Shuffle Quotes

We've searched our database for all the quotes and captions related to Shuffle. Here they are! All 100 of them:

To die, - To sleep, - To sleep! Perchance to dream: - ay, there's the rub; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life;
William Shakespeare (Hamlet)
Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.
Margaret Atwood
To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd!
William Shakespeare (Hamlet)
Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other's world entire.
Cormac McCarthy (The Road)
I begin to long for some little language such as lovers use, broken words, inarticulate words, like the shuffling of feet on pavement.
Virginia Woolf (The Waves)
It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army. Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating . . . "Aaaaw," squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!" Scarlet cringed. "He did not--that wasn't--" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?" "Is she blushing? She sounds like she's blushing." "She's blushing," Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered--
Marissa Meyer (Cress (The Lunar Chronicles, #3))
It's beginning to feel like he's shuffling his way through the seven deadly sins, in ascending order of my favourites.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
They say the cure is about happiness, but I understand now that it isn't, and it never was. It's about fear: fear of pain, fear of hurt, fear, fear, fear - a blind animal existence, bumping between walls, shuffling between ever-narrowing hallways, terrified and dull and stupid.
Lauren Oliver (Delirium (Delirium, #1))
Did you know that she was cyborg?” asked a woman in an unhidden tone of disgust. Kai stared at her, appearing confused, then let his gaze dance over the crowd. He shuffled his feet closer to the podium, a wrinkle forming on the bridge of his nose. Cinder bit the inside of her cheek and braced herself for adamant disgust. Who would ever invite a cyborg to the ball? But instead, Kai said simply, “I don’t see that her being cyborg is relevant. Next question?” Cinder’s metal fingers jolted.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
ubiquitous, adj. When it’s going well, the fact of it is everywhere. It’s there in the song that shuffles into your ears. It’s there in the book you’re reading. It’s there on the shelves of the store as you reach for a towel and forget about the towel. It’s there as you open the door. As you stare off into the subway, it’s what you’re looking at. You wear it on the inside of your hat. It lines your pockets. It’s the temperature. The hitch, of course, it that when it’s going badly, it’s in all the same places.
David Levithan (The Lover's Dictionary)
In point of fact, life may be just a shaky expectation, inasmuch as everyone realizes that the cards have often been shuffled, well in advance.
Erik Pevernagie
Truth and facts often have a contrary message with a trying mission to show the cards' real color shuffled in the rough-and-tumble of our social and political arena. ("Imbroglio")
Erik Pevernagie
Thorne shuffled his feet. “You know, if it was a bad kiss, you can just say so.” She stiffened. “That’s not at all what I … Wait. Did you think it was a bad kiss?” “No,” he said, with an abrupt, clumsy laugh. “I thought it was … um.” He cleared his throat. “But there were clearly a lot of expectations, and a lot of pressure, and…” He squirmed in the chair. “We were going to die, you know.” “I know.” She squeezed her knees into her chest. “And, no, it wasn’t … I didn’t think it was a bad kiss.” “Oh, thank the stars.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Gabriel shuffled around the trunk again, searching for faux arrows—arrows designed to injure but not kill. “All these arrows are sharp—and have blood on them.” “Yes, well, I left my cotton candy arrows at home next to my teddy bear.
Chelsea Fine (Anew (The Archers of Avalon, #1))
The most amazing combinations can result if you shuffle the pack enough.
Mikhail Bulgakov (The Master and Margarita)
As she shuffled back, he glanced down at the tent between his legs. Christ, that goddamn thing in there was huge; he looked like he had another arm in his pants.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
Devoutly to be wish'd. To die, to sleep; To sleep, perchance to dream—For in that sleep of death what dreams may come,When we have shuffled off this mortal coil, Must give us pause, there's the respect, That makes calamity of so long life
William Shakespeare (Hamlet)
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
Who are we, who is each one of us, if not a combination of experiences, information, books we have read, things imagined? Each life is an encyclopedia, a library, an inventory of objects, a series of styles, and everything can be constantly shuffled and reordered in every way conceivable.
Italo Calvino (Six Memos for the Next Millennium)
I won't put in a load of laundry, because the machine is too loud and would drown out other, more significant noises - namely, the shuffling footsteps of the living dead.
David Sedaris (Dress Your Family in Corduroy and Denim)
We walk – or shuffled along – about a yard and then I walked straight into a mailbox. I grunted. “Son of a bitch jumped right out in front of me!” Kyler stopped, shaking his head. “You are a hazard to yourself right now.” “I’m fine.” I waved him off, edging around the tricky inanimate object as I shot it a dark look. “I’m watching you.
Jennifer L. Armentrout (Frigid (Frigid, #1))
We live in a pattern that we'll never detect, and that will shuffle us through invisible hierarchies to the actual death of us.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Tell me, friend," Jack said, his fingertips grazing mind as people shuffled past us in the hallway. "Is there more for us?" I looked at my feet. "There's everything for us.
