“
Woman is a delicate creature with strong emotions who has been created by the Almighty God to shoulder responsibility for educating society and moving toward perfection. God created woman as symbol of His own beauty and to give solace to her partner and her family.
”
”
Ali ibn Abi Talib
“
You are not replaceable," he said, his hands trembling against her shoulders. "You are not required to make your death convenient. You are allowed to be important to people.
”
”
SenLinYu (Alchemised)
“
Tonight is a night to turn heads. Make them remember you. Make sure they never forget. You are the Calipha of Khorasan, and you have the ear of a king." Despina put her hand on Shahrzad's shoulder and grinned at their shared reflection. "More important, you have his heart." She bent forward and lowered her voice. "And, most important, you are a fearsome thing to behold in your own right.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
Do you understand, Brat Calipha?” Despina continued.
Shahrzad glanced over her shoulder at her handmaiden, in stalwart silence.
Despina sighed. “On pain of death…you are as important to him as his own life.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls' bodies ease from one place to another, from arc to the foot to ankle to calf, from calf to hip to wait to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I'd noticed curves before, of course, but I had never quite apprehended their significance.
”
”
John Green (Looking for Alaska)
“
What would my little grasshopper like?”
…
She glared over her shoulder at him. “I’m not going to call you Mr Miyagi you know.”
“Yes you will, but that’s not important at the moment.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
There is for a man two things in life that are very important, head and shoulders above everything else. Find work you like, and find someone to live with you like. Very few people get both.
”
”
Cormac McCarthy
“
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves.
After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
That’s what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
”
”
Robert McCammon (Boy's Life)
“
I put my hand on him. Touching him has always been important to me, it was something I lived for. I never could explain why. Little, nothing touches, my fingers against his shoulder, the outsides of our thighs touching as we squeeled together on the bus. I couldnt explain it, but I needed it. Sometimes I imagined stiching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love?
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Exactly. You can shoulder all the blame and become a martyr. Provided anyone knows what or who you're martyring for. Or you can accept that some things are important enough to fight for and realize there will be sacrifices along the way.
”
”
Maria V. Snyder (Inside Out (Insider, #1))
“
As the cheering continued, Rhyme leaned forward and touched Milo gently on the shoulder.
"They're cheering for you," she said with a smile.
"But I could never have done it," he objected, "without everyone else's help."
"That may be true," said Reason gravely, "but you had the courage to try; and what you can do is often simply a matter of what you *will* do."
"That's why," said Azaz, "there was one very important thing about your quest that we couldn't discuss until you returned.
"I remember," said Milo eagerly. "Tell me now."
"It was impossible," said the king, looking at the Mathemagician.
"Completely impossible," said the Mathemagician, looking at the king.
"Do you mean----" said the bug, who suddenly felt a bit faint.
"Yes, indeed," they repeated together; "but if we'd told you then, you might not have gone---and, as you've discovered, so many things are possible just as long as you don't know they're impossible."
And for the remainder of the ride Milo didn't utter a sound.
”
”
Norton Juster (The Phantom Tollbooth)
“
I want to say one last thing, and it’s important. Though I am a generally happy person who feels comfortable in my skin, I do beat myself up because I am influenced by a societal pressure to be thin. All the time. I feel it the same way anybody who picks up a magazine and sees Keira Knightley’s elegantly bony shoulder blades poking out of a backless dress does. I don’t know if I’ve ever seen my shoulder blades once. Honestly, I’m dubious that any part of my body could be so sharp and firm as to be described as a “blade.” I feel it when I wake up in the morning and try on every single pair of my jeans and everything looks bad and I just want to go back to sleep. But my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things.
”
”
Mindy Kaling (Why Not Me?)
“
... His arm was so thick and strong. I was sure it would protect me for as long as I lived. And it did. Even after I lost him. The memory of his arm wraps around me as his arm used to. Each day has been chained to the previous one. But the weeks have had wings.
Why are you leaving me?
He wrote, I do not know how to live.
I do not know either, but I am trying.
I do not know how to try.
There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.
I put my hand on him. Touching him was always so important to me. It was something I lived for. My fingers against his shoulder. The outsides of our thighs touching as we squeezed together on the bus. I couldn't explain it, but I needed it. Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love. Why does anyone ever make love? ...
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
Abel put his hands on her shoulders. "You're cold. You're shivering."
She nodded. "It's not important..."
"Sure it is," and then, in a very low voice, with a private kind of smile, he said, "Rose girl, I told you the branches would wither and you would freeze. You wanted to stay on board..."
Anna nodded. "I'm staying.
”
”
Antonia Michaelis (The Storyteller)
“
I sensed a disturbance in the force,” he said.
I narrowed my eyes as I blew out an aggravated breath. “Did you seriously just quote Star Wars?”
Apollo, the god of the sun and other annoyingly important things that made killing him virtually impossible unless one wanted to end the world, shrugged a shoulder. “Maybe I did.
”
”
Jennifer L. Armentrout (The Return (Titan, #1))
“
The only woman's body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
”
”
Elena Ferrante (The Story of a New Name (Neapolitan Novels, #2))
“
From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion.
”
”
Amor Towles (A Gentleman in Moscow)
“
The important thing with Elon,” he says, “is that if you told him the risks and showed him the engineering data, he would make a quick assessment and let the responsibility shift from your shoulders to his.
”
”
Walter Isaacson (Elon Musk)
“
Say farewell to luck when winning. It is the way of the gamblers of reputation. Quite as important as a gallant advance is a well-planned retreat. Lock up your winnings when they are enough, or when great. Continuous luck is always suspect; more secure is that which changes. Though half bitter and half sweet, it is more satisfying to the taste. The more luck pyramids, the greater the danger of slip and collapse. For luck always compensates her intensity by her brevity. Fortune wearies of carrying anyone long upon her shoulders.
”
”
Baltasar Gracián (The Art of Worldly Wisdom: A Pocket Oracle)
“
Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression--his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake.
”
”
Maggie Stiefvater (The Scorpio Races)
“
Wait a minute," said Gabriel. "Someone knows what the secret tattoo says?"
Hunter gave him a look. "It´s not a secret. It´s on my arm."
"Enough with the suspense already. What does it say?"
"Nothing important," said Hunter.
The nurse smiled and released the pressure in the cuff. "It says ,
The first day you meet, you are friends. The next day, you are brothers."
Gabriel lost the smile. Then he clapped Hunter on the shoulder.
Hunter frowned at him. "What was that for?"
"Brotherhood," he said. "Welcome to the family.
”
”
Brigid Kemmerer (Spirit (Elemental, #3))
“
This "sir, yes sir" business, which would probably sound like horseshit to any civilian in his right mind, makes sense to Shaftoe and to the officers in a deep and important way. Like a lot of others, Shaftoe had trouble with military etiquette at first. He soaked up quite a bit of it growing up in a military family, but living the life was a different matter. Having now experienced all the phases of military existence except for the terminal ones (violent death, court-martial, retirement), he has come to understand the culture for what it is: a system of etiquette within which it becomes possible for groups of men to live together for years, travel to the ends of the earth, and do all kinds of incredibly weird shit without killing each other or completely losing their minds in the process. The extreme formality with which he addresses these officers carries an important subtext: your problem, sir, is deciding what you want me to do, and my problem, sir, is doing it. My gung-ho posture says that once you give the order I'm not going to bother you with any of the details--and your half of the bargain is you had better stay on your side of the line, sir, and not bother me with any of the chickenshit politics that you have to deal with for a living. The implied responsibility placed upon the officer's shoulders by the subordinate's unhesitating willingness to follow orders is a withering burden to any officer with half a brain, and Shaftoe has more than once seen seasoned noncoms reduce green lieutenants to quivering blobs simply by standing before them and agreeing, cheerfully, to carry out their orders.
”
”
Neal Stephenson (Cryptonomicon)
“
Touching him was always so important to me. It was something I lived for. I never could explain why. Little, nothing touches. My fingers against his shoulder. The outsides of our thighs touching as we squeezed together on the bus. I couldn't explain it, but I needed it. Sometimes I imagined stitching all of our little touches together. How many hundreds of thousands of fingers brushing against each other does it take to make love? Why does anyone ever make love?
