“
Okay, pull me up."
The rope didn't move.
"Ascanio?" What was it now? Did he see a butterfly and get distracted?
The rope slid up, as fast as if wound by a winch. I shot upward. What the...?
I cleared the edge and found myself face to face with Curran.
Oh boy.
He held the rope with one hand, muscles bulging on his arm under his sweatshirt. No strain showed on Curran's face. It's good to be the baddest shapeshifter in the city. Behind him Ascanio stood very still, pretending to be invisible.
Curran's gray eyes laughed at me. The Beast Lord reached out and touched my nose with his finger. "Boop.
”
”
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
“
He'd died. Plain and simple. And it pissed him off. Left him frustrated and disappointed. Where had all , the guardian angel crap they'd fed him in catechism gone to? He'd seen no angels, seraphim, archangels or pearly gates. No one to show him the ropes now that he was dead. What the hell was he supposed to do?
”
”
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
“
Good," said Dr. Rust. "Take Elizabeth up to stack 9 and show her the ropes."
"But the ropes are on stack 2."
"I meant metaphorically.
”
”
Polly Shulman (The Grimm Legacy (The Grimm Legacy, #1))
“
WE STOLE THE EAGLE FROM THE AIR FORCE, THE ANCHOR FROM THE NAVY AND THE ROPE FROM THE ARMY.
ON THE SEVENTH DAY WHILE GOD RESTED, WE OVERRAN HIS PERIMETER, STOLE THE GLOBE AND WE'VE BEEN RUNNING THE WHOLE SHOW EVER SINCE.
”
”
U.S. Marine Corps
“
Lonzo made a show of patting down his pockets "Damn, I must have left my rope and grappling hook in my other pants.
”
”
Alexis Morgan
“
The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn’t have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn’t seem to be really trying.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
But let me tell ya, spend every day living only for yourself, every day indulging in little sins that aren’t that big of a deal, and one day I may be showing you the ropes in hell. Amen.
”
”
Victoria Scott (The Collector (Dante Walker, #1))
“
When I was nineteen years old, I fell in love with a girl who changed my life by showing me that even the darkest nights still had stars and it didn’t matter one bit that you had to lie in the weeds to see them.
”
”
Aly Martinez (Fighting Shadows (On the Ropes, #2))
“
I needed to wander… whenever and wherever I wanted! I’d found myself at the end of my rope as far as school was concerned; there seemed no particular reason for me to stay. The teachers didn’t want to teach, and I didn’t want to learn—from them. I wanted my education to come from living life, getting out there in the world, seeing and doing and moving amongst the other vagabonds who had had the same sneaking suspicion that I did, that there would be no great need for high-end mathematics, nope… I was not going to be doing other people’s taxes and going home at 5:37 p.m. to pat my dog’s head and sit down to my one meat and two vegetable table waiting for Jeopardy to pop on the glass tit, the Pat Sajak of my own private game show, in the bellybutton of the universe, Miramar, Florida.
”
”
Johnny Depp
“
Arlo: Show her the ropes.
Finn: Where do we keep the ropes again?
”
”
Julie Anne Peters (She Loves You, She Loves You Not...)
“
-Good thing you don’t own a mirror, Mr. Mirrorless, or you’d see how ugly you are.
-What makes you think I don’t own a mirror? Every face that ever looks at me tells me that I’m ugly. But every time I make them laugh, I get to show them what beauty really is.
-I see what you mean. Here, take my rearview mirror. I don’t need to carry it around like a vagina on a rope anymore.
-Mr. Thrustsalone, you don’t need to drag a vagina on a rope like some kind of pet on a leash to make you happy. There’s a reason why God invented right hands and hookers.
-Why, so politicians could have more productive ways to spend their time and our money than engaging in politics?
-Mr. Thrustsalone, you are wise beyond your years.
-I’m 88 years old.
-Yet you don’t look a day older than 87.
”
”
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
“
All the love the couple showed her had shrunk to the length of this rope, Poonachi thought.
”
”
பெருமாள் முருகன் (Poonachi: Or the Story of a Black Goat)
“
Suicide was against the law. Johnny had wondered why. It meant that if you missed, or the gas ran out, or the rope broke, you could get locked up in prison to show you that life was really very jolly and throughly worth living.
”
”
Terry Pratchett
“
I’m talking about the woman you only show for the briefest of seconds when we are alone. I will search to the ends of the earth to find that woman— because I love her. I don’t even know her real name, but I love her—fiercely.
”
”
Aly Martinez (Among the Echoes (On the Ropes, #0.5))
“
I'd been up on bad cocaine and drinking for days. I'd roped a few man back to my apartment and showed them all my belongings, stretched out flesh-colored tights and proposed we take turns hanging each other. Nobody last more than a few hours.
”
”
Ottessa Moshfegh (Homesick for Another World)
“
Alexander the Magnus was once called to solve the following challenge in the Phrygian city of Gordium (as usual with Greek stories, in modern-day Turkey). When he entered Gordium, he found an old wagon, its yoke tied with a multitude of knots, all so tightly entangled that it was impossible to figure out how they were fastened. An oracle had declared that he who would untie the knot would rule all of what was then called “Asia,” that is, Asia Minor, the Levant, and the Middle East. After wrestling with the knot, the Magnus drew back from the lump of gnarled ropes, then made a proclamation that it didn’t matter for the prophecy how the tangle was to be unraveled. He then drew his sword and, with a single stroke, cut the knot in half. No “successful” academic could ever afford to follow such a policy. And no Intellectual Yet Idiot. It took medicine a long time to realize that when a patient shows up with a headache, it is much better to give him aspirin or recommend a good night’s sleep than do brain surgery, although the latter appears to be more “scientific.” But most “consultants” and others paid by the hour are not there yet.
”
”
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
“
1. Success is a choice. -Rick Pitino
2. Success in life comes not from holding a good hand, but in playing a poor hand well. -Warren Lester
3. I shall tell you a great secret, my friend. Do not wait for the last judgment; it takes place every day. -Albert Camus
4. If you're not fired up with enthusiasm, you'll be fired with enthusiasm. -Vince Lombardi
5. There is no security on this earth; there is only opportunity. -Douglas MacArthur
6. Yesterday's the past and tomorrow's the future. Today is a gift, which is why they call it the present. -Bill Keane
7. Show me a thoroughly satisfied man and I will show you a failure. -Thomas Edison
8. When you get to the end of your rope tie a knot and hang on. -Franklin D. Roosevelt
9. The best way to predict your future is to create it. -Author unknown
10. I always remember an epitaph which is in the cemetery at Tombstone, Arizona. It says, "Here lies Jack Williams. He done his damnedest." I think that is the greatest epitaph a man can have. -Harry S Truman
11. Triumph? Try Umph! -Author unknown
12. You hit home runs not by chance but by preparation. -Roger Maris
13. If you don't have enough pride, you're going to get your butt beat every play. -Gale Sayers
14. My mother taught me very early to believe I could achieve any accomplishment I wanted to. The first was to walk without braces. -Wilma Rudolph
15. You may have to fight a battle more than once to win it. -Margaret Thatcher
”
”
Samuel D. Deep (Close The Deal: Smart Moves For Selling: 120 Checklists To Help You Close The Very Best Deal)
“
This, he thought, was how women roped you in. They added you to lists and forced you to confirm and commit. They impressed upon you that if you didn't show up a plate of hot food would go begging, a gold-backed chair would remain unoccupied, a cardboard place name would sit shamefully upon a table, announcing your rudeness to the world.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
If you have no one to show you the ropes, you have to build a ladder.
”
”
Aliza Licht (Leave Your Mark: Land Your Dream Job. Kill It in Your Career. Rock Social Media.)
“
Grace is more than being lucky to be on God’s side. Grace is God’s goodness showered on people who have failed. Grace is God’s love on those who think they are unlovable. Grace is God knowing what we are designed to be. Grace is God believing in us when we have given up. Grace is someone at the end of their rope finding new strength. But there’s more to grace. Grace is both a place and a power. Grace is God unleashing his transforming power. Grace realigns and reroutes a life and a community. Grace is when you turn your worst enemy into your best friend. Grace takes people as they are and makes them what they can be. Grace ennobles; grace empowers. Grace forgives; grace frees. Grace transcends, and grace transforms.
”
”
Scot McKnight (A Fellowship of Differents: Showing the World God's Design for Life Together)
“
Holy gets angry. So does this mean we need to buy ropes and start making whips? No. But perhaps we need to stop hiding safely behind hashtag campaigns and instead show up and speak out.
”
”
Alicia Britt Chole (40 Days of Decrease: A Different Kind of Hunger. A Different Kind of Fast.)
“
One day when he was digging, a loud shout came echoing up. Ma ran out of the house and Laura ran to the well. “Pull, Scott! Pull!” Pa yelled. A swishing, gurgling sound echoed down there. Mr. Scott turned the windlass as fast as he could, and Pa came up climbing hand over hand up the rope.
“I’m blamed if that’s not quicksand!” Pa gasped, as he stepped onto the ground, muddy and dripping. “I was pushing down hard on the spade, when all of a sudden it went down, the whole length of the handle. And water came pouring up all around me.”
“A good six feet of this rope’s wet,” Mr. Scott said, winding it up. The bucket was full of water. “You showed sense in getting out of that hand over hand, Ingalls. That water came up faster than I could pull you out.” Then Mr. Scott slapped his thigh and shouted, “I’m blasted if you didn’t bring up the spade!”
Sure enough, Pa had saved his spade.
”
”
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
“
I take in Finnick — his bare legs showing between his hospital gown and slippers, his tangle of hair, the half-knotted rope twisted around his fingers, the wild look in his eyes — and know any plea on my part will be useless.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I've heard the long sigh go up, from around me, the sigh like air coming out of an air mattress, I've seen Aunt Lydia place her hand over the mike, to stifle the other sounds coming from behind her, I've leaned forward to touch the rope in front of me, in time with the others, both hands on it, the rope hairy, sticky with tar in the hot sun, then placed my hand on my heart to show my unity with the Salvagers and my consent, and my complicity in the death of this woman. I have seen the kicking feet and the two in black who now seize hold of them and drag downward with all their weight. I don't want to see it anymore. I look at the grass instead. I describe the rope. 43 The
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
Septimus had no need to untie Spit Fyre as the dragon had already chewed his way through the rope. They followed Aunt Zelda and Jenna out the side door at the foot of the turret and down to the Palace Gate. Aunt Zelda kept up a brisk pace. Showing a surprising knowledge of the Castle’s narrow alleyways and sideslips, she hurtled along. Oncoming pedestrians were taken aback at the sight of the large patchwork tent approaching them at full speed. They flattened themselves against the walls, and, as the tent passed by with the Princess, the ExtraOrdinary Apprentice and a feral-looking boy with bandaged hands—not to mention a dragon—in its wake, people rubbed their eyes in disbelief.
”
”
Angie Sage (Flyte (Septimus Heap, #2))
“
Massino’s crew stashed stolen expensive men’s suits in a warehouse in the Corona section of Queens, and propelled the clothes on a rope line attached to a haberdashery across the street whenever customers showed up for a cut-rate sale.