Brodi Ashton (Everbound (Everneath, #2))
He shuffled along with the hang-dog look of the cosmically fucked.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
Do you have agendas for your children that are more important than the children themselves? Lost in the shuffle of uniforms, practices, games, recitals, and performances can be the creative and joyful soul of your child. Watch and listen carefully. Do they have time to daydream? From their dreams will emerge the practices and activities that will make self-discipline as natural as breathing.
William Martin (The Parent's Tao Te Ching: Ancient Advice for Modern Parents)
I hurt myself,” Syren bit out. “I make myself bleed and it feels good. It eases the pressure inside me, but it never lasts for long.” His lips trembled. “Before I slept in your bed, I’d never had a full night’s sleep. Before I crawled into your arms I’d never been safe.” He shuffled forward. “You give me that. You hold that power and you can take it away.
Avril Ashton (A Sinner Born (Brooklyn Sinners, #3))
He took her hand in his and knelt before her. Valkyrie looked at him. He was serious. (...)'Dude, I'm sixteen.' 'I love you.' 'That doesn't make me any older. Stand up.' 'Not until you say yes.' 'You're going to shuffle around on your knees for the rest of your life? Stand up, for God's sake.' 'Be my wife.' 'Shut the hell up.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
I rolled over and picked up Us Weekly magazine off the floor. The cover had a picture of Angelina, Brad, and their little Eskimo son, Maddox. I saw staring at the photo, wondering why this little boy looks so pissed off in every picture. At first I thought he was just pissed about his Mohawk, but then I realized he’s probably furious. Maddox must have thought he hit the jackpot when some A-list celebrity rescued him from third-world Cambodia, only to discover that she was going to shuffle him back and for the to EVERY other third-world country in the universe. He’s probably like, 'When the fuck are we gonna get to Malibu, bitch?
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
Any fool can tell a story. Take a few odds and ends of things that happen to you, dress them up, shuffle them about, add a dash of excitement, a little color, and there you have it.
Lloyd Alexander (The Arkadians)
Come closer, Kurokuma. It's quite safe.' Horace shuffled closer to the edge... 'Quite safe, my foot,' he muttered to himself. 'And what's this Kurokuma you keep calling me?' 'It's a term of great respect,' Shigeru told him. 'Great respect,' Shukin echoed.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Then Drew shuffles into the dining hall. I drop my toast, and my mouth drifts open. Calling him “bruised” would be an understatement. His face is swollen and purple. He has a split lip and a cut running through his eyebrow. He keeps his eyes down on the way to his table, not even lifting them to look at me. I glance across the room at Four. He wears the satisfied smile I wish I had on.
Veronica Roth (Divergent (Divergent, #1))
We tilt our heads back and open wide. The snow drifts into our zombie mouths crawling with grease and curses and tobacco flakes and cavities and boyfriend/girlfriend juice, the stain of lies. For one moment we are not failed tests and broken condoms and cheating on essays; we are crayons and lunch boxes and swinging so high our sneakers punch holes in the clouds. For one breath everything feels better. Then it melts. The bus drivers rev their engines and the ice cloud shatters. Everyone shuffles forward. They don't know what just happened. They can't remember.
Laurie Halse Anderson (Wintergirls)
When you meet an extraordinary person, it’s like they get inside you, under your ribs, and shuffle everything inside you around until they find space for greatness to grow. But extraordinary people always get away. And when they leave, they take that little part of you with them. Suddenly you find yourself with a gap in your chest that you don’t know how to live with. Suddenly you’re frightened of being yourself without them.
Chloe Rattray (Sacré Noir)
My memories are like a shuffled deck of cards, each one coming up at random.
Brian James (Life is But a Dream)
Individuals are not stable things, they are fleeting. Chromosomes too are shuffled into oblivion, like hands of cards soon after they are dealt. But the cards themselves survive the shuffling. The cards are the genes. The genes are not destroyed by crossing-over, they merely change partners and march on. Of course they march on. That is their business. They are the replicators and we are their survival machines. When we have served our purpose we are cast aside. But genes are denizens of geological time: genes are forever.
Richard Dawkins (The Selfish Gene)
Fate shuffles the cards and we play.
Arthur Schopenhauer
So, uh,” I said, shuffling from one foot to the other, “want to go with me to check up on Obliteration? If you’re not doing anything else important, I mean.” She cocked her head. “Did you just invite me on a date … to spy on a deadly Epic planning to destroy the city?” “Well, I don’t have a lot of experience with dating, but I’ve always heard you’re supposed to pick something you know the girl will enjoy...” She smiled. “Well, let’s get to it then.
