Shut Out The Noise Quotes

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I took a step forward, rage swirling inside me. “You broke into Mount Weather?” Hunter choked out a laugh. “Are you insane?” “Shut up,” I said, keeping my eyes on Luc. Hunter made a deep noise. “Our little mutual white flag of friendship is going to come to a halt if you tell me to shut up again.” I spared him a brief glance. “Shut. Up.” Dark shadows drifted over the Arum’s shoulder, and I faced him fully. “What?” I said, throwing my hands up in a universal come get some. “I have a lot of pent-up violence I’d love to take out on someone.” “Guys.” Luc sighed, sliding off the bar. “Seriously? Can’t you two bro-mance it out?
Jennifer L. Armentrout (Origin (Lux, #4))
In our daily lives, where we're bombarded by the fake and the trivial, reading serves as a way to stop, shut out the noise of the world, and try to grab hold of something real, no matter how small.
Maureen Corrigan (Leave Me Alone, I'm Reading: Finding and Losing Myself in Books)
Libraries are safe but also exciting. Libraries are where nerds like me go to refuel. They are safe-havens where the polluted noise of the outside world, with all the bullies and bro-dudes and anti-feminist rhetoric, is shut out. Libraries have zero tolerance for bullshit. Their walls protect us and keep us safe from all the bastards that have never read a book for fun.
Gabby Rivera
Here’s the key: I’m not going to tell you how to change. People don’t change. I want you to trust who you already are, and get to that Zone where you can shut out all the noise, all the negativity and fear and distractions and lies, and achieve whatever you want, in whatever you do.
Tim S. Grover (Relentless: From Good to Great to Unstoppable (Tim Grover Winning Series))
The white noise from the old Walkman enveloped them both; like a blanket of new snow, it draped itself over them, shutting out all the curious looks. And the world under the blanket was - surprisingly, wonderfully - absolutely, quiet.
Antonia Michaelis (The Storyteller)
Libraries are safe but also exciting. Libraries are where nerds like me go to refuel. They are safe-havens where the polluted noise of the outside world, with all the bullies and bro-dudes and anti-feminist rhetoric, is shut out. Libraries have zero tolerance for bullshit. Their walls protect us and keep us safe from all the bastards that have never read a book for fun. I
Gabby Rivera (Juliet Takes a Breath)
She kept her stare locked on his as she let go of his face and slowly, making sure he understood every step of the way,tilted her head back until her throat was arched and bared before him. "Aelin," he breathed. Not in reprimand or warning, but... a plea. It sounded like a plea. He lowered his head to her exposed neck and hovered a hair's breath away. She arched her neck farther, a silent invitation. Rowan let out a soft groan and grazed his teeth against her skin. One bite, one movement, was all it would take for him to rip out her throat. His elongated canines slid along her flesh-gently, precisely. She clenched the sheets to keep from running her fingers down on his bare back and drawing him closer. He braced one hand beside her head, his fingers twining in her hair. "No one else," she whispered. "I would never allow anyone else at my throat." Showing him was the only way he'd understand that trust, in a manner that only the predatory, Fae side of him would comprehend. "No one else," she said again. He let out another low groan, answer and confirmation and request, and the rumble echoed inside her. Carefully, he closed his teeth over the spot where her lifeblood thrummed and pounded, his breath hot on her skin. She shut her eyes, every sense narrowing on that sensation, on the teeth and mouth at her throat, on the powerful body trembling with restraint above hers. His tongue flicked against her skin. She made a small noise that might have been a moan, or a word, or his name. He shuddered and pulled back, the cool air kissing her neck. Wildness-pure wildness sparked in those eyes.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
I can't wait for him to visit me again. He's just so handsome, don't you think?" she asked. I paused. "Yeah, he's cute." "Come on, America! You have to have noticed those eyes and his voice..." "Except when he laughs!" Just remembering Maxon's laugh had me grinning. It was cute but awkward. He pushed his breaths out, and then made a jagged noise when he inhaled, almost like another laugh in itself. "Yes, okay, he does have a funny laugh, but it's cute." "Sure, if you like the lovable sound of an asthma attack in your ear every time you tell a joke." Marlee lost it and doubled over in laughter. "All right, all right," she said, coming up for air. "You have to think there's something attractive about him." I opened my mouth and shut it two or three times. I was tempted to take another jab at Maxon, but I didn't want Marlee to see him in a negative light. So I thought about it. What was attractive about Maxon? "Well, when he lets his guard down, he's okay. Like when he just talks without checking his words or you catch him just looking at something like...like he's really looking for the beauty in it." Marlee smiled, and I knew she'd seen that in him, too. "And I like that he seems genuinely involved when he's there, you know? Like even though he's got a country to run and a thousand things to do, it's like he forgets it all when he's with you. He just dedicates himself to what's right in front of him. I like that. "And...well, don't tell anyone this, but his arms. I like his arms." I blushed at the end. Stupid...why hadn't I just stuck to the general good things about his personality? Luckily, Marlee was happy to pick up the conversation. "Yes! You can really feel them under those thick suits, can't you? He must be incredibly strong." Marlee gushed. "I wonder why. I mean, what's the point of him being that strong? He does deskwork. It's weird." "Maybe he likes to flex in front of the mirror," Marlee said, making a face and flexing her own tiny arms. "Ha, ha! I bet that's it. I dare you to ask him!" "No way!
Kiera Cass (The Selection (The Selection, #1))
Silence is the element in which great things fashion themselves together; that at length they may emerge, full-formed and majestic, into the daylight of Life, which they are thenceforth to rule. Not William the Silent only, but all the considerable men I have known, and the most undiplomatic and unstrategic of these, forbore to babble of what they were creating and projecting. Nay, in thy own mean perplexities, do thou thyself but hold thy tongue for one day: on the morrow, how much clearer are thy purposes and duties; what wreck and rubbish have those mute workmen within thee swept away, when intrusive noises were shut out! Speech is too often not, as the Frenchman defined it, the art of concealing Thought; but of quite stifling and suspending Thought, so that there is none to conceal. Speech too is great, but not the greatest. As the Swiss Inscription says: Sprecfien ist silbern, Schweigen ist golden (Speech is silvern, Silence is golden); or as I might rather express it: Speech is of Time, Silence is of Eternity.
Thomas Carlyle (Sartor Resartus)
Sorry I overheard that, but I'm glad he's staying," Luke's sister said. "Not just because he'll be near me but because it gives him a chance to get over you." Jocelyn sounded defensive. "Amatis-" "It's been a long time, Jocelyn," Amatis said. "If you don't love him, you ought to let him go." Jocelyn was silent. Clary wished she could see her mother's expression- did she looked sad? Angry? Resigned? Amatis gave a little gasp. "Unless- you do love him?" "Amatis, I can't-" "You do! you do!" There was a sharp sound, as if Amatis had clapped her hands together. "I knew you did! I always knew it!" "It doesn't matter." Jocelyn sounded tired. "It wouldn't be fair to Luke." "I don't want to hear it." There was a rustling noise, and Jocelyn made a sound of protest. Clary wondered if Amatis had actually grabbed hold of her mother. "If you love him, you go right now and tell him. Right now, before he goes to the Council." "But they want him to be their Council member! And he wants to-" "All Lucian wants," said Amatis firmly, "is you. You and Clary. That's all he ever wanted. Now go." Before Clary had a chance to move, Jocelyn dashed out into the hallway. She headed toward the door- and saw Clary, flattened against the wall. Halting, she opened her mouth in surprise. "Clary!" She sounded as if she were trying to make her voice bright and cheerful, and failed miserably. "I didn't realize you were here." Clary stepped away from the wall, grabbed hold of the doorknob, and threw the door wide open. Bright sunlight poured into the hall. Jocelyn stood blinking in the harsh illumination, her eyes on her daughter. "If you don't go after Luke," Clary said, enunciating very clearly, "I, personally, will kill you." For a moment Jocelyn looked astonished. Then she smiled. "Well," she said, "if you put it like that." A moment later she was out of the house, hurrying down the canal path toward the Accords Hall. Clary shut the door behind her and leaned against it. Amatis, emerging from the living room, darted past her to lean on the window sill, glancing aniously out through the pane. "Do you think she'll catch him before he gets to the Hall?" "My mom's spent her whole life chasing me around," Clary said. "She moves fast.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
You'll come to learn that many times, the people you have problems with are not really the people you have problems with; but in actuality, the problems lie in the premises of everybody else in between you, in their suggestive glances, in their implications and tone of voice, in their provocations and less-than-noble intent. Again, it comes down to shutting out the noise that isn't supposed to be there and listening to your inner silence.
C. JoyBell C.
By the following morning, Anthony was drunk. By afternoon, he was hungover. His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him in such a state at their club, were talking far too loudly. Anthony put his hands over his ears and groaned.Everyone was talking far too loudly. “Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle their table and splitting it open with a viciously loud crack. Anthony lifted his head just far enough to glare at him. Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted him out,” he said to Colin. “Hand me one of those walnuts, will you?” Colin tossed one across the table. “Do you want the crackers as well?” Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to smash them.” “Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.” “Ears a bit sensitive this afternoon, are they?” If Anthony had had a pistol, he would have shot them both, hang the noise. “If I might offer you a piece of advice?” Colin said, munching on his walnut. “You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered. Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did, apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—” “What the hell is he talking about?” Anthony grumbled. “I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.” “Just so!” Colin exclaimed. Anthony just shook his head wearily. “It’s more complicated than you think.” “It always is,” Benedict said, with sincerity so false it almost managed to sound sincere. “When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you may presume to offer me advice. But until then ...shut up.” Colin looked at Benedict. “Think he’s angry?” Benedict quirked a brow. “That or drunk.” Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.” “Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.” Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle finger. “God above,” he muttered. ‘‘What would it take to get you two to leave me alone?” “Go home, Anthony,” Benedict said, his voice surprisingly gentle.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
The overwhelming noise we live with has made a fundamental pleasure like sex somehow less exciting, less satisfying, than it was for our libidinous forefathers and mothers. It seems to me that for sex and other pleasures to be enjoyed to the fullest, a certain contemplative quality to life must be present. If you doubt this imagine yourself for a moment having sex. Now imagine you wished to increase the pleasure you were feeling, feel it more intensely. What might you do? Well one of the things you'd probably do is close your eyes. What this does of course is shut out other stimuli. The visual quiet increases your sensual enjoyment and you concentrate more fully on the pleasure. The same is true for the removal of auditory noise as well. Well my feeling is that the average person has a much harder time doing this today than they would have decades ago. Today you close your eyes and shut off Television but the noise persists. It's part of our fabric now, our biology, and all other pleasures including sex are diminished as a result. We don't notice this derogation by the way and sex still feels great, don't get me wrong, but I think the difference is there nonetheless. Like the difference between seeing breasts when you're thirty as opposed to when you were thirteen.
Sergio de la Pava (A Naked Singularity)
...a kid, maybe eight years old, ran up and poked her in the ribs with a plastic laser weapon, making electric zinging noises as he repeatedly pulled the trigger. “You’re dead,” he said victoriously. His mother came hurrying up, looking harassed and helpless. “Damian, stop that!” She gave him a smile that was little more than a grimace. “Don’t bother the nice people.” “Shut up,” he said rudely. “Can’t you see they’re Terrons from Vaniot.” The kid poked her in the ribs again. “Ouch!” He made those zinging noises again, taking great pleasure in her discomfort. She plastered a big smile on her face and leaned down closer to precious Damian, then cooed in her most alienlike voice, “Oh, look, a little earthling.” She straightened and gave Sam a commanding look. “Kill it.” Damian’s mouth fell open. His eyes went as round as quarters as he took in the big pistol on Sam’s belt. From his open mouth began to issue a series of shrill noises that sounded like a fire alarm. Sam cursed under his breath, grabbed Jaine by the arm, and began tugging her at a half-trot toward the front of the store. She managed to snag her purse from the buggy as she went past. “Hey, my groceries!” she protested. “You can spend another three minutes in here tomorrow and get them,” he said with pent-up violence. “Right now I’m trying to keep you from getting arrested.” “For what?” she asked indignantly as he dragged her out of the automatic doors. People were turning to look at them, but most were following the sounds of Damian’s shrieks to aisle seven. “How about threatening to kill that brat and causing a riot?” “I didn’t threaten to loll him! I just ordered you to.
