“
When it's over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it is over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.
I don't want to end up simply having visited this world.
”
”
Mary Oliver
“
Harold sighs. “Jude,” he says, “there’s not an expiration date on needing help, or needing people. You don’t get to a certain age and it stops.
”
”
Hanya Yanagihara (A Little Life)
“
Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.
”
”
Margaret Atwood
“
That's what mortal means," I say with a sigh that I don't have to fake. "We die. Think of us like shooting stars, brief but bright.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
She cracked a smile. "So what's your poison?"
He sighed dramatically, and let the truth tumble off his tongue. "Life."
"Ah," she said ruefully. "That'll kill you.
”
”
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
“
War is not for winning, Masha," sighed Koschei, reading the tracks of supply lines, of pincer strategies, over her shoulder. "It is for surviving.
”
”
Catherynne M. Valente (Deathless)
“
If I'd thought I would regret it," he said calmly, "I never would have made that oath. I knew what becoming a knight would mean. And if you asked me again, the answer would still be the same." He sighed, framing my face with his hands. "My life... everything I am... belongs to you.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
There is no point in keeping vengeance or stubbornness. These things" -he sighed- "these things I so regret in my life. Pride. Vanity. Why do we do the things we do?
Morrie Schwartz
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
It's impossible to be the Mockingjay. Impossible to complete even this one sentence. Because now I know that everything I say will be directly taken out on Peeta. Result in his torture. But not his death, no, nothing so merciful as that. Snow will ensure that his life is much more worse than death.
"Cut," I hear Cressida say quietly.
"What's wrong with her?" Plutarch says under his breath.
"She's figured out how Snow's using Peeta," says Finnick.
There's something like a collective sigh of regret from that semicircle of people spread out before me. Because I know this now. Because there will never be a way for me to not know this again. Because, beyond the military disadvantage losing a entails, I am broken.
Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.
"I can't do this anymore," I say.
"I know," he says.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
How does fear become so powerful? We can’t see it. We can’t touch it, yet it gets its claws in us and begins to control us. Sigh. I hate feeling afraid, and I hate, hate, HATE feeling out of control.
”
”
Gena Showalter (Oh My Goth)
“
Steve sighed, wishing for a cigarette. “The Buddha teaches respect for all life.” “Oh.” She considered this. “Are you a Buddhist?” “No. I’m an asshole. But I keep trying.
”
”
Scott Hawkins (The Library at Mount Char)
“
Personally, I like it much better when someone else does the decision making. That way you have legitimate grounds to whine and complain. I tend to find both whining and complaining quite interesting and amusing, though sometimes--unfortunately--it's hard to choose which one of the two I want to do.
Sigh. LIfe can be so tough sometimes.
”
”
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz vs. the Evil Librarians, #2))
“
Most mothers worry when their daughters reach adolescence but I was the opposite. I relaxed, I sighed with relief. Little girls are cute and small only to adults. To one another they are not cute. They are life sized.
”
”
Margaret Atwood (Cat's Eye)
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
When I hear somebody sigh, 'Life is hard,' I am always tempted to ask, 'Compared to what?
”
”
Sydney J. Harris
“
We've got a sort of brainwashing going on in our country, Morrie sighed. Do you know how they brainwash people? They repeat something over and over. And that's what we do in this country. Owning things is good. More money is good. More property is good. More commercialism is good. More is good. More is good. We repeat it--and have it repeated to us--over and over until nobody bothers to even think otherwise. The average person is so fogged up by all of this, he has no perspective on what's really important anymore.
Wherever I went in my life, I met people wanting to gobble up something new. Gobble up a new car. Gobble up a new piece of property. Gobble up the latest toy. And then they wanted to tell you about it. 'Guess what I got? Guess what I got?'
You know how I interpreted that? These were people so hungry for love that they were accepting substitutes. They were embracing material things and expecting a sort of hug back. But it never works. You can't substitute material things for love or for gentleness or for tenderness or for a sense of comradeship.
Money is not a substitute for tenderness, and power is not a substitute for tenderness. I can tell you, as I'm sitting here dying, when you most need it, neither money nor power will give you the feeling you're looking for, no matter how much of them you have.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
Wonder what it’s like to have a peaceful life,” Ron sighed, as evening after evening they struggled through all the extra homework they were getting.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
I am asking you to marry me because I love you,” he said, “because I cannot imagine living my life without you. I want to see your face in the morning, and then at night, and a hundred times in between. I want to grow old with you, I want to laugh with you, and I want to sigh to my friends about how managing you are, all the while secretly knowing I am the luckiest man in town.”
“What?” she demanded.
He shrugged. “A man’s got to keep up appearances. I’ll be universally detested if everyone realizes how perfect you are.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
Haiku is not a shriek, a howl, a sigh, or a yawn; rather, it is the deep breath of life.
”
”
Santōka Taneda (Mountain Tasting: Haiku and Journals of Santoka Taneda (Companions for the Journey))
“
Alas, how easily things go wrong!
A sigh too much, a kiss too long
And there follows a mist and a weeping rain
And life is never the same again
”
”
George MacDonald (Phantastes)
“
Do you understand, Brat Calipha?” Despina continued.
Shahrzad glanced over her shoulder at her handmaiden, in stalwart silence.
Despina sighed. “On pain of death…you are as important to him as his own life.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
Grover Underwood of the satyrs!" Dionysus called.
Grover came forward nervously.
"Oh, stop chewing your shirt," Dionysus chided. "Honestly, I'm not going to blast you. For your bravery and sacrifice, blah, blah, blah, and since we have an unfortunate vacancy, the gods have seen fit to name you a member of the Council of Cloven Elders."
Grover collapsed on the spot.
"Oh, wonderful," Dionysus sighed, as several naiads came forward to help Grover. "Well, when he wakes up, someone tell him that he will no longer be an outcast, and that all satyrs, naiads, and other spirits of nature will henceforth treat him as a lord of the Wild, with all rights, privileges, and honors, blah, blah, blah. Now please, drag him off before he wakes up and starts groveling."
"FOOOOOD," Grover moaned, as the nature spirits carried him away.
I figured he'd be okay. He would wake up as a lord of the Wild with a bunch of beautiful naiads taking care of him. Life could be worse.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
What is a poet? An unhappy man who hides deep anguish in his heart, but whose lips are so formed that when the sigh and cry pass through them, it sounds like lovely music.
”
”
Søren Kierkegaard (Either/Or: A Fragment of Life)
“
somebody/ anybody
sing a black girl's song
bring her out
to know herself
to know you
but sing her rhythms
carin/ struggle/ hard times
sing her song of life
she's been dead so long
closed in silence so long
she doesn't know the sound
of her own voice
her infinite beauty
she's half-notes scattered
without rhythm/ no tune
sing her sighs
sing the song of her possibilities
sing a righteous gospel
let her be born
let her be born
& handled warmly.
”
”
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
“
Egypt loved the lotus becuase it never dies. It is the same for people who are loved. Thus can something as insignificant as a name-two syllables, one high, one sweet- summon up the innumerable smiles, tears, sighs and dreams of a human life.
”
”
Anita Diamant (The Red Tent)
“
What if a demon were to creep after you one night, in your loneliest loneliness, and say, 'This life which you live must be lived by you once again and innumerable times more; and every pain and joy and thought and sigh must come again to you, all in the same sequence. The eternal hourglass will again and again be turned and you with it, dust of the dust!' Would you throw yourself down and gnash your teeth and curse that demon? Or would you answer, 'Never have I heard anything more divine'?
”
”
Friedrich Nietzsche
“
He shook his head, just looking at me.
- "What?" I asked.
- "Nothing" he said.
- "Why are you looking at me like that?"
Augustus half smiled. "Because you`re beautiful. I enjoy looking at beautiful people, and I decided a while ago not to deny myself the simpler pleasures of existence." A brief awkward silence ensued. Augustus plowed through: "I mean, particularly given that, as you so deliciously pointed out, all of this will end in oblivion and everything."
I kind of scoffed or sighed or exhaled in a way that was vaguely coughy and then said, "I`m not beau-"
- "You are like a millennial Natalie Portman. Like V for Vendetta Natalie Portman."
- "Never seen it."
- "Really?" he asked. "Pixie-haired gorgeous girl dislikes authority and can`t help but fall for a boy she knows is trouble. It`s your autobiography, so far as I can tell."
His every syllable flirted. Honestly, he kind of turned me on. I didn`t even know that guys could turn me on - not, like, in real life.
”
”
John Green
“
Life isn’t about deserving.” I closed my eyes and sighed. “Aren’t you the one always spouting all that wisdom?” He grinned. “If we wait until we’re deserving, we’re going to be waiting for a really long time.” I shrugged. “I’d rather appreciate the fact that I’ll never deserve anything — doesn’t make me a bad person, just makes me all the more thankful.
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
What do you two talk about, anyway?" I asked curiously. I still didn't quite understand Genya's fascination with the Fabrikator.
She sighed. "The usual. Life. Love. The melting point of iron ore.
”
”
Leigh Bardugo (Shadow and Bone (Shadow and Bone, #1))
“
Laugh, and the world laughs with you;
Weep, and you weep alone;
For the sad old earth must borrow its mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air;
The echoes bound to a joyful sound,
But shrink from voicing care.
Rejoice, and men will seek you;
Grieve, and they turn and go;
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all,—
There are none to decline your nectared wine,
But alone you must drink life’s gall.
Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a large and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.
”
”
Ella Wheeler Wilcox
“
The heaviest burden: “What, if some day or night, a demon were to steal after you into your loneliest loneliness and say to you: ‘This life, as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh… must return to you—all in the same succession and sequence—even this spider and this moonlight between the trees and even this moment and I myself. The eternal hourglass of existence is turned over again and again—and you with it, speck of dust!’ Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him: ‘You are a god, and never have I heard anything more divine!’ If this thought were to gain possession of you, it would change you as you are, or perhaps crush you. The question in each and every thing, “do you want this once more and innumerable times more?” would lie upon your actions as the greatest weight. Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
Ignorantly is how we all fall in love; for it is a kind of fall. Closing our eyes, we leap from that cliff in hope of a soft landing. Nor is it always soft; but still, without that leap nobody comes to life.
”
”
Salman Rushdie (The Moor's Last Sigh)
“
Mary’s childhood was rough. She was frequently beaten and chastised by the nuns who served as her protectors and brutalized by the older girls in the orphanage.
Oh how I wept those first few years of my life. My tears came like tropical storms. Every pore in my body wept. I heaved and shuddered and sighed. Everything around me seemed dark and terrifying.
”
”
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
“
Wishing to grab the life with nothingness
wanting to erase the sigh of tiredness
forgetting myself completely from my being
why do I seek embrace of yours
do not ask me, I know not,
I am in oblivion.
”
”
Suman Pokhrel
“
Mma Ramotswe sighed. 'We are all tempted, Mma. We are all tempted when it comes to cake.'
That is true,' said Mma Potokwane sadly. 'There are many temptations in this life, but cake is probably one of the biggest of them.
”
”
Alexander McCall Smith (In the Company of Cheerful Ladies (No. 1 Ladies' Detective Agency, #6))
“
Everything passes. Joy. Pain. The moment of triumph; the sigh of despair. Nothing lasts forever - not even this.
”
”
Paul Stewart (The Edge Chronicles 6: Midnight Over Sanctaphrax: Third Book of Twig)
“
I have found a dream of beauty at which one might look all one's life and sigh.
”
”
Isabella Lucy Bird (Adventures in the Rocky Mountains (Penguin Great Journeys))
“
Yeah.” Rhage sighed. “All I want is one good female. But I guess I’ll settle for quantity until I find her. Life just sucks, doesn’t it?
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
I have loved in life and I have been loved.
I have drunk the bowl of poison from the hands of love as nectar,
and have been raised above life's joy and sorrow.
My heart, aflame in love, set afire every heart that came in touch with it.
My heart has been rent and joined again;
My heart has been broken and again made whole;
My heart has been wounded and healed again;
A thousand deaths my heart has died, and thanks be to love, it lives yet.
I went through hell and saw there love's raging fire,
and I entered heaven illumined with the light of love.
I wept in love and made all weep with me;
I mourned in love and pierced the hearts of men;
And when my fiery glance fell on the rocks, the rocks burst forth as volcanoes.
The whole world sank in the flood caused by my one tear;
With my deep sigh the earth trembled, and when I cried aloud the name of my beloved,
I shook the throne of God in heaven.
I bowed my head low in humility, and on my knees I begged of love,
"Disclose to me, I pray thee, O love, thy secret."
She took me gently by my arms and lifted me above the earth, and spoke softly in my ear,
"My dear one, thou thyself art love, art lover,
and thyself art the beloved whom thou hast adored.
”
”
Hazrat Inayat Khan (The Dance of the Soul: Gayan, Vadan, Nirtan (Sufi Sayings))
“
We have on this earth what makes life worth living: April’s hesitation, the aroma of bread at dawn, a woman’s point of view about men, the works of Aeschylus, the beginning of love, grass on a stone, mothers living on a flute’s sigh and the invaders’ fear of memories.
”
”
Mahmoud Darwish (Unfortunately, It Was Paradise: Selected Poems)
“
Don't pursue happiness!
Life is as short as a sigh.
The dust of people that were once famous
turn with the reddish clay on the wheel you are
looking at. The universe is a fata morgana;
life is a dream.
”
”
Omar Khayyám (Rubaiyat Of Omar Khayyam: English, French And German Translations Comparatively Arranged V2)
“
My life has become a dismal sigh fettered by pangs of grief and anguished weeping.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand.
"Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..."
But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper.
"Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum."
His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life.
"Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..."
But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
How to forgive the world for its beauty, which merely disguises its ugliness; for its gentleness, which merely cloaks its cruelty; for its illusion of continuity, seamlessly, as the night follows the day, so to speak- whereas in reality life is a series of brutal raptures, falling upon your defenseless hands, like the blows of a woodman's axe?
”
”
Salman Rushdie (The Moor's Last Sigh)
“
I don’t know, man.” I sighed. “I can’t explain it. I guess that’s just what happens when we live. Nobody is promised anything. That’s why life’s so precious
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
Flora sighed. It was curious that persons who lived what the novelists called a rich emotional life always seemed to be a bit slow on the uptake.
”
”
Stella Gibbons (Cold Comfort Farm)
“
Another night then,' Mom said. 'Maybe on the weekend we can have a barbecue and invite your sister.'
'Or,' I said turning to Rafe, 'if you want to skip the whole awkward meet-the-family social event you could just submit your life story including your view on politics religion and every social issue imaginable along with anything else you think they might need to conduct a thorough background check.'