”
”
Selwyn Raab (Five Families: The Rise, Decline, and Resurgence of America's Most Powerful Mafia Empires)
“
Oh, please.” Loki stepped back, examining me with a look of disappointment. “It’s only a matter of degree. So I killed a god. Big deal! He went to Niflheim and became an honored guest in my daughter’s palace. And my punishment? You want to know my punishment?”
“You were tied on a stone slab,” I said. “With poison from a snake dripping on your face. I know.”
“Do you?” Loki pulled back his cuffs, showing me the raw scars on his wrists. “The gods were not content to punish me with eternal torture. They took out their wrath upon my two favorite sons–Vali and Narvi. They turned Vali into a wolf and watched with amusement while he disemboweled his brother Narvi. Then they shot and gutted the wolf. The gods took my innocent sons’ own entrails…” Loki’s voice cracked with grief. “Well, Magnus Chase, let’s just say I was not bound with ropes.”
Something in my chest curled up and died–possibly my hope that there was any kind of justice in the universe. “Gods.”
Loki nodded. “Yes, Magnus. The gods. Think about that when you meet Thor.”
“I’m meeting Thor?”
“I’m afraid so. The gods don’t even pretend to deal in good and evil, Magnus. It’s not the Aesir way. Might makes right. So tell me… do you really want to charge into battle on their behalf?
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
Vulnerability is usually attacked, not with fists but with shaming. Many children learn quickly to cover up any signs of weakness, sensitivity, and fragility, as well as alarm, fear, eagerness, neediness, or even curiosity. Above all, they must never disclose that the teasing has hit its mark. Carl Jung explained that we tend to attack in others what we are most uncomfortable with in ourselves. When vulnerability is the enemy, it is attacked wherever it is perceived, even in a best friend.
Signs of alarm may provoke verbal taunts such as “fraidy cat” or “chicken.” Tears evoke ridicule. Expressions of curiosity can precipitate the rolling of eyes and accusations of being weird or nerdy. Manifestations of tenderness can result in incessant teasing. Revealing that something caused hurt or really caring about something is risky around someone uncomfortable with his vulnerability. In the company of the desensitized, any show of emotional openness is likely to be targeted.
The vulnerability engendered by peer orientation can be overwhelming even when children are not hurting one another. This vulnerability is built into the highly insecure nature of peer-oriented relationships. Vulnerability does not have to do only with what is happening but with what could happen — with the inherent insecurity of attachment. What we have, we can lose, and the greater the value of what we have, the greater the potential loss. We may be able to achieve closeness in a relationship, but we cannot secure it in the sense of holding on to it — not like securing a rope or a boat or a fixed interest-bearing government bond.
One has very little control over what happens in a relationship, whether we will still be wanted and loved tomorrow. Although the possibility of loss is present in any relationship, we parents strive to give our children what they are constitutionally unable to give to one another: a connection that is not based on their pleasing us, making us feel good, or reciprocating in any way. In other words, we offer our children precisely what is missing in peer attachments: unconditional acceptance.
”
”
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
“
I just don't understand why you're trying so hard. It was really a long time ago."
"Because, when I was nineteen years old, I fell in love with a girl who changed my life by showing me that even the darkest nights still had stars and it didn't matter one bit that you had to lie in the weeds to see them. We were kids and I barely knew her, but I loved her. I should have been there while she grew up, but I was a fool. Now, I have the woman back and I have every intention of making her fall in love with me again, and this time ...I'm never letting go.
”
”
Aly Martinez (Fighting Shadows (On the Ropes, #2))
“
What are you boys up to?” “Zane was showing off for me,” Ty said with a smile. “I was trying to teach him how to rope.” “I can’t imagine he’ll learn much, way he was staring at you.” Ty looked away, but even the hot summer sun couldn’t mask the blush creeping over the man. Harrison
”
”
Abigail Roux (Stars & Stripes (Cut & Run, #6))
“
The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
”
”
Saul Bellow (The Adventures of Augie March)
“
It was always raining and cold, and there was no order but for the great maps of art that showed judgement, piety and sacrifice. The Eighth Army came upon river after river of destroyed bridges, and their sapper units clambered down banks on ladders of rope within enemy gunfire and swam or waded across.
”
”
Michael Ondaatje (The English Patient)
“
Michael Leunig cartoon showing a tiny sad-eyed man with a noose around his neck. The rope was curled over a beam with a large bucket tied to the other end. As the man cried, his tears filled the bucket and lifted him higher and higher off the ground. Evie is that figure, standing on her tiptoes, filling a bucket with
”
”
Michael Robotham (Good Girl, Bad Girl (Cyrus Haven, #1))
“
At Sea Oak there's no sea and no oak, just a hundred subsidized apartments and a rear view of FedEx. Min and Jade are feeding their babies while watching How My Child Died Violently. Min's my sister. Jade's our cousin. How My Child Died Violently is hosted by Matt Merton, a six-foot-five blond who's always giving the parents shoulder rubs and telling them they've been sainted by pain. Today's show features a ten-year-old who killed a five-year-old for refusing to join his gang. The ten-year-old strangled the five-year-old with a jump rope, filled his mouth with baseball cards, then locked himself in the bathroom and wouldn't come out until his parents agreed to take him to FunTimeZone, where he confessed, then dove screaming into a mesh cage full of plastic balls. The audience is shrieking threats at the parents of the killer while the parents of the victim urge restraint and forgiveness to such an extent that finally the audience starts shrieking threats at them too. Then it's a commercial.
”
”
George Saunders (Pastoralia)
“
Most people don’t get (or want) to look at old news footage, but we looked at thirty years of stories relating to motherhood. In the 1970s, with the exception of various welfare reform proposals, there was almost nothing in the network news about motherhood, working mothers, or childcare. And when you go back and watch news footage from 1972, for example, all you see is John Chancellor at NBC in black and white reading the news with no illustrating graphics, or Walter Cronkite sitting in front of a map of the world that one of the Rugrats could have drawn–that’s it.
But by the 1980s, the explosion in the number of working mothers, the desperate need for day care, sci-fi level reproductive technologies, the discovery of how widespread child abuse was–all this was newsworthy. At the same time, the network news shows were becoming more flashy and sensationalistic in their efforts to compete with tabloid TV offerings like A Current Affair and America’s Most Wanted. NBC, for example introduced a story about day care centers in 1984 with a beat-up Raggedy Ann doll lying limp next to a chair with the huge words Child Abuse scrawled next to her in what appeared to be Charles Manson’s handwriting. So stories that were titillating, that could be really tarted up, that were about children and sex, or children and violence–well, they just got more coverage than why Senator Rope-a-Dope refused to vote for decent day care. From the McMartin day-care scandal and missing children to Susan Smith and murdering nannies, the barrage of kids-in-jeopardy, ‘innocence corrupted’ stories made mothers feel they had to guard their kids with the same intensity as the secret service guys watching POTUS.
”
”
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
“
Gossip, unless aimed or honed sharp like a weapon, was natural to human beings. It showed interestin oe's fellows, interest in the well being of the tribe. "Gossip was a way to learn taboos, pass on warnings, share the burden fo being human among many so the onus of bearing it alone would fall on no one person. " Molly said. From an Anna Pigeon Novel
”
”
Nevada Barr
“
Imagine my surprise, my ditress, when one of our regular patrons raced screaming into camera range,her Templeton Spa robe flapping open, her eyes wild as she sputtered accusations about being attacked-bodily attacked-by Laura Templeton Ridgeway and her cohorts."
"Oh,Josh,I'm so sorry." Laura turned her head away, hoping he'd take it for shame.It would never,never do to laugh. He showed his teeth. "One snicker,Laura. Just one."
"I'm not snickering." Composed,she turned back."I'm terribly sorry.It must have been very embarrassing for you."
"And don't it just be a laugh riot when they run that little scene?Of course, they'll beep out most of the dialogue to conform to Standards and Practices, but I think the viewing audience, the millions of people who tune into Informed each week will get the gist."
"She started it," Kate said,then winced when he turned flinty eyes on her. "Well,she did."
"I'm sure Mom and Dad will understand that completely." Even the stalwart Kate could be cowed."It was Margo's idea."
Margo hissed through her teeth. "Traitor.She called Kate a lesbian."
Shaking his head,Josh covered his face with his hands and rubbed hard."Oh, well,then, get the rope."
"I suppose you'd have let her get away with it.She's been trying to damage the shop.She said nasty things to Laura," Margo went on,heating up. "And just the other day she came into the shop and called me a slut. A second-class slut."
"And your answer was to gang up on her, three to one,smack her around, strip her naked,and shove her into a locker?"
"We never smacked her.Not once." Not, Margo thought,that she wouldn't have liked to. "As for the locker business, it was a matter of tradition.We did nothing more than embarrass her, which is no more than she deserved after the way she insulted us.And anyway, a real man would applaud our actions.
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
Graham and the undertaker's assistants strapped the body to a wide board with a rope that crossed under his right shoulder and again over his groin, then they tilted the man until he was nearly vertical and let the camera lens accept the scene for a minute. The man's eyes were shut, the skin around them was slightly green, and the sockets themselves seemed so cavernous that photographic copies were later repainted with two blue eyes looking serenely at some vista in the middle distance. Likewise missing in the keepsake photographs was the mean contusion over his left eyebrow that wound convince some reporters that it was the gunshot's exit wound and others that it showed the incidence of Bob Ford's smashing the stricken man with a timber. The body's cheeks and chest and belly were somewhat inflated with preservatives, necessitating the removal of the man's thirty-two-inch brown leather belt, and making his weight seem closer to one hundred eighty-five pounds than the one hundred sixty it was. His height was misjudged by four inches, being recorded as six feet or more by those who wrote about him.
”
”
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
“
We stole the eagle from the Air Force, the anchor from the Navy, and the rope from the Army. On the seventh day when God rested, we overran the perimeter and stole the globe—we’ve been running the show ever since. We live like soldiers, talk like sailors, and slap the hell out of both of them at the same time. Fighter by day, lover by night, drunkard by choice, and a United States Marine by an act of God.
”
”
Jane Harvey-Berrick (The Education of Caroline (The Education of..., #2))
“
All of us believe you belong here,” I’d said to the Elizabeth Garrett Anderson girls as they sat, many of them looking a little awestruck, in the Gothic old-world dining hall at Oxford, surrounded by university professors and students who’d come out for the day to mentor them. I said something similar anytime we had kids visit the White House—teens we invited from the Standing Rock Sioux Reservation; children from local schools who showed up to work in the garden; high schoolers who came for our career days and workshops in fashion, music, and poetry; even kids I only got to give a quick but emphatic hug to in a rope line. The message was always the same. You belong. You matter. I think highly of you.
An economist from a British university would later put out a study that looked at the test performances of Elizabeth Garrett Anderson students, finding that their overall scores jumped significantly after I’d started connecting with them—the equivalent of moving from a C average to an A. Any credit for improvement really belonged to the girls, their teachers, and the daily work they did together, but it also affirmed the idea that kids will invest more when they feel they’re being invested in. I understood that there was power in showing children my regard.
