Shuffle Cards Quotes

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It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army. Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating . . . "Aaaaw," squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!" Scarlet cringed. "He did not--that wasn't--" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?" "Is she blushing? She sounds like she's blushing." "She's blushing," Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered--
Marissa Meyer (Cress (The Lunar Chronicles, #3))
In point of fact, life may be just a shaky expectation, inasmuch as everyone realizes that the cards have often been shuffled, well in advance.
Erik Pevernagie
Truth and facts often have a contrary message with a trying mission to show the cards' real color shuffled in the rough-and-tumble of our social and political arena. ("Imbroglio")
Erik Pevernagie
My memories are like a shuffled deck of cards, each one coming up at random.
Brian James (Life is But a Dream)
Fate shuffles the cards and we play.
Arthur Schopenhauer
Individuals are not stable things, they are fleeting. Chromosomes too are shuffled into oblivion, like hands of cards soon after they are dealt. But the cards themselves survive the shuffling. The cards are the genes. The genes are not destroyed by crossing-over, they merely change partners and march on. Of course they march on. That is their business. They are the replicators and we are their survival machines. When we have served our purpose we are cast aside. But genes are denizens of geological time: genes are forever.
Richard Dawkins (The Selfish Gene)
You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make an alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents - each man to see what the other looked like.
Beryl Markham (West with the Night)
It’s said that the shuffling of the cards is the earth, and the pattering of the cards is the rain, and the beating of the cards is the wind, and the pointing of the cards is the fire. That’s of the four suits. But the Greater Trumps, it’s said, are the meaning of all process and the measure of the everlasting dance.
Charles Williams
But I'm different now than I was then. Just like I was different at the end of the trip than I'd been in the beginning. And I'll be different tomorrow than i am today. And what that means is that i can never replicate that trip. Even if I went to the same places and met the same people, it would'nt be the same. My experience would'nt be the same. To me, that's what traveling should be about. Meeting people, learning to not only appreciate a different culture, but really enjoy it like a local, following whatever impulse strikes you. So how could I recommend a trip to someone else, if I don't even know what to expect? My advice would be to make a list of places on some index cards, shuffle them, and pick any fice at random. Then just . . . go and see what happens. If you have the right mind-set, it does'nt matter where you end up or how much money you brought. It'll be something you'll remember forever.
Nicholas Sparks (The Guardian)
Most of our platitudes notwithstanding, self-deception remains the most difficult deception. The tricks that work on others count for nothing in that very well-lit back alley where one keeps assignation with oneself: no winning smiles will do here, no prettily drawn lists of good intentions. One shuffles flashily but in vain through one's marked cards- the kindness done for the wrong reason, the apparent triumph which involved no real effort, the seemingly heroic act into which one had been shamed.
Joan Didion (Slouching Towards Bethlehem)
Card five hundred and thirty-four," repeated Artemis. "Of a series of six hundred standard inkblot cards. I memorized them during our sessions. You don't even shuffle." Argon checked the number on the back of the card: 534. Of course. "Knowing the number doesn't answer the question. What do you see?" Artemis allowed his lip to wobble. "I see an ax dripping with blood. Also a scared child, and an elf clothed in the skin of a troll." "Really?" Argon was interested now. "No. Not really. I see a secure building, perhaps a family home, with four windows. A trustworthy pet, and a pathway leading from the door into the distance. I think, if you check your manual, you will find that these answers fall inside healthy parameters." Argon did not need to check. The Mud Boy was right, as usual.
Eoin Colfer (The Last Guardian (Artemis Fowl, #8))
Henry keeps dealing. When all the cards have been separated, I pick up my stack and shuffle my cards again. Then I look up into Henry's eyes, and he's staring back at me, at my tears, and I see all these tiny wrinkles around his eyes-sadness wrinkles. He frowns, biting his lip.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
Listen, friend, he said, this whole game is just one big deck of cards. if you want to get into the game you have to take whatever comes up in the shuffle.
Charles Bukowski (Notes of a Dirty Old Man)
Books are like Tarot decks. They provide answers and guidance but more importantly, they are doorways and portals to the otherworld and the imagination. They leave their imprint and keep whispering to us long after we close the pages or shuffle the deck.
Sasha Graham (Tarot Fundamentals)
Some people, I am told, have memories like computers, nothing to do but punch the button and wait for the print-out. Mine is more like a Japanese library of the old style, without a card file or an indexing system or any systematic shelf plan. Nobody knows where anything is except the old geezer in felt slippers who has been shuffling up and down those stacks for sixty-nine years. When you hand him a problem he doesn't come back with a cartful and dump it before you, a jackpot of instant retrieval. He finds one thing, which reminds him of another, which leads him off to the annex, which directs him to the east wing, which sends him back two tiers from where he started. Bit by bit he finds you what you want, but like his boss who seems to be under pressure to examine his life, he takes his time.
Wallace Stegner (The Spectator Bird)
Courage - and shuffle the cards.
George MacDonald Fraser
Patience's design flaw became obvious for the first time in my life: the outcome is decided not during the course of play but when the cards are shuffled, before the game even begins. How pointless is that?
David Mitchell (Cloud Atlas)
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Il destino mischia le carte, ma siamo noi a giocare la partita. Destiny shuffles the cards, but we are the ones who must play the game.
Wally Lamb (We Are Water)
Destiny shuffles the cards, but we are the ones who must play the game.
Wally Lamb
I say, patience and shuffle the cards!
Miguel de Cervantes Saavedra
No longer was I consumed by being a prisoner in my mind. I was not willing to give in to the cards I was dealt. I took my power back and I had control of the cards, and as I held the cards in my hand, I shuffled them to my liking. I knew I wasn’t always going have the best hand every single time, but I knew I had the power to shuffle when I needed to reexamine my hand.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun
Gillian Flynn (Gone Girl)
Destiny shuffles the cards, but we are the ones who must play the game
Wally Lamb
You, my child, will marry well. More than once." (...) The lady retrieved the cards and shuffled them back together into one stack in an attitude of dismissal. Taking this as a sign her fortune was complete, Preshea stood. Looking particularly pleased with life, she passed over a few coins and gave Madame Spetuna a nice curtsy. Mademoiselle Geraldine was fanning herself. "Oh, dear, oh, dear, Miss Buss. Let us hope it is widowhood and not" - she whispered the next word - "divorce that leads to your multiple marriages." Preshea sat and sipped from a china cup. "I shouldn't worry, Headmistress. I am tolerably certain it will be widowhood.
Gail Carriger (Curtsies & Conspiracies (Finishing School, #2))
Lorenz saw it differently. Yes, you could change the weather. You could make it do something different from what it would otherwise have done. But if you did, then you would never know what it would otherwise have done. It would be like giving an extra shuffle to an already well-shuffled pack of cards. You know it will change your luck, but you don’t know whether for better or worse.
James Gleick (Chaos: Making a New Science)
It was not chance that brought us together again. I am sure of that. These things are predestined. I have a theory that each man's life is like a pack of cards, and those we meet and sometimes love are shuffled with us. We find ourselves in the same suit, held by the hand of Fate. The game is played, we are discarded, and pass on.
Daphne du Maurier (Mount Verità)
MY THOUGHTS ARE stacked like a deck of cards and I have to continually shuffle the top one to the back of the pile.
Christina Lauren (Dirty Rowdy Thing (Wild Seasons, #2))
The unknowable lives in a pack of cards after it has been fairly shuffled but before it has been dealt, when all the possibilities are open, and when each possibility matters.
Emma Bull
For action, whatever its immediate purpose, also implies relief at doing something, anything, and the joy of exertion. This is the optimism that is inherent in, and proper and indispensable to action, for without it nothing would ever be undertaken. It in no way suppresses the critical sense or clouds the judgment. On the contrary this optimism sharpens the wits, it creates a certain perspective and, at the last moment, lets in a ray of perpendicular light which illuminates all one's previous calculations, cuts and shuffles them and deals you the card of success, the winning number.
Blaise Cendrars (Moravagine)
The question is, shall it or shall it not be linear history. I've always thought a kaleidoscopic view might be an interesting heresey. Shake the tube and see what comes out. Chronology irritates me. There is no chronology inside my head. I am composed of myriad Claudias who spin and mix and part like sparks of sunlight on water. The pack of cards I carry around is forever shuffled and re-shuffled; there is no sequence, everything happens at once. The machines of the new technology, I understand, perform in much the same way: all knowledge is stored, to be summoned up at the flick of a key. They sound, in theory, more efficient. Some of my keys don't work; others demand pass-words, codes, random unlocking sequences. The collective past, curiously, provides these. It is public property, but it is also deeply private. We all look differently at it. My Victorians are not your Victorians. My seventeenth century is not yours. The voice of John Aubrey, of Darwin, of whoever you like, speaks in one tone to me, in another to you.
Penelope Lively (Moon Tiger)
Brad pulls out the chair next to him while Darin begins shuffling a deck of cards. "Have a seat, Lily. One of our friends decided to be an idiot and get married last week, and now his wife won't let him come to poker night anymore. You can be his fill-in until he gets a divorce.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
God likes to play hide-and-seek, but because there is nothing outside of God, he has no one but himself to play with! But he gets over this difficulty by pretending that he is not himself. This is his way of hiding from himself. He pretends that he is you and I and all the people in the world, all the animals, plants, all the rocks, and all the stars. In this way he has strange and wonderful adventures, some of which are terrible and frightening. But these are just like bad dreams, for when he wakes up they will disappear. Now when God plays "hide" and pretends that he is you and I, he does it so well that it takes him a long time to remember where and how he hid himself! But that's the whole fun of it-just what he wanted to do. He doesn't want to find himself too quickly, for that would spoil the game. That is why it is so difficult for you and me to find out that we are God in disguise, pretending not to be himself. But- when the game has gone on long enough, all of us will WAKE UP, stop pretending, and REMEMBER that we are all one single Self- the God who is all that there is and who lives forever and ever. You may ask why God sometimes hides in the form of horrible people, or pretends to be people who suffer great disease and pain. Remember, first, that he isn't really doing this to anyone but himself. Remember too, that in almost all the stories you enjoy there have to be bad people as well as good people, for the thrill of the tale is to find out how the good people will get the better of the bad. It's the same as when we play cards. At the beginning of the game we shuffle them all into a mess, which is like the bad things in the world, but the point of the game put the mess into good order, and the one who does it best is the winner. Then we shuffle the cards and play again, and so it goes with the world.