Linda Howard (Mr. Perfect)
Secret codes and lore and lingo stretching back into that fluid time before air conditioning dried up the rich, heavy humidity that used to hang over the porches of Louisiana, drenching cotton blouses, beads of sweat tickling the skin, slowing people down so the world entered them in an unhurried way. A thick stew of life that seeped into the very blood of people, so eccentric, languid thoughts simmered inside. Thoughts that would not come again after porches were enclosed, after the climate was controlled, after all windows were shut tight, and the sounds of the neighborhood were drowned out by the noise of the television set.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
Saiman reached into the trunk and pulled out a pink tulle tutu. “No.” “Yes.” “It won’t fit.” “Elastic waistband,” Saiman said. “It will fit.” Curran’s grin was pure evil. “Don’t you dare,” I told him. “It’s too bad the magic is up,” he said. “I’d take pictures.” “Shut up.” “Have no fear, Alpha,” Ascanio said. “We’ll tell no one.” Kill me, somebody. Saiman held out the tulle skirt to me. “Maybe it will work without it.” “Don’t be ridiculous.” “If I put this on, it will be ridiculous.” Saiman waved the pink tutu in front of me. Fine. I snatched it out of his hands and pulled it on over my hips. Ascanio collapsed into a moaning heap of laughter. “Now what?” “Move around onstage. It would help if you danced.” Curran was dying. That was the only rational explanation for the noises coming from his direction.
Ilona Andrews
When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands. "Er," Magnus said. "Are you quite all right?" "I was simply overcome," Imasu said in a faint voice. Magnus preened slightly. "Ah. Well." "By how awful that was," Imasu said. Magnus blinked. "Pardon?" "I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - " "It isn't as bad as all that - " "Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - " "Well, that one was rather a good guess," Magnus remarked. " - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!" "Or not," said Magnus. "Furthermore, my hats are extraordinary." "I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake." "Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake." Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!" "Interesting," said Magnus, and he threw his charango out the window. "Magnus!" "I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender." "I can't believe you did that!" Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse." "I just meant that those are expensive and I heard a crunch.
Cassandra Clare (The Bane Chronicles)
I’m typing away, wondering why I had that Pepsi Throwback at such a late hour. Caffeine is a compulsion. Art is an obsession. Writing is both. It weaves in and out, this obsession, forming a basket, a basket I can hide in while pulling its lid over top; it shuts out the noise and normalcy of living. It shuts out the people and caffeinated relationships I love so well. Can you live with an artsy hermit? A sketchy-betchy, meditative, BabyBoomingPseudoHippie? Then short-term visits are in order.
Chila Woychik (On Being a Rat and Other Observations)
What you should do is more counterintuitive: Stop for a moment and shut out the noise. Close your eyes to really see what’s in front of you, and then pick the best way forward for you and your team, relative to the organization’s needs.
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
What's the word for when you're sitting at a table with someone you don't know all that well and they maybe just implied that you're gay and you are gay and you think they were trying to be inclusive or something but you kind of shut them down because they asked out your crush earlier and you really don't want to be having this conversation and now there's all this weird, unsaid stuff in the air that's making it hard to focus on your debate prep? Is there a word for that?
Lauren Shippen (The Infinite Noise (The Bright Sessions, #1))
By the middle of the afternoon it had rained so much that the drains were overflowing, clogged up with leaves and newspapers. The water built up until it was sliding across the road in great sheets, rippled by the wind and parted like a football crowd by passing cars. I was shocked by the sheer volume of water that came pouring out of the darkness of the sky. Watching the weight of it crashing into the ground made me feel like a very young child, unable to understand what was really happening. Like trying to understand radio waves, or imagining computers communicating along glass cables. I leant my face against the window as the rain piled upon it, streaming down in waves, blurring my vision, making the shops opposite waver and disappear. There was a time when I might have found this exhilarating, even miraculous, but not that day. That day it made me nervous and tense, unable to concentrate on anything while the noise of it clattered against the windows and the roof. I kept opening the door to look for clear skies, and slamming it shut again. And then around teatime, from nowhere, I smashed all the dirty plates and mugs into the washing-up bowl. Something swept through me, swept out of and over me, something unstoppable, like water surging from a broken tap and flooding across the kitchen floor. I don't quite understand why I felt that way, why I reacted like that. I wanted to be saying it's just something that happens. But I was there, that day, slamming the kitchen door over and over again until the handle came loose. Smacking my hand against the worktop, kicking the cupboard doors, throwing the plates into the sink. Going fuckfuckfuck through my clenched teeth. I wanted someone to see me, I wanted someone to come rushing in, to take hold of me and say hey hey what are you doing, hey come on, what's wrong. But there was no one there, and no one came.
Jon McGregor (If Nobody Speaks Of Remarkable Things)
We tend to be both easily disturbed by sound in our environment, and unable to tell when a noise actually merits our attention, at the same time.[44] I often brute-force my way into paying attention to something by shutting the rest of the world out. I think it’s also likely that lifelong masking has rendered me hypervigilant, almost as a trauma response. My sensory system is used to scanning the environment, to determine whether I’m alone and thus “safe” enough to be myself. Trauma survivors often become hypervigilant, which tends to come with intense sensory issues.[45] Some researchers have also theorized that sensory issues in Autistics are, at least in part, caused by the anxiety and hypervigilance we experience from living in a world that doesn’t accommodate us, and often treats us with hostility.[46]
Devon Price (Unmasking Autism: Discovering the New Faces of Neurodiversity)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
In this media-drenched, data-rich, channel-surfing, computer-gaming age, we have lost the art of doing nothing, of shutting out the background noise and distractions, of slowing down and simply being alone with our thoughts.
Carl Honoré (In Praise of Slowness: Challenging the Cult of Speed)
I was sleeping. What the hell did you wake me up for?” He complains. “You kicked me and made horse noise.” He stares at me blankly for a moment before scoffing at me in disbelief and sliding back down the bed until his head hits the pillow again. “I was having a dream. Now leave me alone and let me go back to sleep.” When he rolls over I shove my hand against his back. “Were you dreaming about horses? You were fucking prancing in your sleep.” Tyler looks over his shoulder at me and I watch his face redden with embarrassment. “What? You’re delusional. I don’t prance.” I just shake my head at him. “You were totally prancing in your sleep. Prancing and Whinnying like a damn Horse.” “You shut your face! Shut your face right now!” he said I shove my finger close to his nose. “No, YOU shut your prancing face, Twilight Sparkle, before my parents hear you. You’re not even supposed to BE here. You were supposed to sneak out of my bedroom window just like always. Get out of my bed!
Tara Sivec (Passion and Ponies (Chocoholics, #2))
Being okay with being gay, or different, means nothing until you love all of your gayness and different-ness. Really, the “manliest” move of all is just looking in the mirror, shutting out the noise of the world, and deciding to be nothing but yourself.
Seth King (Fem)
In that moment, I let myself entertain the idea of just putting the sword down and lying on the ground. It would feel good, and really, if I’d lost everything, who cared what this tiny homicidal person did to me? But just as quickly, I shut that thought right the heck down. No way had I survived demon attacks, and ghoul duels, and demonglass explosions to end up murdered by Raggedy Ann. Whether Mom was here or not, I was going to survive this. My fingers tightened on the sword’s hilt until I felt the metal cut into my skin. It hurt, but that was good. That might actually keep me from passing out, which in turn would keep Izzy from dissecting me, or whatever it was Brannicks did to demons. Former demons. Whatever. “So you guys have a compound,” I said, trying to will my brain into working. “That’s…cool. I bet it has bunkers and barbed wire.” Izzy rolled her eyes. “Duh.” “Right, so this compound. Where exactly…” My words trailed off as the ground started swaying. Or was it me weaving from side to side? And was everything getting dimmer because the flashlight was dying, or was it my eyes that had stopped working? “No. No, I am not going to faint.” “Um…okay?” I shook my head. “Did I say that out loud?” Izzy rose to her feet slowly. “You don’t look so good.” I would have glared at her if my eyes hadn’t been involved in more important things like not falling out of my skull. A loud clattering noise filled my head, and I realized it was my teeth. Great. I was going into shock. That was just…so inconvenient.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
There’s a cellular automaton called TVC. After Turing, von Neumann and Chiang. Chiang’s version was N-dimensional. That leaves plenty of room for data within easy reach. In two dimensions, the original von Neumann machine had to reach further and further - and wait longer and longer - for each successive bit of data. In a six-dimensional TVC automaton, you can have a three-dimensional grid of computers, which keeps on growing indefinitely - each with its own three-dimensional memory, which can also grow without bound. And when the simulated TVC universe being run on the physical computer is suddenly shut down, the best explanation for what I’ve witnessed will be a continuation of that universe - an extension made out of dust. Maria could almost see it: a vast lattice of computers, a seed of order in a sea of random noise, extending itself from moment to moment by sheer force of internal logic, “accreting” the necessary building blocks from the chaos of non-space-time by the very act of defining space and time.
Greg Egan (Permutation City)
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
She remembered how one day she’d gone running to him with a shell, told him to listen and hear the waves inside. He’d taken time off from his endless making of money and driven her way up into the hills and found a quarry and dug a fossil out the rocks and made her put that to her ear as well; she’d heard the same singing and he’d told her that was the noise the years made, all the millions of them shut inside buzzing to get free. She kept the stone a long while after that; and when more time had passed and she knew the whispering and piping were only echoes of her blood she did’t care because she’d still heard what she heard, the sound of trapped eternities.
Keith Roberts (Pavane)
I was too surprised to cry. I crept from Jem’s room and shut the door softly, lest undue noise set him off again. Suddenly tired, I wanted Atticus. He was in the livingroom, and I went to him and tried to get in his lap. Atticus smiled. “You’re getting so big now, I’ll just have to hold a part of you.” He held me close. “Scout,” he said softly, “don’t let Jem get you down. He’s having a rough time these days. I heard you back there.” Atticus said that Jem was trying hard to forget something, but what he was really doing was storing it away for a while, until enough time passed. Then he would be able to think about it and sort things out. When he was able to think about it, Jem would be himself again.
Harper Lee
Whenever I am unable to walk, climb or sail away from the world, I have learned to shut it out. Learning this took time. Only when I understood that I had a primal need for silence was I able to begin my search for it – and there, deep beneath a cacophony of traffic noise and thoughts, music and machinery, iPhones and snow ploughs, it lay in wait for me. Silence.
Erling Kagge (Silence: In the Age of Noise)
Soon after my husband and I started living together, he learned to make noise before coming into my writing space. He learned to do this because if he didn’t I would get startled and scream. That would startle him and he would scream. It was ‘Night of the Living Dead’ meets Edvard Munch till we worked things out. When I write, especially when the writing takes off, I fall into a trancelike state in which I dream with my eyes open. This is why I write. It is the opium I crave, this entry into another state of consciousness. I used to think it meant I was a great writer, that it was proof of my 'genius.' I also used to think it meant I was a nut who zapped into hallucination as soon as her husband shut the door – ‘Diary of a Mad Housewife’ with computer. I now realize it merely means I am writing.
Marcia Golub
was sprawled on the family-room couch, half asleep in front of a Clint Eastwood movie. A can of ginger ale and an empty bag of pretzels sat on the table in front of him. He opened one eye and saw Maura, then looked at Greg and winked. “Hey, little buddy . . . I see your ladyfriend is here.” Greg felt the urge to lash out, like he’d done with Eileen and Brittany at school on Friday morning. But this time he didn’t take the bait. He said, “We’re just copying some artwork. For a project we’re doing. And it’s gonna make noise. We have to.” Ross heaved himself up off the couch, shut off the TV, burped, mumbled, “’Scuse me” in Maura’s general direction, and went looking for a quieter place to waste another hour or two. Greg said, “I got this paper that’s good and bright, but it’s not as thick as regular copy paper. Makes it easier to fold.” After placing the first master sheet face down on the glass, he pushed Print, and then held up the copy for Maura to see. Pointing at a gray area, he said, “See that? I can change the settings and make that part darker. It ought to be solid black. Except for that, it’s a good copy.” The machine beeped as Greg made the change, and then he pushed the Print button.
