Genesis Creation Story Quotes

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However, there is a way to know for certain that Noah’s Flood and the Creation story never happened: by looking at our mitochondrial DNA (mtDNA).  Mitochondria are the “cellular power plants” found in all of our cells and they have their own DNA which is separate from that found in the nucleus of the cell.  In humans, and most other species that mitochondria are found in, the father’s mtDNA normally does not contribute to the child’s mtDNA; the child normally inherits its mtDNA exclusively from its mother.  This means that if no one’s genes have mutated, then we all have the same mtDNA as our brothers and sisters and the same mtDNA as the children of our mother’s sisters, etc. This pattern of inheritance makes it possible to rule out “population bottlenecks” in our species’ history.  A bottleneck is basically a time when the population of a species dwindled to low numbers.  For humans, this means that every person born after a bottleneck can only have the mtDNA or a mutation of the mtDNA of the women who survived the bottleneck. This doesn’t mean that mtDNA can tell us when a bottleneck happened, but it can tell us when one didn’t happen because we know that mtDNA has a rate of approximately one mutation every 3,500 years (Gibbons 1998; Soares et al 2009). So if the human race were actually less than 6,000 years old and/or “everything on earth that breathed died” (Genesis 7:22) less than 6,000 years ago, which would be the case if the story of Adam and the story of Noah’s flood were true respectively, then every person should have the exact same mtDNA except for one or two mutations.  This, however, is not the case as human mtDNA is much more diverse (Endicott et al 2009), so we can know for a fact that the story of Adam and Eve and the story of Noah are fictional.   There
Alexander Drake (The Invention of Christianity)
…the Genesis story is just one that happened to have been adopted by one particular tribe of Middle Eastern herders. It has no more special status than the belief of a particular West African tribe that the world was created from the excrement of ants.
Richard Dawkins (The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe Without Design)
Or consider a story in the Jewish Talmud left out of the Book of Genesis. (It is in doubtful accord with the account of the apple, the Tree of Knowledge, the Fall, and the expulsion from Eden.) In The Garden, God tells Eve and Adam that He has intentionally left the Universe unfinished. It is the responsibility of humans, over countless generations, to participate with God in a "glorious" experiment - the "completing of the Creation." The burden of such a responsibility is heavy, especially on so weak and imperfect a species as ours, one with so unhappy a history. Nothing remotely like "completion" can be attempted without vastly more knowledge than we have today. But, perhaps, if our very existence is at stake, we will find ourselves able to rise to this supreme challenge.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
This was the scientific age, and people wanted to believe that their traditions were in line with the new era, but this was impossible if you thought that these myths should be understood literally. Hence the furor occasioned by The Origin of Species, published by Charles Darwin. The book was not intended as an attack on religion, but was a sober exploration of a scientific hypothesis. But because by this time people were reading the cosmogonies of Genesis as though they were factual, many Christians felt--and still feel--that the whole edifice of faith was in jeopardy. Creation stories had never been regarded as historically accurate; their purpose was therapeutic. But once you start reading Genesis as scientifically valid, you have bad science and bad religion.
Karen Armstrong (A Short History of Myth)
I discovered ... that a novel has nothing to do with words in the first instance. Writing a novel is a cosmological matter, like the story told by Genesis (we all have to choose our role models, as Woody Allen puts it).
Umberto Eco (Postscript to the Name of the Rose)
According to the creation story in the biblical book of Genesis, God said, “Let there be light.” I like to imagine that light replied, saying, “God, I have to wait for my twin brother, darkness, to be with me. I can’t be there without the darkness.” God asked, “Why do you need to wait? Darkness is there.” Light answered, “In that case, then I am also already there.
Thich Nhat Hanh (No Mud, No Lotus: The Art of Transforming Suffering)
Religious discourse was not intended to be understood literally because it was only possible to speak about a reality that transcended language in symbolic terms. The story of the lost paradise was a myth, not a factual account of a historical event. People were not expected to “believe" it in the abstract; like any mythos, it depended upon the rituals associated with the cult of a particular holy place to make what it signified a reality in the lives of participants. The same applies to the creation myth that was central to ancient religion and has now become controversial in the Western world because the Genesis story seems to clash with modern science. But until the early modern period, nobody read a cosmology as a literal account of the origins of life. In the ancient world, it was inspired by an acute sense of the contingency and frailty of existence. Why had anything come into being at all, when there could so easily have been nothing? There has never been a simple or even a possible answer to this question, but people continue to ask it, pushing their minds to the limit of what we can know.
Karen Armstrong (The Case for God)
How convinced are you that man was created in the image of God when you can't see the image of God?
Michael Bassey Johnson (Classic Quotations From The Otherworlds)
The image of the Serpent, because of its association with life, rejuvenation, fertility, and regeneration, was a symbol of immortality. The coiled Serpent with its tail in its mouth was a circle of infinitude indicating omnipotence and omniscience. The Serpent, depicted in several successive rings, represented cyclical evolution and reincarnation. In ancient philosophy or mythological systems, creation and wisdom were closely bound together, and the Serpent was a potent symbol of both. It is in this capacity that the Serpent appears in the Babylonian and Sumerian mythologies, which contain elements akin to the Genesis story. The Serpent has the power to bestow immortality but also has the power to cheat humankind. In many of the ancient Near Eastern stories—for instance, the Gilgamesh Epic and myth of Adapa—the Serpent holds out the promise of immortality but then cheats man at the last minute.
Mary Condren (The Serpent and the Goddess: Women, Religion, and Power in Celtic Ireland)
There the original Sumerian Epic of Creation was translated and revised so that Marduk, the Babylonian national god, was assigned a celestial counterpart. By renaming Nibiru "Marduk" in the Babylonian versions of the creation story, the Babylonians usurped for Marduk the attributes of a supreme "God of Heaven and Earth." This version—the most intact one found so far—is known as Enuma elish
Zecharia Sitchin (Genesis Revisited: Is Modern Science Catching Up With Ancient Knowledge?)
But the [Eden] story takes a dramatically different turn: it tells of the couple succumbing to fear, blame, and the will to power, which from Cain and Lamech to today continues to engulf the world.
William P. Brown (The Seven Pillars of Creation: The Bible, Science, and the Ecology of Wonder)
A step further. Creationism. If you want to go in so deep as to ignore all of the advances and hard facts that SCIENCE and LEARNING have provided us in the field of biological evolution and instead profess that the creation story, written by men from their holy visions, about how the Christian deity spinning the world together out of the void in the magic of Genesis describes the true origin of the universe, that is your business. Terrific. It’s a cool story, don’t get me wrong; I love magic. Check out Madeleine L’Engle’s A Wrinkle in Time, which won a Newbery Medal. For the record, I don’t believe the book of Genesis ever won one of those. You and your fellow creationists profess belief in a magical story. You are welcome to do so. Sing and chant, and eat crackers and drink wine that you claim are magically infused with the blood and flesh of your church’s original grand wizard, the Prince of Peace. I personally think that’s just a touch squirrelly, but that’s your business, not mine. You will not be punished for those beliefs in our nation of individual freedoms. But I do think the vast majority of your fellow Americans would appreciate it, kind creationists, if you silly motherfuckers would keep that bullshit out of our schools. Your preferred fairy tales have no place in a children’s classroom or textbook that professes to be teaching our youngsters what is REAL. Jesus Christ, it’s irrefutably un-American, people!
Nick Offerman (Paddle Your Own Canoe: One Man's Principles for Delicious Living)
I think of Christians who, having been raised to read the Genesis creation story as literal science and history, leave for college, watch the History Channel, or log onto the internet, and find out that fossils and radiometric dating are in fact not hoaxes. That’s how nice Christian college freshmen become atheists by Christmas break. If your faith can unravel that quickly, it’s enough to make you question whether your faith is worth the effort at all.
