Shylock The Jew Quotes

that the Jews were victims before they were conquerors and that they are conquerors only because they are victims.

Jews have a reputation for being intelligent, and they are intelligent. The only place I have ever been where all the Jews are stupid is Israel.

Grandpa wasn’t a Jewish nationalist—he was a Jewish humanist, a spiritual, believing Jew, who complained not in an antique tongue called Hebrew but in colorful, rich, vernacular Yiddish.

Poems 1959-2009_ I turn into the man they photograph. I think I'll ask him for his autograph. He's older than I am and more distinguished. The beauty of the boy has been extinguished. He smiles a lot and then not. Hauteur is the new hot. He tilts his nose up and looks imperious. He wants to make sure he looks serious. He smiles at the photographer but not The camera. He thinks cold is the look that's hot. You know the poems. It's an experience. The way that Shylock is a Shakespearience. A Jew found frozen on the mountain at the howling summit, Immortally preserved singing to the dying planet from it.

In addition, unlike Othello, whose profession of arms is socially honorable, Shylock is a professional usurer who, like a prostitute, has a social function but is an outcast from the community. But, in the play, he acts unprofessionally; he refuses to charge Antonio interest and insists upon making their legal relation that of debtor and creditor, a relation acknowledged as legal by all societies. Several critics have pointed to analogies between the trial scene and the medieval Processus Belial in which Our Lady defends man against the prosecuting Devil who claims the legal right to man’s soul. […] But the differences between Shylock and Belial are as important as their similarities. The comic Devil of the mystery play can appeal to logic, to the letter of the law, but he cannot appeal to the heart or to the imagination, and Shakespeare allows Shylock to do both. In his "Hath not a Jew eyes…" speech in Act III, Scene I, he is permitted to appeal to the sense of human brotherhood, and in the trial scene, he is allowed to argue, with a sly appeal to the fear a merchant class has of radical social evolution: You have among you many a purchased slave Which like your asses and your dogs and mules, You use in abject and in slavish parts, which points out that those who preach mercy and brotherhood as universal obligations limit them in practice and are prepared to treat certain classes of human beings as things.

But I never did escape from this plot-driven world into a more congenial, subtly probable, innerly propelled narrative of my own devising--didn't make it to the airport,...--and that was because in the taxi I remembered a political cartoon I'd seen in the British papers when I was living in London during the Lebanon war, a detestable cartoon of a big-nosed Jew, his hands meekly opened out in front of him and his shoulders raised in a shrug as though to disavow responsibility, standing atop a pyramid of dead Arab bodies. Purportedly a caricature of Menachem Begin, then prime minister of Israel, the drawing was, in fact, a perfectly realistic, unequivocal depiction of a kike as classically represented in the Nazi press. The cartoon was what turned me around. Barely ten minutes out of Jerusalem, I told the driver to take me back to the King David Hotel.

My second Jewish courtroom in two days. Jewish judges. Jewish laws. Jewish flags. And non-Jewish defendants. Courtrooms such as Jews had envisioned in their fantasies for many hundreds of years, answering longings even more unimaginable than those for an army or a state. One day we will determine justice!

After Portia has trapped Shylock through his own insistence upon the letter of the law of Contract, she produces another law by which any alien who conspires against the life of a Venetian citizen forfeits his goods and places his life at the Doge’s mercy. […] Shakespeare, it seems to me, was willing to introduce what is an absurd implausibility for the sake of an effect which he could not secure without it: at the last moment when, through his conduct, Shylock has destroyed any sympathy we may have felt for him earlier, we are reminded that, irrespective of his personal character, his status is one of inferiority. A Jew is not regarded, even in law, as a brother.

To make a Jewish state we have betrayed our history - we have done unto the Palestinians what the Christians have done unto us: systematically transformed them into the despised and subjugated Other, thereby depriving them of human status. Irrespective of terrorism or terrorists or the political stupidity of Yasir Arafat, the fact is this: as a people the Palestinians are totally innocent and as a people the Jews are totally guilty.

This is why it would be nice to hear more about principles and less about ruffled feelings. What thoughtful person has not felt the hurt expressed by the Jews over some performances of The Merchant of Venice? A whole anthology of black writing exists in the United States, protesting with quite unfeigned horror about the teaching of Huckleberry Finn in the schools, for the good and sufficient reason that the book employs the word ‘nigger’ as natural. A mature and sensitive response to such tenderness of feeling and consciousness of historic wrong would run much like this, and could be uttered by a person of any race or religion ... We know why you feel as you do, but – too bad. Your thinness of skin, however intelligible, will not be healed by the amputation of the literary and theatrical and musical canon. You just have to live with Shakespeare and Dickens and Twain and Wagner, mainly because they are artistically integral but also, as it happens, because they represent certain truths about human nature. Think for a second. Would prejudice diminish with the banning of Shylock? Concern for the emotions of others cannot license a category mistake on this scale.

In idealizing or romanticizing America, a Jewish songwriter would inevitably change it. Irving Berlin suppressed his own Jewish identity, but he also did something much more dramatic and extraordinary. In a memorable riff in Operation Shylock (1993), Philip Roth dubs Berlin “the greatest Diasporist of all” and writes, “The radio was playing ‘Easter Parade’ and I thought, but this is Jewish genius on a par with the Ten Commandments. God gave Moses the Ten Commandments and then He gave to Irving Berlin ‘Easter Parade’ and ‘White Christmas.’ The two holidays that celebrate the divinity of Christ—the divinity that’s the very heart of the Jewish rejection of Christianity—and what does Irving Berlin brilliantly do? He de-Christs them both! Easter he turns into a fashion show and Christmas into a holiday about snow.” The passage is hilarious, the tone that of a tummler, but the argument couldn’t be more serious. “Is that so disgraceful a means of defusing the enmity of centuries? Is anyone really dishonored by this? If schlockified Christianity is Christianity cleansed of Jew hatred, then three cheers for schlock. If supplanting Jesus Christ with snow can enable my people to cozy up to Christmas, then let it snow, let it snow, let it snow.”21 Though the passage is unequivocal in its endorsement of Berlin’s “means of defusing the enmity of centuries,” note that Roth himself, whom Jewish critics used to lecture for showing disrespect to the fathers and the faith, could not sound more Jewish in this passage and in Operation Shylock as a glorious whole. The