Andrew Clements (Lunch Money (Rise and Shine))
Imagine you are tied to a chair with your hands tightly bound behind you, preventing you from covering your ears. Before you is a giant chalkboard. A woman enters the room. Her fingernails are long, hard, and ready for attack. You follow her with your eyes as she saunters to the chalkboard and raises her hand to make a claw. She looks at you with a blank stare as she digs her fingernails into the chalkboard and drags downward. As the harsh sound hits your ears, you squeeze your eyes shut in an instinctive yet vain effort to shut out the noise, but the absence of sight only magnifies the vile sound. Your ears have become hypersensitive, and you feel an unpleasant chill shoot through your body down to the toes of your feet. Finally, the sound stops as she removes her nails from the board, and a wave of relief passes over you. But the reprieve is short-lived. Again, the nails dig into the board and screech all the way down. The process repeats itself several times, and each time she stops dragging, you think it has ended for good, but soon she starts all over again. You frantically call out to her and ask her why she is doing this. You wonder what you have done to earn this perpetual torture. But she only looks back at your with a blank, almost quizzical stare, and that is when you realize that she is unaware of the pain she is causing. You feel the hopelessness pass over you. You squirm to free yourself from the chair, but it's no use. This is your life now, listening to this terribly unpleasant sound with no way to stop it. Sometimes she leaves, but she always comes back to repeat the scene, oblivious to the torture she creates.
Rachel Cinelli
A woman with a huge angry short-haired tabby in her arms came through from the surgery. The newly named Lucy’s fur rose. She made a noise that suggested she had come to the boil. The tabby suddenly let out a yell. Dogs made ambiguous comments in their throats. “Oh Lor’!” said the newcomer. She grinned at Mr. Whipplestone. “Better make ourselves scarce,” she said, and to her indignant cat: “Shut up, Bardolph, don’t be an ass.
Ngaio Marsh (Black As He's Painted (Roderick Alleyn, #28))
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
contemplate without thinking. stop the world. slow down everything. shut off the noise. relax. seize this moment. reconnect. feel and sense what surrounds you. listen to all the colors of light that envelope you. see the melody and harmony that floats about unnoticed. taste the solitude of all this wonderment. smell the beautiful silence within your peaceful serenity. then, reach out and touch your faith. this is my world. awaken.
bodhinku
I feel intensely. I smell mold and bad food before others. I hear fluorescent lights. Clothing hurts, noises invade, colors take my breath away. My daily reality is governed by too much sensation and not enough sensation. Patterns are soothing because they create order in what feels like chaos. Sometimes I shut down and I lose language. Other times I get overloaded and act it out in ways that get me in trouble. My world is intense, rich, real, sometimes painful and definitely different. Understand
Morénike Giwa Onaiwu (What Every Autistic Girl Wishes Her Parents Knew)
But I also like myself, my personality, my weirdness, my sense of humor, my wild and deep romantic streak, how I love, how I write, my kindness and my mean streak. It is only now, in my forties, that I am able to admit that I like myself, even though I am nagged by this suspicion that I shouldn’t. For so long, I gave in to my self-loathing. I refused to allow myself the simple pleasure of accepting who I am and how I live and love and think and see the world. But then, I got older and I cared less about what other people think. I got older and realized I was exhausted by all my self-loathing and that I was hating myself, in part, because I assumed that’s what other people expected from me, as if my self-hatred was the price I needed to pay for living in an overweight body. It was much, much easier to just try and shut out all of that noise, and to try and forgive myself for the mistakes I made in high school and college and throughout my twenties, to have some empathy for why I made those mistakes.
Roxane Gay (Hunger: A Memoir of (My) Body)
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.
Alex Garland
Merry Christmas,Ja-" To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?" She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did. So his derogatory answer didn't really add to her surprise. "The infant." She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way. The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut. "Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again. But what Anthony did to solve his dilemma produced Molly's second "Oh,dear." When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders. Reggie and Molly,alarmed by the noise, soon followed the men into the room. Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked. "Infants hiding behind infants, how apropos," James sneered. "Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works." James was not amused, and ordered, barked, actually. "Put my niece down." "Wouldn't think of it, old man-least not until I find out why you want to murder me." Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.
Johanna Lindsey (The Holiday Present)
Diana” was the first thing out of her mouth. “I’m dying,” the too familiar voice on the other end moaned. I snorted, locking the front door behind me as I held the phone up to my face with my shoulder. “You’re pregnant. You’re not dying.” “But it feels like I am,” the person who rarely ever complained whined. We’d been best friends our entire lives, and I could only count on one hand the number of times I’d heard her grumble about something that wasn’t her family. I’d had the title of being the whiner in our epic love affair that had survived more shit than I was willing to remember right then. I held up a finger when Louie tipped his head toward the kitchen as if asking if I was going to get started on dinner or not. “Well, nobody told you to get pregnant with the Hulk’s baby. What did you expect? He’s probably going to come out the size of a toddler.” The laugh that burst out of her made me laugh too. This fierce feeling of missing her reminded me it had been months since we’d last seen each other. “Shut up.” “You can’t avoid the truth forever.” Her husband was huge. I didn’t understand why she wouldn’t expect her unborn baby to be a giant too. “Ugh.” A long sigh came through the receiver in resignation. “I don’t know what I was thinking—” “You weren’t thinking.” She ignored me. “We’re never having another one. I can’t sleep. I have to pee every two minutes. I’m the size of Mars—” “The last time I saw you”—which had been two months ago—“you were the size of Mars. The baby is probably the size of Mars now. I’d probably say you’re about the size of Uranus.” She ignored me again. “Everything makes me cry and I itch. I itch so bad.” “Do I… want to know where you’re itching?” “Nasty. My stomach. Aiden’s been rubbing coconut oil on me every hour he’s here.” I tried to imagine her six-foot-five-inch, Hercules-sized husband doing that to Van, but my imagination wasn’t that great. “Is he doing okay?” I asked, knowing off our past conversations that while he’d been over the moon with her pregnancy, he’d also turned into mother hen supreme. It made me feel better knowing that she wasn’t living in a different state all by herself with no one else for support. Some people in life got lucky and found someone great, the rest of us either took a long time… or not ever. “He’s worried I’m going to fall down the stairs when he isn’t around, and he’s talking about getting a one-story house so that I can put him out of his misery.” “You know you can come stay with us if you want.” She made a noise. “I’m just offering, bitch. If you don’t want to be alone when he starts traveling more for games, you can stay here as long as you need. Louie doesn’t sleep in his room half the time anyway, and we have a one-story house. You could sleep with me if you really wanted to. It’ll be like we’re fourteen all over again.” She sighed. “I would. I really would, but I couldn’t leave Aiden.” And I couldn’t leave the boys for longer than a couple of weeks, but she knew that. Well, she also knew I couldn’t not work for that long, too. “Maybe you can get one of those I’ve-fallen-and-I-can’t-get-up—” Vanessa let out another loud laugh. “You jerk.” “What? You could.” There was a pause. “I don’t even know why I bother with you half the time.” “Because you love me?” “I don’t know why.” “Tia,” Louie hissed, rubbing his belly like he was seriously starving. “Hey, Lou and Josh are making it seem like they haven’t eaten all day. I’m scared they might start nibbling on my hand soon. Let me feed them, and I’ll call you back, okay?” Van didn’t miss a beat. “Sure, Di. Give them a hug from me and call me back whenever. I’m on the couch, and I’m not going anywhere except the bathroom.” “Okay. I won’t call Parks and Wildlife to let them know there’s a beached whale—” “Goddammit, Diana—” I laughed. “Love you. I’ll call you back. Bye!” “Vanny has a whale?” Lou asked.
Mariana Zapata (Wait for It)
Amsterdam, I dreamed about my mother for the first time in years. I’d been shut up in my hotel for more than a week, afraid to telephone anybody or go out; and my heart scrambled and floundered at even the most innocent noises: elevator bell, rattle of the minibar cart, even church clocks tolling the hour, de Westertoren, Krijtberg, a dark edge to the clangor, an inwrought fairy-tale sense of doom. By day I sat on the foot of the bed straining to puzzle out the Dutch-language news on television (which was hopeless, since I knew not a word of Dutch) and when I gave up, I sat by the window staring out at the canal with my camel’s-hair coat thrown over my clothes—for I’d left New York in a hurry and the things I’d brought weren’t warm enough, even indoors. Outside, all was activity and cheer. It was Christmas, lights twinkling on the canal bridges at night; red-cheeked dames en heren, scarves flying in the icy wind, clattered down the cobblestones with Christmas trees lashed to the backs of their bicycles. In the afternoons, an amateur band played Christmas carols that hung tinny and fragile in the winter air. Chaotic room-service trays; too many cigarettes; lukewarm vodka from duty free. During those restless, shut-up days, I got to know every inch of the room as a prisoner comes to know his cell. It was my first time in Amsterdam; I’d seen almost nothing
Donna Tartt (The Goldfinch)
In the wake of my broken dreams In the dirt and the dust and the days that felt like weeks. I found the person that I’m meant to be ‘Cause when I felt like giving up When death was closing in I shut my eyes And black out the darkness with light from inside I’ve given more Than what I’ve got I’ve given all Of what I’m not I’ve watched this war consume all that we could become Facing my fears in the dark But if I die Before it’s done Please take these words My final thoughts The only way to shine your light is in the dark. Never let life kill your spark This is the fallout Yeah it’s the end of the world We’ll spread the noise to everyone and let them all know you heard A system meltdown It’s time we expose The 'cause of chaos is our own I’ve given more Than what I’ve got I’ve given all Of what I’m not I’ve watched this war consume all that we could become Facing my fears in the dark But if I die Before it’s done Please take these words My final thoughts The only way to shine your light is in the dark. Never let life kill your spark Never let life kill your spark Never let life kill your spark Facing my fears in the dark I’ve given more Than what I’ve got I’ve given all Of what I’m not I’ve watched this war consume all that we could become If I die Before it’s done Please take these words My final thoughts The only way to shine your light is in the dark. Never let life kill your spark..
Crown The Empire
Tiffany’s basket was on the table. It had a present in it, of course. Everyone knew you took a small present along when you went visiting, but the person you were visiting was supposed to be surprised when you gave it to her, and say things like “Oooh, you shouldn’t have.” “I brought you something,” said Tiffany, swinging the big black kettle onto the fire. “You’ve got no call to be bringing me presents, I’m sure,” said Granny sternly. “Yes, well,” said Tiffany, and left it at that. She heard Granny lift the lid of the basket. There was a kitten in it. “Her mother is Pinky, the Widow Cable’s cat,” said Tiffany, to fill the silence. “You shouldn’t have,” growled the voice of Granny Weatherwax. “It was no trouble.” Tiffany smiled at the fire. “I can’t be havin’ with cats.” “She’ll keep the mice down,” said Tiffany, still not turning around. “Don’t have mice.” Nothing for them to eat, thought Tiffany. Aloud, she said, “Mrs. Earwig’s got six big black cats.” In the basket, the white kitten would be staring up at Granny Weatherwax with the sad, shocked expression of all kittens. You test me, I test you, Tiffany thought. “I don’t know what I shall do with it, I’m sure. It’ll have to sleep in the goat shed,” said Granny Weatherwax. Most witches had goats. [...] When Tiffany left, later on, Granny Weatherwax said good-bye at the door and very carefully shut the kitten outside. Tiffany went across the clearing to where she’d tied up Miss Treason’s broomstick. But she didn’t get on, not yet. She stepped back up against a holly bush, and went quiet until she wasn’t there anymore, until everything about her said: I’m not here. Everyone could see pictures in the fire and in clouds. You just turned that the other way around. You turned off that bit of yourself that said you were there. You dissolved. Anyone looking at you would find you very hard to see. Your face became a bit of leaf and shadow, your body a piece of tree and bush. The other person’s mind would fill in the gaps. Looking like just another piece of holly bush, she watched the door. The wind had got up, warm but worrisome, shaking the yellow and red leaves off the sycamore trees and whirring them around the clearing. The kitten tried to bat a few of them out of the air and then sat there, making sad little mewling noises. Any minute now, Granny Weatherwax would think Tiffany had gone and would open the door and— “Forgot something?” said Granny by her ear. She was the bush. “Er...it’s very sweet. I just thought you might, you know, grow to like it,” said Tiffany, but she was thinking: Well, she could have got here if she ran, but why didn’t I see her? Can you run and hide at the same time? “Never you mind about me, my girl,” said the witch. “You run along back to Miss Treason and give her my best wishes, right now. But”—and her voice softened a little—“that was good hiding you did just then. There’s many as would not have seen you. Why, I hardly heard your hair growin’!” When Tiffany’s stick had left the clearing, and Granny Weatherwax had satisfied herself in other little ways that she had really gone, she went back inside, carefully ignoring the kitten again. After a few minutes, the door creaked open a little. It may have been just a draft. The kitten trotted inside...
