Shuffle Cards Quotes

We've searched our database for all the quotes and captions related to Shuffle Cards. Here they are! All 100 of them:

It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army. Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating . . . "Aaaaw," squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!" Scarlet cringed. "He did not--that wasn't--" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?" "Is she blushing? She sounds like she's blushing." "She's blushing," Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered--
Marissa Meyer (Cress (The Lunar Chronicles, #3))
In point of fact, life may be just a shaky expectation, inasmuch as everyone realizes that the cards have often been shuffled, well in advance.
Erik Pevernagie
Truth and facts often have a contrary message with a trying mission to show the cards' real color shuffled in the rough-and-tumble of our social and political arena. ("Imbroglio")
Erik Pevernagie
My memories are like a shuffled deck of cards, each one coming up at random.
Brian James (Life is But a Dream)
Individuals are not stable things, they are fleeting. Chromosomes too are shuffled into oblivion, like hands of cards soon after they are dealt. But the cards themselves survive the shuffling. The cards are the genes. The genes are not destroyed by crossing-over, they merely change partners and march on. Of course they march on. That is their business. They are the replicators and we are their survival machines. When we have served our purpose we are cast aside. But genes are denizens of geological time: genes are forever.
Richard Dawkins (The Selfish Gene)
Fate shuffles the cards and we play.
Arthur Schopenhauer
You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make an alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents - each man to see what the other looked like.
Beryl Markham (West with the Night)
It’s said that the shuffling of the cards is the earth, and the pattering of the cards is the rain, and the beating of the cards is the wind, and the pointing of the cards is the fire. That’s of the four suits. But the Greater Trumps, it’s said, are the meaning of all process and the measure of the everlasting dance.
Charles Williams
But I'm different now than I was then. Just like I was different at the end of the trip than I'd been in the beginning. And I'll be different tomorrow than i am today. And what that means is that i can never replicate that trip. Even if I went to the same places and met the same people, it would'nt be the same. My experience would'nt be the same. To me, that's what traveling should be about. Meeting people, learning to not only appreciate a different culture, but really enjoy it like a local, following whatever impulse strikes you. So how could I recommend a trip to someone else, if I don't even know what to expect? My advice would be to make a list of places on some index cards, shuffle them, and pick any fice at random. Then just . . . go and see what happens. If you have the right mind-set, it does'nt matter where you end up or how much money you brought. It'll be something you'll remember forever.
Nicholas Sparks (The Guardian)
Card five hundred and thirty-four," repeated Artemis. "Of a series of six hundred standard inkblot cards. I memorized them during our sessions. You don't even shuffle." Argon checked the number on the back of the card: 534. Of course. "Knowing the number doesn't answer the question. What do you see?" Artemis allowed his lip to wobble. "I see an ax dripping with blood. Also a scared child, and an elf clothed in the skin of a troll." "Really?" Argon was interested now. "No. Not really. I see a secure building, perhaps a family home, with four windows. A trustworthy pet, and a pathway leading from the door into the distance. I think, if you check your manual, you will find that these answers fall inside healthy parameters." Argon did not need to check. The Mud Boy was right, as usual.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignation with oneself: no winning smiles will do here, no prettily drawn lists of good intentions. One shuffles flashily but in vain through one's marked cards- the kindness done for the wrong reason, the apparent triumph which involved no real effort, the seemingly heroic act into which one had been shamed.
Joan Didion (Slouching Towards Bethlehem)
Henry keeps dealing. When all the cards have been separated, I pick up my stack and shuffle my cards again. Then I look up into Henry's eyes, and he's staring back at me, at my tears, and I see all these tiny wrinkles around his eyes-sadness wrinkles. He frowns, biting his lip.
Miranda Kenneally (Catching Jordan)
Listen, friend, he said, this whole game is just one big deck of cards. if you want to get into the game you have to take whatever comes up in the shuffle.
Charles Bukowski (Notes of a Dirty Old Man)
Books are like Tarot decks. They provide answers and guidance but more importantly, they are doorways and portals to the otherworld and the imagination. They leave their imprint and keep whispering to us long after we close the pages or shuffle the deck.
Sasha Graham (Tarot Fundamentals (Tarot Fundamentals, 1))
Some people, I am told, have memories like computers, nothing to do but punch the button and wait for the print-out. Mine is more like a Japanese library of the old style, without a card file or an indexing system or any systematic shelf plan. Nobody knows where anything is except the old geezer in felt slippers who has been shuffling up and down those stacks for sixty-nine years. When you hand him a problem he doesn't come back with a cartful and dump it before you, a jackpot of instant retrieval. He finds one thing, which reminds him of another, which leads him off to the annex, which directs him to the east wing, which sends him back two tiers from where he started. Bit by bit he finds you what you want, but like his boss who seems to be under pressure to examine his life, he takes his time.
Wallace Stegner (The Spectator Bird)
Courage - and shuffle the cards.
George MacDonald Fraser
Patience's design flaw became obvious for the first time in my life: the outcome is decided not during the course of play but when the cards are shuffled, before the game even begins. How pointless is that?
David Mitchell (Cloud Atlas)
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Il destino mischia le carte, ma siamo noi a giocare la partita. Destiny shuffles the cards, but we are the ones who must play the game.