Brandon Sanderson (Firefight (The Reckoners, #2))
He opened his mouth to say that she looked extremely beautiful and deserved armfuls of roses, but the words were lost in committee somewhere, shuffled aside by the parts of his head that worked full-time at avoiding ridicule.
Helen Simonson (Major Pettigrew's Last Stand)
You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make an alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents - each man to see what the other looked like.
Beryl Markham (West with the Night)
At night I no longer dreamed, nor did I let my imagination work during the day. The once vibrant escapes of watching myself fly through the clouds in bright blue costumes, were now a thing of the past. When I fell asleep, my soul became consumed in a black void. I no longer awoke in the mornings refreshed; I was tired and told myself that I had one day less to live in this world. I shuffled through my chores, dreading every moment of every day. With no dreams, I found that words like hope and faith were only letters, randomly put together into something meaningless - words only for fairy tales.
Dave Pelzer (A Child Called "It" (Dave Pelzer, #1))
I don't believe in ageing. I believe in forever altering one's aspect to the sun. Hence my optimism. And to alter now, cleanly and sanely, I want to shuffle off this loose living randomness: people; reviews; fame; all the glittering scales; and be withdrawn, and concentrated.
Virginia Woolf (A Writer's Diary)
For in that sleep of death what dreams may come When we have shuffled off this mortal coil,Must give us pause
William Shakespeare
Disturber shuffled his scroll. 'You have used magi for evil purposes, including twenty-three murders--' 'Self-defense!' Setne tried to spread his hands, but the ribbons restrained him. '--including one incident where you were paid to kill with magic,' Disturber said. Setne shrugged. 'That was self-defense for my employer.
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
Waking, after all, was an almost natal state. You surfaced without history, then spent the blinks and yawns reassembling your past, shuffling the shards into chronological order before fortifying yourself for the present.
Dennis Lehane (Shutter Island)
The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable - it could not have been any other way-- a case of what I call the high probability of the improbable
Robert James Waller (The Bridges of Madison County)
I wish I could say that I suddenly discovered my inner warrior princess and expertly leaped at Archer, weapon hoisted high, teeth bared.That would have been cool. Instead I raised the stake to about shoulder height and took two, maybe three shuffling steps forward.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
It’s said that the shuffling of the cards is the earth, and the pattering of the cards is the rain, and the beating of the cards is the wind, and the pointing of the cards is the fire. That’s of the four suits. But the Greater Trumps, it’s said, are the meaning of all process and the measure of the everlasting dance.
Charles Williams
But I'm different now than I was then. Just like I was different at the end of the trip than I'd been in the beginning. And I'll be different tomorrow than i am today. And what that means is that i can never replicate that trip. Even if I went to the same places and met the same people, it would'nt be the same. My experience would'nt be the same. To me, that's what traveling should be about. Meeting people, learning to not only appreciate a different culture, but really enjoy it like a local, following whatever impulse strikes you. So how could I recommend a trip to someone else, if I don't even know what to expect? My advice would be to make a list of places on some index cards, shuffle them, and pick any fice at random. Then just . . . go and see what happens. If you have the right mind-set, it does'nt matter where you end up or how much money you brought. It'll be something you'll remember forever.
Nicholas Sparks (The Guardian)
I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.
Charles de Lint (Moonlight and Vines (Newford, #6))
What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves." But the very content that comes from finding yourself is overshadowed by the knowledge that by doing so you are admitting you are not only a grotesque, but a special kind of grotesque.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child Zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha.
Kevin James Breaux
Peter used to say that an artist’s job is to make order out of chaos. You collect details, look for a pattern, and organize. You make sense out of senseless facts. You puzzle together bits of everything. You shuffle and reorganize. Collage. Montage. Assemble.
Chuck Palahniuk (Diary)
Card five hundred and thirty-four," repeated Artemis. "Of a series of six hundred standard inkblot cards. I memorized them during our sessions. You don't even shuffle." Argon checked the number on the back of the card: 534. Of course. "Knowing the number doesn't answer the question. What do you see?" Artemis allowed his lip to wobble. "I see an ax dripping with blood. Also a scared child, and an elf clothed in the skin of a troll." "Really?" Argon was interested now. "No. Not really. I see a secure building, perhaps a family home, with four windows. A trustworthy pet, and a pathway leading from the door into the distance. I think, if you check your manual, you will find that these answers fall inside healthy parameters." Argon did not need to check. The Mud Boy was right, as usual.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignation with oneself: no winning smiles will do here, no prettily drawn lists of good intentions. One shuffles flashily but in vain through one's marked cards- the kindness done for the wrong reason, the apparent triumph which involved no real effort, the seemingly heroic act into which one had been shamed.