Alan W. Watts (A. Book)
Peony…” Cinder shifted closer to the netscreen. “That’s why the android wanted her chip. You’re telling me it would have ended up inside one of them?” “Spoken with true derision for our canine friends,” said Thorne. Cinder massaged her temple. “I’m sorry, Wolf. I don’t mean you.” She hesitated. “Except…I do, though. Anyone. She was my little sister. How many people have died from this disease, only to have their identities violated like this? Again, no offense.” “It’s all right,” said Wolf. “You loved her. I would feel the same if someone wanted to erase Scarlet’s identity and give it to Levana’s army.” Scarlet stiffened, heat rushing into her cheeks. He certainly wasn’t insinuating… “Aaaaw,” squealed Iko. “Did Wolf just say that he loves Scarlet? That’s so cute!” Scarlet cringed. “He did not—that wasn’t—” She balled her fists against her sides. “Can we get back to these soldiers that are being rounded up, please?” “Is she blushing? She sounds like she’s blushing.” “She’s blushing,” Thorne confirmed, shuffling the cards. “Actually, Wolf is also looking a little flustered—” “Focus, please,” said Cinder, and Scarlet could have kissed her.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
I stared in awe as Ferius shuffled the deck, her hands moving smoothly and confidently as the cards flipped around her fingers. It was like watching a master mage performing a dazzling series of somatic shapes one after the other. It was like magic.
Sebastien de Castell (Spellslinger (Spellslinger, #1))
There is no one way. The is no one path. There is you, your cards, and your gift. That’s it. Read a lot. Watch other readers. Practice on your friends (and tell them that you’re practicing). You can figure out your style with some research and time. No worries. Remember, this is supposed to be fun. In tarot readings (and in all other things), please stop comparing yourself to other people. Compare yourself to yourself.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
This is Lily," Brad says, "She's married to an asshole and just found out she's pregnant with the asshole's baby. Lily, this is Jimmy. He's pompous and arrogant." "Pompous and arrogant are the same thing, idiot," Jimmy says. He pulls out the chair next to Darin and nudges his head at the cards in my hands. "Did Atlas plant you here to hustle us? What kind of average person knows how to shuffle cards like that? I smile and begin to pass cards out to each of them. "I guess we'll have to play a round to find out.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Now the journey is ending, the wind is losing heart. Into your hands it's falling, a rickety house of cards. The cards are backed with pictures displaying all the world. You've stacked up all the images and shuffled them with words. And how profound the playing that once again begins! Stay, the card you're drawing is the only world you'll win.
Ingeborg Bachmann
After the bomb, nature will pick up the cards we have spilled, shuffle them, and begin her game again. Nature is forever playing solitaire with herself.
Camille Paglia (Sexual Personae)
Is she blushing? She sounds like she’s blushing.” “She’s blushing,” Thorne confirmed, shuffling the cards. “Actually, Wolf is also looking a little flustered—
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Of course she cheated. Don't be silly. Snow White spent half her growing years shuffling cards for no one. She can cut false and she can cut true, but she wasn't going to lose when it counted.
Catherynne M. Valente (Six-Gun Snow White)
There’s nothing to be scared of.” Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.
Stephen King (Doctor Sleep (The Shining, #2))
We all shuffle our own deck in life ... The deck is our brain, the cards are our thoughts, the results we get will determine if we are giving ourselves a fair deal. Do you have an authentic dealer?
Michael Levy (The Joys of Live Alchemy)
How do you know I’m not making it up? You don’t. Things work because you believe in them. Call it faith or will or coincidence or whatever. If you believe it will help to light a candle and ask the universe to help you understand the mystery and meaning of the Hierophant, then it will. Don’t spend a bunch of money on learning how to get to know your cards. Just do it. Say hi to them and get to work.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
They migrated to the usual room on the second floor. Heywood Broun was there by the door, setting up bottles of gin, scotch and beer. Alexander Woollcott sat ensconced behind the round table (not THE Round Table). He shuffled the cards and stacked up poker chips. Dorothy stopped in the doorway and watched what they were doing. 'You boys sure know how to treat a woman,' she said. 'Liquor in the front and poker in the rear.
J.J. Murphy (Murder Your Darlings (Algonquin Round Table #1))
In every deck, the Fool is in a precarious position. Think of all of the idioms we have for taking chances. “Going out on a limb.” “Winging it.” “Break a leg.” “Going for broke.” These all sound really painful, but what they’re about is deciding that being still is not for you. When you see this in a reading, you'll know it's time to jump.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
Most of the time there aren’t as many fireworks. I lay down the cards, and they talk to me. I see the Tower and know that it was necessary, and I see the dust settling and what the path ahead looks like (usually dusty). I throw down the Seven of Wands and feel my client bristling with protective energy. I can hear the celebration in the Four of Wands, or see the connective energy in the Three of Cups. My cards come alive for me. That’s the best way I can describe it.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
Our private lives are like a colony of worlds expanding, contracting, breathing universal air into separate knowledges. Or like several packs of cards shuffled together by an expert anonymous hand, and dealt out in a random, amused or even hostile way.
Gregory Maguire (After Alice)
A pair of aces," Daniel said with a fierce look in his eye. Justin set his cards down quietly and faceup. "Two pair.Jacks and sevens." He sat back as Caine swore in disgust. "You son of-" In frustration, Daniel broke off, shifting his eyes from his daughter to Shelby. "The devil take you, Justin Blade." "You're sending him off prematurely," Shelby commented, spreading her cards. "A straight,from the five to the nine." Alan walked over to look at her cards. "I'll be damned, she drew the six and seven." "No one but a bloody witch draws an inside straight," Daniel boomed, glaring at her. "Or a bloody Campbell," Shelby said easily. His eyes narrowed. "Deal the cards." Justin grinned at her as Shelby scooped in chips. "Welcome aboard," he said quietly and began to shuffle.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Were the stars out when I left the house last evening? All I could remember was the couple in the Skyline listening to Duran Duran. Stars? Who remembers stars? Come to think of it, had I even looked up at the sky recently? Had the stars been wiped out of the sky three months ago, I wouldn't have known. The only things I noticed were silver bracelets on women's wrists and popsicle sticks in potted rubber plants. There had to be something wrong with my life. I should have been born a Yugoslavian shepherd who looked up at the Big Dipper every night. No car, no car stereo, no silver bracelets, no shuffling, no dark blue tweed suits. My world foreshortened, flattening into a credit card. Seen head on, things seemed merely skewed, but from the side the view was virtually meaningless—a one-dimensional wafer. Everything about me may have been crammed in there, but it was only plastic. Indecipherable except to some machine. My first circuit must have been wearing thin. My real memories were receding into planar projection, the screen of consciousness losing all identity.
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
Shadow felt like a pea being flicked between three cups, or a card being shuffled through a deck.
Neil Gaiman (American Gods)
A psychologist plays the cards before the shuffle and the deal.
Amit Abraham
They’re cards with stories on them,' she explains as the girl looks curiously at the cards in her hand. 'You shuffle the pictures and they tell you the story.
Erin Morgenstern (The Starless Sea)
He sits all day on the terrace of the Brokers' Club watching women pass, with the restless eye of someone endlessly shuffling through an old soiled pack of cards.
Lawrence Durrell (Justine (The Alexandria Quartet, #1))
Thoughts flashed by, like cards glimpsed as the dealer shuffles the deck.
Joe Hill (Strange Weather)
Lisette Matson’s gnarled hands shuffled the deck of playing cards like a magician.
Lisa Regan (Vanishing Girls (Detective Josie Quinn, #1))
Words often came to him thus, they were dealt by a ghost called the Muse. Since all cards are within your hands to shuffle or to cut. A clinching rhyme needed. Surest thing.
Anthony Burgess (A Dead Man in Deptford)
Your rituals work because you believe in them.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
I don't even know how to play cards. But when my parents get into fights, shuffling cards just calms me down sometimes and gives me something to focus on." -pg 31
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Each man's life is like a pack of cards, and those we meet and sometimes love are shuffled with us. We find ourselves in the same suit held by the Hand of Fate. The game is played, we are discarded, and pass on.
Daphne du Maurier (Monte Verità)
I’m done waiting for you to see me. Something shifted beneath my feet like moving sand. Things in my chest, around my brain, rearranged. It was like a deck of cards being shuffled. There was before. This was after.
Devney Perry (Sable Peak (The Edens, #6))
Extremely unlikely events occur every moment and it is not a priori unthinkable that the evolution of life should be due to mere chance than that a particular order in a pack of cards should result from mechanical shuffling.
Leszek Kołakowski (Religion: If There Is No God God, The Devil & Sin)
To me, that's what traveling should be about. Meeting people, learning to not only appreciate a different culture, but really enjoy it like a local, follow whatever impulse strikes you. My advice would be to make a list of laces on some index cards shuffle them, and pick any five a random. Then just go and see what happens. If you have the right mind-set, it doesn't matter where you end up or how much money you have brought. It'll be something you'll remember forever.
Nicholas Sparks
all the others knew that he had a mind, knew that he was capable of understanding ideas. What will new people think when they see me? They’ll see a body that’s already atrophying, hunched over; they’ll see me walk with a shuffling gait; they’ll watch me use my hands like paws, clutching a spoon like a three-year-old; they’ll hear my thick, half-intelligible speech; and they’ll assume, they’ll know, that such a person cannot possibly understand anything complicated or difficult.
Orson Scott Card (Xenocide (Ender's Saga, #3))
Well, lookee, 'ere; there's a saying among our folk that the shuffling of the cards is the earth; the pattering of the cards is the rain; the beating of the cards is the wind, and the pointing of the cards is the fire'. She pointed a grimy finger at the hearth.
Patricia Crowther (Lid Off The Cauldron: A Wicca Handbook)
That kind of swagger. The “I got this” energy. That’s the Magician. You see this card a lot with successful people, or with people who’ve just found the correct path in their life and have just had that Eureka! moment. He’s President Barack Obama backed by the P-Funk All Stars. Just sit down, kiddo. He’s got this covered.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
The fatal day rarely announces itself, but comes disguised as midsummer. Our private lives are like a colony of worlds expanding, contracting, breathing universal air into separate knowledges. Or like several packs of cards shuffled together by an expert anonymous hand, and dealt out in a random, amused or even hostile way.