Wally Lamb (We Are Water)
I say, patience and shuffle the cards!
Miguel de Cervantes Saavedra
Destiny shuffles the cards, but we are the ones who must play the game.
Wally Lamb
No longer was I consumed by being a prisoner in my mind. I was not willing to give in to the cards I was dealt. I took my power back and I had control of the cards, and as I held the cards in my hand, I shuffled them to my liking. I knew I wasn’t always going have the best hand every single time, but I knew I had the power to shuffle when I needed to reexamine my hand.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun
Gillian Flynn (Gone Girl)
You, my child, will marry well. More than once." (...) The lady retrieved the cards and shuffled them back together into one stack in an attitude of dismissal. Taking this as a sign her fortune was complete, Preshea stood. Looking particularly pleased with life, she passed over a few coins and gave Madame Spetuna a nice curtsy. Mademoiselle Geraldine was fanning herself. "Oh, dear, oh, dear, Miss Buss. Let us hope it is widowhood and not" - she whispered the next word - "divorce that leads to your multiple marriages." Preshea sat and sipped from a china cup. "I shouldn't worry, Headmistress. I am tolerably certain it will be widowhood.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
It was not chance that brought us together again. I am sure of that. These things are predestined. I have a theory that each man's life is like a pack of cards, and those we meet and sometimes love are shuffled with us. We find ourselves in the same suit, held by the hand of Fate. The game is played, we are discarded, and pass on.
Daphne du Maurier (Mount Verità)
MY THOUGHTS ARE stacked like a deck of cards and I have to continually shuffle the top one to the back of the pile.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
Destiny shuffles the cards, but we are the ones who must play the game
Wally Lamb
Lorenz saw it differently. Yes, you could change the weather. You could make it do something different from what it would otherwise have done. But if you did, then you would never know what it would otherwise have done. It would be like giving an extra shuffle to an already well-shuffled pack of cards. You know it will change your luck, but you don’t know whether for better or worse.
James Gleick (Chaos: Making a New Science)
For action, whatever its immediate purpose, also implies relief at doing something, anything, and the joy of exertion. This is the optimism that is inherent in, and proper and indispensable to action, for without it nothing would ever be undertaken. It in no way suppresses the critical sense or clouds the judgment. On the contrary this optimism sharpens the wits, it creates a certain perspective and, at the last moment, lets in a ray of perpendicular light which illuminates all one's previous calculations, cuts and shuffles them and deals you the card of success, the winning number.
Blaise Cendrars (Moravagine)
The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake the tube and see what comes out. Chronology irritates me. There is no chronology inside my head. I am composed of myriad Claudias who spin and mix and part like sparks of sunlight on water. The pack of cards I carry around is forever shuffled and re-shuffled; there is no sequence, everything happens at once. The machines of the new technology, I understand, perform in much the same way: all knowledge is stored, to be summoned up at the flick of a key. They sound, in theory, more efficient. Some of my keys don't work; others demand pass-words, codes, random unlocking sequences. The collective past, curiously, provides these. It is public property, but it is also deeply private. We all look differently at it. My Victorians are not your Victorians. My seventeenth century is not yours. The voice of John Aubrey, of Darwin, of whoever you like, speaks in one tone to me, in another to you.
Penelope Lively (Moon Tiger)
Brad pulls out the chair next to him while Darin begins shuffling a deck of cards. "Have a seat, Lily. One of our friends decided to be an idiot and get married last week, and now his wife won't let him come to poker night anymore. You can be his fill-in until he gets a divorce.
Colleen Hoover (It Ends with Us (It Ends with Us #1))
I stared in awe as Ferius shuffled the deck, her hands moving smoothly and confidently as the cards flipped around her fingers. It was like watching a master mage performing a dazzling series of somatic shapes one after the other. It was like magic.
Sebastien de Castell (Spellslinger (Spellslinger, #1))
This is Lily," Brad says, "She's married to an asshole and just found out she's pregnant with the asshole's baby. Lily, this is Jimmy. He's pompous and arrogant." "Pompous and arrogant are the same thing, idiot," Jimmy says. He pulls out the chair next to Darin and nudges his head at the cards in my hands. "Did Atlas plant you here to hustle us? What kind of average person knows how to shuffle cards like that? I smile and begin to pass cards out to each of them. "I guess we'll have to play a round to find out.
Colleen Hoover (It Ends with Us (It Ends with Us #1))
Peony…” Cinder shifted closer to the netscreen. “That’s why the android wanted her chip. You’re telling me it would have ended up inside one of them?” “Spoken with true derision for our canine friends,” said Thorne. Cinder massaged her temple. “I’m sorry, Wolf. I don’t mean you.” She hesitated. “Except…I do, though. Anyone. She was my little sister. How many people have died from this disease, only to have their identities violated like this? Again, no offense.” “It’s all right,” said Wolf. “You loved her. I would feel the same if someone wanted to erase Scarlet’s identity and give it to Levana’s army.” Scarlet stiffened, heat rushing into her cheeks. He certainly wasn’t insinuating… “Aaaaw,” squealed Iko. “Did Wolf just say that he loves Scarlet? That’s so cute!” Scarlet cringed. “He did not—that wasn’t—” She balled her fists against her sides. “Can we get back to these soldiers that are being rounded up, please?” “Is she blushing? She sounds like she’s blushing.” “She’s blushing,” Thorne confirmed, shuffling the cards. “Actually, Wolf is also looking a little flustered—” “Focus, please,” said Cinder, and Scarlet could have kissed her.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
The unknowable lives in a pack of cards after it has been fairly shuffled but before it has been dealt, when all the possibilities are open, and when each possibility matters.
