“
There's a road to hell that is paved with good intentions but it's a long route. The quicker path is paved with the kind of ignorance that clever men who just don't want to know are best at.
”
”
Mark Lawrence (Emperor of Thorns (The Broken Empire, #3))
“
Of all that is written, I love only what a person hath written with his blood. Write with blood, and thou wilt find that blood is spirit.
It is no easy task to understand unfamiliar blood; I hate the reading idlers.
He who knoweth the reader, doeth nothing more for the reader. Another century of readers--and spirit itself will stink.
Every one being allowed to learn to read, ruineth in the long run not only writing but also thinking.
Once spirit was God, then it became man, and now it even becometh populace.
He that writeth in blood and proverbs doth not want to be read, but learnt by heart.
In the mountains the shortest way is from peak to peak, but for that route thou must have long legs. Proverbs should be peaks, and those spoken to should be big and tall.
The atmosphere rare and pure, danger near and the spirit full of a joyful wickedness: thus are things well matched.
I want to have goblins about me, for I am courageous. The courage which scareth away ghosts, createth for itself goblins--it wanteth to laugh.
”
”
Friedrich Nietzsche (Thus Spoke Zarathustra)
“
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights.
When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
”
”
Jodi Picoult (Handle with Care)
“
Distance changes utterly when you take the world on foot. A mile becomes a long way, two miles literally considerable, ten miles whopping, fifty miles at the very limits of conception. The world, you realize, is enormous in a way that only you and a small community of fellow hikers know. Planetary scale is your little secret.
Life takes on a neat simplicity, too. Time ceases to have any meaning. When it is dark, you go to bed, and when it is light again you get up, and everything in between is just in between. It’s quite wonderful, really.
You have no engagements, commitments, obligations, or duties; no special ambitions and only the smallest, least complicated of wants; you exist in a tranquil tedium, serenely beyond the reach of exasperation, “far removed from the seats of strife,” as the early explorer and botanist William Bartram put it. All that is required of you is a willingness to trudge.
There is no point in hurrying because you are not actually going anywhere. However far or long you plod, you are always in the same place: in the woods. It’s where you were yesterday, where you will be tomorrow. The woods is one boundless singularity. Every bend in the path presents a prospect indistinguishable from every other, every glimpse into the trees the same tangled mass. For all you know, your route could describe a very large, pointless circle. In a way, it would hardly matter.
At times, you become almost certain that you slabbed this hillside three days ago, crossed this stream yesterday, clambered over this fallen tree at least twice today already. But most of the time you don’t think. No point. Instead, you exist in a kind of mobile Zen mode, your brain like a balloon tethered with string, accompanying but not actually part of the body below. Walking for hours and miles becomes as automatic, as unremarkable, as breathing. At the end of the day you don’t think, “Hey, I did sixteen miles today,” any more than you think, “Hey, I took eight-thousand breaths today.” It’s just what you do.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
If slavery persists as an issue in the political life of black America, it is not because of an antiquarian obsession with bygone days or the burden of a too-long memory, but because black lives are still imperiled and devalued by a racial calculus and a political arithmetic that were entrenched centuries ago. This is the afterlife of slavery--skewed life chances, limited access to health and education, premature death, incarceration, and impoverishment.
”
”
Saidiya Hartman (Lose Your Mother: A Journey Along the Atlantic Slave Route)
“
What if the body, at its best, is only a longing for body? The blood racing to the heart only to be sent back out, filling the routes, the once empty channels, the miles it takes to take us toward each other. Why did I feel more myself while reaching for him, my hand midair, than I did having touched him.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Was there to be any end to the gradual improvement in the techniques and artifices used by the replicators to ensure their own continuation in the world? There would be plenty of time for improvement. What weird engines of self-preservation would the millennia bring forth? Four thousand million years on, what was to be the fate of the ancient replicators?
They did not die out, for they are past masters of the survival arts. But do not look for them floating loose in the sea; they gave up that cavalier freedom long ago. Now they swarm in huge colonies, safe inside gigantic lumbering robots, sealed off from the outside world, communicating with it by tortuous indirect routes, manipulating it by remote control.
They are in you and in me; they created us, body and mind; and their preservation is the ultimate rationale for our existence. They have come a long way, those replicators. Now they go by the name of genes, and we are their survival machines.
”
”
Richard Dawkins (The Selfish Gene)
“
As well, they used their B-52 bombers to drop thousands of tons of bombs which included napalm and cluster bombs. In a particularly vile attack, they used poisonous chemicals on our base regions of Xuyen Moc, the Minh Dam and the Nui Thi Vai mountains. They sprayed their defoliants over jungle, and productive farmland alike. They even bull-dozed bare, both sides along the communication routes and more than a kilometre into the jungle adjacent to our base areas.
This caused the Ba Ria-Long Khanh Province Unit to send out a directive to D445 and D440 Battalions that as of 01/November/1969, the rations of both battalions would be set at 27 litres of rice per man per month when on operations. And 25 litres when in base or training.
So it was that as the American forces withdrew, their arms and lavish base facilities were transferred across to the RVN. The the forces of the South Vietnamese Government were with thereby more resources but this also created any severe maintenance, logistic and training problems.
The Australian Army felt that a complete Australian withdrawal was desirable with the departure of the Task Force (1ATF), but the conservative government of Australia thought that there were political advantages in keeping a small force in south Vietnam.
Before his election, in 1964, Johnston used a line which promised peace, but also had a policy of war. The very same tactic was used by Nixon. Nixon had as early as 1950 called for direction intervention by American Forces which were to be on the side of the French colonialists.
The defoliants were sprayed upon several millions of hectares, and it can best be described as virtual biocide. According to the figure from the Americans themselves, between the years of 1965 to 1973, ten million Vietnamese people were forced to leave their villages ad move to cities because of what the Americans and their allies had done.
The Americans intensified the bombing of whole regions of Laos which were controlled by Lao patriotic forces. They used up to six hundred sorties per day with many types of aircraft including B52s.
On 07/January/1979, the Vietnamese Army using Russian built T-54 and T-59 tanks, assisted by some Cambodian patriots liberated Phnom Penh while the Pol Pot Government and its agencies fled into the jungle. A new government under Hun Sen was installed and the Khmer Rouge’s navy was sunk nine days later in a battle with the Vietnamese Navy which resulted in twenty-two Kampuchean ships being sunk.
”
”
Michael G. Kramer (A Gracious Enemy)
“
Normally when I’m attempting a risky, clandestine, secret date and I need to escape my house undetected, I ask myself, ‘What would MacGyver do?’”
Oh, my god, this chick just mentioned MacGyver?
Hell.
Yes.
I break my eyes away from hers long enough to hide the fact that I think I just fell for her and also to assess our escape route. I glance at the swing on the porch, then look back at Six when I’m sure the cheesy grin is gone from my face.
“I think MacGyver would take your porch swing and build an invisible force field out of grass and matches. Then he would attach a jet engine to it and fly it out of here undetected. Unfortunately I’m all out of matches.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
The best way to think of the ageing process in relation to a human face is to imagine a map of an area of innocent land which slowly becomes a city with many long and winding routes.
”
”
Matt Haig (The Humans)
“
Always mystify, mislead, and surprise the enemy, if possible; and when you strike and overcome him, never let up in the pursuit so long as your men have strength to follow; for an army routed, if hotly pursued, becomes panic-stricken, and can then be destroyed by half their number. The other rule is, never fight against heavy odds, if by any possible maneuvering you can hurl your own force on only a part, and that the weakest part, of your enemy and crush it. Such tactics will win every time, and a small army may thus destroy a large one in detail, and repeated victory will make it invincible.
”
”
Stonewall Jackson
“
For many centuries to come, men will avoid those woods, taking the long route instead. Beware the Stone Maidens, they will whisper to each other, beware the ones who look back.
”
”
Hegeleen Kissel (Tales of Thread: A short story collection)
“
That was what made the story so epic: the player, the hero, had to suffer mightily en route to his final triumph. Schwartz knew that people loved to suffer, as long as the suffering made sense. Everybody suffered. The key was to choose the form of your suffering. Most people couldn't do this alone; they needed a coach. A good coach made you suffer in a way that suited you. A bad coach made everyone suffer in the same way, and so was more like a torturer.
”
”
Chad Harbach (The Art of Fielding)
“
You are in your youth walking down a long road that will branch and branch again, and your life is full of choices with huge and unpredictable consequences, and you rarely get to come back to choose the other route. You are making something, a life, a self, and it is an intensely creative task as well as one at which it is more than possible to fail, a little, a lot, miserably, fatally.
”
”
Rebecca Solnit (Recollections of My Nonexistence: A Memoir)
“
Gentlemen! I too have been a close observer of the doings of the Bank of the United States. I have had men watching you for a long time, and am convinced that you have used the funds of the bank to speculate in the breadstuffs of the country. When you won, you divided the profits amongst you, and when you lost, you charged it to the bank. You tell me that if I take the deposits from the bank and annul its charter I shall ruin ten thousand families. That may be true, gentlemen, but that is your sin! Should I let you go on, you will ruin fifty thousand families, and that would be my sin! You are a den of vipers and thieves. I have determined to rout you out, and by the Eternal, (bringing his fist down on the table) I will rout you out!
”
”
Andrew Jackson
“
By eliminating over-production and long transport routes from the supply chain distribution system, it allows for more responsiveness.
”
”
Hendrith Vanlon Smith Jr.
“
Did you ever feel colored-in when a boy found you with his mouth? What if the body, at its best, is only longing for a body? The blood racing to the heart only to be sent back out, filling the routes, the once empty channels, the miles it takes to take us towards each other. Why did I feel more myself reaching out for him, my hand midair, than I did having touched him?