Gregory Maguire (After Alice)
From a scientific perspective, ‘destroy’ isn’t really accurate. Nothing has disappeared. All the matter that used to be there is still there, and so is all the angular momentum. It’s only the arrangement of matter that has changed, like a deck of cards being reshuffled. But life is like a straight flush: Once you shuffle, it’s gone.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.' 'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.' He looked at Perea suspiciously. 'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.' ("Pollock And The Porrah Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
Be Gentle William Butler Yeats wrote this lovely poem called “Aedh Wishes for the Cloths of Heaven.” Had I the heaven’s embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half-light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)
Nash used to say that living your life was like shuffling a deck of cards. One day you might draw a good hand, the next, a bad beat. But buying into that meant surrendering what control we did have. Life wasn't drawing cards at random, it was choosing to pick up the deck, it was choosing how to shuffle, it was choosing the rules of play. It was the thousand of choices we made every single day, and the path those choices created for us.
Alexandra Bracken (The Mirror of Beasts (Silver in the Bone, #2))
Rick shuffled through the cards again. “Where is the tallest mountain on earth?” Lydia put her hand over her eyes so she could concentrate. “You said tallest, not highest elevation, so it can’t be Everest.” She made some thinking noises that caused the dogs to stir. The cat started making biscuits on her stomach. She could hear the clock ticking in the kitchen. Finally, Rick said, “Think ukulele.” She peeked through her fingers. “Hawaii?” “Mauna Kea.
Karin Slaughter (Pretty Girls)
But I’m different now than I was then. Just like I was different at the end of the trip than I’d been at the beginning. And I’ll be different tomorrow than I am today. And what that means is that I can never replicate that trip. Even if I went to the same places and met the same people, it wouldn’t be the same. My experience wouldn’t be the same. To me, that’s what traveling should be about. Meeting people, learning to not only appreciate a different culture, but really enjoy it like a local, following whatever impulse strikes you. So how could I recommend a trip to someone else, if I don’t even know what to expect? My advice would be to make a list of places on some index cards, shuffle them, and pick any five at random. Then just… go and see what happens. If you have the right mind-set, it doesn’t matter where you end up or how much money you brought. It’ll be something you’ll remember forever.
Nicholas Sparks (The Choice)
Cinder massaged her temple. "I'm sorry, Wolf. I don't mean you." She hesitated. "Except...I do, though. Anyone. She was my little sister. How many people have died from this disease, only to have their identities violated like this? Again, no offense." "It's all right," said Wolf. "You loved her. I would feel the same if someone wanted to erase Scarlet's identity and give it to Levana's army." Scarlet stiffened, heat rushing into her cheeks. He certainly wasn't insinuating... "Aaaaw" squealed Iko. "Did Wolf just say that he loves Scarlet? That's so cute!" Scarlet cringed. "He did not-that wasn't-" She balled her fists against her sides. "Can we get back to these soldiers that are being rounded up, please?" "Is she blushing? She sounds like she's blushing." "She's blushing." Thorne confirmed, shuffling the cards. "Actually, Wolf is also looking a little flustered-" "Focus, please," said Cinder, and Scarlet could have kissed her.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Up in her bedroom she lays her tarot cards out on the bed. A draught creeps across her shoulder blades and, for a moment, she gets a strange feeling of a hand, reaching out of the darkness. She shakes her head and shoulders and shuffles the dog-eared cards. She flicks three across her bed, face down, then puts her hand over the first card and asks it to tell her what is going on. The next one she asks what is getting in the way. The third she asks what will fix the problem.
Francine Toon (Pine)
The old woman sat in her leather recliner, the footrest extended, a dinner tray on her lap. By candlelight, she turned the cards over, halfway through a game of Solitaire. Next door, her neighbors were being killed. She hummed quietly to herself. There was a jack of spades. She placed it under the queen of hearts in the middle column. Next a six of diamonds. It went under the seven of spades. Something crashed into her front door. She kept turning the cards over. Putting them in their right places. Two more blows. The door burst open. She looked up. The monster crawled inside, and when it saw her sitting in the chair, it growled. “I knew you were coming,” she said. “Didn’t think it’d take you quite so long.” Ten of clubs. Hmm. No home for this one yet. Back to the pile. The monster moved toward her. She stared into its small, black eyes. “Don’t you know it’s not polite to just walk into someone’s house without an invitation?” she asked. Her voice stopped it in its tracks. It tilted its head. Blood—from one of her neighbor’s no doubt—dripped off its chest onto the floor. Belinda put down the next card. “I’m afraid this is a one-player game,” she said, “and I don’t have any tea to offer you.” The monster opened its mouth and screeched a noise out of its throat like the squawk of a terrible bird. “That is not your inside voice,” Belinda snapped. The abby shrunk back a few steps. Belinda laid down the last card. “Ha!” She clapped. “I just won the game.” She gathered up the cards into a single deck, split it, then shuffled. “I could play Solitaire all day every day,” she said. “I’ve found in my life that sometimes the best company is your own.” A growl idled again in the monster’s throat. “You cut that right out!” she yelled. “I will not be spoken to that way in my own home.” The growl changed into something almost like a purr. “That’s better,” Belinda said as she dealt a new game. “I apologize for yelling. My temper sometimes gets the best of me.
Blake Crouch (The Last Town (Wayward Pines, #3))
As the old gent shuffled his way to the bureau, I scanned the room, curious as to his weakness. At the Sunshine hotel, for every room there was a weakness, and for every weakness an artifact bearing witness. Like an empty bottle that has rolled under the bed, or a feathered deck of cards on the nightstand, or a bright pink kimono on a hook. Some evidence of that one desire so delectable, so insatiable that it overshadowed all others, eclipsing even the desires for a home, a family, or a sense of human dignity.
Amor Towles (The Lincoln Highway)
Open on three,” Minho said. “And guard lady, you try anything or run away, I guarantee one of us will get you. Thomas, you count off.” The woman pulled out her key card but said nothing. “One,” Thomas began. “Two.” He paused, allowed himself a moment to suck in a breath, but before he could yell the last number an alarm started blaring and the lights went out. CHAPTER 14 Thomas blinked rapidly, trying to adjust to the darkness. The alarm rang in shrill, deafening bursts. He sensed Minho stand up, then heard him shuffling about. “The guard’s gone!” his friend shouted. “I can’t find her!
James Dashner (The Death Cure (Maze Runner, #3))
After my shower, I found him shuffling cards he bought at the convenience store we stopped at before the hotel. Grinning, I sat across from him. “You told me that you’re good at cards,” Judd said, recalling my reaction to passing a casino on the drive. “I said I liked cards. I never claimed to be good.” “The only people who like cards are gambling addicts and those who are good at it. You’re not an addict.” “Do you like cards?” I asked while he dealt. “Sure.” “Do you like me?” I asked softly, looking over my cards. Judd never looked up from his hand. “I’m playing cards, ain’t I?
Bijou Hunter (Damaged and the Knight (Damaged, #2))
He could have laughed. His shy Stella making a scene! Although maybe he shouldn’t have been surprised. A woman protecting her home came from a place more primal than politics. Besides, in all the time he’d known her, she’d never spoken kindly of a Negro. It embarrassed him a little, to tell the truth. He respected the natural order of things but you didn’t have to be cruel about it. As a boy, he’d had a colored nanny named Wilma who was practically family. He still sent her a Christmas card each year. But Stella wouldn’t even hire colored help for the house—she claimed Mexicans worked harder. He never understood why she averted her gaze when an old Negro woman shuffled past on the sidewalk, why she was always so curt with the elevator operators. She was jumpy around Negroes, like a child who’d been bit by a dog
Brit Bennett (The Vanishing Half)
He was deeply in love with her. Truly. Madly. A kind of love he'd never dared fathom. It hadn't happened in an instant--- a flash in the pan, quick sear, raw within--- but over time, his initial wallop of attraction so thin and bland beside the concentrated feeling that consumed him now, this love that had simmered slowly, sauce marrying over long, low heat. Maura with the tarot, shuffling his cards, dashing his dreams, telling him to quit in a way that only drove him to think about her: the tartness of tomato, stewing over flame. Maura in the dark, pulling down his mask, kissing him in the stairwell of that strange immersion theater: the heat of hot pepper flakes. Maura in his bed, in his T-shirt, eating grilled cheese in the middle of the night, feeding it to him, crumbs on the comforter, her fingers in his mouth: the sweet emulsion of butter. Maura arguing with him, one hand on her hip, pissed the hell off: basil, torn. Maura working through a problem, her forehead furrowed, eyes in such sharp focus: the concentration of tomato paste. Maura walking into a room, the air shifting, his eyes finding hers: garlic, caramelized. Maura when she said his name, when she whispered it, when she traced it into his shoulder, gasped it, screamed it, held it in her mouth like a secret: pepper--- red and black and white--- grinding in a mill. Maura in the world, living with so much life, so much yearning, so much hunger, that all he ever wanted to do was feed her, satisfy her, love her, make her feel as full as she made him: streams of salt and salt and salt. It had all stirred together inside him until there it was--- love--- and everything else he'd ever tried just fell away, tasteless.
Daria Lavelle (Aftertaste)
Self-examination requires time alone spent in thoughtful study. We naturally fear aloneness, which reluctance can stifle attaining self-knowledge. In her 1942 memoir titled ‘West with the Night,. Beryl Marham spoke eloquently why we must overcome our fear of aloneness and conduct a search for our inner authenticity. “You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make the alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents – each man to see what the other looked like.
Kilroy J. Oldster (Dead Toad Scrolls)
But there were endless rewards. There was a pervasive sense of adventure, that a surprise was just waiting to be discovered in the next encounter or at the end of the next street. There was the food, of course-even the banal cafe seemed to serve something exquisite-and the artistry with which it was all done, right down to the tiny scenarios in bread and chocolate that were unveiled fortnightly in our boulanger's window. I even came to appreciate-in memory, to bask in-the flirtatious comments made by men in the street, bending every rule in my postfeminist, Anglo-American playbook as I did so, seeing it all as just more joyous street theater in a city that was alive with it, especially in warm weather when everyone was out. I knew that I would remember all of it always, that Paris would be there forever in sharply delineated images,a pack of mental cards to be shuffled through, rearranged, anytime I liked.
Penelope Rowlands
I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.