Mom sighed. 'I really don't know why we even bother trying to be subtle around you.'
'Neither do I. It's not like he isn't going to realize he's being vetted as daughter-dating material.'
Rafe grinned. 'So we are dating.'
'No. You have to pass the parental exam first. It'll take you awhile to compile the data. They'd like it in triplicate.' I turned to my parents. 'We have Kenjii. We have my cell phone. Since we aren't yet officially dating I'm sure you'll agree that's all the protection we need.'
Dad choked on his coffee.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
I'm fine," [her dad] said gently. "Back on the horse, Cath.'
'What's the horse?' she sighed, watching him pull on a South High hoodie. 'Jogging? Working too much?'
'Living,' he said, a little too loud. 'Life's the horse.
”
”
Rainbow Rowell (Fangirl)
“
Simon sighed. "People aren't born good or bad. Maybe they're born with tendencies either way, but It's the way you live your life that matters.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Romantic haste in drama brings
tears and sighs when the hero dies
but the curtain fall is final
when in life we take the tragic way
The sunset too is a glorious thing
but with it ends the day.
”
”
C.P. Klapper (The Washington Poems)
“
Looking back on my life, I sigh. The caprice of youth goes with the wind, I’ve no regrets.
”
”
Roman Payne (Rooftop Soliloquy)
“
Civilized people must, I believe, satisfy the following criteria:
1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...)
2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...)
3) They respect other people's property, and therefore pay their debts.
4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...)
5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...)
6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...)
7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...)
8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano.
And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings.
[From a letter to Nikolay Chekhov, March 1886]
”
”
Anton Chekhov (A Life in Letters)
“
He sighed. "You want to live in your church, going about your life as if you're like everyone else."
"So?"
"You aren't. And because of that, someday you're probably going to find yourself in a position where your choices will have an impact far beyond what you see right now. And when that happens, I want you to remember what it's like to ride through the woods on horseback under a night sky with no moon and nothing stronger than you are. I want you to know so you will fight for it. So that my children will know of it. You have to keep the demons where they are, Rachel. No one else can do it. You won't fight for us unless you know. Let me show you what you're fighting for.
”
”
Kim Harrison (Black Magic Sanction (The Hollows, #8))
“
If there was one thing that defined adolescence it was hysterical laughter. You never laughed like that again. In adolescence the brutal realisation that the world and life were completely absurd made you laugh until you couldn’t catch your breath, whereas in later life it would only result in a weary sigh.
”
”
Antoine Laurain (The Red Notebook)
“
Really, Sage? A date?"
I sighed. "Yes, Adrian. A date."
A real date. Not, like, doing homework together," he added. "I mean like where you go out to a movie or something. And a movie that's not part of a school assignment. Or about something boring."
"A real date." I figured I wouldn't give him the specifics on the Shakespheare play.
"What's the lucky guy's name?"
"Brayden."
There was a pause. "Brayden? That his real name?"
"Why are you asking if everything's real? You think I'd make any of this up?"
"No, no," Adrian assured me. "That what's so ynbelievable about it. Is he cute?"
I glanced at the clock. It was time for me to meet my study group. "Gee, maybe I should just send you a picture to review?"
"Yes, please. And a full background check and life history."
"I have to go. Why do you care so much anyway?" I finally asked in exasperation.
His answer took a long time, which was uncharacteristic.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
So…” Kimball looks at his book helplessly. “There’s nothing you can tell me about Paul Owen?”
“Well.” I sigh. “He led what I suppose was an orderly life, I guess. “ Really stumped, I offer, “He...ate a balanced diet.
”
”
Bret Easton Ellis (American Psycho)
“
Words.” His tone sharpened. “I shared my house, my bed, and my blood with you, as well as offered you a place in my life forever. What are words compared to that?”
I sighed, my anger dissipating as quickly as his flames had. “Oh, Vlad, if you believed that, you would’ve told me what I wanted to hear to just appease me. You didn’t, which proves saying ‘I love you’ means more to you than everything else.
”
”
Jeaniene Frost (Twice Tempted (Night Prince, #2))
“
Anyway, here.” He handed me a bag. “Thought you might be hungry. Since you’re our guests, it would be impolite if we didn’t share our food with you. That’s your rations for the week. Try to make it last.” At my surprised look, he rolled his eyes. “Not all of us live on oil and electricity, you know.”
“What about Ash and Puck?”
“Well, I’m pretty sure eating our food won’t melt their insides to gooey paste. But you never know.” (Glitch)
-----------------
Puck sat and gazed mournfully into the bowl I handed him. “Not an apple slice to be found,” he sighed, picking through the gooey mess with his fingers. “How can mortals even pass this off as fruit? It’s like a peach farmer threw up in a bowl.”
Ash picked up the spoon, gazing at it like it was an alien life form.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
Each life unfulfilled, you see;
It hangs still, patchy and scrappy:
We have not sighed deep, laughed free,
Starved, feasted, despaired,—been happy.
”
”
Robert Browning
“
After us they'll fly in hot air balloons, coat styles will change, perhaps they'll discover a sixth sense and cultivate it, but life will remain the same, a hard life full of secrets, but happy. And a thousand years from now man will still be sighing, "Oh! Life is so hard!" and will still, like now, be afraid of death and not want to die.
”
”
Anton Chekhov (Three Sisters: A Translation of the Play)
“
Naturally, we are inclined to be so mathematical and calculating that we look upon uncertainty as a bad thing...Certainty is the mark of the common-sense life. To be certain of God means that we are uncertain in all our ways, we do not know what a day may bring forth. This is generally said with a sigh of sadness; it should rather be an expression of breathless expectation.
”
”
Oswald Chambers (My Utmost for His Highest, Updated Edition)
“
Rest forever, tired heart.
The final illusion has perished.
The one we believed eternal is gone.
Just like that. Out the door desire
follows hope. Rest forever.
Enough throbbing. Nothing deserves your attention
nor is the earth worth a sigh.
Bitterness and boredom is life,
nothing else ever, and the world is mud.
Quiet now. Despair for the last time.
Fate gives us dying as a gift.
Now turn from the hills, the ugly hidden power
which rules for the common evil
and the infinite vanity of it all.
”
”
Giacomo Leopardi
“
Will and Tessa were in the carriage now, and their driver was snapping the reins. 'Do you think there’s a chance for him?'
'A chance for who?'
'Will Herondale. To be happy.'
Woolsey sighed gustily and put down his glass. 'Is there a chance for you to be happy if he isn’t?'
Magnus said nothing.
'Are you in love with him?' Woolsey asked—all curiosity, no jealousy. Magnus wondered what it was like to have a heart like that, or rather to have no heart at all.
'No,' Magnus said. 'I have wondered that, but no. It is something else. I feel that I owe him. I have heard it said that when you save a life, you are responsible for that life. I feel I am responsible for that boy. If he never finds happiness, I will feel I have failed him. If he cannot have that girl he loves, I will feel I have failed him. If I cannot keep his parabatai by him, I will feel I failed him.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Hua Cheng quietly sighed, extended his arms, and once again folded him into his embrace. "Your Highness, I've always watched you."
This was the second time he had said this, but his voice was softer than before. Xie Lian clutched the red robes at his chest, asking, his mind blank, "I know, I know. But... what should I do now?"
Hua Cheng's long and slender fingers gently combed through Xie Lian's mussed hair. "Then, Your Highness, do you know why I refuse to leave this world?"
Xie Lian couldn't understand why Hua Cheng could still be so calm at a time like this, he was panicking so hard he was trembling. But, while feeling lost, he still simple-mindedly asked, "Why?"
Hua Cheng replied quietly, "Because I have a beloved who is still in this world."
Hearing this, Xie Lian was slightly stunned. He seemed to have heard this somewhere before.
Hua Cheng continued, "My beloved is a brave, noble, and gracious special someone. He's saved my life; I've looked up to him ever since I was young. But, I wanted to catch up to him more, and become and even stronger person for him. Although he might not remember me well. We never really talked. I want to protect him."
He gazed at Xie Lian. "If your dream is to save the common people, then my dream is only you."
"..." Relying on his memory, Xie Lian asked with a trembling voice, "But... you won't... be able to rest in peace... like this...?"
Hua Cheng answered, "I pray to never rest in peace.
”
”
Mò Xiāng Tóng Xiù (天官赐福 [Tiān Guān Cì Fú])
“
I sighed. "What is life but fleeting moments of happiness strung together on necklace of despair?
”
”
Marian Keyes (This Charming Man)
“
I fancied my luck to be witnessing yet another full moon. True, I’d seen hundreds of full moons in my life, but they were not limitless. When one starts thinking of the full moon as a common sight that will come again to one’s eyes ad-infinitum, the value of life is diminished and life goes by uncherished. ‘This may be my last moon,’ I sighed, feeling a sudden sweep of sorrow; and went back to reading more of The Odyssey.
”
”
Roman Payne
“
Honestly," she sighed, "I don't know what kind of life we'll have together, with me always flying off in one direction and you in the other."
I smiled. "It's a good thing the world's round," I said.
”
”
Kenneth Oppel
“
I just think the world ought to be more sort of organized.'
'That's just fantasy,' said Twoflower.
'I know. That's the trouble.' Rincewind sighed again.
”
”
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
“
If a birth is the fall-out from the explosion caused by the union of two unstable elements, then perhaps a half-life is all we can expect.
”
”
Salman Rushdie (The Moor's Last Sigh)
“
When Death Comes
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it's over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full of argument.
I don't want to end up simply having visited this world
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
Marry me." I said.
She lowered her teacup, shaking slightly, to the saucer. "Aren't you going to get down on one knee?"
I got down on one knee and took her hand.
"Will you marry me, Kate?"
You can't propose properly without a ring." She said.
I reached into my pocket and took out James Sanderson's ring, which I'd picked up off the floor of the Starclimber when we'd crash landed.
"That's a nice looking ring." said Kate with a grin.
"Cost a fortune." I said. "And now, for the third time. Kate de Vries, will you marry me?"
She leaned forward and took my face in her hands and kissed me.
"Yes," "Yes, and yes and yes. But it will probably be terrible."
"Probably," I agreed.
"Honestly," she sighed, "I don't know what kind of life we'll have together, with me always flying off in one direction and you in the other."
I smiled. "It's a good thing the world's round," I said.
”
”
Kenneth Oppel (Starclimber (Matt Cruse, #3))
“
Reality doesn't surprise me. But that's not true: I suddenly feel such a hunger for the "thing to really happen" that I cry out and bite into reality with my lacerating teeth. And afterwards give a sigh over the captive whose flesh I ate. And again, for a long while, I do without real reality and find comfort in living from my imagination.
”
”
Clarice Lispector (A Breath of Life)
“
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,- -
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouth with myriad subtleties.
Why should the world be otherwise,
In counting all our tears and sighs?
Nay, let them only see thus, while
We wear the mask.
We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!
”
”
Paul Laurence Dunbar (Lyrics of Lowly Life)
“
There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
The Kissing Game goes like this, Shortcake. Press, retreat, tilt, breathe, repeat. Use your hands to angle just right. Loosen up until it’s a slow, wet slide. Hear the drum of blood in your own ears? Survive on tiny puffs of air. Do not stop. Don’t even think about it. Shudder a sigh, pull back, let your opponent catch you with lips or teeth and ease you back into something even deeper. Wetter. Feel your nerve endings crackle to life with each touch of tongue. Feel a new heaviness between your legs. The aim of the game is to do this for the rest of your life. Screw human civilization and all it entails. This elevator is home now. This is what we do now. Do not fucking stop. He
”
”
Sally Thorne (The Hating Game)
“
We weep for gladness, weep for grief;
The tears they are the same;
We sigh for longing, and relief;
The sighs have but one name,
And mingled in the dying strife,
Are moans that are not sad
The pangs of death are throbs of life,
Its sighs are sometimes glad.
”
”
George MacDonald (Phantastes)
“
London
The Institute
Year of Our Lord 1878
“Mother, Father, my chwaer fach,
It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other?
I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important.
I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that.
I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters.
I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship.
And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes.
And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own.
Your Son,
Will
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Wake up now, look alive, for here is a day off work just to praise Creation: the turkey, the squash, and the corn, these things that ate and drank sunshine, grass, mud, and rain, and then in the shortening days laid down their lives for our welfare and onward resolve. There's the miracle for you, the absolute sacrifice that still holds back seed: a germ of promise to do the whole thing again, another time. . . Thanksgiving is Creation's birthday party. Praise harvest, a pause and sigh on the breath of immortality.
”
”
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
“
My face set to a grim and determined expression. I speak in all modesty as I say this, but I discovered at that moment that I have a fierce will to live. It's not something evident, in my experience. Some of us give up on life with only a resigned sigh. Others fight a little, then lose hope. Still others - and I am one of those - never give up. We fight and fight and fight. We fight no matter the cost of battle, the losses we take, the improbability of success. We fight to the every end. It's not a question of courage. It's something constitutional, an inability to let go. It may be nothing more than life-hungry stupidity.
”
”
Yann Martel (Life of Pi)
“
Mike's eyes narrowed shrewdly. "Don't kid yourself, Bella. The guy's head over heels for you."
"I know," I sighed. "Life is complicated."
"And girls are cruel," Mike said under his breath.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
BORKIN: [Sighing] The life of a man is like a flower, blooming so gaily in a field. Then, along comes a goat, he eats it, and the flower is gone!
”
”
Anton Chekhov (Ivanov (Plays for Performance Series))
“
For, "Yes," he had sighed on his dying breath, and all knew that was the ultimate prayer one could offer to life.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
Love hath so long possess'd me for his own
And made his lordship so familiar
That he, who at first irk'd me, is now grown
Unto my heart as its best secrets are.
And thus, when he in such sore wise doth mar
My life that all its strength seems gone from it.
Mine inmost being then feels thoroughly quit
Of anguish, and all evil keeps afar.
Love also gathers to such power in me
That my sighs speak, each one a grievous thing.
Always soliciting
My Gabriel's salutation piteously.
Whenever he beholds me, it is so,
Who is more sweet than any words can show.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
Something, someone, some spirit was pursuing all of us across the desert of life and was bound to catch us before we reached heaven. Naturally, now that I look back on it, this is only death: death will overtake us before heaven. The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death.
”
”
Jack Kerouac (On the Road)
“
Another silence for the record books. Then he sighs.
"I know. It's crazy. I feel like --" He stops himself. He suddenly looks so miserable that my heart aches for him.
I hate my life.
”
”
Cynthia Hand
“
My idea of absolute happiness is to sit in a hot garden all, reading, or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.'
