Side Tattoos Quotes

We've searched our database for all the quotes and captions related to Side Tattoos. Here they are! All 100 of them:

She wouldn’t want to be caught on his bad side—assuming he had a good side—yet the naughty bad boy vibes were like an undercurrent pulling her in. Don’t-mess-with-me meets I-dare-you-to-resist.
Kelly Moran (In deinen Armen (Wildflower Summer #1))
You are such a chick." I widened my eyes in mock surprise. "No way. Are you sure?" Sighing again, he rubbed at the tattoos on his wrist. "Mackenzie was right. You aren't slayer material." Before he had time to register my intentions, I threw a punch. My sore, swollen knuckles slammed into his cheekbone, thrusting his head to the side. Pain shot up my arm, but I bit my tongue to stop a moan. "You were saying?" He popped his jaw, rubbed at the reddening skin-and slowly grinned. "Okay, so now I understand why Cole likes you. You're worse than Kat.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
She's Awakening,' Aiden said, voice tight. 'But the blood...' I heard Marcus move closer. 'Why is she bleeding?' I eased onto my side. 'I'm being tattooed by a giant, mother fu-' Another strangled scream cut of my words as a different type of pain settled in, moving under my skin. It was like lighting racing through my veins, frying every nerve ending. 'This is... wow,' Deacon said, and I pried my eyes open. There was a whole audience by the door. 'Get them out of here!' I screamed, jackknifing on the floor. 'Gods, this sucks!' 'Whoa,' I heard Deacon murmur. 'This is like watching a chick give birth or something.' 'Oh my gods, I'm going to kill him.' I could feel the beads of blood breaking out under my jeans. 'I'm going to punch him-' 'Everyone leave,' Aiden ground out. 'This isn't a godsdamn show.' 'And I think he's like the father,' Luke said. Aiden rose to his feet. 'Get. Out.
Jennifer L. Armentrout (Deity (Covenant, #3))
His other tattoo runs down his side along his ribs, and says, ‘Experience is the hardest kind of teacher. It gives you the test first, and the lesson afterward.
Aurora Rose Reynolds (Until Lilly (Until, #3))
She probably didn’t realize he had matched the structure of his back dragon tattoo to match her back scars, from one hip to one shoulder. If anyone looked at their naked backs together, they would see symmetry—a dragon breathing fire across her back in mirrored structure, side by side.
RuNyx (The Emperor (Dark Verse, #3))
Royce turned to Hadrian. “It’s supposed to make them look tough, but all it really does is make it easy to identify them as thieves for the rest of their lives. Painting a red hand on everyone is pretty stupid when you think about it.” “That tattoo is supposed to be a hand?” Hadrian asked. “I thought it was a little red chicken. But now that you mention it, a hand does make more sense.” Royce looked back at Will and tilted his head to one side. “Does kinda look like a chicken.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
The slightly porky man on the other side of the Plexiglas has back-combed hair and arms covered in tattoos. As if it isn't enough to look like someone has slapped a pack of margarine over his head, he has to cover himself in doodles as well. There's not even a proper motif, as far as Ove can see, just a lot of patterns. Is that something an adult person in a healthy state of mind would consent to? Going about with his arms looking like a pair of pajamas?
Fredrik Backman (A Man Called Ove)
This girl sparks my sadistic side.
Shinjiro (Taboo Tattoo, Vol. 1 (Taboo Tattoo, 1))
I have fallen hopelessly in love with the Italian tattooed bad boy from the wrong side of the tracks. And I fall into his protective, open arms with one hundred percent abandon.
Tillie Cole (Sweet Fall (Sweet Home, #2; Carillo Boys, #1))
Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. I'm James Ellroy, the demon dog, the foul owl with the death growl, the white knight of the far right, and the slick trick with the donkey dick. I'm the author of 16 books, masterpieces all; they precede all my future masterpieces. These books will leave you reamed, steamed and drycleaned, tie-dyed, swept to the side, true-blued, tattooed and bah fongooed. These are books for the whole fuckin' family, if the name of your family is Manson.
James Ellroy
Later in my room, I lift up my dress and twist to see the rainbow splotch of lotus on my side. And it occurs to me, what if I stopped hating it? What if the tattoo and the scar and this summer's freckles are my patina? Wabi-Sabi says rust and faded paint hold beauty. So what if I let these marks be passport stamps from where I've been - one's that don't determine a damn thing about where I'm going next?
Emery Lord (When We Collided)
They traversed the lounge, side-stepping the occasional onanist and paying no heed to the slack-jawed, giggling addicts. A few feet away, a young woman had put her tattooed posterior on display. Aurora noticed her tattoos were dynamic, changing like a slideshow each time her bottom was slapped.
Louise Blackwick (5 Stars)
I smiled and rolled onto my side, bringing my arms around her. She wiggled against me, letting me spoon her, and I swept some sweaty hair away from her neck to kiss beneath her ear. “How do you like your new tattoo?” “I love it. It makes me want to be a bird.” “You already are a bird.” “I don’t get to fly.” “You fly all the time. Haven’t you noticed?
Rachael Wade (Declaration (Preservation, #3))
Cash is wearing a black tank top that perfectly showcases his muscular arms and the interesting tattoo that adorns the left side of his chest. I try not to think of him as mouthwatering, but that’s the word that keeps going through my head.
M. Leighton (Down to You (The Bad Boys, #1))
Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))
Kaz snagged her wrist. "Inej." His gloved thumb moved over her pulse, traced the top of the feather tattoo. "If we don't make it out, I want you to know..." She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope in to stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. "If we don't die this night, I will die unafraid, Kaz. Can you say the same?" His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn't want her prayers and she wouldn't speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The recruiting office was a small storefront in a nondescript strip mall; there was a state liquor authority store on one side of it and a tattoo parlor on the other. Depending on what order you went into each, you could wake up the next morning in some serious trouble.
John Scalzi (Old Man's War (Old Man's War, #1))
She took a deep breath and forgot to exhale. She wondered what it would be like if she licked him up one side and down the other. "What are you thinking?" She suddenly felt kind of hot and dizzy and accidentally let Layla out. "That I want to lick your tattoo," she whispered.
Rachel Gibson (True Love and Other Disasters (Chinooks Hockey Team, #4))
Blomkvist picked up Salander by her front door on Lundagatan at 10:00 and drove her to the Norra crematorium. He stayed at her side during the ceremony. For a long time they were the only mourners along with the pastor, but when the funeral began Armansky slipped in. He nodded curtly to Blomkvist and stood behind Salander, gently putting a hand on her shoulder. She nodded without looking at him, as if she knew who was standing there. Then she ignored them both. Salander had told him nothing about
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
In LA, you can’t do anything unless you drive. Now I can’t do anything unless I drink. And the drink-drive combination, it really isn’t possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it’s an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there’s a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God’s green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE – NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON’T WALK, all of them, all the time. That is the message, the content of Los Angeles: don’t walk. Stay inside. Don’t walk. Drive. Don’t walk. Run!
Martin Amis (Money)
Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I start walking toward my bike with renewed purpose. "I don't think I need any help to knock on a door." Carlos yells, "Be careful, my friend. The problem with knocking on doors is you're never quite sure who's going to be on the other side.
Greg Logsted (The Stuttering Tattoo)
Come on, baby. You don’t remember me? You should. Your work is right here.” The girl turned around and sat up on her elbows, spreading her legs, she revealed tattooed butterfly wings on both sides of her inner thighs. “I remember the work. I don’t remember you,” King said stiffly. “Do you want me to finish this fucking tattoo or not?” “Yes, but I want your big cock first,” she cooed. “That’s not gonna fucking happen.” “Is it because of that ugly skinny bitch? She doesn’t even have any fucking tits!
T.M. Frazier (King (King, #1))
I’m a tattoo artist, I’ll probably always be a tattoo artist and I don’t know how that plays into your future or the future you have planned after school and frankly I don’t care. This is what I have to offer you Shaw and just like you let me be your first, I’m letting you be mine,” I covered her entire palm with a detailed drawing of a sacred heart, it matched the one I had inked on the center of my chest. It had flames dancing up the back, a crown of thorns on top of it, a spray of roses along the bottom and in the center I drew a scrolling banner with my name in the center. “Here’s my heart Shaw. You have it in your hands and I promise you’re the first and last person to ever touch it. You need to be careful with it because it’s far more fragile than I ever thought and if you try and give it back I’m not taking it. I don’t know enough about love to know for sure that’s what this between us is, but I know that for me it’s you and only you from here on out and I can only promise to be careful and not push you away again. Life without you in it is doable, but if I have a choice I want to do it with you by my side and I’m telling you I’m not running away from the work it takes to make that happen. Shaw I’m not scared of us anymore.
