Silvylocks, and Mort's been rocking the electrocution look for years. Look, yours has gotten straighter already."
Lex ran a hand through her hair. It had lost some of its poofyness. There had been so many other circuses of insanity to deal with that she hadn't even noticed. It was calm, manageable, even - she shuddered to think it - sleek and shiny.
"Oh my God," she said in disgust. "I'm a shampoo commercial.
”
”
Gina Damico (Croak (Croak, #1))
“
He bends over me, curls his sleek, cut body all around me, making himself my world. Flicking his eyes all over my face, he whispers, “Dark curls; Golden eyes.” He rubs our noses together. “Thirteen freckles; Flowers between her thighs.” He skims his lips over mine. “Sweet; So sweet; My heart; My sweetheart.
”
”
Saffron A. Kent (My Darling Arrow (St. Mary’s Rebels, #1))
“
Softened by Time's consummate plush,
How sleek the woe appears
That threatened childhood's citadel
And undermined the years!
Bisected now by bleaker griefs,
We envy the despair
That devastated childhood's realm,
So easy to repair.
”
”
Emily Dickinson
“
He walked among the bookstore shelves, hearing Muzak in the air. There were rows of handsome covers, prosperous and assured. He felt a fine excitement, hefting a new book, fitting hand over sleek spine, seeing lines of type jitter past his thumb as he let the pages fall. He was a young man, shrewd in his fervors, who knew there were books he wanted to read and others he absolutely had to own, the ones that gesture in special ways, that have a rareness or daring, a charge of heat that stains the air around them.
”
”
Don DeLillo (Mao II)
“
The people I love the best
jump into work head first
without dallying in the shallows
and swim off with sure strokes almost out of sight.
They seem to become natives of that element,
the black sleek heads of seals
bouncing like half submerged balls.
I love people who harness themselves, an ox to a heavy cart,
who pull like water buffalo, with massive patience,
who strain in the mud and the muck to move things forward,
who do what has to be done, again and again.
I want to be with people who submerge
in the task, who go into the fields to harvest
and work in a row and pass the bags along,
who stand in the line and haul in their places,
who are not parlor generals and field deserters
but move in a common rhythm
when the food must come in or the fire be put out.
The work of the world is common as mud.
Botched, it smears the hands, crumbles to dust.
But the thing worth doing well done
has a shape that satisfies, clean and evident.
Greek amphoras for wine or oil,
Hopi vases that held corn, are put in museums
but you know they were made to be used.
The pitcher cries for water to carry
and a person for work that is real.
”
”
Marge Piercy (To Be of Use: Poems)
“
Randall looks at me with fire in his eye, but he nods and decides to smile at my banter. He gets to his feet, bows low, and says, "I believe I saw my sister's fat friend Pickering down below. Shall we all go to dinner and hear more tales of your adventures?"
Hey, Ezra ain't fat, he's... well... sleek is what he is. Sleek, like a well-fed seal. Or, hey, maybe even a silkie...
”
”
L.A. Meyer
“
It wasn't ass-screaming Beaker, though. It was fourteen girls in matching, form fitting sweats, all of which read RIDGE CHEERLEADING on the butt. (A form of ass-screaming, I suppose.) Each had her name on the back of her sleek warm-up fleece. They clustered around the snack bar, yelling at the top of their lungs. I really hoped and prayed that they wouldn't all say "Oh my God!" at once, but my prayers were not heard, maybe because God was busy listening to all of them.
”
”
Maureen Johnson (Let It Snow: Three Holiday Romances)
“
It is our expression that the flux between that which isn't and that which won't be, or the state that is commonly and absurdly called "existence," is a rhythm of heavens and hells: that the damned won't stay damned; that salvation only precedes perdition. The inference is that some day our accursed tatterdemalions will be sleek angels. Then the sub-inference is that some later day, back they'll go whence they came.
”
”
Charles Fort (The Book of the Damned)
“
A warm flow of pain was gradually replacing the ice and wood of the anaesthetic in his thawing, still half-dead, abominably martyred mouth. After that, during a few days he was in mourning for an intimate part of himself. It surprised him to realize how fond he had been of his teeth. His tongue, a fat sleek seal, used to flop and slide so happily among the familiar rocks, checking the contours of a battered but still secure kingdom, plunging from cave to cove, climbing this jag, nuzzling that notch, finding a shred of sweet seaweed in the same old cleft; but now not a landmark remained, and all there existed was a great dark wound, a terra incognita of gums which dread and disgust forbade one to investigate. And when the plates were thrust in, it was like a poor fossil skull being fitted with the grinning jaws of a perfect stranger.