Judith McNaught (Almost Heaven (Sequels, #3))
For all my biographical projects I have kept a box of lives. A box of index cards containing the details—name, occupation, dates, place of residence and any other piece of information that seems relevant—of all the significant people in the life of my subject. I never quite know what to make of my boxes of lives. Depending on my mood they either strike me as a memorial to gladden the dead (“Look!” I imagine them saying as they peer through the glass at me. “She’s writing us down on her cards! And to think we’ve been dead two hundred years!”) or, when the glass is very dark and I feel quite stranded and alone this side of it, they seem like little cardboard tombstones, inanimate and cold, and the box itself is as dead as the cemetery. Miss Winter’s cast of characters was very small, and as I shuffled them in my hands their sparse flimsiness dismayed me. I was being given a story, but as far as information went, I was still far short of what I needed. I took a blank card and began to write.
Diane Setterfield (The Thirteenth Tale)
The Air Force has always had more money than sales resistance, and they bought a one-year program (probably for something in the order of a hundred or a hundred and fifty thousand dollars) and in June of 1961 Hawkins and Summers punched the “start” button and the machine started to shuffle IBM cards. And to print out structures that looked like road maps of a disaster area, since if the compounds depicted could even have been synthesized, they would have, infallibly, detonated instantly and violently. The machine’s prize contribution to the cause of science was the structure, to which it confidently attributed a specific impulse of 363.7 seconds, precisely to the tenth of a second, yet. The Air Force, appalled, cut the program off after a year, belatedly realizing that they could have got the same structure from any experienced propellant man (me, for instance) during half an hour’s conversation, and at a total cost of five dollars or so. (For drinks. I would have been afraid even to draw the structure without at least five Martinis under my belt.)
John Drury Clark (Ignition!: An Informal History of Liquid Rocket Propellants (Rutgers University Press Classics))
Although I am an optimist, my imagination can conjure countless deadly hands from any shuffled deck before the cards are dealt. I am, therefore, perplexed by so many people who, whether they’re optimists or pessimists, trust any dealer as long as he claims to share their vision of how all things ought to be, who trust their own vision to the extent that they never question it, and who believe that four of a kind and royal flushes always fall by chance in a world without meaning. To such folks, Hitler was a distant and half-comic figure—until he wasn’t; and mad mullahs promising to use nuclear weapons as soon as they obtain them are likewise harmless—until they aren’t. I, on the other hand, believe life has profound meaning and that the meaning of Creation itself is benign, but I also know that there are such things as card mechanics who can manipulate any deck to their great advantage. In life, little happens by chance, and most bad hands we’re dealt are the consequence of our actions, which are shaped by our wisdom and our ignorance. In my experience, survival depends on hoping for the best while recognizing that disaster is more likely and that it can’t be averted if it can’t be imagined.
Dean Koontz (Deeply Odd (Odd Thomas, #6))
Your grandmother thought--no, she believed, it was like a faith for her. She believed it the way some people believe in God or science. She believed that it was the rules that made her life so easy. She thought life was about the rules people make for it, as if life was some kind of a board game and if you had a little luck, and you kept to the rules, you'd end up winning. Or maybe she thought it was like a game of solitaire and once the cards had been shuffled and laid out, if you had a good draw you were safe, as if it was arranged for you to win. Or to lose, although Grandmother considered herself someone who had won, since all she had to do once she was born was follow the rules. But really, life's like a game of bridge: You're dealt a hand and it can be a winning hand or a losing one, but that doesn't necessarily mean that you'll win or lose because there are other people at the table, your partner for one, and the other ream for another, that's three people...playing too, and people make mistakes, multiply that times three too, or you can just be smarter than they are. And luckier too, because anybody who sits down to play bridge or life without figuring out how much luck is involved is making a Big Mistake. I don't want you girls doing that.
Cynthia Voigt (By Any Name)
For Aristotle the literary plot was analogous to the plot of the world in that both were eductions from the potency of matter. Sartre denies this for the world, and specifically denies, in the passage just referred to, that without potentiality there is no change. He reverts to the Megaric view of the matter, which Aristotle took such trouble to correct. But this is not our affair. The fact is that even if you believe in a Megaric world there is no such thing as a Megaric novel; not even Paterson. Change without potentiality in a novel is impossible, quite simply; though it is the hopeless aim of the cut-out writers, and the card-shuffle writers. A novel which really implemented this policy would properly be a chaos. No novel can avoid being in some sense what Aristotle calls 'a completed action.' This being so, all novels imitate a world of potentiality, even if this implies a philosophy disclaimed by their authors. They have a fixation on the eidetic imagery of beginning, middle, and end, potency and cause. Novels, then, have beginnings, ends, and potentiality, even if the world has not. In the same way it can be said that whereas there may be, in the world, no such thing as character, since a man is what he does and chooses freely what he does--and in so far as he claims that his acts are determined by psychological or other predisposition he is a fraud, lâche, or salaud--in the novel there can be no just representation of this, for if the man were entirely free he might simply walk out of the story, and if he had no character we should not recognize him. This is true in spite of the claims of the doctrinaire nouveau roman school to have abolished character. And Sartre himself has a powerful commitment to it, though he could not accept the Aristotelian position that it is through character that plot is actualized. In short, novels have characters, even if the world has not. What about time? It is, effectively, a human creation, according to Sartre, and he likes novels because they concern themselves only with human time, a faring forward irreversibly into a virgin future from ecstasy to ecstasy, in his word, from kairos to kairos in mine. The future is a fluid medium in which I try to actualize my potency, though the end is unattainable; the present is simply the pour-soi., 'human consciousness in its flight out of the past into the future.' The past is bundled into the en-soi, and has no relevance. 'What I was is not the foundation of what I am, any more than what I am is the foundation of what I shall be.' Now this is not novel-time. The faring forward is all right, and fits the old desire to know what happens next; but the denial of all causal relation between disparate kairoi, which is after all basic to Sartre's treatment of time, makes form impossible, and it would never occur to us that a book written to such a recipe, a set of discontinuous epiphanies, should be called a novel. Perhaps we could not even read it thus: the making of a novel is partly the achievement of readers as well as writers, and readers would constantly attempt to supply the very connections that the writer's programme suppresses. In all these ways, then, the novel falsifies the philosophy.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
He sat in the reading room by himself, the diffuse morning light rendering him soft and dusty. He had removed one of the tarot decks from its bag and lined all of the cards faceup in three long rows. Now he leaned on the table and studied the image on each, one at at time, shuffling on his elbows to the next when he was through. He looked nothing like the Adam who'd lost his temper and everything like the Adam she had first met. That was what was frightening, though⁠—there'd been no warning.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Play the cards you are dealt and don't cry when life gives you a re-shuffle.
Aiden C. Patterson
He gave me a smile that belonged on a codfish.
George R.R. Martin (Jokertown Shuffle (Wild Cards. #9))
Why don’t we see what the cards have to say?” Gran handed me a handkerchief and rocked back on her heels. I dabbed at my eyes as she shuffled the cards, the same deck she’d been using since I could remember. The gold foil had worn off their backs, but she said that just made them more magical. They gave up a little of themselves and took in a little of us, and with each generation, grew wiser.
Ramona Finn (The Decemites (The Echelon, #1))
Destiny ,you shuffled the cards ,we’re just players .
Mera Jaye
Not a few Southern statesmen representing the common people tried to highlight the way they were being used. “How long will you suffer politicians to flatter you as sovereigns and use you as victims, without awakening your resentment?” Benjamin H. Hill asked a Georgia audience. “How often shall they settle and unsettle the slavery question before you discover the only meaning they have, is to excite your prejudices and get yourvotes? For how many years shall changing demagogues shuffle you as the gambler shuffles his cards—to win a stake—and still find you willing to be shuffled again?
William C. Davis (Look Away!: A History of the Confederate States of America)
Something shifted beneath my feet like moving sand. Things in my chest, around my brain, rearranged. It was like a deck of cards being shuffled. There was before. This was after.
Devney Perry (Sable Peak (The Edens, #6))
The boomers finished their song. After a few high fives, they replaced their mics and shuffled offstage, heading back to the arcade. Typical boomer timing: have a blast, then leave right before everything goes sideways.
Rick Riordan (PERCY JACKSON andamp; THE OLYMPIANS: THE ULTIMATE GUIDE [WITH TRADING CARDS] By Riordan, Rick (Author) Hardcover on 01-Jan-2010)
Spoons are gone,” Sabrina said, and shuffled from the room. The conversation continued as she left, but she no longer cared to listen. She’d played her get-out-of-jail-free card. “Spoons” was their code word for when she needed to retreat. Spoon theory was the best way to describe how a day could sap her energy. Everyone started each day with a number of spoons, some people started with more than others. Every activity used up a certain number of spoons, and when they were gone, then the energy was gone for the day. For Sabrina, everything required a lot of spoons, and she didn’t have many to begin with.
Amy E. Reichert (The Kindred Spirits Supper Club)
The cards dealt at blackjack also seem to appear at random but not if you “track the shuffle,” which is a way to beat the game by watching the order in which the discarded cards are stacked, then mathematically analyzing the particular shuffling technique being used, leading to a partial prediction of the new ordering of the cards for the next deal. The likelihood of any card being the one that is dealt next is not random if you count the cards. What appears random for one state of knowledge may not be if we are given more information. Future prices are not predictable and no one can beat the market, but only when market prices “truly” fluctuate randomly.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
You can live a lifetime and, at the end of it, know more about other people than you know about yourself. You learn to watch other people, but you never watch yourself because you strive against loneliness. If you read a book, or shuffle a deck of cards, or care for a dog, you are avoiding yourself. The abhorrence of loneliness is as natural as wanting to live at all. If it were otherwise, men would never have bothered to make an alphabet, nor to have fashioned words out of what were only animal sounds, nor to have crossed continents — each man
Beryl Markham (West with the Night)
the raven, which tried to shuffle behind a half-empty display card of beer nuts. “You can get that out of here, miss,” he said. “You know the rule ’bout pets and familiars. If it can’t turn back into human on demand, it’s out.” “Yeah, well, some of us have more brain cells than fingers,” muttered a voice from behind the beer nuts.
Terry Pratchett (Hogfather (Discworld, #20))
The scent of new paper and whatever glue coats the cards fills the small space as he pulls out the deck. His hands move impossibly fast, shuffling the cards with intimate knowledge. The same intimate knowledge I imagine he has with women. You’re a woman, my mind helpfully supplies. Damon Scott won’t be intimate with any part of my body. Not if I win this game. There’s a sense of loss about that, but also power—because I’ll be the one to decide my fate.