Peter Enns (How the Bible Actually Works: In Which I Explain How An Ancient, Ambiguous, and Diverse Book Leads Us to Wisdom Rather Than Answers—and Why That's Great News)
Before the beginning of the world, the triune God existed as Father, Son, and Spirit -- existing as three persons, yet one essence. Before there was an earth, before there was a cosmos, before there was anything, there was the triune God existing in this circular relationship between each person of the Godhead. He is perfectly happy, perfectly content, and perfectly together. When God creates, what is the purpose of creation? What is the purpose of making people? Why is God speaking with them and walking in the garden with them? He is increasing the circle. This is how God made the world; he enlarged the circle. Adam and Eve were in paradise because they were in the circle of God's love.
Zach Weihrauch (A Better Story: Sermons from the Book of Genesis)
I generally translate "the adam" as "the dirtling." It's not actually his name; it's a title meant to reflect where the man can from, and to where he returns after his disobedience (Gen 3:19). He is the dirtling precisely because he is taken from the dirt.
Dru Johnson (The Universal Story: Genesis 1–11)
I compared what was really known about the stars with the account of creation as told in Genesis. I found that the writer of the inspired book had no knowledge of astronomy -- that he was as ignorant as a Choctaw chief -- as an Eskimo driver of dogs. Does any one imagine that the author of Genesis knew anything about the sun -- its size? that he was acquainted with Sirius, the North Star, with Capella, or that he knew anything of the clusters of stars so far away that their light, now visiting our eyes, has been traveling for two million years? If he had known these facts would he have said that Jehovah worked nearly six days to make this world, and only a part of the afternoon of the fourth day to make the sun and moon and all the stars? Yet millions of people insist that the writer of Genesis was inspired by the Creator of all worlds. Now, intelligent men, who are not frightened, whose brains have not been paralyzed by fear, know that the sacred story of creation was written by an ignorant savage. The story is inconsistent with all known facts, and every star shining in the heavens testifies that its author was an uninspired barbarian. I admit that this unknown writer was sincere, that he wrote what he believed to be true -- that he did the best he could. He did not claim to be inspired -- did not pretend that the story had been told to him by Jehovah. He simply stated the "facts" as he understood them. After I had learned a little about the stars I concluded that this writer, this "inspired" scribe, had been misled by myth and legend, and that he knew no more about creation than the average theologian of my day. In other words, that he knew absolutely nothing. And here, allow me to say that the ministers who are answering me are turning their guns in the wrong direction. These reverend gentlemen should attack the astronomers. They should malign and vilify Kepler, Copernicus, Newton, Herschel and Laplace. These men were the real destroyers of the sacred story. Then, after having disposed of them, they can wage a war against the stars, and against Jehovah himself for having furnished evidence against the truthfulness of his book.
Robert G. Ingersoll
Certainly the rise of the Christian fundamentalist movement was not a recovery of the Christianity of earlier centuries or of the apostolic church. It was a thoroughly modern phenomenon, a strange and somewhat poignantly pathetic attempt on the part of culturally deracinated Christians, raised without the intellectual or imaginative resources of a living religious civilization, to imitate the evidentiary methods of modern empirical science by taking the Bible as some sort of objective and impeccably consistent digest of historical data. It is of course absurd to treat the Bible in that way—though, frankly, no more absurd than thinking that “science shows that God does not exist”—but it is also most definitely not the way the Bible was read in the ancient or mediaeval church. The greatest Church Fathers, for instance, took it for granted that the creation narratives of Genesis could not be treated literally, at least not in the sense we give to that word today, but must be read allegorically—which, incidentally, does not mean read as stories with codes to be decrypted but simply read as stories whose value lies in the spiritual truths to which they can be seen as pointing.
David Bentley Hart (The Experience of God: Being, Consciousness, Bliss)
What if the creation story in Genesis had featured a flawed deity who was understanding and sympathetic rather than autocratic and rigid? Someone who, in the process of creation, found herself lost from time to time and in need of advice, someone who was willing to accept a little help with the more difficult decisions? What if the animals had decided on their own names? What if Adam and Eve had simply been admonished for their foolishness? I love you, God could have said, but I’m not happy with your behaviour. Let’s talk this over. Try to do better next time. What kind of a world might we have created with that kind of story?
Thomas King (The Truth About Stories: A Native Narrative)
To the most literalist readers of scripture, of course, Darwin’s ideas were scandalous simply because they contradicted the creation story of Genesis; but the ancient Christian practice of reading that story allegorically had never died out in Christian culture, and there were many 19th-century Christians who found the idea of special evolution entirely inoffensive.
David Bentley Hart (The Story of Christianity: A History of 2000 Years of the Christian Faith)
For Christians, the Trinity is the primary symbol of a community that holds together by containing diversity within itself. Another symbol of a unity that is not uniform might be the Bible itself, with its two creation accounts in the Book of Genesis, and four gospels, each with a strikingly different approach to telling the story of Jesus and his ministry. Church historians such as Margaret Miles point out that “Christianity is, and historically has been, pluralistic in beliefs, creeds, and liturgical and devotional practices in different geographical settings as well as over the 2,000 years of its existence.” The wonder is that this flexibility and diversity has often been considered more of an embarrassment than celebrated as one of the religion’s strengths.
Kathleen Norris (Amazing Grace: A Vocabulary of Faith)
The United States had been created through an act of disloyalty. No matter how eloquently the Declaration of Independence had attempted to justify the American rebellion, a residual guilt hovered over the circumstances of the country's founding. Arnold changed all that. By threatening to destroy the newly created republic through, ironically, his own betrayal, Arnold gave this nation of traitors the greatest of gifts; a myth of creation. The American people had come to revere George Washington, but a hero alone was not sufficient to bring them together. Now they had the despised villain Benedict Arnold. They knew both what they were fighting for - and against. The story of American's genesis could finally move beyond the break with the mother country and start to focus on the process by which thirteen former colonies could become a nation. As Arnold had demonstrated, the real enemy was not Great Britain, but those Americans who sought to undercut their fellow citizens commitment to one another. Whether it was Joseph Reed's willingness to promote his state's interests at the expenses of what was best for the country as a whole or Arnold's decision to sell his loyalty to the highest bidder, the greatest danger to America's future cam from self-serving opportunism masquerading as patriotism. At this fragile state in the country's development, a way had to be found to strengthen rather than destroy the existing framework of government. The Continental Congress was far from perfect, but it offered a start to what could one day be a great nation. By turning traitor, Arnold had alerted the American people to how close they had all come to betraying the Revolution by putting their own interests ahead of their newborn country's. Already the name Benedict Arnold was becoming a byword for that most hateful of crimes: treason against the people of the United States.
Nathaniel Philbrick (Valiant Ambition: George Washington, Benedict Arnold, and the Fate of the American Revolution (The American Revolution Series))
Far from being aloof or detached from power, the church is all about power—the end of power, meaning the purpose of power, the taming of power, and the unleashing of power for true flourishing. The church proclaims the true story of power. By telling the whole story from Genesis to Revelation, with its astonishing bookends of good, very good and glorious news, the church recognizes and affirms our human ambitions and aspirations, placing them in the context where they truly make sense and can find their rightful place. By telling the full truth about idolatry and injustice, not least by recalling the stories of how our own heroes fell into compromise and foolishness, the church makes clear just how damaging our pride is to ourselves, our neighbors and the whole groaning creation. And by recounting over and over the immense cost of redemption, the church leads us to abashed and grateful humility before the one who gave up everything for us.