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
That day, instead, I saw clearly the mothers of the old neighbourhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swallen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts (...) they appeared to have lost those feminine qualities that were so important to us girls (...) They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings?
”
”
Elena Ferrante (The Story of a New Name (Neapolitan Novels, #2))
“
But Amy Pond. Oh! The Sea had briefly been able to touch her mind — it knew that the Doctor was the most important thing in the world to her, and it had given a copy of him to her. If they spent enough time together, the copy would become every bit as good as the real Doctor. It stood there now, wheeling her down to the beach, one hand resting lightly on her shoulders, drawing all it could from her.
”
”
James Goss (Doctor Who: Dead of Winter)
“
I crossed a line by making his family's personal business my own. But isn't that what friendship is? Isn't that what love is? It's more than caring and laughing and inspiring. It's about taking hurt and anger off people's shoulders and helping to carry the weight. It's more important to love people on the worst days than their best.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
,Grown-ups love figures. When you describe a new friend to them, they never ask you about the important things. They never say 'What's his voice like? What are his favourite games? Does he collect butterflies?' Instead they demand 'How old is he? How many brothers has he? How much does he weigh? How much does his father earn?' Only then do they feel they know him. If you say to the grown-ups: 'I've seen a lovely house made of pink brick, with geraniums in the windows and doves on the rood', they are unable to picture such a house. You must say: I saw a house that come a hundred thousand francs.' Then they cry out: 'How pretty!'
Again, you might say to them: 'The proof that the little prince existed is that he was enchanting, that he laughed, and that he was looking for a sheep. When someone wants a sheep, it is proof that they exist.' The grown-ups will merely shrug their shoulders, and treat you like a child. But if you tell them: 'The planet he came from is Asteroid B 612', then they will be convinced, and will spare you all their question. That is how they are. You must not hold it against them. Children have to be very indulgent towards grown-ups.
”
”
Antoine de Saint-Exupéry
“
When our eyes met in the compartment our spiritual fortitude deserted us both; I took her in my arms, she pressed her face to my breast, and tears flowed from her eyes. Kissing her face, her shoulders, her hands wet with tears--oh, how unhappy we were!--I confessed my love for her, and with a burning pain in my heart I realized how unnecessary, how petty, and how deceptive all that had hindered us from loving was. I understood that when you love you must either, in your reasonings about that love, start from what is highest, from what is more important than happiness or unhappiness, sin or virtue in their accepted meaning, or you must not reason at all.
”
”
Anton Chekhov
“
What I know I could put into a pack
as if it were bread and cheese, and carry it
on one shoulder,
important and honorable, but so small!
While everything else continues, unexplained
and unexplainable.
”
”
Mary Oliver (New and Selected Poems, Vol. 2)
“
A body is a body." Viscarro shrugged his bony shoulders. "Dead, alive, alive, dead. I fail to see the importance of the distinction."
Yeah? So you'd just as soon fuck a living person as a dead one? What's the point of the distinction? Oh, right-one's normal, and one's called necrophilia."
Viscarro sighed. "Touche, I suppose.
”
”
Tim Pratt
“
Harry’s letter to his daughter:
If I could give you just one thing, I’d want it to be a simple truth that took me many years to learn. If you learn it now, it may enrich your life in hundreds of ways. And it may prevent you from facing many problems that have hurt people who have never learned it.
The truth is simply this: No one owes you anything.
Significance
How could such a simple statement be important? It may not seem so, but understanding it can bless your entire life.
No one owes you anything.
It means that no one else is living for you, my child. Because no one is you. Each person is living for himself; his own happiness is all he can ever personally feel.
When you realize that no one owes you happiness or anything else, you’ll be freed from expecting what isn’t likely to be.
It means no one has to love you. If someone loves you, it’s because there’s something special about you that gives him happiness. Find out what that something special is and try to make it stronger in you, so that you’ll be loved even more.
When people do things for you, it’s because they want to — because you, in some way, give them something meaningful that makes them want to please you, not because anyone owes you anything.
No one has to like you. If your friends want to be with you, it’s not out of duty. Find out what makes others happy so they’ll want to be near you.
No one has to respect you. Some people may even be unkind to you. But once you realize that people don’t have to be good to you, and may not be good to you, you’ll learn to avoid those who would harm you. For you don’t owe them anything either.
Living your Life
No one owes you anything.
You owe it to yourself to be the best person possible. Because if you are, others will want to be with you, want to provide you with the things you want in exchange for what you’re giving to them.
Some people will choose not to be with you for reasons that have nothing to do with you. When that happens, look elsewhere for the relationships you want. Don’t make someone else’s problem your problem.
Once you learn that you must earn the love and respect of others, you’ll never expect the impossible and you won’t be disappointed. Others don’t have to share their property with you, nor their feelings or thoughts.
If they do, it’s because you’ve earned these things. And you have every reason to be proud of the love you receive, your friends’ respect, the property you’ve earned. But don’t ever take them for granted. If you do, you could lose them. They’re not yours by right; you must always earn them.
My Experience
A great burden was lifted from my shoulders the day I realized that no one owes me anything. For so long as I’d thought there were things I was entitled to, I’d been wearing myself out —physically and emotionally — trying to collect them.
No one owes me moral conduct, respect, friendship, love, courtesy, or intelligence. And once I recognized that, all my relationships became far more satisfying. I’ve focused on being with people who want to do the things I want them to do.
That understanding has served me well with friends, business associates, lovers, sales prospects, and strangers. It constantly reminds me that I can get what I want only if I can enter the other person’s world. I must try to understand how he thinks, what he believes to be important, what he wants. Only then can I appeal to someone in ways that will bring me what I want.
And only then can I tell whether I really want to be involved with someone. And I can save the important relationships for th
”
”
Harry Browne
“
It is important for a squire to carry a knight’s weapons,” he said, the words so stoic I wondered if he’d practiced them on the flight back. “I will carry them for you, Bartholomew. I will shoulder any weight you give me.
”
”
Rachel Gillig (The Knight and the Moth (The Stonewater Kingdom, #1))
“
I hurried out of the lobby and turned the corner into the English hall, so I didn’t see the guy in front of me until it was too late.
“Oh!” I exclaimed as we bumped shoulders. “Sorry!”
Then I realized who I’d bumped into, and I immediately regretted my apologetic tone. If I’d known it was David Stark, I would have tried to hit him harder, or maybe stepped on his foot with the spiky heel of my new shoes for good measure.
I did my best to smile at him, though, even as I realized my stomach was jumping all over the place. He must have scared me more than I’d thought.
David scowled at me over the rims of his ridiculous hipster glasses, the kind with the thick black rims. I hate those. I mean, it’s the 21st century. There are fashionable options for eyewear.
“Watch where you’re going,” he said. Then his lips twisted in a smirk. “Or could you not see through all that mascara?”
I would’ve loved nothing more than the tell him to kiss my ass, but one of the responsibilities of being a student leader at The Grove is being polite to everyone, even if he is a douchebag who wrote not one, but three incredibly unflattering articles in the school paper about what a crap job you’re doing as SGA president.
And you especially needed to be polite to said douchebag when he happened to be the nephew of Saylor Stark, President of the Pine Grove Junior League, head of the Pine Grove Betterment Society, Chairwoman of the Grove Academy School Board, and, most importantly, Founder and Organizer of Pine Grove’s Annual Cotillion.
So I forced myself to smile even bigger at David and said, “Nope, just in a hurry. Are you, uh… are you here for the dance?”
He snorted. “Um, no. I’d rather slam my testicles in a locker door. I have some work to do on the paper.
”
”
Rachel Hawkins (Rebel Belle (Rebel Belle, #1))
“
Abruptly, Templeton cut short his thoughts. There was a brief pause, almost as if he was uncertain whether he should continue.
'Uh ... but ... no,' he said slowly, 'he's the most ...' He stopped, then started again. 'In my view,' he declared, 'he is the most important human being who ever existed.'
That's when Templeton uttered the words I neer expected to hear from him. ' And if I may put it this way,' he said in a voice that began to crack, 'I ... miss ... him!'
