Shy Beauty Quotes

I gazed into her beautiful green eyes and her fear melted. A shy smile tugged at her lips and at my heart. Fuck me and the rest of the world, I was in love.

No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.

I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her soft cheek was glowing against mine. "Darling, darling," she murmured, "I live in you; and you would die for me, I love you so." I started from her. She was gazing on me with eyes from which all fire, all meaning had flown, and a face colorless and apathetic. "Is there a chill in the air, dear?" she said drowsily. "I almost shiver; have I been dreaming? Let us come in. Come; come; come in.

Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.

Lovers Don't tell all of their Secrets. They might Count each other's moles That reside in the shy Regions, Then keep that tally strictly To themselves. God and I Have signe a contract To be even more intimate than That! Though a clause Mentions Something about not drawing detailed maps To all His beautiful Laughing Moles.

"Baby, you gave that to someone else, it wouldn't be mine. Now it's mine. No one can ever have it. It'll always be mine. I love it. I think it's beautiful. So I absolutely do not think the town's sweet, cute, pretty, shy librarian who held onto that for as long as you did then gave it to me is anything but really fuckin' good."

Unwrapping the paper carefully so it doesn’t tear, I find a beautiful red leather box. Cartier. It’s familiar, thanks to my second-chance earrings and my watch. Cautiously, I open the box to discover a delicate charm bracelet of silver, or platinum or white gold—I don’t know, but it’s absolutely enchanting. Attached to it are several charms: the Eiffel Tower, a London black cab, a helicopter—Charlie Tango, a glider—the soaring, a catamaran—The Grace, a bed, and an ice cream cone? I look up at him, bemused. “Vanilla?” He shrugs apologetically, and I can’t help but laugh. Of course. “Christian, this is beautiful. Thank you. It’s yar.” He grins. My favorite is the heart. It’s a locket. “You can put a picture or whatever in that.” “A picture of you.” I glance at him through my lashes. “Always in my heart.” He smiles his lovely, heartbreakingly shy smile. I fondle the last two charms: a letter C—oh yes, I was his first girlfriend to use his first name. I smile at the thought. And finally, there’s a key. “To my heart and soul,” he whispers.

You…you are so beautiful.” I stood slowly, my eyes following the slight flush down her neck. I grinned. “You’re really beautiful when you blush.” She ducked her head, but I caught her chin, forcing her eyes back to mine. “Seriously,” I told her. “Absolutely beautiful.” The tender, almost shy smile appeared again. “Flattery will totally get you everywhere right now.” I chuckled. “Good to know, because I’m planning on going everywhere—and taking the scenic route.

I know I want you," he heard himself say, all his vows and his honor all forgotten. She stood before him naked as her name day, and he was as hard as the rock around them. He had been in her half a hundred times by now, but always beneath furs, with others all around them. He had never seeen how beautiful she was. Her legs were skinny and well muscled, the hair at the juncture of her thighs a brighter red than that on her head. Does that make it even luckier? He pulled her close. "I love the smell of you," he said. "I love your red hair. I love your mouth, and the way you kiss me. I love your smile. I love your teats." He kissed them, one and then the other. "I love your skinny legs, and what's between them." He knelt to kiss her there, lightly on her mound at first, but Ygritte moved her legs apart a little, and he saw the pink inside and kissed that as well, and tasted her. She gave a little gasp. "If you love me all so much, why are you still dressed?" she whispered. "You know nothing, Jon Snow. Noth---oh. Oh. OHHH." Afterward, she was almost shy, or as shy as Ygritte ever got. "The thing you did," she said, when they lay together on their piled clothes. "With your...mouth." She hesistated. "Is that...is it what lordss do to their ladies, down in the south?" "I don't think so." No one had ever told Jon just what lords did with their ladies. "I only...wanted to kiss you there, that's all. You seemed to like it." "Aye. I...I liked it some. No one taught you such?" "There's been no one," he confessed. "Only you.

During an argument that we had,” he tells me, pitch low, “you called me beautiful. And an insufferable ass. But beautiful. I haven’t gotten over it.

She seemed shy, yet all her attention was focused on Magnus, as if he were the most fascinating thing she had ever seen. There was no man who did not want to see himself reflected like that in a beautiful girl's eyes.

No matter how thoroughly Lan Wangji was praised as an unrivaled rare beauty, nothing could help the fact they he looked profoundly embittered, as if he had lost his wife.

He was shy, timid, gentle, and kind, but he wrote gruesome and painful books. He saw the world as full of invisible demons, who tear apart and destroy defenseless people. He was too clear-sighted and too wise to be able to live; he was too weak to fight, he had that weakness of noble, beautiful people who are not able to do battle against the fear of misunderstandings, unkindness, or intellectual lies. Such persons know beforehand that they are powerless and go down in defeat in such a way that they shame the victor. He knew people as only people of great sensitivity are able to know them, as somebody who is alone and sees people almost prophetically, from one flash of a face. He knew the world in a deep and extraordinary manner. He was himself a deep and extraordinary world.

Sexy women should embrace their allure, not shy away from it like the unsexy would want you to. If you are blessed with curves, show them off by all means! - Kailin Gow, Kailin Gow's Go Girl Beauty

I think you are beautiful, too, Maybell. I think that you walked into my life and absolutely ruined it with how beautiful you are.

Your dad just threw down and I just laid it out,” Shy started when I didn’t speak. “Now’s the time to share, Tabby.” “I love you,” I whispered. “Good, but don’t say that shit to me three feet away. Get the fuck over here.” I launched off on a foot, took one step and flew through the air. Shy, as he’d been doing awhile, caught me. I wrapped my limbs around him and looked down in his beautiful green eyes. “I love you,” I whispered again.

Legs with attitude.” Kyle’s tone warmed with approval. “Why don’t you bring those beauties over here. I got a spot all ready for ‘em.” He and his buddies all chuckled when he patted his lap. I wasn’t exactly impressed. “I think these legs are fine where they are, thank you very much.” Kyle wasn’t deterred at all by my rejection. “I wouldn’t have expected legs like those to be quite so shy.” “Not shy,” I informed him. “Just holding out for a better offer.

Wanna rock you, girl, with a butterfly tunic. / No, I'm not gay, I'm just your emo enuch. / Gonna smile real shy, won't cop a feel, / 'cause I'm your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / 'bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don't mean that nasty, tell your mum don't get mad. / I even wrote 'You're awesome' on your maxi pads.

I loved the beauty of your unspoken words, hidden excitement behind your eyes. I praised you by every breath that exited my lungs, with every shy smile on my lips.

There is really no satisfying or new way to describe beauty, and besides, I find it embarrassing to do so. So I will say only that he was beautiful, and that I found myself suddenly shy, unsure even of how to address him

A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-

There's a lot of beauty in quiet strength.

Life is absolutely, mysteriously beautiful.

He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it.

For the most part, I'd say if you crossed a cat with a smart dog, made him a matriarchal vegetarian, gave him sleek beauty, a mass of muscle, and the desire to run, then what you'd have is a horse.