'You are a romantic, Edith,' repeated Mr Neville, with a smile.
'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
”
”
Anita Brookner (Hotel du Lac)
“
The line of gray along the horizon is brighter now, and with the coming light I feel a certainty: that there is, despite our wild imaginings, only one life. The ghostly others, no matter how real they seem, no matter how badly we need them, are phantoms. The one life we're left with is sufficient to fill and refill our imperfect hearts with joy, and then to shatter them. And it never, ever lets up.
”
”
Richard Russo (Bridge of Sighs)
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
Once again, I don’t quite know where I’m headed Steph. It seems that
every few years I’m shoveling up the pieces of my life and starting from
scratch all over. No matter what I do or how hard I try I can’t seem to reach
the dizzy heights of happiness, success, and security, like so many people do.
And I’m not talking about becoming a millionaire and living happily ever
after. I just mean reaching a point in my life that I can stop what I’m doing,
take a look around me, breathe a sigh of relief, and think “I’m where I want
to be now.
”
”
Cecelia Ahern (Love, Rosie)
“
I look forward, not to what lies ahead of me in this life and will surely pass away, but to my eternal goal. I am intent upon this one purpose, not distracted by other aims, and with this goal in view I press on, eager for the prize, God's heavenly summons. Then I shall listen to the sound of Your praises and gaze at Your beauty ever present, never future, never past. But now my years are but sighs. You, O Lord, are my only solace. You, my Father, are eternal. But I am divided between time gone by and time to come, and its course is a mystery to me. My thoughts, the intimate life of my soul, are torn this way and that in the havoc of change. And so it will be until I am purified and melted by the fire of Your love and fused into one with You.
”
”
Augustine of Hippo (Confessions)
“
Learning to let go of expectations is a ticket to peace. It allows us to ride over every crisis—small or large, brother-in-law or end-of-quarter office lockdown—like a beach ball on water. The next time a problem arises in your life, take a deep breath, let out a sigh, and replace the thought Oh no! with the thought Okay.
”
”
Martha N. Beck
“
Let me begin again as a speck
of dust caught in the night winds
sweeping out to sea. Let me begin
this time knowing the world is
salt water and dark clouds, the world
is grinding and sighing all night, and dawn
comes slowly, and changes nothing.
”
”
Philip Levine (7 Years from Somewhere: Poems)
“
The tinkle of wind chimes announcing the return of our fairy guests made us both look up. Our chance to be alone was going to be shorter than either of us had hoped.
I sighed and brushed an errant dragon scale from Eadric’s tunic. “Someday when we have lots of time, remind me to tell you what you mean to me.”
Eadric tilted my head back so he could gaze into my eyes. “I can tell you what you mean to me with just one word.”
Let me guess,” I said, smiling up at him. “Maybe I make you happy because you no longer have to enter kissing contests to find the best kisser? Do I bring excitement into your life because I can wisk you away to exotic lands on my magic carpet? Or do you find me delightful because I can conjure food whenever you’re hungry?”
No, that’s not. . . Wait, what was that last one?”
I laughed and shook my head. “Never mind. So tell me in one word, what do I mean to you?”
That’s easy,” said Eadric. “Everything!
”
”
E.D. Baker (No Place for Magic (The Tales of the Frog Princess, #4))
“
So on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too 'that is all'. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall.
”
”
Virginia Woolf (Mrs. Dalloway)
“
May God give you . . . For every storm, a rainbow, For every tear, a smile, For every care, a promise, And a blessing in each trial. For every problem life sends, A faithful friend to share, For every sigh, a sweet song, And an answer for each prayer.
”
”
Paulo Coelho (Hippie)
“
I was on a walking tour of Oxford colleges once with a group of bored and unimpressable tourists. They yawned at Balliol's quad, T.E. Lawrence's and Churchill's portraits, and the blackboard Einstein wrote his E=mc2 on. Then the tour guide said, 'And this is the Bridge of Sighs, where Lord Peter proposed (in Latin) to Harriet,' and everyone suddenly came to life and began snapping pictures. Such is the power of books.
”
”
Connie Willis (The Winds of Marble Arch and Other Stories)
“
He didn't say much at our first meeting - nor at any of our meetings since, come to think of it - but left him into a room, and everyone in it seems to breathe a sigh of relief. I have never in my life had that effect on anyone; I can't imagine why not.
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
“
...he asked, "Where are you today, right now?"
Eagerly, I started talking about myself. However, I noticed that I was still being sidetracked from getting answers to my questions. Still, I told him about my distant and recent past and about my inexplicable depressions. He listened patiently and intently, as if he had all the time in the world, until I finished several hours later.
"Very well," he said. "But you still have not answered my question about where you are."
"Yes I did, remember? I told you how I got to where I am today: by hard work."
"Where are you?"
"What do you mean, where am I?"
"Where Are you?" he repeated softly.
"I'm here."
"Where is here?"
"In this office, in this gas station!" I was getting impatient with this game.
"Where is this gas station?"
"In Berkeley?"
"Where is Berkeley?"
"In California?"
"Where is California?"
"In the United States?"
"On a landmass, one of the continents in the Western Hemisphere. Socrates, I..."
"Where are the continents?
I sighed. "On the earth. Are we done yet?"
"Where is the earth?"
"In the solar system, third planet from the sun. The sun is a small star in the Milky Way galaxy, all right?"
"Where is the Milky Way?"
"Oh, brother, " I sighed impatiently, rolling my eyes. "In the universe." I sat back and crossed my arms with finality.
"And where," Socrates smiled, "is the universe?"
"The universe is well, there are theories about how it's shaped..."
"That's not what I asked. Where is it?"
"I don't know - how can I answer that?"
"That is the point. You cannot answer it, and you never will. There is no knowing about it. You are ignorant of where the universe is, and thus, where you are. In fact, you have no knowledge of where anything is or of What anything is or how is came to be. Life is a mystery.
"My ignorance is based on this understanding. Your understanding is based on ignorance. This is why I am a humorous fool, and you are a serious jackass.
”
”
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
“
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife,' I said, sighing.
'Is it?' said Veronica, looking surprised. 'Universally acknowledged? Surely that presupposes life similar to human societies beyond this planet, and besides--'
'No, no, it's a quote from ... Never mind,' I said.
”
”
Michelle Cooper (The FitzOsbornes in Exile)
“
Any questions?” Daemon asked.
Luc raised his hand.
“Yes, Luc.”
“Are you sure you’re against me getting Adam a llama?” Luc asked. “Like, really sure?”
Daemon sighed. “Yes. I’m sure.”
“Life ruiner,” he muttered, lowering his hand.
”
”
Jennifer L. Armentrout (The Brightest Night (Origin, #3))
“
I crawled into his lap, sighing happily when he shifted me into a spot that felt made for me. Every peaceful moment we had with each other was treasured. Gideon deserved the respite, and I longed to be that for him. His lips touched my forehead. “You okay, angel mine?” “I’m in your arms. Life doesn’t get better than this.
”
”
Sylvia Day (Captivated by You (Crossfire, #4))
“
When things go wrong, as they sometimes will,
When the road you’re trudging seems all uphill,
When the funds are low and the debts are high,
And you want to smile, but you have to sigh,
When care is pressing you down a bit,
Rest, if you must, but don’t you quit.
Life is queer with its twists and turns,
As every one of us sometimes learns,
And many a failure turns about,
When he might have won had he stuck it out;
Don’t give up though the pace seems slow-
You may succeed with another blow.
Often the goal is nearer than,
It seems to a faint and faltering man,
Often the struggler has given up,
When he might have captured the victor’s cup,
And he learned too late when the night slipped down,
How close he was to the golden crown.
Success is failure turned inside out-
The silver tint of the clouds of doubt,
And you never can tell how close you are,
It may be near when it seems so far,
So stick to the fight when you’re hardest hit-
It’s when things seem worst that you must not quit
”
”
Edgar A. Guest
“
Gains for all our losses
There are gains for all our losses
There are balms for all our pains
But when youth the dream departs
It takes some thing from our hearts
And never comes again
We are stronger and are better
Under manhood’s sterner reign
Still we feel that some thing sweet
Followed youth with flying feet
And will never come again.
Some thing beautiful has vanished
And we sigh for it in vain
We behold it every where----
On the earth and in the air----
But it never comes again.
”
”
Richard Henry Stoddard
“
Edward,” she mumbled softly.
She was dreaming of me.
Could a dead, frozen heart beat again? It felt as though mine was about to.
“Stay,” she sighed. “Don’t go. Please… don’t go.” She was dreaming of me, and it wasn’t even a nightmare. She wanted me to stay with her, there in her dream.
I struggled to find words to name the feelings that flooded through me, but I had no words strong enough to hold them. For a long moment, I drowned in them.
When I surfaced, I was not the same man I had been.
My life was an unending, unchanging midnight. It must, by necessity, always be midnight for me. So how was it possible that the sun was rising now, in the middle of my midnight
”
”
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
“
When it over, I want to say:all my life
I was a bride married to amazement.
I was a bridegroom, taking the world into my arms.
When it's over, I don't want to wonder
if I have made of my life something particular,and real.
I don't want to find myself sighing and frightened,
or full of argument.
I don't want to end up simply having visited this world.
from "When the death comes
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
Nothing's perfect," sighed the fox. "My life is monotonous. I hunt chickens; people hunt me. All chickens are just alike, and all men are just alike. So I'm rather bored. But if you tame me, my life will be filled with sunshine. I'll know the sound of footsteps that will be different from all the rest. Other footsteps send me back underground. Yours will call me out of my burrow like music. And then, look! You see the wheat fields over there? I don't eat bread. For me, wheat is no use whatever. Wheat fields say nothing to me. Which is sad. But you have hair the color of gold. So it will be wonderful, once you've tamed me! The wheat, which is golden, will remind me of you. And I'll love the sound of the wind in the wheat...
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
I am sorry " I murmured.
"I know. I ought not to have threatened to beat you " he returned. He pressed a kiss to my hair.
"I just cannot bear to be kept out of your life " I said into the dark.
He gave a sigh. "Julia you daft woman. When you will you understand You are my life.
”
”
Deanna Raybourn (The Dark Enquiry (Lady Julia Grey, #5))
“
Some of us give up on life with only a resigned sigh. Others fight a little, then lose hope. Still others-and I am one of those-never give up. We fight and fight and fight. We fight no matter the cost of battle, the losses we take, the improbability of success. We fight to the very end. It's not a question of courage. It's something constitutional, an inability to let go.
”
”
Yann Martel (Life of Pi)
“
If the thing they were fighting for was important enough to die for then it was also important enough for them to be thinking about it in the last minutes of their lives. That stood to reason. Life is awfully important so if you've given it away you'd ought to think with all your mind in the last moments of your life about the thing you traded it for. So did all those kids die thinking of democracy and freedom and liberty and honor and the safety of the home and the stars and stripes forever?
You're goddamn right they didn't.
They died crying in their minds like little babies. They forgot the thing they were fighting for the things they were dying for. They thought about things a man can understand. They died yearning for the face of a friend. They died whimpering for the voice of a mother a father a wife a child They died with their hearts sick for one more look at the place where they were born please god just one more look. They died moaning and sighing for life. They knew what was important They knew that life was everything and they died with screams and sobs. They died with only one thought in their minds and that was I want to live I want to live I want to live.
He ought to know. He was the nearest thing to a dead man on earth.
”
”
Dalton Trumbo (Johnny Got His Gun)
“
I suppressed a sigh. Hungary felt increasingly like reading War and Peace: new characters came up every five minutes, with their unusual names and distinctive locutions, and you had to pay attention to them for a time, even though you might never see them again for the whole rest of the book. I would rather have talked to Ivan, the love interest, but somehow I didn’t get to decide. At the same time, I also felt that these superabundant personages weren’t irrelevant at all, but somehow the opposite, and that when Ivan had told me to make friends with the other kids, he had been telling me something important about the world, about how the fateful character in your life wasn’t the one who buried you in a rock, but the one who led you out to more people.
”
”
Elif Batuman (The Idiot)
“
I haven't had a lot of good, soft things in my life," he said against my forehead. "Not since my family sent me away. Apart from being your sire and feeling that pull to you, it's that goodness, that softness and warmth, along with the resolve and strength in you, that I love. Being turned hasn't taken that from you. If someone were going to design the perfect mate for me, it would be you. Even when you infuriate me with your pigheaded stubbornness and your temper and incredible lack of anything resembling self-preservation—"
"Stop describing me please."
"You're the most fascinating, maddening, adorable creature I've ever met," he said, sighing and pushing my hair out of my eyes. "So, when I seem possessive or I'm raving like a lunatic, it's just that part of me is still very afraid that I'll lose that—that I'll lose you. I love you.
”
”
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
“
I’ll never leave you. I’ll never mistreat you. I think you know that by now. Try with me. Let us find what we
may find.”
“What do you expect to find, Robert?”
“How should I know? I’ve never experienced anything like this before in my life.”
Tears shone briefly under her graceful long lashes before she blinked them away and glanced at him
again with a reluctant twist of a smile. Sitting up, she wrapped her arms around her bent knees and
sighed. “You are asking us both to set ourselves up for great hurt when it comes time for me to leave.”
“Leave? Don’t speak of leaving, angel. You must stay forever.”
“As your mistress.”
“As my love,” he countered insistently.
”
”
Gaelen Foley (The Duke (Knight Miscellany, #1))
“
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay.
“Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal.
“Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’”
Cagney sighed, listened to the leather creak as he shifted his weight in his chair.
“No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
”
”
J. Conrad Guest (The Cobb Legacy)
“
He felt at times as if his life were something he was only waiting to use up, so that, at the end of each day, he would settle into bed with a sigh, knowing he had worked through a small bit more of his existence and had moved another centimeter toward its natural conclusion.
”
”
Hanya Yanagihara (To Paradise)
“
This day,” said Gabriel, “this moment, is when you step out from the shadow of the past. Today you make your name. Today your legend is born. Come tomorrow, every tale the bards tell will belong to you, because today we save the world!” Clay sighed in relief. There’d been a hammer, after all. Gabriel tore Vellichor from its scabbard and leveled it at the encroaching Horde. “This is not a choice between life and death, but life and immortality! Remain here and die in obscurity, or follow me now and live forever!
”
”
Nicholas Eames (Kings of the Wyld (The Band, #1))
“
Love is an indescribable, cumbersome, silly-selfish, consuming, life-changing, goosebump-making, knowing-all-the-words-to-the-song exciting, I-can't-think-straight-without-him overwhelming, sigh-swooning, laugh-out-loud-for-no-reason anxious, fun, rule-causing, jealousy-inducing, leg-kicking, dream-giving, wonderful, filling, shake-trembling, wonder-where-you-are-always obsessive, necessary, requiring, joyful-flow.