Jay Crownover (Rule (Marked Men, #1))
Her eyes traced her man, the two tattoos on his back flexing as he moved. It had always fascinated her, those tattoos of his—a giant black dragon taking up the entire left side of his spine, its tail curled and head turned back, watching as a flock of ravens emerged from its wings and flew away diagonally to the right.
RuNyx (The Emperor (Dark Verse, #3))
Mmm, God, I love that.” He settled her thighs on either side of his hips until she rested on the thickness of his fully impaled cock. “Don’t need to come. Just want inside.” He brushed his lips across her mouth, cheek, and temple, and let her head come to rest against his shoulder. “Try to get some sleep. Morning comes early.
Cameron Dane (The Sweetest Tattoo (Cabin Fever, #1))
she’d been given to wear were worn and scuffed. Her dress was too big, her hair unevenly chopped and she still had bruises on the side of her face. Now, he expected her to
Diana L. Douglas (The Tattooed Angel (The Amulet, #1))
Right near the corner was a picture Neil didn't recognize at all: a shot of Neil and Andrew standing alone. They were bundled up in their matching coats and staring each other down barely a breath apart. It took Neil a moment to place it; the people packed into the background didn't look like a game crowd. The windows finally gave it away. Dan had taken this at Upstate Regional Airport on their way to play against Texas. Neil hadn't even realized she'd been watching them. Neil had gotten caught in a couple of her group pictures, but this was the only one up that had Neil's natural looks. Dan had even caught Neil on his right side, so the bandage over his tattoo wasn't showing. This was a picture of Nathaniel Wesninski; this was the moment Neil gave Andrew his name. Neil reached out to tear the picture down but stopped as soon as he caught hold of the edge. He'd come to Palmetto State to play, but he'd also come because Kevin was proof that a real person existed behind all of his lies. In May both Nathaniel and Neil would be gone, but in June this picture would still be here. He'd be a tiny part of the Foxhole Court for years to come. It was comforting, or it should be. Neil didn't think comfort should feel like such a sick knot in his stomach.
Nora Sakavic (The King's Men (All for the Game, #3))
No, he didn’t view the scar as shameful, though he did in its getting. For he’d not received it in battle. He’d received it the last time he’d ever acted foolishly over a woman. Oddly poetic that the very woman who brought out that foolish side again was turned off by the scar. As if the scar and tattoo were a shield. A shield protecting him forevermore from heartache.
Angela Quarles (Must Love More Kilts (Must Love, #4))
Rowan,” she breathed, his name a plea and a prayer. She slid her fingers down the side of his tattooed cheek, and— Faster than she could see, he grabbed one wrist and then the other, yanking them away from his face and snarling softly. The world yawned open around her, cold and still. He dropped her hands as if they were on fire, stepping away, those green eyes flat and dull in a way she hadn’t seen for some time now. Her throat closed up even before he said, “Don’t do that. Don’t—touch me like that.” There was a roaring in her ears, a burning in her face, and she swallowed hard. “I’m sorry.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Two of them led the way north into the Mohave Valley, past the Needles, a trio of mountain peaks on the east side of the Colorado. This was where the main body of the tribe resided — including Olive and Mary Ann.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
Here is the first guest, a young woman in a short blue dress. Her face is a trifle on the vacant side but she’s got a knockout bod. Somewhere inside that dress, Hodges knows, there will be the sort of tattoo now referred to as a tramp-stamp. Maybe two or three. The men in the audience whistle and stomp their feet. The women in the audience applaud more gently. Some roll their eyes. This is the kind of woman you don’t like to catch your husband staring at.
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
I have something for you,” she said as she pulled his leather gloves from the sleeve of her prison tunic. He stared at them. “How—” “I got them from the discarded clothes. Before I made the climb.” “Six stories in the dark.” She nodded. She wasn’t going to wait for thanks. Not for the climb, or the gloves, or for anything ever again. He pulled the gloves on slowly, and she watched his pale, vulnerable hands disappear beneath the leather. They were trickster hands—long, graceful fingers made for prying open locks, hiding coins, making things vanish. “When we get back to Ketterdam, I’m taking my share, and I’m leaving the Dregs.” He looked away. “You should. You were always too good for the Barrel.” It was time to go. “Saints’ speed, Kaz.” Kaz snagged her wrist. “Inej.” His gloved thumb moved over her pulse, traced the top of the feather tattoo. “If we don’t make it out, I want you to know…” She waited. She felt hope rustling its wings inside her, ready to take flight at the right words from Kaz. She willed that hope into stillness. Those words would never come. The heart is an arrow. She reached up and touched his cheek. She thought he might flinch again, even knock her hand away. In nearly two years of battling side by side with Kaz, of late-night scheming, impossible heists, clandestine errands, and harried meals of fried potatoes and hutspot gobbled down as they rushed from one place to another, this was the first time she had touched him skin to skin, without the barrier of gloves or coat or shirtsleeve. She let her hand cup his cheek. His skin was cool and damp from the rain. He stayed still, but she saw a tremor pass through him, as if he were waging a war with himself. “If we don’t survive this night, I will die unafraid, Kaz. Can you say the same?” His eyes were nearly black, the pupils dilated. She could see it took every last bit of his terrible will for him to remain still beneath her touch. And yet, he did not pull away. She knew it was the best he could offer. It was not enough. She dropped her hand. He took a deep breath. Kaz had said he didn’t want her prayers and she wouldn’t speak them, but she wished him safe nonetheless. She had her aim now, her heart had direction, and though it hurt to know that path led away from him, she could endure it.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
It was easier to know it than to explain why I know it. If you were asked to prove that two and two made four, you might find some difficulty, and yet you are quite sure of the fact. Even across the street I could see a great blue anchor tattooed on the back of the fellow’s hand. That smacked of the sea. He had a military carriage, however, and regulation side whiskers. There we have the marine. He was a man with some amount of self-importance and a certain air of command. You must have observed the way in which he held his head and swung his cane. A steady, respectable, middle-aged man, too, on the face of him all facts which led me to believe that he had been a sergeant.” “Wonderful!” I ejaculated.
Arthur Conan Doyle (The Complete Sherlock Holmes)
It was cheerful inside, without the aggressive Easy Rider feel of some of the other tattoo parlors in the city, where the handle-jawed thugs wielding the tattoo guns looked like ink was just a side job, their main work, contract killings.
Marisha Pessl (Night Film)
When I halt at her side, she looks up at me with a grimace, her nose crinkling, a little spattering of blood dotting her cheek like a crimson echo of her natural freckles. If I could, I would tattoo it right into her skin. Fucking adorable.
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy #1))
He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it.
Cormac McCarthy (The Road)
It’s a bunch of “Who is that?”, “Is he new?” and “Look at those tattoos.” “Damn, he’s hot,” the girl at my side says, knocking an elbow into her friend. “Look at those lips.” I know, right? A wolf in a god’s body. A god in his own sense. An anomaly.
Meagan Brandy (Break Me (Brayshaw, #5))
Right at that moment, I knew that I would do anything for my best friend. I would hold her hand when she was in pain, scream at my catatonic fiancé when he saw her vagina and sit by her side when she became a mom. There was nothing I wouldn’t do for her and I knew that’s how it would always be.
Tara Sivec (Tattoos and Tatas (Chocoholics, #2.5))
Soon after arrival at residential school, we were assigned a number that would become our identity. I became Number 1 on the girls' side. Ninety years after she left St. Joseph's Mission, my grandmother still remembered she was Number 27. My mom remembers her number was 71. Thankfully, our numbers were not tattooed on our skin.