His tongue tracing my ear: the green pulled through a blade of grass.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
There are friends, I think we can't imagine living without. People who are sisters to us, or brothers. Jimmy was one of those. I never thought I might have to go through life without him. I never thought he might be killed by a drunken driver or anything else. Who thinks about things like that when you're seventeen? If I had known ahead of time what was going to happen to him, I would have gone crazy. I guess I did go a little crazy. My Aunt Lo, who's a hospital psychiatrist, says grief travels a certain route-that if you could plot it out on a map you'd have a line that twists and weaves and eventually ends up near the point of departure. I say "near" because although
you may survive the grief, you won't ever be exactly the same. It took me a long time to learn that, and sometimes the whole experience comes back on me and I have to learn it all over again.
”
”
Julie Reece Deaver (Say Goodnight, Gracie)
“
The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.
”
”
Charles Williams (The Figure of Beatrice: A Study in Dante)
“
So it persists, for many of us, hunger channeled into some internal circuitry of longing, routed this way and that, emerging in a thousand different forms. The diet form, the romance form, the addiction form, the overriding hunger for this purchase or that job, this relationship or that one. Hunger may be insatiable by nature, it may be fathomless, but our will to fill it, our often blind tenacity in the face of it, can be extraordinary.
”
”
Caroline Knapp (Appetites: Why Women Want)
“
Shortcuts to love tend to be the fast route to long-term troubles.
”
”
Harlan Cohen (The Naked Roommate: And 107 Other Issues You Might Run Into in College)
“
It's a promise ring. A long time ago, they would be engraved with the words Pour route ma vie, de tout mon coeur, For my whole life, all of my love. I wanted to give you something that showed my complete and total devotion to you, to us. I have turned your world upside down. First when I tried to kill myself and left you to deal with the aftermath. Then again when I came back and you've been trying to handle my constantly changing life. I know I haven't been easy. I wish I could say that one day things might be simpler. But the truth is I can't say that. I wish I could. I can only say, with one hundred percent certainty that I love you. That I live and breathe for you. That I would lay down my life a million times over for you. And no matter what happens tomorrow, next week, next year, my heart will always be yours.
”
”
A. Meredith Walters (Light in the Shadows (Find You in the Dark, #2))
“
The way to deal with superstition is not to be polite to it, but to tackle it with all arms, and so rout it, cripple it, and make it forever infamous and ridiculous. Is it, perchance, cherished by persons who should know better? Then their folly should be brought out into the light of day, and exhibited there in all its hideousness until they flee from it, hiding their heads in shame. True enough, even a superstitious man has certain inalienable rights. He has a right to harbor and indulge his imbecilities as long as he pleases, provided only he does not try to inflict them upon other men by force. He has a right to argue for them as eloquently as he can, in season and out of season. He has a right to teach them to his children. But certainly he has no right to be protected against the free criticism of those who do not hold them. He has no right to demand that they be treated as sacred. He has no right to preach them without challenge.
”
”
H.L. Mencken
“
Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.
”
”
Frédéric Gros (A Philosophy of Walking)
“
Talking so much you horrify yourself and those around you; talking so little that you almost refuse your own existence: a demonstrates that speech is by no means a straightforward route to connection. If loneliness is to be defined as a desire for intimacy, then included within that is the need to express oneself and to be heard, to share thoughts, experiences and feelings. Intimacy can’t exist if the participants aren’t willing to make themselves known, to be revealed. But gauging the levels is tricky. Either you don’t communicate enough and remain concealed from other people, or you risk rejection by exposing too much altogether: the minor and major hurts, the tedious obsessions, the abscesses and cataracts of need and shame and longing.
”
”
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
“
I stayed under the moon too long.
I am silvered with lust.
Dreams flick like minnows through my eyes.
My voice is trees tossing in the wind.
I loose myself like a flock of blackbirds
storming into your face.
My lightest touch leaves blue prints,
bruises on your mind.
Desire sandpapers your skin
so thin I read the veins and arteries
maps of routes I will travel
till I lodge in your spine.
The night is our fur.
We curl inside it licking.
”
”
Marge Piercy
“
Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own.
Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one.
In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis...
In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch.
Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.
”
”
Rebecca Solnit (The Faraway Nearby)
“
The high road is something very, very long, of which one cannot see the end - like human life, like human dreams. There is an idea in the open road, but what sort of idea is there in travelling with posting tickets? Posting tickets mean an end to ideas. Vive la grande route and then as God wills.
”
”
Fyodor Dostoevsky (Demons)
“
I believe that the biggest mistake that most people make when it comes to their retirement is they do not plan for it. They take the same route as Alice in the story from “Alice in Wonderland,” in which the cat tells Alice that surely she will get somewhere as long as she walks long enough. It may not be exactly where you wanted to get to, but you certainly get somewhere.
”
”
Mark Singer (The Changing Landscape Of Retirement - What You Don't Know Could Hurt You (Volume 1))
“
Ants are a terrific analogy for the route to success. They will go over, under, around, or through whatever gets in their way. They never stop moving, and neither should you. Take the word impossible and turn it into “I’m Possible.
”
”
Honoree Corder (Vision to Reality: How Short Term Massive Action Equals Long Term Maximum Results)
“
The tears of those who never cry, the calm, the levelheaded ones, are terrible to see. She seemed to be split or torn by the force of the tears, which she squeezed her eyes shut against, which she forced back with her fist against her lips. Smokey, afraid and awed, came immediately to her as he might to rescue his child from a fire, without thought and without knowing quite what he would do. When he tried to take her hand, speak softly to her, she only trembled more violently, the red cross branded on her face grew uglier; so he enveloped her, smothered the flames, Disregarding her resistance, as well as he could he covered her, having a vague idea that he could by tenderness invade her and then rout her grief, whatever it was, by main strength. He wasn't sure he wasn't himself the cause of it, wasn't sure if she would cling to him for comfort or break him in rage, but he had no choice anyway, savior or sacrifice, it didn't matter so long as she could cease suffering.
”
”
John Crowley (Little, Big)
“
Except, how do we go on when what was best is behind us? When the longing is not for someone you have not yet met, but for someone you knew and lost?
”
”
Binnie Kirshenbaum (The Scenic Route)
“
In the mountains the shortest way is from peak to peak, but for that route thou must have long legs. Proverbs should be peaks, and those spoken to should be big and tall.
”
”
Friedrich Nietzsche (Thus Spake Zarathustra A book for all and none)
“
[...] Get rid of the things that make you fragile
We're taking the negative route for this exercise. Ask yourself: What makes me fragile? Certain people, things, and habits generate losses for us and make us vulnerable. Who and what are they?
When we make our New Year's resolutions, we tend to emphasize adding new challenges to our lives. It's great to have this kind of objective, but setting "good riddance" goals can have an even bigger impact.
”
”
Francesc Miralles (Ikigai: The Japanese Secret to a Long and Happy Life / The Little Book of Lykke / Lagom: The Swedish Art of Balanced Living)
“
Quel bonheur dans ce temps-là ! quelle liberté ! quel espoir ! quellle abondance d’illusions ! Il n’en restait plus maintenant ! Elle en avait dépensé à toutes les aventures de son âme, par toutes les conditions successives, dans la virginité, dans le mariage et dans l’amour ; - les perdant ainsi continuellement le long de sa vie, comme un voyageur qui laisse quelque chose de sa richesse à toutes les auberges de la route.
Mais qui donc la rendait si malheureuse ? où était la catastrophe extraordinaire qui l’avait bouleversée ? Elle releva sa tête, regardant autour d’elle, comme pour chercher la cause de ce qui la faisait souffrir.
”
”
Gustave Flaubert (Madame Bovary)
“
La mémoire garde trace de chaque étape d'un voyage au long cours. Comme si le mouvement avait le rôle d'un fixateur de souvenirs ou que le temps, lorsqu'il était mesuré par le défilement de l'espace, ne se dissolvait plus dans l'oubli. La route intensifie les événements de la vie.
”
”
Sylvain Tesson (Éloge de l'énergie vagabonde)
“
I frowned, staring into the eerie blackness along Route 33 truckers always complained about. It is odd how we rarely encounter true darkness. Somewhere, there is always light; a house, a town, headlights. Not here. Just total and complete darkness. I had been on the night run for months, long enough to get accustomed to total darkness if not entirely comfortable with it. What concerned me was the silence. I'd often had to pull over and take a pee along that godforsaken beltway. There were crickets rubbing their legs together in the cotton and wheat, grasshoppers jumping through the corn stalks, and June bugs flittering above the fields. Occasionally while relieving myself I'd even hear a lone armadillo burrowing. Tonight, however, I heard nothing. Less than nothing. Always there existed a strangeness here the truckers talked about, but tonight something had inexplicably hushed the sounds of night and made it stranger. The silence itself was dead; the kind of silence you get high up in the mountains when it snows, hushing the entire world beneath a white blanket. The blanket along Damnation Road was black, and it felt…unnatural." - NIGHT RUN - Bobby Underwood
”
”
Bobby Underwood (Night Run)
“
Don't worry about hurting me, Jordan." She brushed back her hair again as she turned from him and headed for the bedroom. "It was too late for that a long time ago."
...
"I've heard the lecture," she informed him as she glared back at him. "I've heard you tell your men how love is an illusion, and how they need to watch their backs before that illusion bites him on the ass, so many times it sickens me. Unless you have something original to add to it, then I don't want to hear it again, if you don't mind."
...
"You're fooling yourself." He had to force the words past his lips. "You're letting lust and pleasure betray you. Tehya. It tricks you. When it fades, all you have left is either friendship or enmity. It's the enmity that worries me, the knowledge of all the little ways you can destroy one another with the knowledge you've gained. I don't want us to go that route. I don't want you to hate me."
...
"Who ruined you before I ever had a chance at your heart?
”
”
Lora Leigh (Live Wire (Elite Ops, #7))
“
Rooks have clustered on either side of the long road. It is as if they line a grand parade route for our passage. Their black feathers are stark as soot against the white road and the snow. They stab at the ground with their strange bare bills and gray unfeathered faces. The birds are like rough-edged black stones on a string around this stripped cold neck of road. The old books tell us rooks bring the virtuous dead to heaven’s gate.