”
”
Michelle Obama (Becoming)
“
I just wanted to be with her. To show her who I truly was— not the jaded asshole she probably remembered. I wanted to find out who she had become and, even more than that, who she wanted to be. And then I wanted to be the one to give her that.
I draped an arm across her hips then pulled, forcing her to roll over on top of me. Her laughter abruptly stopped when I grazed a soft kiss over her lips. “No more running. Give me time to fix this.
”
”
Aly Martinez (Fighting Shadows (On the Ropes, #2))
“
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood."
He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest.
The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?"
I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always."
Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled.
"Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked.
"Yes," Rob said. "I will."
"You have the rings?" the priest asked Rob.
"I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him.
Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger.
He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you."
The priest coughed. "Say the words, my son, and you will marry her."
Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
Anna? Anna,are you there? I've been waiting in the lobby for fifteen minutes." A scrambling noise,and St. Clair curses from the floorboards. "And I see your light's off.Brilliant. Could've mentioned you'd decided to go on without me."
I explode out of bed. I overslept! I can't believe I overslept! How could this happen?
St. Clair's boots clomp away,and his suitcase drags heavily behind him. I throw open my door. Even though they're dimmed this time of night,the crystal sconces in the hall make me blink and shade my eyes.
St. Clair twists into focus.He's stunned. "Anna?"
"Help," I gasp. "Help me."
He drops his suitcase and runs to me. "Are you all right? What happened?"
I pull him in and flick on my light. The room is illuminated in its disheveled entirety. My luggage with its zippers open and clothes piled on top like acrobats. Toiletries scattered around my sink. Bedsheets twined into ropes. And me. Belatedly, I remember that not only is my hair crazy and my face smeared with zit cream,but I'm also wearing matching flannel Batman pajamas.
"No way." He's gleeful. "You slept in? I woke you up?"
I fall to the floor and frantically squish clothes into my suitcase.
"You haven't packed yet?"
"I was gonna finish this morning! WOULD YOU FREAKING HELP ALREADY?" I tug on a zipper.It catches a yellow Bat symbol, and I scream in frustration.
We're going to miss our flight. We're going to iss it,and it's my fault. And who knows when the next plane will leave, and we'll be stuck here all day, and I'll never make it in time for Bridge and Toph's show. And St. Clair's mom will cry when she has to go to the hospital without him for her first round of internal radiation, because he'll be stuck iin an airport on the other side of the world,and its ALL. MY FAULT.
"Okay,okay." He takes the zipper and wiggles it from my pajama bottoms. I make a strange sound between a moan and a squeal. The suitcase finally lets go, and St. Clair rests his arms on my shoulders to steady them. "Get dressed. Wipe your face off.I'll takecare of the rest."
Yes,one thing at a time.I can do this. I can do this.
ARRRGH!
He packs my clothes. Don't think about him touching your underwear. Do NOT think about him touching your underwear. I grab my travel outfit-thankfully laid out the night before-and freeze. "Um."
St. Clair looks up and sees me holding my jeans. He sputters. "I'll, I'll step out-"
"Turn around.Just turn around, there's not time!"
He quickly turns,and his shoulders hunch low over my suitcase to prove by posture how hard he is Not Looking.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
He is the butcher who showed me how the price of flesh is love; skin the rabbit, he says! Off come my clothes. He makes his whistles out of an elder twig and that is what he uses to call the birds out of the air - all the birds come; and the sweetest singers he will keep in cages. He could thrust me into the seed-bed of next year's generation and I would have to wait until he whistled me up from my darkness before I could come back again. His skin is the tint and texture of sour cream, he has stiff, russet nipples ripe as berries. Like a tree that bears bloom and fruit on the same bough together, how pleasing, how lovely. I feel your sharp teeth in the subaqueous depths of your kisses. You sink your teeth into my throat and make me scream. His embraces were his enticements and yet, oh yet! they were the branches of which the trap itself was woven. I shall take two huge handfuls of his rustling hair as he lies half dreaming, half waking, and wind them into ropes, very softly, so he will not wake up, and, softly, with hands as gentle as rain, I shall strangle him with them.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power.
The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds.
The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue.
A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold.
A room of ivory: bone, teeth, skulls, and velvet.
A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears.
A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns.
Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond.
Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
”
”
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
“
A different study revealed another aspect of humanity’s unique spiritual nature—the capacity for malevolence. It appears that only humans among Earth’s creatures harm each other for harm’s sake.[64] The research team housed chimpanzees in cages that allowed them to withhold food from other chimpanzees by pulling on a rope. The researchers found that the chimpanzees would withhold food (in a statistically significant manner) only from chimpanzees that stole their food—not from others. In others words, they showed no tendency toward behavior that in humans would be defined as “spite” or displaced retaliatory anger. The research team concluded that spiteful behavior appears unique to humans. Only humans engage in malicious behavior toward fellow humans for no reason other than the impulse to hurt or harm someone. The team also commented on humanity’s flip side, “pure altruism.” Only humans, not primates, engage in self-sacrificial acts performed to assist or benefit other humans or even animals with whom no social context has ever been or likely will be established. In other words, the study confirmed what the Bible says about humanity’s spiritual nature and condition: humans are uniquely sinful and uniquely righteous among all living creatures.
”
”
Hugh Ross (Hidden Treasures in the Book of Job (Reasons to Believe): How the Oldest Book in the Bible Answers Today's Scientific Questions)
“
He grabbed a handful of God’s silky curls and pulled, making him tilt his head back and show his throat. Day’s senses snapped, turning feral. Day growled with the animalistic urge to leave a large bite mark on his man. Day bowed forward as his cock’s first eruption of a thick, white rope of come hit God’s Adam’s apple, followed by much more painting his lover’s neck and cheek. Day pulled slow, firm strokes up to his head before dragging back down until he was completely emptied. “Mmmhmm. I’m yours, sweetheart,” God said, giving him a sexy grin. “Fucking right you are,” Day said while he kissed and licked God’s face clean.
”
”
A.E. Via (Nothing Special)
“
Against Fate
Hey, Fate! When you fail a man, you spend
all your time digging a well to trap him.
Then you untie the well's wheel rope so that it can roll.
And you keep the poor mortal struggling up, only to fall back.
You show him a bushel of means and say
"This is it. Worry about it, and dream."
Meanwhile you spin the wheel of fortune and fill
the house of the wicked with jewels,
while you force the just and scrupulous
to sweep up the pieces.
And the man who should not even tend pigs
rides a horse as a cavalier.
And without a shovel, you scoop ruin onto the house
of the honorable and the just.
Fate, if I speak evil of you, you'll claim
the man is jealous and confused
But why do you look crossly at the learned
and make the ignorant the landlord?
Hey, why toss the bread of the wise
so far down the valley?
And why should I believe in your justice
When you don't serve it to anyone important?
Not that you keep either oath or bargain, treacherous one.
Whomever you love today and who is raised to a golden throne,
tomorrow may be sitting in ashes.
How can such a fraudulent judge make a just decision?
Fate, friend of the deceitful and devious, you are harsh to the honest.
What more can I say except that someday I expect
you to mix up sky and earth and sea.
”
”
Frik
“
There's always a rotation of submissives in their stables. Most of them are returners—you know, their partner stables them there for a week or a month, or they present themselves for a term. A small percentage are there just to do a brief stint, and some are open to play with members, not just the trainers. After law school I spent a couple months at Reservation as a trainer, but now I'm just a member." Mark smiled. "A wet, yielding woman in leather straps, hobbled and half-blinded and doing her best to high-step for you while you do your damnedest to make her buttocks quiver under the whip and her tits dance as she flies across the pen? And then taking her down in the soft dirt and riding her hard, then putting her away wet so she's eager and hungry every damn time you walk into her stall and show her the ropes again. Few things are better in life.
”
”
Elle Jamey (Training Mrs. Olliver)
“
Hope, though; now there’s a real pest. Hope doesn’t just nibble your cheese and chew holes in your skirting boards. Hope keeps you plodding on when it really is time to call it quits. Hope drags you to sixteen auditions in a single day, when there’s a nice job in your brother-in-law’s tannery just waiting for you. Hope keeps you going in Old Stairs or Paradise, even though there’s no money and nothing to eat and the landlord just took your chair and your chamber pot. Personally, I can see no great merit in simply being alive if you’re miserable and in pain, but Hope won’t let you go. She’s a tease, like bad children teasing a dumb animal, and I’ve made a point of avoiding her whenever I can. Still, sometimes she runs you down and there’s nowhere left for you to go. You can turn and fight her and lose, or let her scoop you up and turn your brain to mush.
Hope against hope. We had human chains shifting those blocks with levers and rollers, through the narrow alleys where carts couldn’t go. We had shifts digging the ditch by lamplight, in the rain. And in every working party there was at least one man who cheerfully announced that it wasn’t going to work, the whole idea was stupid, the enemy’ll find a way round this in two shakes, just you see; and even he didn’t really believe it, because of Hope. Hope turns a hundred men and women ripping the skin off their hands on a coarse hemp rope into a street party. Someone tells a joke, or clowns around, or starts singing a favourite song from one of the shows, and Hope bursts through, like sappers, and next thing you know she’s everywhere, like smoke, or floodwater, or rats. We’re going to beat Ogus, she whispers in every ear, and this time it’ll be different.
”
”
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
“
That women bring home the bacon, fry it up, serve it for breakfast, and use its greasy remains to make candles for their children’s science projects is hardly news. Yet how parenting responsibilities get sorted out under these conditions remains unresolved. Neither government nor private business has adapted to this reality, throwing the burden back onto individual families to cope. And while today’s fathers are more engaged with their children than fathers in any previous generation, they’re charting a blind course, navigating by trial and, just as critically, error. Many women can’t tell whether they’re supposed to be grateful for the help they’re getting or enraged by the help they’re failing to receive; many men, meanwhile, are struggling to adjust to the same work-life rope-a-dope as their wives, now that they too are expected to show up for Gymboree.
”
”
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
“
Letter 4
As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus.
When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands.
He led me down to the river, where we sat together and shared the river’s silence. Then he spoke:
„Allow me to tell you my story. It may help you understand your own.
At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms.
I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters.
Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible.
When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs.
The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were reddened with the blood of our children. The sun rose behind a sky filled with plumes of dark smoke.
But during night, three birds of phoenix had risen from the burning aviaries. They closed their eyes and soared straight up into the dark clouds. When they opened their eyes they could see the stars clearly, though they could not see the ground below.
