Siena City Quotes

Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.

The journey from Rome to Siena is harder than its distance warrants. Once outside the great walls of the city the route becomes as treacherous for humans as for animals. Before the coming of Our Lord, when men knew no better than to worship an army of badly behaved gods, the countryside around Rome was legendary for its fertility, with well-kept roads filled with carts and produce pouring into the city’s markets. But over centuries of the true faith, it has degenerated into wilderness and brigandry, divvied up between the families of the great Roman barons; men hidden inside castles and fortresses who would prefer to carry on slaughtering each other than to create stability together.

Also in America, the Redemptorist priest and founder of the Paulist order, Fr. Isaac Hecker, was a great admirer of St. Catherine, seeing in her the perfect foil to those who claimed that Catholicism promotes a mechanical piety or fosters a sanctity unconcerned with the real needs of suffering humanity in society. To the latter charge he replied forcefully: "Read the life of St. Catherine, and in imagination fancy her in the city hospital of Genoa, charged not only with the supervision and responsibility of its finances, but also overseeing the care of its sick inmates, taking an active, personal part in its duties as one of its nurses, and conducting the whole establishment with strict economy, perfect order, and the tenderest care and love!

Kilometa mbili na ushei kidogo kutoka katika sanamu la Yesu Mtoto liitwalo Niñopa, katika Kanisa la Parokia ya Manispaa ya Xochimilco ('Sochimiliko') la Iglesia de San Bernardino de Siena, Mexico City, kulikuwa na nyumba ndogo ya siri ('safe house') ya Kolonia Santita iliyojengwa bila uzio wa ukuta au seng’enge isipokuwa miti iliyopandwa kuizunguka bila mpangilio wowote. Ndani ya nyumba hiyo Mpelelezi Maarufu Duniani John Murphy alikuwa akiteswa na magaidi kumi na mbili; waliokuwa wakiendelea kushangaa jinsi alivyookoka katika ajali ya ndege iliyoua watu zaidi ya mia tatu huko Uholanzi, na jinsi alivyoweza kuingia katika ofisi ya siri ya Panthera Tigrisi, kitu kilichomchanganya akili Tigrisi na makompade wote wa Kolonia Santita duniani kote. Bila Mtoto wa Rais wa Meksiko Debbie Patrocinio Abrego, na mwanasesere wa nyoka wa Mtoto wa Mwanasheria Mkuu wa Serikali Lisa Madrazo Graciano, John Murphy angeanguka.

She writes: “It sometimes happens that our understanding sees nothing but darkness,” and “our memory is busy with empty and passing things.” 16 The one “gate,” therefore, “wholly under our control,” the one that we possess “in total freedom,” is our will.17 “This gate,” Catherine notes further, “has freedom of choice as its guard.… And if this gate remains unopened, that is, if we don’t consent to what our memory and understanding and the other gates are sensing, our city is forever free.” 18 The disciple with whom Catherine

Arriving late evening at her apartment in the city, all I could think about was how tired I was. Tired of her shutting me out. Tired of the decades we’d spent hating each other. Tired of everything if I was being honest.

When we aren’t aiming to be either precise or conclusive, it can be easy to agree on what a beautiful man-made place might look like. Attempts to name the world’s most attractive cities tend to settle on some familiar locations: Edinburgh, Paris, Rome, San Francisco. A case will occasionally be made for Siena or Sydney. Someone may bring up St Petersburg or Salamanca. Further evidence of our congruent tastes can be found in the patterns of our holiday migrations. Few people opt to spend the summer in Milton Keynes or Frankfurt. Nevertheless, our intuitions about attractive architecture have always proved of negligible use in generating satisfactory laws of beauty. We might expect that it would, by now, have grown as easy to reproduce a city with the appeal of Bath as it is to manufacture consistent quantities of blueberry jam. If humans were at some point adept at creating a masterwork of urban design, it should have come within the grasp of all succeeding generations to contrive an equally successful environment at will. There ought to be no need to pay homage to a city as to a rare creature; its virtues should be readily fitted to the development of any new piece of meadow or scrubland. There should be no need to focus our energies on preservation and restoration, disciplines which thrive on our fears of our own ineptitude. We should not have to feel alarmed by the waters that lap threateningly against Venice’s shoreline. We should have the confidence to surrender the aristocratic palaces to the sea, knowing that we could at any point create new edifices that would rival the old stones in beauty.