”
”
Vladimir Nabokov (Pnin)
“
She keeps looking at you.” Ansel tripped over a stray limb, nearly landing face-first in the snow. Absalon leapt sleekly from his path.
“Of course she does. I’m objectively beautiful. A masterpiece made flesh.”
Ansel snorted.
“Excuse me?” Offended, I kicked snow in his direction, and he nearly tumbled again. “I don’t think I heard you correctly. The proper response was, ‘Goddess Divine, of course thy beauty is a sacred gift from Heaven, and we mortals are blessed to even gaze upon thy face.’”
“Goddess Divine.” He laughed harder now, brushing the snow from his coat. “Right.
”
”
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
“
This was the Mecca of the American Dream, the world that everyone wanted. A world of sleek young women (allied with Slenderella to be so) in shorts and halters, driving 400-horsepower station wagons to air-conditioned, music-serenaded supermarkets of baby-sitter corporations and culture condensed into Great Books discussion groups. A life of barbecues by the swimming pool and drive in movies open all year. It did't appeal to me. Fuck health insurance plans and life insurance. They wanted to live without leaving the womb. It made me more alive to play a game without rules against society, and I was prepared to play it to the end. A tremor almost sexual passed through me as I anticipated the comming robbery.
”
”
Edward Bunker (No Beast So Fierce)
“
It is easy enough to call men
from the edges of the earth.
It is easy enough to summon them to my feet
with a thought–
it is beautiful to see the tall panther
and the sleek deer-hounds
circle in the dark.
It is easy enough
to make cedar and white ash fumes
into palaces
and to cover the sea-caves
with ivory and onyx.
But I would give up
rock-fringes of coral
and the inmost chamber
of my island palace
and my own gifts
and the whole region
of my power and magic
for your glance.
”
”
H.D.
“
There are transitions in life whether we want them or not. You get older. You lose jobs and loves and people. The story of your life may change dramatically, tragically, or so quietly you don´t even notice. It´s never any fun, but it can´t be avoided. Sometimes you just have to walk into the cold dark water of the unfamiliar and suffer for a while. You have to go slow, breathe, don´t stop, get your head under, and then wait. And soon you get used to it. Soon the pain is gone and you have forgotten it because you are swimming, way out here where it´s hard and where you were scared to go, swimming sleekly through the new.
”
”
John Hodgman
“
Suddenly he smiled, and the sadness was vanquished by whisky heat. “Aye, Jessica, I like you. And I’m not just stuck with you. You fit me here, woman.” He thumped his chest with his fist. Then he shook her hand from his forearm and pushed off with the cart again. Jessi watched him move down the aisle, all sleek animal muscle and dark grace.
Wow. He wasn’t a man of many words, but when he used them, he certainly used the right ones.
You fit me here. You are the exception to everything.
Crimeny.
It was how she’d always thought a relationship should be. People should fit each other: some
days like sexy, strappy high-heeled shoes, other days like comfortable loafers—but always a good fit. And if you cared about someone, they should be the exception to everything; the number-one priority, the one who came before all others.
He was halfway down the aisle from her now, plucking a
can from the shelf—her primal hunter/gatherer procuring food by modern means, she thought, with a soft snort of amusement.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
The French phrase “femme fatale” literally means “deadly woman,” which understates the human embodiment of lust and peril, that intoxicating allure of sex and death that makes these creatures so fascinating. The femme fatale is a sleek and sensuous creature, dangerous either physically or emotionally to her victims.
”
”
Dominique Mainon (Femme Fatale: Cinema's Most Unforgettable Lethal Ladies (Limelight))
“
The morning was one peculiar to that coast. Everything was mute and calm; everything gray. The sea, though undulated into long roods of swells, seemed fixed, and was sleeked at the surface like waved lead that has cooled and set in the smelter's mould. The sky seemed a gray surtout. Flights of troubled gray fowl, kith and kin with flights of troubled gray vapors among which they were mixed, skimmed low and fitfully over the waters, as swallows over meadows before storms. Shadows present, foreshadowing deeper shadows to come.