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
Come on, Bob, kill it!” “I’m trying, Tom. It won’t stop moving.” I looked at Wolf and whispered, “What do you think they are trying to kill?” Wolf shrugged. “Let’s go check it out.” We snuck forward until we could get a visual on what was happening. We saw that there were two large slimes and one baby slime. Judging by the way the large slimes were protecting the baby, I assumed it was their child rather than a random baby slime. The two players were slashing at the large slimes who were trying to defend themselves but failing. Eventually the players chopped the two large slimes into medium slimes, then into small slimes until they had finally killed all the pieces. That left the baby slime all alone. Bob and Tom looked at each other. “I think we should kill it,” said Tom. “Otherwise, it’s going to grow into an adult slime and try to get its revenge on us.” Where have I heard this story before? Bob laughed. “Slimes are stupid. It won’t be able to get revenge because it will be dead.” The players began to move forward to the baby slime. And that’s when something snapped in me. I was reminded of the night my parents sacrificed their lives for me. I couldn’t let this baby slime be killed. I jumped up and rushed to the players. Wolf shout-whispered, “No! Don’t do it!” I didn’t care. I ran up to the two players and without giving them a chance to surrender, mercilessly assassinated them. The baby slime looked at me with fear in its eyes and backed away, fearful that I would kill it too. But I didn’t. I put my sword back into my inventory and reached down and gently picked up the slime. “Can you talk?” I asked. The slime made cooing and booping noises, but apparently was too young to be able to speak yet. “I wish I could talk to you, Child. I would tell you that everything is going to be alright. I’ll be your new guardian.” Wolf arrived by my side a moment later. “It’s not part of the Way to kill players unless the killing falls under a specific rule or arises from self-defense.” I shot a look at Wolf. “I was defending the life of another. Is that not the same as self-defense?” “I guess, but it’s … hurrr … it’s a slime.” “Are you saying a slime has less right to be alive than us?” “I’m not saying that, but now that you mention it….” “Shut up. I’m taking charge of this child.” Wolf shook his head. “You realize that according to the Way, if you take the life of an orphan into your hands you have to protect it and see that it makes it to adulthood, just as I have with you.
Dr. Block (The Ballad of Winston the Wandering Trader, Book 1 (The Ballad of Winston #1))
Lise was lying in bed, in her room, in her flat, in a block of tenement flats six floors up, behind windows that looked out on to the walls of other tenements. Above and below her people were going on with lives. They scraped kitchen stools across floors, opened and shut front doors, turned televisions and radios off and on and shouted messages through the walls of rooms to loved ones or people they lived with. Outside, in the world, people still walked about and did things. For example, they went shopping. They could walk into a shop and not feel faint or dizzy or physically strange just because of the number of people buying things and the number of things available to them to buy all crammed inside the one roofed space with the noise of cash registers rattling out receipts for the bought things and the colours of all the products it was possible to buy swirling
Ali Smith (Hotel World)
So what's going on with you and your boyfriend?" Eli asked me right before he shoved a forkful of eggs into his mouth during breakfast the next morning. I made a face in the direction of my plate before shooting a glance upward to find Gordo’s eyes on me, a smirk on his face. "Mason?" I asked, going back to my food. Eli made a gagging noise, elbowing me hard in the ribs. "I'm not gonna go into details on how disturbing it is that I say ‘your boyfriend’ and you automatically think of fucking Mase." "He's always calling me his wife, or telling people I don't know that we're getting married," I replied, elbowing him back as hard as he got me. It was partially the truth… but mostly, I didn’t want to talk about the man who had been kissing my shoulder hours ago. "I love Mase, but it'll be a sunny day in my asshole before you and him get together," he mumbled. I snorted, biting into my biscuit. "Who the heck else would you be talking about?" I asked, but I knew. Oh, I knew damn well he was referring to Sacha. Freaking Gordo snickered from across the table before putting his hands up in surrender when I glared at him. "I didn’t say anything." "Sacha, Flabby. Sacha. Your boyfriend. Your snuggle bug." Eliza finally answered. Suddenly the half-eaten biscuit on my plate needed to be eaten immediately. I shoved the entire piece into my mouth to avoid the conversation my brother was trying to edge into. I'd had talks about boys with Eli in the past, and they never ended—or started—well. "There's nothing going on between us. We're just friends." Because we were. Eli made a noise that sounded like “hmmph” deep in his throat. It was incredulous and disbelieving. Then he asked the question to prove it, his attention back on his band mate. "Gordo, do you think I'm blind?" Gordo shook his head. "Gaby, do you think I'm blind?" he asked. "Not blind, just dumb.” I smiled. He shot me a frown. A moment later, he threw his arm over my shoulders and started shoving his plate away with his free hand. "Flabby Gaby, that kid is in love with you." In love. With me? I leaned forward and tried to sniff his breath. “Are you still drunk?” But my brother kept talking before I could keep going. "Anyone with eyes and ears knows that guy thinks you shit out Lucky Charms." Gordo and I burst out laughing. "Is that a good thing?" I asked him. Eliza shoved my face away with his palm, ignoring my commentary again. "And I think that you love him, too." The noise that came out of my mouth sounded like a hybrid “moo” and squawk at the same time. "I—,” I slammed my mouth shut before opening it again with a sputter. “What?
Mariana Zapata (Rhythm, Chord & Malykhin)
Two of D’s sisters were now dead, and only Aunt May was left. People said I looked like her, which I couldn’t see at all, because she was dark, going grey, and had brown eyes, and when one kissed her the bones in her cheek felt sharp. She was said to have ‘nerves’. She had a dog called Poolo who smelt. Once, when we were staying at Ramsgate with Big Granny, who had a house there when she wasn’t in London, I was going downstairs by myself, one step at a time, and singing, or rather humming, staring at the model of the tugboat on a shelf which, if I could only touch it, would be the greatest of all possible treats, when suddenly a door on the landing was thrown open and Aunt May came out, her eyes blazing. ‘How dare you make such a noise when I am resting?’ she shouted. I stared, mouth open. I stood quite still. Then without another word she went back into her room and shut the door. The encounter was a shock. I told no one.
Daphne du Maurier (Myself When Young)
Jem was suddenly furious. He leaped off the bed, grabbed me by the collar and shook me. 'I never wanta hear about that court-house again, ever, ever, you hear me? You hear me? Don't you ever say one word to me about it again, you hear? Now go on!' I was too surprised to cry, I crept from Jem's room and shut the door softly, lest undue noise set him off again. Suddenly tired, I wanted Atticus. He was in the living room, and I went to him and tried to get in his lap. Atticus smiled. 'You're getting so big now, I'll just have to hold a part of you.' He held me close. 'Scout,' he said softy, 'don't let Jem get you down. He's having a rough time these days. I heard you back there.' Atticus said that Jem was trying hard to forget something, but what he was really doing was storing it away for a while, until enough time passed. Then he would be able to think about it and sort things out. When he was able to think about it, Jem would be himself again.
Harper Lee (To Kill a Mockingbird)
Instead, I gave them the only salute I could think of. Two middle fingers. Held high for emphasis. The six fiery orbs winked out at once. Hopefully, they’d died from affront. Ben eyed me sideways as he maneuvered from shore. “What in the world are you doing?” “Those red-eyed jerks were on the cliff,” I spat, then immediately felt silly. “All I could think of.” Ben made an odd huffing sound I couldn’t interpret. For a shocked second, I thought he was furious with me. “Nice work, Victoria.” Ben couldn’t hold the laughter inside. “That oughta do it!” I flinched, surprised by his reaction. Ben, cracking up at a time like this? He had such a full, honest laugh—I wished I heard it more. Infectious, too. I couldn’t help joining in, though mine came out in a low Beavis and Butthead cackle. Which made Ben howl even more. In an instant, we were both in stitches at the absurdity of my one-finger salutes. At the insanity of the evening. At everything. Tears wet my eyes as Sewee bobbed over the surf, circling the southeast corner of the island. It was a release I desperately needed. Ben ran a hand through his hair, then sighed deeply. “I love it,” he snickered, steering Sewee through the breakers, keeping our speed to a crawl so the engine made less noise. “I love you, sometimes.” Abruptly, his good humor cut off like a guillotine. Ben’s body went rigid. I felt a wave of panic roll from him, as if he’d accidently triggered a nuclear bomb. I experienced a parallel stab of distress. My stomach lurched into my throat, and not because of the rolling ocean swells. Did he just . . . what did he mean when . . . Oh crap. Ben’s eyes darted to me, then shot back to open water. Even in the semidarkness, I saw a flush of red steal up his neck and into his cheeks. I shifted uncomfortably in my seat. Shifted again. Debated going over the side. Did he really mean to say he . . . loved me? Like, for real? The awkward moment stretched longer than any event in human history. He said “sometimes,” which is a definite qualifier. I love Chinese food “sometimes.” Mouth opened as I searched for words that might defuse the tension. Came up with nothing. I felt trapped in a nightmare. Balanced on a beam a hundred feet off the ground. Sinking underwater in a sealed car with no idea how to get out. Ben’s lips parted, then worked soundlessly, as if he, too, sought to break the horrible awkwardness. A verbal retreat, or some way to reverse time. Is that what I want? For Ben to walk it back? A part of me was astounded by the chaos a single four-word utterance could create. Ben gulped a breath, seemed to reach a decision. As his mouth opened a second time, all the adrenaline in creation poured into my system. “I . . . I was just saying that . . .” He trailed off, then smacked the steering wheel with his palm. Ben squeezed his eyes shut, shaking his head sharply as if disgusted by the effort. Ben turned. Blasted me with his full attention. “I mean it. I’m not going to act—
Kathy Reichs (Terminal (Virals, #5))
You never asked about your present.' 'I assumed I wasn't getting one from you.' He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?' She shrugged. 'I just did.' He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him. Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.' He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring. 'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.' Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?' 'Touch the top. Just a tap.' Throwing a puzzled glance at him, she did so. Music exploded into the room. Nesta leaped back, a hand at her chest as he laughed. But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again. 'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.' 'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled. His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...' He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room. He had done all of this for her. Had found a way for her to have music- always. 'Nesta,' he breathed.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Clarisse would have ignored him if it were not for the fact that as she passed, he took something long, white and oddly familiar from his coat and proceeded to chew on it, as on a peppermint stick. Its end devoured, his extraordinary tongue darted within the white confection, sucking out the filling, making contented noises. He was still crunching his goody as she proceeded up the sidewalk to her house, turned the doorknob and walked in. "Darling?" she called, smiling around. "Darling, where are you?" She shut the door, walked down the hall and into the living room. "Darling. . ." She stared at the floor for twenty seconds, trying to understand. She screamed. Outside in the sycamore darkness, the little man pierced a long white stick with intermittent holes; then, softly, sighing, his lips puckered, played a little sad tune upon the improvised instrument to accompany the shrill and awful singing of Clarisse's voice as she stood in the living room. Many times as a little girl Clarisse had run on the beach sands, stepped on a jellyfish and screamed. It was not so bad, finding an intact, gelatin-skinned jellyfish in one's living room. One could step back from it. It was when the jellyfish called you by name . . .
Ray Bradbury (The October Country)
He tries to put a huge spoon of ice cream in my mouth but I refuse to let him and keep it shut until finally he lets me handle the spoon myself. I gulp a mouthful down making tiny noises because I have swallowed too much and it is freezing my teeth. He is still laughing at me while he waits until my face returns to normal—I have tears in my eyes from the cold—and then says, “So, what do you think? Come on, say you like it.” “It’s… well, it’s intense,” I say. I’m surprising myself. There are unexpected words coming out of my mouth. The ice cream has given me a sudden burst of confidence. “It’s muddy. It’s complicated.” Liam looks at me with a great big grin. “Muddy? Intense? Complicated?” he says. He laughs again. “I’m very surprised you don’t like it. Because if it’s intense, muddy and complicated, it’s exactly like you.” I don’t know what to say. Is he serious, or is this a joke? I just can’t tell so I look at him for a few seconds. Eventually I sign what do you mean? and I see he’s worried. “Oh, no, it’s not bad,” he says. He’s definitely backpedalling. He thinks he has upset me and now he is trying to reassure me. “You know, muddy, intense and complicated in a good way, right?” he says smiling. Now he’s making a joke.