”
”
Gregory Colbert (Ashes and Snow: A Novel in Letters)
“
At the kneading trough in the bakehouse, he and Philip pummeled maslin dough until the dull-skinned clods stretched and sprang. A scowling Vanian showed them how to make the airy-light manchet bread that the upper servants ate, then the pastes for meat-coffins and pie crusts. They baked flaking florentine rounds and set them with peaches in snow-cream or neats' tongues in jelly. They stood over the ovens to watch cat's tongue biscuits, waiting for the moment before they browned. John mixed the paste for dariole-cases, working the mixture with his fingertips, then filled them with sack creams and studded them with roasted pistachio nuts. In the fish house across the servants' yard, the two boys scaled and cleaned the yellow-green carp from the Heron Boy's ponds, unpacked barrels of herrings and hauled sides of yellow salt-fish onto the benches and beat them with the knotted end of a rope.
”
”
Lawrence Norfolk (John Saturnall's Feast)
“
I took the Washington bus; wasted some time there wandering around; went out of my way to see the Blue Ridge, heard the bird of Shenandoah and visited Stonewall Jackson’s grave; at dusk stood expectorating in the Kanawha River and walked the hillbilly night of Charleston, West Virginia; at midnight Ashland, Kentucky, and a lonely girl under the marquee of a closed-up show. The dark and mysterious Ohio, and Cincinnati at dawn. Then Indiana fields again, and St. Louis as ever in its great valley clouds of afternoon. The muddy cobbles and the Montana logs, the broken steamboats, the ancient signs, the grass and the ropes by the river. The endless poem. By night Missouri, Kansas fields, Kansas night-cows in the secret wides, crackerbox towns with a sea for the end of every street; dawn in Abilene. East Kansas grasses become West Kansas rangelands that climb up to the hill of the Western night.
”
”
Jack Kerouac (On the Road)
“
As a society we are only now getting close to where Dogen was eight hundred years ago. We are watching all our most basic assumptions about life, the universe, and everything come undone, just like Dogen saw his world fall apart when his parents died. Religions don’t seem to mean much anymore, except maybe to small groups of fanatics. You can hardly get a full-time job, and even if you do, there’s no stability. A college degree means very little. The Internet has leveled things so much that the opinions of the greatest scientists in the world about global climate change are presented as being equal to those of some dude who read part of the Bible and took it literally. The news industry has collapsed so that it’s hard to tell a fake headline from a real one. Money isn’t money anymore; it’s numbers stored in computers. Everything is changing so rapidly that none of us can hope to keep up. All this uncertainty has a lot of us scrambling for something certain to hang on to. But if you think I’m gonna tell you that Dogen provides us with that certainty, think again. He actually gives us something far more useful. Dogen gives us a way to be okay with uncertainty. This isn’t just something Buddhists need; it’s something we all need. We humans can be certainty junkies. We’ll believe in the most ridiculous nonsense to avoid the suffering that comes from not knowing something. It’s like part of our brain is dedicated to compulsive dot-connecting. I think we’re wired to want to be certain. You have to know if that’s a rope or a snake, if the guy with the chains all over his chest is a gangster or a fan of bad seventies movies. Being certain means being safe. The downfall is that we humans think about a lot of stuff that’s not actually real. We crave certainty in areas where there can never be any. That’s when we start in with believing the crazy stuff. Dogen is interesting because he tries to cut right to the heart of this. He gets into what is real and what is not. Probably the main reason he’s so difficult to read is that Dogen is trying to say things that can’t actually be said. So he has to bend language to the point where it almost breaks. He’s often using language itself to show the limitations of language. Even the very first readers of his writings must have found them difficult. Dogen understood both that words always ultimately fail to describe reality and that we human beings must rely on words anyway. So he tried to use words to write about that which is beyond words. This isn’t really a discrepancy. You use words, but you remain aware of their limitations. My teacher used to say, “People like explanations.” We do. They’re comforting. When the explanation is reasonably correct, it’s useful.
”
”
Brad Warner (It Came from Beyond Zen!: More Practical Advice from Dogen, Japan's Greatest Zen Master (Treasury of the True Dharma Eye Book 2))
“
Again, the publick shewed that they would bear their share in these things; the very Court, which was then gay and luxurious, put on a face of just concern for the publick danger. All the plays and interludes which, after the manner of the French Court, had been set up and began to increase among us, were forbid to act; the gaming tables, publick dancing rooms, and music houses, which multiplied and began to debauch the manners of the people, were shut up and suppressed; and the jack-puddings, merry-andrews, puppet-shows, rope-dancers, and such-like doings, which had bewitched the poor common people, shut up their shops, finding indeed no trade; for the minds of the people were agitated with other things, and a kind of sadness and horror at these things sat upon the countenances even of the common people. Death was before their eyes, and everybody began to think of their graves, not of mirth and diversions.
”
”
Daniel Defoe (A Journal of the Plague Year)
“
Jamie was right too. Looking at this wanton damage, I could not avoid a mental picture of the process that had caused it. I tried not to imagine the muscular arms raised, spread-eagled and tied, ropes cutting into wrists, the coppery head pressed hard against the post in agony, but the marks brought such images all too readily to mind. Had he screamed when it was done? I pushed the thought hastily away. I had heard the stories that trickled out of postwar Germany, of course, of atrocities much worse than this, but he was right; hearing is not at all the same as seeing. Involuntarily, I reached out, as though I might heal him with a touch and erase the marks with my fingers. He sighed deeply, but didn’t move as I traced the deep scars, one by one, as though to show him the extent of the damage he couldn’t see. I rested my hands at last lightly on his shoulders in silence, groping for words. He placed his own hand over mine, and squeezed lightly in acknowledgment of the things I couldn’t find to say.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
One more question.” Henry waited until Faith put her finger down before continuing. “Do you ever remember your father wearing a baseball hat?” Like a kid flipping through the pages of a scrapbook, she ran through images of her father in her mind. No baseball cap. But it didn’t matter. Faith just wanted to stop seeing the man the world believed killed her sister. Yet the tighter she closed her eyes, the faster the images came. Her father at her horse show, sitting in the stands at Kim’s soccer game, his smiling face as he pushed her on the swing . . . Faith pressed her palms against the sides of her head and started screaming. The office door flew open. Dr. Rodgers, Titus, and two men in navy-blue suits rushed into the room. Like a boxer against the ropes, the images rained down on Faith like blows, but she was helpless to stop them. Each one sent her head reeling until she felt like she was falling—tumbling into oblivion, welcoming the darkness and an end to the pain. She felt Titus’s strong arms around her, carrying her back to her room.
”
”
Christopher Greyson (The Girl Who Lived)
“
Release him or else.”
Remy groaned as he couldn’t help imagining the jests he’d have to put up with. What male allowed himself to get saved by his woman?
“What are you doing, Ysabel? I have this under control.”
“Really, because from here it looks like you’re all tied up.”
She strode into view with a cool smile, wearing an outfit that would look even better on the floor.
“Bah, as if something like rope could hold me.”
He yanked his arms apart and showed her his freed hands, a moment before a sharp point pressed against the back of his neck.
“Move and he dies!” Francisco yelled.
Cocking a hip, and crossing her arms, a smirk crossed his witch’s lips. “I don’t think so. That demon belongs to me, and I’d prefer him in one piece. So move the dagger away before I hurt you. Or don’t. But know this, if you even so much as scratch him, I’ll make sure your return to Hell is even more painful.”
“I knew you cared,” Remy exclaimed.
“Apparently, the insanity in your family is contagious,” she replied dryly. “Besides, you already forced me into admitting I loved you. As such, I realized I couldn’t exactly let Francisco kill you. That should be my pleasure alone.”
“You say the sweetest things,” Remy teased.
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
Thus, I have always been more of an envious observer than a participant in physical activities, but there have been glowing exceptions, such as what happened at the end of a summer-solstice celebration I attended in California, on a ranch in the foothills of the Sierras. The women at the event were of all ages. But in the evening, when they had found a swing, they became a group of young girls. The swing was on a long rope and swept out over a slope. In the twilight, it was like flying to the stars. Or so they said. Everyone had tried it except me. When the others had wandered indoors, I stayed, looking at the swing and feeling that old shame of being the scaredy-cat, even though probably no one had noticed. Then a woman much younger than I appeared and offered to show me how to use the swing. I said no, I didn’t want to. But she ignored that. She promised she would never push me harder than I wanted. And she held out the swing. It took some time. But somehow I felt safe with her, and I built up the courage to swing out toward the stars like the others. I never saw that young woman again, but I will always be grateful not only for the experience but for the respect and understanding she showed as she taught me how—one gentle swing at a time.
”
”
Elaine N. Aron (The Highly Sensitive Person: How to Thrive When the World Overwhelms You)
“
As many as three characters were murdered in a single quarter-hour ILAM episode. People were killed in ghoulish, imaginative, and sometimes mystifying ways. Throats were ripped out by wolves; there were garrotings and poisonings and mysterious slashings. In the story Monster in the Mansion, a headless black cat was found in a lady’s bed, and a man had his arm amputated while he slept; in The Thing That Cries in the Night, a slasher was at work in an old mansion, and murder was done to the cry of a baby, while everyone insisted that there had been no baby in the house for twenty years. Temple of Vampires was considered so vivid in its Hollywood heyday that the Nicaraguan government lodged a protest. The show was framed with unforgettable signatures: the wail of a train, the sting of an organ, and the haunting Valse Triste, a shimmering theme suggesting death. The chime of a clock brought listeners back to the hour when last they left their heroes. The theme played under the ominous recap: Twelve midnight, high on the ledge above the floor of the Temple of Vampires, somewhere in the jungles of Central America. Jack and Doc Long are facing one of the strangest, most hair-raising moments in their experience. They’re out in the center of the temple, each clinging to separate ropes 50 feet in the air. There is only one chance for Jack and Doc.
”
”
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
“
Or think of the tale of the blind men who encounter an elephant for the first time. One wise man, touching the ear of the elephant, declares the elephant is flat and two-dimensional like a fan. Another wise man touches the tail and assumes the elephant is like rope or a one-dimensional string. Another, touching a leg, concludes the elephant is a three-dimensional drum or a cylinder. But actually, if we step back and rise into the third dimension, we can see the elephant as a three-dimensional animal. In the same way, the five different string theories are like the ear, tail, and leg, but we still have yet to reveal the full elephant, M-theory. Holographic Universe As we mentioned, with time new layers have been uncovered in string theory. Soon after M-theory was proposed in 1995, another astonishing discovery was made by Juan Maldacena in 1997. He jolted the entire physics community by showing something that was once considered impossible: that a supersymmetric Yang-Mills theory, which describes the behavior of subatomic particles in four dimensions, was dual, or mathematically equivalent, to a certain string theory in ten dimensions. This sent the physics world into a tizzy. By 2015, there were ten thousand papers that referred to this paper, making it by far the most influential paper in high-energy physics. (Symmetry and duality are related but different. Symmetry arises when we rearrange the components of a single equation and it remains the same. Duality arises when we show that two entirely different theories are actually mathematically equivalent. Remarkably, string theory has both of these highly nontrivial features.)
”
”
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
“
Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!”
“Ha! Eat light, Junior!” I unleashed the power of the mini bed.
Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause.