Emma Bull
Is she blushing? She sounds like she’s blushing.” “She’s blushing,” Thorne confirmed, shuffling the cards. “Actually, Wolf is also looking a little flustered—
Marissa Meyer (Cress (The Lunar Chronicles, #3))
God likes to play hide-and-seek, but because there is nothing outside of God, he has no one but himself to play with! But he gets over this difficulty by pretending that he is not himself. This is his way of hiding from himself. He pretends that he is you and I and all the people in the world, all the animals, plants, all the rocks, and all the stars. In this way he has strange and wonderful adventures, some of which are terrible and frightening. But these are just like bad dreams, for when he wakes up they will disappear. Now when God plays "hide" and pretends that he is you and I, he does it so well that it takes him a long time to remember where and how he hid himself! But that's the whole fun of it-just what he wanted to do. He doesn't want to find himself too quickly, for that would spoil the game. That is why it is so difficult for you and me to find out that we are God in disguise, pretending not to be himself. But- when the game has gone on long enough, all of us will WAKE UP, stop pretending, and REMEMBER that we are all one single Self- the God who is all that there is and who lives forever and ever. You may ask why God sometimes hides in the form of horrible people, or pretends to be people who suffer great disease and pain. Remember, first, that he isn't really doing this to anyone but himself. Remember too, that in almost all the stories you enjoy there have to be bad people as well as good people, for the thrill of the tale is to find out how the good people will get the better of the bad. It's the same as when we play cards. At the beginning of the game we shuffle them all into a mess, which is like the bad things in the world, but the point of the game put the mess into good order, and the one who does it best is the winner. Then we shuffle the cards and play again, and so it goes with the world.
Alan W. Watts (A. Book)
Of course she cheated. Don't be silly. Snow White spent half her growing years shuffling cards for no one. She can cut false and she can cut true, but she wasn't going to lose when it counted.
Catherynne M. Valente (Six-Gun Snow White)
There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.
Stephen King (Doctor Sleep (The Shining, #2))
We all shuffle our own deck in life ... The deck is our brain, the cards are our thoughts, the results we get will determine if we are giving ourselves a fair deal. Do you have an authentic dealer?
Michael Levy (The Joys of Live Alchemy)
There is no one way. The is no one path. There is you, your cards, and your gift. That’s it. Read a lot. Watch other readers. Practice on your friends (and tell them that you’re practicing). You can figure out your style with some research and time. No worries. Remember, this is supposed to be fun. In tarot readings (and in all other things), please stop comparing yourself to other people. Compare yourself to yourself.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
They migrated to the usual room on the second floor. Heywood Broun was there by the door, setting up bottles of gin, scotch and beer. Alexander Woollcott sat ensconced behind the round table (not THE Round Table). He shuffled the cards and stacked up poker chips. Dorothy stopped in the doorway and watched what they were doing. 'You boys sure know how to treat a woman,' she said. 'Liquor in the front and poker in the rear.
J.J. Murphy (Murder Your Darlings (Algonquin Round Table #1))
Now the journey is ending, the wind is losing heart. Into your hands it's falling, a rickety house of cards. The cards are backed with pictures displaying all the world. You've stacked up all the images and shuffled them with words. And how profound the playing that once again begins! Stay, the card you're drawing is the only world you'll win.
Ingeborg Bachmann
Our private lives are like a colony of worlds expanding, contracting, breathing universal air into separate knowledges. Or like several packs of cards shuffled together by an expert anonymous hand, and dealt out in a random, amused or even hostile way.
Gregory Maguire (After Alice)
How do you know I’m not making it up? You don’t. Things work because you believe in them. Call it faith or will or coincidence or whatever. If you believe it will help to light a candle and ask the universe to help you understand the mystery and meaning of the Hierophant, then it will. Don’t spend a bunch of money on learning how to get to know your cards. Just do it. Say hi to them and get to work.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
A pair of aces," Daniel said with a fierce look in his eye. Justin set his cards down quietly and faceup. "Two pair.Jacks and sevens." He sat back as Caine swore in disgust. "You son of-" In frustration, Daniel broke off, shifting his eyes from his daughter to Shelby. "The devil take you, Justin Blade." "You're sending him off prematurely," Shelby commented, spreading her cards. "A straight,from the five to the nine." Alan walked over to look at her cards. "I'll be damned, she drew the six and seven." "No one but a bloody witch draws an inside straight," Daniel boomed, glaring at her. "Or a bloody Campbell," Shelby said easily. His eyes narrowed. "Deal the cards." Justin grinned at her as Shelby scooped in chips. "Welcome aboard," he said quietly and began to shuffle.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Most of the time there aren’t as many fireworks. I lay down the cards, and they talk to me. I see the Tower and know that it was necessary, and I see the dust settling and what the path ahead looks like (usually dusty). I throw down the Seven of Wands and feel my client bristling with protective energy. I can hear the celebration in the Four of Wands, or see the connective energy in the Three of Cups. My cards come alive for me. That’s the best way I can describe it.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
In every deck, the Fool is in a precarious position. Think of all of the idioms we have for taking chances. “Going out on a limb.” “Winging it.” “Break a leg.” “Going for broke.” These all sound really painful, but what they’re about is deciding that being still is not for you. When you see this in a reading, you'll know it's time to jump.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits. My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine. My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
think you’re cheating, old man.” Peggy shuffled the cards. “Don’t make me frisk you.” “My dear, it would be my pleasure,” he responded.