Skye Warren (The King (Masterpiece Duet, #1))
Sinuous and beautiful fortune-tellers, stagily coifed and ear-ringed and flounced in tiers of yellow and magenta and apple-green, perfunctorily shuffled their cards and proffered them in dog-eared fans as they strolled through the crowds, laying soft-voiced and unrelenting siege to every stranger they met.
Patrick Leigh Fermor (A Time of Gifts (Trilogy, #1))
Every time you shuffle a deck of cards, you have made a combination nobody has ever made in history. But how? How many combinations can there be? Millions? Billions? Trillions? Not even close. There are 80,658,175,170,943,878,571,660,636,856,403,766,975,289,505,440,883,277,824,000,000,000,00 combinations. That’s 70 numbers. The actual word for this number is 80 vigintillion. If you are wondering how this is possible, here’s a simple way to understand it. There are 52 cards in a deck. There are 26 letters in the alphabet. How many different stories have been created from those 26 letters? So, if you ever feel like you haven’t accomplished anything unique in your life, shuffle a deck of cards and you have done something that has never happened ever. Unless you don’t know how to shuffle. Which I don’t.
James Egan (365 More Things People Believe That Aren't True)
Something shifted beneath my feet like moving sand. Things in my chest. Around my brain. Rearranged. It was like a deck of cards being shuffled. There was before. This was after.
Devney Perry (Sable Peak (The Edens, #6))
If I lose the best out of three, I’ll go to Magie Noire with you.” I pause for effect, slanting my head to the onyx-haired gentleman at the table. “And Maddox.” “And me.” Jax raises his hand. “That’s how we roll.” “Fine, Magic Jax. And you,” I allow. His pierced lips flourish into a boyish grin. “You’re on, pretty lady,” Cash says, shuffling the cards. “Three rounds of blackjack to determine the winner.
Brandy Hynes (Carving Graves (KORT, #2))
But Celeste doesn’t know me well enough yet. If I don’t get the cards that I need to win the hand, I fucking take them. Too many years were spent at the mercy of fucked-up dealing. I’m not the guy who makes the best of shitty hands. I’m the guy who swindles the dealer, shuffles the cards in my favor, and claims the goddamn ace. She’s mine now. Whether she accepts it or not. The thing is, I can’t simply take her. She’s too fiery and obstinate. Well, I could—and will if necessary. But she grasps for control in everything because she has none. I’d like my girl to feel empowered to choose me rather than coerced to let go of her fucked-up rescue mission—a plight her family should not be forcing on her.
Brandy Hynes (Carving Graves (KORT, #2))
For the next two hours we trade our interests and disinterests like kids swapping baseball cards, all while my driving playlist cycles through on shuffle in the background. If there are any other saxophone-heavy songs, neither of us notices. ... Like he knows he’s ridiculous. Like he doesn’t mind at all that I’m delighted by his strangeness.
Emily Henry (People We Meet on Vacation)
Know then that I am the Joyous Goddess of Destruction, who governs the world’s ceaseless dissolution and restoration. In the general massacre the cards are continuously shuffled, and souls fare no better than bodies, which at least enjoy the repose of the grave. An endless war racks the universe up to the very stars of the firmament and spares not even spirits or atoms.
Italo Calvino (The Castle of Crossed Destinies)
Sometimes we're dealt cards in our life that are harder to shuffle through than expected.
Meghan Quinn (Bridesmaid for Hire (Bridesmaid for Hire, #1))
Your actions and intentions as you shuffle and cut the cards align certain energies in a way that is meaningful to you. When you lay the cards out, you can see a picture of all those energies in one place.
Joan Bunning (The Big Book of Tarot: How to Interpret the Cards and Work with Tarot Spreads for Personal Growth (Weiser Big Book Series))
The first of these new impulses is the stronger: if the roles of man and woman are shuffled, then the cards must immediately be dealt again, the order tampered with must be restored, for outside it a man no longer knows who he is or what is expected of him. That sword is not a woman’s attribute, it is a usurpation. The knight would never take advantage of an adversary of his own sex, surprising him unarmed, and still less would he steal from him secretly, but now he crawls among the bushes, approaches the hanging weapons, grasps the sword with a furtive hand, takes it from the tree, and runs off. “War between man and woman has no rules, no loyalty,” he thinks, and he does not yet know, to his misfortune, how right he is.
Italo Calvino (The Castle of Crossed Destinies)
Pageantry. Elm winked at his father, fixing his face with his custom brand of petulant, courtly charm. “The Pine family. How delightful.” He turned to Wayland. “I was sorry to hear about your Iron Gate Card.” His bruised hand flexed beneath the table. “Nasty things, highwaymen.” Wayland Pine, the poor bastard, looked close to tears at the mention of the Providence Card Ravyn had rid him of several weeks ago. “Thank you, my Prince.” He bowed, his hand on his eldest daughter’s back, pushing her slightly forward. “You remember Farrah, my eldest.” Elm hardly did. “Of course. Are you long at Stone, Miss Pine?” Farrah’s eyes flickered to the King. “For a week, Your Grace. For the feasts.” “For which we are most grateful to be invited,” Wayland chimed, another bow. The King raised a hand, acceptance and dismissal in a single gesture. The Pines shuffled away, Farrah bidding Elm a backward glance. “What feasts?” he said to his father, watching the Pines disappear into the crowd. The King leaned back in his chair. “Beginning tomorrow night, there will be six feasts. On the sixth, you will choose a wife.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
My jaw tightened at the thought and I refused it, tarot cards shifting through my mind as if I could truly see them while I shuffled the deck, casting out any which didn’t fall in our favour, determined to draw only those I wanted. The Chariot flashed through my mind and stuck there as I drew in a long breath. Vengeance, war, triumph. I would accept no other fate than that from now on.
Caroline Peckham (Sorrow and Starlight (Zodiac Academy, #8))
The players were mostly seated, itching to begin, impatient men shuffling the packs of cards, a center lamp on each table, and a hail of welcome as Cornelius entered.
Edna O'Brien (The Light of Evening)
Why a Book about Worship Design? Vast numbers of Christian corporate worship services are designed and led weekly all around the world. They appear on every continent on the earth and in most languages under heaven. Indeed, “From the rising of the sun to its setting the name of the LORD is [being] praised” (Ps. 113:3) somewhere among faithful Christians. Yet for as many services as we design, and for as many occasions of public worship as are offered, worship leaders still struggle with how to go about planning worship. Is it simply a matter of selecting the right songs to sing and programming the right “special music”? Is it a matter of shuffling the cards and laying them out in new configurations so as to intrigue worshipers from week to week? Do we adopt one tried-and-true order of service and stick with it, come what may? Or is worship design a free-for-all that requires little or no preparation, where the Spirit is expected to deliver the order of service on demand?
Constance M. Cherry (The Worship Architect: A Blueprint for Designing Culturally Relevant and Biblically Faithful Services)
She shuffled us out like two jokers in her cards reminding us to go to Auntie’s house before dark, and telling us again she loved us.
Tara June Winch (Swallow the Air)
Of all the nouns we use to disguise the hollowness of the human condition, none is more influential than "myself". It consists of a collage of still images - name, gender, nationality, profession, enthusiasms, relationships - which are renovated from time to time, but otherwise are each a relic from one particular experience or another. The defining teaching of the Buddhist tradition, that of non-self, is merely pointing out the limitations of this reflexive view we hold of ourselves. It's not that the self does not exist, but that it is as cobbled together and transient as everything else. [With] the practice of meditation, ... we can begin to see how each artifact of the mind is raised and lowered to view, like so many flashcards. But we can also glimpse, once in a while, the sleight-of-hand shuffling the card and pulling them off the deck. Behind the objects lies a process. Self is a process. Self is a verb.
Andrew Olendzki (Unlimiting Mind: The Radically Experiential Psychology of Buddhism)
You observe her rites and rules in the dealing of a hand or the shuffling of cards. You worship her, sure as a ballplayer sixty years ago worshipped the Twins or Ili of the Bright Sails or Qet Sea-Lord or Exchitli. For you, at least, the card game never ends. You’re an occasional priest—pledged to a goddess who only exists occasionally.
Max Gladstone (Two Serpents Rise (Craft Sequence, #2))
I stood on a rise, overlooking the plague valley. Matthew was beside me. The last thing I remembered was crawling into my sleeping bag after the whiskey had hit me like a two-by-four to the face. Now my friend was here with me. “I’ve missed you. Are you feeling better?” How much was this vision taking out of him? “Better.” He didn’t appear as pale. He wore a heavy coat, open over a space camp T-shirt. “I’m so relieved to hear that, sweetheart. Why would you bring us here?” “Power is your burden.” I surveyed all the bodies. “I felt the weight of it when I killed these people.” “Obstacles multiply.” “Which ones?” A breeze soughed over the valley. “Bagmen, slavers, militia, or cannibals?” He held up the fingers of one hand. “There are now five. The miners watch us. Plotting.” “But miners are the same as cannibals, right?” He shuffled his boots with irritation. “Miners, Empress.” “Okay, okay.” I rubbed his arm. “Are you and Finn being safe?” His brows drew together as he gazed out. “Smite and fall, mad and struck.” I looked with him, like we were viewing a sunset, a beautiful vista. Not plague and death. “You’ve told me those words before.” “So much for you to learn, Empress. Beware the inactivated card.” One Arcana’s powers lay dormant—until he or she killed another player. “Who is it?” “Don’t ask, if you ever want to know.” Naturally, I started to ask, but he cut me off. “Do you believe I see far?” He peered down at me. “Do you believe I see an unbroken line that stretches on through eternity? Centuries ago, I told an Empress that a future incarnation of hers would live in a world of ash where nothing grew. She never believed me.” I could imagine Phyta or the May Queen surveying verdant fields and crops, doubting the Fool. “Now I tell you that dark days are ahead. Will you believe me?” “I will. I do. Please tell me what will happen. How dark?” “Darkest. Power is your burden; knowing is mine.” His expression turned pleading, his soft brown eyes imploring. “Never hate me.” I raised my hands, cradling his face. “Even when I was so mad at you, I never hated you.” “Remember. Matthew knows best.” He sounded like his mom—when she’d tried to drown him: Mother knows best, son. I dropped my hands. “It scares me when you say that.” “Do you know what you really want? I see it. I feel it. Think, Empress. See far.” I was trying! “Help me, then. I’m ready. Help me see far!” “All is not as it seems. What would you sacrifice? What would you endure?” “To end the game?” His voice grew thick as he said, “Things will happen beyond your wildest imaginings.” “Good things?” His eyes watered. “Good, bad, good, bad, good, good, bad, bad, good-bye. You are my friend.