”
”
Herman Melville (Benito Cereno (Bedford College Editions))
“
Red light flickered behind her closed eyelids, and when she opened them, she discovered that they were surrounded by flames.
Let it burn....
His sleek brow wrinkled, and he shook his head. Poor man looked conflicted, which was an interesting expression on a nightmare. "Your city is on fire."
She smiled languidly. "Ain't it grand?
”
”
Erin Kellison (Scrape (Reveler, #8))
“
He had liked her enormously, and he loved Krug with the same passion that a big sleek long-flewed hound feels for the high-booted hunter who reeks of the marsh as he leans towards the red fire. Krug could take aim at a flock of the most popular and sublime human thoughts and bring down a wild goose any time. But he could not kill death.
”
”
Vladimir Nabokov (Bend Sinister)
“
Professor Moody!" said a shocked voice.
Professor McGonagall was coming down the marble staircase with her arms full of books.
"Hello, Professor McGonagall," said Moody calmly, bouncing the ferret still higher.
"What - what are you doing?" said Professor McGonagall, her eyes following the bouncing ferret's progress through the air.
"Teaching," said Moody.
"Teach - Moody, is that a student?" shrieked Professor McGonagall, the books spilling out of her arms.
"Yep," said Moody.
"No!" cried Professor McGonagall, running down the stairs and pulling out her wand; a moment later, with a loud snapping noise, Draco Malfoy had reappeared, lying in a heap on the floor with his sleek blond hair all over his now brilliantly pink face. He got to his feet, wincing.
"Moody, we never use transfiguration as a punishment!" said Professor McGonagall weakly. "Surely Professor Dumbledore told you that?"
"He might have mentioned it, yeah," said Moody, scratching his chin unconcernedly.
”
”
J.K. Rowling
“
Magnus stopped dead.
The room was illuminated only by a reading lamp; all the other light came from outside the windows. Alec was painted with streetlights and moonlight, shadows curling around his biceps and the slender indentations of his collarbones, his torso all smooth, sleek, bare skin until the dark line of his jeans. There were runes on the flat planes of his stomach and the silvery scars of old Marks snaked around his ribs, with one on the ridge of his hip. His head was bowed, his hair black as ink, his luminously pale skin white as paper. He looked like a piece of art, chiaroscuro, beautifully and wonderfully made.
Magnus had heard the story of how the Nephilim were created many times. They must have forgotten to leave out the bit that said: And the Angel descended from on high and gave his chosen ones fantastic abs.
”
”
Cassandra Clare (The Bane Chronicles)
“
Trembling, Mahiya walked to lean her face against Jason’s back, his wings strong and sleek and paradoxically soft on either side of her. 'I don’t know what to think.' She passed him the letter without shifting from her position tucked against his back. He didn’t force her to move, didn’t attempt to turn and take her into his arms—as if he understood she just needed to lean on his strength a little until the world stopped spinning.
”
”
Nalini Singh (Archangel's Storm (Guild Hunter, #5))
“
Are you all right?" A crease appears between his eyebrows, and he touches my cheek gently.I bat his hand away.
"Well," I say, "first I got reamed out in front of everyone,and then I had to chat with the woman who's trying to destroy my old faction,and then Eric almost tossed my friends out of Dauntless,so yeah,it's shaping up to be a pretty great day,Four."
He shakes his head and looks at the dilapidated building to his right, which is made of brick and barely resembles the sleek glass spire behind me. It must be ancient.No one builds with brick anymore.
"Why do you care,anyway?" I say. "You can be either cruel instructor or concerned boyfriend." I tense up at the word "boyfriend." I didn't mean to use it so flippantly,but it's too late now. "You can't play both parts at the same time."
"I am not cruel." He scowls at me. "I was protecting you this morning. How do you think Peter and his idiot friends would have reacted if they discovered that you and I were..." He sighs. "You would never win. They would always call your ranking a result of my favoritism rather than your skill."
I open my mouth to object,but I can't. A few smart remarks come to mind, but I dismiss them. He's right. My cheeks warm, and I cool them with my hands.
"You didn't have to insult me to prove something to them," I say finally.
"And you didn't have to run off to your brother just because I hurt you," he says. He rubs at the back of his neck. "Besides-it worked,didn't it?"
"At my expense."