”
”
Ned Hayes (Sinful Folk)
“
open the Israeli map, and again study the route that Israelis usually take to the coast. So, after descending to the bottom of the valley on Highway 50, one must turn right onto Highway 1, and stay on it for a long time, without turning right or left. I examine the area along Highway 1, which, according to the map, appears to be primarily populated by settlements. The only two visible Palestinian villages are Abu Ghosh and Ein Rafa. I go back and open the map, which depicts Palestine until 1948, and let my eyes wander over it, moving between the names of the many Palestinian villages that were destroyed after the expulsion of their inhabitants that year.
”
”
Adania Shibli (Minor Detail)
“
The doctrine of ‘scientism’, the belief that an infallible scientific method is the only route to reliable knowledge, is, in its own way, as dangerous as blind religious faith. As long as science is a human activity, it will have human flaws.
”
”
Seb Falk (The Light Ages: The Surprising Story of Medieval Science)
“
Long before Christopher Columbus, the celebrated Chinese navigator Zheng He travelled through the south and westward maritime routes in the Indian Ocean and established relations with more than thirty countries in Asia, Africa, and the Middle East.
”
”
Patrick Mendis (Peaceful War: How the Chinese Dream and the American Destiny Create a New Pacific World Order)
“
She paints for a long time, standing back from the tavola, leaning in close. She progresses from bowl to honey to the pleats and wrinkles in the cloth. She navigates her course through the arrangement of objects, how they interact with each other, the spaces and conversations between them, shrinking herself to the size of a beetle so that she may wander through the crannies between peaches, along the interlocking hexagons of the honeycomb. She feels her way around the corresponding painting, using her brushes like feet or antennae, seeking a route through the unfamiliar terrain of the items, hacking her way through the undergrowth of the work.
”
”
Maggie O'Farrell (The Marriage Portrait)
“
The hearing was adjourned. For a few brief moments, as I left the Law Courts on my way to the van, I recognised the familiar smells and colours of a summer evening. In the darkness of my mobile prison I rediscovered one by one, as if rising from the depths of my fatigue, all the familiar sounds of a town that I loved and of a certain time of day when I sometimes used to feel happy. The cries of the newspaper sellers in the languid evening air, the last few birds in the square, the shouts of the sandwich sellers, the moaning of the trams high in the winding streets of the town and the murmuring of the sky before darkness spills over onto the port, all these sounds marked out an invisible route which I knew so well before going into prison. Yes, this was the time of day when, long ago, I used to feel happy. What always awaited me then was a night of easy, dreamless sleep. And yet something had changed, for with the prospect of the coming day, it was to my cell that I returned. As if a familiar journey under a summer sky could as easily end in prison as in innocent sleep.
”
”
Albert Camus (The Stranger)
“
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf.
Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
”
”
Stephen King (The Stand)
“
Aligning an organization is like preparing for a long sailing trip. First, you need to be clear on whether your destination (the mission and goals) and your route (the strategy) are the right ones. Then you can figure out which boat you need (the structure), how to outfit it (the processes), and which mix of crew members is best (the skill bases). Throughout the journey, you keep an eye out for reefs that are not on the charts.
”
”
Michael D. Watkins (The First 90 Days: Proven Strategies for Getting Up to Speed Faster and Smarter)
“
Those who lack a central purpose in life fall prey to worries, fears, and petty troubles, and end up stuck in self-pity. They may appear virtuous, because they lack any glaring faults and make no great mistakes, but they take a long, winding route to failure and unhappiness just the same.
”
”
James Allen (As a Man Thinketh)
“
But none of us are able to really see the world we are living in—this world, occupying as it does the contradiction between its banality (the squat wall of the Detention Center, the bus running along its ordinary route) and its extremity (the cell and the man inside the cell), is something that we see only briefly and then do not see again for a long time, if ever. It is surprisingly easy to forget what you have witnessed, the horrifying image or the voice speaking the unspeakable, in order to exist in the world we must and we do forget, we live in a state of I know but I do not know.
”
”
Katie Kitamura (Intimacies)
“
I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent.
They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness.
And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite.
The bigness of the world is redemption.
Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.
Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story.....
I told the student that they were at an age when they might begin to choose the places that would sustain them the rest of their lives, that places were much more reliable than human beings, and often much longer-lasting, and I asked each of them where they felt at home. They answered, each of them, down the rows, for an hour, the immigrants who had never stayed anywhere long or left a familiar world behind, the teenagers who'd left the home they'd spent their whole lives in for the first time, the ones who loved or missed familiar landscapes and the ones who had not yet noticed them.
I found books and places before I found friends and mentors, and they gave me a lot, if not quite what a human being would. As a child, I spun outward in trouble, for in that inside-out world [of my family], everywhere but home was safe. Happily, the oaks were there, the hills, the creeks, the groves, the birds, the old dairy and horse ranches, the rock outcroppings, the open space inviting me to leap out of the personal into the embrace of the nonhuman world.
”
”
Rebecca Solnit (The Faraway Nearby)
“
A tiger's DNA is also a 'duplicate me' program but it contains an almost fantastically large digression as an essential part of the efficient execution of its fundamental message. That digression is a tiger, complete with fangs, claws, running muscles, stalking and pouncing instincts. The tiger's DNA says, 'Duplicate me by the round-about route of building a tiger first.' At the same time, antelope DNA says, 'Duplicate me by the round-about route of building an antelope first, complete with long legs and fast muscles, complete with timorous instincts and finely honed sense organs tuned to the danger from tigers.
”
”
Richard Dawkins (The Greatest Show on Earth: The Evidence for Evolution)
“
Charles Lindbergh’s achievement in finding his way alone from Long Island to an airfield outside Paris deserves a moment’s consideration. Maintaining your bearings by means of dead reckoning means taking close note of compass headings, speed of travel, time elapsed since the last calculation, and any deviations from the prescribed route induced by drifting. Some measure of the difficulty is shown by the fact that the Byrd expedition the following month—despite having a dedicated navigator and radio operator, as well as pilot and copilot—missed their expected landfall by two hundred miles, were often only vaguely aware of where they were, and mistook a lighthouse on the Normandy coast for the lights of Paris. Lindbergh by contrast hit all his targets exactly—Nova Scotia, Newfoundland, the Dingle Peninsula in Ireland, Cap de la Hague in France, Le Bourget in Paris—and did so while making the calculations on his lap while flying an unstable plane.
”
”
Bill Bryson (One Summer: America, 1927)
“
Foundation regrets arise from our failures of foresight and conscientiousness. Like all deep structure regrets, they start with a choice. At some early moment, we face a series of decisions. One set represents the path of the ant. These choices require short-term sacrifice, but in the service of a long-term payoff. The other choices represent the path of the grasshopper. This route demands little exertion or assiduousness in the short run, but risks exacting a cost in the long run.
”
”
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
“
Ants are a terrific analogy for the route to success. They will go over, under, around, or through whatever gets in their way. They never stop moving, and neither should you. Take the word impossible and turn it into “I’m Possible.” You can achieve your goals, you should achieve your goals, and you deserve to achieve your goals. Period.
”
”
Honoree Corder (Vision to Reality: How Short Term Massive Action Equals Long Term Maximum Results)
“
Fear and rumors and viruses shared a similar nature. They bore a tremendous vitality of their own, oblivious to human efforts to stamp them out. They could spread rapidly even while offering no clue to their routes of transmission. And they would burn for a long, long time, like dry grassland, only to vanish in an instant as if doused with water.
”
”
Hye-Young Pyun (City of Ash and Red)
“
We don’t like to hurt. And there is no worse pain for fallen people than facing an emptiness we cannot fill. To enter into pain seems rather foolish when we can run from it through denial. We simply cannot get it through our head that, with a nature twisted by sin, the route to joy always involves the very worst sort of internal suffering we can imagine. We rebel at that thought. We weren’t designed to hurt. The physical and personal capacities to feel that God built into us were intended to provide pleasures, like good health and close relationships. When they don’t, when our head throbs with tension and our heart is broken by rejection, we want relief. With deep passion, we long to experience what we were designed to enjoy.
”
”
Larry Crabb
“
To doubt the literal meaning of the words of Jesus or Moses incurs hostility from most people, but it’s just a fact that if Jesus or Moses were to appear today, unidentified, with the same message he spoke many years ago, his mental stability would be challenged. This isn’t because what Jesus or Moses said was untrue or because modern society is in error but simply because the route they chose to reveal to others has lost relevance and comprehensibility. "Heaven above" fades from meaning when space-age consciousness asks, Where is "above"? But the fact that the old routes have tended, because of language rigidity, to lose their everyday meaning and become almost closed doesn’t mean that the mountain is no longer there. It’s there and will be there as long as consciousness exists.
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
“
13 September. Again barely two pages. At first I thought my sorrow over the Austrian defeats and my anxiety for the future (anxiety that appears ridiculous to me at bottom, and base too) would prevent me from doing any writing. But that wasn’t it, it was only an apathy that forever comes back and forever has to be put down again. There is time enough for sorrow when I am not writing. The thoughts provoked in me by the war resemble my old worries over F. in the tormenting way in which they devour me from every direction. I can’t endure worry, and perhaps have been created expressly in order to die of it. When I shall have grown weak enough –it won’t take very long –the most trifling worry will perhaps suffice to rout me. In this prospect I can also see a possibility of postponing the disaster as long as possible.
”
”
Franz Kafka (Diaries, 1910-1923)
“
A map of Esmeralda should include, marked in different colored inks, all these routes, solid and liquid, evident and hidden. It is more difficult to fix on the map the routes of the swallows, who cut the air over the roofs, dropping long invisible parabolas with their still wings, darting to gulp a mosquito, spiraling upward, grazing a pinnacle, dominating from every point of their airy paths all the points of the city.
”
”
Italo Calvino (Invisible Cities)
“
I loved Vincent and he loved me in the abiding way most couples in good marriages love each other, that way in which every once in a while there is a longing for someone you haven't yet met. A longing that comes upon you while you are loading the dishwasher or weeding the garden or sitting in front of the television or turning out the light to go to sleep, and you don't even know what it is, this longing, and you think maybe you're in need of a vacation or maybe you are dying because the ache of it hurts so fucking much…That ache, it went away when I met Henry; it went away as if it had been a headache instead of located nowhere precisely. Its not that I *wanted* to fall in love with Henry, but I did just the same because you can't keep from falling in love any more than you can keep snow from falling from the sky in winter. Gravity is gravity.