Ava Miles (Nora Roberts Land (Dare Valley, #1))
A psychologist plays the cards before the shuffle and the deal.
Amit Abraham
Shadow felt like a pea being flicked between three cups, or a card being shuffled through a deck.
Neil Gaiman (American Gods)
They’re cards with stories on them,' she explains as the girl looks curiously at the cards in her hand. 'You shuffle the pictures and they tell you the story.
Erin Morgenstern (The Starless Sea)
Lisette Matson’s gnarled hands shuffled the deck of playing cards like a magician.
Lisa Regan (Vanishing Girls (Detective Josie Quinn, #1))
Thoughts flashed by, like cards glimpsed as the dealer shuffles the deck.
Joe Hill (Strange Weather)
He sits all day on the terrace of the Brokers' Club watching women pass, with the restless eye of someone endlessly shuffling through an old soiled pack of cards.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
all the others knew that he had a mind, knew that he was capable of understanding ideas. What will new people think when they see me? They’ll see a body that’s already atrophying, hunched over; they’ll see me walk with a shuffling gait; they’ll watch me use my hands like paws, clutching a spoon like a three-year-old; they’ll hear my thick, half-intelligible speech; and they’ll assume, they’ll know, that such a person cannot possibly understand anything complicated or difficult.
Orson Scott Card (Xenocide (Ender's Saga, #3))
The fatal day rarely announces itself, but comes disguised as midsummer. Our private lives are like a colony of worlds expanding, contracting, breathing universal air into separate knowledges. Or like several packs of cards shuffled together by an expert anonymous hand, and dealt out in a random, amused or even hostile way.
Gregory Maguire (After Alice)
From a scientific perspective, ‘destroy’ isn’t really accurate. Nothing has disappeared. All the matter that used to be there is still there, and so is all the angular momentum. It’s only the arrangement of matter that has changed, like a deck of cards being reshuffled. But life is like a straight flush: Once you shuffle, it’s gone.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.' 'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.' He looked at Perea suspiciously. 'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.' ("Pollock And The Porrah Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
Rick shuffled through the cards again. “Where is the tallest mountain on earth?” Lydia put her hand over her eyes so she could concentrate. “You said tallest, not highest elevation, so it can’t be Everest.” She made some thinking noises that caused the dogs to stir. The cat started making biscuits on her stomach. She could hear the clock ticking in the kitchen. Finally, Rick said, “Think ukulele.” She peeked through her fingers. “Hawaii?” “Mauna Kea.
Karin Slaughter (Pretty Girls)
But I’m different now than I was then. Just like I was different at the end of the trip than I’d been at the beginning. And I’ll be different tomorrow than I am today. And what that means is that I can never replicate that trip. Even if I went to the same places and met the same people, it wouldn’t be the same. My experience wouldn’t be the same. To me, that’s what traveling should be about. Meeting people, learning to not only appreciate a different culture, but really enjoy it like a local, following whatever impulse strikes you. So how could I recommend a trip to someone else, if I don’t even know what to expect? My advice would be to make a list of places on some index cards, shuffle them, and pick any five at random. Then just… go and see what happens. If you have the right mind-set, it doesn’t matter where you end up or how much money you brought. It’ll be something you’ll remember forever.
Nicholas Sparks (The Choice)
Cinder massaged her temple. "I'm sorry, Wolf. I don't mean you." She hesitated. "Except...I do, though. Anyone. She was my little sister. How many people have died from this disease, only to have their identities violated like this? Again, no offense." "It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army." Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating... "Aaaaw" squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!" Scarlet cringed. "He did not-that wasn't-" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?" "Is she blushing? She sounds like she's blushing." "She's blushing." Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered-" "Focus, please," said Cinder, and Scarlet could have kissed her.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
To me, that's what traveling should be about. Meeting people, learning to not only appreciate a different culture, but really enjoy it like a local, follow whatever impulse strikes you. My advice would be to make a list of laces on some index cards shuffle them, and pick any five a random. Then just go and see what happens. If you have the right mind-set, it doesn't matter where you end up or how much money you have brought. It'll be something you'll remember forever.
Nicholas Sparks
Up in her bedroom she lays her tarot cards out on the bed. A draught creeps across her shoulder blades and, for a moment, she gets a strange feeling of a hand, reaching out of the darkness. She shakes her head and shoulders and shuffles the dog-eared cards. She flicks three across her bed, face down, then puts her hand over the first card and asks it to tell her what is going on. The next one she asks what is getting in the way. The third she asks what will fix the problem.