It’s . . . dangerous for someone like me to be out in the open.' As if in response, my wings started to flutter beneath their shroud. I gave the cloak a good yank. 'Someone like you? Someone different, you mean?' I shrugged. 'Yes,' I answered quietly, suddenly shy. 'So, is it dangerous for us or for you?' 'What do you mean?' 'I mean, are you the threat, or are we?

It was that time of life: Talents were rising to the surface, weaknesses were beginning to show through, we were finding out what kinds of people we would be. Some would turn out beautiful, some funny, some shy. Some would be smart, others smarter. THe chubby ones would likely always be chubby. THe beloved, I sensed, would be beloved for life. And I worried that loneliness might work that way, too. Maybe loneliness was imprinted in my genes, lying dormant for years but now coming into full bloom.

You meet a girl: shy, unassuming. If you tell her she’s beautiful, she’ll think you’re sweet, but she won’t believe you. She knows that beauty lies in your beholding.” Bast gave a grudging shrug. “And sometimes that’s enough.” His eyes brightened. “But there’s a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you…” Bast gestured excitedly. “Suddenly the story she tells herself in her own head changes. She transforms. She isn’t seen as beautiful. She is beautiful, seen.

The plant people have taught me to be generous and not be shy about blossoming, that it is our nature. I think when others see us, it can inspire them to open up and blossom too and we can be a field ablaze with dignity and beauty together.” —Brenda Salgado

Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.

Ginger, truth or dare?” “Dare.” “Forgive me for taking the idea from Kai, but I dare you to snog Blake—” She modified the request at the insistent stare from her sister. “Oh, come on! Just the teeniest peck on the lips.” I thought she would still refuse, but apparently she wasn't one to outright turn down a dare. She turned to Blake and pointed a finger at him. “Try to cop a feel and I'll make Anna's chair flip look angelic,” she warned. He grinned and she leaned in, both closing their eyes as she pressed her lips against his for one, two, three seconds. It appeared innocent, but they were shy when they pulled away and sat back. “Right,” Ginger said, clearing her throat. “My turn. Jay, truth or dare?” “Truth.” “Do you fancy Marna?” “I'm not sure what that means, but if you're asking if I like her and think she's the most beautiful girl I've ever met and I wish she would move here, then yes.” Marna and I giggled at his brazen, smitten openness.

A Boy Out of the noise of tired people working, Harried with thoughts of war and lists of dead, His beauty met me like a fresh wind blowing, Clean boyish beauty and high-held head. Eyes that told secrets, lips that would not tell them, Fearless and shy the young unwearied eyes-- Men die by millions now, because God blunders, Yet to have made this boy he must be wise.

Shy, all those things you listed don’t make a person. They don’t. I mean it. You’re beautiful, both inside and outside, but please don’t look at me to validate that. You have to know it for yourself. -Taylor Holden, Strapped.

For centuries poets, some poets, have tried to give a voice to the animals, and readers, some readers, have felt empathy and sorrow. If animals did have voices, and they could speak with the tongues of angels--at the very least with the tongues of angels--they would be unable to save themselves from us. What good would language do? Their mysterious otherness has not saved them, nor have their beautiful songs and coats and skins and shells and eyes. We discover the remarkable intelligence of the whale, the wolf, the elephant--it does not save them, nor does our awareness of the complexity of their lives. Their strength, their skills, their swiftness, the beauty of their flights. It matters not, it seems, whether they are large or small, proud or shy, docile or fierce, wild or domesticated, whether they nurse their young or brood patiently on eggs. If they eat meat, we decry their viciousness; if they eat grasses and seeds, we dismiss them as weak. There is not one of them, not even the songbird who cannot, who does not, conflict with man and his perceived needs and desires. St. Francis converted the wolf of Gubbio to reason, but he performed this miracle only once and as miracles go, it didn’t seem to capture the public’s fancy. Humans don’t want animals to reason with them. It would be a disturbing, unnerving, diminishing experience; it would bring about all manner of awkwardness and guilt.

I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond. Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world. So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty. For a second I think about Katie. About her thin little Clarissa Le Fey. It must be a pain being fat. There are NO fat people on Planet Blond. I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good." I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy." Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world. But then when everyone gets on you about your hair and your clothes and your this and your that, and "Are you fat?" and "Are you sexy?" you start thinking, Hey, maybe I'm not the only one who can't tell the difference between movies and reality. Maybe everyone really does think you can look like that. And that you should look like that. Because, you know, otherwise you might not get to go to the prom and fall in love.

Don't be shy to show your love, verbalise it and cushion it because it is the most beautiful and fragile gift that God has ever given to the humankind. Happy Valentines Day.

He's the most beautiful human I've ever seen.

We’ve been apart for too long, she said. We’re shy with each other now.

They like bright colors," she said. He smiled at her, those dark tameless eyes, half-bold and half-shy. "They like beautiful things," he said.

It was her laughter that made me love her. Her shy inappropriate madness is what made her beautiful.

Little Fox, when I saw you, I thought-' He broke off as he set her atop all the twisted sheets. Then he fisted her hair in his hand and tugged until she was looking up at him. His face had all the agony of a fallen star, broken and beautiful, with eyes so blue, the colour of everything else looked dull. Deliberately, his gaze fell to her lips. Her breathing turned ragged, and she wished just once that he could kiss her. He leaned closer and gently twisted her hair, angling her head as he brought their mouths incredibly close. 'You're still bleeding.' He licked the centre of her lips, soft and agonisingly slow. His tongue felt like heaven and hell. Like everything she wanted and all she couldn't have. She had to stop herself from leaning closer, though she doubted Jacks would let her. She could feel his fingers against her scalp, holding her in place, keeping her lips just shy of his. But maybe it was close enough. Maybe they didn't have to touch. She could live like this as long as she could live with him.

Beautiful dripping fragments—the negligent list of one after another, as I happen to call them to me, or think of them, The real poems, (what we call poems being merely pictures,) The poems of the privacy of the night, and of men like me, This poem, drooping shy and unseen, that I always carry, and that all men carry

Poor things! I know what sort of treatment they have had. If they are timid, it makes them start or shy; if they are high-mettled, it makes them vicious or dangerous; their tempers are mostly made when they are young. Bless you! they are like children, train 'em up in the way they should go, as the good book says, and when they are old they will not depart from it, if they have a chance, that is.

Did you notice?” “Notice what?” “How small she is? Even her hands are tiny, but her fingers are long. I don’t even know how that’s possible.” He was still making that face. "I mean, I guess it’s her fingers. They’re longer than her palms, so it gives the illusion that they’re long in general. Pretty sure one of her hands would fit on my palm. Like in Beauty and the Beast when he holds her hand and it’s just a wrist disappearing into his big, hairy fist.” He added blinking to the face. “Did you just compare yourself to a Disney movie?