Cecily Anne Paterson (Invisible (Invisible, #1))
It feels like you’re cheating on me,” Draco said. His voice cracked halfway through the sentence. Harry stared at him, his breath caught in his chest. “I know it’s the curse,” Draco said, and had to turn away, sniffing angrily, running his hand over his face. “I know - I know it’s not real. And we hate each other or - politely tolerate each other, or whatever’s been going on, and you and the girl Weasley are -- but it feels like you’re cheating on me.” “Draco,” Harry said. The word sounded like it had been torn out of him. “And it’s like I’m crazy,” Draco continued, eyes huge and hungry, fixed on Harry’s face, “because no one else thinks it’s strange, and I want - I want everyone to notice. I want Weasley to say something about it. But instead it’s - it’s all fucked up, and I can’t tell anyone, and--” “I broke up with Ginny,” Harry said. Draco made a tiny, winded noise and stopped talking, mouth snapping shut, thin face turned towards Harry. Harry swallowed hard and continued, “It hasn’t been right between us for a long time. Not since after the Battle. But, er, we finished it, um, officially. Last night. So.” “Right,” Draco said, voice strange and stilted. “Right. Well.” “I felt like I was cheating on you, too,” Harry said.
aideomai (Dwelling)
A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.
Sue Monk Kidd (The Book of Longings)
But whether I’m on deck or below it, I’ll never be far.” “Shall I take that as a promise? Or a threat?” She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath. Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both. And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.” “Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown. “What the devil are you doing? You think you can just hike up your shift and make-“ “Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five… “There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.” He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.” “I wouldn’t trust you for anything. Not even two shillings.” He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in. “Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor. Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.” “While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.” “Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this. Very. “You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough. “Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?” He had a point there. “I suppose we’re squared away then.” “I suppose we are.” “There’s nothing else I owe you?” His eyes were ice. “Not a thing.” But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know. But he didn’t. He reached for the door. “Wait,” he said. “There is one last thing.” Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric. “There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.” And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded. A lace-trimmed handkerchief, embroidered with a neat S.H.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Slowly and silently, Bentham Rudgutter reached into the bag he carried and brought out the large grey scissors he had had an aide buy in an ironmonger’s on the lowest commercial concourse of Perdido Street Station. He parted the scissors without a noise, held them up in the cloying air. Rudgutter brought the razor edges together. The room reverberated with the unmistakable sound of blade sliding along sharpened blade, and snapping shut with an inexorable division. The echoes trembled like flies in a funnelweb. They slid into a dark dimension at the room’s heart. A gust of cold sent gooseflesh dancing across the backs of those congregated. The echoes of the scissors came back. As they returned and crept up from below the threshold of hearing, they metamorphosed, becoming words, a voice, melodious and melancholy, that first whispered and then grew more bold, spinning itself into existence out of the scissor-echoes. It was not quite describable, heartbreaking and frightening, it tugged the listener close; and it sounded not in the ears but deeper inside, in the blood and bone, in the nerve-clusters. …FLESHSCAPE INTO THE FOLDING INTO THE FLESHSCAPE TO SPEAK A GREETING IN THIS THE SCISSORED REALM I WILL RECEIVE AND BE RECEIVED… In the fearful silence, Rudgutter gesticulated at Stem-Fulcher and Rescue, until they understood, and they raised their scissors as he had done, opened and sharply shut them, slicing the air with an almost tactile sound. He joined in, the three of them opening and closing their blades in macabre applause. At the sound of that snapping susurration, the unearthly voice resonated into the room again. It moaned with an obscene pleasure. Each time it spoke, it was as if what faded into audibility was only a snatch of an unceasing monologue. …AGAIN AGAIN AND AGAIN DO NOT WITHHOLD THIS BLADED SUMMONS THIS EDGED HYMN I ACCEPT I AGREE YOU SLICE SO NICE AND NICELY YOU LITTLE ENDOSKELETAL FIGURINES YOU SNIP AND SHAVE AND SLIVER THE CORDS OF THE WOVEN WEB AND SHAPE IT WITH AN UNCOUTH GRACE From out of shadows cast by some unseen shapes, shadows that seemed stretched-out and taut, tethered from corner to corner of the square room, something stalked into view.
Anonymous
blonde walked into a bar. Sounded like a bad joke, right? Except nobody was laughing. A draft of cold air and expensive perfume billowed in the new arrival’s wake. The door swung shut behind her and the ambient noise petered out as all eyes settled on the strange creature invading our Thursday night routine. She wore sunglasses, blood-red lips and
Paula Black (The Rousing)
It was on the second Tuesday in January - WI night - that winter became a serious and dramatic matter, a cold, tiring, but exhilarating time, at least for the young, and a companionable time for all, when we were stranded, snowbound and sealed off in place and, it seemed, in time too, for the usual pattern of the day’s coming and going was halted. We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.
Susan Hill (The Magic Apple Tree: A Country Year)
I typed the winery address into the GPS and then proceeded to pull out of the rental company driveway. I screeched and slammed on the brakes every four feet until I got out onto the street. There was going to be a learning curve. The GPS lady successfully got me over the Golden Gate, but I didn’t get to enjoy one minute of it. Paranoid that I was going to hit a pedestrian or a cyclist or launch myself off the massive bridge, I couldn’t take my eyes off of the car in front of me. Once I was out of the city, I spotted a Wendy’s and pulled off the highway. GPS lady started getting frantic. “Recalculating. Head North on DuPont for 1.3 miles.” I did a quick U-turn to get to the other side of the freeway and into the loving arms of a chocolate frosty. “Recalculating.” Shit. Shut up, lady. I was frantically hitting buttons until I was able to finally silence her. I made a right turn and then another turn immediately into the Wendy’s parking lot and into the drive-thru line. I glanced at the clock. It was three forty. I still had time. I pulled up to the speaker and shouted, “I’ll take a regular French fry and a large chocolate frosty.” Just then, I heard a very loud, abbreviated siren sound. Whoop. I looked into my rearview mirror and spotted the source. It was a police officer on a motorcycle. What’s he doing? I sat there waiting for the Wendy’s speaker to confirm my order, and then again, Whoop. “Ma’am, please pull out of the drive-thru and off to the side.” What’s going on? I quickly rolled the window all the way down, stuck my head out, and peered around until the policeman was in my view. “Are you talking to me?” To my absolute horror, he used the speaker again. “Yes, ma’am, I am talking to you. Please pull out of the drive-thru.” Holy shit, I’m being pulled over in a Wendy’s drive-thru. “Excuse me, Wendy’s people? You need to scratch that last order.” A few seconds went by and then a young man’s voice came over the speaker. “Yeah, we figured that,” he said before bursting into laughter and cutting the speaker off. The policeman was very friendly and seemed to find a little humor in the situation as well. Apparently I had made an illegal right turn at a red light just before I pulled into the parking lot. After completely and utterly humiliating me, he let me off with a warning, which was nice, but I still didn’t have a frosty. Pulling my old Chicago Cubs cap from my bag, I decided that nothing was going to get in the way of my beloved frosty. Going incognito, I made my way through the door. Apparently the cap was not enough because the Justin Timberlake–looking fellow behind the counter could not contain himself. “Hi,” I said. “Hi, what can I get you?” he said, and then he clapped his hand over his mouth, struggling to hold back a huge amount of laughter and making gagging noises in the back of his throat in the process. “Can I get an extra-large chocolate frosty please, and make it snappy.” “Do you still want the fries with that?” There was more laughter and then I heard laughter from the back as well. “No, thank you.” I paid, grabbed my cup, and hightailed it out of there.
Renee Carlino (Nowhere but Here)
So now here I am, bouncing along in a truck with concrete shocks surrounded by a Hellion legion that smells like a fish-market Dumpster. I’m not usually the dragged-along-for-the-ride type. Usually, I’m the one doing the dragging, but I’m a little out of my depth here. Like Marianas Trench out of my depth. I fought in the arena long enough to know that sometimes the best strategy is to shut up, go along with the game, and make sure that someone is standing in front of me when the tentacles hit the fan. So far though, all my Cool Hand Luke plan has gotten me is a numb ass from sitting and a ringing in my ears from the engine noise. Worst of all, the unicorn is starting to smell good.
Richard Kadrey (The Kill Society (Sandman Slim, #9))
FOES will be the first to scream out all your FAILURES but what they don't know is that they're also unconsciously whispering your SUCCESSES & ACCOMPLISHMENTS... Simply shut out the screams and listen carefully to the WHISPERS because that's all that counts! Sit back, relax and let your SUCCESS make all the noise!
Katlego Semusa
The intruder shifted his weight and pulled the knife back, aiming at Gabriel’s chest. The moonlight glinted off the sharp blade and Gabriel found himself backed up against a wall. There was no escape. Gabriel was going to have to bear the pain of a knife through his chest. He could do it. He would wait until the knife entered his flesh and then he’d snap the Ashman’s neck in half. Yeah. That was a good plan. Just as the knife came toward Gabriel, the Ashman grunted and pulled back, taking a few wobbly steps before falling to the floor. Nate stood to the side, his hands on a large sword jutting from the Ashman’s back. He yanked out the sword, leaving the stranger’s body limp. Nate stepped toward the Ashman’s body, looking him over timidly. Without warning, the intruder rolled over and pulled himself up off the floor. Nate jumped back, lifted the sword in defense, and made a loud noise that sounded something like, “Arrrhh!” Still clutching the bloody knife, the Ashman looked back and forth between Nate and Gabriel. Seeing he was outnumbered, he turned and ran back through the destruction of the living room.Jumping out of the gaping hole from the missing living room window, the Ashman disappeared into the storm A moment passed as Gabriel and Nate stared after their attacker, both of them out of breath. Still badly bleeding, Gabriel turned to Nate and looked at the weapon he held. The sword was oversized, extra shiny and had a very ornate handle. “I don’t remember ever seeing that sword in our arsenal before.” Hunched over and trying to catch his breath, Nate said, “That’s because it’s from my arsenal.” “So, you just had that,” Gabriel nodded at the weapon, “laying around?” Nate righted himself and shrugged. “I’m a Zelda fan.” “Ah.” Gabriel nodded. “And the noise you just made?” “That was my battle cry.” “Really?” Gabriel winced as he took a step forward. “It sounded more like the cry of a wounded animal. A cat, maybe. Or a small monkey.” “Shut up.” Nate looked at Gabriel’s bleeding torso. “Are you okay?
Chelsea Fine (Awry (The Archers of Avalon, #2))
What did you say?” Henry grated. “I said shut up, Henry.” Rachel’s voice was still soft, but the glint in her eyes was fighting mean. “I’ve put up with your cussedness for nigh on nine years. No more. You apologize to Loretta Jane this instant.” “Or you’ll do what?” Rachel lifted a challenging brow. “Well, I reckon you’re too big for me to grab you by the heels and bash your brains. Guess I’ll have to blow them out. Now apologize. I won’t have that kind of talk in my house.” “Your house?” “That’s right.” Henry did an admirable job of trying to appear amused. Placing his hands on his hips, he bent one knee and eyed the rifle. “Rachel, darlin’, you have a gun right now. Here shortly, you’re gonna have to put it down and cook. And when you do, I’m gonna beat the sass plumb out of you. Now I suggest you be the one to apologize. If you do it convincin’ enough, maybe I’ll forgit this ever happened.” Loretta figured the bluff would probably work. Aunt Rachel had never been long on guts, and Loretta didn’t see her getting a goodly supply in the space of ten minutes. Rachel surprised her, though. Instead of apologizing, she set her jaw and raised her chin. “Henry, if you touch me when I’m cookin’, I’ll rip you from stem to bow with my butcher knife. I’ve had it up to my gullet with you.” “Give me that gun!” Henry stomped toward her. Rachel took quick aim. The explosion of noise nearly scared Loretta out of her skin. Henry jumped straight up, clearing the floor by several inches. “Holy Mother, you near shot my foot off, you damned fool woman!” “Next time, I won’t miss.” Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.” “Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted. “And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!” Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?