”
”
YellowBella (Dusty)
“
Once I faced a female with diamond skin," Nix said breathlessly. "I was transfixed - even as she was choking the life out of me."
"Really?"
" No, I saw that character on X men. I just wanted to commiserate. Alas, I have no weaknesses."
"Except your insanity," Lucia pointed out.
sigh. "Well played, Archer. then carry on...
”
”
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
“
Let us face ourselves. We are Hyperboreans; we know very well how far off we live. 'Neither by land nor by sea will you find the way to the Hyperboreans'—Pindar already knew this about us. Beyond the north, ice, and death—our life, our happiness. We have discovered happiness, we know the way, we have found the exit out of the labyrinth of thousands of years. Who else has found it? Modern man perhaps? 'I have got lost; I am everything that has got lost,' sighs modern man. This modernity was our sickness: lazy peace, cowardly compromise, the whole virtuous uncleanliness of the modern Yes and No. … Rather live in the ice than among modern virtues and other south winds! We were intrepid enough, we spared neither ourselves nor others; but for a long time we did not know where to turn with our intrepidity. We became gloomy, we were called fatalists. Our fatum—abundance, tension, the damming of strength. We thirsted for lightning and deeds and were most remote from the happiness of the weakling, 'resignation.' In our atmosphere was a thunderstorm; the nature we are became dark—for we saw no way. Formula for our happiness: a Yes, a No, a straight line, a goal.
”
”
Friedrich Nietzsche (The Anti-Christ)
“
When it’s over, I want to say: all my life
I was a bride married to amazement.
I was a bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened
or full of argument.
I don’t want to end up simply having visited this world.
”
”
Mary Oliver (New and Selected Poems, Volume One)
“
Here sighs and cries and shrieks of lamentation
echoed throughout the starless air of Hell;
at first these sounds resounding made me weep:
tongues confused, a language strained in anguish
with cadences of anger, shrill outcries
and raucous groans that joined with sounds of hands,
raising a whirling storm that turns itself
forever through that air of endless black,
like grains of sand swirling when a whirlwind blows.
And I, in the midst of all this circling horror,
began, "Teacher, what are these sounds I hear?
What souls are these so overwhelmed by grief?"
And he to me: "This wretched state of being
is the fate of those sad souls who lived a life
but lived it with no blame and with no praise.
They are mixed with that repulsive choir of angels
neither faithful nor unfaithful to their God,
who undecided stood but for themselves.
Heaven, to keep its beauty, cast them out,
but even Hell itself would not receive them,
for fear the damned might glory over them."
And I. "Master, what torments do they suffer
that force them to lament so bitterly?"
He answered: "I will tell you in few words:
these wretches have no hope of truly dying,
and this blind life they lead is so abject
it makes them envy every other fate.
The world will not record their having been there;
Heaven's mercy and its justice turn from them.
Let's not discuss them; look and pass them by...
”
”
Dante Alighieri
“
Abraham Zogoiby covered his face that night in August 1939 because he had been assailed by fear, [...] a sudden apprehension that the ugliness of life might defeat its beauty; that love did not make lovers invulnerable. Nevertheless, he thought, even if the world's beauty and love were on the edge of destruction, theirs would still be the only side to be on; defeated love would still be love, hate's victory would not make it other than it was.
”
”
Salman Rushdie (The Moor's Last Sigh)
“
D'you ever wonder what it would be like if our positions were reversed?' I ask. At Jack's puzzled look I continue. 'If we whites were in charge instead of you Crosses?'
'Can't say it's ever crossed my mind,' Jack shrugs.
'I used to think about it a lot,' I sigh. 'Dreams of living in a world with no more discrimination, no more prejudice, a fair police force, an equal justice system, equality of education, equality of life, a level playing field...
”
”
Malorie Blackman (Noughts & Crosses (Noughts & Crosses, #1))
“
The greatest weight.-- What, if some day or night a demon were to steal after you into your loneliest loneliness and say to you: "This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence - even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again, and you with it, speck of dust!"
Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus?... Or how well disposed would you have to become to yourself and to life to crave nothing more fervently than this ultimate eternal confirmation and seal?
”
”
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
“
She had realised that they couldn't be together. She didn't want to make a romantic drama out of it, she didn't want to sigh and mope or scream hysterically to impress others with how awful it all was, even though she felt as if something fundamental, deep within her, had been taken away from her. She was simply trying to cope, to get on with her own normal life. Which, she knew, was something he could not be a part of.
”
”
Harriet Evans (A Hopeless Romantic)
“
Nina turned her face to the water, looking out at the narrow houses that lined the Geldcanal. Jesper saw that the residents had filled their windows with candles, as if these small gestures might somehow push back the dark.
“I’m pretending those lights are for him,” she said. She plucked a stray red petal from Matthias’ chest, sighed, and released his hand, rising slowly. “I know it’s time.”
Jesper put his arm around her. “He loved you so much, Nina. Loving you made him better.”
“Did it make a difference in the end?”
“Of course it did,” said Inej. “Matthias and I didn’t pray to the same god, but we knew there was something beyond this life. He went easier to the next world knowing he’d done good in this one.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Out of the starless night that covers me,
(O tribulation of the wind that rolls!)
Black as the cloud of some tremendous spell,
The susurration of the sighing sea
Sounds like the sobbing whisper of two souls
That tremble in a passion of farewell.
To the desires that trebled life in me,
(O melancholy of the wind that rolls!)
The dreams that seemed the future to foretell,
The hopes that mounted herward like the sea,
To all the sweet things sent on happy souls,
I cannot choose but bid a mute farewell.
And to the girl who was so much to me
(O lamentation of this wind that rolls!)
Since I may not the life of her compel,
Out of the night, beside the sounding sea,
Full of the love that might have blent our souls,
A sad, a last, a long, supreme farewell.
”
”
William Ernest Henley (A Selection of Poems)
“
You’re right,” Jacks said. “You’re not part of my world. You’re not one of those girls. And maybe that’s why.”
“Why what?”
“Why I can’t stop thinking about you.”
Maddy rolled her eyes. “Guys like you don’t say that to girls like me.”
“I’ve never said that to anyone, actually,” Jacks corrected. “In fact, I’ve never done anything like this before.” He let out a little laugh. “How am I doing?”
He swallowed hard, trying to push down his nervousness. He was astonished to realize he was nervous. Somehow being around Maddy just put him in a different space. Jacks felt so present.
Maddy stared at him, letting the anger and frustration surge through her.
“Why are you doing this to me?” she asked finally.
He paused, considering.
“I’m being honest. I know you may not believe me. But I haven’t been able to not think about you. When we were in the back at the restaurant, and . . .” Jacks’s voice trailed off, his face coloring. “I still feel terrible about what I did. I lied to you and, even though I had good reasons for it, it was wrong of me.”
Maddy studied him. Was he telling the truth?
Jacks smiled. “I mean this in the best possible way: I’m not going to leave you alone until you let me make it up to you. I’m serious. I’ll be here every night. You might as well get me some pajamas and a toothbrush.”
Despite her best efforts not to, Maddy laughed. She looked at Jacks and could see the faintest twinkle of light in his eyes.
“So what you’re saying is that I should just give in and let you make it up to me. Otherwise you’ll be tormenting me like this for the rest of my life?”
“Pretty much. Yeah.”
“Well.” She sighed. “What do you have in mind?”
“Come fly with me.
”
”
Scott Speer (Immortal City (Immortal City, #1))
“
They died crying in their minds like little babies. They forgot the thing they were fighting for the thing they were dying for. They thought about things a man can understand. They died yearning for the face of a friend. They died whimpering for the voice of a mother a father a wife a child. They died with their hearts sick for one more look at the place where they were born please god just one more look. They died moaning and sighing for life. They knew what was important. They knew that life was everything and they died with screams and sobs. They died with only one thought in their minds and that was I want to live I want to live I want to live.
”
”
Dalton Trumbo (Johnny Got His Gun)
“
Things got out of hand. It happens.”
My brows flew up. “It happens? Often? Do you just walk around and happen to end up kissing girls? Do you slip and fall on girls’ mouths? If so, that’s got to be an awkward life to live.”
“Well . . .” The quirk to his lips was mischievous and teasing, but I was so not having it. He sighed. “Tess, you’re a beautiful girl and I’m a guy and—”
“Oh, shut up.”
His eyes widened.
“Don’t even finish what will most likely be the lamest sentence in the history of lame sentences. You’re attracted to me.
”
”
J. Lynn (Be with Me (Wait for You, #2))
“
Those who really can receive bread from a stranger and smile in gratitude, can feed many without even realizing it. Those who can sit in silence with their fellow man not knowing what to say but knowing that they should be there, can bring new life in a dying heart. Those who are not afraid to hold a hand in gratitude, to shed tears in grief, and to let a sigh of distress arise straight from the heart, can break through paralyzing boundaries and witness the birth of a new fellowship, the fellowship of the broken.
”
”
Henri J.M. Nouwen (Out of Solitude: Three Meditations on the Christian Life)
“
October Fullness”
Little by little, and also in great leaps,
life happened to me,
and how insignificant this business is.
These veins carried
my blood, which I scarcely ever saw,
I breathed the air of so many places
without keeping a sample of any.
In the end, everyone is aware of this:
nobody keeps any of what he has,
and life is only a borrowing of bones.
The best thing was learning not to have too much
either of sorrow or of joy,
to hope for the chance of a last drop,
to ask more from honey and from twilight.
Perhaps it was my punishment.
Perhaps I was condemned to be happy.
Let it be known that nobody
crossed my path without sharing my being.
I plunged up to the neck
into adversities that were not mine,
into all the sufferings of others.
It wasn’t a question of applause or profit.
Much less. It was not being able
to live or breathe in this shadow,
the shadow of others like towers,
like bitter trees that bury you,
like cobblestones on the knees.
Our own wounds heal with weeping,
our own wounds heal with singing,
but in our own doorway lie bleeding
widows, Indians, poor men, fishermen.
The miner’s child doesn’t know his father
amidst all that suffering.
So be it, but my business
was
the fullness of the spirit:
a cry of pleasure choking you,
a sigh from an uprooted plant,
the sum of all action.
It pleased me to grow with the morning,
to bathe in the sun, in the great joy
of sun, salt, sea-light and wave,
and in that unwinding of the foam
my heart began to move,
growing in that essential spasm,
and dying away as it seeped into the sand.
”
”
Pablo Neruda (The Essential Neruda: Selected Poems)
“
Francie looked at her legs. They were long, slender, and exquisitely molded. She wore the sheerest of flawless silk stockings, and expensively made high-heeled pumps shod her beautifully arched feet. "Beautiful legs, then, is the secret of being a mistriss," concluded Francie. She looked down at her own long thin legs. "I'll never make it, I guess." Sighing , she resigned herself to a sinless life.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
Ô, the wine of a woman
from heaven is sent,
more perfect than all
that a man can invent.
When she came to my bed and begged me with sighs
not to tempt her towards passion nor actions unwise,
I told her I’d spare her and kissed her closed eyes,
then unbraided her body of its clothing disguise.
While our bodies were nude bathed in candlelight fine
I devoured her mouth, tender lips divine;
and I drank through her thighs her feminine wine.
Ô, the wine of a woman
from heaven is sent,
more perfect than all
that a man can invent.
”
”
Roman Payne
“
He hesitates only a moment before pulling me close, arms tightening around me, mouth meeting mine the same way it did before. Purely, sweetly, wickedly, perfectly. He sighs against my lips, a sound of such relief it echoes through my skin, making me smile and our teeth bump together. I know exactly how he feels. How it feels to come home, to find sanctuary, to be handed that missing piece that makes life not something to be endured, but something to be celebrated.
”
”
Stacey Jay (Juliet Immortal (Juliet Immortal, #1))
“
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.
"I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
"I'll love till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
"The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world."
But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.
"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
Tomorrow or today.
"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the teacup opens
A lane to the land of the dead.
"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
"O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.
"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbor
With all your crooked heart."
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
”
”
W.H. Auden
“
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle.
Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair.
Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
”
”
Nicole Krauss (The History of Love)
“
There's a gentle sigh which descends like billowing silk upon the soul that accepts its coming death. It's a gentle pocket of air in the turbulence of everyday life... the silk settles around you as if it has been drifting towards the earth forever and has finally found it's target. The flag of defeat has been mercifully dropped and, in this action, the loss is not so bad. Defeat itself is defeated by the embrace of defeat, and death is swallowed up in victory.
”
”
Andrew Davidson (The Gargoyle)
“
With a sigh, he grabbed hold of his chair and lifted himself out of it, then wrote on the blackboard: How will we ever get out of this labyrinth of suffering? - A.Y.
'I'm going to leave that up for the rest of the semester,' he said.
'Because everybody who has ever lost their way in life has felt the nagging insistence of that question. At some point we all look up and realize we are lost in a maze, and I don't want us to forget Alaska, and I don't want to forget that even when the material we study seems boring, we're trying to understand how people have answered that question and the questions each of you posed in your papers--how different traditions have come to terms with what Chip, in his final, called 'people's rotten lots in life.
”
”
John Green (Looking for Alaska)
“
I'm not sure I even believe in marriage," Hadley says and he looks surprised.
"Aren't you on your way to a wedding?"
"Yeah," she says with a nod. "But that's what I mean."
He looks at her blankly.
"It shouldn't be this big fuss, where you drag everyone halfway across the world to witness your love. If you want to share your life together, fine. But it's between two people, and that should be enough. Why the big show? Why rub it in everyone's faces?"
Oliver runs a hand along his jaw, obviously not quite sure what to think. "It sounds like its weddings you don't believe in," he says finally. "Not marriage."
"I'm not such a big fan of either at the moment."
"I don't know," he says. "I think they're kind of nice."
"They're not," she insists. "They're all for show. You shouldn't need to prove anything if you really mean it. It should be a whole lot simpler than that. It should mean something."
"I think it does," Oliver says quietly. "It's a promise."
"I guess so," she says, unable to keep the sigh out of her voice. "But not everyone keeps that promise." she looks over toward the woman, still fast asleep. "Not everyone makes it fifty-two years, and if you do, it doesn't matter that you once stood in front of all those people and said that you would. The important part is that you had someone to stick by you all that time. Even when everything sucked.
”
”
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
“
Garion,' she said very calmly, 'the universe knew your name before that moon up there was spun out of the emptiness. Whole constellations have been waiting for you since the beginning of time.'
