Shylock The Jew Quotes

My second Jewish courtroom in two days. Jewish judges. Jewish laws. Jewish flags. And non-Jewish defendants. Courtrooms such as Jews had envisioned in their fantasies for many hundreds of years, answering longings even more unimaginable than those for an army or a state. One day we will determine justice!

Jews have a reputation for being intelligent, and they are intelligent. The only place I have ever been where all the Jews are stupid is Israel.

that the Jews were victims before they were conquerors and that they are conquerors only because they are victims.

Grandpa wasn’t a Jewish nationalist—he was a Jewish humanist, a spiritual, believing Jew, who complained not in an antique tongue called Hebrew but in colorful, rich, vernacular Yiddish.

Poems 1959-2009_ I turn into the man they photograph. I think I'll ask him for his autograph. He's older than I am and more distinguished. The beauty of the boy has been extinguished. He smiles a lot and then not. Hauteur is the new hot. He tilts his nose up and looks imperious. He wants to make sure he looks serious. He smiles at the photographer but not The camera. He thinks cold is the look that's hot. You know the poems. It's an experience. The way that Shylock is a Shakespearience. A Jew found frozen on the mountain at the howling summit, Immortally preserved singing to the dying planet from it.

In addition, unlike Othello, whose profession of arms is socially honorable, Shylock is a professional usurer who, like a prostitute, has a social function but is an outcast from the community. But, in the play, he acts unprofessionally; he refuses to charge Antonio interest and insists upon making their legal relation that of debtor and creditor, a relation acknowledged as legal by all societies. Several critics have pointed to analogies between the trial scene and the medieval Processus Belial in which Our Lady defends man against the prosecuting Devil who claims the legal right to man’s soul. […] But the differences between Shylock and Belial are as important as their similarities. The comic Devil of the mystery play can appeal to logic, to the letter of the law, but he cannot appeal to the heart or to the imagination, and Shakespeare allows Shylock to do both. In his "Hath not a Jew eyes…" speech in Act III, Scene I, he is permitted to appeal to the sense of human brotherhood, and in the trial scene, he is allowed to argue, with a sly appeal to the fear a merchant class has of radical social evolution: You have among you many a purchased slave Which like your asses and your dogs and mules, You use in abject and in slavish parts, which points out that those who preach mercy and brotherhood as universal obligations limit them in practice and are prepared to treat certain classes of human beings as things.

But I never did escape from this plot-driven world into a more congenial, subtly probable, innerly propelled narrative of my own devising--didn't make it to the airport,...--and that was because in the taxi I remembered a political cartoon I'd seen in the British papers when I was living in London during the Lebanon war, a detestable cartoon of a big-nosed Jew, his hands meekly opened out in front of him and his shoulders raised in a shrug as though to disavow responsibility, standing atop a pyramid of dead Arab bodies. Purportedly a caricature of Menachem Begin, then prime minister of Israel, the drawing was, in fact, a perfectly realistic, unequivocal depiction of a kike as classically represented in the Nazi press. The cartoon was what turned me around. Barely ten minutes out of Jerusalem, I told the driver to take me back to the King David Hotel.

After Portia has trapped Shylock through his own insistence upon the letter of the law of Contract, she produces another law by which any alien who conspires against the life of a Venetian citizen forfeits his goods and places his life at the Doge’s mercy. […] Shakespeare, it seems to me, was willing to introduce what is an absurd implausibility for the sake of an effect which he could not secure without it: at the last moment when, through his conduct, Shylock has destroyed any sympathy we may have felt for him earlier, we are reminded that, irrespective of his personal character, his status is one of inferiority. A Jew is not regarded, even in law, as a brother.

To make a Jewish state we have betrayed our history - we have done unto the Palestinians what the Christians have done unto us: systematically transformed them into the despised and subjugated Other, thereby depriving them of human status. Irrespective of terrorism or terrorists or the political stupidity of Yasir Arafat, the fact is this: as a people the Palestinians are totally innocent and as a people the Jews are totally guilty.

Maybe that’s why the children are in the first wave, why, instead of fighting against the enemy with grown men, they are dispatching children, armed only with stones, to provoke the firepower of the Israeli army. Yes, to make the networks forget their Holocaust we will stage our Holocaust. On the bodies of our children the Jews will perpetrate a Holocaust, and at last the TV audience will understand our plight. Send in the children and then summon the networks—we’ll beat the Holocaust-mongers at their own game!

As was the case in many left-wing Jewish homes, I learned a different version of “Never again”—that it was a directive, a sacred duty, to oppose hate and discrimination in all its forms, no matter who was the target. But, for the same reasons that she selected my biblical name, my mother insisted that I go to Hebrew day school to cement the bond to our tribe, to learn the songs, rituals, and languages (both Hebrew and Yiddish) that our adversaries had been trying to annihilate since before the Inquisition. And at that school, “Never again” did not mean “Never again to anyone,” as it did in our home—it meant “Never again to the Jews.” It meant “Never again because of Israel.” It meant “Never again because we who have been haunted by Shylock forever have our own double now—and he has a great many guns.