Francine Toon (Pine)
As the old gent shuffled his way to the bureau, I scanned the room, curious as to his weakness. At the Sunshine hotel, for every room there was a weakness, and for every weakness an artifact bearing witness. Like an empty bottle that has rolled under the bed, or a feathered deck of cards on the nightstand, or a bright pink kimono on a hook. Some evidence of that one desire so delectable, so insatiable that it overshadowed all others, eclipsing even the desires for a home, a family, or a sense of human dignity.
Amor Towles (The Lincoln Highway)
Open on three,” Minho said. “And guard lady, you try anything or run away, I guarantee one of us will get you. Thomas, you count off.” The woman pulled out her key card but said nothing. “One,” Thomas began. “Two.” He paused, allowed himself a moment to suck in a breath, but before he could yell the last number an alarm started blaring and the lights went out. CHAPTER 14 Thomas blinked rapidly, trying to adjust to the darkness. The alarm rang in shrill, deafening bursts. He sensed Minho stand up, then heard him shuffling about. “The guard’s gone!” his friend shouted. “I can’t find her!
James Dashner (The Death Cure (Maze Runner, #3))
After my shower, I found him shuffling cards he bought at the convenience store we stopped at before the hotel. Grinning, I sat across from him. “You told me that you’re good at cards,” Judd said, recalling my reaction to passing a casino on the drive. “I said I liked cards. I never claimed to be good.” “The only people who like cards are gambling addicts and those who are good at it. You’re not an addict.” “Do you like cards?” I asked while he dealt. “Sure.” “Do you like me?” I asked softly, looking over my cards. Judd never looked up from his hand. “I’m playing cards, ain’t I?
Bijou Hunter (Damaged and the Knight (Damaged, #2))
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
Blake Crouch (The Last Town (Wayward Pines, #3))
He could have laughed. His shy Stella making a scene! Although maybe he shouldn’t have been surprised. A woman protecting her home came from a place more primal than politics. Besides, in all the time he’d known her, she’d never spoken kindly of a Negro. It embarrassed him a little, to tell the truth. He respected the natural order of things but you didn’t have to be cruel about it. As a boy, he’d had a colored nanny named Wilma who was practically family. He still sent her a Christmas card each year. But Stella wouldn’t even hire colored help for the house—she claimed Mexicans worked harder. He never understood why she averted her gaze when an old Negro woman shuffled past on the sidewalk, why she was always so curt with the elevator operators. She was jumpy around Negroes, like a child who’d been bit by a dog
Brit Bennett (The Vanishing Half)
But there were endless rewards. There was a pervasive sense of adventure, that a surprise was just waiting to be discovered in the next encounter or at the end of the next street. There was the food, of course-even the banal cafe seemed to serve something exquisite-and the artistry with which it was all done, right down to the tiny scenarios in bread and chocolate that were unveiled fortnightly in our boulanger's window. I even came to appreciate-in memory, to bask in-the flirtatious comments made by men in the street, bending every rule in my postfeminist, Anglo-American playbook as I did so, seeing it all as just more joyous street theater in a city that was alive with it, especially in warm weather when everyone was out. I knew that I would remember all of it always, that Paris would be there forever in sharply delineated images,a pack of mental cards to be shuffled through, rearranged, anytime I liked.
Penelope Rowlands
I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.
Judith McNaught (Almost Heaven (Sequels, #3))
For all my biographical projects I have kept a box of lives. A box of index cards containing the details—name, occupation, dates, place of residence and any other piece of information that seems relevant—of all the significant people in the life of my subject. I never quite know what to make of my boxes of lives. Depending on my mood they either strike me as a memorial to gladden the dead (“Look!” I imagine them saying as they peer through the glass at me. “She’s writing us down on her cards! And to think we’ve been dead two hundred years!”) or, when the glass is very dark and I feel quite stranded and alone this side of it, they seem like little cardboard tombstones, inanimate and cold, and the box itself is as dead as the cemetery. Miss Winter’s cast of characters was very small, and as I shuffled them in my hands their sparse flimsiness dismayed me. I was being given a story, but as far as information went, I was still far short of what I needed. I took a blank card and began to write.
Diane Setterfield (The Thirteenth Tale)
The Air Force has always had more money than sales resistance, and they bought a one-year program (probably for something in the order of a hundred or a hundred and fifty thousand dollars) and in June of 1961 Hawkins and Summers punched the “start” button and the machine started to shuffle IBM cards. And to print out structures that looked like road maps of a disaster area, since if the compounds depicted could even have been synthesized, they would have, infallibly, detonated instantly and violently. The machine’s prize contribution to the cause of science was the structure, to which it confidently attributed a specific impulse of 363.7 seconds, precisely to the tenth of a second, yet. The Air Force, appalled, cut the program off after a year, belatedly realizing that they could have got the same structure from any experienced propellant man (me, for instance) during half an hour’s conversation, and at a total cost of five dollars or so. (For drinks. I would have been afraid even to draw the structure without at least five Martinis under my belt.)