I didn't want them to, Aunt Pol.'
There are those of us who aren't given that option, Garion. There are things that gave to be done and certain people who have to do them. It's as simple as that.'
He smiled rather sadly at her flawless face and gently touched the snowy white lock at her brow. Then, for the last time in his life, he asked the question that had been on his lips since he was a tiny boy. 'Why me, Aunt Pol? Why me?'
Can you possibly think of anyone else you'd trust to deal with these matters, Garion?'
He had not really been prepared for that question. It came at him in stark simplicity. Now at last he fully understood. 'No,' he sighed, 'I suppose not. Somehow it seems a little unfair, though. I wasn't even consulted.'
Neither was I, Garion,' she answered. 'But we didn't have to be consulted, did we? The knowledge of what we have to do is born into us.
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
There are moments in every relationship that define when two people start to fall in love.
A first glance
A first smile
A first kiss
A first fall…
(I remove the Darth Vader house shoes from my satchel and look down at them.)
You were wearing these during one of those moments.
One of the moments I first started to fall in love with you.
The way you gave me butterflies that morning
Had absolutely nothing to do with anyone else,
and everything to do with you.
I was falling in love with you that morning
because of you.
(I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.)
This ugly little gnome
With his smug little grin…
He's the reason I had an excuse to invite you into my house.
Into my life.
You took a lot of aggression out on him over those next few months.
I would watch from my window as you would kick him over every time you walked by him.
Poor little guy.
You were so tenacious.
That feisty, aggressive, strong-willed side of you….
The side of you that refused to take crap from this concrete gnome?
The side of you that refused to take crap from me?
I fell in love with that side of you
because of you.
(I set the gnome down on the stage and grab the CD)
This is your favorite CD
‘Layken’s shit.’
Although now I know you intended for shit to be possessive, rather than descriptive.
The banjo started playing through the speakers of your car
and I immediately recognized my favorite band.
Then when I realized it was your favorite band, too?
The fact that these same lyrics inspired both of us?
I fell in love with that about you.
That had absolutely nothing to do with anyone else.
I fell in love with that about you
because of you.
(I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.)
This is a receipt I kept.
Only because the item I purchased that night was on the verge of ridiculous.
Chocolate milk on the rocks? Who orders that?
You were different, and you didn’t care.
You were being you.
A piece of me fell in love with you at that moment,
because of you.
This? (I hold up another sheet of paper.)
This I didn’t really like so much.
It’s the poem you wrote about me.
The one you titled 'mean?'
I don’t think I ever told you…
but you made a zero.
And then I kept it
to remind myself of all the things I never want to be to you.
(I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.)
This is that ugly shirt you wear.
It doesn’t really have anything to do with why I fell in love with you.
I just saw it at your house and thought I’d steal it.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
But, look, it is good to have a dream so long as you do not let it gnaw at the substance of your present. I have seen men consumed by their dreams, and it is a sour business. If you cling too tightly to a dream—a poodle bitch or a personal sausage chef or whatever—then you miss the felicity of your heart beating and the smell of the grass growing and the sounds lizards make when you run through the neighborhood with our friend. Your dream should be like a favorite old bone that you savor and cherish and chew upon gently. Then, rather than stealing from you a wasted sigh or the life of an idle hour, it nourishes you, and you become strangely contented by nostalgia for a possible future, so juicy with possibility and redolent of sautéed garlic and decadent slabs of bacon that you feel full when you’ve eaten nothing. And then, one fine day when the sun smiles upon your snout, then the time is right, you bite down hard. The dream is yours. And then you
chew on the next one.
”
”
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
“
No, Chaya. As much as the Nazis want to take our lives, they want to take our faith too. We fight for one, Avraham's friends fight for the other."
"What good is faith if you're dead?"
"What good is life without faith?" A soft sigh escaped her lips, but she remained more patient with me than I ever was with her. "We'll all die one day–no one escapes that fate. Our only decision is how we live before that day comes. Our path requires courage, but so does theirs. Both paths are ways to resist.
”
”
Jennifer A. Nielsen (Resistance)
“
She swallowed, watching as the servants and Harry and Bert trooped out of the room. Lad, apparently not the brightest dog in the world, sat down next to Mickey O’Connor and leaned against his leg.
Mr. O’Connor looked at the dog, looked at the damp spot growing on his breeches where the dog was leaning, and sighed. “I find me life is not as quiet as it used to be afore ye came to me palace, Mrs. Hollingbrook.”
Silence lifted her chin. “You’re a pirate, Mr. O’Connor. I cannot believe your life was ever very quiet.”
He gave her an ironic look. “Aye, amazin’, isn’t it? Yet since yer arrival me servants no longer obey me and I return home to find me kitchen flooded.” He crossed to a cupboard and took down a china teapot, a tin of tea, and a teacup. “And me dog smells like a whorehouse.”
Silence glanced guiltily at Lad. “The only soap we could find was rose scented.
”
”
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
“
Adam." She rubbed her forehead with her fingers. "There will be only one bed." He frowned. "No, as I said it's a double-" "It's not. It won't be. There will be only one bed, for sure."He gave her a puzzled look. "I got the booking confirmation the other day. I can forward it to you if you want; it says that-" "It doesn't matter what it says. It's always one bed." He stared at her, perplexed, and she sighed and leaned helplessly against the back of her chair. He'd clearly never seen a rom-com or read a romance novel in his life.
”
”
Ali Hazelwood (The Love Hypothesis)
“
He stopped walking when we reached his truck, looked from the ground to my lips and then he took a step closer to me, pushing me until my back was up against the cold wet truck. He reached up and cupped my face. "I'm done trying to stay away," he sighed then continued.
"I can't do it anymore. I need you like my life depends on it." The rain was streaming down on us but right now, I did not care.
"I just need you." He gently pulled my head to him and whispered, "I am going to kiss you now.
”
”
Megan Smith (Trying Not to Love You (Love, #1))
“
You have a mismatched pair of genetic characteristics. Either alone would have been useful, would have aided the survival of your species. But the two together are lethal. It was only a matter of time before they destroyed you."
[...]
Jdahya made a rustling noise that could have been a sigh, but that did not seem to comer from his mouth or throat. "You are intelligent," he said. "That's the newer of the two characteristics, and the one you might have put to work to save yourselves. You are potentially one of the most intelligent species we've found, though your focus is different from ours. Still, you had a good start in the life sciences, and even in genetics."
"What's the second characteristic?"
"You are hierarchical. That's the older and more entrenched characteristic. We saw it in your closest animal relatives and in your most distant ones. It's a terrestrial characteristic. When human intelligence served it instead of guiding it, when human intelligence did not even acknowledge it as problem, but took pride in it or din not notice it at all..." The rattling sounded again.
”
”
Octavia E. Butler (Dawn (Xenogenesis, #1))
“
Or, if you want to go just a wee bit deeper, we could talk about the nature of freedom itself. Does freedom mean that you are allowed to do whatever you want to do? Or we could talk about all the limiting influences in your life that actively work against your freedom. Your family genetic heritage, your specific DNA, your metabolic uniqueness, the quantum stuff that is going on at a subatomic level where only I am the always-present observer. Or the intrusion of your soul's sickness that inhibits and binds you, or the social influences around you, or the habits that have created synaptic bonds and pathways in your brain. And then there's advertising, propaganda, and paradigms. Inside that confluences of multifaceted inhibitors," she sighed, "what is freedom really?
”
”
William Paul Young (The Shack)
“
I became totally absorbed into this forest existence. It was an unparalleled period when aloneness was a way of life; a perfect opportunity, it might seem, for meditating on the meaning of existence and my role in it all. But I was far too busy learning about the chimpanzees'lives to worry about the meaning of my own. I had gone to Gombe to accomplish a specific goal, not to pursue my early preoccupation with philosophy and religion. Nevertheless, those months at Gombe helped to shape the person I am today-I would have been insensitive indeed if the wonder and the endless fascination of my new world had not had a major impact on my thinking. All the time I was getting closer to animals and nature, and as a result, closer to myself and more and more in tune with the spiritual power that I felt all around. For those who have experienced the joy of being alone with nature there is really little need for me to say much more; for those who have not, no words of mine can even describe the powerful, almost mystical knowledge of beauty and eternity that come, suddenly, and all unexpected. The beauty was always there, but moments of true awareness were rare. They would come, unannounced; perhaps when I was watching the pale flush preceding dawn; or looking up through the rustling leaves of some giant forest tree into the greens and browns and the black shadows and the occasionally ensured bright fleck of blue sky; or when I stood, as darkness fell, with one hand on the still warm trunk of a tree and looked at the sparkling of an early moon on the never still, softly sighing water of Lake Tanganyika.
”
”
Jane Goodall
“
Winter Liar" by Liam Doyle the Incubus
What come once here will never come again,
no matter monument nor memory;
all sunwarmed green succumbs to winter's wind.
And you, my love, were also my best friend,
and had your life to live. The tragedy
was not just my youth's recklessness, although
I trusted much to impulse, whim, freedom,
a destiny excluding doom. Frankly,
youth can be our insanity. But now I'm cured
of that fever, although the price was high;
and chilly April wind can only sigh
at my regrets, yet sun will brighten wind so,
one knows that soon green stirs, and wild bees hum.
And summer once more will make winter liar,
but I won't warm. You're all I'll ever desire.
”
”
Juliet Dark (The Demon Lover (Fairwick Chronicles, #1))
“
I sighed, sinking back, head filling with pleasant images; pictures Pietr floated to the surface. Kisses scorched along my face and neck. "Pietr...."
There was a growl, and I felt fingers at the waistband of my jeans. The button opened and a hand traced along the top of my underpants.
"No," I said. The kissing resumed, harder. "Jessica." The word rumbled in someone's throat. Not Pietr's. To him, I was Jess.
"No," I insisted, trying to pry my eyes open. Something was wrong....Not Pietr... I pushed at the chest above me, my eyelids stinging as I willed them apart.
"Relax..." a voice said, lips dragging along the cornerof my jaw, filling my head with honey, sticky and sweet....
”
”
Shannon Delany (Secrets and Shadows (13 to Life, #2))
“
You don’t know?” he whispered harshly. “You truly don’t know that you mean everything to me?”
Hardly daring to believe her ears, Mia pushed at his chest to put a little distance between them so she could look up at his face. “I do?”
“Of course, you do.” His gaze burned into her with an intensity she had never seen before. “How could you doubt it?”
“Are . . . are you saying you love me?” she asked tremulously, afraid to even voice such a possibility. What if he said no? What if she’d misunderstood him, and he would now laugh at her silliness? Her chest tightened in anxious anticipation.
“Mia, I love you more than life itself,” he said, his voice rough with emotion. “If anything happened to you . . . If you were gone, I would not want to go on living. Do you understand me?
”
”
Anna Zaires (Close Obsession (The Krinar Chronicles, #2))
“
MOTHER TIME: Life goes by so very fast, my dears, and taking the time to reflect, even once a year, slows things down. We zoom past so many seconds, minutes, hours, killing them with the frantic way we live that it's important we take at least this one collective sigh and stop, take stock, and acknowledge our place in time before diving back into the melee. Midnight on New Year's Eve is a unique kind of magic where, just for a moment, the past and the future exist at once in the present. Whether we're aware of it or not, as we countdown together to it, we're sharing the burden of our history and committing to the promise of tomorrow.
”
”
Hillary DePiano (New Year's Thieve)
“
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.)
This purple hair clip?
It really is magic…just like your dad told you it was.
It’s magic because, no matter how many times it lets you down…you keep having hope in it.
You keep trusting it.
No matter how many times it fails you,
You never fail it.
Just like you never fail me.
I love that about you,
because of you.
(I set it back down and pull out a strip of paper and unfold it.)
Your mother.
(I sigh)
Your mother was an amazing woman, Lake.
I'm blessed that I got to know her,
And that she was a part of my life, too.
I came to love her as my own mom…just as she came to love Caulder and I as her own.
I didn’t love her because of you, Lake.
I loved her because of her.
So, thank you for sharing her with us.
She had more advice about
Life and love and happiness and heartache than anyone I've ever known.
But the best advice she ever gave me?
The best advice she ever gave us?
(I read the quote in my hands)
"Sometimes two people have to fall apart, to realize how much they need to fall back together."
(She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.)
The last item I have wouldn’t fit, because you’re actually sitting in it.
That booth.
You’re sitting in the exact same spot you sat in when you watched your first performance on this stage.
The way you watched this stage with passion in your eyes…I'll never forget that moment.
It's the moment I knew it was too late.
I was too far gone by then.
I was in love with you.
I was in love with you because of you.
(I back up and sit down on the stool behind me, still holding her stare.)
I could go on all night, Lake.
I could go on and on and on about all the reasons I'm in love with you.
And you know what? Some of them are the things that life has thrown our way.
I do love you because you're the only other person I know that understands my situation.
I do love you because both of us know what it's like to lose your mom and your dad.
I do love you because you're raising your little brother, just like I am.
I love you because of what you went through with your mother.
I love you because of what we went through with your mother.
I love the way you love Kel.
I love the way you love Caulder.
And I love the way I love Kel.
So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them.
And no, I don’t need days, or weeks, or months to think about why I love you.
It’s an easy answer for me.
I love you because of you.
Because of
every
single
thing
about you.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
I thought I would prefer apathy over this," I confided to her. "Why?" she asked. "Are you saying you would rather be cold than comforted? He's looking at you and offering his hand in friendship and you're rudely looking away pretending not to notice. At least with him you wouldn't be so alone." I felt my eyes turn into colorless pools as I glared at her for stating the obvious. "Being numb to someone is better than feeling something," I explained. "Safer you mean," she interrupted. I sighed and continued, "When someone who was once significant in your life comes back after an extended absence, emotions you had finally freed yourself from are reawakened, and if that's not enough to contend with, dormant memories are summoned whether you want them to be or not." "And what is it that you want?" she posed triumphantly. I swallowed my anger and thought with defeat, "Nothing anyone can give me.
”
”
Donna Lynn Hope
“
Dr. Urbino caught the parrot around the neck with a triumphant sigh: ça y est. But he released him immediately because the ladder slipped from under his feet and for an instant he was suspended in the air and then he realized that he had died without Communion, without time to repent of anything or to say goodbye to anyone, at seven minutes after four on Pentecost Sunday.