Joan Didion (Slouching Towards Bethlehem)
The old man spoke of nothing but shoes. He spoke of them with such love and emotion that a woman in our group had crowned him “the shoe poet.” The woman disappeared a day later but the nickname survived. “The shoes always tell the story,” said the shoe poet. “Not always,” I countered. “Yes, always. Your boots, they are expensive, well made. That tells me that you come from a wealthy family. But the style is one made for an older woman. That tells me they probably belonged to your mother. A mother sacrificed her boots for her daughter. That tells me you are loved, my dear. And your mother is not here, so that tells me that you are sad, my dear. The shoes tell the story.” I paused in the center of the frozen road and watched the stubby old cobbler shuffle ahead of me. The shoe poet was right. Mother had sacrificed for me.
Ruta Sepetys (Salt to the Sea)
Look, Aerin, preparation is only half the challenge of winning a debate.” “And the other half?” He had her now. “You have to choose the right side.” “Your side, you mean.” She bristled. “No, the losing side.” “What?” “Always choose the weaker side.” “Why would I do that?” Doubt edged her voice, but now she was sitting erect, her feet flat on the floor. “Because then you have further to go to prove your case.” He eased the feet of his chair down. “In a debate, there are two sides. If both make a good argument, then the less popular side wins because that side had further to go to prove its point. Simple logistics.” “If you don’t care which side wins.” She frowned. “It’s a debate. It doesn’t matter which side wins.” “You mean it doesn’t matter to you.” The tone in her voice unsettled him. Or maybe it was the fact that that her criticism disturbed him at all. “It’s a class,” he said. “The point is to flesh out the different sides of an argument.” “And you don’t care if the truth gets lost in the shuffle. Don’t you believe in anything?!
Anne Osterlund (Academy 7)
That's right. You'll like Owl. He flew past a day or two ago and noticed me. He didn't actually say anything, mind you, but he knew it was me. Very friendly of him. Encouraging." Pooh and Piglet shuffled about a little and said, "Well, good-bye, Eeyore" as lingeringly as they could, but they had a long way to go, and wanted to be getting on. "Good-bye," said Eeyore. "Mind you don't get blown away, little Piglet. You'd be missed. People would say `Where's little Piglet been blown to?' -- really wanting to know. Well, good-bye. And thank you for happening to pass me.
A.A. Milne (The House at Pooh Corner (Winnie-the-Pooh #2))
Em. Are you the Loch Ness Monster?” Archie stuttered shuffling back a step. “Aghhh! M, M, Monster. Monster.” Gordon shrieked, he turned his huge body and run further down the cavern to a boulder no more than six feet tall in the center, Gordon hid behind it.
Mark A. Cooper (Archie Wilson & The Beasts of Loch Ness)
What no one tells you is that when someone you love dies, you lose them twice. Once to death, the second time to acceptance, and you don’t walk that long, dark passage between the two alone. Grief takes every shuffling, unwilling step with you, offering a seductive bouquet of memories that can only blossom south of sanity. You can stay there, nose buried in the petals of the past. But you’re never really alive again.
Karen Marie Moning (Burned (Fever, #7))
Henry keeps dealing. When all the cards have been separated, I pick up my stack and shuffle my cards again. Then I look up into Henry's eyes, and he's staring back at me, at my tears, and I see all these tiny wrinkles around his eyes-sadness wrinkles. He frowns, biting his lip.
Miranda Kenneally (Catching Jordan)
Ove glares out of the window. The poser is jogging. Not that Ove is provoked by jogging. Not at all. Ove couldn’t give a damn about people jogging. What he can’t understand is why they have to make such a big thing of it. With those smug smiles on their faces, as if they were out there curing pulmonary emphysema. Either they walk fast or they run slowly, that’s what joggers do. It’s a forty-year-old man’s way of telling the world that he can’t do anything right. Is it really necessary to dress up as a fourteen-year-old Romanian gymnast in order to be able to do it? Or the Olympic tobogganing team? Just because one shuffles aimlessly around the block for three quarters of an hour?
Fredrik Backman (A Man Called Ove)
Border patrol,” a uniformed officer announced as he stepped on the bus. “Anything to declare?” “I declare that this sucks,” Trey said, shuffling past him. “Hey,” Eric said to the office and pointed at Trey. “I saw that guy shove something up his ass.
Olivia Cunning (Hot Ticket (Sinners on Tour, #3))
My Dutch grandfather used to say, ‘If you don’t know what to do, do nothing for eight days.’ ” Dean asked, “Why eight?” “Less than eight is haste. More than eight is procrastination. Eight days is long enough for the world to shuffle the deck and deal you another hand.
David Mitchell (Utopia Avenue)
Fight one more round. When your feet are so tired that you have to shuffle back to the centre of the ring, fight one more round. When your arms are so tired that you can hardly lift your hands to come on guard, fight one more round. When your nose is bleeding and your eyes are black and you are so tired you wish your opponent would crack you one on the jaw and put you to sleep, fight one more round – remembering that the man who always fights one more round is never whipped.