I told them that if the Israelis ever reached a point where they believed their survival depended not merely on breaking hands but on dropping a nuclear bomb, that would be the end of Judaism, even if the state of Israel should survive. “Jews as Jews will simply disappear. A generation after Jews use nuclear weapons to save themselves from their enemies, there will no longer be people to identify themselves as Jews. The Israelis will have saved their state by destroying their people. They will never survive morally after that; and if they don’t, why survive as Jews at all? They barely have the wherewithal to survive morally now. To put all these Jews in this tiny place, surrounded on all sides by tremendous hostility—how can you survive morally? Better to be marginal neurotics, anxious assimilationists, and everything else that the Zionists despise, better to lose the state than to lose your moral being by unleashing a nuclear war.

This is why it would be nice to hear more about principles and less about ruffled feelings. What thoughtful person has not felt the hurt expressed by the Jews over some performances of The Merchant of Venice? A whole anthology of black writing exists in the United States, protesting with quite unfeigned horror about the teaching of Huckleberry Finn in the schools, for the good and sufficient reason that the book employs the word ‘nigger’ as natural. A mature and sensitive response to such tenderness of feeling and consciousness of historic wrong would run much like this, and could be uttered by a person of any race or religion ... We know why you feel as you do, but – too bad. Your thinness of skin, however intelligible, will not be healed by the amputation of the literary and theatrical and musical canon. You just have to live with Shakespeare and Dickens and Twain and Wagner, mainly because they are artistically integral but also, as it happens, because they represent certain truths about human nature. Think for a second. Would prejudice diminish with the banning of Shylock? Concern for the emotions of others cannot license a category mistake on this scale.

It is through the Holocaust that they sustain their connection to world Jewry, especially to privileged, secure American Jewry, with its exploitable guilt over being unimperiled and successful. Without the connection to world Jewry, where is their historical claim to the land? Nowhere! If they were to lose their custodianship of the Holocaust, if the mythology of the dispersion were to be exposed as a sham—what then? What happens when American Jews shed their guilt and come to their senses? What happens when American Jews realize that these people, with their incredible arrogance, have taken on a mission and a meaning that is utterly preposterous, that is pure mythology? What happens when they come to realize that they have been sold a bill of goods and that, far from being superior to Diaspora Jewry, these Zionists are inferior by every measure of civilization? What happens when American Jews discover that they have been duped, that they have constructed an allegiance to Israel on the basis of irrational guilt, of vengeful fantasies, above all, above all, based on the most naive delusions about the moral identity of this state? Because this state has no moral identity. It has forfeited its moral identity, if it ever had any to begin with. By relentlessly institutionalizing the Holocaust it has even forfeited its claim to the Holocaust! The state of Israel has drawn the last of its moral credit out of the bank of the dead six million—this is what they have done by breaking the hands of Arab children on the orders of their illustrious minister of defense. Even

Stuyvesant High School. In an English class, his teacher had been discussing The Merchant of Venice, and had held up the character of Shylock as “typical” of Jewish cruelty and greed. David Sarnoff had protested this interpretation, and had been hauled into the principal’s office for disrupting the classroom. The

In idealizing or romanticizing America, a Jewish songwriter would inevitably change it. Irving Berlin suppressed his own Jewish identity, but he also did something much more dramatic and extraordinary. In a memorable riff in Operation Shylock (1993), Philip Roth dubs Berlin “the greatest Diasporist of all” and writes, “The radio was playing ‘Easter Parade’ and I thought, but this is Jewish genius on a par with the Ten Commandments. God gave Moses the Ten Commandments and then He gave to Irving Berlin ‘Easter Parade’ and ‘White Christmas.’ The two holidays that celebrate the divinity of Christ—the divinity that’s the very heart of the Jewish rejection of Christianity—and what does Irving Berlin brilliantly do? He de-Christs them both! Easter he turns into a fashion show and Christmas into a holiday about snow.” The passage is hilarious, the tone that of a tummler, but the argument couldn’t be more serious. “Is that so disgraceful a means of defusing the enmity of centuries? Is anyone really dishonored by this? If schlockified Christianity is Christianity cleansed of Jew hatred, then three cheers for schlock. If supplanting Jesus Christ with snow can enable my people to cozy up to Christmas, then let it snow, let it snow, let it snow.”21 Though the passage is unequivocal in its endorsement of Berlin’s “means of defusing the enmity of centuries,” note that Roth himself, whom Jewish critics used to lecture for showing disrespect to the fathers and the faith, could not sound more Jewish in this passage and in Operation Shylock as a glorious whole. The