Ah God! to see the branches stir Across the moon at Grantchester! To smell the thrilling-sweet and rotten Unforgettable, unforgotten River-smell, and hear the breeze Sobbing in the little trees. Say, do the elm-clumps greatly stand Still guardians of that holy land? The chestnuts shade, in reverend dream, The yet unacademic stream Is dawn a secret shy and cold Anadyomene, silver-gold? And sunset still a golden sea From Haslingfield to Madingley? And after, ere the night is born, Do hares come out about the corn? Oh, is the water sweet and cool, Gentle and brown, above the pool? And laughs the immortal river still Under the mill, under the mill? Say, is there Beauty yet to find? And Certainty? and Quiet kind? Deep meadows yet, for to forget The lies, and truths, and pain?… oh! yet Stands the Church clock at ten to three? And is there honey still for tea?

She felt shy, like a precious gift being gloatingly unwrapped, but she didn’t resent his moment of purely masculine triumph. The glory of the moment was also hers, this beautiful man hers. He was giving himself to her and asking nothing but what she was willing to give in return.

Don’t reject a difficult or boring moment because it is not exactly what you want. Don’t waste a beautiful moment because you are insecure or shy. Make what you can of what you have been given. Live what can be lived. That’s what excellence is. That’s what presence makes possible.

I dreamed a dream, Shy Cage." He shifted so his hips were against mine and his voice was now raw when he ordered, "Shut up, baby, and kiss me." "I dreamed a dream when I was sixteen and here I am, standing with my dream, feeling it come real." "Fuck me," he muttered. Then I knew he'd lost patience, because Shy slanted his head and kissed me. Yes. I dreamed a dream and there I was, a ring on my finger, my man's mouth on mine, standing with my dream, feeling it come real. I was feeling everything. And it was beautiful.

Beth hates me." I chuckled, loving Echo for calling it straight. I framed her face with my hands, letting my fingers enjoy the feel of her satin skin. "You 're my world, so i'd say that evens things out." Echo's eyes widened and she paled. Why was she upset? My mind replayed every moment carefully and then froze, rewound, replayed and froze again on the words i'd said. It had been so long since i'd let myself fall for anybody. I gazed into her beautiful green eyes and her fear melted. A shy smile tugged at her lips and at my heart. Fuck me and the rest of the world, I was in love. Echo's gloved hands reached up and guided my head to hers. I let myself bask in her warmth and deepened our kiss, enjoying the teasing taste of her tongue and the way her soft lips moved against mine. Very easily, i could lose myself in her...forever.

There is something beautiful about shyness, even though in our culture shyness is not considered a virtue. On the contrary, we are encouraged to be direct, look people straight in the eyes, tell them what is on our minds, and share our stories without a blush. But this unflinching soul-baring, confessional attitude quickly becomes boring. It is like trees without shadows. Shy people have long shadows, where they keep much of their beauty hidden from intruders’ eyes. Shy people remind us of the mystery of life that cannot be simply explained or expressed. They invite us to reverent and respectful friendships and to a wordless being together in love.

Are you glad I came?" "Delighted, dear Carmilla," I answered. "And you asked for the picture you think like me, to hang in your room," she murmured with a sigh, as she drew her arm closer about my waist, and let her pretty head sink upon my shoulder. "How romantic you are, Carmilla," I said. "Whenever you tell me your story, it will be made up chiefly of some one great romance." She kissed me silently. "I am sure, Carmilla, you have been in love; that there is, at this moment, an affair of the heart going on." "I have been in love with no one, and never shall," she whispered, "unless it should be with you." How beautiful she looked in the moonlight! Shy and strange was the look with which she quickly hid her face in my neck and hair, with tumultuous sighs, that seemed almost to sob, and pressed in mine a hand that trembled. Her

You meet a girl: shy, unassuming. If you tell her she’s beautiful, she’ll think you’re sweet, but she won’t believe you. She knows that beauty lies in your beholding. And sometimes that is enough. But there’s a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you… Suddenly the story she tells herself in her own head changes. She transforms. She isn’t seen as beautiful. She is beautiful, seen.

One spirit remained unaware of his presence, staring at Miss Parker with such longing that he reluctantly decided to let it stay. The spirit, a hollow-eyed girl with ringlets and clothing from long past, reached toward Percy, wishing to touch her. Alexi understood. When left to her own devices, Miss Parker was neither shy nor awkward; she was radiant.

She was so many layers. One layer was sweet and shy. The next layer was dark and unpredictable. Under that, a layer of fierce dominance. She was the ocean, with its riptides and its soft, clean breeze and its beauty and its chilling, shark-filled depths." -Veronica

There’s a fundamental connection between seeming and being. We understand how dangerous a mask can be. We all become what we pretend to be... It’s like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story... No, listen. I’ve got it now. You meet a girl: shy, unassuming. If you tell her she’s beautiful, she’ll think you’re sweet, but she won’t believe you. She knows that beauty lies in your beholding. And sometimes that’s enough. But there’s a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you, the story she tells herself in her own head changes. She transforms. She isn’t seen as beautiful. She is beautiful, seen.

An endless gossamer-like sentence embroidered with jewel-like metaphors, far too many clauses, and a meaning so obscure it had to be profound wrapped itself around Frances’s neck, but it really didn’t suit her, so she wrenched it off and flung it into space, where it floated free until at last a shy author on his way to a festival to accept a prize grabbed it from the sky and used it to gag one of his beautiful corpses. It looked lovely on her. Gray-bearded critics applauded with relief, grateful it hadn’t ended up in a beach read.

May feel like you're fallin', Tabby, but remember, I'm at the bottom ready to catch you." At these beautiful words, I burst into tears again. Without hesitation, Shy yanked me back into his arms and held me. There it was. I'd reached bottom and I was crying , because I didn't realize it at the time, but he'd already caught me. And it felt beautiful!

The flowers have already bloomed to their most beautiful and luxuriant form; if they bloom even longer, they will only start withering away. Sending them off on their journey now will leave their most perfect image imprinted in your heart. Isn’t that a good thing?” His five fingers closed into a fist, and the piece of fallen leaf in his hand was immediately pulverized into a fine powder, rustling as it fell from his fingers. “In this world, if one cannot live vigorously and freely in accordance to their own desires and inclinations, then what is the point? Humans are not that different from flowers.