James Corbett
The weight of the old world is stifling, and trying to shovel its weight off your life is tiring just to think about. The constant shuttling of opinions is tiring, and the shuffling of papers across desks, the chopping of logic and the trimming of attitudes. There must, somewhere, be a simpler, more violent world.
Hilary Mantel (A Place of Greater Safety)
There are days you wake up thinking you can juggle the world between your fingers, and other days you wake up feeling the air around you intoxicates you to a point where you can no longer leave the premises of your bed. The nights in between, you shuffle between being a warrior and a slave; wondering whether you want to lose yourself to win the world, or lose the world to win yourself.
Mohamed Kassem
Your body, which is bonding millions of molecules every second, depends on transformation. Breathing and digestion harness transformation. Food and air aren’t just shuffled about but, rather, undergo the exact chemical bonding needed to keep you alive. The sugar extracted from an orange travels to the brain and fuels a thought. The emergent property in this case is the newness of the thought; no molecules in the history of the universe ever combined to produce that exact thought.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
Virginia Woolf (Mrs. Dalloway)
سيأتي وقت تختفي فيه كل الآمال / تصبح كل الأشياء عادية / خذ عطلة طويلة عندها / دع الأولاد من حولك يلعبون
Hilal Chouman (نابوليتانا)
Horror slams into me as I register what I’m seeing. Oh God. I’ve stumbled onto a penis convention. Big penises and small penises and fat penises and penis-shaped penises. It doesn’t matter which direction I move my head because everywhere I look I see penises. My mortified gasp draws the attention of every penis—er, guy, in the room. In a heartbeat, towels snap up and hands cover junk and bodies shuffle around, while I stand in the front of the room blushing like a tomato.
Elle Kennedy (The Deal (Off-Campus, #1))
Jeter de l’huile sur le feu Adding insult to injury As Reynard Wolfe supervises the inventory that determines the company’s fate, I shuffle through correspondence in Louis’s rolltop desk. Louise plays with my chatelaine tools on the Aubusson rug at my feet. She unreels the measuring tape, draws with the pencil, and winds the timepiece. My husband’s gift is useful after all. As
Rebecca Rosenberg (Madame Pommery, Creator of Brut Champagne)
A God who could make good children as easily a bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave is angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice, and invented hell--mouths mercy, and invented hell--mouths Golden Rules and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people, and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites his poor abused slave to worship him!
Mark Twain (The Mysterious Stranger)
Some people, I am told, have memories like computers, nothing to do but punch the button and wait for the print-out. Mine is more like a Japanese library of the old style, without a card file or an indexing system or any systematic shelf plan. Nobody knows where anything is except the old geezer in felt slippers who has been shuffling up and down those stacks for sixty-nine years. When you hand him a problem he doesn't come back with a cartful and dump it before you, a jackpot of instant retrieval. He finds one thing, which reminds him of another, which leads him off to the annex, which directs him to the east wing, which sends him back two tiers from where he started. Bit by bit he finds you what you want, but like his boss who seems to be under pressure to examine his life, he takes his time.
Wallace Stegner (The Spectator Bird)
My mother did not want to go to America: this much I knew. I knew it by the way she became distracted and impatient with my sister, by the way she stopped tucking us into bed at night. I knew it from watching her feet, which began to shuffle after my father announced the move, as though they threw down invisible roots that needed to be pulled out with each step.
Catherine Chung (Forgotten Country)
Dark shadows of grief haunted his expression. More than any one person should be asked to bear. But that was the problem with grief. No one ever asked for it. It arrived with its bags packed for an extended stay. It settled into your best guest room and demanded to be waited on all day long, and which it finally shuffled out the door, it left behind permanent scratches on your furniture.
Maria V. Snyder (Night Study (Soulfinders, #2; Study, #5))
I moved quickly, putting myself between the two of them. "Stop it!" I shouted. "I have way too much to worry about right now to also have to pull you two off each other. Jeesh, talk about immature." Both guys kept glaring at each other over my head. "I said, stop it!" And I smacked their chests. That made them blink and shift their attention to me. Now it was my turn to do the glaring. "You know, you two are ridiculous with your puffing up and your testosterone and crap. I mean, I could summon the elements and kick both of your butts." Heath shuffled his feet and looked embarrassed. Then he grinned at me, like a cute little boy whose mommy had just yelled at him. "Sorry, Zo. I forget you have some major mojo going on.