With that tears flooded his eyes. He turned his head and looked downward, raising his left hand to shield his face from me. His shoulders bobbed as he wept."
-Former Minister and now Agnostic Charles Templeton speaking of Jesus
”
”
Lee Strobel
“
Cade hiked his shoulders, pretending nonchalance. "Tell me about the vampire, or not, dove. But none of us really wants to be here."
"I'll tell you," Nïx said, her gaze rapt on his horns. "But only if you let me lick your rock-hard horns—"
"Nïx!" Regin's attention snapped back to this conversation.
Eyes wide, Nïx cried, "Who said that?? I didn't say that! Oh, very well—the vampire's named Conrad Wroth. Best be careful with that one. He single-handedly took down Bothrops the Lich."
"That was Wroth?" He'd heard of the assassin before. Cade grudgingly admitted that the leech did nice work, dealing deaths with a unique, gruesome signature to them. Which was important in their line of business. "Where is he?"
"To find him, you need to trail the one who seeks him in sleep."
"Soothsayerese? I don't speak it," he said, but she didn't elaborate. "That's all you're going to divvy?"
"Wanna know more?" Nïx raised her brows. "Then you should have let me lick your horns.
”
”
Kresley Cole (Dark Needs at Night's Edge (Immortals After Dark, #4))
“
William slapped him on the shoulder, sending Sex into rapturous convulsions. “Before we do this, I’ve got one question for you. And you can’t lie. This is too important.”
A bit sick to his stomach at what such a debaucher could want to know, Paris cast his attention to the black-haired, blue-eyed he-devil. “Ask.”
“Are you going to suggest I kiss you for good luck or strength or whatever it is your sex demon needs?”
That earned the warrior a two-fingered salute.
“So that’s a no?” William asked.
Paris worked his jaw. “Here, let me help you off the cliff to the drawbridge.” With no more warning, he shoved William over the ledge. He thought he heard a fading, “ So not cool,” from the bastard as he fell…fell…
Splat.
”
”
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
“
A Hard Life With Memory
I’m a poor audience for my memory.
She wants me to attend her voice nonstop,
but I fidget, fuss,
listen and don’t,
step out, come back, then leave again.
She wants all my time and attention.
She’s got no problem when I sleep.
The day’s a different matter, which upsets her.
She thrusts old letters, snapshots at me eagerly,
stirs up events both important and un-,
turns my eyes to overlooked views,
peoples them with my dead.
In her stories I’m always younger.
Which is nice, but why always the same story.
Every mirror holds different news for me.
She gets angry when I shrug my shoulders.
And takes revenge by hauling out old errors,
weighty, but easily forgotten.
Looks into my eyes, checks my reaction.
Then comforts me, it could be worse.
She wants me to live only for her and with her.
Ideally in a dark, locked room,
but my plans still feature today’s sun,
clouds in progress, ongoing roads.
At times I get fed up with her.
I suggest a separation. From now to eternity.
Then she smiles at me with pity,
since she knows it would be the end of me too.
”
”
Wisława Szymborska (Here)
“
By the way, I’ve heard what Simon has been saying.”
Heat swept over my face. Another problem, but less important in the grand scheme of things. “Yeah, he’s being a douche. I think it’s his friends. He actually apologized to me, and then when his friends showed up, he told them I was trying to get with him.”
Daemon’s eyes narrowed. “That’s not okey.”
I sighed. “It’s no big deal.”
“Maybe not to you, but it is to me.” He paused, his shoulders squaring. “I’ll take care of it.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
You risked your life for me." He took my shoulders into his hands. "When are you going to learn, Dutch: No one matters but you and the baby. You keep risking your life--" He threw one hand out to indicate our surroundings. "--on things that are not the least bit important." He stepped even closer. "On people who committed suicide and crazy chicks in cemeteries and--" He stopped and dropped a heated gaze on me. His voice cracked when he said in a hushed tone, "I can't lose you."
"And I can lose you?" I asked, almost screaming at him.
He lowered his head and pinched the bridge of his nose with his thumb and index finger. Then he admitted what was probably his greatest fear. "I don't know how to win. I don't have the faintest idea of how to kill the Twelve. And when I saw your name on that wall." His breath hitched in his chest. Then he focused his coffee-colored gaze on me. "If you die," he said with a savage vehemence in his voice, "I will go straight to hell and kill every demon there. Or I'll perish in the attempt.
”
”
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
“
I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen.
”
”
Marisha Pessl (Night Film)
“
For the first time in nearly twenty-five years, our country is having anything to do with the Chinamen, an it is an event far more important than any damn ping-pong game. It is diplomacy, and the future of the human race might be at stake. Do you understand what I am saying?"
I shrug my shoulders an nod my head, but something down in me sinkin' fast. I am jus' a po' ole idiot, an now I have got the whole human race to look after.
”
”
Winston Groom
“
Partially undermining the manufacturer's ability to assert that its work constituted a meaningful contribution to mankind was the frivolous way in which it went about marketing its products. Grief was the only rational response to the news that an employee had spent three months devising a supermarket promotion based on an offer of free stickers of cartoon characters called the Fimbles. Why had the grown-ups so churlishly abdicated their responsibilities? Were there not more important ambitions to be met before Death showed himself on the horizon in his hooded black cloak, his scythe slung over his shoulder?
”
”
Alain de Botton (The Pleasures and Sorrows of Work)
“
She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her.
It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas
burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around
idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.
”
”
Saul Bellow (All Marbles Accounted for)
“
She glanced over her shoulder at the house, which was now bathed in a warm tint of yellow from the sun. "Yes, everyone needs to find the one thing that brings out her passion. Its what we do and share with the world that matters. I believe its important that we leave our communities in better shape that we found them. Cecelia Rose," she said, reaching for my hand, "Far too many people die with a heart that's gone flat with indifference, and it surely must be a terrible way to go. Life will offer us amazing opportunities, but we've got to be awake to recognize them."
She rested her hands on my shoulders and looked into my eyes. "If there's one thing I'd like most for you, its that you'll find your calling in life. That's where true happiness and purpose lie. Whether its taking care of abandoned animals, saving old houses from the wreckin' ball or reading to the blind, you've got to find your fire, sugar. You'll never be fulfilled if you don't."
"But how will I know what my fire is?"
"Oh, you'll know. One day you'll do something, see something or get an idea that seems to pop up from nowhere. And you'll feel a kind of stirring- like a warm flicker inside your chest. When that happens, whatever you do, don't ignore it. Open your mind and explore the idea. Fan your flame. And when you do, you'll have found it.
”
”
Beth Hoffman (Saving CeeCee Honeycutt)
“
THEY FOUND LEO AT THE TOP of the city fortifications. He was sitting at an open-air café, overlooking the sea, drinking a cup of coffee and dressed in…wow. Time warp. Leo’s outfit was identical to the one he’d worn the day they first arrived at Camp Half-Blood—jeans, a white shirt, and an old army jacket. Except that jacket had burned up months ago. Piper nearly knocked him out of his chair with a hug. “Leo! Gods, where have you been?” “Valdez!” Coach Hedge grinned. Then he seemed to remember he had a reputation to protect and he forced a scowl. “You ever disappear like that again, you little punk, I’ll knock you into next month!” Frank patted Leo on the back so hard it made him wince. Even Nico shook his hand. Hazel kissed Leo on the cheek. “We thought you were dead!” Leo mustered a faint smile. “Hey, guys. Nah, nah, I’m good.” Jason could tell he wasn’t good. Leo wouldn’t meet their eyes. His hands were perfectly still on the table. Leo’s hands were never still. All the nervous energy had drained right out of him, replaced by a kind of wistful sadness. Jason wondered why his expression seemed familiar. Then he realized Nico di Angelo had looked the same way after facing Cupid in the ruins of Salona. Leo was heartsick. As the others grabbed chairs from the nearby tables, Jason leaned in and squeezed his friend’s shoulder. “Hey, man,” he said, “what happened?” Leo’s eyes swept around the group. The message was clear: Not here. Not in front of everyone. “I got marooned,” Leo said. “Long story. How about you guys? What happened with Khione?” Coach Hedge snorted. “What happened? Piper happened! I’m telling you, this girl has skills!” “Coach…” Piper protested. Hedge began retelling the story, but in his version Piper was a kung fu assassin and there were a lot more Boreads. As the coach talked, Jason studied Leo with concern. This café had a perfect view of the harbor. Leo must have seen the Argo II sail in. Yet he sat here drinking coffee—which he didn’t even like—waiting for them to find him. That wasn’t like Leo at all. The ship was the most important thing in his life. When he saw it coming to rescue him, Leo should have run down to the docks, whooping at the top of his lungs. Coach Hedge was just describing how Piper had defeated Khione with a roundhouse kick when Piper interrupted. “Coach!” she said. “It didn’t happen like that at all. I couldn’t have done anything without Festus.” Leo raised his eyebrows. “But Festus was deactivated.” “Um, about that,” Piper said. “I sort of woke him up.” Piper explained her version of events—how she’d rebooted the metal dragon with charmspeak.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The most important step in emancipating oneself from social controls is the ability to find rewards in the events of each moment. If a person learns to enjoy and find meaning in the ongoing stream of experience, in the process of living itself, the burden of social controls automatically falls from one’s shoulders. Power returns to the person when rewards are no longer relegated to outside forces.