”
”
Binnie Kirshenbaum (The Scenic Route)
“
[...] Get rid of the things that make you fragile
We're taking the negative route for this exercise. Ask yourself: What makes me fragile? Certain people, things, and habits generate losses for us and make us vulnerable. Who and what are they?
When we make our New Year's resolutions, we tend to emphasize adding new challenges to our lives. It's great to have this kind of objective, but setting "good riddance" goals can have an even bigger impact.
”
”
Francesc Miralles (Ikigai: The Japanese Secret to a Long and Happy Life / The Little Book of Lykke / Lagom: The Swedish Art of Balanced Living)
“
Arab merchants with their long caravans of camels traded Indian spices, hemp, opium and Chinese silk along the Incense Route which linked the Mediterranean world with Egypt, Arabia, India and Java. Although the merchants risked robbery and slavery along the way, the rich women of the Roman Empire could enjoy the perfumes of frankincense and myrrh, the flavours of Eastern spices, and the juices of exotic fruits such as guava, muskmelon and pomegranate
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
The difficulty of tactical maneuvering consists in turning the devious into the direct, and misfortune into gain. [This sentence contains one of those highly condensed and somewhat enigmatical expressions of which Sun Tzu is so fond. This is how it is explained by Ts’ao Kung: “Make it appear that you are a long way off, then cover the distance rapidly and arrive on the scene before your opponent.” Tu Mu says: “Hoodwink the enemy, so that he may be remiss and leisurely while you are dashing along with utmost speed.” Ho Shih gives a slightly different turn: “Although you may have difficult ground to traverse and natural obstacles to encounter this is a drawback which can be turned into actual advantage by celerity of movement.” Signal examples of this saying are afforded by the two famous passages across the Alps—that of Hannibal, which laid Italy at his mercy, and that of Napoleon two thousand years later, which resulted in the great victory of Marengo.] 4. Thus, to take a long and circuitous route, after enticing the enemy out of the way, and though starting after him, to contrive to reach the goal before him, shows knowledge of the artifice of DEVIATION.
”
”
Sun Tzu (The Art of War)
“
In the Middle of This Century”
In the middle of this century we turned to each other
With half faces and full eyes
like an ancient Egyptian picture
And for a short while.
I stroked your hair
In the opposite direction to your journey,
We called to each other,
Like calling out the names of towns
Where nobody stops
Along the route.
Lovely is the world rising early to evil,
Lovely is the world falling asleep to sin and pity,
In the mingling of ourselves, you and I,
Lovely is the world.
The earth drinks men and their loves
Like wine,
To forget.
It can’t.
And like the contours of the Judean hills,
We shall never find peace.
In the middle of this century we turned to each other,
I saw your body, throwing shade, waiting for me,
The leather straps for a long journey
Already tightening across my chest.
I spoke in praise of your mortal hips,
You spoke in praise of my passing face,
I stroked your hair in the direction of your journey,
I touched your flesh, prophet of your end,
I touched your hand which has never slept,
I touched your mouth which may yet sing.
Dust from the desert covered the table
At which we did not eat
But with my finger I wrote on it
The letters of your name.
”
”
Yehuda Amichai (The Poetry of Yehuda Amichai (The Copenhagen Trilogy, 2))
“
The whole of creation exists in you, and it is your destiny to become increasingly aware of its infinite wonders and to experience ever greater and grander portions of it. If creation is finished, and all events are taking place now, the question that springs naturally to the mind is “what determines your time track?” That is, what determines the events which you encounter? And the answer is your concept of yourself. Concepts determine the route that attention follows. Here is a good test to prove this fact. Assume the feeling of your wish fulfilled and observe the route that your attention follows. You will observe that as long as you remain faithful to your assumption, so long will your attention be confronted with images clearly related to that assumption.
”
”
Neville Goddard (The Power of Awareness)
“
(Page 118) I explored alleys and hidden roads I never knew existed. I discovered neighborhoods entirely new to me. And finally... I discovered I was sick of this town and everything in it.
-I think this quote is interesting because hannah always speaks about how unhappy she was, how she disiked some people, etc. but it took her journeys through neighborhoods, walks through alleys and hidden routes in order for her to truly see that she hated this town. I wonder why it took her that long. I know a big factor that contributed and essentially led her to her suicide was because of the people at her school.. However, I thought she'd find comfort in the town itself because she grew up there and spoke fondly of it.. It's surprising to find out she was actually sick of the town.
”
”
Jay Asher (Thirteen Reasons Why)
“
Do people really drown and come to life again? Well, not really, but it can seem so. The mammalian dive reflex is triggered when a person is suddenly submerged, face and body, into very cold water. The body’s metabolism slows as the reflex redirects circulation away from the limbs and routes blood between the heart, brain, and lungs only. The heart can beat more slowly and oxygen is conserved for essential bodily processes, so as to maintain life for as long as possible. Once recovered from the water, the near-drowned person will appear dead. This physiological phenomenon was first written up in the medical journals in the middle of the twentieth century. The dive reflex is thought to occur in all mammals, both terrestrial and aquatic. It has been observed in adult humans but is believed to be most dramatic in small children.
”
”
Diane Setterfield (Once Upon a River)
“
Last Night’s Moon,"
“When will we next walk together
under last night’s moon?”
- Tu Fu
March aspens, mist
forest. Green rain pins down
the sea, early evening
cyanotype. Silver saltlines, weedy
toques of low tide, pillow lava’s
black spill indelible
in the sand. Unbroken
broken sea.
—
Rain sharpens marsh-hair
birth-green of the spring firs.
In the bog where the dead never disappear,
where river birch drown, the surface
strewn with reflection. This is the acid-soaked
moss that eats bones, keeps flesh;
the fermented ground where time stops and
doesn’t; dissolves the skull, preserves
the brain, wrinkled pearl in black mud.
—
In the autumn that made love
necessary, we stood in rubber boots
on the sphagnum raft and learned
love is soil–stronger than peat or sea–
melting what it holds.
The past
is not our own. Mole’s ribbon of earth,
termite house,
soaked sponge. It rises,
keloids of rain on wood; spreads,
milkweed galaxy, broken pod
scattering the debris of attention.
Where you are
while your body is here, remembering
in the cold spring afternoon.
The past
is a long bone.
—
Time is like the painter’s lie, no line
around apple or along thigh, though the apple
aches to its sweet edge, strains
to its skin, the seam of density. Invisible line
closest to touch. Lines of wet grass
on my arm, your tongue’s
wet line across my back.
All the history in the bone-embedded hills
of your body. Everything your mouth
remembers. Your hands manipullate
in the darkness, silver bromide
of desire darkening skin with light.
—
Disoriented at great depths,
confused by the noise of shipping routes,
whales hover, small eyes squinting as they consult
the magnetic map of the ocean floor. They strain,
a thousand miles through cold channels;
clicking thrums of distant loneliness
bounce off seamounts and abyssal plains. They look up
from perpetual dusk to rods of sunlight,
a solar forest at the surface.
Transfixed in the dark summer
kitchen: feet bare on humid
linoleum, cilia listening. Feral
as the infrared aura of the snake’s prey, the bees’
pointillism, the infrasonic
hum of the desert heard by the birds.
The nighthawk spans the ceiling;
swoops. Hot kitchen air
vibrates. I look up
to the pattern of stars under its wings.
”
”
Anne Michaels
“
At the time of our hike, the
Appalachian Trail was fifty-nine years old. That is, by American standards, incredibly venerable. The Oregon and Santa Fe trails didn't last as long. Route 66 didn't last as long.
The old coast-to-coast Lincoln Highway, a road that brought transforming wealth and life to hundreds of little towns, so important and familiar that it became known as "America's Main Street," didn't last as long. Nothing in America does. If a product or enterprise doesn't constantly reinvent itself, it is superseded, cast aside, abandoned without sentiment in favor of something bigger, newer, and, alas, nearly always uglier. And then there is the good old AT, still quietly ticking along after six decades, unassuming, splendid, faithful to its founding principles, sweetly unaware that the world has quite moved on. It's a miracle really.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
As long as there are no routes back to full employment except that of somehow restoring business confidence, he pointed out, business lobbies in effect have veto power over government actions: propose doing anything they dislike, such as raising taxes or enhancing workers' bargaining power, and they can issue dire warnings that this will reduce confidence and plunge the nation into depression. But let monetary and fiscal policy be deployed to fight unemployment, and suddenly business confidence becomes less necessary, and the need to cater to capitalists' concern is much reduced.
”
”
Paul Krugman (End This Depression Now!)
“
Some ultimately felt grateful for the boxes, for the chance to say goodbye, to never regret the last words uttered. Others found comfort in the strings’ uncanny power, enabling them to believe that the lives of their short-string loved ones were not, in fact, cut short. They were just as long as they were meant to be, since the moment they were born and the length of their string was seemingly determined. It made losing them somehow easier to accept, trusting that nothing could have changed the ending, that their deaths did not hinge upon any particular decisions they made, what they did or didn’t do. Because of the strings, there was no need to wonder what might have happened if they had lived in a different city, or eaten different foods, or driven a different route home. The loss still hurt, of course, still didn’t make sense, but it was almost a relief not to be hounded by what-ifs.
”
”
Nikki Erlick (The Measure)
“
So, let's get back to why the roots are the most important part of a tree. Conceivably, this is where the tree equivalent of a brain is located. Brain? you ask. Isn't that a bit farfetched? Possibly, but now we know that trees can learn. This means they must store experiences somewhere, and therefore, there must be some kind of a storage mechanism inside the organism. Just where it is, no one knows, but the roots are the part of the tree best suited to the task. The old spruce in Sweden also shows that what grows underground is the most permanent part of the tree-and where else would it store important information over a long period of time? Moreover, current research shows that a tree's delicate root networks is full of surprises.