And that made me think about how I looked to them. A dwarf who handcrafts a weapon that I know what it’s like to be petrified. It stinks. So I had every intention of cutting Alviss free on his next pass-by and then dipping him in the river to restore him. But before I could, the stalactite attached to the rope broke. Alviss’s momentum carried him over the cliff edge. He landed with a splash in the water below.
“Oops.” I peered down, then waved my hand dismissively. “Ah, he’ll be fine.”
“Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!”
“Ha! Eat light, Junior!” I unleashed the power of the mini bed.
Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause.
And that made me think about how I looked to them. A dwarf who handcrafts a weapon that petrifies other dwarves? Not cool.
“Listen!” I yelled. “My argument is with Junior, not you. When he decrustifies, tell him I want to talk.”
I put the mini bed on the ground and showed them my empty hands while slowly backing away.
It would have been a very powerful moment if I hadn’t backed off the cliff into the river. As I thrashed through the churning water toward shore, three things occurred to me. One, Junior would never, ever forgive me. Two, my cashmere hoodie was ruined. And three . . . Mimir owed me a lot more than a quarter.
”
”
Rick Riordan (9 From the Nine Worlds)
“
What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see.
“Boo!” A handful of bryozoa rushed up at me from the lake.
I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me.
I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from.
Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top.
I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally.
Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges.
“Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line.
But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm.
Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
The way circus elephants are trained demonstrates this dynamic well: When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot. “You’ll never amount to anything;” “You can’t sing;” “You’re not smart enough;” “Without money, you’re nothing;” “Who’d want you?;” “You’re just a loser;” “You should have more realistic goals;” “You’re the reason our marriage broke up;” “Without you kids I’d have had a chance;” “You’re worthless”—this opera is being sung in homes all over America right now, the stakes driven into the ground, the heavy chains attached, the children reaching the point they believe they cannot pull free. And at that point, they cannot. Unless and until something changes their view, unless they grasp the striking fact that they are tied with a thread, that the chain is an illusion, that they were fooled, and ultimately, that whoever so fooled them was wrong about them and that they were wrong about themselves—unless all this happens, these children are not likely to show society their positive attributes as adults. There’s more involved, of course, than just parenting. Some of the factors are so small they cannot be seen and yet so important they cannot be ignored: They are human genes. The one known as D4DR may influence the thrill-seeking behavior displayed by many violent criminals. Along with the influences of environment and upbringing, an elongated D4DR gene will likely be present in someone who grows up to be an assassin or a bank robber (or a daredevil). Behavioral geneticist Irving Gottesman: “Under a different scenario and in a different environment, that same person could become a hero in Bosnia.” In the future, genetics will play a much greater role in behavioral predictions. We’ll probably be able to genetically map personality traits as precisely as physical characteristics like height and weight. Though it will generate much controversy, parents may someday be able to use prenatal testing to identify children with unwanted personality genes, including those that make violence more likely. Until then, however, we’ll have to settle for a simpler, low-tech strategy for reducing violence: treating children lovingly and humanely.
”
”
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
“
But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.
”
”
Josh Waitzkin (The Art of Learning: An Inner Journey to Optimal Performance)
“
As the months rolled on, John and Sarah began to understand themselves less as teachers and more as parents, living into the names Baba and Kama Kiwawa. It was clear the boys needed something Keu couldn’t provide, consistent support and affection. Sarah started giving out hugs and bandages, and John role-modeled manhood by providing food, shelter, and an education. But unlike many parents, John and Sarah didn’t dole out punishments. They left that to the council. On his first visit, Keu had appointed six boys with hair sprouting on their chins as the elders of Kiwawa. He spent a week with them on a hill near Kiwawa where he instructed them in the ways of a traditional elder council, showing them how to resolve problems that might arise according to the Pokot traditions. And each night after the guard heard John’s snores rumbling out of the camper, the council built a fire and legislated the day’s problems according to the nomadic values they had learned, sometimes choosing to defer ruling on more complicated matters until Keu returned. Stolen writing stick? The elders huddled together in the shadow of the illuminated acacia tree. The oldest returned and pointed at the offender: “Water-fetching duty for a week.” “Oee,” the boys would shout, the Pokot version of Amen. “Refusing to share meat?” “Three rope whippings.” “Oee.” “Crying because you miss your mother?” “Spend more time with Kama,” the oldest boy would say with compassion. “Oee.” “We were modeling the Pokot elders by becoming the keepers of justice and fairness. You see, Pokot elders can never settle a matter based on anger or some personal retribution. That is so unacceptable,” Michael explained. “A punishment is meant to reform the person as quickly as possible so the criminal can be brought back into the group. This is because every single person has a job to do, whether it is to fetch water, herd cows, or stand guard against Karamoja. And if you are gone, then someone else has to work harder in your absence. Nomads do not have prisons like the modern world, which changes our whole entire judicial system. In America you can lock somebody up in prison for two years for just a small crime like stealing a cow. And while in prison they are taken out of the community and are expected to think about what they have done. And then after those two years of isolation, a group of psychologists and lawyers and I don’t know who else will examine that person and see if they have changed their stealing ways. If not, then they lock them back up,” he said, turning an invisible key. “In America there is the potential to give up on somebody, to leave them outside of the community. But there are no prisons in the desert, and without prisons the elders are left with two choices: reform you or kill you. And as I said, if they kill you, they are not only losing a good worker, but also a brother and a son. And the desert has already taken so many of our sons.
”
”
Nathan Roberts (Poor Millionaires: The Village Boy Who Walked to the Western World and the American Boy Who Followed Him Home)
“
His choice had to be swift as the wind. Should he take cover behind the row in front of him and toss the bit of metal in the snow (it'd be noticed but they wouldn't know who the culprit was) or keep it on him? For that strip of hacksaw he could get ten days in the cells, if they classed it as a knife. But a cobbler's knife was money, it was bread. A pity to throw it away. He slipped it into his left mitten. At that moment the next row was ordered to step forward and be searched. Now the last three men stood in full view-- Senka, Shukhov, and the man from the 32nd squad who had gone to look for the Moldavian. Because they were three and the guards facing them were five, Shukhov could try a ruse. He could choose which of the two guards on the right to present himself to. He decided against a young pink-faced one and plumped for an older man with a gray mustache. The older one, of course, was experienced and could find the blade easily if he wanted to, but because of his age he would be fed up with the job. It must stink in his nose now like burning sulfur. Meanwhile Shukhov had removed both mittens, the empty one and the one with the hacksaw, and held them in one hand (the empty one in front) together with the untied rope belt. He fully unbuttoned his jacket, lifted high the edges of his coat and jacket (never had he been so servile at the search but now he wanted to show he was innocent--Come on, frisk me!), and at the word of command stepped forward. The guard slapped Shukhov's sides and back, and the outside of his pants pocket. Nothing there. He kneaded the edges of coat and jacket. Nothing there either. He was about to pass him through when, for safety's sake, he crushed the mitten that Shukhov held out to him--the empty one. The guard crushed it in his band, and Shukhov felt as though pincers of iron were crushing everything inside him. One such squeeze on the other mitten and he'd be sunk--the cells on nine ounces of bread a day and hot stew one day in three. He imagined how weak he'd grow, how difficult he'd find it to get back to his present condition, neither fed nor starving. And an urgent prayer rose in his heart: "Oh Lord, save me! Don't let them send me to the cells." And while all this raced through his mind, the guard, after finishing with the right-hand mitten, stretched a hand out to deal with the other (he would have squeezed them at the same moment if Shukhov had held them in separate hands). Just then the guard heard his chief, who was in a hurry to get on, shout to the escort: "Come on, bring up the machine-works column." And instead of examining the other mitten the old guard waved Shukhov on. He was through. He ran off to catch up with the others. They had already formed fives in a sort of corridor between long beams, like horse stalls in a market, a sort of paddock for prisoners. He ran lightly; hardly feeling the ground. He didn't say a prayer of thanksgiving because he hadn't time, and anyway it would have been out of place. The escort now drew aside.
”
”
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
“
Or think of the tale of the blind men who encounter an elephant for the first time. One wise man, touching the ear of the elephant, declares the elephant is flat and two-dimensional like a fan. Another wise man touches the tail and assumes the elephant is like rope or a one-dimensional string. Another, touching a leg, concludes the elephant is a three-dimensional drum or a cylinder. But actually, if we step back and rise into the third dimension, we can see the elephant as a three-dimensional animal. In the same way, the five different string theories are like the ear, tail, and leg, but we still have yet to reveal the full elephant, M-theory. Holographic Universe As we mentioned, with time new layers have been uncovered in string theory. Soon after M-theory was proposed in 1995, another astonishing discovery was made by Juan Maldacena in 1997. He jolted the entire physics community by showing something that was once considered impossible: that a supersymmetric Yang-Mills theory, which describes the behavior of subatomic particles in four dimensions, was dual, or mathematically equivalent, to a certain string theory in ten dimensions. This sent the physics world into a tizzy. By 2015, there were ten thousand papers that referred to this paper, making it by far the most influential paper in high-energy physics. (Symmetry and duality are related but different. Symmetry arises when we rearrange the components of a single equation and it remains the same. Duality arises when we show that two entirely different theories are actually mathematically equivalent. Remarkably, string theory has both of these highly nontrivial features.) As we saw, Maxwell’s equations have a duality between electric and magnetic fields—that is, the equations remain the same if we reverse the two fields, turning electric fields into magnetic fields. (We can see this mathematically, because the EM equations often contain terms like E2 + B2, which remain the same when we rotate the two fields into each other, like in the Pythagorean theorem). Similarly, there are five distinct string theories in ten dimensions, which can be proven to be dual to each other, so they are really a single eleven-dimensional M-theory in disguise. So remarkably, duality shows that two different theories are actually two aspects of the same theory. Maldacena, however, showed that there was yet another duality between strings in ten dimensions and Yang-Mills theory in four dimensions. This was a totally unexpected development but one that has profound implications. It meant that there were deep, unexpected connections between the gravitational force and the nuclear force defined in totally different dimensions. Usually, dualities can be found between strings in the same dimension. By rearranging the terms describing those strings, for example, we can often change one string theory into another. This creates a web of dualities between different string theories, all defined in the same dimension. But a duality between two objects defined in different dimensions was unheard of.
”
”
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
“
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
1. Do not chase those who go, and do not stop those who come.
-Blind-
카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】
저희는 7가지 철칙을 바탕으로 거래를 합니다.
고객들과 지키지못할약속은 하지않습니다
1.정품보장
2.총알배송
3.투명한 가격
4.편한 상담
5.끝내주는 서비스
6.고객님 정보 보호
7.깔끔한 거래
제품을 구입하실때는 저희가 구매자분들께 약속지켜드리는것만큼 구매자분들도 저희와 약속 꼭 지켜주시기 바랍니다
구체적인 내용은 문의하셔셔 상담받아보세요
클릭해주셔셔 감사합니다 24시간 언제든지 문의주세요
2. Watch out for those surrounded by dark clouds.
– Balthazar Graciasian
3. Rather than let me live in Paradise alone
There will be no greater penalty.