You are not really dying,” he said, the oddest tone to his voice, “are you?”Jem nodded. “So they tell me.”“I am sorry,” Will said.“No,” Jem said softly. He drew his jacket aside and took a knife from the belt at his waist.“Don’t be ordinary like that. Don’t say you’re sorry. Say you’ll train with me.” He held out the knife to Will, hilt rst. Charlotte held her breath, afraid to move. She feltas if she were watching something very important happen, though she could not have saidwhat.Will reached out and took the knife, his eyes never leaving Jem’s face. His fingers brushedthe other boy’s as he took the weapon from him. It was the rst time, Charlotte thought,that she had ever seen him touch any other person willingly.“I’ll train with you,” he said. Jem, Will’s parabatai, treated her with the distant sweet kindness reserved for the littlesisters of one’s friends, but he would always side with Will. Kindly, but rmly, he put Willabove everything else in the world.Well, nearly everything. She had been most struck by Jem when she rst came to theInstitute—he had an unearthly, unusual beauty, with his silvery hair and eyes and delicate features. He looked like a prince in a fairy-tale book, and she might have considered developing an attachment to him, were it not so absolutely clear that he was entirely inlove with Tessa Gray. His eyes followed her where she went, and his voice changed when hespoke to her. Cecily had once heard her mother say in amusement that one of theirneighbors’ boys looked at a girl as if she were “the only star in the sky” and that was theway Jem looked at Tessa.Cecily didn’t resent it: Tessa was pleasant and kind to her, if a little shy, and with herface always stuck in a book, like Will. If that was the sort of girl Jem wanted, she and henever would have suited—and the longer she remained at the Institute, the more sherealized how awkward it would have made things with Will. He was ferociously protectiveof Jem, and he would have watched her constantly in case she ever distressed or hurt him inany way. No—she was far better out of the whole thing.

One by one, they guessed aloud about what Lotto had meant by this sculpture: nautilus, fiddlehead, galaxy. Thread running off its spindle. Forces of nature, perfect in beauty, perfectly ephemeral, they guessed. He was too shy to say time. He’d woken with a dry tongue and the urge to make the abstract concrete, to build his new understanding: that this was the way that time was, a spiral.

People in coats and ties were milling around the Talley gallery, and on the wall were the minimally rendered still lifes by Giorgio Morandi, most of them no bigger than a tea tray. Their thin browns, ashy grays, and muted blues made people speak softly to one another, as if a shouted word might curdle one of the paintings and ruin it. Bottles, carafes, and ceramic whatnots sat in his paintings like small animals huddling for warmth, and these shy pictures could easily hang next to a Picasso or Matisse without feeling inferior.

God In his malodorous brain what slugs and mire, Lanthorned in his oblique eyes, guttering burned! His body lodged a rat where men nursed souls. The world flashed grape-green eyes of a foiled cat To him. On fragments of an old shrunk power, On shy and maimed, on women wrung awry, He lay, a bullying hulk, to crush them more. But when one, fearless, turned and clawed like bronze, Cringing was easy to blunt these stern paws, And he would weigh the heavier on those after. Who rests in God's mean flattery now? Your wealth Is but his cunning to make death more hard. Your iron sinews take more pain in breaking. And he has made the market for your beauty Too poor to buy, although you die to sell. Only that he has never heard of sleep; And when the cats come out the rats are sly. Here we are safe till he slinks in at dawn But he has gnawed a fibre from strange roots, And in the morning some pale wonder ceases. Things are not strange and strange things are forgetful. Ah! if the day were arid, somehow lost Out of us, but it is as hair of us, And only in the hush no wind stirs it. And in the light vague trouble lifts and breathes, And restlessness still shadows the lost ways. The fingers shut on voices that pass through, Where blind farewells are taken easily .... Ah! this miasma of a rotting God!

Rake,” came the succinct reply. “Oh, all right,” Lillian grumbled. “I suppose he is a rake. But that may not be an impediment to his courtship of Lady Natalie. Some women like rakes. Look at Evie.” Evie continued to snip doggedly through the brocade ribbon, while a smile curved her lips. “I don’t l-like all rakes,” she said, her gaze on her work. “Just one.” Evie, the gentlest and most soft-spoken of them all, had been the one least likely to capture the heart of the notorious Lord St. Vincent, who had been the definitive rake. Although Evie, with her round blue eyes and blazing red hair, possessed a rare and unconventional beauty, she was unbearably shy. And there was the stammer. But Evie also had a reserve of quiet strength and a gallant spirit that seemed to have seduced her husband utterly. “And that former rake obviously adores you beyond reason,” Annabelle said.

Dream Fable I saw myself in a wide green garden, more beautiful than I could begin to understand. In this garden was a young girl. I said to her, "How wonderful this place is!" "Would you like to see a place even more wonderful than this?" she asked. "Oh yes," I answered. Then taking me by the hand, she led me on until we came to a magnificent palace, like nothing that was ever seen by human eyes. The young girl knocked on the door, and someone opened it. Immediately both of us were flooded with light. Only Allah knows the inner meaning of the maidens we saw living there. Each one carried in her hand a serving-tray filled with light. The young girl asked the maidens where they were going, and they answered her, "We are looking for someone who was drowned in the sea, and so became a martyr. She never slept at night, not one wink! We are going to rub funeral spices on her body." "Then rub some on my friend here," the young girl said. "Once upon a time," said the maidens, "part of this spice and the fragrance of it clung to her body -- but then she shied away." Quickly the young girl let go of my hand, turned, and said to me: "Your prayers are your light; Your devotion is your strength; Sleep is the enemy of both. Your life is the only opportunity that life can give you. If you ignore it, if you waste it, You will only turn to dust." Then the young girl disappeared.

The best part of the ceremony was after Shy kissed his bride, and when we were done, he didn't let go. So I stood in his arms, my thumb stroking his jaw, my eyes gazing up at him. the world had melted away, so I didn't hear the hoots and hollers of friends and family. I only heard what he muttered in a voice that was weirdly raw but unbelievable beautiful: "Like I'm the only man on the planet." In that minute, he was but then again, for me, really, when it came down to it, he always had been.

Fuck hope and all the tiny little towns, one-horse towns, the one-stoplight towns, three-bars country-music jukebox-magic parquet-towns, pressure-cooker pot-roast frozen-peas bad-coffee married-heterosexual towns, crying-kids-in-the-Oldsmobile-beat-your-kid-in the-Thriftway-aisles towns, one-bank one-service-station Greyhound-Bus-stop-at-the-Pepsi-Cafe towns, two-television towns, Miracle Mile towns, Viv's Double Wide Beauty Salon towns, schizophrenic-mother towns, buy-yourself-a-handgun towns, sister-suicide towns, only-Injun's-a-dead-Injun towns, Catholic-Protestant-Mormon-Baptist religious-right five-churches Republican-trickle-down-to-poverty family-values sexual-abuse pro-life creation-theory NRA towns, nervous-mother rodeo-clown-father those little-town-blues towns.

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.

Mira Levenson. Aged twelve. Looks, long dark shiny hair, dark brown eyes (almost black), brown skin. Beautiful. Favorite colour, copper orange, I think. Personality, clever, bright, serious, shy, funny without realizing it, holds back her thoughts, mystery girl, arty. What I've noticed: she's stronger than she thinks she is; she doesn't speak much ay school. What I know: she's got a loud laugh (when she lets it out). Her best friend is Millie Lockhart. She doesn't need Millie as much as she thinks she does. Her grandmother is dying and she loves her. She started talking in Pat Print's class. I know she doesn't know how much I think of her, how much I miss her if she's not around. What I think she thinks about me is that I'm a bit of a joker, but I'm deadly serious. Deer...apple...green...sea... See you on Friday! Love Jidé

I remember once when I was young, and I was coming back from some place, a movie or something. I was on the subway and there was a girl sitting across from me and she was wearing this dress that was bottoned queer up right to here, she was the most beautiful thing I've ever seen. And I was shy then, so when she would look at me I would look away, then afterwards when I would look back she would look away. Then I got to where I was gonna get off, and got off, the doors closed, and as the train was pulling away she looked right at me and gave me the most incredible smile. It was awful, I wanted to tear the doors open. And I went back every night, same time, for two weeks, but she never showed up. That was 30 years ago and I don't think that theres a day that goes by that I don't think about her, I don't want that to happen again. Just one dance ?.