Bev Sellars (They Called Me Number One)
Your alarm’s about to go off in ten minutes,” Caden called from the doorway. He had a cup of coffee in hand and wore only jeans. I tried to keep my eyes front and center, but I lost. The tattoos were a nice little zig-zag pattern, pulling my gaze down, all the way down. Caden’s slow, smooth chuckle told me he knew what I’d just done. My cheeks only warmed a little. I shot him a look, falling back to the pillow. “I feel like this should be the first skip day of my school career.” “You’ve never skipped before?” I shook my head, rolling it side to side on the pillow. “Am I missing out? Should I embrace my inner deviant?” He smirked. “You can skip a class for any reason in the world. It’s your life.” I sat up, eyeing that coffee. “You were supposed to be the bad influence.” His eyebrow lifted. “I’m not selling it enough?” He lifted his cup. “You want some coffee?” “I’m wondering if today is the day I try coffee too.” “You’ve never had coffee?” “I’m beginning to think I’m lame.” I thought about it. “Really lame.” “You slept at some guy’s house last night. Think of it that way.” His smirk was back. “Not so lame now.” I could do one better. “I slept at a fraternity house.” “And you drank beer.” “It was the second night in a row that I drank beer.” “See? Not so lame after all.” “You’re right.” I sat up. “I’m halfway to total badass.
Tijan (Anti-Stepbrother)
I bartered access to my lands to get back the woman I love from a sadist who plays with minds as if they are toys. I meant to fight Hybern- to find a way around the bargain I made with the king once she was back. Only Rhysand and his cabal had turned her into one of them. And she delighted in ripping open my territory for Hybern to invade. All for a petty grudge- either her own or her... master's.' 'You don't get to rewrite the narrative,' I breathed. 'You don't get to spin this to your advantage.' Tamlin only angled his head to Rhys. 'When you fuck her, have you ever noticed that little noise she makes right before she climaxes?' Hear stained my cheeks. This wasn't outright battle, but a steady, careful shredding of my dignity, my credibility. ... Rhys turned his head, looking me over from head to toe. Then back to Tamlin. A storm about to be unleashed. But it was Azriel who said, his voice like cold death, 'Be careful how you speak about my High Lady.' Surprise flashed in Tamlin's eyes- then vanished. Vanished, swallowed by pure fury as he realised what that tattoo coating my hand was for. 'It was not enough to sit at my side, was it?' A hateful smile curled his lips. 'You once asked me if you'd be my High Lady, and when I said no...' A low laugh. 'Perhaps I underestimated you. Why serve in my court, when you could rule in his?
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
And yet I thought of him almost every day. The Russian novels I had to read for school reminded me of him; Russian novels, and seven pillars of wisdom, and so too the Lower East Side—tattoo parlors and pierogi shops, pot in the air, old polish ladies swaying side to side with grocery bags and kids smoking in the doorways of bars along Second Avenue.
Donna Tartt (The Goldfinch)
The Mohaves were friendly with the Yavapais and the Quechans; enemies of the Pimas, the Maricopas, and the Cocopas; and merely tolerant of the Chemehuevis, who in the 1830s had moved into the valley below them on the western side of the river — an area the Mohaves yielded to them because they believed departed spirits lived there, making it dangerous.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
Was that a tattoo I saw on your back?” He asked. “None of your business.” “I just didn’t peg you for the tramp stamp type.” “It’s not a tramp stamp. It’s my F-holes,” I corrected. His eyes had widened before he let out a long, deep laugh. “Jesus, Henley.” “For a violin, you A-hole.” I turned around, raising my shirt high enough on my lower back to reveal two curved lines on either side of my spine. I jumped when the pad of his finger ran over the design leaving a trail of goosebumps in its wake. “Wow,” he mumbled, and I turned back around to face him, letting the hem of my shirt fall from my hands. “What? You think it’s stupid.” “No… no. I think that’s the sexiest tattoo I’ve ever seen. How often does someone get to finger your strings?
Teresa Mummert (Shameless)
It’s practically tattooed on his forehead. Ooh—let’s get a tattoo.” “Yeah!” Jaime rolled onto her side. “We totally should. Let’s do it tomorrow.” “Totally. Definitely. What’re you getting? I’m thinking of getting ‘Nick Axton Is a Fuck-Ass’ right across my forehead.” Jaime pursed her lips as she considered it. “I like it. It’s different. It has an edge to it.” “I know, right?
Suzanne Wright (Wicked Cravings (The Phoenix Pack, #2))
Get a room!" Maya called from her side and Callie snorted. Trust Maya to break the moment. Callie turned on her heel and put her hands on her hips. "Excuse me. I have my own little cubby right here." She used her fingers to make a box around her. "That's a room." Sloane huffed a laugh. "Maybe get one with walls next time if you're going to heat up the shop with just a hello.
Carrie Ann Ryan (Forever Ink (Montgomery Ink, #1.5))
The hairs on the back of her neck tingled and she shivered. She turned toward the door and blinked once. Twice. The sexiest man she'd ever seen in her life stood in the doorway. No, stood wasn't a good word, not with the way his presence filled the shop. Dear Lord, was she panting? His broad shoulders were encased in a suit that had t cost more than her rent, but she didn't care about that. His thick chest tapered into a trim waist and strong thighs. Just the thought of those thighs made her clench her own. He had his hands fisted at his sides, and oh God, those hands. Large, thick and they looked so out of place compared to his classy suit. It looked as if he actually used his hands rather than merely sitting behind a desk as his attire suggested,
Carrie Ann Ryan (Forever Ink (Montgomery Ink, #1.5))
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
Faith and fear both involve belief, and they both involve believing things we cannot see. We all have to choose which side to land on, and my tattoo says to me every day, ‘Sadie, no more thinking something bad is going to happen. You’re no longer on the side of fear; you’re on the side of faith, and you can spend every day of the rest of your life believing God has good things in store for you!
Sadie Robertson (Live Fearless: A Call to Power, Passion, and Purpose)
It had only two points of egress, the door to the hallway from which I’d just entered, and against which I’d been pinned-and now leaned against for support-and the other to the stable yard where a man dressed all in black leather had shoved John’s dog, and where I was assuming John kept his horse, Alastor, another creature from the Underworld who hated my guts. He was going to have to get in line, though. The boy who’d pulled Typhon off me was standing a few feet away, next to the wooden plank table that ran down the center of the room, staring at me with a look that suggested he disliked me even more than the dog had. It was difficult not to notice the size of his bare biceps-not as large as John’s, but still impressive-since he’d folded his arms across his chest, and this had caused the muscles to bulge. The fact that they were circled in vicious-looking rings of black tattooed thorns did even more to draw attention to them. It was hard to figure out if that was why he was so much more noticeable than anyone else in the room, or if it was because he was what my friend Kayla would have called smokin’ hot, despite a jagged scar that ran down one side of his forehead, through a dark brow, and halfway to the center of his left jaw. Whoever had wielded that knife had thankfully-for him-spared his dark eye. Not so thankfully for me, however, since he was able to use both eyes to give me a deathlike stare. “Um,” I said, finally feeling the blood flow returning to my limbs. “You might want to think about getting that dog neutered.” The boy with the thorn tattoos sneered. “I’m guessing she’ll be wanting to get us all neutered,” he said.
Meg Cabot (Underworld (Abandon, #2))
An “alternative” to the mainstream frat boys and premed straight and narrow guys, these scholarly, charmless, intellectual brats dominated the more creative departments. As an art history major, I couldn’t escape them. “Dudes” reading Nietzsche on the subway, reading Proust, reading David Foster Wallace, jotting down their brilliant thoughts into a black Moleskine pocket notebook. Beer bellies and skinny legs, zip-up hoodies, navy blue peacoats or army green parkas, New Balance sneakers, knit hats, canvas tote bags, small hands, hairy knuckles, maybe a deer head tattooed across a flabby bicep. They rolled their own cigarettes, didn’t brush their teeth enough, spent a hundred dollars a week on coffee. They would come into Ducat, the gallery I ended up working at, with their younger—usually Asian—girlfriends. “An Asian girlfriend means the guy has a small dick,” Reva once said. I’d hear them talk shit about the art. They lamented the success of others. They thought that they wanted to be adored, to be influential, celebrated for their genius, that they deserved to be worshipped. But they could barely look at themselves in the mirror. They were all on Klonopin, was my guess. They lived mostly in Brooklyn, another reason I was glad to live on the Upper East Side.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Blackwell made a pithy sound of consternation. “We find ourselves in a rather complicated predicament.” “How’s that?” Moncrieff stepped to his captain’s side, his hand in his jacket, presumably on a weapon. Blackwell’s eye speared the first mate, glittering with reservation, his own hand reaching behind him. “I cannot, in good conscience, allow innocent women to be held at Ben More against their will.” Farah snorted. “Since when?
Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it. We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory. I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes. She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable. “Morning,” I say. “Shh,” she says. “If you don’t acknowledge it, maybe it will go away.” I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear. My self-control is about to disappear in five, four, three… “Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.” “They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly. “No, they can’t!” she says.
Veronica Roth (Allegiant (Divergent, #3))
When I first met Ryder,” she laughed, placing a hand on her side, “I thought he looked just like Matt Bomer only he was heavily tattooed and now I learn Alec wants to have his dirty way with the lad. He wants to give it to someone who looks like his big brother!” I laughed and so did everyone else. “The joke’s on you, Bronagh, because Keela already ruined Matt Bomer for me when she said the exact same thing in the Bahamas. So fuck you very much!
L.A. Casey (Ryder (Slater Brothers, #4))
Stretched out side by side, we exhanged confidences, whispers, smiles. Curled up, she fell on my chest and unfolded there like a vegetation of murmurs. She sang in my ear, a little sea shell. She became humble and transparent, clutching my feet like a small animal, calm water. She was so clear I could read all of her thoughts. On certain nights her skin was covered with phosphorescence and to embrace her was to embrace a piece of night tattooed with fire. — Octavio Paz, from “My Life with the Wave
David Young (Magical Realist Fiction: An Anthology)
I still know this place and its people to the marrow of their bones, to their soft, unguarded core, which had once sustained my own life, yet I am as much of an outsider here as I am on the other side of the world, in my adopted country. The truth is that there is no bridge between the two lives - the past and the present - that would conveniently span the memory of loss and the promise of an onward search. There is only a wound, the inner divide of exile. A daughter of an anatomy professor, I should have known that sliced hearts do not become whole, that split souls do not mend. Along with all those who left their countries for other shores, I belong in neither land.
Elena Gorokhova (Russian Tattoo: A Memoir)
The remaining chain swung down, he wrenched the door out and he was free. The last thing he heard behind him was the oncoming stomp of running feet. Now began flight, that excruciating accompaniment to both the sleep-dream and the drug-dream as well. Down endless flights of stairs that seemed to have increased decimally since he had come up them so many days before. Four, fourteen, forty - there seemed no end to them, no bottom. Round and round he went, hand slapping at the worn guard-rail only at the turns to keep from bulleting head-on into the wall each time. The clamor had come out onto a landing high above him now, endless miles above him; a thin voice came shouting down the stair-well, "There he is! See him down there?" raising the hue and cry to the rest of the pack. Footsteps started cannonading down after him, like avenging thunder from on high. They only added wings to his effortless, almost cascading waterlike flight. Like a drunk, he was incapable of hurting himself. At one turning he went off his feet and rippled down the whole succeeding flight of stair-ribs like a wriggling snake. Then he got up again and plunged ahead, without consciousness of pain or smart. The whole staircase-structure seemed to hitch crazily from side to side with the velocity of his descent, but it was really he that was hitching. But behind him the oncoming thunder kept gaining. Then suddenly, after they'd kept on for hours, the stairs suddenly ended, he'd reached bottom at last. He tore out through a square of blackness at the end of the entrance-hall, and the kindly night received him, took him to itself - along with countless other things that stalk and kill and are dangerous if crossed. He had no knowledge of where he was; if he'd ever had, he'd lost it long ago. The drums of pursuit were still beating a rolling tattoo inside the tenement. He chose a direction at random, fled down the deserted street, the wand of light from a wan street-lamp flicking him in passing, so fast did he scurry by beneath it.
Cornell Woolrich (Marihuana)
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
The man—male—down the alley was Fae. After ten years, after all the executions and burnings, a Fae male was prowling toward her. Pure, solid Fae. There was no escaping him as he emerged from the shadows yards away. The vagrant in the alcove and the others along the alley fell so quiet Celaena could again hear those bells ringing in the distant mountains. Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Stop your grinning,’ shouted I, ‘and why didn’t you tell me that that infernal harpooneer was a cannibal?’ ‘I thought ye know’d it;—didn’t I tell ye, he was a peddlin’ heads around town?—but turn flukes again and go to sleep. Queequeg, look here—you sabbee me, I sabbee you—this man sleepe you—you sabbee?’ ‘Me sabbee plenty’—grunted Queequeg, puffing away at his pipe and sitting up in bed. ‘You gettee in,’ he added, motioning to me with his tomahawk, and throwing the clothes to one side. He really did this in not only a civil but a really kind and charitable way. I stood looking at him a moment. For all his tattooings he was on the whole a clean, comely looking cannibal. What’s all this fuss I have been making about, thought I to myself—the man’s a human being just as I am: he has just as much reason to fear me, as I have to be afraid of him. Better sleep with a sober cannibal than a drunken Christian.
Herman Melville (Moby Dick)
When he was finished, she started to get off the bed. She didn’t get far. With a great lurch, he pitched over onto his side and put his head in her lap, throwing one muscular arm around behind her. He was seeking comfort. Beth didn’t know what she could really do for him, but she put the glass aside and stroked his back, running her hand over his fearsome tattoo. She murmured things she wished someone had whispered to her when she felt ill. Hummed a little for him. After a while, the tension left his skin and bones. He began breathing deeply. When she was sure he was out cold, she carefully extracted herself from his grasp. As she turned to meet Wrath’s gaze, she braced herself. Surely he’d know there was nothing— Shock stilled her. Wrath wasn’t mad. Far from it. “Thank you,” he said hoarsely. The bow of his head was almost humble. “Thank you for caring for my brother.” He took his sunglasses off. And looked at her with total adoration.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
His expression was perturbed, as if he’d been reminded of something he had wanted to forget. But as his gaze slid over her bewildered face, his mouth curved a little, and he settled into the cradle of her body with an insolent familiarity that temporarily robbed her of breath. “Mr. Rohan … how … why … what are you doing here?” He replied without moving, as if he were planning to lie there and converse all day. His infinitely polite tone was an unsettling contrast to the intimacy of their position. “Miss Hathaway. What a pleasant surprise. As it happens, I’m visiting friends. And you?” “I live here.” “I don’t think so. This is Lord Westcliff’s estate.” Her heart thundered in her breast as her body absorbed the details of him. “I didn’t mean precisely here, I meant over there, on the other side of the woods. The Ramsay estate. We’ve just taken up residence.” She couldn’t seem to stop herself from chattering in the aftermath of nerves and fright. “What was that noise? What were you doing? Why do you have that tattoo on your arm? It’s a pooka—an Irish creature—isn’t it?” That last question earned her an arrested stare. Before Rohan could reply, the other two men approached. From her prone position, Amelia had an upside-down view of them. Like Rohan, they were in their shirtsleeves, with waistcoats left unbuttoned. One of them was a portly old gentleman with a shock of silver hair. He held a small wood-and-metal sextant, which had been strung around his neck on a lanyard. The other, black-haired man looked to be in his late thirties. He wasn’t as tall as Rohan, but he had an air of authority tempered with aristocratic arrogance. Amelia made a helpless movement, and Rohan lifted away from her with fluid ease. He helped her stand, his arm steadying her. “How far did it go?” he asked the men. “Devil take the rocket,” came a gravelly reply. “What is the woman’s condition?” “Unharmed.” The silver-haired gentleman remarked, “Impressive, Rohan. You covered a distance of fifty yards in no more than five or six seconds.” “I would hardly miss a chance to leap on a beautiful woman,” Rohan said, causing the older man to chuckle.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Bored with Pisit today, I switch to our public radio channel, where the renowned and deeply reverend Phra Titapika is lecturing on Dependent Origination. Not everyone’s cup of chocolate, I agree (this is not the most popular show in Thailand), but the doctrine is at the heart of Buddhism. You see, dear reader (speaking frankly, without any intention to offend), you are a ramshackle collection of coincidences held together by a desperate and irrational clinging, there is no center at all, everything depends on everything else, your body depends on the environment, your thoughts depend on whatever junk floats in from the media, your emotions are largely from the reptilian end of your DNA, your intellect is a chemical computer that can’t add up a zillionth as fast as a pocket calculator, and even your best side is a superficial piece of social programming that will fall apart just as soon as your spouse leaves with the kids and the money in the joint account, or the economy starts to fail and you get the sack, or you get conscripted into some idiot’s war, or they give you the news about your brain tumor. To name this amorphous morass of self-pity, vanity, and despair self is not only the height of hubris, it is also proof (if any were needed) that we are above all a delusional species. (We are in a trance from birth to death.) Prick the balloon, and what do you get? Emptiness. It’s not only us-this radical doctrine applies to the whole of the sentient world. In a bumper sticker: The fear of letting go prevents you from letting go of the fear of letting go. Here’s the good Phra in fine fettle today: “Take a snail, for example. Consider what brooding overweening self-centered passion got it into that state. Can you see the rage of a snail? The frustration of a cockroach? The ego of an ant? If you can, then you are close to enlightenment.” Like I say, not everyone’s cup of miso. Come to think of it, I do believe I prefer Pisit, but the Phra does have a point: take two steps in the divine art of Buddhist meditation, and you will find yourself on a planet you no longer recognize. Those needs and fears you thought were the very bones of your being turn out to be no more than bugs in your software. (Even the certainty of death gets nuanced.) You’ll find no meaning there. So where?