Fermina Daza was in the kitchen tasting the soup for supper when she heard Digna Pardo's horrified shriek and the shouting of the servants and then of the entire neighborhood. She dropped the tasting spoon and tried to run despite the invincible weight of her age, screaming like a madwoman without knowing yet what had happened under the mango leaves, and her heart jumped inside her ribs when she saw her man lying on his back in the mud, dead to this life but still resisting death's final blow for one last minute so that she would have time to come to him. He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked for her for the last and final time with eyes more luminous, more grief-stricken, more grateful that she had ever seen them in the half century of a shared life, and he managed to say to her with his last breath:
"Only God knows how much I loved you.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
It is easy to be calm when there is nothing to worry about, Eragon. The true test of your self-control, however, is whether you can remain calm in a trying situation. You cannot allow anger or frustration to cloud your thoughts, not at the moment. Right now, you need your mind to be clear.
Have you always been able to remain calm at times like this?
The old dragon seemed to chuckle. No. I used to growl and bite and knock down trees and tear up the ground. Once, I broke the top off of a mountain in the Spine; the other dragons were rather upset with me for that. But I have had many years to learn that losing my temper rarely helps. You have not, I know, but allow my experience to guide you in this. Let go of your worries and focus on the task at hand. The future will be what is will, and fretting about it will only make your fears more likely to come true.
I know, Eragon sighed, but it's not easy.
Of course not. Few things of worth are. Then Glaedr withdrew and left him to the silence of his own mind.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Someone has already taken out a Minolta cellular phone and called for a car, and then, when I'm not really listening, watching instead someone who looks remarkably like Marcus Halberstam paying a check, someone asks, simply, not in relation to anything, "Why? " and though I'm very proud that I have cold blood and that I can keep my nerve and do what I'm supposed to do, I catch something, then realize it: Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: "Well, though I know I should have done that instead of not doing it, I'm twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Pat rick means to me, I guess, so, well, yup, uh..." and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry's is a sign and on the sign in letters that match the drapes' color are the words THIS IS NOT AN EXIT.
”
”
Bret Easton Ellis (American Psycho)
“
And they will pause just for an instant, and give a sigh to me, and think, "Poor girl!" believing they do great justice to my memory by this. But they will never, never realize that it was my single opportunity of existence, as well as of doing my duty, which they are regarding; they will not feel that what to them is but a thought, easily held in those two words of pity, "Poor girl!" was a whole life to me, as full of hours, minutes, and peculiar minutes, of hopes and dreads, smiles, whisperings, tears, as theirs: that it was my world, what is to them their world, and that in that life of mine, however much I cared for them, only as the thought I seem to them to be. Nobody can enter into another's nature truly, that's what is so grievous.
”
”
Thomas Hardy (Desperate Remedies)
“
II
A grief without a pang, void, dark, and drear,
A stifled, drowsy, unimpassioned grief,
Which finds no natural outlet, no relief,
In word, or sigh, or tear —
O Lady! in this wan and heartless mood,
To other thoughts by yonder throstle woo'd,
All this long eve, so balmy and serene,
Have I been gazing on the western sky,
And its peculiar tint of yellow green:
And still I gaze — and with how blank an eye!
And those thin clouds above, in flakes and bars,
That give away their motion to the stars;
Those stars, that glide behind them or between,
Now sparkling, now bedimmed, but always seen:
Yon crescent Moon as fixed as if it grew
In its own cloudless, starless lake of blue;
I see them all so excellently fair,
I see, not feel how beautiful they are!
III
My genial spirits fail;
And what can these avail
To lift the smothering weight from off my breast?
It were a vain endeavour,
Though I should gaze for ever
On that green light that lingers in the west:
I may not hope from outward forms to win
The passion and the life, whose fountains are within.
”
”
Samuel Taylor Coleridge (The Complete Poems)
“
Other Lives And Dimensions And Finally A Love Poem
My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think
praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,
it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.
I like the idea of different
theres and elsewheres, an Idaho known for bluegrass,
a Bronx where people talk
like violets smell. Perhaps I am somewhere patient, somehow
kind, perhaps in the nook
of a cousin universe I've never defiled or betrayed
anyone. Here I have
two hands and they are vanishing, the hollow of your back
to rest my cheek against,
your voice and little else but my assiduous fear to cherish.
My hands are webbed
like the wind-torn work of a spider, like they squeezed
something in the womb
but couldn't hang on. One of those other worlds
or a life I felt
passing through mine, or the ocean inside my mother's belly
she had to scream out.
Here, when I say I never want to be without you,
somewhere else I am saying
I never want to be without you again. And when I touch you
in each of the places we meet,
in all of the lives we are, it's with hands that are dying
and resurrected.
When I don't touch you it's a mistake in any life,
in each place and forever.
”
”
Bob Hicok
“
Am I dying and I don’t know it?” I asked his chest. He sighed. “You better not be.” I pulled back and looked up at his face, completely unsure about what the hell had just happened. “Are you dying?” I blurted out. “No.” Kulti held that same serious expression that was so innate for him; I wasn’t sure what emotion he was feeling. “I’m sorry that I hurt your feelings. I only stepped away because Alejandro is… competitive. He wants what he can’t have. It was my mistake inviting him.” He glanced up quickly before looking back down and adding in a lowered voice, “I’m sorry for all the problems my presence has caused in your life. Soccer has given me everything, but it’s also taken away just as many things.” He gave me a sad determined look. “I don’t want it to take you away as well. You are the least shameful thing in my life, Sal. Understand?
”
”
Mariana Zapata (Kulti)
“
While this America settles in the mould of its vulgarity,
heavily thickening to empire, I
And protest, only a bubble in the molten mass, pops
and sighs out, and the mass hardens,
I sadly smiling remember that the flower fades to make
fruit, the fruit rots to make earth.
Qut of the mother; and through the spring exultances,
ripeness and decadence; and home to the mother.
You making haste haste on decay: not blameworthy; life
is good, be it stubbornly long or suddenly
A mortal splendor: meteors are not needed less than
mountains: shine, perishing republic.
But for my children. I would have them keep their dis-
tance from the thickening center; corruption.
Never has been compulsory, when the cities lie at the
monster’s feet there are left the mountajns.
And boys, be in nothing so moderate as in love of man,
a clever servant, insufferable master.
There is the trap that catches noblest spirits, that caught
-–they say--God, when he walked on earth.
”
”
Robinson Jeffers (Selected Poems)
“
Halt," said Will eventually, "can I ask you a question?"
"I think you just did," Halt replied, with the faintest hint of a smile in his voice. It was
an old formula between the two of them. Will grinned, then sighed and became serious.
"Does life always get harder when you get older?"
Page | 142
"You're not exactly ancient," Halt said gently. "But things have a way of turning out,
you know. Just give them time."
Will made a frustrated little gesture with his hands. "I know... it's just, I mean... oh, I
don't know what I mean!" he finished.
Halt eyed him carefully. "Pauline said to thank you for rescuing her assistant," he said.
This time, he was sure he saw a reaction. So that was it.
"I was glad to do it," Will replied eventually, his voice neutral. "I think I'll turn in. Good
night, Halt."
"Good night, son," Halt said. He chose the last word intentionally. He watched as the
dim figure strode away toward the fire, seeing the shoulders straighten as he went.
Sometimes, life threw up problems that even the wisest, most trusted mentor couldn't
solve for you. It was part of the pain of growing up.
And having to stand by and watch was part of the pain of being a mentor.
”
”
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
“
She could not rise. But there she lay content. The scent of the bog myrtle and the meadow-sweet was in her nostrils. The rooks' hoarse laughter was in her ears. "I have found my mate," she murmured. "It is the moor. I am nature's bride," she whispered, giving herself in rapture to the cold embraces of the grass as she lay folded in her cloak in the hollow by the pool. "Here I will lie. (A feather fell upon her brow.) I have found a greener laurel than the bay. My forehead will be cool always. These are wild birds' feathers - the owls, the nightjars. I shall dream wild dreams. My hands shall wear no wedding ring," she continued, slipping it from her finger. "The roots shall twine about them. Ah!" she sighed, pressing her head luxuriously on its spongy pillow, "I have sought happiness through many ages and not found it; fame and missed it' love and not known it; life - and behold, death is better. I have known many men and many women," she continued; "none have I understood. It is better that I should lie at peace here with only the sky above me - as the gipsy told me years ago.
”
”
Virginia Woolf (Orlando)
“
You know, I’ve never understood that. How being named for a woman’s nethers is somehow more grievous than any other insult. Seems to me calling someone after a man’s privates is worse. I mean, what do you picture when you hear a fellow called a cock?’ Tric shrugged, befuddled at the strange turn in conversation. ‘You imagine an oaf, don’t you?’ Mia continued. ‘Someone so full of wank there’s no room for wits. A slow-minded bastard who struts about full of spunk and piss, completely ignorant of how he looks to others.’ An exhalation of clove-sweet grey into the air between them. ‘Cock is just another word for “fool”. But you call someone a cunt, well …’ The girl smiled. ‘You’re implying a sense of malice there. An intent. Malevolent and self-aware. Don’t think I name Consul Scaeva a cunt to gift him insult. Cunts have brains, Don Tric. Cunts have teeth. Someone calls you a cunt, you take it as a compliment. As a sign that folk believe you’re not to be lightly fucked with.’ A shrug. ‘I think they call that irony.’ Mia sniffed, staring at the wastes laid out below them. ‘Truth is, there’s no difference between your nethers and mine. Aside from the obvious, of course. But one doesn’t carry any more weight than the other. Why should what’s between my legs be considered any smarter or stupider, any worse or better? It’s all just meat, Don Tric. In the end, it’s all just food for worms. Just like Duomo, Remus, and Scaeva will be.’ One last drag, long and deep, as if drawing the very life from her smoke. ‘But I’d still rather be called a cunt than a cock any turn.’ The girl sighed grey, crushed her cigarillo out with her boot heel. Spat into the wind. And just like that, young Tric was in love.
”
”
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
“
Try as we will to take the “cure” of ineffectuality; to meditate on the Taoist fathers’ doctrine of submission, of withdrawal, of a sovereign absence; to follow, like them, the course of consciousness once it ceases to be at grips with the world and weds the form of things as water does, their favorite element—we shall never succeed. They scorn both our curiosity and our thirst for suffering; in which they differ from the mystics, and especially from the medieval ones, so apt to recommend the virtues of the hair shirt, the scourge, insomnia, inanition, and lament.
“A life of intensity is contrary to the Tao,” teaches Lao Tse, a normal man if ever there was one. But the Christian virus torments us: heirs of the flagellants, it is by refining our excruciations that we become conscious of ourselves. Is religion declining? We perpetuate its extravagances, as we perpetuate the macerations and the cell-shrieks of old, our will to suffer equaling that of the monasteries in their heyday. If the Church no longer enjoys a monopoly on hell, it has nonetheless riveted us to a chain of sighs, to the cult of the ordeal, of blasted joys and jubilant despair.
The mind, as well as the body, pays for “a life of intensity.” Masters in the art of thinking against oneself, Nietzsche, Baudelaire, and Dostoevsky have taught us to side with our dangers, to broaden the sphere of our diseases, to acquire existence by division from our being. And what for the great Chinaman was a symbol of failure, a proof of imperfection, constitutes for us the sole mode of possessing, of making contact with ourselves.
”
”
Emil M. Cioran (The Temptation to Exist)
“
He loved her. He did. He fucking loved this woman. He loved her giggle when she couldn’t control it. He loved the mischief in her eyes when she was playful. He loved how her body stiffened and hands balled up and her gaze could eat through a grown man when she was mad. But none of that compared to how much he loved her sighs, the sound of his name when she screamed it, the way her mouth responded to his kisses, her scent—God he could bottle her juices and become a billionaire, but he would never because he couldn’t, in that moment, ever imagine another man with her. He would kill to keep her his, pay every cent of his fortune, destroy his career and never have another if it would keep her his. This was not a rebound, this was not infatuation, this was the end of his life as he knew it, and the realization hit that even if she didn’t want him, he would never ever find another woman like her, he would never ever get over her. He closed his eyes, felt her leg move against his, her chest heaving against his, her mouth by his neck, and he had never been so terrified.
”
”
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
“
The Other Side of a Mirror
I sat before my glass one day,
And conjured up a vision bare,
Unlike the aspects glad and gay,
That erst were found reflected there -
The vision of a woman, wild
With more than womanly despair.
Her hair stood back on either side
A face bereft of loveliness.
It had no envy now to hide
What once no man on earth could guess.
It formed the thorny aureole
Of hard, unsanctified distress.
Her lips were open - not a sound
Came though the parted lines of red,
Whate'er it was, the hideous wound
In silence and secret bled.
No sigh relieved her speechless woe,
She had no voice to speak her dread.
And in her lurid eyes there shone
The dying flame of life's desire,
Made mad because its hope was gone,
And kindled at the leaping fire
Of jealousy and fierce revenge,
And strength that could not change nor tire.
Shade of a shadow in the glass,
O set the crystal surface free!
Pass - as the fairer visions pass -
Nor ever more return, to be
The ghost of a distracted hour,
That heard me whisper: - 'I am she!
”
”
Mary Elizabeth Coleridge
“
You already know I love you,” Park said, shaking his head impatiently. “So today I promise, I vow that I know you love me, too. I never doubt it. How could I when I feel it all the time? I feel it when you make me laugh and then watch with that pleased little look on your face. I feel it when you touch me like I’m special and when you can’t touch me anymore because you’re over-full of sensations, but let me stay by you anyway. I feel so safe in loving you, because I know you love me, too. And it’s the greatest gift of my life.”
“You love me,” Cooper said.
“Obviously.” And it was, wasn’t it? Park pulled Cooper closer, arms around his waist. “So if you’re the Moon, fine. I’m the sky. If you’re a human, I’m your wolf. If you’re a prickly, sarcastic, awkward, independent, randy-as-hell, secretly good-hearted porcupine, well, then I’m Oliver Park.”
“I can’t believe I’m being slandered in my own vows.”
“Whatever happens next, whoever we are or whoever they think we are, it doesn’t matter. Because the way we love is already the stuff of legends.”
Cooper couldn’t help smiling. “Well. I guess if you say it like that, it doesn’t sound like such a bad life,” he said, leaning in to kiss him, and felt Park’s body sigh into his like it was coming home.
No, not a bad life at all.
”
”
Charlie Adhara (Cry Wolf (Big Bad Wolf, #5))
“
When death comes
like the hungry bear in autumn;
when death comes and takes all the bright coins from his purse
to buy me, and snaps the purse shut;
when death comes
like the measle-pox
when death comes
like an iceberg between the shoulder blades,
I want to step through the door full of curiosity, wondering:
what is it going to be like, that cottage of darkness?