Andy Crouch (Playing God: Redeeming the Gift of Power)
It is as creatures made jointly in God’s image that women and men together have the task of mastering the earth. In Genesis 1 there is a structure of authority. God is the ultimate authority. God then delegates authority over creation to humanity, and women and men together are the means of exercising it. There is no suggestion in the creation stories that God designed the world to be a place where any human beings exercised authority over any others. There was no authority to be exercised by men over women, or husbands over wives;
John E. Goldingay (Genesis for Everyone: Part 1 Chapters 1-16 (The Old Testament for Everyone))
Why should existence be arranged so that our alienation from God is a given and we must forever fight our way not simply toward what he is but toward the whole notion that he is? If you let go of the literal creation story as it comes down to us through Genesis, if you let go of the Garden of Eden, the intellectual apple, the whole history of man’s separation from God tied to the tongue of a talking snake; if you let go of these things—and who but a child could hold on to them—then you are left, paradoxically, with a child’s insistent question: Why?
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
Augustine, who assumed that Genesis 1 was chapter 1 in a book that contained the literal words of God, and that Genesis 2 was the second chapter in the same book, put the two chapters together and read the latter as a sequel. Genesis 2, he assumed, described the fall from the perfection and original goodness of creation depicted in chapter 1. So almost inevitably the Christian scriptures from the fourth century on were interpreted against the background of this (mis) understanding. The primary trouble with this theory was that by the fourth century of the Common Era there were no Jews to speak of left in the Christian movement, and therefore the only readers and interpreters of the ancient Hebrew myths were Gentiles, who had no idea what these stories originally meant. Consequently, they interpreted them as perfection established by God in chapter 1, followed by perfection ruined by human beings in chapter 2. Why was that a problem? Well I, for one, have never known a Jewish scripture scholar to treat the Garden of Eden story in the same way that Gentiles treat it. Jews tend to see this story not as a narrative about sin entering the world, but as a parable about the birth of self-consciousness. It is, for the Jews, not a fall into sin, but a step into humanity. It is the birth of a new relationship with God, changing from master-servant to interdependent cooperation. The forbidden fruit was not from an apple tree, as so many who don’t bother to read the text seem to think. It was rather from “the tree of knowledge,” and the primary thing that one gained from eating the fruit of the tree of knowledge was the ability to discern good from evil. Gaining that ability did not, in the minds of the Jewish readers of the book of Genesis, corrupt human nature. It simply made people take responsibility for their freely made decisions. A slave has no such freedom. The job of the slave is simply to obey, not to think. The job of the slave-master is to command. Thus the relationship of the master to the slave is a relationship of the strong to the weak, the parent to the child, the king to the serf, the boss to the worker. If human beings were meant to live in that kind of relationship with God, then humanity would have been kept in a perpetual state of irresponsible, childlike immaturity. Adam and Eve had to leave the Garden of Eden, not because they had disobeyed God’s rules, but because, when self-consciousness was born, they could no longer live in childlike dependency. Adam and Eve discovered, as every child ultimately must discover, that maturity requires that the child leave his or her parents’ home, just as every bird sooner or later must leave its nest and learn to fly on its own. To be forced out of the Garden of Eden was, therefore, not a punishment for sin, so much as it was a step into maturity.
John Shelby Spong (Biblical Literalism)
When He wrote the Bible, God didn’t give us a ponderous theology book divided into sections labeled God, Creation, Man, Sin, and so forth. Instead, He gave us a story, a narrative that begins in eternity past and ends in eternity future. It’s a story about God and His dealings with all kinds of people and how they responded to His Word. As we read these narratives, we learn a great deal about God, ourselves, and our world, and we discover that our own personal story is found somewhere in the pages of Scripture. If you read long enough and honestly enough, you will meet yourself in the Bible.
Warren W. Wiersbe (Be Basic (Genesis 1-11): Believing the Simple Truth of God's Word (The BE Series Commentary))
I’ve concluded there are four chapters missing from the working Bibles of all too many Christians, and these missing chapters are not some obscure ceremonial texts or dusty corners of the royal chronicles. Instead, they are the very bookends of Scripture: the first two chapters of Genesis and the last two chapters of Revelation. And to miss these chapters—the first two about the creation, the second two about the new creation—is to miss the whole point of the biblical story. When these chapters drop out of our functional Bibles, our understanding of culture, power and salvation itself is badly weakened.
Andy Crouch (Playing God: Redeeming the Gift of Power)
Who told you that you were naked? Who have you been listening to?..' This is a tragic reminder that we humans have the strange capacity to live a soulless life. Our inner voice was never supposed to be simply an echo. Our inner voice was always to resonate with the voice of God. Every other voice will either make us less than we were intended to be or convince us that we are more than we really are. Neither self-loathing nor self-worship helps us find our authentic voice. It is only when our inner voice responds to the voice of God that we begin to truly find to find our own voice. As critical as it is for us to understand that art is always an extension of ourselves, the creative act is also an expression of our essence. It is equally important for us to realize that our guiding narrative determines the story we tell through our lives. Our inner voice not only informs us of who we are, but affects everything we touch. And in the end, becomes the driving force through which we strive to shape the world around us. The principal creative act described in Genesis chapter 1 begins with God speaking the universe into existence. God speaks out of who He is and everything in creation is a declaration of His glory.
Erwin Raphael McManus (The Artisan Soul: Crafting Your Life into a Work of Art)
We have noted thatthe two creation stories contained no pointers toward male “headship” in the sense that men or husbands are supposed to exercise authority or leadership over women or wives. But the audience of Genesis knew that patriarchy was a reality of life. Genesis here tells them how this came to be. Male authority or domination was not God’s design but a consequence of a breakdown in relationship between humanity and God, between humanity and the animal world, and between human beings and one another. From now on, the Bible will assume the reality of patriarchy and of male headship, but it begins by noting that this came about only as a result of those various breakdowns of relationship.
John E. Goldingay (Genesis for Everyone: Part 1 Chapters 1-16 (The Old Testament for Everyone))
There is no single text, perhaps, that is more consistently the object of humanist contempt than the book of Genesis. The creation of the cosmos in six days; Adam and Eve in the Garden of Eden; Noah’s flood: here are stories that have long served as prime exhibits in the contention that religion is merely a farrago of childish nonsense. This is why Genesis can pretty much be guaranteed not to feature in round-ups of the ancient texts that humanists are prepared to acknowledge as influences. Yet humanists, no less than Jews or Christians, are indelibly stamped by it. In fact, if there is a single wellspring for the reverence they display towards their own species, it is the opening chapter of the Bible.
Tom Holland
To add to the muddle, it seems that Americans are as ignorant and poorly educated about the particulars of religion as they are about science. A majority of adults, in what is supposedly the most religious nation in the developed world, cannot name the four Gospels or identify Genesis as the first book of the Bible.19 How can citizens understand what creationism means, or make an informed decision about whether it belongs in classrooms, if they cannot even locate the source of the creation story? And how can they be expected to understand any definition of evolution if they were once among millions of children attending classes in which the word “evolution” was taboo and in which teachers suggested that dinosaurs and humans roamed the earth together?