Catherine Anderson (Comanche Moon (Comanche, #1))
We all know what we really want. The trick is to strip off all the trappings, shut out the noise, and get to the heart of it.
Mary Ellen Taylor (The Words We Whisper)
Shutting out the noise of the world And its violence I learn to listen In the silence Between the words Between the heartbeats For all that is unsaid I learn to hear the pleas of others When they do not know the lingo I learn to read their expressions See their almost-hidden pain Interpret body language and movement To comprehend what the body seeks to teach me There in the silence In the cadaver lab I learn to translate and transmute all of these little “nothings” Into relief for others There in the silence I learn my job My profession My definition My job is to listen
Martina McGowan (I Am the Rage)
Early on in your career, when you’re an individual contributor, you’re graded on the volume and quality of your work. Then one day, all of a sudden, you’re a manager. Let’s assume you do well and move up to manage more and more people. Now you’re no longer paid for the amount of work you do; you’re paid for the quality of decisions you make. But no one tells you the rules have changed. When you hit a wall, you think, I’ll just work harder—that’s what got me here. What you should do is more counterintuitive: Stop for a moment and shut out the noise. Close your eyes to really see what’s in front of you, and then pick the best way forward for you and your team, relative to the organization’s needs. What’s neat about OKRs is that they formalize reflection. At least once each quarter, they make contributors step back into a quiet place and consider how their decisions align with the company. People start thinking in the macro. They become more pointed and precise, because you can’t write a ninety-page OKR dissertation. You have to choose three to five things and exactly how they should be measured. Then when the day comes and someone says, “Okay, you’re a manager,” you’ve already learned how to think like one. And that’s huge.
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
White noise conditions us to accept the status quo. It teaches us to “go along to get along” because it is much easier to tolerate something that feels relatively insignificant than to deal with the inevitable white rage that comes with telling someone they are being racist. White noise teaches us that there are consequences if we speak too loudly about injustice. It teaches us to swallow injustice and indignity because the threat of even worse treatment looms around the corner if we speak out. We learn to make little adjustments and accommodations that seem insignificant at the time but eventually add up. “Going along to get along” buys us the absence of conflict, but the cost is our freedom.
Ally Henny (I Won't Shut Up: Finding Your Voice When the World Tries to Silence You (An Unvarnished Perspective on Racism That Calls Black Women to Find Their Voice))
My nails were digging into his shoulders and I was glad that he’d cast the silencing spell because I was making enough noise to be heard in the party downstairs. Caleb kissed me again then pulled back, pressing his palms to the table on either side of my head as he looked down at me. I reached out between us, exploring his chest with my hands for a moment before he snatched them into his grasp and pinned them above my head. I writhed beneath him as he smiled darkly and increased his pace, pushing me towards the edge. My body flexed and tightened beneath him, my back arching as he drove me on and I cried out as he wrung a wave of pleasure from my flesh. He slowed down a little as I caught my breath, releasing my wrists and kissing my neck. I panted beneath him for a moment before rearing up and rolling him beneath me so that I could sit on top of him instead. Caleb groaned with desire as he looked up at me and I changed the pace again, riding him towards his climax. One of hands reached out to caress my breast while he pushed his other thumb down on the spot at the apex of my thighs, exactly where I wanted him. I tipped my head back, my hair brushing along my spine as my muscles began to tighten around him again. I could feel him losing control too and I bit my lip as I moved a little faster. Pleasure rode through my body and I cried out just as he came apart beneath me, my name spilling from his lips. I collapsed forward onto his chest and lay panting in his strong arms for several long seconds as he trailed his fingers through my hair. “You don’t know how much I’ve been wanting to do that,” Caleb breathed in my ear and I smiled as I turned to press a brief kiss to his lips. “I think you made it pretty clear,” I teased. I climbed off of him and retrieved my clothes from the floor, pulling them back on again as Caleb followed me and did the same. He kept his eyes on me as he pulled his pants back on and moved forward to retie my dress again for me, his fingertips brushing across my neck and sending a shiver along my sensitised skin. He buckled his belt and located his shirt while I ran my fingers through my hair in an attempt to tame it. Caleb waved a hand through the air and I felt the silencing spell dissolve around us. I pushed my feet back into my stilettos and we stood looking at each other with our clothes back on and a secret between us. “I like playing games with you, Tory,” Caleb said as he moved towards me. “I didn’t entirely hate it,” I admitted. “Sorry I’m not more... horsey,” I added with a smirk, unable to help myself. “That fucking rumour,” he growled, but there wasn’t really any anger in his tone after what we’d just done. “I heard you like it when they shove their horn up your-” “Shut up. I just showed you exactly what I like.” He snorted a laugh. “Mmm... Maybe I’ll let you show me it again some time.” (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
I gagged. It was not air. It was cold, it smelled like the hiss of gas in a cellar, it had echoes in it, it rang like metal footsteps, it hissed, cell doors clanged shut, I heard my voice calling to me down long stone corridors, I could not breathe. I knew I must not lose consciousness. I fought. I shook my head, I could not free myself. And now great swirls of colored light advanced toward me, spinning like pinwheels, revolving so fast they seemed to scream. And then the light was splintering and flying toward me, needles of it stinging me, flying past me, yellow and red stings, and now a roaring sound filled my head and began to pulsate. And all this swirling light and roaring screaming noise popped into Donald Duck looming up from a point, and he spoke and clacks came out of his mouth, and then Mickey Mouse loomed up in front of me and made horrible faces, and spoke in clacks or roars, and they were laughing at me and shaking their fists and showing their teeth. And I couldn’t help it, now I was breathing in this terrible gas in a white tiled swimming pool or corridor whose walls moved in toward me and then outwards. I was falling through my Compton’s Picture Encyclopedia article on the sea and these underwater animals were laughing in my ears, but the laughter pulsated like a machine, and I couldn’t stop breathing even though I knew it was the machine breathing. The smell was cold, the hiss grew softer. I felt as if I were under the sea but breathing under the sea somehow this air that was the only thing left to breathe in all this cold floating.
E.L. Doctorow (World's Fair)
But there is a great difference between a noise heard letting you in with your friends in the morning, and a noise heard alone at nightfall, shutting you out.
C.S. Lewis (The Horse and His Boy (Chronicles of Narnia, #3))
Imagine us as simpler beings, wired to be on the alert for incongruity because anything out of the ordinary might kill us. When incongruity is recognized—a shadow at the wrong time, an unfamiliar noise in the jungle—all our red flags go up, our hackles are raised, our bodies are flooded with adrenaline, and our pulses pound. Fear and/or aggression surge as we prepare to fight, flee, or die. And then the incongruity turns out to be harmless. Suddenly, all the switches are shut off and we are awash in the release of tension. The sensation is a chemical rush, an exciting physiological change which our bodies experience as we come down. We associate this feeling with relief, triumph, celebration. We look at our fellow pre-language, proto-humans as we vocalize our gasps of relief—do you feel this too? Did
Dan O'Shannon (What Are You Laughing At?: A Comprehensive Guide to the Comedic Event)
Oh God!” he gasped. “Oh, shit. I…” he pulled his hips back. “Look out.” But I didn’t want to look out. I went up onto one elbow and leaned over his body, bathing his cock with my mouth. The first salty spurt still took me by surprise, so I swallowed on instinct. Then I just kept swallowing, keeping up with all the creamy seed he gave me. And Caleb made noises like the world was ending. And it occurred to me that nobody had ever done this for him before. Maybe I’d craved him all my life, but I was his first, too. I felt powerful because of it. By the time it was over, Caleb lay spread-eagled on the sheets, his chest heaving. His eyes were shut, but he spoke. “All right. If I died right now, I’d still have lived a very full life.” That just made me smile. “Don’t, though,” I said, dropping a hand onto his muscular thigh.
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
It’s in that second that I realize my front door is open, and then Logan charges across the room like a bull and hits Trip in the side, tumbling with him to the floor. “Logan!” I cry, tugging on his shoulder. He has his hands around Trip’s throat and noises are coming from his mouth that I don’t understand. I’ve never seen him this angry, but apparently intense emotion affects his speech. Trip grunts from beneath him, and I see what’s going to happen before it ever does. Trip reaches for an urn that’s on the floor by the couch, and he picks it up to hit Logan over the head with it. It bounces off his back, though, and just tumbles to the floor. It’s plastic, so I don’t know what Trip thought he was going to do with it. “Let him up, Logan,” I say, getting my face down near his. “Let him up. He’s drunk.” He doesn’t let him up, though. He keeps his knee on Trip’s chest. He’s not hurting him, but he’s holding him there. “What the fuck was he doing to you that made you slap him?” he asks. “He’s drunk. Let him up so he can go to bed.” Logan takes his thumbs off Trip’s windpipe, and Trip draws in a huge gulp of air. “Call the cops, Emily,” Trip starts screaming. Logan tightens his grip again. “He has to shut the fuck up if he wants me to let him up.” He looks down at Trip. “I hate a fucking drunk,” he says. “I’m going to let you up, and you’re going to go to your room. Do you understand?” Trip nods. Logan steps back, and Trip scrambles to his feet, nearly falling over in the process. “I should call the cops.” “So I can tell them how you were assaulting me?” I ask. He looks confused. “I just wanted to kiss you,” he whines. He’s not pretty when he drinks. Not at all. I shake my head. “But I didn’t want to be kissed.” I blow out a huge breath. I feel as though someone pulled the stopper on a big balloon inside me. “Go to bed, Trip. We’ll talk tomorrow.” Trip nods, unsteady on his feet. He goes into his room and closes the door.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
I hate him.” She repeats it louder. “I hate him!” She shouts it at the sky, even though it’s hard to shout lying down: “I! Hate! Luke! Willis!” Rachel asks, “But what did he do?” Hallelujah can hear Jonah waiting for her answer. She knows he’s waiting because he’s stopped making fire-building noises. He’s silent. Completely. She takes a deep breath. “He told a lie about me. Actually, a lot of lies. And people believed him. The grown-ups, because he’s the preacher’s son and he’d never do something bad. And everyone our age—because he’s popular and you don’t question the popular guy, because if you do, you’ll stop being popular yourself. Or you’ll never get the chance. And because of what he said, my parents stopped trusting me. I lost friends. I was just this loser who—” She breaks off. Now she’s talking to Jonah. Even though he’s behind her and she can’t see him. “It doesn’t matter what you saw that night, or what he told you happened. Luke treated me like I was nothing, and you let him do it.” Jonah doesn’t answer. “But that’s not what makes me the maddest,” Hallelujah continues, pushing up to sit. “What makes me the maddest is that I let it happen too. I didn’t stand up for myself. And when someone did tell me to stand up for myself, I got so mad—” Sarah. She feels the emotion of their argument wash over her, fresh. “I pushed her away. I told her she didn’t understand anything. But she was right. I became this girl who wouldn’t stand up for herself. The quiet girl. The nothing girl. I just wanted it all to stop, but from the outside, without me having to make it stop. And I wanted to get away, but I figured, hey, college will get here eventually and then I’ll be away, I just have to get there, and all the while I’m miserable, and I’m letting you guys make me miserable, letting you make me think I’m supposed to be miserable, that I’m supposed to be quiet, and I’m shutting people out, people who maybe actually care, and I hate myself for it.” An abrupt stop. The train of thought hits a wall. She’s never said that before. Never thought it before. Not consciously. But she knows, deeper than she’s ever known anything, that it’s true. Hallelujah has spent six months hating herself for being weak and silent and for letting bad things happen and for not fighting.