It is now an accepted fact that the root network is in charge of all chemical activity in the tree. And there's nothing earth shattering about that. Many of our internal processes are also regulated by chemical messengers. Roots absorb substances and bring them into the tree. In the other direction, they deliver the products of photosynthesis to the tree's fungal partners and even route warning signals to neighboring trees. But a brain? For there to be something we would recognize as a brain, neurological processes must be involved, and for these, in addition to chemical messages, you need electrical impulses. And these are precisely what we can measure in the tree, and we've been able to do so since as far back as the nineteenth century. For some years now, a heated controversy has flared up among scientists. Can plants think? Are they intelligent?
”
”
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
“
The Three-Decker
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!
”
”
Rudyard Kipling
“
Richard Nixon was elected president mendaciously promising not victory, but a “secret plan” to bring the war to an “honorable end.” The secret plan prolonged the conflict seven more years, spreading misery and death throughout Indochina. Nixon began gradually drawing down the number of Americans fighting there in 1969, and— catastrophically, as it turned out— began shifting the
military burden to Saigon.
General Abrams threw greater and greater responsibility for prosecuting the war to the ARVN [South Vietnamese military], shifting his efforts to disrupting and destroying Hanoi’s delivery of troops and matériel. This is what prompted the raids into the neighboring countries of Laos and Cambodia, where North Vietnam had long sheltered troops and supply routes. The bombing of Communist sanctuaries in Cambodia destabilized that neutral country, leading to the overthrow of Prince Norodom Sihanouk in 1970 and the rise of the murderous Khmer Rouge, which would be responsible for the deaths of millions of Cambodians in ensuing years.
”
”
Mark Bowden (Huế 1968: A Turning Point of the American War in Vietnam)
“
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route.
You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit.
When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving.
On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers.
And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour.
Now…Guess what happened?
Nothing! No horns and no fingers.
But why?
When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak.
Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily.
Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
A gaggle of sophomore girls wavered by in their heels, en route from Bartleby's to some house party. No two of their tube tops or flouncy miniskirts were precisely alike, in cut or in color, and these slight variations made the outfits look all the more carefully orchestrated as they linked arms and passed by, pretending not to listen. Schwartz tried to comfort himself with a long look at their ten slender thighs turned pink by the cold, the good odds he'd been between four or six of those thighs on oblivious drunken nights, but it was useless, the girls looked absurd to him now, and it no longer seemed that the universe contained an endless supply of anonymous pink thighs to which he could escape from his troubles. Pella would never dress like that.
”
”
Chad Harbach (The Art of Fielding)
“
A good culture is like the old RIP routing protocol: Bad news travels fast; good news travels slow. If you investigate companies that have failed, you will find that many employees knew about the fatal issues long before those issues killed the company. If the employees knew about the deadly problems, why didn’t they say something? Too often the answer is that the company culture discouraged the spread of bad news, so the knowledge lay dormant until it was too late to act. A healthy company culture encourages people to share bad news. A company that discusses its problems freely and openly can quickly solve them. A company that covers up its problems frustrates everyone involved. The resulting action item for CEOs: Build a culture that rewards—not punishes—people for getting problems into the open where they can be solved.
”
”
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
“
Everything is going according to plan in this strategically fathomed notion of "country" where the population wholeheartedly believes in that fabled myth known as democracy. The corporations that profit from our endless war campaigns, who have a multifarious number of politicians at the top of their covert letterheads and on payroll always get what they pay for - a route to even more of our tax dollars. The status quo doesn't change with the election of any given politician, whether it be in the Senate, the Congress, or even the White House. This nation (i.e. notion) is, in and of itself, nothing but an ingeniously designed corporation that uses you and I to further perpetuate the myth of country, the myth of united, the myth of democracy, and the myth of patriotism. We have long passed the point where we the people sat on the tongue of this monstrosity. We now reside in the belly of the beast.
”
”
A.K. Kuykendall
“
Experiential versus the God eye! Possessing ‘ego vision’, a person’s view through her/his physical eyes is quite versatile; able to discern wide and varied vistas over huge distances or scrutinizing the minutest of details.
Ego’s very nature: capable of relatively expansive, detailed, and yet individualistic perspective is crucial. Separating itself out from the God Force, ego extracts infinite unique experiences, integral to humanity’s process of spiritualizing matter. Incarnating on the earth, achieving individualism is therefore critical for attainment of divinity.
Individualism may cause momentary estrangement from the God Self. However, this person has forgotten that they are everything in the mirror, the ‘sliver’ and the ‘ball of light’,” continues Kuan Yin.
During this complex passage Lena was inundated by infinite rapid-fire visuals: emanations from the God Mind.
“Further and unfortunately, wrong assumptions are made about suffering. Some individuals even believe that it is required, that suffering brings one closer to salvation. Quite the contrary,” disputes Kuan Yin, “the God Force likes to play. Therefore, if all individuals could unite creating a real sense of community many problems could be healed.
The God Force is separate and not separate, whole and not whole at the same time. Really, it is not ‘sliceable’, not reducible. Even when it is sliced into individual energies, it does not diminish the total God Force or the power of the individual.
Each of you has the potential for the God Force potency. However, no individual can overcome the God Force. There is a misinterpretation, (by some) that Satan is as powerful as God. Limited energy cannot live on its own. Every experience must exist and yet they (the limiting forces) can never exist on their own. Limited energy, then, is the experience of the absence of the God Force. Therefore, there is no need to fear it.
Those choosing such experiences have a need to understand how it feels to believe evil powers exist. Again, I say those who pursue this route are taking it too personally. They believe the story they’ve made up about themselves.
It is similar to a person going into an ice cream store and only choosing one flavor from many. Preoccupied with tasting that flavor for a very long time, they are probably quite sick and tired of it. Still, they don’t want to believe there are any other flavors available. The ‘agreement’, then, is to continue to believe in that particular flavor. Here’s where reincarnation and its opportunity for experiencing a vast array of perspectives, “agreements”, enters in. Another life offers another opportunity, a chance to ‘switch flavors’ so to speak.
Taking oneself too personally, however, can cause a soul to get caught up, stuck in redundancy: in a particular (and perhaps unfortunate) flavor. In such instances, the individual is forgetting one has the ability to choose his or her flavors, lives,” contends Kuan Yin.
”
”
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
“
He guides the humble in what is right and teaches them his way. PSALM 25:9 JUNE 22 After a speaking engagement in Florida, my hosts assigned a Navy captain to fly me home. En route, the captain told me that there was a very heavy overcast in New York. “As a matter of fact,” he said, “we’ll have to go in on instruments.” We went down, down, down. And finally, I saw the lights of the runway and we came right up to the ramp. It was a beautiful landing. The captain said, “The primary ingredient for a good landing is faith. I have to have faith in these instruments. If I didn’t, I might think, ‘Well, maybe this instrument isn’t exactly right, so I’ll make this adjustment.’ And that could have tragic consequences.” Your religious education is your instrument panel for safe navigation through the long flight of the years. When clouds gather, storms develop, and trouble looms, if you lose faith in your instruments, you can be lost. But if you have faith in the teachings of the Bible, in prayer, in the church, in goodness, love, and hope, your instruments will bring you through.
”
”
Norman Vincent Peale (Positive Living Day by Day)
“
Ferrying Across is like crossing the sea. When you traverse a strait or make a long crossing of the sea, for a distance of even forty or fifty ri, you use "ferrying." In passing through this human world, too, there are likely many places within the space of a generation that may be called Ferrying Across. On a ship's course, you know where these places are, you know the capacity of the ship and you know the weather patterns well. Though other ships may not venture out, you do so by responding to the conditions of the hour, relying on either a crosswind or a tail wind and, if the wind changes, putting in the oars for two or three ri. With your mind set on arriving at port, you board the ship and ferry across
You should think in terms of Ferrying Across when you pass through society and set your mind on some serious affair.
For the martial arts, Ferrying Across is essential even in the midst of battle. Here you take into account the level of your opponent, judge your own degree of expertise, and, using the principles of the martial arts, ferry across. It is the same for a good mariner ferrying across a sea route.
”
”
Musashi Miyomoto
“
Nor could I fail to recall my friendship with Howard K. Beale, professor of American History at the University of North Carolina. There he was, one day in 1940, standing just outside my room in the men’s dormitory at St. Augustine’s, in his chesterfield topcoat, white silk scarf, and bowler hat, with his calling card in hand, perhaps looking for a silver tray in which to drop it. Paul Buck, whom he knew at Harvard, had told him to look me up. He wanted to invite me to his home in Chapel Hill to have lunch or dinner and to meet his family. From that point on we saw each other regularly.
After I moved to Durham, he invited me each year to give a lecture on “The Negro in American Social Thought” in one of his classes. One day when I was en route to Beale’s class, I encountered one of his colleagues, who greeted me and inquired where I was going. I returned the greeting and told him that I was going to Howard Beale’s class to give a lecture. After I began the lecture I noticed that Howard was called out of the class. He returned shortly, and I did not give it another thought. Some years later, after we both had left North Carolina, Howard told me that he had been called out to answer a long-distance phone call from a trustee of the university who had heard that a Negro was lecturing in his class. The trustee ordered Beale to remove me immediately. In recounting this story, Beale told me that he had said that he was not in the habit of letting trustees plan his courses, and he promptly hung up. Within a few years Howard accepted a professorship at the University of Wisconsin. A favorite comment from Chapel Hill was that upon his departure from North Carolina, blood pressures went down all over the state.
”
”
John Hope Franklin (Mirror to America)
“
We have heard that a few days after this, when the Provincetown Bank was robbed, speedy emissaries from Provincetown made particular inquiries concerning us at this lighthouse. Indeed, they traced us all the way down the Cape, and concluded that we came by this unusual route down the back side and on foot in order that we might discover a way to get off with our booty when we had committed the robbery. The Cape is so long and narrow, and so bare withal, that it is well-nigh impossible for a stranger to visit it without the knowledge of its inhabitants generally, unless he is wrecked on to it in the night. So, when this robbery occurred, all their suspicions seem to have at once centered on us two travelers who had just passed down it. If we had not chanced to leave the Cape so soon, we should probably have been arrested. The real robbers were two young men from Worcester County who traveled with a centre-bit, and are said to have done their work very neatly. But the only bank that we pried into was the great Cape Cod sand-bank, and we robbed it only of an old French crown piece, some shells and pebbles, and the materials of this story.