Susan Jacoby (The Age of American Unreason)
to human nature as it was created. So some time after the creation, there must have been a fall. Confirmation for this view was sought in the Scriptures, and some found it in the story of the lustful angels that sexually assaulted mortal women in Genesis 6:1-4. But this interpretation of the origin of sin was largely replaced by finding the fall in the story of Adam and Eve. According to Williams, the fact that there were two different explanations of the fall in ancient Israel is a confirmation that neither story is the real source or basis of the doctrine ofa fall. Moreover, the interpretation of the two accounts as stories of a fall belongs to popular Jewish religious thought, rather than to the official teachers. According to Williams, the stories are the clothing for the previous
Diogenes Allen (Theology for a Troubled Believer: An Introduction to the Christian Faith)
Within this narrative, creation itself is understood as a kind of Temple, a heaven-and-earth duality, where humans function as the “image-bearers” in the cosmic Temple, part of earth yet reflecting the life and love of heaven. This is how creation was designed to function and flourish: under the stewardship of the image-bearers. Humans are called not just to keep certain moral standards in the present and to enjoy God’s presence here and hereafter, but to celebrate, worship, procreate, and take responsibility within the rich, vivid developing life of creation. According to Genesis, that is what humans were made for. The diagnosis of the human plight is then not simply that humans have broken God’s moral law, offending and insulting the Creator, whose image they bear—though that is true as well. This lawbreaking is a symptom of a much more serious disease. Morality is important, but it isn’t the whole story. Called to responsibility and authority within and over the creation, humans have turned their vocation upside down, giving worship and allegiance to forces and powers within creation itself. The name for this is idolatry. The result is slavery and finally death. It isn’t just that humans do wrong things and so incur punishment. This is one element of the larger problem, which isn’t so much about a punishment that might seem almost arbitrary, perhaps even draconian; it is, rather, about direct consequences. When we worship and serve forces within the creation (the creation for which we were supposed to be responsible!), we hand over our power to other forces only too happy to usurp our position. We humans have thus, by abrogating our own vocation, handed our power and authority to nondivine and nonhuman forces, which have then run rampant, spoiling human lives, ravaging the beautiful creation, and doing their best to turn God’s world into a hell (and hence into a place from which people might want to escape). As I indicated earlier, some of these “forces” are familiar (money, sex, power). Some are less familiar in the popular mind, not least the sense of a dark, accusing “power” standing behind all the rest. Called
N.T. Wright (The Day the Revolution Began: Reconsidering the Meaning of Jesus's Crucifixion)
In the beginning, according to the Doctrine of Hermopolis, there was water, darkness, formlessness, and hidden powers. This is how the ancients understood the primeval Chaos into which the ordered universe was inserted through the actions of the gods. The Hebrew Book of Genesis is merely a variant of pagan Egyptian mythology. The Hebrew God is just Amun, Atum, Ptah or Thoth by another name. He collects all of the powers of the Ogdoad or Ennead into himself, but all the same factors and ingredients are still at play, and there is absolutely no sign of science, mathematics or philosophy. Do you see that the Bible’s Creation myth is of a very familiar nature? If the Book of Genesis were taught alongside Egyptian Creation myths, which long preceded it and set the ground for it, all the believers in the Bible would see that it’s just another story, another myth, and that Yahweh, the Hebrew God is no more real than any of the Egyptian deities. If Yahweh goes, so does his “son” – Jesus Christ! Christianity is just a myth cobbled together from Egyptian, Greek and Persian sources. It’s amazing how Abrahamists are unable to see that their entire religion is in fact derived from the pagan Egyptians.
Steve Madison (Think Like an Egyptian: How the Ancient Mind Worked)
The great monotheistic faiths have always answered the question of why there is something instead of nothing in the same way, the only way it can be answered: GOD. “In the beginning God created the heavens and the earth” (Genesis 1:1). But why? Why did God bother? Why did God create? Why did God say, “Let there be”? The mystics have always given the same answer—because God is love, love seeking expression. From what the Cappadocian Fathers called the perichoresis—the eternal dance that is Father, Son, and Holy Spirit, there burst forth an explosion of love. Some call it the Big Bang. Some call it Genesis. If you like we can call it the genesis of love as light and all that is. What is light? God’s love in the form of photons. What is water? A liquid expression of God’s love. What is a mountain? God’s love in granite, so much older than human sorrow. What is a tree? God’s love growing up from the ground. What is a bull moose? God’s love sporting spectacular antlers. What is a whale? Fifty tons of God’s love swimming in the ocean. As we learn to look at creation as goodness flowing from God’s own love, we begin to see the sacredness of all things, or as Dostoevsky and Dylan said, in every grain of sand. All of creation is a gift—a gift flowing from the self-giving love of God.
Brian Zahnd (Water To Wine: Some of My Story)
Women are reclaiming the divine feminine today. Surrounded by women from every age and inspired by their courage, we are committing the forbidden acts of naming and imagining the gods of our understanding as Goddess, Woman God, and God the Mother. Although we are not all devotees of the goddess, it was essential for us to extend our historical and theological vision to include the divine feminine. Some find “her” within traditional religion in the images and stories of Eve and Mary, Sophia and Shekinah, Miriam and Esther, Naomi and Ruth, Tamar and Susanna, and of countless unnamed women. They are incorporating these women's stories into their liturgies and prayers. Others find her on the margins of patriarchal history in the images and stories of the Goddess. They’re incorporating her images into their paintings and songs, altars and prayers, and they’re weaving her ancient festivals and beliefs into their unfolding spirituality. Inspired by a view of history that reaches beyond the beginning defined by men, women are assuming theological equality with religious traditions and reclaiming the richness of their own imaginations. We have come to believe that the theological tasks performed by men throughout the ages were not inspired by a god out there somewhere. Rather they were prompted by a very human inclination to answer existential questions and order disparate experiences into a coherent whole through religious imagination. Humankind's religious imagination has always given birth to goddesses and gods, and to stories that attempt to make sense of our beginnings and endings. No longer held hostage by a truncated view of history or by the dominance of the Genesis account of creation, our imaginations are once again free.
Patricia Lynn Reilly (A Deeper Wisdom: The 12 Steps from a Woman's Perspective)
This is extremely significant. Knowing something of when the Pentateuch came to be, even generally, affects our understanding of why it was produced in the first place—which is the entire reason why we are dipping our toes into this otherwise esoteric pool of Old Testament studies. The final form of the creation story in Genesis (along with the rest of the Pentateuch) reflects the concerns of the community that produced it: postexilic Israelites who had experienced God’s rejection in Babylon. The Genesis creation narrative we have in our Bibles today, although surely rooted in much older material, was shaped as a theological response to Israel’s national crisis of exile. These stories were not written to speak of “origins” as we might think of them today (in a natural-science sense). They were written to say something of God and Israel’s place in the world as God’s chosen people.
Peter Enns (The Evolution of Adam: What the Bible Does and Doesn't Say about Human Origins)
The answer to what we're looking for, fixing the world with love, has to be traced back to something, and we can only trace it back to the God who is love. If we dive into the rest of Genesis and say, "What is this 'day' nonsense? As modern people, we can't believe that," then we have already missed the point. God has revealed to us through Moses the foundations of our desire for love and we want to talk about matter? When we lie in bed at night, do we miss matter or do we miss love? We miss love.
Zach Weihrauch (A Better Story: Sermons from the Book of Genesis)
The answer to what we're looking for, fixing the world with love, has to be traced back to something, and we can only trace it back to the God who is love. If we dive into the rest of Genesis and say, "What is this 'day' nonsense? As modern people, we can't believe that," then we have already missed the point.
Zach Weihrauch (A Better Story: Sermons from the Book of Genesis)
The ancient and mediaeval church had always acknowledged that the Bible ought to be read allegorically in many instances, according to the spiritual doctrines of the church, and that the principal truths of scripture are not confined to its literal level, which often reflects only the minds of its human authors. Origen, Basil of Caesarea, Gregory of Nyssa, Augustine—all denied that, for instance, the creation story in Genesis was an actual historical record of how the world was made
David Bentley Hart (Atheist Delusions: The Christian Revolution and Its Fashionable Enemies)
There is another reason I’m starting with God’s goodness. It’s where the Bible starts. Before the world existed, God existed, which means love and goodness have always been, and will always be. And to emphasize this point, the creation narrative declares, over and over again, “God is good. God is good. God is good.” When I tell kids the creation story from Genesis 1–2, I tell it like this: In the beginning, God created the heavens and the earth. There had been nothing at all, and God’s Spirit hovered over the waters. Then God said, “Let there be light, and there was light.” God spoke and there was… Light and dark. Day and night. God spoke and sky and land were made. God spoke and plants were made. The sun, moon, and stars. God spoke and land animals, birds, and ocean creatures were made. Every time, God says just a word and things are made. God can create with just Their voice. God speaks, and there is goodness all around. We know it’s good because there used to be chaos, but God gave things order. There used to be emptiness, but God started filling it up. For the people who first knew God and gave us God’s story in the Bible, these were clues that led to a very important truth.