”
”
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
“
Jobs put his hand on Ellison's left shoulder, pulled him so close that their noses almost touched, and said, "Larry, this is why it's really important that I'm your friend. You don't need any more money.
”
”
Walter Isaacson (Steve Jobs)
“
I gather," he added, "that you've never had much time to study the classics?"
"That is so."
"Pity. Pity. You've missed a lot. Everyone should be made to study the classics, if I had my way."
Poirot shrugged his shoulders.
"Eh bien, I have got on very well without them."
"Got on! Got on? It's not a question of getting on. That's the wrong view all together. The classics aren't a ladder leading to quick success, like a modern correspondence course! It's not a man's working hours that are important--it's his leisure hours. That's the mistake we all make. Take yourself now, you're getting on, you'll be wanting to get out of things, to take things easy--what are you going to do then with your leisure hours?
”
”
Agatha Christie (The Labours of Hercules (Hercule Poirot, #27))
“
Gabe was referring to people like Lou who were competitive. Ambitious people, with their eye on the prize instead of the task at hand. People who wanted to be the best for all the wrong reasons and who'd take almost any path to get there. Being the best was only slightly better than being in the middle, which was equal to being the worst. All were merely a state of being. It was how a person felt in that state and why that was the important thing.
Gabe wanted to explain to Lou that people like him were always looking at what the other person was doing, always looking to achieve more and greater things. Always wanting to be better. And the entire point of Gabe's telling Lou Suffern about people like Lou Suffern was to warn him that people who constantly looked over their shoulders often bumped into things.
Paths are so much clearer when people stop looking at what everyone else is doing and instead concentrate on themselves.
”
”
Cecelia Ahern
“
Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing.
”
”
Amor Towles (A Gentleman in Moscow)
“
Slowly the highlights emerged: sunlight on the Madonna’s face, on the curls, left cheek and shoulder of the child. On the foredrapery covering the Madonna’s leg, on the back of John as he straddled the balustrade, on the inside of the balustrade itself to accent its importance in the structure. All the rest, the blockseat, stairs, walls were in quiet
shadow. Now, he thought, one saw and felt the crisis, the intense emotional thinking reflected on Mary’s face as she felt the tug of Jesus at her breast and the weight of the cross in her hand.
”
”
Irving Stone
“
There is a great Hindu story about a lady who wanted to meet the god Krishna. So she went into the forest, closed her eyes, and prayed and meditated on making the god appear and lo and behold, Krishna tapped the lady on the shoulder, she, without opening her eyes, told him to get lost because she was busy meditating on a very important goal. When we get so wrapped up in our heads, we miss out on what's available to us right now in the moment.
”
”
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
You know what's wrong with scientific power? [...] It's a form of inherited wealth [...] Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can't be given away: it resides in you. It is literally the result of your discipline. Now, what is interesting about this process is that, by the time someone has acquired the ability to kill with his bare hands, he has also matured to the point where he won't use it unwisely. So that kind of power has a built-in control. The discipline of getting the power changes you so that you won't abuse it. But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step [...] There is no discipline lasting many decades. There is no mastery: old scientists are ignored. There is no humility before nature. There is only a get-rich-quick, make-a-name-for-yourself-fast philosophy. Cheat, lie, falsify - it doesn't matter. [...] They are all trying to do the same thing: to do something big, and do it fast. And because you can stand on the shoulders of giants, you canaccomplish something quickly. You don't even know exactly what you have done, but already you have reported it, patented it, and sold it. And the buyer will have even less discipline than you. The buyer simply purchases the power
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
One last thing," I say over my shoulder, too quiet for my family to hear over the hovercraft churning. "Don't think I've overlooked that you came to my house and almost foiled my plan, despite knowing how important it is to me. If you tip off the army in even the slightest way, I will kill myself when they lock me up, and then I will haunt you.
”
”
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
“
Which would be at about shoulder height. Apparently, in Pada’s search for her path, the Saints needed to be sure that they had nothing important to say that lay toward either the ceiling or the floor, or she would render them mute.
”
”
Holly Lisle (Talyn (Korre, #1))
“
(On WWI:)
A man of importance had been shot at a place I could not pronounce in Swahili or in English, and, because of this shooting, whole countries were at war. It seemed a laborious method of retribution, but that was the way it was being done. ...
A messenger came to the farm with a story to tell. It was not a story that meant much as stories went in those days. It was about how the war progressed in German East Africa and about a tall young man who was killed in it. ... It was an ordinary story, but Kibii and I, who knew him well, thought there was no story like it, or one as sad, and we think so now.
The young man tied his shuka on his shoulder one day and took his shield and his spear and went to war. He thought war was made of spears and shields and courage, and he brought them all.
But they gave him a gun, so he left the spear and the shield behind him and took the courage, and went where they sent him because they said this was his duty and he believed in duty. ...
He took the gun and held it the way they had told him to hold it, and walked where they told him to walk, smiling a little and looking for another man to fight.
He was shot and killed by the other man, who also believed in duty, and he was buried where he fell. It was so simple and so unimportant.
But of course it meant something to Kibii and me, because the tall young man was Kibii's father and my most special friend. Arab Maina died on the field of action in the service of the King. But some said it was because he had forsaken his spear.
”
”
Beryl Markham (West with the Night)
“
Ruby and Aaron are both crazy patient; they’re good parents.”
“I could be a good dad,” Ivan whispered, still feeding Jess.
I could have told him he’d be good at anything he wanted to be good at, but nah.
“Do you want to have kids?” he asked me out of the blue.
I handed Benny another block. “A long time from now, maybe.”
“A long time… like how long?”
That had me glancing at Ivan over my shoulder. He had his entire attention on Jessie, and I was pretty sure he was smiling down at her. Huh. “My early thirties, maybe? I don’t know. I might be okay with not having any either. I haven’t really thought about it much, except for knowing I don’t want to have them any time soon, you know what I mean?”
“Because of figure skating?”
“Why else? I barely have enough time now. I couldn’t imagine trying to train and have kids. My baby daddy would have to be a rich, stay-at-home dad for that to work.”
Ivan wrinkled his nose at my niece. “There are at least ten skaters I know with kids.”
I rolled my eyes and poked Benny in the side when he held out his little hand for another block. That got me a toothy grin. “I’m not saying it’s impossible. I just wouldn’t want to do it any time soon. I don’t want to half-ass or regret it. If they ever exist, I’d want them to be my priority. I wouldn’t want them to think they were second best.”
Because I knew what that felt like. And I’d already screwed up enough with making grown adults I loved think they weren’t important. If I was going to do something, I wanted to do my best and give it everything.
All he said was, “Hmm.”
A thought came into my head and made my stomach churn. “Why? Are you planning on having kids any time soon?”
“I wasn’t,” he answered immediately. “I like this baby though, and that one. Maybe I need to think about it.”
I frowned, the feeling in my stomach getting more intense.