John Burdett (Bangkok Tattoo (Sonchai Jitpleecheep, #2))
Ouch.” The yelp came out by accident as Trent went back over the bumps of her spine. Harper winced. Trent was doing his best to move the needle location around, she could feel that, but it was really starting to hurt. She heard Trent put down his equipment and slide the stool around in front of her. “This is the worst it’s going to be, Harp. You’re being so incredibly brave. I’ve had grown men cry at this point.” He paused for a moment before kissing her gently on the temple. “We have two options. I can stop in a minute and we can pick it up next time, or I can keep going for another twenty minutes and it will be done. The final appointments, then, will be short and sweet. Not to mention a whole lot less painful.” Harper took in a deep breath and blew it out harshly. Determined not to cry, she bit down on her lip hard. It stopped the pending deluge, but the tears still threatened. “Oh darlin’.” Trent kissed her softly. “I’d switch places with you in a heartbeat if I could. I know it hurts where I’m working.” Harper nodded. He understood. “Can you make it fifteen?” Trent kissed the side of her eye, where a single tear was making a break for freedom. “I’ll do it in ten.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
She looked at the strong hand holding hers. “Oh my goodness, what did you do?” Harper asked, eyebrows raised and mouth open as she studied the cuts and bruises. “Had a conversation with a streetlight once you got into the cab,” he said, pulling her closer to him. “I’m sorry, Trent. I really am. If I blew you and me because of all this, I get it and I don’t blame you. I’m done running. I’m done being scared. I’m done doubting whether you and your friends will help me if I need it. I am done with everything except being in love with you. I—” Harper was flipped onto her back and underneath Trent in the blink of an eye. “Say it again.” His dark eyes were fierce as he held each side of her face in his big, safe hands. “I’m sorry, I—” “No.” He cut her off. “Not that part. The ‘I love you’ part.” “I love you.” Harper had barely gotten the words out of her mouth before Trent’s lips descended on hers. Their mouths clashed together, banging teeth before soothing bitten lips with soft tongues. Trent pulled away, taking a deep breath before staring deep into her eyes. Harper could feel his very soul merging with hers. “I love you, Harper. Everything else is details. A lot of fucking details, granted, but just details.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
His light blue shuma and silver torque did nothing to hide the mass of cuts, scrapes, and purple bruises that covered his body and made his iridescent tattoos practically glow by contrast. He had a dark bruise under one eye that ran all the way down to the ulumi-lia tattoo on his cheekbone, and another on his jaw. “This?” He gestured to his battered frame. “Ono, moa halea.I was invited to partake in a wrestling match yesterday afternoon.” “A wrestling match with whom? Kukuna the Stone God?” His grin flashed, then faltered as the gesture tugged at his split lip. “It was a very intense match. And you have been reading the legends of my people. You are curious about Calberna. This is good.” She grimaced. “Don’t jump to conclusions. I read most of those legends before I met you so I could teach the children at the school about Calberna.” Then, because curiosity got the best of her, she asked, “So which one of Wynter’s men beat you to a pulp?” His brows rose. “I am unpulped.” “Not from where I’m standing. Or are you saying the other fellow looks worse?” He cocked his head to one side, as if considering, then gave that charming half grin again and said, “About the same. We declared it equal contest.” “Who did you leave unpulped then?” “It is of no concern. We had our match. We tested each other’s skill and resolve, and came away with a new understanding of each other.” 
C.L. Wilson (The Sea King (Weathermages of Mystral, #2))
Our eyes meet and the look in his gaze is so intense, I shut mine. He pulls me forward and leans into me, his mouth finding mine. He lightly nibbles my bottom lip, and I let out a moan. He whispers into my mouth. "A little bite isn't that bad, is it?" "No," I say. His mouth, his lips, become more ravenous, and our heated breaths become one, his chocolaty and spicy. His hands envelop my jawline as he pulls me into him even more. Our tongues explore each other's, gentle and demanding, and my hands slide down his sides. The kiss is urgent, fervent, and so utterly delicious. I'm clinging onto his back now, light-headed and dizzy. Wild tremors rush down my spine right into my loins. I grip him tighter, about to lose my breath as I breathe him in. He pulls away, groaning softly. "Do you want me to stop?" "No," I say breathlessly. "Let's get comfortable on the couch." I can only nod. He picks me up in his strong muscled arms, and I stroke his tattoo as he carries me into the living room. The next kiss is better and more intense than the first---the kind that makes me see fireworks, the kind that makes me want to explode. Every nerve in my body throbs, the weight of his body pressing against mine, his hardness. My hands explore his back as he kisses my neck. It's like I'm starving and thirsty and I want to eat him, drink him in. This is too good, too much, too delicious. Between the taste of his mouth and his scent, I think I'm going to pass out.
Samantha Verant (The Spice Master at Bistro Exotique)
Without warning, he fingered the small, black tattoo on her lower back. “What does this script mean?” She did gasp then, as much from the shock of his touch as from her visceral reaction to it. She wanted to arch up to his hand and couldn’t understand why. She snapped, “Are you done groping me?” “Canna say. Tell me what the marking means.” Mari had no idea. She’d had it ever since she could remember. All she knew was that her mother used to write out that mysterious lettering in all of her correspondence. Or, at least her mother had before she’d abandoned Mari in New Orleans to go on her two-hundred-year-long druid sabbatical— He tapped her there, impatiently awaiting an answer. “It means ‘drunk and lost a bet.’ Now keep your hands to yourself unless you want to be an amphibian.” When the opening emerged ahead, she crawled heedlessly for it and scrambled out with her lantern swinging wildly. She’d taken only three steps into the new chamber before he’d caught her wrist, spinning her around. As his gaze raked over her, he reached forward and pulled a lock of her long hair over her shoulder. He seemed unaware that he was languidly rubbing his thumb over the curl. “Why hide this face behind a cloak?” he murmured, cocking his head to the side as he studied her. “No’ a damn thing’s wrong with you that I can tell. But you look fey. Explains the name.” “How can I resist these suave compliments?” He was right about the name though. Many of the fey had names beginning in Mari or Kari. She gave his light hold on her hair a pointed look, and he dropped it like it was hot, then scowled at her as if she were to blame.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
California, land of my dreams and my longing. You've seen me in New York and you know what I'm like there but in L.A., man, I tell you, I'm even more of a high-achiever - all fizz and push, a fixer, a bustler, a real new-dealer. Last December for a whole week my thirty-minute short Dean Street was being shown daily at the Pantheon of Celestial Arts. In squeaky-clean restaurants, round smoggy poolsides, in jungly jacuzzis I made my deals. Business went well and it all looked possible. It was in the pleasure area, as usual, that I found I had a problem. In L.A., you can't do anything unless you drive. Now I can't do anything unless I drink. And the drink-drive combination, it really isn't possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it's an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there's a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God's green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE-NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON'T WALK, all of them, all the time. That is the message, the content of Los Angeles: don't walk. Stay inside. Don't walk. Drive. Don't walk. Run! I tried the cabs. No use. The cabbies are all Saturnians who aren't even sure whether this is a right planet or a left planet. The first thing you have to do, every trip, is teach them how to drive.