Kresley Cole
I’ll take all those crimes and robberies, wars and villagers, generals and crooks, that are asleep in the silence of the archives and write each of them down, one by one, on slips of paper the size of playing cards. Then I’ll shuffle that awesome deck consisting of hundreds—no, millions—of cards, just as you shuffle a deck of playing cards, but, of course, with much more difficulty, perhaps using special machines, like those lottery machines in front of notaries, and I’ll place them in the hands of my readers! And I’ll tell them: None of these has any connection with any other, preceding or following, front or back, cause or effect. Come, young reader, this is life and history, read it as you will. Everything that exists is in here, it all simply exists, but there’s no story binding it together. Then the disappointed young reader will ask: No story at all? At that point, appreciating his point of view, I’ll say, You’re right, at this age you do need a story to explain everything just so you can live in peace, otherwise you’d come unhinged. And with that, as if slipping a joker into my deck of millions of cards, I’d write Story and begin to gather together the cards in a way that tells a tale.
Orhan Pamuk (Silent House)
McCarthy’s movie career wasn’t limited to The Stupids. In 1998, she had a small role in BASEketball and the following year in Diamonds , directed by John Asher, whom she married in September 1999. A few years later, on May 18, 2002, their only child, Evan, was born in Los Angeles. But all was not well. Following a chance encounter with a stranger, McCarthy knew that something was different about her son. “One night I reached over and grabbed my Archangel Oracle tarot cards and shuffled them and pulled out a card,” she wrote. “It was the same card I had picked over and over again the past few months. It was starting to drive me crazy. It said that I was to help teach the Indigo and Crystal children. [Later,] a woman approached Evan and me on the street and said, ‘Your son is a Crystal child,’ and then walked away. I remember thinking, ‘Okay, crazy lady,’ and then I stopped in my tracks. Holy shit, she just said ‘Crystal child,’ like on the tarot card.” McCarthy realized that she was an Indigo adult and Evan a Crystal child. Although Evan would soon be diagnosed with autism, McCarthy took heart in the fact that Crystal children were often mislabeled as autistic. According to Doreen Virtue, author of The Care and Feeding of Indigo Children, “Crystal Children don’t warrant a label of autism! They aren’t autistic, they’re AWE-tistic.
Anonymous
If you were to shuffle a deck and draw out ten cards, the chances of the sequence you drew coming up are in the trillions, no matter what the cards are. If you drew out an ordered suit, it would be astonishing, but the chances are the same as any other set of ten cards. The meaning is a human construct. Look
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
Jake flattened the knife against the wall, filling the crevice. It was all he could do to smother a grin. He didn’t know which he’d enjoyed more, spending a couple hours alone with the kids or finding new ways to provoke Meridith. And to think he was getting paid. Maybe once she went back outside, the kids would come down and pretend to play a game at the kitchen bar while they talked. He could hear Meridith talking to them now, asking them about the game they’d supposedly been playing, acting all interested in their activities. If she really cared about them, she wouldn’t be ripping the kids from Summer Place just so she could go back and live happily ever after with her fiancé. And he was pretty sure that’s what she was planning. Their voices grew louder, then Jake saw them all descending the steps. Noelle led the pack, carrying her Uno cards, followed by the boys, then Meridith. Noelle winked on her way past. Little imp. The kids perched at the bar, and he heard the cards being shuffled. Dipping his knife into the mud, Jake sneaked a peek. Meridith was opening the dishwasher. Great. Ben kept turning to look at him, and Jake discreetly shook his head. Even though Meridith faced the other way, no need to be careless. “Noelle, you haven’t said anything about your uncle lately. He hasn’t e-mailed yet?” He felt three pairs of eyes on his back. He hoped Meridith was shelving something. Jake smoothed the mud and turned to gather more, an excuse to appraise the scene. Meridith’s back was turned. He gave the kids a look. “Uh, no, he hasn’t e-mailed.” “Or called or nothing,” Max added. Noelle silently nudged him, and Max gave an exaggerated shrug. What? “Well, let me know when he does. I don’t want to keep pestering you.” “Sure thing,” Noelle said, dealing the cards. Her eyes flickered toward him. “I was thinking we might go for a bike ride this evening,” Meridith said. “Maybe go up to ’Sconset or into town. You all have bikes, right?” “I forgot to tell you,” Noelle said. “I’m going to Lexi’s tonight. I’m spending the night.” “Who’s Lexi?” “A friend from church. You met her mom last week.” A glass clinked as she placed it in the cupboard. “Noelle, I’m not sure how things were . . . before . . . but you have to ask permission for things like this. I don’t even know Lexi, much less her family.” “I know them.” “Have you spent the night before?” “No, but I’ve been to her house tons of times.” He heard a dishwasher rack rolling in, another rolling out, the dishes rattling. “Why don’t we have her family over for dinner one night this week? I could get to know them, and then we’ll see about overnight plans.” “This is ridiculous. They go to our church, and her mom and my mom were friends!” Noelle cast him a look. See? she said with her eyes. Did Meridith think Eva would jeopardize her daughter’s safety? The woman was neurotic. Jake clamped his teeth together before something slipped out. “Just because they go to church doesn’t necessarily make them safe, Noelle. It wouldn’t be responsible to let you spend the night with people I don’t know. You never know what goes on behind closed doors.” “My mom would let me.” The air seemed to vibrate with tension. Jake realized his knife was still, flattened against the wall, and he reached for more mud. Noelle was glaring at Meridith, who’d turned, wielding a spatula. Was she going to blow it? To her credit, the woman drew a deep breath, holding her temper. “Maybe Lexi could stay all night with you instead.” “Well, wouldn’t that pose a problem for her family, since they don’t know you?” Despite his irritation with Meridith, Jake’s lips twitched. Score one for Noelle. “I suppose that would be up to her family.” He heard Noelle’s cards hit the table, her chair screech across the floor as she stood. “Never mind.” She cast Meridith one final glare, then exited through the back door, closing it with a hearty slam.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Maybe we’re just sad, she said, as though she is deeply sad. Always women. Drowned women make a paper river on my desk. No mention of a single son. Lovers, bereaved husbands, aggrieved fathers abound, but a son? A brother? No, only me. I am an anomaly. While she continually shuffles cards and defaces my already damaged book. How did it become so ruined? The
Erika Swyler (The Book of Speculation)
As part of an orchestrated PR follow-up, a Las Vegas Sun editorial of April 3, 1964, assured us that “Anybody who has been around Nevada very long knows that [casinos welcome] players with a system.” “Edward O. Thorp…obviously doesn’t know the facts of gambling life. There has never been a system invented that overcomes…the advantage the house enjoys in every game of chance.” And for the clincher: “ ‘Dr. Thorp may be qualified at mathematics, but he is sophomoric on gambling,’ is the way Edward A. Olsen, Gaming Control Board chairman, put it.” In a nonconfrontational vein, Gene Evans of Harrah’s Club explained that “…the club believes the player may have a better chance when the deck is shuffled every time, because all the Aces and face cards could come up on each deal.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Countermeasures included reshuffling the pack of cards by the time half or fewer of them had been played. This not only limits the card counter’s chances to make favorable bets, but is also costly for the casino because it slows the game down, fleecing the ordinary players more slowly and reducing casino profits. If one likens a casino to a slaughterhouse for processing players, then more time spent shuffling means less efficient use of plant capacity.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
For example, say you plan to visit a museum and want to be able to identify the artist (Cézanne, Picasso, or Renoir) of paintings there that you have never seen. Before you go, instead of studying a stack of Cézanne flash cards, and then a stack of Picasso flash cards, and then a stack of Renoir, you should put the cards together and shuffle, so they will be interleaved. You will struggle more (and probably feel less confident) during practice, but be better equipped on museum day to discern each painter’s style, even for paintings that weren’t in the flash cards.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
We are all unique, each has his own uniqueness, me I rebel, an outsider, love to watch flowers, people birth charts and shuffle my old deck of cards..
Ofer Cohen
The thing about guys his age, Andrei thought, was they all morphed into one big “bro.” Certain phrases like, “Nah, you’re good... damn, wow, that’s sick... I appreciate you,” have taken such enormous space in the air. Young men use them habitually, and accompany it with that general, polite airiness in the voice that communicates there is no incoming trouble. But that nice tone took a shape on vocal cords, and those phrases redesigned the brain all into one puzzle piece: the modern man. It was like taking a pair of scissors and cutting a man’s unique shape into a rectangle, so all men could be properly put back into place, like gathering playing cards to be shuffled.
Kristian Ventura (A Happy Ghost)
How you doin’, Detective Oliver?” he greeted. “Have a seat.” “You know I haven’t been a cop for nearly fifteen years,” I said as I settled. “Once a cop…” he insinuated on an airy smile. Then: “What you got in the satchel?” It was a slender blue briefcase I’d found in the blue bedroom. I laid the case on Moroccan tile, then opened it to reveal 250 shiny silver disks. “Oh my God,” Lamont said, his eyes alight with the promise of treasure. “You got the cards?” I asked him. “Blackjack?” “Just what I had in mind.” “Loretta,” the luckster called out. “Yeah, baby?” “Bring me out a hundred ones.” “Okay.” “There’s more than twice that here,” I said. “I see,” he assured me. From somewhere in the folds of the housecoat, my friend brought out a blue deck of Bicycle Standard playing cards. Mr. Charles’s face glistened with the fever of gambling. Somehow he managed to shuffle the deck using the good hand and the infirm one. Blackjack. It was the first word of an ancient incantation that sometimes allowed a poor man or woman to dream about deliverance. Lamont grinned at those cards.
Walter Mosley (Every Man a King: A King Oliver Novel)
Well, sometimes you need to reshuffle the deck. Sometimes we get dealt a hand that’s a hard one. We keep playing at this game of life until the game gets better.” “But what if the game gets too hard to shuffle the cards?”  “Then I’ll shuffle them for you.