Kathryn Holmes
This Blue Coat’s woman?” he demanded, gesturing toward Lily. Caleb shook his head. “She’s her own woman. Just ask her.” Lily’s heart was jammed into her throat. She had an urge to go for the rifle again, but this time it was Caleb she wanted to shoot. “He lies,” she said quickly, trying to make sign language. “I am too his woman!” The Indian looked back at his followers, and they all laughed. Lily thought she saw a hint of a grin curve Caleb’s lips as well but decided she must have imagined it. “You trade woman for two horses?” Caleb lifted one hand to his chin, considering. “Maybe. I’ve got to be honest with you. She’s a lot of trouble, this woman.” Lily’s terror was exceeded only by her wrath. “Caleb!” The Indian squinted at Lily and then made an abrupt, peevish gesture with the fingers of one hand. “He wants you to get down from the buggy so he can have a good look at you,” Caleb said quietly. “I don’t care what he wants,” Lily replied, folding her trembling hands in her lap and squaring her shoulders. The Indian shouted something. “He’s losing his patience,” Caleb warned, quite unnecessarily. Lily scrambled down from the buggy and stood a few feet from it while the Indian rode around her several times on his pony, making thoughtful grunting noises. Annoyance was beginning to overrule Lily’s better judgment. “This is my land,” she blurted out all of a sudden, “and I’m inviting you and your friends to get off it! Right now!” The Indian reined in his pony, staring at Lily in amazement. “You heard me!” she said, advancing on him, her hands poised on her hips. At that, Caleb came up behind her, and his arms closed around her like the sides of a giant manacle. His breath rushed past her ear. “Shut up!” Lily subsided, watching rage gather in the Indians’ faces like clouds in a stormy sky. “Caleb,” she said, “you’ve got to save me.” “Save you? If they raise their offer to three horses, you’ll be braiding your hair and wearing buckskin by nightfall.” The Indians were consulting with one another, casting occasional measuring glances in Lily’s direction. She was feeling desperate again. “All right, then, but remember, if I go, your child goes with me.” “You said you were bleeding.” Lily’s face colored. “You needn’t be so explicit. And I lied.” “Two horses,” Caleb bid in a cheerful, ringing voice. The Indians looked interested. “I’ll marry you!” Lily added breathlessly. “Promise?” “I promise.” “When?” “At Christmas.” “Not good enough.” “Next month, then.” “Today.” Lily assessed the Indians again, imagined herself carrying firewood for miles, doing wash in a stream, battling fleas in a tepee, being dragged to a pallet by a brave. “Today,” Lily conceded. The man in the best calico shirt rode forward again. “No trade,” he said angrily. “Blue Coat right—woman much trouble!” Caleb laughed. “Much, much trouble,” he agreed. “This Indian land,” the savage further insisted. With that, he gave a blood-curdling shriek, and he and his friends bolted off toward the hillside again. Lily turned to face Caleb. “I lied,” she said bluntly. “I have no intention of marrying you.” He brought his nose within an inch of hers. “You’re going back on your word?” “Yes,” Lily answered, turning away to climb back into the buggy. “I was trying to save myself. I would have said anything.” Caleb caught her by the arm and wrenched her around to face him. “And there’s no baby?” Lily lowered her eyes. “There’s no baby.” “I should have taken the two horses when they were offered to me,” Caleb grumbled, practically hurling her into the buggy. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Ruxs gripped Green’s rigid length, slowly stroking the base while he licked around the head. Sucking and nibbling lightly on the sensitive nerves. “Damnit.” Green moaned, wanting to thrust deeper into Ruxs’ sexy mouth. He cupped his hand on Ruxs’ jaw, the other hand on the back of his head. He pushed, wanting Ruxs to take him deeper, wanting Ruxs to put in more work. He could feel the flat of that warm tongue sliding up and down his shaft, the noises Ruxs made while he sucked him driving him insane with desire. He pushed some more and heard Ruxs gag and Green almost came right then. “Fuck yeah.” He pushed Ruxs head down again. His lover didn’t fight him. He went down, trying to take as much in as he could, choking when he had taken only half of Green’s length. “Shit. Yes. Choke on my cock, baby.” Green watched Ruxs’ every move. Felt his throat working under his palm. “That’s it, deeper. Ahhh.” Ruxs couldn’t take Green all the way down, but how hard he was trying was making Green’s toes curl and his spine tingle. Ruxs choking and spitting on his dick was a crazy fuckin’ turn-on for him. Ruxs gagged hard, pulled off him coughing and cursing like he was angry. “Fuck. Chris. Big fuckin’ dick.” Ruxs jerked him fast and hard, bending back down and sucking on the head. “Gonna make me come, babe. Shit. Just like that.” Green’s thighs flexed and his balls drew up tight against him. He reached under Ruxs’ body and pinched both of his nipples, hard, twisting them, enjoying the sharp crying sound Ruxs made around his dick. Green squeezed his eyes shut, his orgasm ravaging his body as he threw his head back, cursing in a low, growling timber. “Fucking, coming.” The first jolt from him had white lights dancing behind his eyelids. He let go of Ruxs’ abused nipple, gripping the back of his neck with both hands, forcing him down again. A powerful tremor shook him as he released more and more into that sexy mouth. Ruxs gagged again and Green saw his come leaking out of Ruxs’ mouth. He took his thumb and shoved it back in. His thumb and cock, spreading Ruxs’ plump lips. He held back his shouts as much as he could. But damn. Ruxs had him crazy with lust. Seeing and hearing Ruxs gag trying to take him deep, watching his come flood his mouth. Fuck! He’d never seen anything more erotic. 
A.E. Via (Here Comes Trouble (Nothing Special #3))
They spent three more long days in the whitened mountain ash trees on the whitened bay. Tatiana baked pies in Nellie’s big kitchen. Alexander read all the papers and magazines from stem to stern and talked post-war politics to Tatiana and Jimmy, and even to indifferent Nellie. In Nellie’s potato fields, Alexander built snowmen for Anthony. After the pies were in the oven, Tatiana came out of the house and saw six snowmen arrayed like soldiers from big to little. She tutted, rolled her eyes and dragged Anthony away to fall down and make angels in the snow instead. They made thirty of them, all in a row, arrayed like soldiers. On the third night of winter, Anthony was in their bed restfully asleep, and they were wide awake. Alexander was rubbing her bare buttocks under her gown. The only window in their room was blizzarded over. She assumed the blue moon was shining beyond. His hands were becoming very insistent. Alexander moved one of the blankets onto the floor, silently; moved her onto the blanket, silently; laid her flat onto her stomach, silently, and made love to her in stealth like they were doughboys on the ground, crawling to the frontline, his belly to her back, keeping her in a straight line, completely covering her tiny frame with his body, clasping her wrists above her head with one hand. As he confined her, he was kissing her shoulders, and the back of her neck, and her jawline, and when she turned her face to him, he kissed her lips, his free hand roaming over her legs and ribs while he moved deep and slow! amazing enough by itself, but even more amazingly he turned her to him to finish, still restraining her arms above her head, and even made a brief noise not just a raw exhale at the feverish end...and then they lay still, under the blankets, and Tatiana started to cry underneath him, and he said shh, shh, come on, but didn’t instantly move off her, like usual. “I’m so afraid,” she whispered. “Of what?” “Of everything. Of you.” He said nothing. She said, “So you want to get the heck out of here?” “Oh, God. I thought you’d never ask.” “Where do you think you’re going?” Jimmy asked when he saw them packing up the next morning. “We’re leaving,” Alexander replied. “Well, you know what they say,” Jim said. “Man proposes and God disposes. The bridge over Deer Isle is iced over. Hasn’t been plowed in weeks and won’t be. Nowhere to go until the snow melts.” “And when do you think that might be?” “April,” Jimmy said, and both he and Nellie laughed. Jimmy hugged her with his one good arm and Nellie, gazing brightly at him, didn’t look as if she cared that he had just the one. Tatiana and Alexander glanced at each other. April! He said to Jim, “You know what, we’ll take our chances.” Tatiana started to speak up, started to say, “Maybe they’re right—” and Alexander fixed her with such a stare that she instantly shut up, ashamed of questioning him in front of other people, and hurried on with the packing. They said goodbye to a regretful Jimmy and Nellie, said goodbye to Stonington and took their Nomad Deluxe across Deer Isle onto the mainland. In this one instant, man disposed. The bridge had been kept clear by the snow crews on Deer Isle. Because if the bridge was iced over, no one could get any produce shipments to the people in Stonington. “What a country,” said Alexander, as he drove out onto the mainland and south.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
The screen door banged open, and Tessa traipsed out the door. With a flourish, she turned a wicker porch chair to face the swing and plopped down in it. “Tessa Gregory, what are you doing out here?” Charlotte snapped. Propping her hand beneath her chin, she stared at George. “Chaperoning.” Charlotte jumped to her feet, rattling the chains of the swing. She grabbed her sister’s hand and yanked her out of the chair. “You get back inside this instant. We want some privacy.” “So you can . . .” Tessa puckered her lips and gave an exaggerated smack in George’s direction. With a firm grasp around Tessa’s arm, Charlotte opened the screen door, shoved her sister inside, and slammed the door shut. Instead of disappearing, Tessa stood at the screen, adding a few more loud smacking noises.
Lorna Seilstad (When Love Calls (The Gregory Sisters, #1))
The message shut, then the cube slot made a soft noise. Deleting. No doubt my contact would physically destroy it after I had gone. Efficient and precise, like his words had been. Just enough to remind me what I wanted and couldn't have. And even knowing that, I wanted it still. I'd only been on Macedon for a few weeks. Niko had stayed with me and trained me for over a year. What sacrifices had he made to keep me? What did I have to do to keep him? I knew what. My heart pounded it out in my ears, like a protest. I'd play his message through my mind for a long time; I already had it memorized. Ritlua. He'd taught me a new word.
Karin Lowachee (Warchild (Warchild, #1))
How quiet it is,' Danny said, digging in his knapsack for the canteen full of water he had brought. 'You don’t realize how scary it is, having a whole mountain on top of you, until you’re in the dark as I was in that tunnel, or when you begin hearing the silence.' 'I didn’t know you could hear silence,' said Irene. 'Then just listen.' They sat still, and Danny added, 'Put out the flashlights for a minute.' In the dark, they understood what he meant. All the familiar noises of the upper world were gone: the wind, the rustle of branches or leaves, the chirping of birds, the sounds of automobiles and doors slamming, and people laughing. There was nothing but the faint tinkle of droplets of water, each drop like a distant musical chime, and each one pursued by tiny echoes. Then, after such a note had sounded there would be a long and empty quiet in which they could hear their own breathing and the steady beating of their hearts. They found themselves straining their eyes to see something, anything — the slightest sign of light, but they could not even tell the difference between opening their eyes and shutting them. Irene burst out suddenly, 'Put on the lights!' Danny let out his breath with a whoosh. They all snapped on their lamps, and as the welcome light flooded the chamber, he said, 'It’s — it’s like being buried alive.' 'Don’t let’s try that experiment again,' Irene said, with a shiver. 'I just hope we get out of here before our flashlights give out.