Martin Amis (Money)
Maybe they’d give her everything she wanted. All it would cost was her secrets. Charlie pasted a smile on her face. Glanced at the old “fear less” tattoo looping across the skin of her inner arm. “Fine,” she said through gritted teeth. “In that case, I’d like to confess.” “Confess?” Vicereine echoed, puzzled. “Do you remember when Brayan Araya had his secrets written with a laser on grains of rice and kept them in a glass jar under his pillow? I snatched that like I was the tooth fairy. Or remember when Eshe Goodwin got that book with all the detailed illustrations and no one could make head or tail of it? The secrets were written in the artwork, so I cut those pages straight out. I’m not sure she’s opened it up to know they’re missing. I took Owain Cadwallader’s eighteenth-century memoir and discovered a whole pile of notes stitched into the interior binding of another book—I forget the title, but it had these cool metal catches on the side—and took those without letting anyone be the wiser. Oh, and I grabbed Jaden Coffey’s whole collection of seventies shadow magic zines. Want me to go on? I’ve been doing this for years.” She felt giddy, like she was sliding down a hill, no way to stop now. All the exultation of finally admitting to something. “You cut out pages from Eshe’s book?” Vicereine sounded pissed. “I’m a bad person.” Charlie reached into the pocket of her jeans, took something out, and threw it to Malik. Startled, he caught it. When he looked at what was in his hands, his brows drew together. “I also grabbed your wallet when I brushed by you. Sorry.” “You are making some very dangerous enemies,” Vicereine told her. “What’s this all about?” Malik was tight-jawed. “What are you doing?” “Punish me,” Charlie said. “I’m loads worse than Adeline.” “You want it tied to you?” Bellamy asked. The idea of someone inside her head, someone she couldn’t hide her worst thoughts from, someone she loved, made her feel a little queasy. “Yes. Reward or punishment, give him to me. I’ll be the Hierophant.
Holly Black (Book of Night (Book of Night, #1))
One day, on the verge of dying of boredom, Uncle Johnny had had enough. He turned to me and said sternly, “Noah, I’m not gonna sit in here like we’re in an oversized coffin. We’re either opening the door or we’re turning the TV on. Which one do you want?” I rolled my eyes and grumbled for a few minutes before answering, “All right. Turn on the TV.” Without hesitation Uncle Johnny shot up out of that chair and reached up to hit the power button on the TV mounted from the ceiling. No sooner had his butt hit the chair seat than he was right back up again. “Fuck that. I am opening the door, too, because I want it open.” He vigorously emphasized his intention so I didn’t protest. He marched over and swung that door open. I swear he might have even taken a deep breath as if it were fresh mountain air. Then he came back to his chair and sat down. There was a movie on starring Matthew Broderick. I’d never heard of it before but Uncle Johnny was explaining to me that this was a remake and Gene Wilder had played Broderick’s character in the original film. In spite of myself, and my stubborn wish to sit and suffer in silence, I really liked the movie. And I remember thinking, I am really enjoying myself. I even turned to Uncle Johnny and said, “I’m glad we turned the TV on. This is great!” Uncle Johnny just smiled as if to say, “Of course! Finally!” We were right in the middle of the movie when one of my machines started to malfunction. The machine’s beeps drowned out the movie. A nurse came in to fix the problem and it just happened to be the hot nurse I had a crush on. She had short hair, a few tattoos on her arm, and she always wore a bandana over her head. The machine she was trying to fix was plugged in on the other side of the bed, up against the wall. “Oh, I see. Hold on. I have to move the bed out from the wall to fix this,” she said. At this point I was just watching her. She fixed the machine and pushed the bed back up against the wall. She actually hit the wall with the bed and zap! The TV went out! “WHAT?! NO!” I screamed. She couldn’t get it to turn back on. She tried but nothing worked. “Oh no, I’m sorry. We’ll have to get maintenance down here to fix it,” she said with an apologetic look that I met with a glare of disdain. She was no longer hot to me. She was just the nurse who broke the TV. Maintenance didn’t come to repair the TV until the next day. I didn’t get to watch the rest of the movie. In fact, I never saw the end of the movie and I didn’t even know the name of it until years later. Maybe one of these days I’ll get to see The Producers from start to finish.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
NOTE: The character of Aoleon is deaf. This conversation takes place in the book via sign language... “Feeling a certain kind of way Aoleon?” She snapped-to and quickly became defensive. “What in the name of the Goddess are you on about?” Shades of anger and annoyance. The old Aoleon coming out. “I’m sorry. I shouldn’t poke at you like that. It’s okay you know. There’s nothing wrong about the way you feel.” As if suddenly caught up in a lie, Aoleon cleared her throat and ran her fingers absentmindedly over her ear and started to fidget with one of the brass accents in her snowy hair. A very common nervous reaction. “No…I mean…well I was…uh...” “Aoleon, I know about you and Arjana.” he admitted outrightly as he pointed at the drawing. She coughed, stuttered, smiled, but could bring herself to fully say nothing. Words escaped her as she looked about the room for answers. “My sight is Dįvįnë, lest we forget. I knew you were growing close.” “Yes. Well…she’s…something else.” “Indeed?” he responded. Images flashed briefly in Aoleon’s head of her father’s old friend. Verging on her fiftieth decade of life. She was a fierce woman by all accounts. One who’d just as soon cut you with words as she would a blade. Yet, she was darling and caring towards those she held close to her. Lovely to a fault; in a wild sort of way. Dark skin, the colour of walnut stained wood. Thick, kinky hair fashioned into black locs that faded into reddish-brown tips that were dyed with Assamian henna; the sides of her head shaved bare in an undercut fashion. Tattoos and gauged ears. Very comfortable with her sexuality. Dwalli by blood, but a native of the Link by birth although she wasn’t a Magi. Magick was her mother’s gift. “I heard her say something very much the same about you once Aoleon.” “Really?” Aoleon perked up right away. “Did she?” “Yes. After she first met you in fact. Nearly exactly.” Aoleon’s smile widened and she beamed happiness. She sat up assertively and gave a curt nod. “Well, of course she did.” “She’s held such a torch for you for so long that I was starting to wonder if anything would actually come of it.” “Yeah. Both you and Prince Asshole.” Aoleon exclaimed with a certainty that was absolute as she once again tightened up with defensiveness. Samahdemn walked his statement back. “Peace daughter. I didn't know your brother had been giving you a row about her. Then again, he is your brother. So anything is possible.” Aoleon sighed and nodded. “Not so much problems as he’s been giving me the silent treatment over it. Na’Kwanza. It’s always Na’ Kwanza.” Samahdemn nodded knowingly and waived a dismissive hand. “He’s just jealous. He always has been.” “So I’ve noticed.” “Why would you hide it? Why not tell me?” “I don’t know.” she said; shrugging her shoulders. “I didn’t know how you’d take it I suppose.” “Seriously? You were afraid of rejection? From me? Love, have I ever held your individuality against you? Have I ever not supported you or your siblings?” She shook her head; a bit embarrassed that she hadn't trusted him. "No, I suppose not." -Reflections on the Dįvonësë War: The Dįvįnë Will Bear Witness to Fate
S.H. Robinson
The boy's smile was a mockery of innocence. 'Are you frightened?' 'Yes,' I said. Never lie- that had been Rhys's first command. The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?' 'A question for a question,' I replied, as I'd been instructed over breakfast. ... Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked... I had to calm my breathing to think- to remember. But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop- Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there. I bunched my hands into fists. I had lived; I had gotten out. I would get out today. 'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.' The Bone Carver's violet eyes seemed to glow brighter. 'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.' 'But was there anyone there- were you seeing anything beyond?' 'There was only that bond in the darkness.' Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-' 'Were you afraid?' 'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.' 'There was no other world,' the Bone Carver pushed. 'If there was or is, I did not see it.' 'No light, no portal?' Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.' 'Did you have a body?' 'No.' 'Did-' 'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.' The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
you'll watch those same people become automatically terrified of a burly man with tattooed knuckles even as they embrace the charismatic yet humble blonde man offering a drink with a smile you'll come to understand that people only see the soft spot in certain kinds of people and that appearances mean more than maybe they should and you'll know that's why even Children's Protective Services would dismiss a case called in by a therapist and a physician on a white dad in flannel living on an idyllic farm but would on the same day show up at a mobile home in the middle of a junk graveyard and start a file on a father living in poverty right away, especially if that poor dad shows up at the door without a tooth and especially if he's any shade of brown. Perhaps the rich dad molested his daughter. Perhaps the poor dad hasn't had electricity for a month. You'll know that the poor dad will be the one most likely to get it—not the rich—because you'll see these things happen. You'll stop wondering why we can't say the truth about these things you'll start to understand why people hide pain and oppression as if that means it isn't really happening you'll start to see that some people actually use those human tendencies to their advantage.