”
”
Henry David Thoreau (The Writings of Henry David Thoreau: Excursions, Translations, and Poems)
“
Imagine you're in a rowing boat on a lake.
It's summer, early morning. That time when the sun hasn't quite broken free of the landscape and long, projected shadows tigerstripe the light. The rays are warm on your skin as you drift through them, but in the shadows the air is still cold, greyness holding onto undersides and edges wherever it can.
A low clinging breeze comes and goes, racing ripples across the water and gently rocking you and your boat as you float in yin-yang slices of morning. Birds are singing. It's a sharp, clear sound, clean without the humming backing track of a day well underway. There's the occasional sound of wind in leaves and the occasional slap-splash of a larger wavelet breaking on the side of your boat, but nothing else.
You reach over the side and feel the shock of the water, the steady bob of the lake's movement playing up and down your knuckles in a rhythm of cold. You pull your arm back; you enjoy the after-ache in your fingers. Holding out your hand, you close your eyes and feel the tiny physics of gravity and resistance as the liquid finds routes across your skin, builds itself into droplets of the required weight, then falls, each drop ending with an audible tap.
Now, right on that tap - stop. Stop imagining. Here's the real game. Here's
what's obvious and wonderful and terrible all at the same time: the lake in my head, the lake I was imagining, has just become the lake in your head. It doesn't matter if you never know me, or never know anything about me. I could be dead, I could have been dead a hundred years before you were even born and still - think about this carefully, think past the obvious sense of it to the huge and amazing miracle hiding inside - the lake in my head has become the lake in your head.
”
”
Steven Hall (The Raw Shark Texts)
“
Interestingly, a point that never emerged in the press but that Tim Donovan revealed to the police was that Annie had specifically "asked him to trust her" for that night's doss money. This "he declined to do." Had this incident become common knowledge, it's likely that Donovan would have faced an even worse public backlash for his role in Annie's demise. "You can find money for your beer, and you can't find money for your bed." the deputy keeper is said to have spoken in response to her request. Annie, not quite willing to admit defeat, or perhaps in a show of pride, responded with a sigh: "Keep my bed for me. I shan't be long." Ill and drunk, she went downstairs and "stood in the door for two or three minutes," considering her options. Like the impecunious lodger described by Goldsmith, she too would have been contemplating from whom among her "pals" it might have been "possible to borrow the halfpence necessary to complete {her} doss money." More likely, Annie was mentally preparing "to spend the night with only the sky for a canopy." She then set off down Brushfield Street, toward Christ Church, Spitalfields, where the homeless regularly bedded down. Her thoughts as she stepped out onto Dorest Street, as the light from Crossingham's dimmed at her back, can never be known. What route she wove through the black streets and to whom she spoke along the will never be confirmed. All that is certain is her final destination. Of the many tragedies that befell Annie Chapman in the final years of her life, perhaps one of the most poignant was that she needn't have been on the streets on that night, or on any other. Ill and feverish, she needn't have searched the squalid corners for a spot to sleep. Instead, she might have lain in a bed in her mother's house or in her sisters' care, on the other side of London. She might have been treated for tuberculosis; she might have been comforted by the embraces of her children or the loving assurances of her family. Annie needn't have suffered. At every turn there had been a hand reaching to pull her from the abyss, but the counter-tug of addiction was more forceful, and the grip of shame was just as strong. It was this that pulled her under, that had extinguished her hope and then her life many years earlier. What her murderer claimed on that night was simply all that remained of what drink had left behind.
”
”
Hallie Rubenhold (The Five: The Lives of Jack the Ripper's Women)
“
That spring everyone in Judy Chicago’s class collaborated on a 24 hour performance called Route 126. The curator Moira Roth recalls: “the group created a sequence of events throughout the day along the highway. The day began with Suzanne Lacy’s Car Renovation in which the group decorated an abandoned car…and ended with the women standing on a beach watching Nancy Youdelman, wrapped in yards of gossamer silk, slowly wade out to sea until she drowned, apparently…” There’s a fabulous photo taken by Faith Wilding of the car—a Kotex-pink jalopy washed up on desert rocks. The trunk’s flung open and underneath it’s painted cuntblood red. Strands of desert grass spill from the crumpled hood like Rapunzel’s fucked-up hair. According to Performance Anthology—Source Book For A Decade Of California Art, this remarkable event received no critical coverage at the time though contemporaneous work by Baldessari, Burden, Terry Fox boasts bibliographies several pages long. Dear Dick, I’m wondering why every act that narrated female lived experience in the ’70s has been read only as “collaborative” and “feminist.” The Zurich Dadaists worked together too but they were geniuses and they had names.
”
”
Chris Kraus (I Love Dick)
“
I was soon discharged from the rehab center and sent back to the SAS. But the doctor’s professional opinion was that I shouldn’t military parachute again. It was too risky. One dodgy landing, at night, in full kit, and my patched-up spine could crumple.
He didn’t even mention the long route marches carrying huge weights on our backs.
Every SF soldier knows that a weak back is not a good opener for life in an SAS squadron.
It is also a cliché just how many SAS soldiers’ backs and knees are plated and pinned together, after years of marches and jumps. Deep down I knew the odds weren’t looking great for me in the squadron, and that was a very hard pill to swallow.
But it was a decision that, sooner or later, I would have to face up to. The doctors could give me their strong recommendations, but ultimately I had to make the call.
A familiar story. Life is all about our decisions. And big decisions can often be hard to make.
So I thought I would buy myself some time before I made it.
In the meantime, at the squadron, I took on the role of teaching survival to other units. I also helped the intelligence guys while my old team were out on the ground training.
But it was agony for me. Not physically, but mentally: watching the guys go out, fired up, tight, together, doing the job and getting back excited and exhausted. That was what I should have been doing.
I hated sitting in an ops room making tea for intelligence officers.
I tried to embrace it, but deep down I knew this was not what I had signed up for.
I had spent an amazing few years with the SAS, I had trained with the best, and been trained by the best, but if I couldn’t do the job fully, I didn’t want to do it at all.
The regiment is like that. To keep its edge, it has to keep focused on where it is strongest. Unable to parachute and carry the huge weights for long distances, I was dead weight. That hurt.
That is not how I had vowed to live my life, after my accident. I had vowed to be bold and follow my dreams, wherever that road should lead.
So I went to see the colonel of the regiment and told him my decision. He understood, and true to his word, he assured me that the SAS family would always be there when I needed it.
My squadron gave me a great piss-up, and a little bronze statue of service. (It sits on my mantelpiece, and my boys play soldiers with it nowadays.) And I packed my kit and left 21 SAS forever.
I fully admit to getting very drunk that night.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Soon after this incident the court rose. As I was being taken from the courthouse to the prison van, I was conscious for a few brief moments of the once familiar feel of a summer evening out-of-doors. And, sitting in the darkness of my moving cell, I recognized, echoing in my tired brain, all the characteristic sounds of a town I'd loved, and of a certain hour of the day which I had always particularly enjoyed. The shouts of newspaper boys in the already languid air, the last calls of birds in the public garden, the cries of sandwich vendors, the screech of streetcars at the steep corners of the upper town, and that faint rustling overhead as darkness sifted down upon the harbor—all these sounds made my return to prison like a blind man's journey along a route whose every inch he knows by heart.
Yes, this was the evening hour when—how long ago it seemed!—I always felt so well content with life. Then, what awaited me was a night of easy, dreamless sleep. This was the same hour, but with a difference; I was returning to a cell, and what awaited me was a night haunted by forebodings of the coming day. And so I learned that familiar paths traced in the dusk of summer evenings may lead as well to prisons as to innocent, untroubled sleep.
”
”
Albert Camus (L'étranger)
“
Lost In The World"
(feat. Justin Vernon of Bon Iver)
[Sample From "Woods": Justin Vernon]
I'm up in the woods, I'm down on my mind
I'm building a still to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a still to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a still to slow down the time
[Chorus 2x:]
I'm lost in the world, I'm down on my mind
I'm new in the city, and I'm down for the night
Down for the night
Said she's down for the night
[Kanye West:]
You're my devil, you're my angel
You're my heaven, you're my hell
You're my now, you're my forever
You're my freedom, you're my jail
You're my lies, you're my truth
You're my war, you're my truce
You're my questions, you're my proof
You're my stress and you're my masseuse
Mama-say mama-say ma-ma-coo-sah
Lost in this plastic life,
Let's break out of this fake ass party
Turn this into a classic night
If we die in each other's arms we still get laid in the afterlife
If we die in each other's arms we still get laid
[Chorus:]
(I'm lost in the world)
Run from the lights, run from the night,
(I'm down on my mind)
Run for your life,
I'm new in the city, and I'm down for the night
Down for the night
Down for the night
I'm lost in the world, been down for my whole life,
I'm new in the city but I'm down for the night
Down for the night
Down for the night
Who will survive in America?
Who will survive in America?
Who will survive in America?
[Chorus:]
I'm lost in the world, I'm down on my mind
I'm new in the city, and I'm down for the night
Down for the night
Said she's down for the night
I'm lost in the world, I'm down on my mind
I'm new in the city and I'm goin' for a ride
Goin' for a ride
I'm lost in the world, been down for my whole life
I'm new in the city but I'm down the for the night
Down for a night, down for a good time
[Gil-Scott Heron:]
Us living as we do upside down.
And the new word to have is revolution.
People don't even want to hear the preacher spill or spiel because God's whole card has been thoroughly piqued.
And America is now blood and tears instead of milk and honey.
The youngsters who were programmed to continue fucking up woke up one night digging Paul Revere and Nat Turner as the good guys.