He kept blabbing. “I could start training my kids really young…. I could coach them. Hmm.”
It was my turn to wrinkle my nose. “Three hours with two kids and now you want them?”
Ivan glanced down at me with a smirk. “With the right person. I’m not going to have them with just anybody and dilute my blood.”
I rolled my eyes at this idiot, still ignoring that weird feeling in my belly that I wasn’t going to acknowledge now or ever. “God forbid, you have kids with someone that’s not perfect. Dumbass.”
“Right?” He snorted, looking down at the baby before glancing back at me with a smile I wasn’t a fan of. “They might come out short, with mean, squinty, little eyes, a big mouth, heavy bones, and a bad attitude.”
I blinked. “I hope you get abducted by aliens.”
Ivan laughed, and the sound of it made me smile. “You would miss me.”
All I said, while shrugging was, “Meh. I know I’d get to see you again someday—”
He smiled.
“—in hell.”
That wiped the look right off his face. “I’m a good person. People like me.”
“Because they don’t know you. If they did, somebody would have kicked your ass already.”
“They’d try,” he countered, and I couldn’t help but laugh.
There was something wrong with us.
And I didn’t hate it. Not even a little bit.
”
”
Mariana Zapata (From Lukov with Love)
“
Her sweet smell drove my body higher as I nibbled on the edge of her earlobe. “I’m not stopping you. You plan. I’ll kiss.”
Echo turned her head to look at me over her shoulder. My siren became a temptress with that seductive smile on her lips. A mistake on her part. I caressed her cheek and kissed those soft lips.
I expected her to shy away. We’d been playing this game for over an hour: she plotted while I teased.Leaving for the summer was important to her and she was important to me. But instead of the quick peck I’d anticipated, she moved her lips against mine. A burning heat warmed my blood.
It was a slow kiss at first—all I meant it to be, but then Echo touched me. Her hands on my face, in my hair. And then she angled her body to mine. Warmth, enticing pressure on all the right parts, and Echo’s lips on mine—fireworks.
She became my world. Filling my senses so that all I felt and saw and tasted was her. Kisses and touches and whispered words of love and when my hand skimmed down the curve of her waist and paused on the hem of her jeans my body screamed to continue, but my mind knew it was time to stop.
With a sigh, I moved my lips once more against hers before shifting and pulling her body to my side. “I’m in love with you.”
Echo settled her head in the crook of my arm as her fingertips lazily touched my face. “I know. I love you, too.”
“I’m sorry I didn’t say it sooner.” If I had, then maybe we never would have been apart.
“It’s okay,” she murmured. “We’re together now and that’s all that matters.”
I kissed her forehead and she snuggled closer to me. The world felt strange. For the first time in my life, I wasn’t fighting someone or something. My brothers were safe. Echo knew the truth. Soon, I’d be free from high school and foster care. Hopefully, I’d be admitted on late acceptance to college. Contentment and happiness were unfamiliar emotions, but ones I could learn to live with.
“Do you mind?” she asked in a small voice that indicated nerves. “That we’re taking it slow?”
“No.” And it was the truth.
Everything in her life was in flux and she needed strong, steady and stable. Oddly, she found those three things in me. Who would ever have guessed I’d be the reliable sort? “Besides, taking it slow creates buildup. I like anticipation.”
Her body rocked with silent giggles and my lips turned up. I loved making her happy.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I know things aren’t easy for you right now… You may be wondering how you’re going to deal with everything that’s facing you. But I know you- you have a strong spirit- and even though it might be hard for you to believe, I know you have what it takes to get through this time. And if you ever need to talk or if you’d like the support of a friend, I’ll always be here with open arms, a listening ear, and a loving shoulder to lean on. And most important, I’m here to remind you… as often as you need… that things are going to be okay.
”
”
M. Gentry
“
Don't bury personal obsessions. Capitalize on them. ``The connection between personal obsession and the work you do is the most important thing.''
-- Be yourself. ``Singularity is what you need.''
-- Avoid self-censorship: ``We are very self-critical in a way that can be very destructive. In our culture there are voices in our head which have taught us to say, `Oh, I wouldn't do that if I were you.' Don't ever think about anybody peering over your shoulder.''
-- Don't be afraid to show off, even if you think, ``I'm very close to making a complete fool of myself.''
-- Don't be afraid to entertain. ``I want to entertain. I don't want to lose people. I feel responsible as I write to give people the best time I can.''
-- ``Love your failures'' instead of beating yourself up over them.
-- ``Learn to love the process'' of writing.
-- Just do it. Barker likes something director Stanley Kubrick said: ``If you want to make a film, pick up a camera.
”
”
Clive Barker
“
Je ne te veux pas dans l’ autre chambre,” I repeat. “Restez avec moi.” Stay with me. Her breasts brush my chest, the pad of her index finger tracing the contour of my upper lip. “You have a beautiful mouth.” “Toi aussi.” So do you. I feel my neck bow. Head bent down. Shoulders sag, body relaxed. “Je te veux plus que n’importe quoi que j’avais voulu dans ma vie.” I want you more than anything I’ve wanted in my entire fucking life.
”
”
Sara Ney (The Learning Hours (How to Date a Douchebag, #3))
“
But you reminded me that things didn’t always have to be good, over and over and over, but they could be great, some days. Perfect even. I spent so long trying to blend into the background, I forgot what this feels like.” My throat tightened. “This?” He motioned between us. “This. When I’m around you,” he added, his tight shoulders unwinding, and turned those minty eyes back to my face to study it—my eyes, my nose, my mouth. Very much my mouth. “I feel like someone again.” My heart thrummed, bright and loud, in my throat. “Like a main character in your own life?” “Or…just someone important in yours,” he muttered, and as a surprise to us both, he bent close, but so did I, like two stars falling into each other’s gravity—
”
”
Ashley Poston (A Novel Love Story)
“
and in that moment, Sherman made the terrible discovery that men make about their fathers sooner or later. For the first time he realized that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best as he could, out of a sense of duty and, perhaps, love, adopted a role called being a father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life. And now that boy, that good actor, had grown old and fragile and tired, wearier than ever at the thought of trying to hoist the Protector's armor back onto his shoulders again, now, so far down the line.
”
”
Tom Wolfe (The Bonfire of the Vanities)
“
I would go to parties and say I was an editor, and people, especially women – and that was important to me back then – would say, “Oh, really?” and raise their eyebrows and look at me a little more carefully. I remember the first party I went to after I became a teacher, someone asked me what I did for a living, and I said, “Well, I teach high school.” He looked over my shoulder, nodded his head, said, “I went to high school,” and walked away.
Once I repeated this anecdote around a big table full of Mexican food in the garden at a place called La Choza in Chicago, and Becky Mueller, another teacher at the school, said that I was a “storyteller.” I liked that. I was looking for something to be other than “just” a teacher, and “storyteller” felt about right. I am a teacher and a storyteller in that order. I have made my living and my real contribution to my community as a teacher, and I have been very lucky to have found that calling, but all through the years I have entertained myself and occasionally other people by telling stories.
”
”
Peter Ferry (Travel Writing)
“
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
”
”
Terry Pratchett (Hogfather (Discworld, #20))
“
I'm looking for something and I don't quite know what it is. But I know that it's very important for me to know it, and if I did it would make all the difference. Perhaps the nuns know it; when I'm with them I feel that they hold a secret which they will not share with me. I don't know why it came into my head that if I saw this Manchu woman I should have an inkling of what I am looking for. Perhaps she would tell me if she could."
"What makes you think she knows it?"
Kitty gave him a sidelong glance, but did not answer. Instead she asked him a question.
"Do you know it?"
He smiled and shrugged his shoulders.
"Tao. Some of us look for the Way in opium and some in God, some of us in whisky and some in love. It is all the same Way and it leads nowhither.
”
”
W. Somerset Maugham (The Painted Veil)
“
I'm sorry I was short with him--but I don't like a man to approach me telling me it for my sake.
"Maybe it was," said Wylie
"It's poor technique."
"I'd all for it," said Wylie. "I'm vain as a woman. If anybody pretends to be interested in me, I'll ask for more. I like advice."