Siena From Assisi we took the bus to Siena, another walled medieval city. It is built on 3 hills and divided into 17 districts. Each district, known as a contrada, is represented by an animal, like a goose, eagle, or elephant. One district even has a dragon as its symbol! Each year 10 districts are chosen to compete in the Corsa del Palio (Parade of the Banner). It is held twice a year on July 2 and August 16. First there’s a procession with flag bearers, musicians, horses, and riders. Everyone dresses up in medieval costumes. The main event is a bareback horse race around the Piazza del Campo, a slanting, fan-shaped plaza. More than 40,000 spectators come to watch.

Far below, the bends in the river Thames were outlined by the lights of the city, shimmering and winking through the thinning clouds like elusive diamonds. Siena’s fingers clutched the armrest as the knots in her stomach tightened.

The women of Venice are far more capable than most men realize,” she snapped. If the room got any colder, Cass would have to ask one of the servants to bring her a cloak. Agnese cleared her throat to speak, but to Cass’s amazement Luca cut her off. It was like he’d completely forgotten her aunt was at the table with them. His voice rose and his face reddened again, but this time not from embarrassment. “I am well aware that many women believe themselves to be stronger than they are. They might believe, for example, that it is a fully rational thing to go gallivanting around the city alone at night. They believe that they are playing a game--they have no idea how high the stakes really are.” Cass had never seen Luca show this much emotion, and it was both fascinating and frightening. A chill zipped up her spine. Was he threatening her? She forced herself to maintain eye contact. “You are not my husband yet,” she said softly, but with force. “And I do not have to listen to you.” Luca’s fork fell to the table with a clatter. “Then you are a sillier girl than I thought,” he burst out. “And I would urge you to be more careful. Where have you been spending your time, Cassandra?” “One might ask the same question of you,” she said. Both Siena and Madalena had claimed to have seen him on the Rialto. They couldn’t both be mistaken. Her eyes narrowed. “How long have you really been in Venice, Luca? You told me you had just arrived, but you were seen in the city more than a week ago! How do you explain that?” “All I have done since arriving in Venice is attend to your safety.” Luca flung his balled-up napkin onto his untouched dessert plate. “What you don’t know can hurt you, Cass.” He pushed his chair back abruptly from the table. For a second, no one said a word. The outburst had startled even Agnese into silence. Cass was sure that the servants were taking in every word. Luca seemed suddenly to remember that there were others in the room. He passed a hand through his hair. “I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.

You are not my husband yet,” she said softly, but with force. “And I do not have to listen to you.” Luca’s fork fell to the table with a clatter. “Then you are a sillier girl than I thought,” he burst out. “And I would urge you to be more careful. Where have you been spending your time, Cassandra?” “One might ask the same question of you,” she said. Both Siena and Madalena had claimed to have seen him on the Rialto. They couldn’t both be mistaken. Her eyes narrowed. “How long have you really been in Venice, Luca? You told me you had just arrived, but you were seen in the city more than a week ago! How do you explain that?” “All I have done since arriving in Venice is attend to your safety.” Luca flung his balled-up napkin onto his untouched dessert plate. “What you don’t know can hurt you, Cass.” He pushed his chair back abruptly from the table. For a second, no one said a word. The outburst had startled even Agnese into silence. Cass was sure that the servants were taking in every word. Luca seemed suddenly to remember that there were others in the room. He passed a hand through his hair. “I apologize,” he said stiffly. “I don’t know why I got so upset.” He brushed a few crumbs from his clothing as he stood. “If you will both excuse me, I have some reading I must complete.” Cass turned to her aunt the second Luca disappeared into the portego. “What on earth do you suppose that was about?” she asked. “It appears that during his time in France, your fiancé developed a bit of a temper,” Agnese said mildly, as though Luca’s outburst were perfectly normal. She blotted her mouth with her napkin and signaled a servant to bring her a second pastry. “Let’s just hope he saves some of that passion for your wedding night.