America stripped for bed and we had not all yet closed our eyes.
The signs of truth were tattooed across our open ended vagina.
We learned to our amazement the untold tale of scandal.
Two long centuries buried in the musty vault, hosed down daily with a gagging perfume.
America was a bastard, the illegitimate daughter of the mother country whose legs were then spread around the world and a rapist known as freedom, free doom.
Democracy, liberty, and justice were revolutionary code names that preceded the bubbling bubbling bubbling bubbling bubbling in the mother country's crotch
What does Webster say about soul?
All I want is a good home and a wife
And our children and some food to feed them every night.
After all is said and done build a new route to China if they'll have you.
Who will survive in America?
Who will survive in America?
Who will survive in America?
Who will survive in America?
”
”
Kanye West
“
For a long minute he gazed at her, his eyes searching the features of that face he'd grown to love so deeply over the years, his memory bringing up images of the past as he did so. The young determination in her face as, in the middle of a blazing firefight, she'd grabbed Luke's blaster rifle away from him and shot them an escape route into the Death Star's detention-level garbage chute. The sound of her voice in the middle of deadly danger at Jabba's, helping him through the blindness and tremor and disorientation of hibernation sickness. The wiser, more mature determination visible through the pain in her eyes as, lying wounded outside the Endor bunker, she had nevertheless summoned the skill and control to coolly shoot two stormtroopers off Han's back.
And he remembered, too, the wrenching realization he'd had at that same time: that no matter how much he tried, he would never be able to totally protect her from the dangers and risks of the universe. Because no matter how much he might love her--no matter how much he might give of himself to her--she could never be content with that alone. Her vision extended beyond him, just as it extended beyond herself, to all the beings of the galaxy.
And to take that away from her, whether by force or even by persuasion, would be to diminish her soul. And to take away part of what he'd fallen in love with in the first place.
”
”
Timothy Zahn (Dark Force Rising (Star Wars: The Thrawn Trilogy, #2))
“
Some of the ideas were silly, thanks to Molly, who, despite being upset with Jones, was still trying to keep the mood upbeat.
They had boxes and boxes of copy paper. They could make thousands of paper airplanes with the message, “Help!” written on them and fly them out the windows.
Could they try to blast their way out of the tunnel? Maybe dig an alternative route to the surface? It seemed like a long shot, worth going back in there and taking a look at the construction—which Jones had done only to come back out, thumbs down.
Two of them could create a diversion, while the other to took the Impala and crashed their way out of the garage.
At which point the Impala—and everyone in it—would be hit by hundreds of bullets.
That one—along with taking their chances with the far fewer number of soldiers lying in wait at the end of the escape tunnel—went into the bad idea file.
Molly had thought that they could sing karaoke. Emilio had a Best of Whitney Houston karaoke CD. Their renditions of I Will Always Love you, she insisted, would cause the troops to break rank and run away screaming.
Except the karaoke machine was powered by electricity, which they were trying to use only for the computer and the security monitors, considering—at the time—that the generator was almost out of gasoline.
Yeah, that was why it was a silly idea.
It did, however, generate a lot of desperately needed laughter.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones
as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache.
"No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed.
Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed.
"Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
The frenzies of the chase had by this time worked them bubblingly up, like old wine worked anew. Whatever pale fears and forebodings some of them might have felt before; these were not only now kept out of sight through the growing awe of Ahab, but they were broken up, and on all sides routed, as timid prairie hares that scatter before the bounding bison. The hand of Fate had snatched all their souls; and by the stirring perils of the previous day; the rack of the past night's suspense; the fixed, unfearing, blind, reckless way in which their wild craft went plunging towards its flying mark; by all these things, their hearts were bowled along. The wind that made great bellies of their sails, and rushed the vessel on by arms invisible as irresistible; this seemed the symbol of that unseen agency which so enslaved them to the race.
They were one man, not thirty. For as the one ship that held them all; though it was put together of all contrasting things — oak, and maple, and pine wood; iron, and pitch, and hemp — yet all these ran into each other in the one concrete hull, which shot on its way, both balanced and directed by the long central keel; even so, all the individualities of the crew, this man's valor, that man's fear; guilt and guiltiness, all varieties were welded into oneness, and were all directed to that fatal goal which Ahab their one lord and keel did point to.
The rigging lived. The mast-heads, like the tops of tall palms, were outspreadingly tufted with arms and legs. Clinging to a spar with one hand, some reached forth the other with impatient wavings; others, shading their eyes from the vivid sunlight, sat far out on the rocking yards; all the spars in full bearing of mortals, ready and ripe for their fate. Ah! how they still strove through that infinite blueness to seek out the thing that might destroy them!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
To the infra-human specimens of this benighted scientific age the ritual and worship connected with the art of healing as practiced at Epidaurus seems like sheer buncombe. In our world the blind lead the blind and the sick go to the sick to be cured. We are making constant progress, but it is a progress which leads to the operating table, to the poor house, to the insane asylum, to the trenches. We have no healers – we have only butchers whose knowledge of anatomy entitles them to a diploma, which in turn entitles them to carve out or amputate our illnesses so that we may carry on in cripple fashion until such time as we are fit for the slaughterhouse. We announce the discovery of this cure and that but make no mention of the new diseases which we have created en route. The medical cult operates very much like the war office – the triumphs which they broadcast are sops thrown out to conceal death and disaster. The medicos, like the military authorities, are helpless; they are waging a hopeless fight from the start. What man wants is peace in order that he may live. Defeating our neighbor doesn’t give peace any more than curing cancer brings health. Man doesn’t begin to live through triumphing over his enemy nor does he begin to acquire health through endless cures. The joy of life comes through peace, which is not static but dynamic. No man can really say that he knows what joy is until he has experienced peace. And without joy there is no life, even if you have a dozen cars, six butlers, a castle, a private chapel and a bomb-proof vault. Our diseases are our attachments, be they habits, ideologies, ideals, principles, possessions, phobias, gods, cults, religions, what you please. Good wages can be a disease just as much as bad wages. Leisure can be just as great a disease as work. Whatever we cling to, even if it be hope or faith, can be the disease which carries us off. Surrender is absolute: if you cling to even the tiniest crumb you nourish the germ which will devour you. As for clinging to God, God long ago abandoned us in order that we might realize the joy of attaining godhood through our own efforts. All this whimpering that is going on in the dark, this insistent, piteous plea for peace which will grow bigger as the pain and the misery increase, where is it to be found? Peace, do people imagine that it is something to cornered, like corn or wheat? Is it something which can be pounded upon and devoured, as with wolves fighting over a carcass? I hear people talking about peace and their faces are clouded with anger or with hatred or with scorn and disdain, with pride and arrogance. There are people who want to fight to bring about peace- the most deluded souls of all. There will be no peace until murder is eliminated from the heart and mind. Murder is the apex of the broad pyramid whose base is the self. That which stands will have to fall. Everything which man has fought for will have to be relinquished before he can begin to live as man. Up till now he has been a sick beast and even his divinity stinks. He is master of many worlds and in his own he is a slave. What rules the world is the heart, not the brain, in every realm our conquests bring only death. We have turned our backs on the one realm wherein freedom lies. At Epidaurus, in the stillness, in the great peace that came over me, I heard the heart of the world beat. I know what the cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world.
”
”
Henry Miller
“
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“
“Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?”
“Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.”
“No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.”
From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck.
Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.”
“Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered.
“You may bring it up to us.”
Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man.
“What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.”
“You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?”
“Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?”
Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!”
Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.”
Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Maybe that’s his game, though,” I said. “The hunt for one soul, again and again.”
“Then why are you still here?”
“The other women lived with him for a long time too. Maybe he wants to wait until my defenses are down, and then-“
“Wow, Clea, you are so jaded. You found your soulmate. People wait their whole lives for this. It’s the most amazing thing in the world, and it’s happened to you. Can’t you just accept it and be happy?”
What she said made sense, but…
I flopped back on the bed and stared at the ceiling. Without looking at Rayna, I said, “He doesn’t act like he’s my soulmate. Sometimes I think maybe he liked the other women more. I think maybe he wishes I was one of them.”
Rayna was silent. This was something I’d never heard. “This is seriously, deep,” she finally said. “You’re feeling insecure because you’re jealous…of yourself.”
“I didn’t say I was jealous…”
“You’d rather think he’s a serial killer than risk being with him and finding out he doesn’t like you as much as he liked…you?” She scrunched her brow and thought, then tried again. “Yous? Anyway, you know what I mean-the other yous.”
“Forget the jealousy thing, okay? There are other reasons to doubt him too. Ben doesn’t trust him at all. He thinks Sage is some kind of demon. He said there’s a spirit called an incubus that comes to women in their sleep, and-“
“Of course Ben said that.” Rayna shrugged. “He’s jealous.”
“Of what?”
“Ben’s crazy in love with you, Clea. I’ve been saying that forever!”
“And I’ve been ignoring you forever, because it’s not true. You just want it to be true because it’s romantic.”
“Did you not see the pictures of you from Rio?”
I narrowed my eyes. “What are you talking about?”
Rayna pulled out her phone. “Honestly, I don’t know how you survive without Google Alerts on yourself. The paparazzi were out in full force for Carnival.”
She played with the phone for a minute, then handed it to me. It showed a close-up of Ben and me at the Sambadrome that could only have been taken with a serious zoom. I felt violated.
“I hate this,” I muttered.
“Why? You look cute!”
“I hate that people are sneaking around taking pictures of me!”
“I know you do. Ignore that for the moment. Just scroll through.”
There were five pictures of Ben and me. Four of them were moments I vividly remembered, pictures of the two of us facing each other, laughing as we did our best to imitate the dancers shimmying and strutting down the parade route.
The fifth one I didn’t remember. I wouldn’t have; in it I had my camera up to my face and was concentrating on lining up the perfect shot. Ben stood behind me, but he wasn’t wearing the goofy smile he’d had in the other pictures. He was staring right at me with those big puppydog eyes, and his smile wasn’t goofy at all, but…
“Uh-huh,” Rayna said triumphantly. She had climbed into my bed was looking at the picture over my shoulder. “Knew that one would stop you. There is only one word for the look on that boy’s face, Clea: love-struck. Which is probably why a bunch of websites are reporting he’s about to propose.”