Stahr shook his head distastefully. Wylie kept on ribbing him--he was one of those to whom this privilege was permitted. "You fall for some kinds of flattery," he said. "this 'little Napoleon stuff.'"
"It makes me sick," said Stahr, "but it's not as bad as some man trying to help you."
"If you don't like advice, why do you pay me?"
"That's a question of merchandise," said Stahr. "I'm a merchant. I want to buy what's in your mind."
"You're no merchant," said Wylie. "I knew a lot of them when I was a publicity man, and I agree with Charles Francis Adams."
"What did he say?"
"He knew them all--Gould, Vanderbilt, Carnegie, Astor--and he said there wasn't one he'd care to meet again in the hereafter. Well--they haven't improved since then, and that's why I say you're no merchant."
"Adams was probably a sourbelly," said Stahr. "He wanted to be head man himself, but he didn't have the judgement or else the character."
"He had brains," said Wylie rather tartly.
"It takes more than brains. You writers and artists poop out and get all mixed up, and somebody has to come in and straighten you out." He shrugged his shoulders. "You seem to take things so personally, hating people and worshipping them--always thinking people are so important-especially yourselves. You just ask to be kicked around. I like people and I like them to like me, but I wear my heart where God put it--on the inside.
”
”
F. Scott Fitzgerald (The Last Tycoon)
“
What’s your name again?”
“Peter. Peter Granford.”
Lewis opened up his mouth to speak, but then just shook his head.
“What?” The boy ducked his head. “You just, uh, looked like you were going to say something
important.”
Lewis looked at this namesake, at the way he stood with his shoulders rounded, as if he did not
deserve so much space in this world. He felt that familiar pain that fell like a hammer on his
breastbone whenever he thought of Peter, of a life that would be lost to prison. He wished he’d
taken more time to look at Peter when Peter was right in front of his eyes, because now he would be
forced to compensate with imperfect memories or-even worse-to find his son in the faces of
strangers.
Lewis reached deep inside and unraveled the smile that he saved for moments like this, when there
was absolutely nothing to be happy about. “It was important,” he said. “You remind me of someone
I used to know.
”
”
Jodi Picoult (Nineteen Minutes)
“
I worry that our nation today suffers from a deficit of empathy, and this is especially true of many in positions of national leadership. It is a phenomenon that is born from, and that exacerbates, the broader divisions tearing at our republic. We see a rising tribalism along cultural, ethnic, economic class, and geographic lines. And the responsibility for these divisions should fall more squarely on the shoulders of the powerful, those who need to be empathetic, than on those who need our empathy. When we live in a self-selected bubble of friends, neighbors, and colleagues, it is too easy to forget how important it is to try to walk in the shoes of others.
”
”
Dan Rather (What Unites Us: Reflections on Patriotism)
“
One day, I wish to find a man like in my
books. He has to be just like in one of my books.
And he has to love me, love me more than anything
in the world. Most important of all, he has
to think I’m beautiful.”
“Lily, I need to tell you something.” Fazire
was going to tell her about Becky’s wish and his
mistake and let her look forward to something, let
her look forward to the incomparable beauty she
was going to be.
Most of all, he had to stop her wish now. He
didn’t want her wasting it on some fool idea. He
wanted it to be special, perfect, to make her world
better like she had made Becky and Will’s and,
indeed, his.
But again she didn’t hear him. Her eyes were
bright and they were steady on his.
“He has to be tall, very tall and dark and
broad-shouldered and narrow-hipped.”
Fazire stared. He didn’t even know what
“narrow-hipped” meant.
“And he has to be handsome, unbelievably
handsome, impossibly handsome with a strong,
square jaw and powerful cheekbones and tanned
skin and beautiful eyes with lush, thick lashes.
He has to be clever and very wealthy but hardworking.
He has to be virile, fierce, ruthless and
rugged.”
Now she was getting over his head. He didn’t
think there was such a thing as impossibly handsome.
How cheekbones could be powerful,
Fazire didn’t know. He was even thinking he
might have to look up “virile” in the dictionary
Sarah had given him.
“And he has to be hard and cold and maybe a
little bit forbidding, a little bit bad with a broken
heart I have to mend or one encased in ice I have
to melt or better yet… both!”
Fazire thought this was getting a bit ridiculous.
It was the most complicated wish he’d ever
heard.
But she wasn’t yet finished.
“We have to go through some trials and tribulations.
Something to test our love, make it strong
and worthy. And… and… he has to be daring and
very masculine. Powerful. People must respect
him, maybe even fear him. Graceful too and lithe,
like a… like a cat! Or a lion. Or something like
that.”
She was losing steam and Fazire had to admit
he was grateful for it.
“And he has to be a good lover.” Lily shocked
Fazire by saying. “The best, so good, he could almost
make love to me just by using his eyes.”
Fazire felt himself blush. Perhaps he should
have a look at these books she was reading and
show them to Becky. Lily was a very sharp girl,
sharp as a tack (another one of Sarah’s sayings,
although Fazire couldn’t imagine a tack ever being
as clever as Lily) but she was too young to
be reading about any man making love to her
with his eyes. Fazire had never made love, never
would, genies just didn’t. But he was pretty certain
fourteen year old girls shouldn’t be thinking
about it.
Though, he was wrong about that, or at least
Becky would tell him that later.
Then Fazire realised she’d stopped talking.
“Is that it?” he asked.
She thought for a bit, clearly not wanting to
leave anything out.
Then she nodded.
”
”
Kristen Ashley (Three Wishes)
“
shoulders. “The way we do things is almost more important than the things we do.
”
”
Sarah Noffke (The Uncooperative Warrior (Unstoppable Liv Beaufont, #2))
“
It is important, when killing a nun, to ensure that you bring an army of sufficient skill. For Sister Thorn of the Sweet Mercy Convent Lano Tacsis brought Pelarthi mercenaries, warriors drawn from the ice-margins east of the Grey, from a tribe considered savage by their savage neighbours. Brawlers, murderers, hard men and hard women who kill for coin. Heretics who set the worship of past warlords, not yet three centuries beneath the ground, above the veneration of the Ancestor on whose shoulders all humanity stands and who makes each man brother to the next.
”
”
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
“
Nere, there’s a chance I will see you again,” Cam says, his dark eyes intent. “If you ever need help, get word to me through the smugglers. I’ll come.”
I can only nod, afraid to trust my voice. I must look miserable, though, because moments later, he hugs me. I bury my face in his shoulder, his arms tighten around me, and finally I feel safe.
“No matter what happens, I’ll always love you,” he whispers in my ear. I close my eyes. Do I love him back? I just know Cam is more important to me than any friend I’ve ever had. I open my eyes and raise my face to him, and then he kisses me. I realize I’ve been waiting forever for this. Cam’s lips are soft and he smells like salt water and fresh sea air. I wrap my arms around his neck and kiss him back.
”
”
Polly Holyoke (The Neptune Project (The Neptune Project, #1))
“
The next day, when I came home from the library, there was a small, used red record player in my room. I found my mother in the kitchen and spotted a bandage taped to her arm.
“Ma,” I asked. “Where did you get the money for the record player?”
“I had it saved,” she lied.
My father lived well, had a large house and an expensive imported car, wanted for little, and gave nothing. My mother lived on welfare in a slum and sold her blood to the Red Cross to get me a record player.
“Education is everything, Johnny,” she said, as she headed for the refrigerator to get me food. “You get smart like regular people and you don’t have to live like this no more.”
She and I were not hugging types, but I put my hand on her shoulder as she washed the dishes with her back to me and she said, in best Brooklynese, “So go and enjoy, already.” My father always said I was my mother’s son and I was proud of that. On her good days, she was a good and noble thing to be a part of.
That evening, I plugged in the red record player and placed it by the window. My mother and I took the kitchen chairs out to the porch and listened to Beethoven’s Sixth Symphony from beginning to end, as we watched the oil-stained waters of the Mad River roll by. It was a good night, another good night, one of many that have blessed my life.
”
”
John William Tuohy
“
With each deep, measured breath, she imagined that various parts of her body were slowly going numb, from her fingers to her hand to her wrist to her elbow to her shoulder, until she was as close to dead as she could be. It was an old Fang family technique employed before doing something disastrous. You pretended to be dead and when you came out of it, nothing, no matter how dire, seemed important.