Goethe
4. When you associate with others, the first thing you should not forget
Because the other person has their own way of life
In order not to confuse them, they should not interfere with others' lives.
Henry James
5. You have a bad relationship with others
I hate that person being with you,
If you are right and you don't agree,
The person will not be reproved
It is you who should be reproved.
Because you have not done your heart and devotion to that person.
Tolstoy
6. If you want to be liked by others,
Just show that you are having a great time together.
If you do that, instead of just having fun
Better to hang out with the other person.
And people with this temperament
Even if you don't have great culture or wisdom, you have common sense.
That behaviour,
Who have great talent and lack this disposition
I greatly move others' minds.
Joseph Addis
7. Anyone who accepts others generously
Always get people's hearts,
Who rules with dignity and force
Always buy people's anger.
-King Sejong-
8. I want to interest others.
Don't close your ears and eyes yourself
Show interest in others.
If you don't understand this,
However talented and capable
It is impossible to get along with others.
Lawrence Gould-
9. Take care of others' interests.
Undistributed profits never last long.
-Voltaire-
10. It is only sin that I do not know others.
What's the sin of not letting others know?
Jang Young-sil
11. What comes out of you returns to you.
-Blind-
12. It is never a good thing to be someone's half.
We are a perfect person.
Andrew Matthews
13. Treating others
Cherish his body as mine.
My body is not only precious.
Do not forget that others' bodies are also precious.
And do what you desire for others first.
-Confucius-
14. Most people
Neither my side nor my enemy.
Also what you do or yourself
There are people who do not like it.
It's too much to want everyone to like you.
Liz Carpenter
15. In general, introverted humans
Outgoing humans get along well with outgoing humans.
It is because the mind is at first comfortable and easy to understand.
But the state of being at ease
It is not a good condition for your own growth.
Theodore Rubin
16. Stick when you're hungry, and leave when you're hungry,
When it's warm, it flocks, when it's cold
This is the widespread dismissal of recognition.
Chae Geun-hwa
17. With people
You can't share the ball together,
Together with the ball envy one another.
Tribulation with people, but comfort cannot come together.
Comfort will be an enemy of one another.
Chae Geun-hwa
18. People must change their positions and positions.
-Confucius-
19. A person is originally clean,
All call for sin and blessing according to ties.
The paper smells close to incense,
That rope is like a fishy fish.
Man dyes little by little and learns it, but he does not know how to do it himself.
-Law law-
20. A person's value can only be measured in relation to others.
Nietzsche
21. Be strict to yourself and generous to others
-Confucius-
22. Beware of your impression of the other person
Worrying is why you're the main character.
Usually, a person's crush is about first showing others
You should know what appears as a reaction.
You don't wait
Give you first.
Lawrence
”
”
22 kinds of relationship sayings
“
As with every hero’s journey, our movement toward a better life begins with showing up. But that doesn’t mean we have to smite or slay all the demons, Babadooks, or even the spooklets that trouble us. It does mean we must face up to, make peace with, and find an honest and open way to live with them. When we show up fully, with awareness and acceptance, even the worst demons usually back down. Simply by facing up to the scary things and giving them a name, we often strip them of their power. We end the tug-of-war by dropping the rope.
”
”
Susan David (Emotional Agility: Get Unstuck, Embrace Change, and Thrive in Work and Life)
“
My mother, who somehow managed to stay politically active while raising four children, roped me into canvassing door-to-door for Tom Bradley, Sam Yorty’s opponent for mayor, in our precinct in Woodland Hills. Bradley would be, if he won, the first black mayor of L.A., so it felt like a historic election. Bradley polled well in our precinct, and we were optimistic. Then Yorty won the election, and the precinct breakdowns showed that our neighbors had evidently been lying when they told us canvassers that they would vote for Bradley. It was a well-known phenomenon, apparently, among white voters, these voting-booth reversals. Still, I was outraged, and my cynicism about organized politics and the broad mass of what I was learning to call the bourgeoisie deepened. Robert Kennedy was assassinated, as everyone knows, on the night of the 1968 California primary. I watched the news on a small black-and-white TV, sitting cross-legged on the foot of my girlfriend’s bed. Her name was Charlene. We were fifteen. She was asleep, believing I had left after our evening’s usual heated, inconclusive cuddle. I had stopped, however, to watch the TV after I saw that Kennedy had been shot. It was after midnight and Charlene’s parents were out watching the voting results with friends. They were Republican Party activists. I heard them pull in the driveway and come in the house. I knew that Charlene’s father, who was an older man, always came in to kiss her good night, and I knew, well, the way out her window and how to catfoot it down to the street. Still, I sat there, unthinking yet cruelly resolved, until the bedroom door opened. Her father did not have a heart attack at the sight of me, calmly watching TV in my underwear, though he could have. I snatched up my clothes and dived out the window before he said a word. Charlene’s mother called my mother, and my mother gave me a serious talk about different types of girls, emphasizing the sanctity of “good girls,” such as Charlene, who belonged to some debutante club. I was embarrassed but unrepentant. Charlene and I had never had much to talk about.
”
”
William Finnegan (Barbarian Days: A Surfing Life)
“
We must do the essential work of a species in sickness and in secret. I guess I shouldn't have been surprised: we are still children when we learn to conceal the pain and blood of menstruation. We understand that the denial of our physical shell is the price of admission. We can join the men at work so long as we leave our bodies behind, or pretend that our bodies are just like their bodies. There is quiet sympathy from other women, but you must hide these things from the men because, as soon as they finish nodding gravely and sympathetically, they will remind you that this biological discrepancy was their point all along, and they will show you the door. Biology will be twisted into a rope and used to bind you.
”
”
Megan K. Stack (Women's Work: A Reckoning with Work and Home)
“
He sat at one of the tables and pretended he was Count Zero, top console artist in the Sprawl, waiting for some dudes to show and talk about a deal, some run they needed done and nobody but the Count was even remotely up for it. ‘Sure,’ he said, to the empty nightclub, his eyes hooded, ‘I’ll cut it for you… If you got the money…’ They paled when he named his price.
The place was soundproofed; you couldn’t hear the bustle of the fourteenth floor’s stalls at all, only the hum of some kind of air conditioner and the occasional gurgles of the hot water machine. Tired of the Count’s power plays, Bobby left the coffee cup on the table and crossed to the entrance-way, running his hand along an old stuffed velvet rope that was slung between polished brass poles…
”
”
William Gibson (Count Zero (Sprawl, #2))
“
An old tribal in Wayanad taught me how to sling a stone with a slender leader over the lowest branch of the tallest tree. Then, by tying a rope to the leader, I could loop the rope over the branch and make a sling for my body. He showed me a special knot, a secret one, that allowed me to pull myself up little by little—the rope locks so you don’t slide down. That friction knot, so hard to learn, is passed down by the tribals from generation to generation. People think of inheritance as being land or money. The old man gave his inheritance to me.
”
”
Abraham Verghese (The Covenant of Water)
“
If I can live through the events,” she said, “I can get through the memories.” In that moment, staring across the room at her show of will, he felt a tie to her, sure as if a rope had linked the pair of them chest-to-chest.
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
I fell in love with a girl who changed my life by showing me that even the darkest nights still had stars and it didn’t matter one bit that you had to lie in the weeds to see them.
”
”
Aly Martinez (Fighting Shadows (On the Ropes, #2))
“
Bridges
Life did not appear to breathe here,
It was covered in endless rounds of thread of fear,
So it tread quietly along the fringes,
Scared that it might be the cause of collapsing bridges,
Bridges that connected life with hope,
And it watched these bridges from a distance placing itself on a discreet slope,
But it dared not cross them, none of them,
It looked at them in desperation, especially some,
For it often crossed them to renew its reserves of liveliness,
But now it feels pervaded by a deep feeling of sadness,
Life here seems to be a part of some sort of purgatory,
Waiting to cross over and leave behind this existence derogatory,
It may not be a perspicuous show of feelings,
But here these are life’s daily dealings,
And I wonder what about life’s own posterity,
Because in this land of death life somehow loses all its virility,
Tamed by some obnoxious devil,
Who has had a diabolic conception and then raised by some heinous evil,
Maybe that is why the bridges look so frail and hopeless themselves,
Bearing stacks of hopelessness displayed on hope’s own shelves,
For when life does not cross the bridges of hope,
It is death that forsakes life and then time withdraws its rope,
That maintains the perfect cohesion,
Between beginnings and ends , between fission and fusion,
And when this balance is lost anywhere,
Life is cast into a place where there exists life everywhere,
But nothing else nowhere,
Just life, no hopes, no beauty, no bliss, no summer, a life that becomes its own prisoner in this infinity somewhere,
However, now the bridges have fallen, but few still stand,
And life that is tired of living without hope, feels the dying hope’s hand,
And like the rope of time it pulls it unto itself, and makes life cross the bridge,
Thus, life once again walks on the happy ridge,
Hoping to live another day, feel life in a better and different way,
For living the same moment of time begets no joy, if it is lived the same way everyday,
And time weaves its threads of mystery and surprises around it,
Then death too gets woven somewhere in this loop of time, and life finally says, “so be it!”
And it jumps into the sea of time and collects its moments of myriad experiences,
While time registers all these instances,
And when the loop of death unwinds,
In it a new loop of life it always finds,
Now, even if the bridges may fall and time may end,
Life has learned to create moments of happiness that never end!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Hunt turned back to Baxian, who’d no doubt gleaned that Hunt had all the orders he needed. “There’s no way Pollux will allow anyone to show him the ropes.” Baxian shrugged. “Let Pollux dig his own grave here. He’s too pissed about being separated from the Hind to understand his new reality.” “I didn’t realize the Hammer was capable of caring for anyone like that.” “He isn’t. He just likes to have control over his … belongings.” “The Hind belongs to no one.” Hunt hadn’t known Lidia Cervos well—their time had only briefly overlapped when he’d served Sandriel, and the Hind had spent most of it off on missions for the Asteri. Rented out like some sort of field-worker to do their spy-hunting and rebel-breaking. Whenever Lidia had been at Sandriel’s castle, she’d either been in secret meetings with the Archangel, or fucking Pollux in whatever room they felt like using. Thank the gods the Hind hadn’t come here. Or the Harpy. But if Emile Renast was heading for this city … Hunt asked, “The Hind’s really not coming to Lunathion?” “No. Pollux got a call from her this morning. He’s been moody ever since.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
The wind stirred his loose hair and Sorasa assessed him for the first time since her memory failed. Since the deck of the Tyri ship caught fire, and someone seized her around the middle, plunging them both into the dark waves.
She did not need to guess to know who.
Dom’s clothing was torn but long dry. He still wore the leather jerkin with the undershirt, but his borrowed cloak had been left to feed the sea serpents. The rest of him looked intact. He had only a few fresh cuts across the backs of his hands, like a terrible rope burn. Scales, Sorasa knew. The sea serpent coiled in her head, bigger than the mast, its scales flashing a dark rainbow.
Her breath caught when she realized he wore no sword belt, nor sheath. Nor sword.