Kristin Cast (Hunted (House of Night, #5))
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
You are not you--you have no body, no blood, no bones, you are but a thought. I myself have no existence; I am but a dream--your dream, a creature of your imagination. In a moment you will have realized this, then you will banish me from your visions and I shall dissolve into the nothingness out of which you made me. I am perishing already, I am failing, I am passing away. In a little while you will be alone in shoreless space, to wander its limitless solitudes without friend or comrade forever—for you will remain a thought, the only existent thought, and by your nature inextinguishable, indestructible. But I, your poor servant, have revealed you to yourself and set you free. Dream other dreams, and better! Strange! that you should not have suspected years ago—centuries, ages, eons, ago!—for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane—like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell—mouths mercy and invented hell—mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him! You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks—in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier. "It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream—a grotesque and foolish dream. Nothing exists but you. And you are but a thought—a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!
Mark Twain (The Mysterious Stranger)
The problem with getting old was that each day had to compete with the thousands of others gone by. How wonderful would a day have to be to win such a beauty contest? To even make it into the finals? Never mind that memory rigged the game, airbrushed the flaws from its contestants, while the present had to shuffle into the spotlight unaided, all pockmarked with mundanities and baggy with annoyances.
Daryl Gregory (Spoonbenders)
Strange! that you should not have suspected years ago--centuries, ages, eons, ago!--for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane--like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell--mouths mercy and invented hell--mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him!
Mark Twain
Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.
Virginia Woolf
Gabriel shuffled around the trunk again, searching for faux arrows—arrows designed to injure but not kill. “All these arrows are sharp—and have blood on them.” “Yes, well, I left my cotton candy arrows at home next to my teddy bear.” Gabriel turned to Tristan. “We’re not going to kill that guy.” “We might.” “Tristan, that’s homicide.” “It’s self defense.” “It’s not self defense. He didn’t come after you.” “But he came after Scarlet. And, technically, Scarlet is a piece of me. So, yeah. It’s self-defense. Are you coming with me or not?” “I don’t want to kill him. I just want to hurt him. Or detain him.” “Or maybe you could just give him a big hug.”Tristan started marching into the woods. “You can stay there and clean weapons or whatever, but I’m going after our intruder.
Chelsea Fine (Anew (The Archers of Avalon, #1))
They all looked up sharply as the door to the back opened. Blue and Maura stepped into the waiting room as a nurse began to shuffle behind the counter. All attention immediately shifted to Blue. She had two visible stiches in her right eyebrow, pinning together the cleaned-up edges of a gouge that continued down her cheek. Faint scratches on either side of the deepest wound told the story of fingers clawing into her skin. Her right eye was squinted mostly shut, but at least it was still there. Adam could tell that she was hurting. He knew he cared about her because his stomach was tingling uncomfortably just looking at her wound, the suggestion of violence scratching through him like fingers on a chalkboard. Noah had done that. Adam curled his own hand into a fist, remembering what it had felt like for it to move on its own accord. Gansey was right: Any of them could have died tonight. It was time to stop playing around. For a strange second, none of them spoke. Finally, Ronan said, “Jesus God, Sargent. Do you have stitches on your face? Bad. Ass. Put it here, you asshole.” With some relief, Blue lifted her fist and bumped it against his.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I'm the smartest man in the world. Once I wore a cape in public, and fought battles against men who could fly, who had metal skin, who could kill you with their eyes. I fought CoreFire to a standstill, and the Super Squadron, and the Champions. Now I have to shuffle through a cafeteria line with men who tried to pass bad checks. Now I have to wonder if there will be chocolate milk in the dispenser. And whether the smartest man in the world has done the smartest thing he could do with his life.
Austin Grossman (Soon I Will Be Invincible)
You must find a place on a woman's body and live there. In the dark, the noise far away, Sam ran his hands over Calliope's body and the world of work and worry seemed to move away. He found two depressions at the bottom of her back where sunlight collected, and he lived there, out of the wind and noise. He grew old there, died and ascended to the Great Spirit, found heaven in her cheek on his chest, the warm wind of her breath across his stomach carried sweet grass and sage, and... In another lifetime he had lived on the soft skin under her right breast, his lips riding light over the ridge and valley of every rib, shuffling through downy, dew damp hairs like a child dancing through autumn leaves. In the mountain of her breast, he fasted at the medicine wheel of her aureole, received a vision that he and she were steam people, mingled wet with no skin seperating them. And there he lived, happy. She followed, traveled, lived with him and in him as he was in her. They lived lifetimes and slept and dreamed together. It was swell.
Christopher Moore (Coyote Blue)
It is because we understand you, Toblakai, that we do not set the Hounds upon you. You bear your destiny like a standard, a grisly one, true, but then, its only distinction is in being obvious. Did you know that we too left civilization behind? The scribblers were closing in on all sides, you see. The clerks with their purple tongues and darting eyes, their shuffling feet and sloped shoulders, their bloodless lists. Oh, measure it all out! Acceptable levels of misery and suffering!’ The cane swung down, thumped hard on the ground. ‘Acceptable? Who the fuck says any level is acceptable? What sort of mind thinks that?’ Karsa grinned. ‘Why, a civilized one.’ ‘Indeed!’ Shadowthrone turned to Cotillion. ‘And you doubted this one!