”
”
Kevin Wilson (The Family Fang)
“
love your body the way your mother loved your baby feet
and brother, arm wrapping shoulders, remember,
this is important:
you are worth more than who you fuck,
you are worth more than a waistline,
you are worth more than beer bottles
displayed like drunken artifacts,
you are no less valuable as a size 16 than a size 4,
you are no less valuable as a 32A than a 36C
you are worth more than any naked bod
”
”
Mary Lambert (Shame Is an Ocean I Swim Across)
“
Life is mostly about trying things you can’t do,” I said. “You end up losing more often than you win. Even Futabayama kept on losing before he started to win. And it’s important to be good at something you’re going to do more often, isn’t it?” “I suppose so.” He thought about it. “But what does being good at losing actually mean?” I met Lea’s gaze over the boy’s shoulder. “Daring to lose again,” I said.
”
”
Jo Nesbø (Midnight Sun (Blood on Snow #2))
“
Offline, writers are all faceless, hypothetical creatures pounding out words in isolation from one another. You can't peek over anyone's shoulder. You can't tell if everyone else is really doing as dandy as they pretend they are. But online, you can tune into all the hot gossip, even if you're not nearly important enough to have a seat in the room where it happens. Online, you can tell Stephen King to go fuck himself. Online, you can discover that the current literary star of the moment is actually so problematic that all of her works should be canceled forever. Reputations in publishing are built and destroyed constantly online.
”
”
R.F. Kuang (Yellowface)
“
I hit him playfully on the shoulder. “You make me sound like such a pig.”
He threw his hands up in the air. “Well, if it walks like a duck and talks like a duck— ”
“—it’s a pig?” I finished for him.
“Exactly.
”
”
Amanda Abram (The Importance of Getting Revenge)
“
if ever an argument can be made for the conclusive importance of the character and intelligence of the leader in fraught times, at home and abroad, it will come to rest on the broad shoulders of Franklin Delano Roosevelt.
”
”
Doris Kearns Goodwin (Leadership: In Turbulent Times)
“
Oh, as far as they go.” Helmholtz shrugged his shoulders. “But they go such a little way. They aren’t important enough, somehow. I feel I could do something much more important. Yes, and more intense, more violent. But what? What is there more important to say? And how can one be violent about the sort of things one’s expected to write about? Words can be like X-rays, if you use them properly ― they’ll go through anything. You read and you’re pierced. That’s one of the things I try to teach my students ― how to write piercingly. But what on earth’s the good of being pierced by an article about a Community Sing, or the latest improvement in scent organs? Besides, can you make words really piercing ― you know, like the very hardest X-rays ― when you’re writing about that sort of thing? Can you say something about nothing? That’s what it finally boils down to. I try and I try.
”
”
Aldous Huxley (Brave New World)
“
It's only so important that a 17-year-old in a private garden has been standing here since he got frostbite on his cheeks one night ten years ago, firing puck after puck with the weight of an entire community on his shoulders.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
She released his hand and sat back. That air of sadness had descended on her once more. His father had carried a similar melancholy after his mother had passed; Poe would see it descend on him like a shadow, settle over his shoulders like a blanket made of warmth and memory and longing and loss. Leia wore something made of the same material, and not for the first time Poe wondered how she had come by it and, perhaps more importantly, who had given it to her.
”
”
Greg Rucka (Star Wars: Before the Awakening)
“
You are not mediocre, Olive. You were not invited to speak because people think that you are my girlfriend - there is no such thing, since SBD's abstracts go through a blind review process. I would know, because I've been roped into reviewing them in the past. And the work you presented is important, rigorous and brilliant." He took a deep breath. His shoulders rose and fell in time with the thudding of her heart. "I wish you could see yourself the way I see you.
”
”
Ali Hazelwood (The Love Hypothesis)
“
friendship nostalgia
i miss the days when
my friends knew every mundane detail
about my life and i knew every ordinary detail about theirs
adulthood has starved me of that consistency that us
those walks around the block
those long conversations when we were
too lost in the moment to care
what time it was when we won-and celebrated
when we failed and celebrated even harder
when we were just kids
now we have our very important jobs
that fill up our very busy schedules
we have to compare calendars
just to plan coffee dates
that one of us will eventually cancel
because adulthood is being
too exhausted to leave our apartments most days
i miss belonging to a group of people bigger than myself
it was that belonging that made life easier to live
how come no one warned us about
how we'd graduate and grow apart
after everything we'd been through
how come no one said
one of life's biggest challenges
would be trying to stay connected
to the people that make us feel alive
no one talks about the hole
a friend can leave inside you
when they go off to make their dreams come true
in college we used to stay up till 4 in the morning
dreaming of what we'd do
the moment we started earning real paychecks
now we finally have the money
to cross everything off our bucket lists
but those lists are collecting dust
in some lost corridor of our minds
sometimes when i get lonely
i still search for them
i'd give anything to go back
and do the foolish things we used to do
i feel the most present in your presence
when we're laughing so hard
the past slides off our shoulders
and worries of the future slip away
the truth is i couldn't survive without my friends
they know exactly what i need
before i even know that i need
the way we hold each other is just different
so forget grabbing coffee
i don't want to have another dinner
where we sit across from each other
at a table reminiscing about old times
when we have so much time left
to make new memories with
how about
you go pack your bags
and i'll pack mine
you take a week off work
i'll grab my keys
and let's go for ride
we've got years of catching up to do
”
”
Rupi Kaur
“
One of the reasons there are so many bitter, disenfranchised people who are angry at the church is because of bad theology. It’s really, really important to separate your theology of the kingdom from the church. These are two separate, autonomous entities. Yes, there is overlap and the lines blur and bleed, but they are two different ideas. Jesus’ ultimate goal for the universe is the kingdom, not the church. The kingdom is where the renewal of all things takes place. Where Eden is restored. Where the entire creation is made new.[1] The story of the Bible ends with heaven crashing into earth. The kingdom is a huge, elephantic theology with layers and texture and depth and dimensions. The problem is that most people erase or ignore the theology of the kingdom. In doing so, they pin all their hopes and dreams on the church. These unrealistic expectations are way too much to bear for the frail shoulders of God’s bride. She was never designed to bear the weight of changing the world, much less perfection. I hear people say things like, “The church is God’s plan to save the world.” No, it’s not. Jesus is God’s plan to save the world. He is bringing his kingdom crashing into this present age, and he is saving the world. Yes, the church is part of God’s plan to save the world. That is very true. We are the body of the Messiah. Meaning, we are the arms and legs, the appendages, the extensions of Jesus to the world. We join and partner and work with him for the kingdom; but he is the one saving the universe, not us.
”
”
John Mark Comer (My Name is Hope: Anxiety, depression, and life after melancholy)
“
Are you okay?” she asked. Because she couldn’t not ask. Not after she’d seen the weariness around his eyes, the slight tension in his shoulders.
Jackson turned his head so their eyes locked and he frowned before returning his attention to the mermaid. “Nobody ever asks me that.”
Her heart squeezed at the lost note in his voice. It was strange to think of someone as big and important as Jackson Burke being lonely, but somehow…somehow she knew he was. Even here, among all these people, he was somehow alone. Apart.
Like her.
”
”
Lauren Layne (I Wish You Were Mine (Oxford, #2))
“
you think, really, that there is something unnatural, something positively abnormal about a young man dancing around with tears in his eyes for such a reason? Don’t you see that in this condition you scarcely present that bulwark of strength and self-assurance which a woman has a right to look for in a man? Don’t you see that you really don’t want a woman at all, as a woman? That you only want a mother to hold your head on her shoulder and dry your dancing-tears and flatter your delicate little egotism and tend to your little physical necessities for you. This, my hypothetical young man, is very very bad, and you had best take immediate steps to correct it. You had better stop dancing with this poor unappreciated girl if you can’t amuse her any better than by spoiling her make-up with your messy tears, and you had better go out into the open air and realize that mother is far away and that no one is ever going to understand you and that it is not very important whether anyone ever does; you might even try to understand someone else for a change.)