John Drury Clark (Ignition!: An Informal History of Liquid Rocket Propellants (Rutgers University Press Classics))
Although I am an optimist, my imagination can conjure countless deadly hands from any shuffled deck before the cards are dealt. I am, therefore, perplexed by so many people who, whether they’re optimists or pessimists, trust any dealer as long as he claims to share their vision of how all things ought to be, who trust their own vision to the extent that they never question it, and who believe that four of a kind and royal flushes always fall by chance in a world without meaning. To such folks, Hitler was a distant and half-comic figure—until he wasn’t; and mad mullahs promising to use nuclear weapons as soon as they obtain them are likewise harmless—until they aren’t. I, on the other hand, believe life has profound meaning and that the meaning of Creation itself is benign, but I also know that there are such things as card mechanics who can manipulate any deck to their great advantage. In life, little happens by chance, and most bad hands we’re dealt are the consequence of our actions, which are shaped by our wisdom and our ignorance. In my experience, survival depends on hoping for the best while recognizing that disaster is more likely and that it can’t be averted if it can’t be imagined.
Dean Koontz (Deeply Odd (Odd Thomas, #6))
Your grandmother thought--no, she believed, it was like a faith for her. She believed it the way some people believe in God or science. She believed that it was the rules that made her life so easy. She thought life was about the rules people make for it, as if life was some kind of a board game and if you had a little luck, and you kept to the rules, you'd end up winning. Or maybe she thought it was like a game of solitaire and once the cards had been shuffled and laid out, if you had a good draw you were safe, as if it was arranged for you to win. Or to lose, although Grandmother considered herself someone who had won, since all she had to do once she was born was follow the rules. But really, life's like a game of bridge: You're dealt a hand and it can be a winning hand or a losing one, but that doesn't necessarily mean that you'll win or lose because there are other people at the table, your partner for one, and the other ream for another, that's three people...playing too, and people make mistakes, multiply that times three too, or you can just be smarter than they are. And luckier too, because anybody who sits down to play bridge or life without figuring out how much luck is involved is making a Big Mistake. I don't want you girls doing that.
Cynthia Voigt (By Any Name)
For Aristotle the literary plot was analogous to the plot of the world in that both were eductions from the potency of matter. Sartre denies this for the world, and specifically denies, in the passage just referred to, that without potentiality there is no change. He reverts to the Megaric view of the matter, which Aristotle took such trouble to correct. But this is not our affair. The fact is that even if you believe in a Megaric world there is no such thing as a Megaric novel; not even Paterson. Change without potentiality in a novel is impossible, quite simply; though it is the hopeless aim of the cut-out writers, and the card-shuffle writers. A novel which really implemented this policy would properly be a chaos. No novel can avoid being in some sense what Aristotle calls 'a completed action.' This being so, all novels imitate a world of potentiality, even if this implies a philosophy disclaimed by their authors. They have a fixation on the eidetic imagery of beginning, middle, and end, potency and cause. Novels, then, have beginnings, ends, and potentiality, even if the world has not. In the same way it can be said that whereas there may be, in the world, no such thing as character, since a man is what he does and chooses freely what he does--and in so far as he claims that his acts are determined by psychological or other predisposition he is a fraud, lâche, or salaud--in the novel there can be no just representation of this, for if the man were entirely free he might simply walk out of the story, and if he had no character we should not recognize him. This is true in spite of the claims of the doctrinaire nouveau roman school to have abolished character. And Sartre himself has a powerful commitment to it, though he could not accept the Aristotelian position that it is through character that plot is actualized. In short, novels have characters, even if the world has not. What about time? It is, effectively, a human creation, according to Sartre, and he likes novels because they concern themselves only with human time, a faring forward irreversibly into a virgin future from ecstasy to ecstasy, in his word, from kairos to kairos in mine. The future is a fluid medium in which I try to actualize my potency, though the end is unattainable; the present is simply the pour-soi., 'human consciousness in its flight out of the past into the future.' The past is bundled into the en-soi, and has no relevance. 'What I was is not the foundation of what I am, any more than what I am is the foundation of what I shall be.' Now this is not novel-time. The faring forward is all right, and fits the old desire to know what happens next; but the denial of all causal relation between disparate kairoi, which is after all basic to Sartre's treatment of time, makes form impossible, and it would never occur to us that a book written to such a recipe, a set of discontinuous epiphanies, should be called a novel. Perhaps we could not even read it thus: the making of a novel is partly the achievement of readers as well as writers, and readers would constantly attempt to supply the very connections that the writer's programme suppresses. In all these ways, then, the novel falsifies the philosophy.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
If you shuffle a pack of cards properly, chances are that exact order has never been seen before in the whole history of the universe
Tasnim Essack (223 Amazing Science Facts, Tidbits and Quotes)
Surprisingly, absolutely no decision making is involved in playing a game of Candyland. Thus, once the cards are shuffled, the game is over. “Playing” merely reveals what is already determined, however much it feels like playing a game. The game was actually played, in a sense, when the cards were shuffled, it just doesn't look or feel like it.
James Lindsay (Dot, Dot, Dot: Infinity Plus God Equals Folly)
If you were to shuffle a deck and draw out ten cards, the chances of the sequence you drew coming up are in the trillions, no matter what the cards are. If you drew out an ordered suit, it would be astonishing, but the chances are the same as any other set of ten cards. The meaning is a human construct. Look
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
The Wizard of Odds Stand on stiff totals of 12 to 16 when dealer's not ace up. Make insurance bets when remaining cards are ten-rich. Double when you want a ten, getting closer to 21. Surrender more in high counts, the savings will be greater. Split high cards and/or off of a weak dealer card. Blackjack player gets paid 3 to 2, dealer does not. Into the pit enters Casino ex machina ~ The s-h-u-f-f-l-i-n-g machine. The Wizard of Odds proclaims, 'All y'allz counters are fucked now!' Off from the tables to the loose slots they go bitchin' 'bout the pit boss and all things techno.