Astra is a beauty. (...) Astra is so beautiful that I have no wish to describe her beauty. I will say only that her beauty is the expression of her soul. Her beauty lives in her quiet walk, in her shy movements, in her always-lowered eyelids, in her barely perceptible smile, in the soft outline of her girlish shoulders, in the chastity of her poor, almost beggarly clothing, in her thoughtful grey eyes. She is a white water lily in a pond shadowed by the branches of trees, born amid still, contemplative water. (...) The world of modest female beauty finds its expression in Astra. As for what may lie hidden in the depths of these waters, no-one can say unless he breaks the water's smooth surface, walks barefoot through the cutting sedge and treads the silty, sucking mud — now cold, now strangely warm. But I only stand on the shore, admiring the lily from a distance

You’re beautiful.” Blake said hello as he’d said goodbye. “You said that already,” Livia mouthed over the banging music. Blake just shrugged. He flashed Livia a shy smile and held out the pink napkin to her. He’d turned it into a beautiful, perfect rose bud with a single leaf. Livia took the rose from his hand and turned it over carefully. He’d pinched tiny thorns into the paper stem. Livia put it to her nose as if to smell it. She realized he was waiting. “You’re beautiful,” Livia mouthed. She would have hugged the rose if it weren’t so delicate. She hugged him instead. With her ear so close, Blake was able to murmur into it. “May I have this dance?

shy but handsome fellow is sitting at a club, sipping a cocktail, and sees a beautiful woman seated alone at the bar. After an hour of screwing up his courage he finally heads over to her and asks tentatively, "Um, hi. Would you mind if I chatted with you for a while?" She responds by yelling, at the top of her lungs, "No, I won't sleep with you tonight!" Everyone in the bar turns in unison and stares at them. Naturally, the poor guy is hopelessly

Aiden made a deep sound in his throat. His hand slid up my back, leaving a trail of fire in its wake, and his lips moved across my cheek, stopping to hover above mine. I forgot how to breathe, and most importantly, how to think. He moved, ever so slightly, and his lips brushed across mine once, and then twice. It was such a soft, beautiful kiss, but when the kiss deepened, it wasn’t a shy one. This was one of dangerously pent-up need, a desire that’d been denied far too long. The kiss felt fierce, demanding, and soul burning. Aiden pulled me to him, pressing me right up against his body. And when he kissed me again, it left both of us breathless. Our hands tangled with each other’s bodies as we made it back to his bedroom. My hands found their way under his shirt and over the taut skin of his sides. We separated long enough for me to get the shirt off, and gods, each hard ripple was as breathtaking as I’d imagined. Easing me down on his bed, his hands glided from my face to my arms. Next his hand traveled over my stomach, then my hip, and under the hem of my dress. Somehow, the top of my dress ended up at my waist, and his mouth moved over my body. I melted into him, his kisses, and his touch.

That old black coat he always wore to preach in was the one he put over her shoulders one evening when they were walking along the road together and he was throwing rocks at the fence posts the way a boy would do, still shy of her. But on a Sunday morning, with the sermon in front of him he'd spent the week on and knew so well he hardly need to look at it, he was a beautiful old man, and it pleased her more than almost anything that she knew the feel of that coat, the weight of it.

People often wondered what it was that made her so very compelling. Why she drew people in again and again? It wasn’t her beauty or her talent, though many, including myself, found those impossible to argue. I believe it was because she refused to deny the storm of her. She wasn’t all sunny days and brightness, and she knew it. Most people shy away from their own darkness, but she cast it across the sky without shame and it turns out none of us could resist the raw truth of that. - for women who harness the storm

New York November 10, 1958 Dear Thom: We had your letter this morning. I will answer it from my point of view and of course Elaine will from hers. First—if you are in love—that’s a good thing—that’s about the best thing that can happen to anyone. Don’t let anyone make it small or light to you. Second—There are several kinds of love. One is a selfish, mean, grasping, egotistical thing which uses love for self-importance. This is the ugly and crippling kind. The other is an outpouring of everything good in you—of kindness and consideration and respect—not only the social respect of manners but the greater respect which is recognition of another person as unique and valuable. The first kind can make you sick and small and weak but the second can release in you strength, and courage and goodness and even wisdom you didn’t know you had. You say this is not puppy love. If you feel so deeply—of course it isn’t puppy love. But I don’t think you were asking me what you feel. You know better than anyone. What you wanted me to help you with is what to do about it—and that I can tell you. Glory in it for one thing and be very glad and grateful for it. The object of love is the best and most beautiful. Try to live up to it. If you love someone—there is no possible harm in saying so—only you must remember that some people are very shy and sometimes the saying must take that shyness into consideration. Girls have a way of knowing or feeling what you feel, but they usually like to hear it also. It sometimes happens that what you feel is not returned for one reason or another—but that does not make your feeling less valuable and good. Lastly, I know your feeling because I have it and I’m glad you have it. We will be glad to meet Susan. She will be very welcome. But Elaine will make all such arrangements because that is her province and she will be very glad to. She knows about love too and maybe she can give you more help than I can. And don’t worry about losing. If it is right, it happens—The main thing is not to hurry. Nothing good gets away. Love, Fa

In addition, a woman is not interested in a male who gives up easily. A male willing to spend some time and effort is obviously very interested in her and thinks she is worth it, but also confident that he can eventually get her. Thus, persistence is a necessary part of making women feel special, but it is also necessary to be congruent as an attractive male. If you really feel that she is a beautiful and unique woman (as you should have been telling her all evening), but then are willing to give her up just because she is a bit shy, dislikes kissing in public, likes to take it slow, her boyfriend is watching you, or whatever, then you are not congruent. She will think you are not that interested in her after all or that your confidence is low, which are both turnoffs for her.

In the woodblock prints of the Genroku period one often finds the features of a pair of lovers to be surprisingly similar, with little to distinguish the man from the woman. The universal ideal of beauty in Greek sculpture likewise approaches a close resemblance between the male and female. Might this not be one of the secrets of love? Might it not be that through the innermost recesses of love there courses an unattainable longing in which both the man and the woman desire to become the exact image of the other? Might not this longing drive them on, leading at last to a tragic reaction in which they seek to attain the impossible by going to the opposite extreme? In short, since their mutual love cannot achieve a perfection of mutual identity, is there not a mental process whereby each of them tries instead to emphasize their points of dissimilarity—the man his manliness and the woman her womanliness—and uses this very revolt as a form of coquetry toward the other? Or if they do achieve a similarity, it unfortunately lasts for only a fleeting moment of illusion. Because, as the girl becomes more bold and the boy more shy, there comes an instant at which they pass each other going in opposite directions, overshooting their mark and passing on beyond to some point where the mark no longer exists.