H.G. Beverly (The Other Side of Charm: Your Memoir)
It’s not just the permanence of the finished product, but the discomfort inherent in the process that draws people in mourning to translate an emotional throbbing into a physical one and emerge intact on the other side with a beautiful scar.
Kate Sweeney (American Afterlife: Encounters in the Customs of Mourning)
TATTOOED NUMBERS, AS BLOOM had already established, were used to identify prisoners at just one concentration camp—the Auschwitz complex in Upper Silesia—and then just from 1941 onward. Only prisoners selected for work received a serial number, Epstein explained. Those who were sent directly to the gas chambers—including the elderly, the weak, and children—were not tattooed, although in the early days of the camp those who were in the infirmary or marked for execution were also tattooed on the chest using a metal stamp made up of interchangeable centimeter-long needles that allowed the tattoo to be created using a single blow, after which ink was rubbed into the wound. The digits were generally tattooed on the outer side of the left forearm, although some prisoners from transports in 1943 received tattoos on the inner forearm. The numbering sequences used varied over time, according to intake and the nature of the prisoners involved. An AU series denoted a Soviet prisoner, a Z series a Gypsy. A and B sequences up to 20,000 were used to identify male and female prisoners arriving at the camp after 1944, although an administrative error resulted in the B series exceeding 20,000. The Nazis’ original intention was to get as far as the final letter of the alphabet if required.
John Connolly (A Song of Shadows (Charlie Parker, #13))
Having a baby is like getting a tattoo on your face. You really need to be certain it's what you want before you commit
Elizabeth Gilbert (Eat, Pray, Love)
Then, a pea shoot and foie gras wheel with a small butter knife. Michael Saltz and I stared at it, confounded by how it worked. It stood on its side like an ancient monument, with various crinkly and crackly things at its base. "Just cut it," the waiter said kindly. He looked like Pascal Lite, not as exotic or statuesque, but with a bit of Pascal's twinkle and good-boy-with-a-lot-of-tattoos edge. I slid the knife down. At first nothing happened. The foie gras clung to itself, until it peeled apart sleepily and a green, milky liquid bled out. "Wow," I said. "Wow," Michael Saltz said. I took a soft forkful of foie gras and dragged it through the pea shoot sauce and the brown crumbles and white flakes. I rubbed the foie gras against the roof of my mouth, and it stuck there with a sticky stubbornness, then melted away. The taste coursed through my body, a slippery, moody, gutsy smoothness that slithered and pushed and screamed down my throat. Oh, Pascal, I thought. If I couldn't be with him, this came close. I flashed back to three nights ago and the pleasure cascaded through me once more.
Jessica Tom (Food Whore)
In the midst of a hive of customers and clerks, a small boy with blond hair neatly parted on one side stares up into the face of a bronze sculpture. It is Cuchulainn himself---the warrior light. The Hound of Coolan lashed to a boulder with spear drawn. But The Hound is leaning to one side and dying in a public hall of the Dublin Post Office.
Laura Treacy Bentley (The Silver Tattoo)
I left my car on the street, walked up across the dead yard, and a guy I took to be James Lester opened the door. He was average-sized in dark gray cotton work pants, dirty white socks, and a dingy undershirt. His hair was cut short on the sides and on top, but had been left long and shaggy in back, and he looked at me with a squint. He was thin, with knobby, grease-embedded hands and pale skin sporting Bic-pen tattoos on his arms and shoulders and chest. Work farm stuff. I made him for thirty, but he could’ve been younger. He said, “You’re the guy who called. You’re from the lawyer, right?” A quarter to eleven in the morning and he smelled of beer.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
She grabs my arm and lifts it toward her face, studying my tattoo, running her fingers over it. “It’s not scratch and sniff, sweetheart.” “What is it?” I lean close to her and whisper, “It’s a tattoo.” She scoffs. “I know that. But what does it mean?” “I got that one when my grandmother died. I was sixteen.” She points at another one. “And this one.” “When I was emancipated by the state. It turned out no foster families wanted a sixteen-year-old with a bad attitude.” “You didn’t have any other family?” “No.” “What’s this one?” She points to the side of my neck, and her finger tickles the sensitive skin. I suddenly wish she would press her lips there. “When I got out of jail and got into college.” I rub my nose, suddenly feeling really uncomfortable. “How did you turn it all around?” A smile tugs at my lips. “I had this really great parole officer who took me under his wing. He made it all work out. I owe him a lot.” I’ll never pay him back everything I owe. “He’s the one who put me on the path I’m on.” “What path is that?” She watches me closely and I have all of her attention. And I love that feeling. This girl is intoxicating in the best sort of way. “Law. I want to help boys like me. I want to give boys who have nothing and no one on their sides a second chance. Or a third chance. Or any chance.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
The Bridges of Marin County harbor views back east never so panoramic but here driving the folds of mt tamalpais the whole picture smooth blue of the bay set like a table for dinner guests who seat themselves in berkeley oakland and san jose pass around delicate dishes of angel island ferry boats and alcatraz i'll save a spot for you in san francisco spread with your favorite dishes don't leave me hanging in marin dinner at eight and everyone else on time you said you'd bring the wine we waited as long as we could the food went cold witnesses said that you stood nearly an hour i imagine you crossing back and forth leaning tower to tower finally choosing the southern your wish to rest nearer the city than the driveway how long had you been letting your two selves push each other over the edge stuffing your pockets with secrets and shame weighing yourself down with cement shoes a gangster assuring your own silence i pay the toll daily wondering as the dark shroud of the bay smoothed over you that night who did you think your quiet splash was saving were you keeping yourself from the pleasures you found in the city boys in dark bars handsome men who loved you did they love you too did you wrestle with vertigo lose your sense of balance imagine yourself icarus dizzied by your own precarious perch glorious ride on flawed wings was it so impossible to live and love on both sides of the bay did you think i couldn't feel your love when it was there for me your distraction when desires divided history like the water smoothes over with half-truth story of good job and grieving widow but each time i cross this span i wonder about the men with whom i share the loss of you invisibly i sit unseen in a castro cafe wondering which men gave you what kinds of comfort delight satisfaction these men of leather metal tattoos did you know them how did you get their attention how did they get yours did you walk hand-in-hand with a man who looked like you the marlboro man double exposed did you bury a love of bondage dominance submission in the bay did you find friendship too would you and i have found the same men handsome where are you in this cafe crowd i want to love what you wouldn't show me dance with more than a slice of truth hold your halves together in my arms and rock the till i have mourned and honored the whole of you was it so impossible to cross that divide to live and love on both sides of the bay hey isn't that what bridges are for
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
Here in Alpha City, we have a common saying: “What we call ‘sky’ is merely a figment of our narrative.” The most dreamy-eyed among us seem to adorn themselves and their aspirations in that proverb and you’ll see it everywhere: in advertisements on the sides of streetcars and auto-rickshaws, spelled out in studs and rhinestones on designer jackets, emblazoned in the intricate designs of facial tattoos—even painted on city walls by putrid vandals and inspiring street artists. There is something glorious about kneading out into the doughy firmament the depth and breadth of one’s own universe, in rendering the contours of a sky whose limits are predicated only upon the bounds of one’s own imagination. The fact of the matter is that we cannot see the natural sky at all here. It is something like a theoretical mathematical expression: like the square-root of ‘negative one’—certainly it could be said to have a purpose for existing, but to cast eyes upon it, in its natural quantity, would be something akin to casting one’s eyes upon the raw elements comprising our everyday sustenance. How many of us have even borne close witness to the minute chemical compounds that react to lend battery power to our portable electronics? The sky is indeed such a concealed fixture now. It is fair to say that we have purged our memories of its true face and so we can only approximate a canvas and project our desires upon it to our heart’s dearest fancy. The most cynical among us would ostensibly declare it an unavoidable tragedy, but perhaps even these hardened individuals could not remember the naked sky well enough to know if what they were missing was something worthwhile. Perhaps, it’s cynical of me to say so! In any case, we have our searchlights pointed upwards and crisscrossing that expanse of heavens as though to make some sensational and profane joke of ourselves to the surrounding universe. We beam already video images of beauty pageants and dancing contests with smiling mannequins who look like buffoons. And so, the face of space cloaks itself behind our light pollution—in this respect, our mirrored sidewalks and lustrous streets do little to help our cause—and that face remains hidden from us in its jeering ridicule, its mocking laughter at this inexorable farce of human existence.