“Dom,” she bit out, reaching between them. Only her instincts caught her, her hand freezing inches above his hip.
His brow furrowed again, carving a line of concern.
“Your sword.”
The line deepened, and Sorasa understood. She mourned her own dagger, earned so many decades ago, now lost to a burning palace. She could not imagine what Dom felt for a blade centuries old.
“It is done,” he finally said, fishing into his shirt.
The collar pulled, showing a line of white flesh, the planes of hard muscle rippling beneath. Sorasa dropped her eyes, letting him fuss.
Only when something soft touched her temple did she look up again.
Her heart thumped.
Dom did not meet her gaze, focused on his work, cleaning her wound with a length of cloth.
It was the fabric that made her breath catch.
Little more than a scrap of gray green. Thin but finely made by master hands. Embroidered with silver antlers.
It was a piece of Dom’s old cloak, the last remnant of Iona. It survived a kraken, an undead army, a dragon, and the dungeons of a mad queen.
But it would not survive Sorasa Sarn.
She let him work, her skin aflame beneath his fingers. Until the last bits of blood were gone, and the last piece of his home tossed away.
“Thank you,” she finally said to no reply.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
In a democracy, you cannot blame only a leading leader but also the entire leadership, including the voters’ choice, if the party fails to fulfill its promises.
Prose, whether in the form of a quotation or something else, expresses various colours of character and life in its context and accurately mirrors society; therefore, read not only the content of the writing but also understand and share what you think will enlighten others’ lives.
What are the attributes of a leader?
When the nation understands and realizes that, it blocks the route for the leadership, with the foresight, upon dishonest, rude, and immoral ones. Otherwise, the rope of idiocy remains in the hands of idiots.
The day you vote is an opportunity to vote not for a leader but for a party manifesto and constructive thoughts and plans. Indeed, you will have good fortune, a bright and joyful social status, and prosperity will always be a part of your society and life.
You are the real leader of the universe if you also lead the hearts and not just the minds. The mind keeps the knowledge while the heart showers the fragrance of love towards the soul; it is the base and circle of the knowledge.
A leader doesn’t mean to have governmental power; it means to lead its people on the right, secure, equal, fair, and visionary way of life.
Be a leader, not a lawyer and judge, not an official; express party program(me) honestly for the nation and face all the challenges before accusing, abusing, and blaming others. Indeed, it shows dignity and venerable leadership.
The opposition leaders and those in power can keep reputable the four pillars of democracy in the context of constitutional duties, transparent justice, truth, and honesty; they can also discredit those by their wrong character and fallacious decisions and deeds.
Real and true leader neither has a special status nor contradict others.
If he keeps the distance in any way or shape
If he says things that don’t exist
If he brings you in a destructive direction
If he what promises, but do not keep his words
If he put you naked in the open sky and himself in a comfortable tent
If he gives you false hopes rather than the practical helping
He is just an opportunist, a cheater, and a liar but not a leader.
Promises of the leader before the election build expectations in the minds of voters, and after winning the election, those cause humiliation in the eyes of voters if the leader fails to fulfill them. Therefore, fly not so high that you cannot land easily; be honest with yourself.
Political leadership is a significant spirit and defense of the armed forces of any state, whereas the armed forces are a protective shield for them. Both are compulsory for each other, as the political leadership has one point, and the armed forces have zero points, which becomes ten points. Otherwise, it stays one or zero, establishing nothing.
A selfish and empty of vision and solution leadership prefers its own political and personal benefits and interests instead of its people; indeed, it collapses in the face of ruffians and traitors of the constitution. As a reality, such a state and all institutions face conspiracies in global affairs; consequently, diplomatic isolation and trade failure become destiny; it leads towards destruction with self-adopted strategy and character.
”
”
Ehsan Sehgal
“
Even if you tied yourself to the ceiling with ropes and looked down, you would not see what the architecturally correct blueprint shows. You would see some degree of perspective (three dimensionality), and the perspective would vary depending on what part of the ceiling you looked down from. If the whole class tied themselves to the ceiling, their drawings would have as many different perspectives as the drawings made from ground level.
”
”
Robert Anton Wilson (Cosmic Trigger III: My Life After Death)
“
I follow the thread back from where I am—fire–freak show–Daddy dying–interviews–TV special–parades–conventions–book deal–radio shows–concerts–local paper—I follow it back, and it begins in a fray—nothing. There's nothing at the beginning of my rope—just dark, dizzying black. And when I see it, I don't feel much like singing at all.
”
”
Stephanie Sanders-Jacob (Singing All The Way Up)
“
tall and pretty girl with curls down to her shoulders told him, “I’ll show you the ropes.” She told him he was such a little cutie.
”
”
Rebecca Godfrey (Under the Bridge: The True Story of the Murder of Reena Virk)
“
Perhaps under the influence of too much Filipino palm wine, Pigafetta marveled at the coconut and all its uses. “This palm bears a fruit, named cocho, which is as large as the head or thereabouts, and its first husk is green and two fingers thick, in which are found certain fibers of which those people make the ropes by which they bind their boats. Under this husk is another, very hard and thicker than that of a nut. . . . And under the said husk there is a white marrow of a finger’s thickness, which they eat with meat and fish, as we do bread, and it has the flavor of an almond. . . . From the center of this marrow there flows a water which is clear and sweet and very refreshing, like an apple.” The Filipinos taught their visitors how to produce milk from the coconut, “as we proved by experience.” They pried the meat of the coconut from the shell, combined it with the coconut’s liquor, and filtered the mixture through cloth. The result, said the chronicler, “became like goat’s milk.” Pigafetta was so moved by the coconut’s versatility that he declared, with some exaggeration, that two palm trees could sustain a family of ten for a hundred years. Their idyll lasted a week, each day bringing with it new discoveries and a growing intimacy with their genial Filipino hosts. “These people entered into very great familiarity and friendship with us, and made us understand several things in their language, and the name of some islands which we saw before us,” Pigafetta commented. “We took great pleasure with them, because they were merry and conversable.” But Magellan nearly destroyed the idyll when he invited the Filipinos aboard Trinidad. He incautiously showed his guests “all his merchandise, namely cloves, cinnamon, pepper, walnut, nutmeg, ginger, mace, gold, and all that was in the ship.” Clearly
”
”
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
“
The Little Cowboy That Could"
Once upon a time, in a dusty, sunbaked town, there was a little cowboy named Cody. Unlike the other cowboys who rode tall in the saddle, Cody was just a young buck with a small pony. Every day, he watched the seasoned cowboys and wished he could wrangle and ride as well as they did.
One evening, as the sun dipped low, Old Man Moon peered down and saw Cody looking downhearted. "Why the long face, little cowboy?" asked the Moon.
"I'm not as skilled as the others. I want to be a great cowboy too," Cody replied.
The Moon chuckled softly and said, "Every cowboy has his day to shine. You've got a special spirit within you, and one day, it'll show."
Bolstered by the Moon's words, Cody decided to try harder. He started by helping a lost calf find its way back to the herd. Then, he practiced lassoing as best as he could to help round up the steers. With every good deed, he felt a proud warmth inside.
Days turned into weeks, and Cody kept on working hard. One night, as he helped a little lost pup find its way back to the ranch, he felt a sudden glow. Cody looked down and saw the pup wagging its tail, looking up at him with grateful eyes. The pup barked as if to say, "Thank you, little cowboy, for guiding me home."
At that moment, Cody felt a burst of happiness and, to his surprise, he found himself riding and roping better than ever before. All the other cowboys noticed and cheered, "Look, Cody is riding like a true cowboy!"
From that day on, Cody became known as the cowboy who rode the brightest, not just with his skills, but with his kindness and heart. And he learned that it's not just about how well you ride, but about the help you bring to others' lives.
And so, Cody continues to ride, reminding everyone that even the smallest cowboy can make a big difference.
”
”
James Hilton-Cowboy
“
If I were the trees . . . I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet . . . so you might know wonder. If I were the mountains . . . I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild . . . so you might know freedom. I’m using inflections in my voice to keep Nisay’s attention. However it’s Ki whom I’ve roped in. He sits wide-eyed as a curious little boy at story time. If I were the ocean . . . I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters, so you might know peace. If I were the stars . . . I would sparkle like never before and fall from the sky as gentle rain, so that you would always look towards heaven and know that you can reach the stars. If I were the moon . . . I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty, so you might know that all the Earth is at your command. If I were the sun . . . I would warm and glow like never before and light the sky with orange and pink, so you would gaze upward and always know the glory of heaven. But I am me . . . and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart, and this I will do until . . . the mountains crumble down . . . and the oceans dry up . . . and the stars fall from the sky . . . and the sun and moon burn out . . . And that is forever.
”
”
Camron Wright (The Rent Collector)
“
When I found myself at the end of my rope, I reached for God. And I know it sounds like a cliché, but there wasn’t anything else I could do. No matter how hard I tried, I couldn’t escape the grief and shame of my past. I had to lay down all of my man-made weapons, because the harder I fought, the more defeated I became. I mean, I kept showing up to the fight with weapons that didn’t work.
”
”
Lynette Eason (Defending Honor (Elite Guardians Collection, #3))
“
You know,no one takes you seriously until you're swinging from a rope.-Penelope
”
”
Lisa-Scarlett Cruji (The "How Did You Die?" Show: Fictional Tales for the Un-Dead)
“
You’re looking a little too amused, there, Pete,” she says. She fills her mouth with pool water and spits it from between her teeth at my foot. Damn, that’s hot. But, again, I’m a guy. We tend to get a little orally fixated. She could spit a goober and I’d still probably find it sexy. “What are you going to do about it?” I ask, sitting forward with my elbows on my knees. She looks startled for a second. Then I realize she’s plotting. I can almost smell the gears in her mind burning, they’re working that hard. Gonzo rolls up next to me. They must have warned everyone about Gonzo’s tracheostomy tube because no one tries to get him wet and he’s careful about the edge of the pool. Next thing I know, he’s beside me, and he doesn’t take the same care with me that he took with Reagan. A blast of water hits me in the face. I put my hands up to block him, but dammit, he’s having so much fun with it that I don’t want to stop him. Instead, I let him squirt until the gun’s empty. Then I blow water from my lips and open my eyes. She’s grinning like hell, and Gonzo’s almost as happy as she is. “You so deserved that,” she says. I stand up and point to her. “I’m coming for you, Reagan,” I warn. She squeals and backs away. She looks a little panicky, but then I realize she’s having fun and she’s panicking because I’m going to dunk her rather than because I’m going to touch her. This shit is like foreplay. The really good kind. I go in the shallow end and stalk her all the way to the rope that sections off the middle of the pool. I want to touch her so badly I can taste it. “Come here, little girl,” I taunt. “Let me show you what happens when you mess with a real man.” She laughs and ducks under the rope. She comes up smiling, though. I go under and reach for her, and she almost slides right by me, but I grab her at the last second. I slowly and gently pull her against me. We’re so close together that I can feel her heart beating against my chest. She stares into my eyes, and then her gaze drops to my lips and moves back up. “Pete,” she warns. She kicks her feet to stay afloat. “Reagan,” I mock. “It wasn’t my fault,” she says, but she’s a little breathless. “It was Gonzo. He planned the whole thing.” “Liar,” I whisper. Her face flushes. I tread water with one hand and hold her against me with the other. This feels so good that I don’t want to let go.