One by one, they guessed aloud about what Lotto had meant by this sculpture: nautilus, fiddlehead, galaxy. Thread running off its spindle. Forces of nature, perfect in beauty, perfectly ephemeral, they guessed. He was too shy to say time. He’d woken with a dry tongue and the urge to make the abstract concrete, to build his new understanding: that this was the way that time was, a spiral. He loved the uselessness of all the effort, the ephemerality of the work. The ocean encroached, it licked their feet. It pushed around the outside wall of the spiral, fingering its way in. When the water had scooped the sand from the lifeguard's chair, revealing white like bone beneath, something broke, and the fragments spun into the future. This day would bend back and shine itself into everything.

Feeling at home anywhere on earth, and a foreigner even in the country where I was born, I consider myself an earthling, a citizen of the world. I love nature dearly and all creatures that contribute to make it what it is. I see the beauty in all expressions of life, and I see how blind so many of us still are. Our planet is remarkably abundant and there's more than enough for us all. It is greed and shortsightedness that create the illusion of scarcity. I have lived through tremendous adventures and survived only because other people risked their lives for me. Realising how interconnected and interdependent we all are, I am neither shy or embarrassed when it is time for me lean on another to ask for help. And when I have the opportunity to help another, I view it as my duty and privilege.

Fanny Price was at this time just ten years old, and though there might not be much in her first appearance to captivate, there was, at least, nothing to disgust her relations. She was small of her age, with no glow of complexion, nor any other striking beauty; exceedingly timid and shy, and shrinking from notice; but her air, though awkward, was not vulgar, her voice was sweet, and when she spoke her countenance was pretty. Sir Thomas and Lady Bertram received her very kindly; and Sir Thomas, seeing how much she needed encouragement, tried to be all that was conciliating: but he had to work against a most untoward gravity of deportment; and Lady Bertram, without taking half so much trouble, or speaking one word where he spoke ten, by the mere aid of a good-humoured smile, became immediately the less awful character of the two.

No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.

Pushing Elsie back, I said, “I’m not the most special guy in the world. I’m no one’s perfect dream. I’m not sure I’ll ever do anything extraordinary with my life. I’ll always be that little bit awkward, and that little bit too shy. I’ll always blush and dip my head, but if you’ll let me, I’ll be the one that’s there for you. I’ll be happy knowing I’ve got you and you’ve got me. That’s enough for me, to be the one that you can lean on, to be the one to tell you you’re beautiful every day. And talk to. I’ll adore every sound that comes out of your mouth. I’ll be the one to love you like nothing you’ve ever seen, bella mia.” I blushed with embarrassment, but managed to rasp, “If you’ll just let me… If you want me.” Elsie sobbed out a cry, tears tumbling down her rosy cheeks. “Levi. You are my dream realized, in every possible way. You are the most special person in my world. And I love that you blush—because I do too.” She wiped at her cheeks. “I love that you’re shy, and,” her breathing hitched, “I love that you love my voice. I love that I never have hide who I am, disguise how I sound. Because I’m tired of trying to please others.” She dipped her eyes and almost flattened me when she said, “You’re my kind of extraordinary. Levi Carillo, you’re the sweetest of souls.

Azriel arrived first, no shadows to be seen, my sister a pale, golden mass in his arms. He, too, wore his Illyrian armour, Elain's golden-brown hair snagging in some of the black scales across his chest and shoulders. He set her down gently on the foyer carpet, having carried her in through the front door. Elain peered up at his patient, solemn face. Azriel smiled faintly. 'Would you like me to show you the garden?' She seemed so small before him, so fragile compared to the scales of his fighting leathers, the breadth of his shoulders. The wings peeking over them. But Elain did not balk from him, did not shy away as she nodded- just once. Azriel, graceful as any courtier, offered her an arm. I couldn't tell if she was looking at his blue Siphons or at his scarred skin beneath as she breathed, 'Beautiful.' Colour bloomed high on Azriel's golden-brown cheeks, but he inclined his head in thanks and led my sister toward the back doors into the garden, sunlight bathing them.

Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.

But the young Count insisted on the Beauty selecting a flower for him. He was waiting impatiently for her second present, the promised kiss — her first kiss. The Beauty looked at the flowers. Once again her face was darkened by a delicate shade of sadness. Suddenly, as if prompted by some strange will, she quickly stretched out a hand, so exquisite in its naked whiteness, and plucked a many-petaled flower. Her hand hesitated, and she bowed her head, and finally with an expression of shy indecision she approached the Count and placed the flower in a buttonhole of his cloak. The powerful and pungent scent wafted into the young Count's face, which grew pale as his head reeled in languid impotence. Indifference and tedium overcame him. He was scarcely aware of himself, he hardly noticed that the Beauty took him by the arm and led him into the house, away from the fragrances of the wondrous Garden. In one of the rooms of the house where all was bright, white and rosy, the Count came to himself. A youthful vitality returned to his face, his black eyes were aflame with passion once again, and he felt the joy of life and the surge of desire anew. But already the inescapable lay in wait for him. A white hand, bare, slender, lay on his neck; and the fragrant kiss of the Beauty was tender, sweet, long. The two blue lightnings of her eyes flashed close to his eyes and were masked with the subtle mystery of her long eyelashes. The sinister fires of some sweet pain swirled like a whirlwind about the heart of the young Count. He raised his arms to embrace the Beauty — but with a soft cry she stepped away and softly, quietly, ran away, leaving him alone. ("The Poison Garden")

His wings burned and he felt ashamed. This life in Italy had been a dark and ugly death for her. One of the worst. He would never stop blaming himself for the horrible way she had passed out of this life. But that was years after where Daniel stood today. This was the hospital where they'd first met, when Lucia was so young and lovely, innocent and saucy in the same breath. Here she had loved him instantly and completely. Though she was too young for Daniel to show he loved her back,he had never discouraged her affection. She used to slip her hand inside his when they strolled under the orange trees on the Piazza della Repubblica,but when he squeezed her hand,she would blush.It always made him laugh,the way she could be so bold, then suddenly turn shy.She used to tell him that she wanted to marry him someday. "You're back!" Daniel spun around. He hadn't heard the door behind him opening. Lucia jumped when she saw him. She was beaming, showing a perfect row of tiny white teeth. Her beauty took his breath away. What did she mean,he was back? Ah, this was when he'd hidden from Luce,frightened of killing her by accident. He was not allowed to reveal anything to her; she had to discover the details for herself. Was he even to hint broadly,she would simply combust. Had he stayed,she might have grilled him and perhaps forced the truth out of him...He didn't dare.