Jay Williams (Danny Dunn and the Fossil Cave (Danny Dunn, #6))
They have a piano in town," Cade said. He'd stood outside Clark's barn any number of times, listening to the intertwining of notes, contemplating making such a joyful noise. The player hadn't been expert, but he'd never heard anything like it before. Apparently this was news to Lily. She looked up at Cade with something akin to excitement burning in the pale blue of her eyes. "Really? Why didn't anyone tell me?" Then she shut up and her gaze drifted to the pasture beyond the trees. Her husband had known. He could see that suspicion forming on her face. "I suppose that's what they do in town on Saturday nights," she murmured. "Jim told me it was too rowdy to stay after dark." "The other women stay," Cade said without inflection. Lily had never been close to her sisters, but she had grown up in a household of females and missed the feminine discussions and laughter and shared secrets. Juanita couldn't fill that need entirely; she had been too damaged by her past. Lily didn't know much about the town ladies, but there was no reason she couldn't meet them somehow, if she put her mind to it. "I wish I could hear the piano," Lily said. Actually, she wished she had a right to play the piano, but that was beyond her ability to speak. "I'll take you in if you wish to go." Lily surprised herself by saying, "I would like that, thank you. I don't think Juanita would mind watching Serena, and my father can look after Roy. Do they have other instruments besides the piano?" Cade stroked the flute as he gazed on the woman sitting boldly in the grass before him. He had never met anyone quite like her before. She was white and female, which should put her completely out of bounds for any conversation at all. But she was his boss, and as such, there had to be a certain amount of communication. She wore trousers like a man, and to a certain extent she spoke like a man, but he couldn't treat her with the same deference as Ralph Langton or with the scorn he felt for the ignorant farmhands he worked with. If she had been a whore, he could have had certain expectations, but she was a lady. How the hell should he treat a lady who wore pants? "Fiddles, sometimes," he responded while he struggled with the problem. "Is there dancing?" she asked anxiously. It was then that Cade realized that this woman didn't see categories as other people did. She saw people through the eyes of a child, as they related to her. It was rather amusing to realize that he had been avoiding her to keep from offending her ladylike sensibilities, when she was more likely offended by his avoidance than his presence. That's what he got for assuming all white women were alike. "They dance," he agreed. Cade
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Sometimes it's just a zen thing and it means shutting the noise out and forming a plan and realizing that as long as it's not going to kill you then you just need to breathe and move past it,
Chuck Wendig
managed to snag the last available table and all three ordered the special with sweet tea to drink. “It’s like Thanksgiving,” Shiloh said. “Not for me. Thanksgiving was working an extra shift so the folks with kids could be home for the day. Christmas was the same,” Bonnie said. Abby shrugged. “The army served turkey and dressing on the holidays. It wasn’t what Mama made, but it tasted pretty damn good.” Since it was a special and only had to be dipped up and served, they weren’t long getting their meal. Abby shut her eyes on the first bite and made appreciative noises. “This is so good. I may eat here every Sunday.” “And break Cooper’s heart?” Bonnie asked. “Hey, now! One night of drinking together does not make us all bosom buddies or BFFs or whatever the hell it’s called these days.” Abby waved at the waitress, who came right over. “I want this plate all over again,” she said. “Did you remember that we do have pie for dessert?” the waitress asked. “Yes, I’ll have two pieces, whipped cream on both. What about you, Shiloh?” She blushed. “I shouldn’t, but . . . yes, and go away before I change my mind.” “Bonnie?” Abby asked. Bonnie shook her head. “Just an extra piece of pie will do me.” “So that’s two more specials and five pieces of pie, right?” the waitress asked. “You got it,” Abby said. “I’m having ice cream when we finish with hair and nails. You two are going to be moaning and groaning about still being too full,” Bonnie said. “Not me. By the middle of the afternoon I’ll be ready for ice cream,” Abby said. “My God, how do you stay so small?” Shiloh asked. “Damn fine genes. Mama wasn’t a big person.” “Well, my granny was as wide as she was tall and every bite of food I eat goes straight to my thighs and butt,” Shiloh said. “But after that wicked, evil stuff last night, I’m starving.” “It burned all the calories right out of your body,” Abby said. “Anything you eat today doesn’t even count.” “You are full of crap,” Shiloh leaned forward and whispered. The waitress returned with more plates of food and slices of pumpkin pie with whipped cream, taking the dirty dishes back away with her. Bonnie picked up the clean fork on the pie plate and cut a bite-size piece off. “Oh. My. God! This is delicious. Y’all can eat Cooper’s cookin’. I’m not the one kissin’ on him, so I don’t give a shit if I hurt his little feelin’s or not. I’m comin’ here for pumpkin pie next Sunday if I have to walk.” “If Cooper doesn’t want to cook, maybe we can all come back here with him and Rusty next Sunday,” Abby said. “And if he does?” Shiloh asked. “Then I’m eating a steak and you can borrow my truck, Bonnie. I’d hate to see you walk that far. You’d be too tired to take care of the milkin’ the next day,” Abby said. “And you don’t know how to milk a cow, do you?” Bonnie’s blue eyes danced when she joked. Abby took a deep breath and told the truth. “No, I don’t, and I don’t like chickens.” “Well, I hate hogs,” Shiloh admitted. “And I can’t milk a cow, either.” “Looks like it might take all three of us to run that ranch after all.” Bonnie grinned. The waitress refilled their tea glasses. “Y’all must be the Malloy sisters. I heard you’d come to the canyon. Ezra used to come in here pretty often for our Sunday special and he always took an extra order home with him. Y’all sound like him when you talk. You all from Texas?” “Galveston,” Abby said. “Arkansas, but I lived in Texas until I graduated high school,” Shiloh said. The waitress looked at Bonnie. “Kentucky after leavin’ Texas.” “I knew I heard the good old Texas drawl in your voices,” the waitress said as she walked away. “Wonder how much she won on that pot?” Abby whispered. Shiloh had been studying her ragged nails but she looked up.
Carolyn Brown (Daisies in the Canyon (The Canyon #2))
Contemplate without thinking. Be certain only in your uncertainty, content to be completely incomplete. Stop the rush. Slow down time. Breathe and notice. Slow down everything. Let it all be. Shut off the noise. Hush. Relax. Seize this higher moment. Reconnect. Feel and sense what surrounds you. Listen to all the colours of light whisper as they envelope you. See the melody and harmony that float about unnoticed. Taste the solitude of all this wonderment. Smell the beautiful silence. Now discover your peaceful serenity. Then, reach out and touch your faith with all your senses. This is my world. Awaken!
D. Bodhi Smith (Bodhi Simplique Part Sept)
There was a scraping noise somewhere beneath her feet—close, as if someone was running a fingernail along the ceiling below. Celaena slammed the book shut and stepped away from the table. The hair on her arms rose, and she almost stumbled into the nearest table as she waited for something—a hand; a wing; a gaping, fanged mouth—to appear and grab her. “Do you feel that?” she asked Chaol, who slowly, maliciously grinned. He held out his dagger and dragged it on the marble floor, creating the exact sound and feeling. “Damned idiot,” she snarled.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
My sleepy little dancer,” he murmurs, and I feel him lift one of my legs and then the other. He’s sliding panties up my thighs but stops to lean over the bed and runs his finger down my slit. I hear him make a noise and feel his hot breath on my pussy. His tongue darts out and flicks along the wet seam of my pussy before finding my clit. My hips jerk, but my eyes stay shut. “Are you going to have sweet dreams of your grandfather licking your cunt? Do you want to come all over my face?
Rory Ireland (Little Dancer)
Usually, I only relax when I'm alone with a good book. That's the only time I can shut out everyone else's expectations.
Crystal Kaswell (Dangerous Rock (Dangerous Noise #3))
I had always used my ears as filters - for shutting noise out - rather than as portals allowing large amounts of information in. A fine microphone system lets me differentiate between what to listen TO and what to listen FOR.
Bernie Krause (The Great Animal Orchestra: Finding the Origins of Music in the World's Wild Places)
The pecking noises make me uneasy, and I shut my eyes hoping to shut out the noise, too. I can't see why, no I can see why Chef Sakamoto is infatuated with her. So who is that boy who cut the salmon shioyaki for her? I must tell him, I must tell him. She is cheating on you, your photographer girlfriend!
Wan Phing Lim (Two Figures in a Car and Other Stories)
For the moment he had shut his ears to the remoter noises and was listening to the stuff that streamed out of the telescreen. It appeared that there had even been demonstrations to thank Big Brother for raising the chocolate ration to twenty grammes a week.
George Orwell (1984)
As she worked, her face was soft, her gaze blinkless, her body outwardly relaxed, nearly motionless. But inside her head there was a relentless noise, and to shut it out she started counting her records and then counting sheep. One sheep, two sheep. three sheep ... two hundred and fifty sheep think of nothing but sheep. Calm, she thought, calm.
Paullina Simons (Tully)
Changing your mindset, acknowledging that shootings happen, and that one could happen to you, are also important. The loud noise may be a car backfiring or a balloon popping. But what if it is a gunshot? If you assume wrong, you could be dead. If you jumped up and shut your already locked door and prepared to deny access, escape or fight and it turns out that it was a balloon popping, what is the harm? A little embarrassment? You can live with that. The key word being live. If you are in a public place and hear something that might be gunshots, don’t rationalize them away as something else. I’d rather you be embarrassed because you immediately exited the building in the opposite direction from the sounds, than become a victim. Better to be embarrassed than dead.
Alain Burrese (Survive A Shooting: Strategies to Survive Active Shooters and Terrorist Attacks)
My dad loved to drive, but more than that he hated to stop. This made him at best a questionable tour guide. The hours would drone on as we crisscrossed the country in the dank and ever more malodorous car. The four of us would grow restless and cramped in the backseat, perennially arguing with each other and inventing games to fight off the monotony. My dad would press forward relentlessly, trying to make six hundred miles a day, every now and then invoking the three shut-ups rule and lashing out into the noise and cramped restlessness of the backseat. In the front seat my mom would patiently act as his navigator, reading the map, periodically making Wonder Bread and lunchmeat sandwiches, and now and then twisting the dial on the radio to try to find some music and local news. I finally figured it out. My dad’s mind had been shaped by flying a B-29 bomber on long-range missions. As he drove, my mother became the navigator, and we were the crew, although it wasn’t clear whom he wanted to bomb. You could see the business in his eyes. He smoked constantly, the strong odors of his Camel or self-rolled cigarettes or of his weird metal-stemmed pipe piercing our nostrils and often bringing the rear windows down, even in the most brutal heat of the day. His eyes were intent, never leaving the road in front of us. But every now and then an alert for a coming historical marker would pop up along the side of the road, causing my dad to suddenly snap out of his trance and remember that this was not actually his air crew sitting in the backseat. A teachable moment had arrived, giving him a quick opportunity to exercise his parenting skills and a chance to shower us with some much-needed cultural immersion. “Okay, guys, historical marker coming up on the right. I’m going to slow down to forty-five miles an hour. There it is, here it comes! Jim, read the SIGN!” I
James Webb (I Heard My Country Calling: A Memoir)
A normal work day at best contains eight hours of meetings, a few hours to respond to emails. It all blurs together. The only time to shut out the world is when I exercise, surf, take a shower or sit on the toilet. That’s when new solutions surface.
Erling Kagge (Silence: In the Age of Noise)
Delilah discretely checked her watch, wondering how long she needed to stay in order to politely tap out and call it a night. At least another half hour. No, make that twenty minutes. She wouldn’t survive another half hour. She was so focused on appearing focused on Jeff, that she felt the harsh shove at her hip before she saw anything. Jostled to the side, she looked up, startled, already having figured out that someone had slid into the booth next to her, mercilessly bumping her out of the way. She could not have been more surprised to see Brandon or the sweet smile that spread across his face at the sight of her. Blinking a few times, she rapidly took in the scene, once again regretting that she hadn’t finished that second forget spell on him. She also saw that Jeff was just mortified by the intrusion. At least it shut him up for a moment. Before she could think of anything to say, Brandon gave her a sad pitying look and odd words started tumbling from his lips. “Lilah, baby, come home.” “Huh?” What the hell was he talking about? Jeff’s spine got straighter, if that was possible. He huffed and crossed his arms. Brandon gazed deeply into her eyes and kept talking. “We miss you.” We? “Delilah,” Jeff’s tone demanded attention and both she and Brandon turned to face the other man. “Do you know this . . . gentleman?” Clearly ‘gentleman’ was not what he thought Brandon was. Delilah thought maybe ‘insane asylum inmate’ was a better option. What did Brandon mean, ‘we’? She took a sip of her drink to cover for her confusion. Brandon put his right hand out across the table as though to introduce himself, his left arm snaked possessively around Delilah’s shoulders, but she was too confused to react. “I’m Brandon Stewart. Delilah’s husband.” Immediately she choked. Husband? Her wide eyes swung to his face, only to find that he looked perfectly serious. He gave her a sad smile as Jeff voiced her concerns. “Husband?” Brandon didn’t take his eyes off hers. Even as she sat there choking on her drink. Not that he volunteered to hit her on the back or ask if she was going to survive. He just looked sad. “Baby, have you been dating again? You know the doctors think that’s a bad idea.” Then, he turned his sympathetic face to Jeff, “She isn’t well.” That was it! Her anger poured out in her voice, which she barely managed to keep from screeching above the noise level and broadcasting to the entire bar. “Brandon!” Jeff looked taken aback. “You know him? Are you married?” “No!” She shook her head violently. What was Brandon doing? He made his next play before she could form words. “She’s not only married, we have a family.” He shifted his weight, pressing intimately along her from shoulder to thigh, as he fished in his pants pocket for his wallet. He drew out the leaning and fishing a little longer than necessary. Especially considering she was boiling mad. She was married? To him? He deftly plucked a studio portrait of two small children, clearly his own. Delilah had to hand it to him, the little blonde-haired, blue-eyed cuties could easily have been hers. One boy and one girl smiled at the camera, sweet and perfect for all the world, heads pressed together. Brandon made sure she saw the photo before he handed it over to Jeff. “That’s our Tiger and Muffin there. Well,” He smiled like he was all chagrined, “Tyler and Madison.” Then he turned to her, still sweet and sad. “You can’t do this again, baby. Come home.” She simmered, but didn’t speak.
Savannah Kade