Beryl Dov
Why a Book about Worship Design? Vast numbers of Christian corporate worship services are designed and led weekly all around the world. They appear on every continent on the earth and in most languages under heaven. Indeed, “From the rising of the sun to its setting the name of the LORD is [being] praised” (Ps. 113:3) somewhere among faithful Christians. Yet for as many services as we design, and for as many occasions of public worship as are offered, worship leaders still struggle with how to go about planning worship. Is it simply a matter of selecting the right songs to sing and programming the right “special music”? Is it a matter of shuffling the cards and laying them out in new configurations so as to intrigue worshipers from week to week? Do we adopt one tried-and-true order of service and stick with it, come what may? Or is worship design a free-for-all that requires little or no preparation, where the Spirit is expected to deliver the order of service on demand?
Constance M. Cherry (The Worship Architect: A Blueprint for Designing Culturally Relevant and Biblically Faithful Services)
Extremely unlikely events occur every moment and it is not a priori unthinkable that the evolution of life should be due to mere chance than that a particular order in a pack of cards should result from mechanical shuffling.
Leszek Kołakowski (Religion: If There Is No God God, The Devil & Sin)
She shuffled us out like two jokers in her cards reminding us to go to Auntie’s house before dark, and telling us again she loved us.
Tara June Winch (Swallow the Air)
Your rituals work because you believe in them.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
No one, shuffles your cards around. My love, sing your sound. Live, while you are on the ground - Free Will
Farah Ayaad (Coming Home)
The thing about guys his age, Andrei thought, was they all morphed into one big “bro.” Certain phrases like, “Nah, you’re good... damn, wow, that’s sick... I appreciate you,” have taken such enormous space in the air. Young men use them habitually, and accompany it with that general, polite airiness in the voice that communicates there is no incoming trouble. But that nice tone took a shape on vocal cords, and those phrases redesigned the brain all into one puzzle piece: the modern man. It was like taking a pair of scissors and cutting a man’s unique shape into a rectangle, so all men could be properly put back into place, like gathering playing cards to be shuffled.
Kristian Ventura (A Happy Ghost)
It’s a gut punch, the subject left like all those women I’d read about at the start of this, who’d fallen for men shuffling wives like cards. The journalist like a con man, there for one reason: the story.
Katie Gutierrez (More Than You'll Ever Know)
the raven, which tried to shuffle behind a half-empty display card of beer nuts. “You can get that out of here, miss,” he said. “You know the rule ’bout pets and familiars. If it can’t turn back into human on demand, it’s out.” “Yeah, well, some of us have more brain cells than fingers,” muttered a voice from behind the beer nuts.
Terry Pratchett (Hogfather (Discworld, #20))
The cards dealt at blackjack also seem to appear at random but not if you “track the shuffle,” which is a way to beat the game by watching the order in which the discarded cards are stacked, then mathematically analyzing the particular shuffling technique being used, leading to a partial prediction of the new ordering of the cards for the next deal. The likelihood of any card being the one that is dealt next is not random if you count the cards. What appears random for one state of knowledge may not be if we are given more information. Future prices are not predictable and no one can beat the market, but only when market prices “truly” fluctuate randomly.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Every time you shuffle a deck of cards, you have made a combination nobody has ever made in history. But how? How many combinations can there be? Millions? Billions? Trillions? Not even close. There are 80,658,175,170,943,878,571,660,636,856,403,766,975,289,505,440,883,277,824,000,000,000,00 combinations. That’s 70 numbers. The actual word for this number is 80 vigintillion. If you are wondering how this is possible, here’s a simple way to understand it. There are 52 cards in a deck. There are 26 letters in the alphabet. How many different stories have been created from those 26 letters? So, if you ever feel like you haven’t accomplished anything unique in your life, shuffle a deck of cards and you have done something that has never happened ever. Unless you don’t know how to shuffle. Which I don’t.
James Egan (365 More Things People Believe That Aren't True)
Well, sometimes you need to reshuffle the deck. Sometimes we get dealt a hand that’s a hard one. We keep playing at this game of life until the game gets better.” “But what if the game gets too hard to shuffle the cards?”  “Then I’ll shuffle them for you.
Erin Branscom (Falling Inn Love (Freedom Valley, #1))
For example, say you plan to visit a museum and want to be able to identify the artist (Cézanne, Picasso, or Renoir) of paintings there that you have never seen. Before you go, instead of studying a stack of Cézanne flash cards, and then a stack of Picasso flash cards, and then a stack of Renoir, you should put the cards together and shuffle, so they will be interleaved. You will struggle more (and probably feel less confident) during practice, but be better equipped on museum day to discern each painter’s style, even for paintings that weren’t in the flash cards.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
Well, lookee, 'ere; there's a saying among our folk that the shuffling of the cards is the earth; the pattering of the cards is the rain; the beating of the cards is the wind, and the pointing of the cards is the fire'. She pointed a grimy finger at the hearth.