"I didn't think it would affect you this way." Then he looks down and shrugs. "Sometimes I forget that I can hurt you.That you are capable of being hurt."
I slide my hands into my pockets and rock back on my heels.A strange feeling goes through me-a sweet,aching weakness. He did what he did because he believed in my strength.
At home it was Caleb who was strong,because he could forget himself,because all the characteristics my parents valued came naturally to him. No one has ever been so convinced of my strength.
I stand on my tiptoes, lift my head, and kiss him.Only our lips touch.
"You're brilliant,you know that?" I shake my head. "You always know exactly what to do."
"Only because I've been thinking about this for a long time," he says, kissing my briefly. "How I would handle it, if you and I..." He pulls back and smiles. "Did I hear you call me your boyfriend,Tris?"
"Not exactly." I shrug. "Why? Do you want me to?"
He slips his hands over my neck and presses his thumbs under my chin, tilting my head back so his forehead meets mine. For a moment he stands there, his eyes closed, breathing my air. I feel the pulse in his fingertips. I feel the quickness of his breath. He seems nervous.
"Yes," he finally says. Then his smile fades. "You think we convinced him you're just a silly girl?"
"I hope so," I say.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
He observed his hostess attentively from under his shaggy brows, and noted a subtle change which had transformed her from the listless woman he had known into a being who, for the moment, seemed palpitant with the forces of life. Her speech was warm and energetic. There was no repression in her glance or gesture. She reminded him of some beautiful, sleek animal waking up in the sun.
”
”
Kate Chopin (The Awakening)
“
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
”
”
Ian McEwan (Amsterdam)
“
But I've always been a sucker for externals alone: the shape, the shine, what the surface suggests to my palm. So mechanically disinclined it's verging on criminal, I never understood the beauty of an object's workings until Linny sat my reluctant self down one day and showed me her camera. Within fifteen minutes, I had fallen hard for the whole gadgety, eyelike nature of the thing: a tiny piece of glass slowing, bending, organizing light - light - into your grandmother, the Grand Canyon, the begonia on the windowsill, the film keeping the image like a secret. Grandmother, canyon, begonia tucked neatly into the sleek black box, like bugs in a jar. My mind boggled.
”
”
Marisa de los Santos (Belong to Me (Love Walked In, #2))
“
Megan noisily sucked in air for a scream that froze in her lungs. The cat stood in front of the open fire escape window, tail twitching, eyes focused intently on her face. Cursing inwardly at the stupidity of leaving the window open even a little bit, she made a mental note to never do it again…if she lived.
The sheer size of the body under that sleek black coat was breathtaking, not to mention the power evident in those muscles. Megan whimpered as she caught sight of the sharp claws just visible on its feet. “Holy crap, someone up there has a really sick sense of humor. When I said I should get a cat, this is not what I meant!” she whispered. The cat snorted and her heart lodged in her throat.
”
”
Cait Miller (Stray Magic)
“
What the Lady was happening? The man had his mouth smashing on Tarin's, and his tongue was shoving at Tarin's tongue. Tarin tried to scream. The men did eat boys. It wasn't just a scary fire-rumor. He bucked his body and writhed. He was going to be consumed alive!
"Lady!" he bawled like a little kid. It sort of worked.
The man moved his mouth and laughed.
"Now, no fussing. I won't hurt you if you're a good boy."
"Don't eat me," moaned Tarin. He was too scared to be brave. This was why no boys ever escaped from the Before Times buildings. The men ate them! No wonder men were so sleek and strong. They had boy meat to get them through the winter
”
”
Syd McGinley (Out of the Woods (Tarin's World, #1))
“
Try not to breathe,” I tell Lira. “It might get stuck halfway out.”
Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.”
“They’re pearls of wisdom, actually.”
I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.”
“Or gold,” I tell her smugly. “I hear it’s worth its weight.”
Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.”
“Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun.
“I don’t need you to flirt with me,” he says. “I already know you find me irresistible.”
Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.”
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
“Is it because you think I look sexier wearing nothing?”
Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
“I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.”
“Okay,” Madrid says. “Now I feel nauseated.”
I laugh.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
A car, a blue convertible, sleek and desirable, came sweeping west out of Beverly Hills along the, as I understand it, gracious curves of Sunset Boulevard. Anybody seeing such a car would have wanted it. Obviously. It was designed to make you want it. If people had turned out not to want it very much, the makers would have redesigned it and redesigned it until they did. The world is now full of things like this, which is, of course, why everybody is in such a permanent state of want.