Ashim Shanker
My mother, Woman with Many Robes, asks if you want to eat?” Loretta gave an emphatic shake of her head, pressing closer to his chest. In a toss-up, she chose to stay with Hunter. He leaned forward so he could look into her eyes. “You will not be afraid. My mother will crack heads. Your good friend, eh? You will trust.” Loretta scanned the wall of leather-clad bodies and, for the first time, hugged her captor’s arm more closely around her. The dark depths of his eyes shifted, warming on hers. A ghost of a smile flitted across his harsh mouth, and his fingertips tightened their hold on her ribs. Looking up, he said something in Comanche. The woman nodded and turned to shoo the onlookers out of the way, her spoon tapping a hollow tattoo on slow-moving heads. Hunter chuckled, his chest vibrating against Loretta’s shoulder blades as he steered the mare along the path his mother cleared. The crowd formed walls on each side of them, hanging back only when Hunter drew up before a lodge. When he began to dismount, Loretta clutched his wrist, terrified he might abandon her. “Yo-oh-hobt pa-pi! Yo-oh-hobt pa-pi!” a small girl cried, dancing around the mare’s legs, her button eyes gleaming, her plump brown bottom jiggling so hard that she was about to lose her breechcloth. “Ein mah-heepicut?” Hunter pried Loretta’s frantic fingers from his arm and slid off the horse. Smiling at the child, he leaned over and retied her breechcloth thong. “Huh, yes.” Glancing up at Loretta, he said, “She is a yellow-hair, and she is mine.
Catherine Anderson (Comanche Moon (Comanche, #1))
I would have you beside me,” he told her huskily. “But you promised to take me home.” The stallion nickered and sidestepped, pulling both of them off balance. Hunter released the horse to catch her, his arm encircling her waist. Loretta snapped taut when his hard thighs pressed intimately against hers. He bent his head and nuzzled her hair, his breath sifting through the strands to her scalp. A shiver ran through her. For a moment she struggled against him, but then she felt as if an invisible web were entwining itself around her, the silken threads binding her so she couldn’t move, couldn’t think. She closed her eyes, wildly afraid, of him and what he was making her feel. She tried desperately to conjure an image of her mother, anything to break the spell. Perhaps he knew how to be gently persuasive after all. She knew she should pull away, yet an unnameable something held her transfixed. His mouth trailed to the slope of her neck, sending tingles down her spine. A treacherous languor stole into her limbs. Heat spread through her belly. For an instant she wanted to lean against him, to let his wonderfully strong arms mold her to his length. The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather. “Ah, nei mah-tao-yo,” he whispered. “You tremble.
Catherine Anderson (Comanche Moon (Comanche, #1))
The shock of his hand on her bare back brought her to her senses. Her eyes flew open, and she gasped. She tried to arch away from him and succeeded only in accommodating his mouth when her head fell back. He pressed his lips to the hollow of her throat, where her pulse beat a rapid tattoo. His callused palm slid slowly but inexorably to her side, his thumb feathering against the underside of her breast. Horrified, she groped for his wrist, her fingers finding feeble purchase through the leather. “Ah, nei mah-tao-yo,” he whispered. “You tremble.
Catherine Anderson (Comanche Moon (Comanche, #1))
The man appeared to have just survived an attack by giant moths. His T-shirt was peppered with gaping holes which offered innocent bystanders glimpses of his doughy side-rolls and curly armpit hair. A long, gray beard hung down from his face and spilled onto his impressive beer gut. His neck and arms bore enough tattoos to qualify him as a human sandwich board. If God really knew what women wanted, that guy wouldn't exist. I nodded my head in the man's direction. "We're in Florida, Grayson. When you ask whether I've seen something weird, you're gonna have to be more specific.
Margaret Lashley (Dr. Prepper (Freaky Florida Mystery Adventures #2))
Beast. Born Catcher Coffey—isn't that a great name?—in Nashville, Tennessee, the man's a former MMA champion turned Death by Daybreak henchman. He's tall, wide, muscular, and covered in tattoos and piercings. Like, model for GQ level bad boy. One half of his head is buzzed short, the rest of his dirty blonde hair combed over to one side. With the beard, the nose ring, and the massive black and red eclipse tattoo on his right arm, he looks like a fucking beast.
C.M. Stunich (I Was Born Ruined (Death by Daybreak MC #1))
The weapon was a showpiece with a blade that was only five inches long and a handle made of carved bone. The carving was a depiction of a one-sided battle in which men with knives and arrows and axes slaughtered unarmed men who appeared to be praying instead of fighting. Bosch assumed this was the massacre of the Shaolin monks that Chu had told him was the origin of the triads. The shape of the knife was very much like the shape of the tattoo on the inside of Chang's arm.
Michael Connelly (Nine Dragons (Harry Bosch, #14; Harry Bosch Universe, #21))
Chapter Eight Jack shifted his gaze between the packet and Fabien’s pale face, then slowly got to his feet. Go to the police, that was what they should do. Let them deal with it. But what kind of trouble would that land Fabien in? “I’ll sort it.” Jack made his way up to the chimney, stuffed the packet into the black bin liner he found up there, and wedged it between the pots. That would buy them some time to think about how to help Fabien. He returned to the others. Fabien was still looking green and shaky, but was on his feet and putting on his hat. “I’ll help you get down to the street,” said Beth. “It’s okay. I’ll go back through the attic. Grandad will be wondering where I am.” The boy hobbled up the incline, back the way he’d come, and they heard him stagger down the other side. Jack banged his fist against the chimney wall, sending loose cement dust showering onto the tiles. “I wish he’d told me what was going on. I could have helped. I wondered why he wanted me to teach him shadow jumping.” “He’s scared,” said Beth. “Don’t be too hard on him. Kai’s got him where he wants him. It’s Kai you should be angry with, not Fabien.” “Who’s Kai working for?” Jack let out a worried breath. “I mean, he might be a thug, but he’s not got a lot of brains, has he?” Beth pressed her lips together in thought. “You’re right. He can’t be doing this alone.” Jack’s encounter with Kai from a few months ago was inked on his memory like a tattoo. He touched his ribs as if the bruising was still there, but of course the physical injuries were gone. Not so for Fabien, Jack thought, remembering the livid mark blooming on the
J.M. Forster (Twilight Robbery (Shadow Jumper #2))
Look – changing a life is a big thing. It’s not like a “wake up on the right side of the bed” kind of choice. It takes work – hard work. And time – a lot of it. But you want to know the hardest part? Beginning. The absolute hardest part about changing your life is convincing yourself that it is worth doing. Forcing yourself to get it out of your head and into the world. So do me a favor. Start by SAYING IT OUT LOUD. That thing. I mean it. Speak it into existence. Write it on a mirror in lipstick. Stick it to the dashboard in your car. Hell, tattoo it on your writs if that’s your thing. But the trick is, you keep that thing CENTRAL to everything you do and are in this life. And love, I promise you that your life will change. Your life is only a series of habits that are formed from the choices you make – and continue to make – every single day. So if you want something different, teach yourself to do something differently. It’s both that simple and that complex. Because getting what you want begins with knowing what you want. And then working every day on progress.
Emma Grace
Isser formed the operational team. All of its twelve members were volunteers. Some were Holocaust survivors, with concentration camp numbers tattooed on their forearms. The core of the team was the operational unit of the security services. At its head were the two top agents of the Shabak. Rafi Eitan was appointed commander. At his side was Zvi Malkin,
Michael Bar-Zohar (Mossad: The Greatest Missions of the Israeli Secret Service)
He’s striking. Dark, slicked-back hair and fair skin, with piercing blue eyes. One hand is resting on the bar, revealing tattoos that snake up over his hand and arm under the sleeve of his black t-shirt. As I get closer, I can see that he has a large tattoo across his throat—a bird, with a wingspan that wraps around the sides of his neck.
Astra Rose (Haven)
When I met him, I was a doe-eyed seventeen-year-old virgin. He was a twenty-three-year-old tattoo-covered criminal who did what he had to, to survive. We came from two different sides of town, two different worlds, two different paths. But those paths became one, and although our histories were different, our futures were the same.
Sara Cate (Give Me More (Salacious Players Club, #3))