Meredith Miller (Woven: Nurturing a Faith Your Kid Doesn't Have to Heal From)
Genesis 1 and 2 don’t provide the Bible’s only creation story. Psalm 74 describes creation as well—as Yahweh’s victory over the forces of primeval chaos. Yahweh brought the world into order, making it habitable for humanity, his people as it were. The creation act as described in Psalm 74 was theologically crucial for establishing Yahweh’s superiority over all other gods. Baal was not king of the gods, as the Ugaritic story proclaimed—Yahweh was.
Michael S. Heiser (The Unseen Realm: Recovering the Supernatural Worldview of the Bible)
John’s visions of such monsters, then, are modeled on creation stories even older than those in Genesis.
Elaine Pagels (Revelations: Visions, Prophecy, and Politics in the Book of Revelation)
The earliest record of Adventist history is in Genesis 1. The supremacy and authority of Jesus is evident even in the Creation story.
Nathan Brown (For the One: Voices from The One Project)
Jews, Christians, and Muslims share a creation story from the Bible, found in the early chapters of the book of Genesis. Like many such stories, it begins with sky and earth intertwined in darkness. God first brings forth light, then separates what is above from what is below, thus making oceans, land, and sky. Although some people insist that Genesis 1 is a literal scientific account, it is best understood as what Old Testament scholar Walter Brueggemann calls a “liturgical poem,” a form for use in worship that invites a community “to confess and celebrate the world as God has intended it.”4 In the opening pages of the Bible, a cosmic vision of creation unfolds with the making of plants and forests, the stars and suns and moons beyond, all the fishes and birds and animals, and finally human beings. At each juncture, God proclaims blessing on what has been made, declaring it good, and with the creation of humankind the whole of the universe is pronounced “very good.” At the end of the poem, God sends human beings out to till and keep the soil and to work on behalf of the earth, delighting in all its gifts.5
Diana Butler Bass (Grounded: Finding God in the World-A Spiritual Revolution)
We read in Bereshit (Genesis 1:2), in the Story of Creation, ruah elohim mirahefet al p’nei ha-mayim. This is typically translated as: “a wind from God hovered (or swept) over the face of the water.” The word that is translated as hovered or swept is mirahefet. Mirahefet is a word of ancient Hebrew poetry. It is rarely found in Torah, but we do read it in Deuteronomy (32:11) where mirahefet refers to a mother eagle beating her wings in place, over the nest of her young, in order to feed them. And so I translate mirahefet as “fluttering.
Dov Peretz Elkins (Rosh Hashanah Readings: Inspiration, Information and Contemplation)
God is not a robot. He isn’t a comptroller of an accounting company trying to make things add up or work out. He is a being full of deep emotion, longing, and memories of what it used to be like. The incarnation therefore isn’t about an equation but about remembering what home used to be like and making a plan to get back there. Consider this reboot of the Genesis creation account. It may help you see God’s emotion a little better. First off, nothing … but God. No light, no time, no substance, no matter. Second off, God says the word and WHAP! Stuff everywhere! The cosmos in chaos: no shape, no form, no function—just darkness … total. And floating above it all, God’s Holy Spirit, ready to play. Day one: Then God’s voice booms out, “Lights!” and, from nowhere, light floods the skies and “night” is swept off the scene. God gives it the big thumbs up, calls it “day”. Day two: God says, “I want a dome—call it ‘sky’—right there between the waters above and below.” And it happens. Day three: God says, “Too much water! We need something to walk on, a huge lump of it—call it ‘land’. Let the ‘sea’ lick its edges.” God smiles, says, “Now we’ve got us some definition. But it’s too plain! It needs colour! Vegetation! Loads of it. A million shades. Now!” And the earth goes wild with trees, bushes, plants, flowers and fungi. “Now give it a growth permit.” Seeds appear in every one. “Yesss!” says God. Day four: “We need a schedule: let’s have a ‘sun’ for the day, a ‘moon’ for the night; I want ‘seasons’, ‘years’; and give us ‘stars’, masses of stars—think of a number, add a trillion, then times it by the number of trees and we’re getting there: we’re talking huge! Day five: “OK, animals: amoeba, crustaceans, insects, fish, amphibians, reptiles, birds, mammals … I want the whole caboodle teeming with a million varieties of each—and let’s have some fun with the shapes, sizes, colours, textures!” God tells them all, “You’ve got a growth permit—use it!” He sits back and smiles, says, “Result!” Day six: Then God says, “Let’s make people—like us, but human, with flesh and blood, skin and bone. Give them the job of caretakers of the vegetation, game wardens of all the animals.” So God makes people, like him, but human. He makes male and female.… He smiles at them and gives them their job description: “Make babies! Be parents, grandparents, great-grandparents—fill the earth with your families and run the planet well. You’ve got all the plants to eat from, so have all the animals—plenty for all. Enjoy.” God looks at everything he’s made, and says, “Fantastic. I love it!” Day seven: Job done—the cosmos and the earth complete. God takes a bit of well-earned R&R and just enjoys. He makes an announcement: “Let’s keep this day of the week special, a day off—battery-recharge day: Rest Day.”2 I’m not normally a paraphrase guy, but we always read the creation story like a textbook. I love this rendition because it captures the enthusiastic emotion that God felt about everything He created, especially humans. He loved it all. He loved us. Most of all, He loved the way things were.
Hugh Halter (Flesh: Bringing the Incarnation Down to Earth)
Someone rightly said a closed mouth is a closed destiny! We must begin to speak out the word of God over our lives, family and circumstances. It is not enough to know the word, read it, and practice it. When it comes to praying God's word over our lives, we must open our mouth and SPEAK! Even God, our Maker, and the Creator of ALL things spoke things into existence. In Genesis 1, we see several accounts of God making declarations, commanding, speaking. “God said..." is a statement that is so common all through the bible; particularly in the story of creation.   So, what do you desire to create
Rali Macaulay (Prayer: Scripture Works!: Effectively Praying God's Word over Life Situations. Win Life's Battles through the Power of Prayers. (Faith With Works Book 1))
The Genesis account of the advent of mankind (Adam-man) is far more eloquent and significant than a casual reading of the passage in English might suggest. In this majestic “Poem of the Dawn” or “Hymn of Creation” (cf. H. Orton Wiley, Christian Theology, Vol. I, Nazarene Publishing House, Kansas City, Mo., pp. 450 ff.), the metaphorical use of the terms “dust,” “image,” “likeness,” “create,” “made,” “breath of life,” and others, contributes much to biblical understanding of man, sin, redemption, holiness, and all the implications of “grace” in relation to man. The writer of the Genesis story chose his words carefully. In 1:26 he tells us that God said, “Let us make man in our image after our likeness,” and (1:27) then, “God created man in his own image … male and female created he them.” Strangely, the second account (Genesis 2) introduces a most mundane and earthy note to the almost too idealistic and incredible first description. “The Lord God formed man of dust from the ground, and breathed into his nostrils the breath of life [‘lives, ’ Hebrew plural, here]; and man became a living being” (Gen. 2:7; RSV). Note the progress; formed, breathed into, and then the process of becoming. There will be no attempt made here to formulate any theory of man's appearance on earth. These terms are noted to suggest that the wording gives room for more than one interpretation. However, no attempt to interpret these passages from the standpoint of modern science should be permitted to obscure the main ideas proposed in Genesis 1—2. This is not a scientific account nor was it in any sense intended to be. The role of science is to unpack all the facts possible which are built into man and his history and world. But the meaning of man and his universe must be derived from another source. And it is this meaning that the biblical story seeks to impart. This starkly beautiful, unembroidered introduction to man as made in his Creator's image establishes the fundamental religious meaning of man as he stands in relationship to God and to nature. This noble concept must precede and throw light upon all that the Hebraic-Christian teaching will assume about man—a sinful creature as of now, yet created in the Imago Dei.