”
”
Douglas Adams (The Salmon of Doubt (Dirk Gently, #3))
“
…anyway it wasn’t your reading that started this. It was the laugher, the carefree laughter, the three dimensional Coca Cola advertisement that you were, the try-anything-once friends, the imperviousness to all that came before you, the chain phone calls, the in-jokes, the instant success, the beach houses, the white lace underwear, the private dancing, the good-graced acceptance pf part-time shift work, the apparent absence of expectations, the ever-changing disposable cults of the rural, the family, the eastern, the modern, the postmodern, the impoverished, the sleekly deregulated, the orgasm, the feminine, the feminist, and then the way you canceled with the air of one making a salad
”
”
Elliot Perlman
“
There are transitions in life whether we want them or not. You get older. You lose jobs and loves and people. The story of your life may change dramatically, tragically, or so quietly you don’t even notice. It’s never any fun, but it can’t be avoided. Sometimes you just have to walk into the cold dark water of the unfamiliar and suffer for a while. You have to go slow, breathe, don’t stop, get your head under, and then wait. And soon you get used to it. Soon the pain is gone and you have forgotten it because you are swimming, way out here where it’s hard and where you were scared to go, swimming sleekly through the new.
”
”
John Hodgman (Vacationland: True Stories from Painful Beaches)
“
(At a health and fitness fair)
Though normally superconfident, I am not prepared for the judgmental stares of the ultrafit. They don't know me and have no idea of my prowess in the boardroom. They're unfamiliar with my shoe collection and unaware that I live in the Dot-Com Palace. And they didn't notice me pulling up in the Caddy. All they can see is how much space I occupy.
With each step I take, I feel cellulite blossoming on my arms, my stomach, my calves. Stop it! I think my chin just multiplied and my thighs inflated. No! Deflate! Deflate! And I'm pretty sure I can see my own ass out of the corner of my eye. Gah! Cut it out!! Am I imagining things, or do my footsteps sound like those of the giant who stomped through the city in the beginning of Underdog? And how did I go from aging-but-still-kind-of-hot ex-sorority girl to horrific, stompy cartoon monster in less than an hour?
My sleek and sexy python sandals have morphed into cloven hooves by the time I reach the line for the race packet. While I wait, the air is abuzz with tales of other marathons while many sets of eyes cut in my direction. Eventually an asshat in a JUST DO IT T-shirt asks me, "How's your training going?
”
”
Jen Lancaster
“
He was a stranger, an alien creature, impossible to reach or understand. And still she wanted to try. “Tell me what you need.”
“This,” he whispered, watching her lips move against his palm. “Just this.” He rose over her, pinning her against the cushions, and stroked her hair with a tenderness that seemed misplaced among the sultry sensations it awakened in her.
“Do your clients pleasure you?” she asked hoarsely, her head tilting and following his fingers as they massaged her neck.
“If that’s what they want. You pleasure me, Billie. The sight of you. The sound of your voice. I want to hear it all sorts of ways. Laughing. Whispering. Moaning. Crying out.” He caught her mouth in a lush, hungry kiss, and there was nothing sweet or grateful about it this time. Erotic delight arrowed through her with each sleek thrust of his tongue between her lips, a sultry promise of what he would do to her if she let him.
”
”
Shelby Reed (The Fifth Favor)
“
The birth of the fast food industry coincided with Eisenhower-era glorifications of technology, with optimistic slogans like “Better Living through Chemistry” and “Our Friend the Atom.” The sort of technological wizardry that Walt Disney promoted on television and at Disneyland eventually reached its fulfillment in the kitchens of fast food restaurants. Indeed, the corporate culture of McDonald’s seems inextricably linked to that of the Disney empire, sharing a reverence for sleek machinery, electronics, and automation. The leading fast food chains still embrace a boundless faith in science—and as a result have changed not just what Americans eat, but also how their food is made.
”
”
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
“
As he [Sir Malcolm Sargeant, conductor of the London Philharmonic] stood in waist deep in the shallows of Whaler's Cove, the littler spinners came drifting over, sleek and dainty, gazing at him curiously with their soft dark eyes. Malcolm was a tactful, graceful man in his movements, and so the spinners were not afraid of him. In moments, he had them all pressing around him, swimming into his arms, and begging him to swim away with them. He looked up, suffused with delight, and remarked to me, 'It's like finding out there really are fairies at the bottom of the garden!