“What?”
“Messenger. Don’t kill the messenger.”
I looked back at the picture. Ben did look love-struck. Very love-struck.
“It could just be the picture,” I said. “They caught him at a weird moment.”
“Yeah, a weird moment when he thought no one was looking so he showed how he really felt.”
I gave Rayna back the phone and shook my head. “Ben and I are like brother and sister. That’s gross.”
“Hey, I read Flowers in the Attic. It was kind of hot.”
“Shut up!” I laughed.
“I’m just saying, think about it. Really think about it. Is it that hard to believe that Ben’s in love with you?
”
”
Hilary Duff (Elixir (Elixir, #1))
“
Cette qualité de la joie n’est-elle pas le fruit le plus précieux de la civilisation qui est nôtre ? Une tyrannie totalitaire pourrait nous satisfaire, elle aussi, dans nos besoins matériels. Mais nous ne sommes pas un bétail à l’engrais. La prospérité et le confort ne sauraient suffire à nous combler. Pour nous qui fûmes élevés dans le culte du respect de l’homme, pèsent lourd les simples rencontres qui se changent parfois en fêtes merveilleuses…
Respect de l’homme ! Respect de l’homme !… Là est la pierre de touche ! Quand le Naziste respecte exclusivement qui lui ressemble, il ne respecte rien que soi-même ; il refuse les contradictions créatrices, ruine tout espoir d’ascension, et fonde pour mille ans, en place d’un homme, le robot d’une termitière. L’ordre pour l’ordre châtre l’homme de son pouvoir essentiel, qui est de transformer et le monde et soi-même. La vie crée l’ordre, mais l’ordre ne crée pas la vie.
Il nous semble, à nous, bien au contraire, que notre ascension n’est pas achevée, que la vérité de demain se nourrit de l’erreur d’hier, et que les contradictions à surmonter sont le terreau même de notre croissance. Nous reconnaissons comme nôtres ceux mêmes qui diffèrent de nous. Mais quelle étrange parenté ! elle se fonde sur l’avenir, non sur le passé. Sur le but, non sur l’origine. Nous sommes l’un pour l’autre des pèlerins qui, le long de chemins divers, peinons vers le même rendez-vous.
Mais voici qu’aujourd’hui le respect de l’homme, condition de notre ascension, est en péril. Les craquements du monde moderne nous ont engagés dans les ténèbres. Les problèmes sont incohérents, les solutions contradictoires. La vérité d’hier est morte, celle de demain est encore à bâtir. Aucune synthèse valable n’est entrevue, et chacun d’entre nous ne détient qu’une parcelle de la vérité. Faute d’évidence qui les impose, les religions politiques font appel à la violence. Et voici qu’à nous diviser sur les méthodes, nous risquons de ne plus reconnaître que nous nous hâtons vers le même but.
Le voyageur qui franchit sa montagne dans la direction d’une étoile, s’il se laisse trop absorber par ses problèmes d’escalade, risque d’oublier quelle étoile le guide. S’il n’agit plus que pour agir, il n’ira nulle part. La chaisière de cathédrale, à se préoccuper trop âprement de la location de ses chaises, risque d’oublier qu’elle sert un dieu. Ainsi, à m’enfermer dans quelque passion partisane, je risque d’oublier qu’une politique n’a de sens qu’à condition d’être au service d’une évidence spirituelle. Nous avons goûté, aux heures de miracle, une certaine qualité des relations humaines : là est pour nous la vérité.
Quelle que soit l’urgence de l’action, il nous est interdit d’oublier, faute de quoi cette action demeurera stérile, la vocation qui doit la commander. Nous voulons fonder le respect de l’homme. Pourquoi nous haïrions-nous à l’intérieur d’un même camp ? Aucun d’entre nous ne détient le monopole de la pureté d’intention. Je puis combattre, au nom de ma route, telle route qu’un autre a choisie. Je puis critiquer les démarches de sa raison. Les démarches de la raison sont incertaines. Mais je dois respecter cet homme, sur le plan de l’Esprit, s’il peine vers la même étoile.
Respect de l’Homme ! Respect de l’Homme !… Si le respect de l’homme est fondé dans le cœur des hommes, les hommes finiront bien par fonder en retour le système social, politique ou économique qui consacrera ce respect. Une civilisation se fonde d’abord dans la substance. Elle est d’abord, dans l’homme, désir aveugle d’une certaine chaleur. L’homme ensuite, d’erreur en erreur, trouve le chemin qui conduit au feu.
”
”
Antoine de Saint-Exupéry (Lettre à un otage)
“
His hand felt odd against her swollen belly. She started to speak at the same moment that the baby suddenly moved.
Tate’s hand jerked back as if it had been stung. He stared at her stomach with pure horror as it fluttered again.
She couldn’t help it. She burst out laughing.
“Is that…normal?” he wanted to know.
“It’s a baby,” she said softly. “They move around. He kicks a little. Not much, just yet, but as he grows, he’ll get stronger.”
“I never realized…” He drew in a long breath and put his hand back against her body. “Cecily, does it hurt you when he…” He hesitated. His black, stunned eyes met hers. “He?”
She nodded.
“They can tell, so soon?”
“Yes,” she said simply. “They did an ultrasound.”
His fingers became caressing. A son. He was going to have a son. He swallowed. It was a shock. He hadn’t thought past her pregnancy, but now he realized that there was going to be a miniature version of himself and Cecily, a child who would embody the traits of all his ancestors. All his ancestors. It made him feel humble.
“How did you find me?” she asked.
He glared into her eyes. “Not with any help from you, let me tell you! It took me forever to track down the driver who brought you to Nashville. He was off on extended sick leave, and it wasn’t until this week that anybody remembered he’d worked that route before Christmas.”
She averted her eyes. “I didn’t want to be found.”
“So I noticed. But you have been, and you’re damned well coming home,” he said furiously. “I’m damned if I’m going to leave you here at the mercy of people who go nuts over an inch of snow!”
She sat up, displacing his hand, noticed that she was too close to him for comfort, swung her legs off the sofa and got up. “I’m not going as far as the mailbox with you!” she told him flatly. “I’ve made a new life for myself here, and I’m staying!”
“That’s what you think.” He got up, too, and went toward the bedroom. He found her suitcase minutes later, threw it open on the bed and started filling it.
“I’m not going with you,” she told him flatly. “You can pack. You can even take the suitcase and all my clothes. But I’m not leaving. This is my life now. You have no place in it!”
He whirled. He was furious. “You’re carrying my child!”
The sight of him was killing her. She loved him, wanted him, needed him, but he was here only out of a sense of duty, maybe even out of guilt. She knew he didn’t want ties or commitments; he’d said so often enough. He didn’t love her, either, and that was the coldest knowledge of all.
“Colby asked me to marry him for the baby’s sake,” she said bitterly. “Maybe I should have.”
“Over my dead body,” he assured her.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
So you were bored and decided to come looking for me?”
He trailed a finger over the exposed part of her upper chest. “Something like that.”
Blushing prettily, she brushed his hand away, but not before giving his fingers a squeeze. “Well, I’m busy, so unless you want to help Heather and me in our endeavors, you will have to find some way to amuse yourself.”
Grey sighed. “All right, I’ll go, but only because I’m likely to ruin whatever beautification potions you two lovely witches are brewing.”
Behind Rose, the maid Heather giggled. Grey grinned at Rose’s wide-eyed disbelief as she looked at first her maid and then him. “Have you always charmed women so easily?”
Grey’s humor faded. “I’m afraid so.” And then softly, “It if offends you…”
She shoved her palm into his shoulder. “Don’t be an idiot. Flirt with my maid all you want. But I don’t want to hear anything from you when I smile at the footmen.”
God she was amazing. He slipped his arms around her, no caring that the maid could see, even though she made a great pretense of not looking. “Are you going out tonight?”
Rose pushed against his chest. “Grey, I’m all sweat and grime.”
“I don’t care. Answer me, are you going out?”
She arched a brow. “Are you trying to get rid of me?”
“No.” He held her gaze as he lowered his head, but he didn’t kiss her. He simply let the words drift across her sweet lips. “I’d keep you here every night if I could.”
She shivered delicately. Christ, he could kiss her. He could make love to her right there. “All you have to do is ask.”
“I won’t have you give up your society for me.”
Something flickered in her dark eyes. “It wouldn’t be much of a sacrifice.”
Because of the gossip? How long before she began to resent him for it? He could just push her away and be done with it-tell her to go out and find herself a lover, but he would rather carve up the rest of his face than do that.
Instead, he took the coward’s route. He didn’t ask for an explanation. He didn’t want to know what she’d heart about him or what they’d said about her. He simply smiled and decided to take advantage of what time he had left. Because he loved having her with him, and spending what had always been lonely hours in company better than any he might have deserved or ever wished for.
“You are sweaty and grimy,” he murmured in his most seductive tones. “And now I find I am as well. Shall we meet in the bath in, say, twenty minutes? I’ll scrub your back if you’ll scrub mine.”
Of course, when she joined him later, and their naked bodies came together in the hot, soapy water, all thoughts of scrubbing disappeared. And so did-for a brief while-all of Grey’s misgivings.
But he knew they’d be back.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
HOW TO USE THIS BOOK
WHAT TO DO FIRST
1.
Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says
For Mom and Dad for having me
and for Jeannie (or Jack or Debra or Donnie or …) for
putting up with me so supportively
and for my nine children for not interrupting me
and for my Publisher for not discouraging me
and for my Writers’ Circle for listening to me
and for Barbie and Greta and Albert Einstein and Aunty May
and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog.
This will be followed by a short piece of prose that says
When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn.
Ka’a Orto’o,
Gnomic Utterances
Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick
section). Find the Map.
2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell.
These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.”
This is mostly it.
No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places.
In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule.
3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible.
4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword.
5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.
”
”
Diana Wynne Jones