Erin Branscom (Falling Inn Love (Freedom Valley, #1))
And his name was called, shrilly in his ears. His mind walked in to face the accusers: Vanity, which charged him with being ill dressed and dirty and vulgar; and Lust, slipping him the money for his whoring; Dishonesty, to make him pretend to talent and thought he did not have; Laziness and Gluttony arm in arm. Tom felt comforted by these because they screened the great Gray One in the back seat, waiting—the gray and dreadful crime. He dredged up lesser things, used small sins almost like virtues to save himself. There were Covetousness of Will’s money, Treason toward his mother’s God, Theft of time and hope, sick Rejection of love. Samuel spoke softly but his voice filled the room. “Be good, be pure, be great, be Tom Hamilton.” Tom ignored his father. He said, “I’m busy greeting my friends,” and he nodded to Discourtesy and Ugliness and Unfilial Conduct and Unkempt Fingernails. Then he started with Vanity again. The Gray One shouldered up in front. It was too late to stall with baby sins. This Gray One was Murder. Tom’s hand felt the chill of the glass and saw the pearly liquid with the dissolving crystals still turning over and lucent bubbles rising, and he repeated aloud in the empty, empty room, “This will do the job. Just wait till morning. You’ll feel fine then.” That’s how it had sounded, exactly how, and the walls and chairs and the lamp had all heard it and they could prove it. There was no place in the whole world for Tom Hamilton to live. But it wasn’t for lack of trying. He shuffled possibilities like cards. London? No! Egypt—pyramids in Egypt and the Sphinx. No! Paris? No! Now wait—they do all your sins lots better there. No! Well, stand aside and maybe we’ll come back to you. Bethlehem? Dear God, no! It would be lonely there for a stranger. And here interpolated—it’s so hard to remember how you die or when. An eyebrow raised or a whisper—they may be it; or a night mottled with splashed light until powder-driven lead finds your secret and lets out the fluid in you. Now this is true, Tom Hamilton was dead and he had only to do a few decent things to make it final.
John Steinbeck (East of Eden)
Remember, too, that in almost all the stories you enjoy there have to be bad people as well as good people, for the thrill of the tale is to find out how the good people will get the better of the bad. It’s the same as when we play cards. At the beginning of the game we shuffle them all into a mess, which is like the bad things in the world, but the point of the game is to put the mess into good order, and the one who does it best is the winner. Then we shuffle the cards once more and play again, and so it goes with the world.
Alan Watts (The Book: On the Taboo Against Knowing Who You Are)
No one, shuffles your cards around. My love, sing your sound. Live, while you are on the ground - Free Will
Farah Ayaad (Coming Home)
Suki laid out a deck of cards that had been included in the supplies they’d bought, running Grant through the different types of games he could expect to see. It didn’t take long for him to realize how much trouble he was in. “How do you keep all these rules straight in your head?” He pointed at the game they were practicing at the moment. “I am supposed to slap the Jacks and Jokers, but not the others? Then this one: the one where I have to count to twenty one… I don’t slap, I hit? What am I supposed to hit again? The dealer?” “No. No, don’t hit the dealer.” Suki massaged her left temple as her eyelid twitched. “You say the word ‘hit’ when you want another card.” “But in this game, I’m supposed to hit.” Grant pointed at the pile of cards in front of him. “Do I get to hit the dealer in this game, then?” “No! No hitting actual people!” Suki picked up the cards and shuffled them. “Let’s stop worrying about the games where you might get us kicked out, and focus on just one. The most important game to learn is poker. It’s known as the gentleman's game, and it focuses more on reading other people than the cards themselves.” “Poker. So, I… poke them with my sword?
Dakota Krout (Dokeshi March (Year of the Sword #3))
As bills shuffled like playing cards, Bernice thought of how she'd earned each dollar, all the weeks and months and years spent as librarian of the Savage Crossing Public Library; all the library checkout cards stamped with due dates, the books shelved and reshelved, the late fees waived. Pride swelled beneath her breastbone, not because she'd soon be walking around with money in her purse, but because during her career she had introduced reluctant readers to perfect books at least a few times. Such a simple act could sometimes be life-changing.
Talya Tate Boerner (Bernice Runs Away)
If ye have faith … nothing shall be impossible unto you.” (Matthew 17:20) He removed that one, shuffled expertly through the cards with one hand as he drove, selected another, and placed it under the clip. This one read, “If God be for us, who can be against us?” (Romans 8:31)
Norman Vincent Peale (The Power of Positive Thinking)
put another way, heat will always dissipate away from a hot region because after a period of random collisions the odds are stacked overwhelmingly in favor of that result. Entropy, by Boltzmann’s reasoning, is simply the number of indistinguishable ways the constituent parts of a system can be arranged. To say entropy increases in any given system is another way of saying that any given system evolves into ever-more-likely distributions or configurations. The second law of thermodynamics is true for the same reason that when a pack of cards arranged in suits is shuffled, it will end up jumbled. There are many more indistinguishable ways for the pack to be disordered than there are for it to end up ordered, and so shuffling takes it in that direction.
Paul Sen (Einstein's Fridge: How the Difference Between Hot and Cold Explains the Universe)
He took this door differently, turning the knob slowly, easing the door open, standing off to the side. The smell intensified, but even worse than that, he heard a soft, unpleasant noise, something he couldn’t identify but he instantly hated. He didn’t want to hear it, wanted to run away from it. It was a kind of card-shuffling sound, real low, lots of little sounds joined together, one after the other, but it wasn’t hard-edged like with cards. It was wetter, softer around the edges, and constant. Jordan peeked inside, his heart hammering worse than it had even when he was on the firing step, waiting for the word, for the whistles, to go over and up into the shrieking, machine-gun-drumming terror of an assault… There was a body on the narrow bed. A woman. Probably. She had been wearing a nightdress, which had been white, and was now uniformly a faded pink, and shredded into fragments. Things moved on the body. Insects, Jordan thought. Or worms. Or something…his eyes and brain couldn’t process what he was seeing. Lots of tiny things roiling across what was now just a lump of meat, the skin long since gone, half the flesh, too, and even the bones diminished, foreshortened… Eaten. Jordan choked back the bile in his throat as he worked out what he was seeing.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
It’s a gut punch, the subject left like all those women I’d read about at the start of this, who’d fallen for men shuffling wives like cards. The journalist like a con man, there for one reason: the story.
Katie Gutierrez (More Than You'll Ever Know)
Life may deal you some cards, but don't forget that you shuffled the deck.
Anthony T. Hincks
Writers tend to be fetishistic about our materials, and I am no exception. Spiral-bound, perfect bound, lined, unlined, pocket-size - as if the notebook itself might make a difference. Instead, I ended up buying a package of index cards, understanding something I couldn't have articulated: my life was no in fragments I would need to shuffle and reshuffle in any attempt to make sense of it.
Dani Shapiro (Inheritance: A Memoir of Genealogy, Paternity, and Love)
I will not argue with a presumptious puppy.” “I’ve no desire to argue with you either. For whatever it’s worth, your son Rinaldo is probably my best friend.” I turned away and began walking. His hand fell upon my shoulder. “Wait!” he said. “What is this talk? Rinaldo is but a lad.” “Wrong,” I answered. “He’s around my age.” His hand fell away, and I turned. He had dropped his cigar, which lay smoking upon the trail, and he’d transferred the chalice to his shadow-clad hand. He massaged his brow. “That much time has passed in the mainlines…” he remarked. On a whim, I withdrew my Trumps, shuffled out Luke’s, held it up for him to see. “That’s Rinaldo,” I said. He reached for it, and for some obscure reason I let him take it. He stared at it for a long while. “Trump contact doesn’t seem to work from here,” I said. He looked up, shook his head, and handed the card back to me. “No, it wouldn’t,” he stated. “How…is he?
Roger Zelazny (Knight of Shadows (The Chronicles of Amber, #9))
When I fantasize about sex, it tends to look like a fire, or like a big pack of shuffling cards, my desires are so furious.
Dennis Cooper (Guide)
In point of fact, it’s the number eight, followed by sixty-seven zeroes. To put it in perspective for you,” he continued, picking up cards off the table and quickly shuffling the deck, “it is not only possible but highly likely that the order I just put this deck in--via this single shuffle--is an order that has never occurred before and might never happen again.
John Gaspard (The Eli Marks Box Set: Vol. One (The Eli Marks Mysteries))
Surprisingly, absolutely no decision making is involved in playing a game of Candyland. Thus, once the cards are shuffled, the game is over. “Playing” merely reveals what is already determined, however much it feels like playing a game. The game was actually played, in a sense, when the cards were shuffled, it just doesn't look or feel like it.
James Lindsay (Dot, Dot, Dot: Infinity Plus God Equals Folly)
If you shuffle a pack of cards properly, chances are that exact order has never been seen before in the whole history of the universe
Tasnim Essack (223 Amazing Science Facts, Tidbits and Quotes)
The Wizard of Odds Stand on stiff totals of 12 to 16 when dealer's not ace up. Make insurance bets when remaining cards are ten-rich. Double when you want a ten, getting closer to 21. Surrender more in high counts, the savings will be greater. Split high cards and/or off of a weak dealer card. Blackjack player gets paid 3 to 2, dealer does not. Into the pit enters Casino ex machina ~ The s-h-u-f-f-l-i-n-g machine. The Wizard of Odds proclaims, 'All y'allz counters are fucked now!' Off from the tables to the loose slots they go bitchin' 'bout the pit boss and all things techno.
Beryl Dov
The game that she had played all her life was finished; she had no more to do: she had no game. She was angry and, picking up the card again, shuffled them carefully and started to lay them out in the same old pattern, but she had only laid down nine cards when she was seized with such a violent nausea, such a feeling of the emptiness and aimlessness of the game - thinking that she might have to go through another fifteen or twenty years before it came out again! - that she gathered them quickly and threw them into her drawer loosely.