Mildred Bangs Wynkoop (A Theology of Love)
If we imagine creation to be something as simplistic as a utopian happy-go-lucky place where nothing ever will go wrong, we disparage the beauty and harmony illustrated in the Genesis stories. God’s goodness is not that shallow and neither is God’s creation. I wonder if there is not something immature about our desire for the garden to be perfect. Perfection is, in a sense, very naïve. It’s almost as naïve and problematic as believing that one action in Genesis 3 is supposed to upend God’s entire created order. These assumptions seem to reject the very sovereignty of God the book of Genesis is trying to show us. In contrast to the other Mesopotamian gods, the God of the Israelites is loving and good and intentional. All of creation finds its meaning within its relation to God.
Danielle Shroyer (Original Blessing: Putting Sin in Its Rightful Place)
Professor Goldziher also shows, in his "Mythology Among the Hebrews," [99:5] that the story of the creation was borrowed by the Hebrews from the Babylonians. He also informs us that the notion of the bôrê and yôsêr, "Creator" (the term used in the cosmogony in Genesis) as an integral part of the idea of God, are first brought into use by the prophets of the captivity. "Thus also the story of the Garden of Eden, as a supplement to the history of the Creation, was written down at Babylon.
Thomas William Doane (Bible Myths and their Parallels in other Religions Being a Comparison of the Old and New Testament Myths and Miracles with those of the Heathen Nations ... Considering also their Origin and Meaning)
Thus, it is not because the question of how the world came to be was a burning one that Genesis opens with the Creation. And the modality or method of creation is not even the main point of the Creation story. The Hebrew creation story was as much polemic as it was anything else. Its main point is not, “This is how the world came into existence,” but rather, “Our Jewish tribal God is sovereign over the whole world.” What would strike the ancients the most forcefully from the story was not the statement, “God made the world out of nothing,” but the statement, “Yahweh Elohim made the world”—and therefore the Hebrews who alone worship this God are assured of victory. In contemporary North America, where proponents of creation science square off against proponents of evolution in a kind of political mud wrestling, and where questions of exactly how the world came into existence dominate the discussion, it is easy to miss the main point of the Creation story. The question of the mechanics of how the world came into existence was not central, or even important. The question of which deity was sovereign was.
Lawrence R. Farley (The Christian Old Testament)
It is, indeed, a unique occasion at which the distinguished word qadosh is used for the first time: in the Book of Genesis at the end of the story of creation. How extremely significant is the fact that it is applied to time: “And God blessed the seventh day and made it holy.”7 There is no reference in the record of creation to any object in space that would be endowed with the quality of holiness.
Abraham Joshua Heschel (The Sabbath (FSG Classics))
Genesis does not encourage of us a rapacious and consumptive attitude toward earth; we are to tend it, to care for it, to be God’s representatives within it, representing the loving character of the Creator to the creation.
Michael Lodahl (The Story of God: A Narrative Theology (updated))
When creation and evolution are thought to be incompatible, three problematic presumptions are often at work: 1. by creation is meant the biblical story of creation in Genesis 1, understood as a historical event, 2. Genesis 1 and evolutionary theory each describes the origin of living species, and 3. we must choose between them. If these presumptions are indeed at work, then we have engaged this controversy in terms shaped by fundamentalists, the most conservative of Christian traditions.
Tatha Wiley (Creationism and the Conflict over Evolution (Cascade Companions))
It is one thing for modern educated people to feel they must believe these old stories as factual when science proves otherwise. It is quite another for ancient people living before the dawn of scientific technology to venture clever but inevitably mistaken explanations. My guess is that many secular folks in our day take a dim view of biblical tales of a six-day creation, a universal flood, etc., blaming these stories for the oppressive use of them by religious leaders who ought to know better. But that’s not fair. Who, after all, scorns and ridicules the Greek or the Norse myths? No one, because no one catechizes us to believe these literally. They haven’t left a bad taste in our mouths. Nor should the myths of Genesis. If we could somehow visit the past and explain to the authors of Genesis the true origins of the earth and its life-forms, of languages, and of ethnicities, I suspect they would rejoice to learn the truth of the matter.
Robert M. Price (Holy Fable: The Old Testament Undistorted by Faith)
When we visualize God as being only up in heaven, and heaven as being apart from earth, we lose the immediacy of God as part of the story, part of our being, as intimate as was the angel who wrestled all night with Jacob and changed his story forever. God was not something apart from Creation, or apart from daily life, God was there, marvellously, terribly there.
Madeleine L'Engle (A Stone for a Pillow: Journeys with Jacob (The Genesis Trilogy Book 2))
The earth is a microscopic speck compared to the rest of the cosmos, but already Genesis 1:1 alludes to the central place it has in the story. According to Genesis 1, this otherwise piddling planet will be the primary stage for God to display the riches of his glory. Then the lens of the narrative narrowly focuses on one special object of God’s creation called adam, the Hebrew word for “man.” God created both “male and female,” uniquely in his own image (vv. 26–27). No other creatures possess such dignity (Ps. 8:4–5). God is the center of the story, but man is central to his unfolding plan. He is a supporting character, designed to live in perfect harmony and fellowship with his Creator, serving and honoring him in the establishment of a holy kingdom on earth (Gen. 1:28).
Scott Christensen (Defeating Evil: How God Glorifies Himself in a Dark World)
The Bible has been described as the “story” of God’s plan for his creation. In this analysis “creation” refers to God’s design, God’s original intent for the world he created. In the Bible this is told as a narrative in Genesis 1 and 2, and as I said it is celebrated in some of the psalms. The “fall” refers to the damage done to the world by the entrance of sin and its effects. The narrative for this is in Genesis 3 and its immediate aftermath in the succeeding chapters, through chapter 11. “Redemption” refers to God’s plan to undo that damage, beginning with the call and promises to Abraham in chapter 12. Almost the whole of the rest of the Bible is the story of the execution of that plan, climaxing in the death of Jesus on the cross and his victorious resurrection, and going forward to and beyond our own day. We live in the time when the effects of the fall are still very much with us, but we already witness signs of the transformational power of redemption through the lives changed by the proclamation of the gospel and the impact of those lives upon society. Finally, “restoration” refers to the complete elimination of all the damaging effects of the fall through the renewal of the whole of creation. The biblical chapters that describe this still-future scenario in a visionary way are chapters 21 and 22 of the book of Revelation. This “restoration” is the renewal of God’s creation where all things, including all of redeemed humanity, will be eternally reconciled to God.
Donald Zeyl (Four (and a half) Dialogues on Homosexuality and the Bible)
Besides providing a shared highest value, answering origin questions, and protecting cultural norms, many creation myths include justifications for a people's right to the land that they occupy. Some stories take it further by justifying the people’s right to take land from or enslave other, “less godly” people.