”
”
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
“
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping.
I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me.
I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right?
These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one.
Soon, she began to listen to it.
Lara, it said, sit here, where the sun may kiss you. And she did.
Lara, it said, lie here, where the moon can make love to you all night long. and she did.
Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream.
Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon.
For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara.
When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion.
While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon.
Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true.
So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
”
”
Alice Walker
“
When Batty got back home from walking the dogs, there were teenagers lounging all over the place, some left over from the basketball game, some arriving for the birthday dinner, some who fit into both categories. For once, she hardly cared, too delighted to see that Oliver's sleek car was no longer in the driveway. Hoping that he was gone forever, she rushed into the house and ended up in the kitchen, where dinner preparations were in full swing. Mr. Penderwick was chopping up vegetables for quesadillas, Rosalind was pulling a cake out of the oven, Jeffrey was shredding cheese, and Iantha was cooking up small, plain cheese quesadillas for Lydia, who was to be fed before the big dinner got rolling. Then there were the non-workers: Lydia in her high chair, wearing both her crown and her lamb bib, her new pink rabbit beside her; Jane sitting cross-legged on the floor, in everyone's way; Ben, strutting around, showing off his new Celtics T-shirt; and Asimov, sticking close to Jeffrey, hoping for falling cheese.
”
”
Jeanne Birdsall (The Penderwicks in Spring (The Penderwicks, #4))
“
You will know if you are too acidic if you get sick often, get urinary tract infections, suffer from headaches, and have bad breath and body odor (when you do not use antiperspirant). Acidosis is the medical term for a blood alkalinity of less than 7.35. A normal reading is called homeostasis. It is not considered a disease; although in and of itself it is recognized as an indicator of disease. Your blood feeds your organs and tissues; so if your blood is acidic, your organs will suffer and your body will have to compensate for this imbalance somehow. We need to do all we can to keep our blood alkalinity high. The way to do this is to dramatically increase our intake of alkaline-rich elements like fresh, clean air; fresh, clean water; raw vegetables (particularly their juices); and sunlight, while drastically reducing our intake of and exposure to acid-forming substances: pollution, cigarettes, hard alcohol, white flour, white sugar, red meat, and coffee. By tipping the scales in the direction of alkalinity through alkaline diet and removal of acid waste through cleansing, and acidic body can become an alkaline one.
"Bear in mind that some substances that are alkaline outside the body, like milk, are acidic to the body; meaning that they leave and acid reside in the tissues, just as many substances that are acidic outside the body, like lemons and ripe tomatoes, are alkaline and healing in the body and contribute to the body's critical alkaline reserve.
”
”
Natalia Rose (Detox for Women: An All New Approach for a Sleek Body and Radiant Health in 4 Weeks)
“
Wild Peaches"
When the world turns completely upside down
You say we’ll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We’ll live among wild peach trees, miles from town,
You’ll wear a coonskin cap, and I a gown
Homespun, dyed butternut’s dark gold color.
Lost, like your lotus-eating ancestor,
We’ll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter’s over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colors of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird’s beak,
We shall live well — we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We’ll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There’s something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
”
”
Elinor Wylie
“
The Ilhalmiut do not fill canvases with their paintings, or inscribe figures on rocks, or carve figurines in clay or in stone, because in the lives of the People there is no room for the creation of objects of no practical value. What purpose is there in creating beautiful things if these must be abandoned when the family treks out over the Barrens? But the artistic sense is present and strongly developed. It is strongly alive in their stories and songs, and in the string-figures, but they also use it on the construction of things which assist in their living and in these cases it is no less an art. The pleasure of abstract creation is largely denied to them by the nature of the land, but still they know how to make beauty.
They know how to make beauty, and they also know how to enjoy it-- for it is no uncommon thing to see an Ilhalmio man squatting silently on a hill crest and watching, for hours at a time, the swift interplay of colors that sweep the sky at sunset and dawn. It is not unusual to see an Ilhalmio pause for long minutes to watch the sleek beauty of a weasel or to stare into the brilliant heart of some minuscule flower. And these things are done quite unconsciously, too. There is no word for 'beauty'--as such--in their language; it needs no words in their hearts.