The Holy Water No one lives outside the walls of this sacred place, existence. The holy water, I need it upon my eyes: it is you, dear, you – each form. What mother would lose her infant – and we are that to God, never lost from His gaze are we? Every cry of the heart is attended by light’s own arms. You cannot wander anywhere that will not aid you. Anything you can touch – God brought it into the classroom of your mind. Differences exist, but not in the city of love. Thus my vows and yours, I know they are the same. I have just peeled the skin from the potato and you are still contemplating its worth, sweetheart; indeed there are wonderful nutrients in all, for God made everything. You joined our community at birth. With your Father being who He is, what do the world’s scales know of your precious value. The priest and the prostitute – they weigh the same before the Son’s immaculate being, but who can bear that truth and freedom, so a wise man adulterated the scriptures; every wise man knows this. My soul’s face has revealed its beauty to me; why was it shy so long, didn’t it know how this made me suffer and weep? A different game He plays with His close ones. God tells us truths you would not believe, for most everyone needs to limit His compassion; concepts of right and wrong preserve the golden seed until one of God’s friends comes along and tends your body like a divine bride. The Holy sent out a surveyor to find the limits of its compassion and being. God knows a divine frustration whenever He acts like that, for the Infinite has no walls. Why not tease Him about this? Why not accept the freedom of what it means for our Lord to see us as Himself. So magnificently sovereign is our Lover; never say, 'On the other side of this river a different King rules.” For how could that be true – for nothing can oppose Infinite strength. No one lives outside the walls of this sacred place, existence. The holy water my soul’s brow needs is unity. Love opened my eye and I was cleansed by the purity of each form.

His hand slid up my back, leaving a trail of fire in its wake, and his lips moved across my cheek, stopping to hover above mine. I forgot how to breathe, and most importantly, how to think. He moved, ever so slightly, and his lips brushed across mine once, and then twice. It was such a soft, beautiful kiss, but when the kiss deepened, it wasn’t a shy one. This was one of dangerously pent-up need, a desire that’d been denied far too long. The kiss felt fierce, demanding, and soul burning. Aiden pulled me to him, pressing me right up against his body. And when he kissed me again, it left both of us breathless. Our hands tangled with each other’s bodies as we made it back to his bedroom. My hands found their way under his shirt and over the taut skin of his sides. We separated long enough for me to get the shirt off, and gods, each hard ripple was as breathtaking as I’d imagined. Easing me down on his bed, his hands glided from my face to my arms. Next his hand traveled over my stomach, then my hip, and under the hem of my dress. Somehow, the top of my dress ended up at my waist, and his mouth moved over my body. I melted into him, his kisses, and his touch. My fingers dug into the tight skin of his arms, and my insides were in tight coils. Every place our bodies touched, sparks flew. Aiden pulled his lips away from mine, and I made a sound of protest, but then his mouth trailed across my throat and to the base of my neck. My skin burned and my thoughts were on fire. His name was barely a whisper, but I felt his lips curve against my skin.

It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.

For a while, every smart and shy eccentric from Bobby Fischer to Bill Gate was hastily fitted with this label, and many were more or less believably retrofitted, including Isaac Newton, Edgar Allen Pie, Michelangelo, and Virginia Woolf. Newton had great trouble forming friendships and probably remained celibate. In Poe's poem Alone, he wrote that "All I lov'd - I lov'd alone." Michelangelo is said to have written "I have no friends of any sort and I don't want any." Woolf killed herself. Asperger's disorder, once considered a sub-type of autism, was named after the Austrian pediatrician Hans Asperger, a pioneer, in the 1940s, in identifying and describing autism. Unlike other early researchers, according to the neurologist and author Oliver Sacks, Asperger felt that autistic people could have beneficial talents, especially what he called a "particular originality of thought" that was often beautiful and pure, unfiltered by culture of discretion, unafraid to grasp at extremely unconventional ideas. Nearly every autistic person that Sacks observed appeard happiest when alone. The word "autism" is derived from autos, the Greek word for "self." "The cure for Asperger's syndrome is very simple," wrote Tony Attwood, a psychologist and Asperger's expert who lives in Australia. The solution is to leave the person alone. "You cannot have a social deficit when you are alone. You cannot have a communication problem when you are alone. All the diagnostic criteria dissolve in solitude." Officially, Asperger's disorder no longer exists as a diagnostic category. The diagnosis, having been inconsistently applied, was replaced, with clarified criteria, in the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders; Asperger's is now grouped under the umbrella term Autism Spectrum Disorder, or ASD.

Beauty And a poet said, 'Speak to us of Beauty.' Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, 'Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.' And the passionate say, 'Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.' The tired and the weary say, 'beauty is of soft whispering s. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.' But the restless say, 'We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.' At night the watchmen of the city say, 'Beauty shall rise with the dawn from the east.' And at noontide the toilers and the wayfarers say, 'we have seen her leaning over the earth from the windows of the sunset.' In winter say the snow-bound, 'She shall come with the spring leaping upon the hills.' And in the summer heat the reapers say, 'We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.' All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror

Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?” “I do.” She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?” I roll my eyes. “You do realize that’s the same song, don’t you?” Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud. “Oh my God, I’m an imbecile!” “You shouldn’t be so hard on yourself, but if you say so.” She narrows her eyes. “Bully.” Then she sticks out her tongue. Big mistake. Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard. Painfully, achingly hard. Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water. “Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?” “You sound doubtful.” She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.” I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.” Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.” And I laugh hard—almost as hard as my cock is. “Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.” “Wait till you get to know me—I’m definitely one of a kind.” The funny thing is, I’m starting to think that’s absolutely true. I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.” “Umm . . . Ed Sheeran.” I shake my head. “All the girls love Ed Sheeran.” “He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.” “Women everywhere already adore me.” “If you were a ginger prince, there’d be more.” “All right, hush now smartarse-bottum. And listen.” Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.