Richard L Haight (The Genesis Code: Revealing the Ancient Path to Inner Freedom)
Humans, whether contemplating the genesis of their customs or of their species, yearn to locate “an explicit point of origin,” rather than accept that most beginnings are gradual and complex. “Creation myths,” [Stephen Jay Gould] concluded, “identify heroes and sacred places, while evolutionary stories provide no palpable, particular thing as a symbol for reverence, worship, or patriotism.” As with baseball, so, too, with America’s birth. The country’s European founding was slow and messy: a primordial slime of false starts and mutations that evolved, over generations, into English colonies and the United States. Once on its feet, the newborn American nation looked back in search of origins, and located its heroes and sacred places on the stony shore of Massachusetts. The Pilgrim Fathers of 1620 begat the Founding Fathers of 1776. Cooperstown had Doubleday’s cow pasture, Plymouth it’s hallowed Rock.
Tony Horwitz (A Voyage Long and Strange: Rediscovering the New World)
At around that time in both Greece and Judaea, creation stories that were to acquire the power of myth arose, describing the Fall of Man, and how woman’s weakness is responsible for all subsequent human suffering, misery and death. Both myths have since flowed into the mainstream of Western civilization, carried along by two of its most powerful tributaries: In the Jewish tradition, as recounted in Genesis (which a majority of Americans still accept as true) 1 the culprit is Eve; and in the Greek, Pandora.
Jack Holland (A Brief History of Misogyny: The World's Oldest Prejudice (Brief Histories))
The Old Testament begins with creation and tells the story of the Jewish people up to the time of Christ. It is made up of thirty-nine individual “books” (the book of Genesis, the book of Exodus, etc.) written by twenty-eight different authors and spans a period of over two thousand years.
Max Anders (30 Days to Understanding the Bible, 30th Anniversary: Unlock the Scriptures in 15 minutes a day)
The church’s standard canonical narrative, however, embodies structural supersessionism in the way that it construes (or, “structures”) this narrative unity. In the foreground, says Soulen, are the perceived key events of creation, fall, Christ’s incarnation, the inauguration of the church, and final consummation—what he calls the “four key episodes.” What is noticeable here, though, is that God’s engagement with the human story is being told in cosmic, universal terms: the Hebrew scriptures are almost completely omitted, save for Genesis 1–3. The God of Israel’s history with the Israel of God recedes into the background of the story and “God’s history with Israel plays a role that is ultimately indecisive for shaping the canonical narrative’s overarching plot.”523 Soulen notes that this omission is reflected in virtually every historic confession of Christian faith from the creeds of Nicaea and Constantinople to the Augsburg Confession and beyond.524
Stephen Burnhope (Atonement and the New Perspective: The God of Israel, Covenant, and the Cross)
Young simply dismissed parts of the Genesis creation account as "baby stories" that should naturally be outgrown—this despite his frequent insistence on literally understood scripture. A free-flowing rendition of stenographic notes from an unpublished sermon of October 8, 1854 provides a useful example: When the Lord organized the world, and filled the earth with animal and vegetable life, then he created man ... . Moses made the Bible to say his wife was taken out of his side—was made of one of his ribs. As far as I know my ribs are equal on each side. The Lord knows If I had lost a rib for each wife I have, I should have had none left long ago ... . As for the Lord taking a rib out of Adam's side to make a woman of, it would be just as true to say he took one out of my side. "But, Brother Brigham, would you make it appear that Moses did not tell the truth?" No, not a particle more than I would that your mother did not tell the truth when she told you that little Billy came from a hollow toadstool. I would not accuse your mother of lying any more than I would Moses. The people in the days of Moses wanted to know things that [were] not for them, the same as your children do when they want to know where their little brother came from, and he answered them according to the level of their understandings, the same as mothers do their children.
Philip L. Barlow (Mormons and the Bible: The Place of the Latter-day Saints in American Religion (Religion in America))
The creation story of Genesis is unlike the creation myths of other ancient religions because it states that we are made of the same raw material as the world around us. We are not offspring of the gods. We are made of dust. We may bear the image of a creator, but we also share kinship with stars and starfish, with turtles and, yes, with trees.
Christie Purifoy (Placemaker: Cultivating Places of Comfort, Beauty, and Peace)
Somewhere in the teachings of every wisdom tradition on earth is the admonition to “make whole that which is broken.” In Judaism, it is tikkun olam, “repair of the world.” It is said that in the eyes of God, an object that has been repaired is more holy than one that is new. There is an interpretation in Judaism of the world as we see it and of how it came to be; it is a retelling of the Genesis story by the sixteenth-century mystic Isaac Luria. In his vision, Luria saw that God filled the entire universe completely and perfectly and that the world could only be created by somehow making a space for life. Luria imagined that God contracted, like a series of containers within containers, and by becoming smaller and smaller, God allowed a new creation to emerge. When the enormous energy and potential of that creation finally exploded outward, sparks of the divine scattered throughout the universe: the universe we see. The teachings that follow from this, in the wisdom tradition of the Kabbalah, tell us that we are to gather the shards and the sparks and bring them back together. This is the meaning of tikkun olam. Olam, or “world,” comes from the same root as hidden, and so the repair we are asked to accomplish requires that we see the sacred hidden within the ordinary — the wholeness that exists in all things, everywhere.
John Wackman (Repair Revolution: How Fixers Are Transforming Our Throwaway Culture)
CREATION-FALL-REDEMPTION-CONSUMMATION IS NOT THE GOSPEL Many Christians have outlined the story of the Bible using the four words creation, fall, redemption, consummation. Actually that outline is a really good way to summarize the Bible’s main story line. God creates the world, man sins, God acts in the Messiah Jesus to redeem a people for himself, and history comes to an end with the final consummation of his glorious kingdom. From Genesis to Revelation, that’s a great way to remember the Bible’s basic narrative. In fact, when you understand and articulate it rightly, the creation-fall-redemption-consummation outline provides a good framework for a faithful presentation of the biblical gospel. The problem, though, is that creation-fall-redemption-consummation has been used wrongly by some as a way to place the emphasis of the gospel on God’s promise to renew the world, rather than on the cross.
Greg Gilbert (What Is the Gospel? (Ixmarks))
Many evangelical tellings of the biblical story, especially those designed to deliver an evangelistic message, effectively began with Genesis 3: the fall of humanity. And they ended with Revelation 20: the casting of Satan and all his works into the lake of fire. Understood this way, the gospel runs an abbreviated gamut from original sin to final judgment. The original good creation and the glorious new creation are afterthoughts when they are mentioned at all.
Andy Crouch (Playing God: Redeeming the Gift of Power)
In the beginning’ – no Bible reader could see that phrase and not think at once of the start of Genesis, the first book in the Old Testament: ‘In the beginning God created the heavens and the earth.’ Whatever else John is going to tell us, he wants us to see his book as the story of God and the world, not just the story of one character in one place and time. This book is about the creator God acting in a new way within his much-loved creation. It is about the way in which the long story which began in Genesis reached the climax the creator had always intended.
Tom Wright (John for Everyone, Part 1: Chapters 1-10 (The New Testament for Everyone))
We understood that Genesis wasn't the first story but, rather, that the creation of Genesis was. I'd go into the classroom prepared to discuss whatever book or poem or passage was on that day's agenda, and sometimes, against all odds, those discussions were spirited and engaging, and they told me everything I needed to know about my future as a teacher: I had none. It was books I was drawn to--the smell of them, the feel of them, the way they invaded and captured me--not talking about books. I enrolled in library school and got a part-time job as a used-book store, taking orders over the phone.