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
Steadily, the room shrank, till the book thief could touch the shelves within a few small steps. She ran the back of her hand along the first shelf, listening to the shuffle of her fingernails gliding across the spinal cord of each book. It sounded like an instrument, or the notes of running feet. She used both hands. She raced them. One shelf against the other. And she laughed. Her voice was sprawled out, high in her throat, and when she eventually stopped and stood in the middle of the room, she spent many minutes looking from the shelves to her fingers and back again. How many books had she touched? How many had she felt? She walked over and did it again, this time much slower, with her hand facing forward, allowing the dough of her palm to feel the small hurdle of each book. It felt like magic, like beauty, as bright lines of light shone down from a chandelier. Several times, she almost pulled a title from its place but didn't dare disturb them. They were too perfect.
Markus Zusak (The Book Thief)
Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.
Harper Lee (To Kill a Mockingbird)
Diamonds are held under tons and tons of pressure, extremely high temperatures of fire and shuffled under shifting of tectonic plates, for a long, long time! Yet when they come out from there and are put on display for their beauty; does anybody stop to evaluate the diamond based upon all the shit it's been through and say "Remember that disgusting hole it used to be in? I bet it was hell in there!" No, people don't remember where a diamond has come from; they just see the beauty of it now. But it wouldn't have become so beautiful, you know, if not for all of that! So why should we look at other people, or at ourselves and evaluate them/ourselves based upon their/our pasts? Shouldn't we forget that? And only see the beauty that is in front of our eyes? Whatever it was, it made you beautiful! And that is what matters!
C. JoyBell C.
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
Vladimir Nabokov (Pale Fire)
I dunno." She sat on the bench and hugged the robe like a pillow. "I still think that Brett guy is cute." "Good luck getting him away from Bekka." Cleo gathered her silky black hair into a high pony and pink-dabbed Smith's Rosebud Salve on her lips. "She's got more grip than Crazy Glue." "More cling than Saran Wrap," Lala added. "More hold than Final Net." Cleo giggled. "More possession than The Exorcist," Lala managed. "More clench than butt cheeks," Blue chimed in. "More competition than American Idol," Frankie stuck out her chest and showed them her diva booty roll. The girls burst out laughing. "Nice!" Blue lifted her purple gloved hand. Frankie slapped it without a single spark. "I hate to be a downer..." Claudine shuffled back into the conversation wearing her slippers and robe. "But that girl will destroy you if she catches you with Brett." "I'm not worried," Frankie tossed her hair back. "I've seen all the teen movies, and the nice girl gets the boy in the end.
Lisi Harrison (Monster High (Monster High, #1))
When did you start here?” I ask her. “Three days ago. Sir. Aspirant. Um—” She wrings her hands. “Veturius is fine.” She walks carefully, gingerly—the Commandant must have whipped her recently. And yet she doesn't hunch or shuffle like the others slaves. The straight-backed grace with which she moves tells her story better than words. She'd been a freewoman before this—I'd bet my scims on it. And she has no idea how pretty she is—or what kind of problems her beauty will cause for her at a place like Blackcliff. The wind pulls at her hair again, and I catch her scent—like fruit and sugar. “Can I give you some advice?” Her head flies up like a scared animal's. At least she's wary. “Right now you...” Will grab the attention of every male in a square mile. “Stand out,” I finish. “It's hot, but you should wear a hood or a cloak—something to help you blend in.” She nods, but her eyes are suspicious. She wraps her arms around herself and drops back a little. I don't speak to her again.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
Katherine Applegate (The Diversion (Animorphs, #49))
I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun
Gillian Flynn (Gone Girl)
I pushed myself forward and rose cautiously to my feet. A draft from the aft signaled that my dressing gown was open, but I didn't care. The nurses could take shots with their camera phones and upload them to their Flickr stream for all I cared, just so long as my face wasn't in it. A wave of dizziness rolled over me when I took a step, but it was one of those gentle rocking swells and not a thirty-foot-tall fist of Poseidon. I could do this. I shuffled over carefully and leaned against the nightstand for support as I opened the drawer. Then I nearly fell over when Granuaile spoke from behind me. "Nom nom nom!" she said. I looked around for the cookies she must be referring to and then realized, belatedly, that the room was bereft of delicious baked goods. The only thing on display was my backside, and apparently she thought it looked tasty.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones, and variations of mental and physical experience possible in my life. And I am horribly limited. Yet I am not a cretin: lame, blind and stupid. I am not a veteran, passing my legless, armless days in a wheelchair. I am not that mongoloidish old man shuffling out of the gates of the mental hospital. I have much to live for, yet unaccountably I am sick and sad. Perhaps you could trace my feeling back to my distaste at having to choose between alternatives. Perhaps that's why I want to be everyone - so no one can blame me for being I. So I won't have to take the responsibility for my own character development and philosophy. People are happy - - - if that means being content with your lot: feeling comfortable as the complacent round peg struggling in a round hole, with no awkward or painful edges - no space to wonder or question in. I am not content, because my lot is limiting, as are all others. People specialize; people become devoted to an idea; people "find themselves.