And therefore I look upon everything
as a brotherhood and a sisterhood,
and I look upon time as no more than an idea,
and I consider eternity as another possibility,
and I think of each life as a flower, as common
as a field daisy, and as singular,
and each name a comfortable music in the mouth,
tending, as all music does, toward silence,
and each body a lion of courage, and something
precious to the earth.
When it’s over, I want to say all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world
”
”
Mary Oliver (Blue Horses)
“
Men have nothing in common with me--there is no point of contact; they have foolish little feelings and foolish little vanities and impertinences and ambitions; their foolish little life is but a laugh, a sigh, and extinction; and they have no sense. Only the Moral Sense. I will show you what I mean. Here is a red spider, not so big as a pin's head. Can you imagine an elephant being interested in him-- caring whether he is happy or isn't, or whether he is wealthy or poor, whether his sweetheart returns his love or not, whether his mother is sick or well, whether he is looked up to in society or not, whether his enemies will smite him or his friends desert him, whether his hopes will suffer blight or his political ambitions fail, whether he shall die in the bosom of his family or neglected and despised in a foreign land? These things can never be important to the elephant; they are nothing to him; he cannot shrink his sympathies to the microscopic size of them. Man is to me as the red spider is to the elephant. The elephant has nothing against the spider--he cannot get down to that remote level; I have nothing against man. The elephant is indifferent; I am indifferent.
”
”
Mark Twain (The Mysterious Stranger)
“
I thought for once that acting decent ought to be rewarded. That's why I let you go, and that's why I didn't bring you back to the King."
"If it's so horrible there,why don't you stay with us?" I asked without thinking.
"No." He shook his head and lowered his eyes. "Tempting though the offer may be, your people wouldn't allow it, and my people...well,let's just say they wouldn't react well if I didn't come home. And wether I like or not, it is my home."
"I know that feeling all too well." I sighed. Though Forening was starting to feel more like home, I wasn't sure that it ever would completely.
"See?I told you,Princess." Loki's smile returned more easily. "You and I aren't all that different."
"You say that like it means something."
"Doesn't it?"
"No,not really. You're leaving today, going home to my enemies." I let out a deep breath, feeling an ache inside my chest. "If I'm lucky,I'll never see you again. Because if I do,that means we're at war,and I'd have to hurt you."
"Oh,Wendy,that's perhaps the saddest thing I've ever heard," Loki said, and he looked like he meant it. "But life doesn't have to be all doom and gloom. Don't you ever see the silver lining?"
"Not today." I shook my head. I heard garrett summon me from down the hall, which meant that lunch was over and the meetings were about to start up. "I have to get back.I'll see you when we make the exchange with the Vittra Queen."
"Good luck." Loki nodded.
I turned to walk away, and I hadn't made it very far when I heard Loki calling after me.
"Wendy!" Loki leaned out into the hall, so far it made him grimace with pain. "If you're right and the next time we see each other is when our kingdoms are at war, you and I never will be. I'll never fight you.That I can promise you.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Try not to breathe,” I tell Lira. “It might get stuck halfway out.”
Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.”
“They’re pearls of wisdom, actually.”
I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.”
“Or gold,” I tell her smugly. “I hear it’s worth its weight.”
Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.”
“Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun.
“I don’t need you to flirt with me,” he says. “I already know you find me irresistible.”
Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.”
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
“Is it because you think I look sexier wearing nothing?”
Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin.
“I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.”
“Okay,” Madrid says. “Now I feel nauseated.”
I laugh.
”
”
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
“
I slammed the water off hard enough to make it clack, got out of the shower, dried, and started getting dressed in a fresh set of secondhand clothes.
“Why do you wear those?” asked Lacuna.
I jumped, stumbled, and shouted half of a word to a spell, but since I was only halfway done putting on my underwear, I mostly just fell on my naked ass.
“Gah!” I said. “Don’t do that!”
My miniature captive came to the edge of the dresser and peered down at me.
“Don’t ask questions?”
“Don’t come in here all quiet and spooky and scare me like that!”
“You’re six times my height, and fifty times my weight,” Lacuna said gravely. “And I’ve agreed to be your captive. You don’t have any reason to be afraid.”
“Not afraid,” I snapped back. “Startled. It isn’t wise to startle a wizard!”
“Why not?”
“Because of what could happen!”
“Because they might fall down on the floor?”
“No!” I snarled.
Lacuna frowned and said, “You aren’t very good at answering questions.” I started shoving myself into my clothes. “I’m starting to agree with you.”
“So why do you wear those?” I blinked.
“Clothes?”
“Yes. You don’t need them unless it’s cold or raining.”
“You’re wearing clothes.”
“I am wearing armor. For when it is raining arrows. Your T-shirt will not stop arrows.”
“No, it won’t.” I sighed.
Lacuna peered at my shirt. “Aer-O-Smith. Arrowsmith. Does the shirt belong to your weapon dealer?”
“No.”
“Then why do you wear the shirt of someone else’s weapon dealer?” That was frustrating in so many ways that I could avoid a stroke only by refusing to engage. “Lacuna,” I said, “humans wear clothes. It’s one of the things we do. And as long as you are in my service, I expect you to do it as well.”
“Why?”
“Because if you don’t, I . . . I . . . might pull your arms out of your sockets.” At that, she frowned. “Why?”
“Because I have to maintain discipline, don’t I?”
“True,” she said gravely. “But I have no clothes.”
I counted to ten mentally. “I’ll . . . find something for you. Until then, no desocketing. Just wear the armor. Fair enough?” Lacuna bowed slightly at the waist. “I understand, my lord.”
“Good.” I sighed. I flicked a comb through my wet hair, for all the good it would do, and said, “How do I look?” “Mostly human,” she said.
“That’s what I was going for.”
“You have a visitor, my lord.”
I frowned. “What?”
“That is why I came in here. You have a visitor waiting for you.”
I stood up, exasperated. “Why didn’t you say so?”
Lacuna looked confused. “I did. Just now. You were there.” She frowned thoughtfully. “Perhaps you have brain damage.”
“It would not shock me in the least,” I said.
“Would you like me to cut open your skull and check, my lord?” she asked.
Someone that short should not be that disturbing. “I . . . No. No, but thank you for the offer.”
“It is my duty to serve,” Lacuna intoned.
My life, Hell’s bells.
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
MY BOSS SENDS me home because of all the dried blood on my pants, and I am overjoyed.
The hole punched through my cheek doesn’t ever heal. I’m going to work, and my punched-out eye sockets are two swollen-up black bagels around the little piss holes I have left to see through. Until today, it really pissed me off that I’d become this totally centered Zen Master and nobody had noticed. Still, I’m doing the little FAX thing. I write little HAIKU things and FAX them around to everyone. When I pass people in the hall at work, I get totally ZEN right in everyone’s hostile little FACE.
Worker bees can leave
Even drones can fly away
The queen is their slave
You give up all your worldly possessions and your car and go live in a rented house in the toxic waste part of town where late at night, you can hear Marla and Tyler in his room, calling each other hum; butt wipe.
Take it, human butt wipe.
Do it, butt wipe.
Choke it down. Keep it down, baby.
Just by contrast, this makes me the calm little center of the world.
Me, with my punched-out eyes and dried blood in big black crusty stains on my pants, I’m saying HELLO to everybody at work. HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it’s so cool to be ENLIGHTENED. Like me.
Sigh.
Look. Outside the window. A bird.
My boss asked if the blood was my blood.
The bird flies downwind. I’m writing a little haiku in my head.
Without just one nest
A bird can call the world home
Life is your career
I’m counting on my fingers: five, seven, five. The blood, is it mine? Yeah, I say. Some of it. This is a wrong answer.
”
”
Chuck Palahniuk (Fight Club)
“
Suppose after all that death does end all. Next to eternal joy, next to being forever with those we love and those who have loved us, next to that, is to be wrapt in the dreamless drapery of eternal peace. Next to eternal life is eternal sleep.
Upon the shadowy shore of death the sea of trouble casts no wave. Eyes that have been curtained by the everlasting dark, will never know again the burning touch of tears. Lips touched by eternal silence will never speak again the broken words of grief. Hearts of dust do not break. The dead do not weep. Within the tomb no veiled and weeping sorrow sits, and in the rayless gloom is crouched no shuddering fear.
I had rather think of those I have loved, and lost, as having returned to earth, as having become a part of the elemental wealth of the world – I would rather think of them as unconscious dust, I would rather dream of them as gurgling in the streams, floating in the clouds, bursting in the foam of light upon the shores of worlds, I would rather think of them as the lost visions of a forgotten night, than to have even the faintest fear that their naked souls have been clutched by an orthodox god.
I will leave my dead where nature leaves them. Whatever flower of hope springs up in my heart I will cherish, I will give it breath of sighs and rain of tears. But I cannot believe that there is any being in this universe who has created a human soul for eternal pain. I would rather that every god would destroy himself; I would rather that we all should go to eternal chaos, to black and starless night, than that just one soul should suffer eternal agony.
I have made up my mind that if there is a God, he will be merciful to the merciful.
Upon that rock I stand. –
That he will not torture the forgiving. –
Upon that rock I stand. –
That every man should be true to himself, and that there is no world, no star, in which honesty is a crime.
Upon that rock I stand.
The honest man, the good woman, the happy child, have nothing to fear, either in this world or the world to come.
Upon that rock I stand.
”
”
Robert G. Ingersoll
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.
The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."
So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.
She looks at him.
”
”
Sébastien Japrisot
“
I once two beautiful children playing together. One was a fair white child; the other was her slave, and also her sister. When I saw them embracing each other, and heard their joyous laughter, I turned sadly away from the lovely sight. I foresaw the inevitable blight that would follow on the little slave's heart. I knew how soon her laughter would be changed to sighs. The fair child grew up to be a still fairer woman. From childhood to womanhood her pathway was blooming with flowers, and overarched by a sunny sky. Scarcely one day of her life had been clouded when the sun rose on her happy bridal morning.
How had those years dealt with her slave sister, the little playmate of her childhood? She, also, was very beautiful; but the flowers and sunshine of love were not for her. She drank the cup of sin, and shame, and misery, whereof her persecuted race are compelled to drink.
In view of these things, why are ye silent, ye free men and women of the north? Why do your tongues falter in maintenance of the right? Would that I had more ability! But my heart is so full, and my pen is so weak! There are noble men and women who plead for us, striving to help those who cannot help themselves. God bless them! God give them strength and courage to go on! God bless those, every where, who are laboring to advance the cause of humanity!
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
You didn’t trust me.”
“Having spent a great deal of time playing the fool myself,” Cardan says, “I recognized your game. Not at first, but long before Jude. She didn’t want to believe me, and I am never going to tire of crowing about being right.”
“So you didn’t think I was really allied with Randalin?”
Cardan smiles. “No,” he says. “But I wasn’t certain which of your allies were actually on your side. And I was rather hoping you’d let us lock you up and protect you.”
“You could have given me some sort of hint!” Oak says.
Cardan raises a single eyebrow.
Oak shakes his head. “Yes, well, fine. I could have done the same. And fine, you were losing blood.”
Cardan makes a gesture as though tossing off Oak’s words. “I have little experience of dispensing brotherly wisdom, but I know a great deal about mistakes. And about hiding behind a mask.” He saluted with his wineglass. “Some might say that I still do, but they would be wrong. To those I love, I am myself. Too much myself, sometimes.”
Oak laughs. “Jude wouldn’t say that.”
Cardan takes a deep swallow of plum-dark wine, looking pleased with himself. “She would but she’d be lying. But, most important”—he raises a single finger— “I knew what you were up to before she did.” The a second. “And if you decide you want to risk your life, perhaps you could also risk a little personal discomfort and let your family in on your plans.”
Oak lets out a long sigh. “I will take that under advisement.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation.
you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser.
do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on.
do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.
this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition.
the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence.
avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
”
”
Leonard Cohen (Death of a Lady's Man)
“
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in.
"Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?"
I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.”
She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—”
"Wait," I interrupted. "You broke into a classroom?"
"Yeah, but that’s not the problem."
Behind me, I heard a choking laugh from Ms. Terwilliger’s desk.
"Go on," I said wearily.
"Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her."
"We?" I exclaimed.
"Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.”
I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said.
As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.”
"Oh no," she said nobly. "I didn’t want to be an inconvenience."
Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to.
I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me.
"Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy."
I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.”
"Alleged?" He sounded indignant but strolled in anyways.
I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake.
"Oh," he said, seeing Angeline. "Hi."
Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.”
The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.”
That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
Is Etienene okay?"
"Haven't seen him.He went to Ellie's last night."
Just when I thought I couldn't feel any worse.I twist the corners of my pillow. "Did I,uh,say anything weird to him last night?"
"Apart from acting like a jealous girlfriend and saying you never wanted to speak to him again? No. Nothing weird at all." I moan as she recounts the night for me blow by blow. "Listen," she says when she finishes, "what's the deal with you two?""
"What do you mean?"
"You know what I mean.You two are inseparable."
"Except when he's with his girlfriend."
"Right.So what's the deal?"
I groan again. "I don't know."
"Have you guys...you know...done anything?"
"No!"
"But you like him.And he likes you, too."
I stop choking my pillow. "You think?"
"Please.The boy gets a boner every time you walk in the room."
My eyes pop back open. Does she mean that figuratively or has she actually seen something? No. Focus, Anna. "So why-"
"Why is he still with Ellie? He told you last night. He's lonely, or at least he's scared of being lonely. Josh says with all of this stuff with his mom, he's been too freaked out to change anything else in his life."
So Meredith was right. Etienne is afraid of change. Why haven't I talked about this with Rashmi before? It seems obvious now.Of course she has inside information,because Etienne talks to Josh,and Josh talks to Rashmi.
"You really think he likes me?" I can't help it.
She sighs. "Anna.He teases you all the time. It's classic boy-pulling-girl's-pigtai-syndrome.And whenever anyone else even remotely does it,he always takes your side and tells them to shove it."
"Huh."
She pauses. "You really like him, don't you?"
I'm struggling not to cry. "No.It's not like that."
"Liar.So are you getting up today or what? You need sustenance.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me.
When he pulled away, his face brightened with an enthusiastic smile. He scooped me up and spun me around the room, laughing. When I was thoroughly dizzy, he sobered and touched his forehead to mine. Shyly, I reached out to touch his face, exploring the angles of his cheeks and lips with my fingertips. He leaned into my touch like the tiger did. I laughed softly and ran my hands up into his hair, brushing it away from his forehead, loving the silky feel of it.
I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, and I worried that the deeper I allowed the relationship to progress, the worse that the deeper I allowed the relationship to progress, the worse it would be if Ren left. What would become of us? There was no way to know, and I realized what a breakable and delicate thing a heart was. No wonder I’d kept mine locked away.