According to Shaivism, anupaya may also be reached by entering into the infinite blissfulness of the Self through the powerful experiences of sensual pleasures. This practice is designed to help the practitioner reach the highest levels by accelerating their progress through the sakta and sambhava upayas. These carefully guarded doctrines of Tantric sadhana are the basis for certain practices, like the use of the five makaras (hrdaya) mentioned earlier. The experience of a powerful sensual pleasure quickly removes a person’s dullness or indifference. It awakens in them the hidden nature and source of blissfulness and starts its inner vibration. Abhinavagupta says that only those people who are awakened to their own inner vitality can truly be said to have a heart (hrdaya). They are known as sahrdaya (connoisseurs). Those uninfluenced by this type of experiences are said to be heartless. In his words: “It is explained thus—The heart of a person, shedding of its attitude of indifference while listening to the sweet sounds of a song or while feeling the delightful touch of something like sandalpaste, immediately starts a wonderful vibratory movement. (This) is called ananda-sakti and because of its presence the person concerned is considered to have a heart (in their body) (Tantraloka, III.209-10). People who do not become one (with such blissful experiences), and who do not feel their physical body being merged into it, are said to be heartless because their consciousness itself remains immersed (in the gross body) (ibid., III.24).” The philosopher Jayaratha addresses this topic as well when he quotes a verse from a work by an author named Parasastabhutipada: “The worship to be performed by advanced aspirants consists of strengthening their position in the basic state of (infinite and blissful pure consciousness), on the occasions of the experiences of all such delightful objects which are to be seen here as having sweet and beautiful forms (Tantraloka, II.219).” These authors are pointing out that if people participate in pleasurable experiences with that special sharp alertness known as avadhana, they will become oblivious to the limitations of their usual body-consciousness and their pure consciousness will be fully illumined. According to Vijnanabhairava: “A Shiva yogin, having directed his attention to the inner bliss which arises on the occasion of some immense joy, or on seeing a close relative after a long time, should immerse his mind in that bliss and become one with it (Vijnanabhairava, 71). A yogin should fix his mind on each phenomenon which brings satisfaction (because) his own state of infinite bliss arises therein (ibid., 74).” In summary, Kashmir Shaivism is a philosophy that embraces life in its totality. Unlike puritanical systems it does not shy away from the pleasant and aesthetically pleasing aspects of life as somehow being unspiritual or contaminated. On the contrary, great importance has been placed on the aesthetic quality of spiritual practice in Kashmir Shaivism. In fact, recognizing and celebrating the aesthetic aspect of the Absolute is one of the central principles of this philosophy. — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 124–125.

11. Let Go of your Idle Thoughts.[FN#263] [FN#263] A famous Zenist, Mu-go-koku-shi, is said to have replied to every questioner, saying: "Let go of your idle thoughts." A Brahmin, having troubled himself a long while with reference to the problem of life and of the world, went out to call on Shakya Muni that he might be instructed by the Master. He got some beautiful flowers to offer them as a present to the Muni, and proceeded to the place where He was addressing his disciples and believers. No sooner had he come in sight of the Master than he read in his mien the struggles going on within him. "Let go of that," said the Muni to the Brahmin, who was going to offer the flowers in both his hands. He dropped on the ground the flowers in his right hand, but still holding those in his left. "Let go of that," demanded the Master, and the Brahmin dropped the flowers in his left hand rather reluctantly. "Let go of that, I say," the Muni commanded again; but the Brahmin, having nothing to let go of, asked: "What shall I let go of, Reverend Sir? I have nothing in my hands, you know." "Let go of that, you have neither in your right nor in your left band, but in the middle." Upon these words of the Muni a light came into the sufferer's mind, and he went home satisfied and in joy.[FN#264] "Not to attach to all things is Dhyana," writes an ancient Zenist, "and if you understand this, going out, staying in, sitting, and lying are in Dhyana." Therefore allow not your mind to be a receptacle for the dust of society, or the ashes of life, or rags and waste paper of the world. You bear too much burden upon your shoulders with which you have nothing to do. [FN#264]

The pressure is on. They've teased me all week, because I've avoided anything that requires ordering. I've made excuses (I'm allergic to beef," "Nothing tastes better than bread," Ravioli is overrated"), but I can't avoid it forever.Monsieur Boutin is working the counter again. I grab a tray and take a deep breath. "Bonjour, uh...soup? Sopa? S'il vous plait?" "Hello" and "please." I've learned the polite words first, in hopes that the French will forgive me for butchering the remainder of their beautiful language. I point to the vat of orangey-red soup. Butternut squash, I think. The smell is extraordinary, like sage and autumn. It's early September, and the weather is still warm. When does fall come to Paris? "Ah! soupe.I mean,oui. Oui!" My cheeks burn. "And,um, the uh-chicken-salad-green-bean thingy?" Monsieur Boutin laughs. It's a jolly, bowl-full-of-jelly, Santa Claus laugh. "Chicken and haricots verts, oui. You know,you may speek Ingleesh to me. I understand eet vairy well." My blush deepends. Of course he'd speak English in an American school. And I've been living on stupid pears and baquettes for five days. He hands me a bowl of soup and a small plate of chicken salad, and my stomach rumbles at the sight of hot food. "Merci," I say. "De rien.You're welcome. And I 'ope you don't skeep meals to avoid me anymore!" He places his hand on his chest, as if brokenhearted. I smile and shake my head no. I can do this. I can do this. I can- "NOW THAT WASN'T SO TERRIBLE, WAS IT, ANNA?" St. Clair hollers from the other side of the cafeteria. I spin around and give him the finger down low, hoping Monsieur Boutin can't see. St. Clair responds by grinning and giving me the British version, the V-sign with his first two fingers. Monsieur Boutin tuts behind me with good nature. I pay for my meal and take the seat next to St. Clair. "Thanks. I forgot how to flip off the English. I'll use the correct hand gesture next time." "My pleasure. Always happy to educate." He's wearing the same clothing as yesterday, jeans and a ratty T-shirt with Napolean's silhouette on it.When I asked him about it,he said Napolean was his hero. "Not because he was a decent bloke, mind you.He was an arse. But he was a short arse,like meself." I wonder if he slept at Ellie's. That's probably why he hasn't changed his clothes. He rides the metro to her college every night, and they hang out there. Rashmi and Mer have been worked up, like maybe Ellie thinks she's too good for them now. "You know,Anna," Rashmi says, "most Parisians understand English. You don't have to be so shy." Yeah.Thanks for pointing that out now.

Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.

Lalla Ruk Dearest dream, my soul's enchantment Lovely guest from heav'n above, Most benevolent attender To the earthly realm below, You gave me blissful satisfaction Momentary but complete: Bringing with you happy tidings - Like a herald from the skies. I dreamed dreams of life eternal In that Promised Land of peace; I dreamed dreams of fragrant regions, Of a tranquil, sweet Kashmir; I could witness celebrations, Festivals of roses vernal Honoring that lovely maiden From lands strange and far away. And, with glistening enchantment Like an angel from above, - This untainted, youthful vision Came before my dreaming eyes; Like a veil, a shining shroud Screened her lovely face from view, Tenderly she did incline Her shy gazes toward the earth. All her traits - her timid shyness Underneath her shining crown, Childlike her animation, And her face's noble beauty - Glowing with a depth of feeling, Sweet serenity and peace - All of these completely artless Indescribably sublime! As I watched, the apparition (Captivating me in passing) Never to return, flew by; I pursued - but it had gone! T'was a vision merely fleeting, Transient illumination Leaving nothing but a legend Of its passing through my life! T'is not ours to harbor Beauty's spirit - Ah, so pure! It comes nigh but for a moment From its heavenly abode; Like a dream, it slips away, Like an airy dream of morning: But in sacred reminiscence It is married with the heart! Only in the purest instants Of our life does it appear Bringing with it revelations Beneficial to our hearts; That our hearts may know of heaven In this earthly shadow realm, It allows us momentary Glimpses through the earthly veil. And through all that here is lovely, All that animates our lives, To our souls it speaks a language Reassuring and distinct; When it quits our earthly region It bestows a gift of love Glowing in our evening heaven: "Tis a farewell star for all to see.

He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.