”
”
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
“
The final magic ingredient has been a willingness to risk it all. All in. No questions asked.
The program started, and grew, from a determination to push the boundaries. Do the impossible. Climb the impassable--eat the inedible.
Of course, there was often a safer, easier way down the waterfall or cliff face. But I rarely took it. That wasn’t my aim. I wanted to show you how to survive when you have no safe options.
And I loved it.
I had learned a while back that whenever I had succeeded, it had always come about because of total commitment. Heart and soul. No holds barred.
I realized, early on, that this would also be the key to this show.
It’s not rocket science. It’s a lesson as old as the hills: Hold back from the tackle and that’s when you get nailed.
This commitment built the show. But I nearly paid for it with my life. Many times.
There have been a multitude of near-death moments. None of which I am proud of. The list, though, is long. For old times’ sake, I used to write them down.
Then I gave up when I passed the fiftieth.
Anyway, I don’t like to think about those--they are in the past. Part of the learning process.
Part of what made me stronger.
Nowadays, the show is still crazy, but I manage the risk way better. I use ropes much more, off-camera. I think twice, not once, before I leap. I never did that before. It is called being aware.
Aware of being a husband. Aware of being a dad.
I am proud that I am learning; you only ever get it wrong once.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Where are you going, Albert?”
Albert said nothing. How rare, Quinn thought: Albert speechless.
“Not really your concern, Quinn,” Albert said finally.
“You’re running out.”
Albert sighed. To his three companions he said, “Go ahead and get in the boat. The Boston Whaler. Yes, that one.” Turning back to Quinn he said, “It’s been good doing business with you. If you want, you can come with us. We have room for one more. You’re a good guy.”
“And my crews?”
“Limited resources, Quinn.”
Quinn laughed a little. “You’re a piece of work, aren’t you, Albert?”
Albert didn’t seem bothered. “I’m a businessman. It’s about making a profit and surviving. It so happens that I’ve kept everyone alive for months. So I guess I’m sorry if you don’t like me, Quinn, but what’s coming next isn’t about business. What’s coming next is craziness. We’re going back to the days of starvation. But in the dark this time. Craziness. Madness.”
His eyes glinted when he said that last word. Quinn saw the fear there. Madness. Yes, that would terrify the eternally rational businessman.
“All that happens if I stay,” Albert continued, “is that someone decides to kill me. I’ve already come too close to being dead once.”
“Albert, you’re a leader. You’re an organizer. We’re going to need that.”
Albert waved an impatient hand and glanced over to see that the Boston Whaler was ready. “Caine’s a leader. Sam’s a leader. Me?” Albert considered it for a second and shook the idea off. “No. I’m important, but I’m not a leader. Tell you what, though, Quinn: in my absence you speak for me. If that helps, good for you.”
Albert climbed down into the Boston Whaler. Pug started the engine and Leslie-Ann cast off the ropes. Some of the last gasoline in Perdido Beach sent the boat chugging out of the marina.
“Hey, Quinn!” Albert shouted back. “Don’t come to the island without showing a white flag. I don’t want to blow you up!
”
”
Michael Grant (Fear (Gone, #5))
“
In 1913, Ringelmann conducted an experiment in which he asked his students to pull on a rope, both individually and in groups, while he measured the force they exerted. The conventional view was that people in a group would have more power collectively than they did alone—in other words, adding people to the pulling group would have a multiplying effect on the force. But the results showed something surprising. While the force applied did grow with every new person added, the average force applied by each person fell. Rather than amplifying the power of individuals, the act of pulling as a team caused each person to pull less hard than they had when pulling alone. Later researchers coined a name for this phenomenon. They called it social loafing.
”
”
Sam Walker (The Captain Class: A New Theory of Leadership)
“
over with mortar. It was impossible to climb. “Clever,” Nikulo said, prodding the wall with a stick. “Anyone have any bright Ideas?” Talis glanced left and right along the wall until he spotted a tree limb rising up and toward the wall, just close enough they might be able to jump and get a grip. “Tree climbing anyone?” Mara smiled and nodded her head as if he were offering her a piece of cake. Nikulo, however, frowned. “You expect me to climb that tree over to the wall, then climb another twenty feet up to the top?” “Fancy torture and a slow, hideous death instead?” Mara said. “We’re a team, but I’m not carrying you.” Rikar shrugged and made his way toward the tree. Mara of course was the first to climb and the first to show them how to jump onto the wall and not fall down in the process. The impish expression on her face as she glanced back at them infuriated Nikulo. He clung to a branch near the main tree trunk. “Okay miss sticky-paws-cat, how am I supposed to do that?” “Luckily, unlike my non-planning, non-thinking companions, I thought that a rope would come in handy.” Rikar unslung the rope and proceeded to tie a lasso. “Catch.” He tossed Mara the rope. She caught it, looped it around her arm and started the climb up. “Are you sure it’s long enough?” Talis said, watching the rope loop out from Rikar’s hands. “Twenty feet?” “Not good enough.” Talis climbed further up the limb toward the wall. “Mara,” he hissed, “we don’t have enough rope. Can you loop it around a rock?” She glanced back and scanned the wall. “Maybe this one.” She climbed over a few feet. “No, then we’ll swing over…it might slip. Try something in line with the branch.” “The rocks are all too flat.” “I have an idea.” Rikar skirted past Talis. “Throw the rope back. I’ll climb higher up… Closer to the wall.
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
So when Finn sailed back down the Negro at dawn, he saw no flames and heard no roaring as the house was destroyed. Everything at first seemed to be as it had always been: the big trees by the river, the huts of the Indians, the Carters’ launch riding at anchor.
Then the dog, standing beside him, threw back his head and howled.
“What is it?” asked Finn.
But now he, too, smelled the choking, lingering smoke.
And as he sailed toward the landing stage, he saw it--the space, the nothingness, where the Carters’ house should have been. Not even an empty shell. Nothing.
He had thought that the news of his father’s death was the worst thing that had happened to him, but this was worse, because he was to blame. If he had taken Maia as she had begged…
He was shivering so much that it was difficult to steer the Arabella to the jetty and make her fast. There was no point in searching the ruins; it was so obvious that no one could survive such a blaze.
But there was one last hope. The huts of the Indians had been spared. Perhaps they had gotten Maia out; perhaps he would find her sleeping there.
He pushed open the door of the first hut and went inside…then the second and the third. They were completely empty. Even the parrot on his perch had gone, even the little dog. A broken rope in the run outside showed where the pig, terrified by the flames, had rushed back into the forest.
There was no doubt now in Finn’s mind. They had let Maia burn and fled in terror and shame.
What would it be like, Finn wondered, going on living and knowing that he had killed his friend?
The howler monkeys had been right to laugh when he said he wasn’t going back. He had turned downriver again almost at once to fetch Maia, and he had made good time, traveling with the current--but he had come too late.
”
”
Eva Ibbotson (Journey to the River Sea)
“
Bad Job I got a gig at a trucking company, loading freight, And damn it was bad, sweating in a suicidal St. Louis Summer night And the dudes in the place were scary looking and numb, Most of them were around thirty to fifty years of age, most Were supporting families; and I was only, twenty-one at the time. My trainer showing me the ropes and the wharves, as it all seemed Too much for me at the time, As the planets in my head swirled One had to do so much to earn a living… so much The guys so scary looking, they had been there so long That were beginning to look like the truck, the trailer, The freight, the skids and the boxes As
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Damion Hamilton (Internet Poetry)
“
I don’t understand her. I treat her kindly, yet she still shakes with fear at the thought of being one with me. I try to make her happy and make her angry instead.”
Many Horses lifted an eyebrow. “Fear is not like a layer of dust on a tree leaf that washes away in a gentle rain. Give her time. Be her good friend, first--then become her lover. As for making a woman happy, you succeed sometimes, you fail sometimes. That is the way of it.”
Hunter took a deep breath and let it out on a weary sigh. “It’s not that I have another woman in mind to take as wife. It’s just--”
“That you are bullheaded?”
Hunter smothered an outraged laugh. “A little bit, yes?”
Many Horses shrugged. “One unto the other is not a bad thing for a man. I am sure enough glad I have only one tug rope coming into my lodge. Can you imagine how exhausting three or four wives would be?”
“My mother has been enough for you, but she is a special woman.”
Many Horses grinned. “She is a jealous woman. And I’m not a stupid man. I didn’t want to live in a wasp’s nest all my life.” He shrugged. “I like things as they are. Fewer sharp tongues nagging me. Fewer mouths to feed. And only one woman to try to understand. I brought her slaves to help her with the work.”
“My yellow-hair does not believe in having slaves.”
“Neither does she believe in many wives. Give her a choice, slaves or wives. See which she chooses.” Many Horses waved his hand before him to clear the air of ash. “You must also remember the yellow-hair may give you many more children than a Comanche woman. Take care or you could father more children than you can feed. I’ve never seen a white woman yet who wasn’t a good breeder.”
A slow grin spread across Hunter’s mouth. “You will tell her this, yes? So far she isn’t showing the proper enthusiasm.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
I didn’t get a chance to say it earlier,” Delia said in a whisper loud enough to be heard…well, almost two stories up on a rope ladder anyway, making Kerry wince a little. “We really do like him. We’re happy for you.”
Kerry wanted to hiss who’s we? but refrained. As far as she could tell, Cooper had spent the past three days befriending every man, woman, and lobster in Blueberry Cove. And every single one of them had managed to find a moment to tell her so. She was happy--truly--that everyone liked him but not surprised. He was a likeable guy. And she was equally happy folks were happy for her.
Now she just wished they’d butt out and let her get on with being happy with Cooper. She managed to give Delia a little salute with half of one hand while still clutching the rope, and Delia gave her another enthusiastic wave, eyes sparkling. Kerry waited until Delia had scooted on back toward the café before turning her attention to the trapdoor. And almost had her second heart attack when she looked up, only to find Cooper staring down at her, his chin propped on folded arms, meaning he was lying flat on the balcony deck. He smiled and lifted his fingers in a little wave. “Nice of you to drop up,” he said, a smile curving his lips but the glittering light in his blue eyes telling a different story.
His voice was deep and just a shade rough, which made her skin tingle in delicious anticipation. “I got waylaid by another of your throng of supporters and well-wishers so you only have yourself to blame.”
“So I heard,” he said. “I’ll be sure to thank her later and tip double the usual when we order breakfast in tomorrow morning.”
“Awfully sure of yourself, mister.”
“Finish climbing that ladder and I’ll be happy to explain the source of my confidence.” He wiggled his eyebrows. “Or, better yet, I’ll show you.”
“Well, if I’d known there was going to be show and tell, I’d have gotten up here sooner.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))