Patricia Crowther (Lid Off The Cauldron: A Wicca Handbook)
As part of an orchestrated PR follow-up, a Las Vegas Sun editorial of April 3, 1964, assured us that “Anybody who has been around Nevada very long knows that [casinos welcome] players with a system.” “Edward O. Thorp…obviously doesn’t know the facts of gambling life. There has never been a system invented that overcomes…the advantage the house enjoys in every game of chance.” And for the clincher: “ ‘Dr. Thorp may be qualified at mathematics, but he is sophomoric on gambling,’ is the way Edward A. Olsen, Gaming Control Board chairman, put it.” In a nonconfrontational vein, Gene Evans of Harrah’s Club explained that “…the club believes the player may have a better chance when the deck is shuffled every time, because all the Aces and face cards could come up on each deal.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Countermeasures included reshuffling the pack of cards by the time half or fewer of them had been played. This not only limits the card counter’s chances to make favorable bets, but is also costly for the casino because it slows the game down, fleecing the ordinary players more slowly and reducing casino profits. If one likens a casino to a slaughterhouse for processing players, then more time spent shuffling means less efficient use of plant capacity.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
He took this door differently, turning the knob slowly, easing the door open, standing off to the side. The smell intensified, but even worse than that, he heard a soft, unpleasant noise, something he couldn’t identify but he instantly hated. He didn’t want to hear it, wanted to run away from it. It was a kind of card-shuffling sound, real low, lots of little sounds joined together, one after the other, but it wasn’t hard-edged like with cards. It was wetter, softer around the edges, and constant. Jordan peeked inside, his heart hammering worse than it had even when he was on the firing step, waiting for the word, for the whistles, to go over and up into the shrieking, machine-gun-drumming terror of an assault… There was a body on the narrow bed. A woman. Probably. She had been wearing a nightdress, which had been white, and was now uniformly a faded pink, and shredded into fragments. Things moved on the body. Insects, Jordan thought. Or worms. Or something…his eyes and brain couldn’t process what he was seeing. Lots of tiny things roiling across what was now just a lump of meat, the skin long since gone, half the flesh, too, and even the bones diminished, foreshortened… Eaten. Jordan choked back the bile in his throat as he worked out what he was seeing.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
Play the cards you are dealt and don't cry when life gives you a re-shuffle.
Aiden C. Patterson
And his name was called, shrilly in his ears. His mind walked in to face the accusers: Vanity, which charged him with being ill dressed and dirty and vulgar; and Lust, slipping him the money for his whoring; Dishonesty, to make him pretend to talent and thought he did not have; Laziness and Gluttony arm in arm. Tom felt comforted by these because they screened the great Gray One in the back seat, waiting—the gray and dreadful crime. He dredged up lesser things, used small sins almost like virtues to save himself. There were Covetousness of Will’s money, Treason toward his mother’s God, Theft of time and hope, sick Rejection of love. Samuel spoke softly but his voice filled the room. “Be good, be pure, be great, be Tom Hamilton.” Tom ignored his father. He said, “I’m busy greeting my friends,” and he nodded to Discourtesy and Ugliness and Unfilial Conduct and Unkempt Fingernails. Then he started with Vanity again. The Gray One shouldered up in front. It was too late to stall with baby sins. This Gray One was Murder. Tom’s hand felt the chill of the glass and saw the pearly liquid with the dissolving crystals still turning over and lucent bubbles rising, and he repeated aloud in the empty, empty room, “This will do the job. Just wait till morning. You’ll feel fine then.” That’s how it had sounded, exactly how, and the walls and chairs and the lamp had all heard it and they could prove it. There was no place in the whole world for Tom Hamilton to live. But it wasn’t for lack of trying. He shuffled possibilities like cards. London? No! Egypt—pyramids in Egypt and the Sphinx. No! Paris? No! Now wait—they do all your sins lots better there. No! Well, stand aside and maybe we’ll come back to you. Bethlehem? Dear God, no! It would be lonely there for a stranger. And here interpolated—it’s so hard to remember how you die or when. An eyebrow raised or a whisper—they may be it; or a night mottled with splashed light until powder-driven lead finds your secret and lets out the fluid in you. Now this is true, Tom Hamilton was dead and he had only to do a few decent things to make it final.
John Steinbeck (East of Eden)
How you doin’, Detective Oliver?” he greeted. “Have a seat.” “You know I haven’t been a cop for nearly fifteen years,” I said as I settled. “Once a cop…” he insinuated on an airy smile. Then: “What you got in the satchel?” It was a slender blue briefcase I’d found in the blue bedroom. I laid the case on Moroccan tile, then opened it to reveal 250 shiny silver disks. “Oh my God,” Lamont said, his eyes alight with the promise of treasure. “You got the cards?” I asked him. “Blackjack?” “Just what I had in mind.” “Loretta,” the luckster called out. “Yeah, baby?” “Bring me out a hundred ones.” “Okay.” “There’s more than twice that here,” I said. “I see,” he assured me. From somewhere in the folds of the housecoat, my friend brought out a blue deck of Bicycle Standard playing cards. Mr. Charles’s face glistened with the fever of gambling. Somehow he managed to shuffle the deck using the good hand and the infirm one. Blackjack. It was the first word of an ancient incantation that sometimes allowed a poor man or woman to dream about deliverance. Lamont grinned at those cards.
Walter Mosley (Every Man a King: A King Oliver Novel)