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Sometimes during the night I'd look at my poor sleeping mother cruelly crucified there in the American night because of no-money, no-hope-of-money, no family, no nothing, just myself the stupid son of plans all of them compacted of eventual darkness. God how right Hemingway was when he said there was no remedy for life - and to think that negative little paper-shuffling prissies should write condescending obituaries about a man who told the truth, nay who drew breath in pain to tell a tale like that! ... No remedy but in my mind I raise a fist to High Heaven promising that I shall bull whip the first bastard who makes fun of human hopelessness anyway - I know it's ridiculous to pray to my father that hunk of dung in a grave yet I pray to him anyway, what else shall I do? sneer? shuffle paper on a desk and burp rationality? Ah thank God for all the Rationalists the worms and vermin got. Thank God for all the hate mongering political pamphleteers with no left or right to yell about in the Grave of Space. I say that we shall all be reborn with the Only One, and that's what makes me go on, and my mother too. She has her rosary in the bus, don't deny her that, that's her way of stating the fact. If there can't be love among men let there be love at least between men and God. Human courage is an opiate but opiates are human too. If God is an opiate so am I. Thefore eat me. Eat the night, the long desolate American between Sanford and Shlamford and Blamford and Crapford, eat the hematodes that hang parasitically from dreary southern trees, eat the blood in the ground, the dead Indians, the dead pioneers, the dead Fords and Pontiacs, the dead Mississippis, the dead arms of forlorn hopelessness washing underneath - Who are men, that they can insult men? Who are these people who wear pants and dresses and sneer? What am I talking about? I'm talking about human helplessness and unbelievable loneliness in the darkness of birth and death and asking 'What is there to laugh about in that?' 'How can you be clever in a meatgrinder?' 'Who makes fun of misery?' There's my mother a hunk of flesh that didn't ask to be born, sleeping restlessly, dreaming hopefully, beside her son who also didn't ask to be born, thinking desperately, praying hopelessly, in a bouncing earthly vehicle going from nowhere to nowhere, all in the night, worst of all for that matter all in noonday glare of bestial Gulf Coast roads - Where is the rock that will sustain us? Why are we here? What kind of crazy college would feature a seminar where people talk about hopelessness, forever?
Jack Kerouac (Desolation Angels)
God likes to play hide-and-seek, but because there is nothing outside of God, he has no one but himself to play with! But he gets over this difficulty by pretending that he is not himself. This is his way of hiding from himself. He pretends that he is you and I and all the people in the world, all the animals, plants, all the rocks, and all the stars. In this way he has strange and wonderful adventures, some of which are terrible and frightening. But these are just like bad dreams, for when he wakes up they will disappear. Now when God plays "hide" and pretends that he is you and I, he does it so well that it takes him a long time to remember where and how he hid himself! But that's the whole fun of it-just what he wanted to do. He doesn't want to find himself too quickly, for that would spoil the game. That is why it is so difficult for you and me to find out that we are God in disguise, pretending not to be himself. But- when the game has gone on long enough, all of us will WAKE UP, stop pretending, and REMEMBER that we are all one single Self- the God who is all that there is and who lives forever and ever. You may ask why God sometimes hides in the form of horrible people, or pretends to be people who suffer great disease and pain. Remember, first, that he isn't really doing this to anyone but himself. Remember too, that in almost all the stories you enjoy there have to be bad people as well as good people, for the thrill of the tale is to find out how the good people will get the better of the bad. It's the same as when we play cards. At the beginning of the game we shuffle them all into a mess, which is like the bad things in the world, but the point of the game put the mess into good order, and the one who does it best is the winner. Then we shuffle the cards and play again, and so it goes with the world.
Alan W. Watts (A. Book)
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it. The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now. “Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.” My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament. “I haven't been wearing any cologne.” “Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.” “What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words. “I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.” His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed. “Citrus?” he asked. “Like lemons?” “Oranges mostly. And a little lime, too.” He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed. “What you smell are my pheromones, Anna.” A small, nervous laugh burst from my throat. “Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again. “People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.” I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone. “Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...” “Would you like to know your own scent?” he asked me. My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura. “Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.” He made no attempt to move out of the doorway. “You smell like pears with freesia undertones.” “Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
Wendy Higgins (Sweet Evil (Sweet, #1))