Christina Stead (The Man Who Loved Children)
Adequate Yearly Progress. He turned the phrase over in his mind, shuffling it like a deck of cards. That first word was where they got you, he decided. Yearly and progress were concrete terms. But adequate? That was the moving target. Adequate was the part that got decided in an office somewhere, at the last minute, based on what would look good in the newspaper, or get someone reelected, or highlight some new defect that called for TransformationalChange
Roxanna Elden (Adequate Yearly Progress)
Rummaging through these old, yellowing picture postcards, I find that everything has suddenly become confused, everything is in chaos. Ever since my father vanished from the story, from the novel, everything has come loose, fallen apart. His mighty figure, his authority, even his very name, were sufficient to hold the plot within fixed limits, the story that ferments like grapes in barrels, the story in which fruit slowly rots, trampled underfoot, crushed by the press of memories, weighted down by its own juices and by the sun. And now that the barrel has burst, the wine of the story has spilled out, the soul of the grape, and no divine skill can put it back inside the wineskin, compress it into a short tale, mold it into a glass of crystal. Oh, golden-pink liquid, oh, fairy tale, oh, alcoholic vapor, oh, fate! I don't want to curse God, I don't want to complain about life. So I'll gather together all those picture postcards in a heap, this era full of old-fashioned splendor and romanticism, I'll shuffle my cards, deal them as in a game of solitaire for readers who are fond of solitaire and intoxicating fragrances, of bright colors and vertigo.
Danilo Kiš (Garden, Ashes)
pack of Self-Shuffling playing cards
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
In the usual iconography of the temple or the local Wok you would never see him doing such a thing, tossing the dry snow over the mountain of his bare, round shoulder, his hair tied in a knot, a model of concentration. Sitting is more his speed, if that is the word for what he does, or does not do. Even the season is wrong for him. In all his manifestations, is it not warm and slightly humid? Is this not implied by his serene expression, that smile so wide it wraps itself around the waist of the universe? But here we are, working our way down the driveway. one shovelful at a time. We toss the light powder into the clean air. We feel the cold most on our faces. And with every heave we disappear and become lost to each other in these sudden clouds of our own making, these fountain-bursts of snow. This is so much better than a sermon in church, I say out loud, bud Buddha keeps on shoveling. This is the true religion, the religion of snow, and sunlight and winter geese barking in the sky, I say, but he is too busy to hear me He has thrown himself into shoveling snow as if it were the purpose of existence, as if the sign of a perfect life were a clear driveway you could back the car down easily and drive off into the vanities of the world with a broken heater fan and a song on the radio. All morning long we work side by side, me with my commentary and he is inside the generous pocket of his silence, until the house is nearly noon and the snow is piled high all around us; then, I hear him speak. After this, he asks, can we go inside and play cards? Certainly, I reply, and I will heat some milk and bring cups of hot chlorate to the table while you shuffle the deck, and our boots stand dripping by the door. Aaah, says the Buddha, lifting his eyes and leaning for a moment on his shovel before he drives the fun blade again deep into the glittering white snow.
Billy Collins (Sailing Alone Around the Room: New and Selected Poems)
It's only the arrangement of matter that has changed, like a deck of cards being reshuffled. But life is like a Straight Flush: once you shuffle, it's gone.
Cixin Liu
He had been shuffled out so quickly he didn’t even realize what he was wearing, like a King of Spades who wanted to file a complaint to the playing card company manufacturer for not drawing him a garden tool like he specifically asked for.
J.S. Mason (The Ghost Therapist...And Other Grand Delights)
Unable to think about anything but shuffling, math, and magic, I became convinced that the secrets of the universe were found inside a pack of playing cards. For starters, there’s a curious symbolism encoded in a deck of cards. There are two colors (red and black) symbolizing day and night; four suits—spades, hearts, clubs, and diamonds—one for each season (or seasons of the magician's life cycle, if you like). The twelve court cards correspond to the months of the Gregorian calendar. Each suit contains thirteen cards, for the thirteen lunar cycles. There are fifty-two cards in a deck, those being the fifty-two weeks in a year. And if you add up the values of all 52 cards, including the joker, you get exactly 365. Add to this the seven shuffles and the surprising reach of the Bayer-Diaconis model—how shuffling mimics the behavior of everything from kneading dough to mixing chemicals—and cards really do start to look like cosmic instruments.
Alex Stone (Fooling Houdini: Magicians, Mentalists, Math Geeks, and the Hidden Powers of the Mind)
Eight perfect shuffles will return a fifty-two-card deck to its original order, with every card having cycled back to its starting position.
Alex Stone (Fooling Houdini: Magicians, Mentalists, Math Geeks, and the Hidden Powers of the Mind)
Reassortment mixes some of the segments of the genes of one virus with some from the other. It is like shuffling two different decks of cards together, then making up a new deck with cards from each one. This creates an entirely new hybrid virus, which increases the chances of a virus jumping from one species to another.
John M. Barry (The Great Influenza: The Epic Story of the Deadliest Plague in History)
I'm the one with the magic tongue. The one who's been tasting the Dead for twenty years. And it was me--- not you--- that brought one of them back. What've you ever done, Spiritual Artist? Burned some incense? Shuffled some cards? Made a snap judgment about someone and used it to give them bad advice?" Maura glared at him for a deafening moment, something hot simmering behind her eyes. "You have no idea the things I've done." "Try me." "Hard pass." She gave a small, mean smirk. "Fine. Whatever." He slid his chair back, stood up. "But if it'd been me," she added, "tasting those spirits? I sure as hell wouldn't wait twenty years to do something about it." "That's not fair." "No? You just said you didn't try anything till last week. And the result got you so spooked you're, what, consulting a party psychic? Well. You already got my advice, so here's a snap judgment. You're a coward, Konstantin. Afraid of your own potential. More interested in self-preservation than making any sort of meaningful connection. You're paralyzed by--- oh, I dunno?--- something in your past? Death of a loved one? Am I warm? Yeah. And now you think this ghost thing makes you special. That messing with the Afterlife can somehow undo all those shitty years you've chosen to have instead of just moving on. But it won't. It'll only make it worse. So you need to just stop.
Daria Lavelle (Aftertaste)
no one is the simple playing card you reduce them to, that the versions of people you shuffle in your head while going from one moment to the next are just that, playing cards, flat and one-dimensional, that there’s this whole animal being to everyone and that in this animal being there’s a point where you and everyone else in the world can meet, but sure, what sort of a way would that be to go through the world? constantly crushed by the humanity of others?
Colin Walsh (Kala)
Kate Bush on the stereo, Cocteau Twins, Slowdive, anything swoopy and round with girls’ screams. How time felt like a pack of cards, shuffled in that Vegas way. The hours swooped and gooped around us like fallen ice-cream cones. We kissed and became millionaires. I rearranged my teeth to speak: You are my Lotto ticket. A stick of incense burns forever, stuck into an orange.
Brittany Newell (Soft Core)
that it was inevitable, the cards already shuffled, the game just waiting to play out.
Hugh Howey (Shift (Silo Trilogy #2))
I ain’t having no damn kids… nope, not in my cards.” “Your deck just didn’t get shuffled with mine yet… you missing the king in your deck, and I’m missing the queen. Timing plays a key in all of this.
Jahquel J. (Cappadonna 3.5 (Season two: Delgato Family: Cappadonna))
No living creature, and therefore no man, can manifest anything other than what he himself is! His every remark, thought, word and deed reveal only what he himself is. His handwriting, his gait, the smallest of his gestures are the result of the forces at work in him. Nothing is chance, everything is the direct manifestation of the conscious or the unconscious Self. Hence, it is not mere chance how a person picks up the tarot cards, how he shuffles them, how many cards he lifts when cutting and in what sequence he consequently spreads the cards. Men discovered these facts already in ancient times or they learned them from initiates! That is why the art of spreading cards for the purpose of exploring a man's inner image and his future prospects is as old as mankind.
Elisabeth Haich (Wisdom of the Tarot)
I've shuffled my deck of cards so many times, my hands hurt.
Coleen Hover
Nothing I can do will stop it. No matter what Sebastian says, he's the one holding the cards. All of them. The full deck and even the box. I'm just a card he'll shuffle into his life, yet I can't stop myself from volunteering.
Maggie Cole (Holiday Hoax (The Cartwright Family #1))
Jian Hong Dian?” he asks, already shuffling. He taught me Jian Hong Dian, or Pick Up Red Dots, earlier, in which the objective is to, of course, pick up as many red cards as possible.
Gloria Chao (Ex Marks the Spot)
How much did you lose?” I ask in a hushed voice. “Enough.” He stands and starts putting all the chips away. Shuffling the cards, he spares me a glance. “You’re a fucking nightmare, you know that?
Rae Ryder (Worth Every Game (Hawkston Billionaires #2))
Sometimes we’re dealt cards in our life that are harder to shuffle through than expected. And sometimes you’re stuck on a small Polynesian island with no other option than to pretend the person you hate most in the entire world is actually your boyfriend…
Meghan Quinn (Bridesmaid for Hire)
What’s your dare?” he asked as he lazily shuffled the cards, a very smug look on his face.
T.J. Maguire (Bratva Knight (Bratva, #3))
The two functions of the shuffling express two key principles that can guide us regardless of the precise way in which we choose to shuffle. The first principle is that our actions and decisions (that is, the querent’s, the reader’s, or both) should determine the choice of cards. The second principle is that the choice should be free of our deliberate control. In other words, in our conscious experience it should appear as effectively random.
Yoav Ben-Dov (Tarot: The Open Reading)
The bell chimed a third time. We turned to face the head of the table. The shuffling of dresses and conversations quieted as the orator stood to give his announcements. “Presenting His Royal Highness, King Quercus Rowan, Ruler of Blunder, Keeper of Laws, and Protector of Providence Cards.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
Did—were you—” Alaric faltered, each word laboriously plucked out from his stupor. “Did you think that I … would strike you?” Talasyn remained silent a beat too long. Long enough for him to confirm that her answer, though unspoken, was yes. “I wouldn’t—” He hit the floor on his knees and shuffled toward her. She straightened up with the intention of nudging him to do so as well, but he flung his arms around her waist. “Tala, I would never”—he buried his face in her midsection—“never when we’re not sparring,” he said fiercely. “Never when I’m drunk, never in our room—” “I know.” She carded her fingers through his soft hair, in a tentative attempt to soothe him.
Thea Guanzon (A Monsoon Rising (The Hurricane Wars, #2))
I’m not saying that you can’t switch to another deck down the road, but I’ve been doing this for almost thirty years. You need to trust me on this. I am telling you that a deck in the Rider-Waite-Smith tradition will assist you in learning the basics of tarot better than the Deck of the Supercilious Fairy Realm of Gondor. I promise.
Melissa Cynova (Kitchen Table Tarot: Pull Up a Chair, Shuffle the Cards, and Let's Talk Tarot)