Sue Halpern (Summer Hours at the Robbers Library)
John Walton has written recently of this ANE concern with powers over structure in direct relation to the creation story of Genesis. He argues that in the ancient world existence was understood more in terms of function within a god-created purposeful order than in terms of material status within a natural physical structure.197 This is not to say that the physical world was denied or ignored, but rather that the priority and interests were different from our own. We should therefore be careful in judging their purpose-driven cosmography too strictly in light of our own material-driven cosmography. And in this sense, modern material descriptions of reality are more “false” than ancient pictures because they do not include the immaterial aspect of reality: Meaning and purpose. Biblical writers did not teach their cosmography as scientific doctrine revealed by God about the way the physical universe was materially structured, they assumed the popular cosmography to teach their doctrine about God’s purposes and meaning. To critique the cosmic model carrying the message is to miss the meaning altogether, which is the message. God’s throne may not be physically above us in waters held back by a solid firmament, but he truly does rule “over” us and is king and sustainer of creation in whatever model man uses to depict that creation.
Brian Godawa (When Giants Were Upon the Earth: The Watchers, the Nephilim, and the Biblical Cosmic War of the Seed (Chronicles of the Nephilim))
The primitive character of the new atheism shows itself in the notion that religions are erroneous hypotheses. The Genesis story is not an early theory of the origin of species. In the fourth century AD, the founding theologian of western Christianity, St. Augustine, devoted fifteen years to composing a treatise on The Literal Meaning of Genesis, never completed, in which he argued that the biblical text need not be understood literally if it goes against what we know to be true from other sources. Before Augustine, and more radically, the first-century Greek-speaking Jewish philosopher Philo of Alexandria presented Genesis as an allegory or myth–an interweaving of symbolic imagery with imagined events that contained a body of meaning that could not easily be expressed in other ways. The story of Adam and Eve eating from the Tree of Knowledge is a mythical imagining of the ambiguous impact of knowledge on human freedom. Rather than being inherently liberating, knowledge can be used for purposes of enslavement. That is what is meant when, having eaten the forbidden apple after the serpent promises them they will become like gods, Adam and Eve find themselves expelled from the Garden of Eden and condemned to a life of unceasing labour. Unlike scientific theories, myths cannot be true or false. But myths can be more or less truthful to human experience. The Genesis myth is a more truthful rendition of enduring human conflicts than anything in Greek philosophy, which is founded on the myth that knowledge and goodness are inseparably connected. From the eighteenth-century English theologian William Paley…to twenty-first century exponents of creationism, apologists for theism have tried to develop theories that explain the origins of the universe and humankind better than prevailing scientific accounts. In doing so they are conceding to science an unwarranted authority over other ways of thinking. Religion is no more a primitive type of of science than is art or poetry. Scientific inquiry answers a demand for explanation. The practice of religion expresses a need for meaning, which would remain unsatisfied even if everything could be explained.
John Gray (Seven Types of Atheism)
Rounding out our list of early Christian writers is Augustine (354–430), especially his work The Literal Meaning of Genesis, where he shows, among other things, how much intellectual effort is required to handle Genesis well, and how ill-advised it is to read the creation stories literally. It is a disgraceful and dangerous thing for an infidel to hear a Christian, presumably giving the meaning of Holy Scripture, talking nonsense on these [cosmological] topics, and we should take all means to prevent such an embarrassing situation, in which people show up vast ignorance in a Christian and laugh it to scorn.[ 16]
Peter Enns (The Evolution of Adam: What the Bible Does and Doesn't Say about Human Origins)
Christianity’s true and unique story line has always been incarnation. If creation is “very good” (Genesis 1:31) at its very inception, how could such a divine agenda ever be undone by any human failure to fully cooperate? “Very good” sets us on a trajectory toward resurrection, it seems to me. God does not lose or fail. That is what it means to be God.
Richard Rohr (The Universal Christ: How a Forgotten Reality Can Change Everything We See, Hope For and Believe)
The creation tale of Genesis is very impressive, even in modern terms, if it is treated symbolically and allegorically. But again, the tendency for many people is to accept it literally and to fight ferociously against deviating from it by one iota.
Isaac Asimov (Beginnings: The Story of Origins)
It has been customary for quite some time for Christians to interpret Adam and Eve as humanity’s literal parents, but according to John Walton and Peter Enns, this is not what the authors of Genesis meant. Enns believes that we can learn a lot about the Adam and Eve story by looking ahead to the exodus story, when God creates the nation of Israel. Like Adam, Israel is “created” by God during the exodus “through a cosmic battle,” given a “lush land flowing with milk and honey,” and meant to “remain in the land as long as they obey the Mosaic law.” Ultimately, however, like Adam and Eve, Israel persists in a pattern of disobedience and is exiled to Babylon. According to Enns, Adam is also created after God tames the primordial waters of chaos, just as in the Moses story. 657 Thus it may be insightful to interpret the Aule–dwarves story as a story which resembles the story of the creation of Israel rather than the creation of the first human beings.
Michael T. Jahosky (The Good News of the Return of the King: The Gospel in Middle-earth)
The Bible’s storyline, we have discovered, has, from the opening chapters of Genesis, set up a massive tension—cosmic in scope but descending all the way down to the level of the individual. The tension is grounded in the fact that God made everything good. God himself, the Creator, is different from the creation, but all that he made was initially God-centered and good. The nature of evil is tied to revolution against this God. In Genesis 3, we saw how this is depicted as obsessive desire to challenge God—to become God ourselves, to usurp to ourselves the prerogatives that belong only to the Creator. Out of this idolatry come all of the social evils, the horizontal evils that we know. With everybody wanting to be at the center of the universe, there can only be strife.
D.A. Carson (The God Who Is There: Finding Your Place in God's Story)
God’s act of salvation in Exodus hearkens back to God’s act of creation in Genesis, when God separated the waters on the second and third days of creation. Saving Israel is a divine act of “re-creation.
Peter Enns (Exodus for Normal People: A Guide to the Story—and History—of the Second Book of the Bible)
The tendency to approach the question of creation in such all-or-nothing terms is, for example, less pronounced in the Jewish tradition. Walter Benjamin’s commentary on the book of Genesis, as set forth in his essay “On Language as Such and on the Language of Man” (in Early Writings: 1910–1917, trans. H. Eiland [Cambridge, MA: Harvard University Press, 2011], 251–269), provides a summary of an alternative view. It is helpful to see Benjamin’s alternative reading of creation as involving six moments corresponding to the following six sorts of remarks to be found in that essay: (1) In individual acts of creation . . . only the “Let there be” appears. (259) (2) With the creative omnipotence of language this act begins. . . . In God, name is creative because it is word. . . . (259) (3) The second version of the Creation story, which tells of the breathing of God’s breath into man, also reports that man was made from earth. In the whole story of the Creation, this is the only reference to a material in which the Creator expresses his will, which is doubtless otherwise thought of as immediately creative. (258) (4) In this second story of the Creation, the making of man did not come about through the word (God spoke and it was so), but this man who was not created from the word is now endowed with the gift of language, and he is elevated above nature. . . . (258) God did not create man from the word, and he did not name him. (259) (5) God’s creation is completed when things receive their names from man—this man from whom, in the name, language alone speaks. . . . (255) Language is therefore that which creates and that which completes; it is word and name. (259) (6) The absolute relation of name to knowledge exists only in God; only there is the name, because it is inwardly identical with the creative word, the pure medium of knowledge. This means that God made things knowable in their names. Man, however, names them according to knowledge.
James Ferguson Conant
The great thinkers of the early church wrote numerous commentaries on the creation story in Genesis 1–3, more so than any other part of the Bible, because they understood that it contradicted the fundamental beliefs of their inherited pagan culture and challenged them to replace it with something that was true to reality.
David S. Dockery (What Does It Mean to Be a Thoughtful Christian? (Questions for Restless Minds))