He was oblivious to my negative thoughts, and I tried to push them into the back of my mind and enjoy the moment with him. Setting me down, he briefly kissed me again and pressed soft kisses along my hairline and neck. Then, he gathered me into a warm embrace and just held me close. Stroking my hair while caressing my neck, he whispered soft words in his native language. After several moments, he sighed, kissed my cheek, and nudged me toward the bed.
“Get some sleep, Kelsey. We both need some.”
After one last caress on my cheek with the back of his fingers, he changed into his tiger form and lay down on the mat beside my bed. I climbed into bed, settled under my quilt, and leaned over to stroke his head.
Tucking my other arm under my cheek, I softly said, “Goodnight, Ren.”
He rubbed his head against my hand, leaned into it, and purred quietly. Then he put his head on his paws and closed his eyes.
Mae West, a famous vaudeville actress, once said, “A man’s kiss is his signature.” I grinned to myself. If that was true, then Ren’s signature was the John Hancock of kisses.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Sweet for a little even to fear, and sweet,
O love, to lay down fear at love’s fair feet;
Shall not some fiery memory of his breath
Lie sweet on lips that touch the lips of death?
Yet leave me not; yet, if thou wilt, be free;
Love me no more, but love my love of thee.
Love where thou wilt, and live thy life; and I,
One thing I can, and one love cannot—die.
Pass from me; yet thine arms, thine eyes, thine hair,
Feed my desire and deaden my despair.
Yet once more ere time change us, ere my cheek
Whiten, ere hope be dumb or sorrow speak,
Yet once more ere thou hate me, one full kiss;
Keep other hours for others, save me this.
Yea, and I will not (if it please thee) weep,
Lest thou be sad; I will but sigh, and sleep.
Sweet, does death hurt? thou canst not do me wrong:
I shall not lack thee, as I loved thee, long.
Hast thou not given me above all that live
Joy, and a little sorrow shalt not give?
What even though fairer fingers of strange girls
Pass nestling through thy beautiful boy’s curls
As mine did, or those curled lithe lips of thine
Meet theirs as these, all theirs come after mine;
And though I were not, though I be not, best,
I have loved and love thee more than all the rest.
O love, O lover, loose or hold me fast,
I had thee first, whoever have thee last;
Fairer or not, what need I know, what care?
To thy fair bud my blossom once seemed fair.
Why am I fair at all before thee, why
At all desired? seeing thou art fair, not I.
I shall be glad of thee, O fairest head,
Alive, alone, without thee, with thee, dead;
I shall remember while the light lives yet,
And in the night-time I shall not forget.
Though (as thou wilt) thou leave me ere life leave,
I will not, for thy love I will not, grieve;
Not as they use who love not more than I,
Who love not as I love thee though I die;
And though thy lips, once mine, be oftener prest
To many another brow and balmier breast,
And sweeter arms, or sweeter to thy mind,
Lull thee or lure, more fond thou wilt not find.
”
”
Algernon Charles Swinburne (Poems and Ballads)
“
When I woke, I was nestled on top of Ren’s chest. His arms were wrapped around me, and my legs were entwined with his. I was surprised I could breathe all night since my nose was smashed against his muscular torso. It had gotten cold, but my quilt covered both of us and his body, which maintained a warmer-than-average temperature, had kept me toasty all night.
Ren was still asleep, so I took the rare opportunity to study him. His powerful frame was relaxed and his face was softened by sleep. His lips were full, smooth, and utterly kissable, and for the first time, I noticed how long his sooty lashes were. His glossy dark hair fell softly over his brow and was mussed in a way that made him look even more irresistible.
So this is the real Ren. He doesn’t seem real. He looked like an archangel who fell to the earth. I’d been with Ren night and day for the past four weeks, but the time he was a man was such a small fraction of each day that he seemed almost like a dream guy, a real life Prince Charming.
I traced a black eyebrow, following its arch with my finger, and lightly brushed the silky dark hair away from his face. Hoping not to disturb him, I sighed, shifted slowly, and tried to move away, but his arms tensed, restraining me.
He sleepily mumbled, “Don’t even think about moving” and pulled me back to snuggle me close again. I rested my cheek against his chest, felt his heartbeat, and contented myself with listening to its rhythm.
After a few minutes, he stretched and rolled to his side, pulling me with him. He kissed my forehead, blinked open his eyes, and smiled at me. It was like watching the sun come up. The handsome, sleeping man was potent enough, but when he turned his dazzling white smile on me and blinked open his cobalt blue eyes, I was dumbstruck.
I bit my lip. Alarm bells started going off in my head.
Ren’s eyes fluttered open, and he tucked some loose hair behind my ear. “Good morning, rajkumari. Sleep well?”
I stammered, “I…you…I…slept just fine, thank you.”
I closed my eyes, rolled away from him, and stood up. I could deal with him a lot better if I didn’t think about him much, or look at him, or talk to him, or hear him.
He wrapped his arms around me from behind, and I felt his smile as he pressed his lips to the soft spot behind my ear. “Best night of sleep I’ve had in about three hundred and fifty years.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Her sweet smell drove my body higher as I nibbled on the edge of her earlobe. “I’m not stopping you. You plan. I’ll kiss.”
Echo turned her head to look at me over her shoulder. My siren became a temptress with that seductive smile on her lips. A mistake on her part. I caressed her cheek and kissed those soft lips.
I expected her to shy away. We’d been playing this game for over an hour: she plotted while I teased.Leaving for the summer was important to her and she was important to me. But instead of the quick peck I’d anticipated, she moved her lips against mine. A burning heat warmed my blood.
It was a slow kiss at first—all I meant it to be, but then Echo touched me. Her hands on my face, in my hair. And then she angled her body to mine. Warmth, enticing pressure on all the right parts, and Echo’s lips on mine—fireworks.
She became my world. Filling my senses so that all I felt and saw and tasted was her. Kisses and touches and whispered words of love and when my hand skimmed down the curve of her waist and paused on the hem of her jeans my body screamed to continue, but my mind knew it was time to stop.
With a sigh, I moved my lips once more against hers before shifting and pulling her body to my side. “I’m in love with you.”
Echo settled her head in the crook of my arm as her fingertips lazily touched my face. “I know. I love you, too.”
“I’m sorry I didn’t say it sooner.” If I had, then maybe we never would have been apart.
“It’s okay,” she murmured. “We’re together now and that’s all that matters.”
I kissed her forehead and she snuggled closer to me. The world felt strange. For the first time in my life, I wasn’t fighting someone or something. My brothers were safe. Echo knew the truth. Soon, I’d be free from high school and foster care. Hopefully, I’d be admitted on late acceptance to college. Contentment and happiness were unfamiliar emotions, but ones I could learn to live with.
“Do you mind?” she asked in a small voice that indicated nerves. “That we’re taking it slow?”
“No.” And it was the truth.
Everything in her life was in flux and she needed strong, steady and stable. Oddly, she found those three things in me. Who would ever have guessed I’d be the reliable sort? “Besides, taking it slow creates buildup. I like anticipation.”
Her body rocked with silent giggles and my lips turned up. I loved making her happy.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
When by my solitary hearth I sit,
And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my "mind's eye" flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o'er my head.
Whene'er I wander, at the fall of night,
Where woven boughs shut out the moon's bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.
Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chace him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!
Whene'er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o'er my head!
Should e'er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed.
And wave thy silver pinions o'er my head!
In the long vista of the years to roll,
Let me not see our country's honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom's shade.
From thy bright eyes unusual brightness shed--
Beneath thy pinions canopy my head!
Let me not see the patriot's high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress'd,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!
And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud;
Brightening the half veil'd face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o'er my head.
- To Hope
”
”
John Keats (The Complete Poems)
“
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
”
”
Terry Pratchett (Hogfather (Discworld, #20))
“
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.”
He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face.
He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.”
I tried to change the subject. “What does sundari mean?”
“It means ‘most beautiful.’”
I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments.
We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his.
I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.”
“I don’t mind. I’m sure you found my room the least interesting.”
“Actually, I was curious about the note I found. Did you write it?”
“A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.”
“Oh. I…also noticed a ribbon. Is it mine?”
“Yes. If you’d like it back, you can take it.”
“Why would you want it?”
He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.”
“A token? Like a fair maiden giving her handkerchief to a knight in shining armor?”
He grinned. “Exactly.”
I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.”
He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.”
“Why?”
“A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.”
I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces.
Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.”
Ren smiled understandingly. “Then it means even more to me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited:
"O sweet treasures, discovered to my sorrow." She did not understand.
"It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did."
"Was he a priest too?"
"A soldier," he said.
Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering.
"I am always in this state," he said.
And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask:
"And now?"
"And now nothing," he said. "It is enough for me that you know."
He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads.
Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?"
"I reach my end, for artless I surrendered to one who is my undoing and my end," he said.
She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
”
”
Gabriel García Márquez (Of Love and Other Demons)
“
Not to waste the spring
I threw down everything,
And ran into the open world
To sing what I could sing...
To dance what I could dance!
And join with everyone!
I wandered with a reckless heart
beneath the newborn sun.
First stepping through the blushing dawn,
I crossed beneath a garden bower,
counting every hermit thrush,
counting every hour.
When morning's light was ripe at last,
I stumbled on with reckless feet;
and found two nymphs engaged in play,
approaching them stirred no retreat.
With naked skin, their weaving hands,
in form akin to Calliope's maids,
shook winter currents from their hair
to weave within them vernal braids.
I grabbed the first, who seemed the stronger
by her soft and dewy leg,
and swore blind eyes,
Lest I find I,
before Diana, a hunted stag.
But the nymphs they laughed,
and shook their heads.
and begged I drop beseeching hands.
For one was no goddess, the other no huntress,
merely two girls at play in the early day.
"Please come to us, with unblinded eyes,
and raise your ready lips.
We will wash your mouth with watery sighs,
weave you springtime with our fingertips."
So the nymphs they spoke,
we kissed and laid,
by noontime's hour,
our love was made,
Like braided chains of crocus stems,
We lay entwined, I laid with them,
Our breath, one glassy, tideless sea,
Our bodies draping wearily.
We slept, I slept so lucidly,
with hopes to stay this memory.
I woke in dusty afternoon,
Alone, the nymphs had left too soon,
I searched where perched upon my knees
Heard only larks' songs in the trees.
"Be you, the larks, my far-flung maids?
With lilac feet and branchlike braids...
Who sing sweet odes to my elation,
in your larking exaltation!"
With these, my clumsy, carefree words,
The birds they stirred and flew away,
"Be I, poor Actaeon," I cried, "Be dead…
Before they, like Hippodamia, be gone astray!"
Yet these words, too late, remained unheard,
By lark, that parting, morning bird.
I looked upon its parting flight,
and smelled the coming of the night;
desirous, I gazed upon its jaunt,
as Leander gazes Hellespont.
Now the hour was ripe and dark,
sensuous memories of sunlight past,
I stood alone in garden bowers
and asked the value of my hours.
Time was spent or time was tossed,
Life was loved and life was lost.
I kissed the flesh of tender girls,
I heard the songs of vernal birds.
I gazed upon the blushing light,
aware of day before the night.
So let me ask and hear a thought:
Did I live the spring I’d sought?
It's true in joy, I walked along,
took part in dance,
and sang the song.
and never tried to bind an hour
to my borrowed garden bower;
nor did I once entreat
a day to slumber at my feet.
Yet days aren't lulled by lyric song,
like morning birds they pass along,
o'er crests of trees, to none belong;
o'er crests of trees of drying dew,
their larking flight, my hands, eschew
Thus I'll say it once and true…
From all that I saw,
and everywhere I wandered,
I learned that time cannot be spent,
It only can be squandered.
”
”
Roman Payne (Rooftop Soliloquy)
“
How did you find out?” he asked.
I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.”
He sighed and sat on the arm of my couch and stared into space.
“That’s it? You have nothing else to say?” I asked.
“I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.”
“Were you ever going to tell me?”
“Yeah...of course.”
His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome.
Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.”
I sank down into the arm chair opposite him. “Then…then…what happened?”
It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…”
“Aroused? Horny? Lust-filled?”
He grimaced. “Something like that. But, I don’t know. There was more to it than just that.”
The tape in my mind rewound. “Did you say you were going to call Niphon?”
“Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.”
“Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath.
“Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.”
He tilted his head curiously. “What do you mean?”
“This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.”
A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response.
“Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.”
My hand froze on Aubrey’s back. “What are you saying?”
“I…don’t have flings.”
“Are you saying you want to start something with her?”
He looked miserable. “I don’t know.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.
”
”
Alfred Bruce Douglas
“
Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low.
Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts.
“How are you, Raphael?” asked Magnus.
“Annoyed,” said Raphael. “As usual.”
“I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.”
There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn.
“Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?”
Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother.
Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back.
Ragnor Fell.
Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back.
There must have been very few people in Raphael’s life he’d ever counted as friends.
“I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.”
Magnus inclined his head with a slight smile.
“Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?”
Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.”
“I’m undead,” said Raphael.
“What about joie de unvivre?”
Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed.
“Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.”
“What problem? Are you in trouble?” asked Raphael.
“Nothing I can’t handle,” said Magnus.
“Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.”
“Take care of yourself, Raphael,” said Magnus.
Raphael waved a dismissive hand over his shoulder. “I always do.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?”
Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.”
As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!”
“Oy,” says Peter, “another one - wait here.”
He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten.
“What is it, my son?” he asks.
The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?”
“Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ”
Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?”
“No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?”
The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
”
”
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
“
What’s wrong?”
Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.”
He grunted, “Hmm, let me see what I can do.”
Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.”
He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head.
“Is that more comfortable for you?”
“Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.”
“What do you mean? Why can’t you relax?”
“Because you’re too close for me to relax.”
Bemused, he said, “Me being too close never bothered you when I was a tiger.”
“The tiger you and the man you are two completely different things.”
He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.”
“It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck.
He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred.
“Ren, can you not do that right now?”
He lifted his head. “You like it when I purr. It helps you sleep better.”
“Yes, well, that only works with the tiger. How can you do that as a man anyway?”
He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm.
“Uh, Ren? Explain to me how you plan to keep watch like this.”
His lips grazed my neck. “I can hear and smell the Kappa, remember?”
I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.”
Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.”
He kissed me softly and smiled. “I haven’t either.”
He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!”
He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind.
But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again."
The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer.
This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building.
Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head.
It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped.
The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm.
A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape.
And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!"
But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!"
The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM.
She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!"
But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work.
Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life!
Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))