”
”
Farley Mowat (People of the Deer)
“
Ages passed slowly, like a load of hay,
As the flowers recited their lines
And pike stirred at the bottom of the pond.
The pen was cool to the touch.
The staircase swept upward
Through fragmented garlands, keeping the melancholy
Already distilled in letters of the alphabet.
It would be time for winter now, its spun-sugar
Palaces and also lines of care
At the mouth, pink smudges on the forehead and cheeks,
The color once known as "ashes of roses.-"
How many snakes and lizards shed their skins
For time to be passing on like this,
Sinking deeper in the sand as it wound toward
The conclusion. It had all been working so well and now,
Well, it just kind of came apart in the hand
As a change is voiced, sharp
As a fishhook in the throat, and decorative tears flowed
Past us into a basin called infinity.
There was no charge for anything, the gates
Had been left open intentionally.
Don't follow, you can have whatever it is.
And in some room someone examines his youth,
Finds it dry and hollow, porous to the touch...
O keep me with you, unless the outdoors
Embraces both of us, unites us, unless
The birdcatchers put away their twigs,
The fishermen haul in their sleek empty nets
And others become part of the immense crowd
Around this bonfire, a situation
That has come to mean us to us, and the crying
In the leaves is saved, the last silver drops.
”
”
John Ashbery (April Galleons)
“
How to Sleep at Night
Try to think of nothing.
That's the secret.
Try to think of nothing.
Do not think of work not done,
or of promises unkept, calls to return,
or agendas you have failed to prepare for meetings
yet unheld.
Think of nothing.
Do not think of words said and unsaid,
or minor scandals and major investigations,
of humiliations endured, insults suffered,
or retorts that did not spring to mind
in time.
Think of nothing.
Do not think of your wife,
of lonely children and their reproachful demands,
or the smile of the pretty woman
whose handshake lingered just a shade too long
in your palm.
Think of nothing.
Do not think of newspaper headlines,
of the insistent transience of the shortwave radio,
or the seductive stridency of the TV microphones
thrust so thrillingly
into your face.
Think of nothing.
Do not think of the waif on the foreign sidewalk,
her large eyes open in supplication,
her ragged shift stained by dirt and dust,
stretching her despairing hand towards you
in hope
No, do not think
of the solitary tear, the broken limb,
the rubble-strewn home, the choking scream;
never think
of piled up bodies, blazing flames,
shattered lives, or sundered souls.
Do not think of the triumph of the torturer,
the wails of the hungry,
the screams of the mutilated,
or the indifferent smirk
of the sleek.
Think of nothing.
then you will be able
to sleep.
”
”
Shashi Tharoor (Riot)
“
Myrna was part of a ballet troupe and Jack had seen her and the other dancers perform—his mother often made him go with her and it was mostly boring stuff, like church or Sunrise Semester on TV. But he had never seen Myrna in practice . . . never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stage, where everyone seemed to either glide or mince effortlessly on the tips of their pointes, and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music—only the choreographer rhythmically clapping his hands and yelling harsh criticisms. No praise; only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it was, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer’s clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living; they were killing themselves. Most of all he remembered their expressions—all that exhausted concentration, all that pain . . . but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it had scared Jack because it had seemed inexplicable. What kind of person could get off by subjecting himself or herself to such steady, throbbing, excruciating pain?
”
”
Stephen King (The Talisman)
“
No one wanted the job. What had seemed one of the least challenging tasks facing Franklin D. Roosevelt as newly elected president had, by June 1933, become one of the most intransigent. As ambas-sadorial posts went, Berlin should have been a plum—not London or Paris, surely, but still one of the great capitals of Europe, and at the center of a country going through revolutionary change under the leadership of its newly appointed chancellor, Adolf Hitler. Depending on one’s point of view, Germany was experiencing a great revival or a savage darkening. Upon Hitler’s ascent, the country had undergone a brutal spasm of state- condoned violence. Hitler’s brown- shirted paramilitary army, the Sturmabteilung, or SA—the Storm Troopers—had gone wild, arresting, beating, and in some cases murdering communists, socialists, and Jews. Storm Troopers established impromptu prisons and torture stations in basements, sheds, and other structures. Berlin alone had fi fty of these so- called bunkers. Tens of thousands of people were arrested and placed in “protective custody”— Schutzhaft—a risible euphemism. An esti-mated fi ve hundred to seven hundred prisoners died in custody; others endured “mock drownings and hangings,” according to a police affi davit. One prison near Tempelhof Airport became especially no-torious: Columbia House, not to be confused with a sleekly modern new building at the heart of Berlin called Columbus House. The up-heaval prompted one Jewish leader, Rabbi Stephen S. Wise of New York, to tell a friend, “the frontiers of civilization have been crossed.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Jackson stood quietly as Alani came into the house. Unlike the other women, she didn’t wear a swimsuit. Shame. He’d love to see her in one. Everyone had duly celebrated Trace’s engagement, and Alani seemed taken with Priss—but then, who wouldn’t be? Priss was funny, smart, cute and—luckily for Trace—stacked.
Unaware of Jackson, Alani stopped to look out the patio doors. She looked . . . wistful. Like maybe she wanted to take part, but couldn’t.
In so many ways, despite being kidnapped by flesh peddlers, or maybe because of that, she was still an innocent. At just-barely twenty-three, she acted much older.
Like a virgin spinster.
Every night, in his dreams, they burned up the sheets.
Here, in reality, she avoided him. She avoided involvement.
But he’d get her over that. Somehow.
Suddenly Priss came in, wet hair sleek down her back, rivulets of water trailing between her breasts. She spotted Jackson right off and, after smiling at Alani, asked them both, “Why aren’t you guys coming down to swim?”
Alani jerked around to stare at Jackson with big eyes.
His crooked smile told her that he had her in his sights. “I was just about to ask Alani that.”
Priss laughed. “You’re still dressed.”
“I can undress fast enough.” He looked at Alani. “What about you?”
Her lips parted. “No, I . . . didn’t bring a suit.”
“Pity. Maybe we could move up to the cove and skinny-dip in private?”
Pointing a finger at him, Priss said, “Behave, you reprobate!” And then to Alani, “Beware of that one.”
Still watching him, Alani nodded.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
I had dropped more or less by chance into the only community of any size in Western Europe where political consciousness and disbelief in capitalism were more normal than their opposites. Up here in Aragon one was among tens of thousands of people, mainly though not entirely of working-class origin, all living at the same level and mingling on terms of equality. In theory it was perfect equality, and even in practice it was not far from it. There is a sense in which it would be true to say that one was experiencing a foretaste of Socialism, by which I mean that the prevailing mental atmosphere was that of Socialism. Many of the normal motives of civilized life — snobbishness, money-grubbing, fear of the boss, etc. — had simply ceased to exist. The ordinary class-division of society had disappeared to an extent that is almost unthinkable in the money-tainted air of England; there was no one there except the peasants and ourselves, and no one owned anyone else as his master. Of course such a state of affairs could not last. It was simply a temporary and local phase in an enormous game that is being played over the whole surface of the earth. But it lasted long enough to have its effect upon anyone who experienced it. However much one cursed at the time, one realized afterwards that one had been in contact with something strange and valuable. One had been in a community where hope was more normal than apathy or cynicism, where the word ‘comrade’ stood for comradeship and not, as in most countries, for humbug. One had breathed the air of equality. I am well aware that it is now the fashion to deny that Socialism has anything to do with equality. In every country in the world a huge tribe of party-hacks and sleek little professors are busy ‘proving’ that Socialism means no more than a planned state-capitalism with the grab-motive left intact. But fortunately there also exists a vision of Socialism quite different from this.
”
”
George Orwell (Homage to Catalonia)
“
Now let me tell you something.
I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously.
I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten.
I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes.
I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things.
But—
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
”
”
Gerald Durrell
“
When she finally reached it, she bent forward and looked through the peephole.
Jay was grinning back at her from outside.
Her heart leaped for a completely different reason.
She set aside her crutches and quickly unbolted the door to open it.
"What took you so long?"
Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here."
"Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her.
She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow."
"I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly.
"What is it?" she asked breathlessly.
He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there.
And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of.
"Whose is it?" she asked admiringly. It was way better than her crappy little Honda.
Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance."
"Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time.
"I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?"
Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child."
"I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him.
He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness.
At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her.
It was the safest she'd felt in days...maybe weeks...
And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))