”
”
George F. Kennan (The Kennan Diaries)
“
An upset is our maker’s way of telling us that we need to learn something. It is a tap on our shoulder saying, ‘Pay attention. You have something important to learn. If you lie, blame, justify, or deny the upset, you waste the upset and will waste a precious gem of wisdom..
”
”
Robert T. Kiyosaki (Rich Dad's Guide to Investing: What the Rich Invest in That the Poor and Middle Class Do Not!)
“
We go quiet as the next episode picks up exactly where it left off. Antoine manages to subdue Marie-Thérèse, and the two proceed to argue for ten minutes. Don’t ask me about what, because it’s in French, but I do notice that the same word—héritier—keeps popping up over and over again during their fight.
“Okay, we need to look up that word,” I say in aggravation. “I think it’s important.”
Allie grabs her cell phone and swipes her finger on the screen. I peek over her shoulder as she pulls up a translation app. “How do you think you spell it?” she asks.
We get the spelling wrong three times before we finally land on a translation that makes sense: heir.
“Oh!” she exclaims. “They’re talking about the father’s will.”
“Shit, that’s totally it. She’s pissed off that Solange inherited all those shares of Beauté éternelle.”
We high five at having figured it out, and in the moment our palms meet, pure clarity slices into me and I’m able to grasp precisely what my life has become.
With a growl, I snatch the remote control and hit stop.
“Hey, it’s not over yet,” she objects.
“Allie.” I draw a steady breath. “We need to stop now. Before my balls disappear altogether and my man-card is revoked.”
One blond eyebrow flicks up. “Who has the power to revoke it?”
“I don’t know. The Man Council. The Stonemasons. Jason Statham. Take your pick.”
“So you’re too much of a manly man to watch a French soap opera?”
“Yes.” I chug the rest of my margarita, but the salty flavor is another reminder of how low I’ve sunk. “Jesus Christ. And I’m drinking margaritas. You’re bad for my rep, baby doll.” I shoot her a warning look. “Nobody can ever know about this.”
“Ha. I’m going to post it all over the Internet. Guess what, folks—Dean Sebastian Kendrick Heyward-Di Laurentis is over at my place right now watching soaps and drinking girly drinks.” She sticks her tongue out at me. “You’ll never get laid again.”
She’s right about that. “Can you at least add that the night ended with a blowjob?” I grumble. “Because then everyone will be like, oh, he suffered through all that so he could get his pole waxed.”
“Your pole waxed? That’s such a gross description.” But her eyes are bright and she’s laughing as she says it.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
important. But Abuelo always said there were two types of people in this world: those who belong to the soil and the good, rich earth, planting their seeds to blossom, and those who belong to the road and the endless horizons, carrying their home on their shoulders wherever they go.
”
”
Marieke Nijkamp (This Is Where It Ends)
“
Do we have the Book of Ecclesiastes?"
"One. A man named Harris in Youngstown."
"Montag." Granger took Montag's shoulder firmly. "Walk carefully. Guard your health. If anything should happen to Harris, you are the Book of Ecclesiastes. See how important you've become in the last minute!
”
”
Ray Bradbury (Fahrenheit 451)
“
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
”
”
Haruki Murakami (Norwegian Wood)
“
that I realized the importance of curves, of the thousand places where girls’ bodies ease from one place to another, from arc of the foot to ankle to calf, from calf to hip to waist to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc.
”
”
John Green (Looking for Alaska)
“
Mr. Wonderful was probably taking his sweet time, right?”
“No, it was actually my fault this morning. I was busy with…paperwork.”
“Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?”
He smiled. “Nothing important.”
Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact.
Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor.
He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century.
I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together.
As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!”
Mr. Kadam asked, “What was that, Miss Kelsey?”
“Nothing.”
Ren raised an eyebrow and smirked.
He probably heard me. Stupid tiger hearing.
The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence.
When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
This is so important that I wish I could grab every single one of you by the shoulders, look you in the eye, and say it to you over and over again until it starts to sink it: Please choose to give yourself more credit than criticism and more grace than judgment. You deserve it. And it will change you.
”
”
Kristina Kuzmic (Hold On, But Don't Hold Still)
“
The pathologized images have moved the soul in several ways: we are afraid; we feel vulnerable and in danger; our very physical sustance and sanity appear to be menaced; we want to prevent or rectify. Especially this last seizes us. We feel protective, impelled to correct, straighten, repair. For we have confused something sick with something wrong. [...]
affliction reaches us partly through the guilt it brings. Guilt belongs to the experiences of deviation, the the sense of being off, failing, 'missing the mark'. [...]
However the true missing of the mark is taking the guilt literally, where failings becomes faults to be set right. This places the guilt on the shoulders of the ego who 'should not' have failed. Then pathologizing reinforces the ego's style and guilt serves a secondary gain, increasing the ego's sense of importance: ego becomes superego, drivenly busy with repairing wrongs. A guilty ego is no less egocentric than a proud one.
”
”
James Hillman (Re-Visioning Psychology)
“
The other notable Titans were OCEAN, the river that was supposed to encircle the earth; his wife TETHYS; HYPERION, the father of the sun, the moon, and the dawn; MNEMOSYNE, which means Memory; THEMIS, usually translated by Justice; and IAPETUS, important because of his sons, ATLAS, who bore the world on his shoulders,
”
”
Edith Hamilton (Mythology)
“
expression on his face. He’s in his early thirties, tall and broad-shouldered, dressed in jeans, a black polo shirt, and black flip-flops. With his short brown hair, reddish goatee, and sideburns, McHugh looks like a typical Gen Xer, but he speaks in the soothing, considered tones of a college professor. McHugh doesn’t preach or worship at Saddleback, but we’ve chosen to meet here because it’s such an important symbol of evangelical culture. Since services are just about to start, there’s little time to chat. Saddleback offers six different “worship venues,” each housed in its own building or tent and set to its own beat: Worship Center,
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Everyone's unique. No two people are alike. Be proud of that. If someone says something against you, screw them. They don't know what it's like to be you. If they did, they would never trash talk you. And, do the same with others. You don't know what a person's going through. If someone's having a rough day, and lashes out, forgive them. Give them a shoulder to cry on, a person to put their faith in. And always, always, stay loyal to your friends. Get yourself some, and never lose them. These are the people that are going to be with you through thick and thin, no matter what. Sure, you'll fight, you'll bitch, all friend groups do. But, the important thing to do is: forgive, and move on. And most importantly, love God. He is our Creator, and if you don't believe in him, that's ok. I'm saddened by the fact that you don't, but it's ok. I can just pray for you, and hope that He shows himself to you later on. You may ask, "How can there be a God that lets all this bad stuff happen? How can he just sit and watch and do nothing?" Well, I don't have all of the answers. But, I do know that He is greatly saddened by all of the evil in the world, yet He still loves each and every one of us. And, when you feel like nobody loves you, or maybe you just don't love yourself, know: He is there for you. He loves you, and he will never stop loving you.
”
”
Me (Matt/Gambit Pop)
“
Oh, now. Come on. Billy isn’t so bad.” Cletus nudged my shoulder, repeating my words from earlier.
I huffed an exasperated laugh. “Yeah. Not so bad. Except I think you’re forgetting one very important fact.”
“I never forget facts.” He shook his head quickly, both dismissing and teasing me. “Facts are my friends.”
“Oh yeah? You think so?”
“I know so. I send facts Christmas cards every year and they reciprocate with peppermint bark.”
“Well then, how about this fact: Billy will never ask me out on a date.”
And that was a fact.
Billy Winston was completely and irrevocably in love with Claire McClure. This information was not widely known, but I knew. I was a people watcher.
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
The most important thing in taking the zazen posture is to keep your spine straight. Your ears and your shoulders should be on one line. Relax your shoulders, and push up towards the ceiling with the back of your head. And you should pull your chin in. When your chin is tilted up, you have no strength in your posture; you are probably dreaming. Also to gain strength in your posture, press your diaphragm down towards your hara, or lower abdomen. This will help you maintain your physical and mental balance. When you try to keep this posture, at first you may find some difficulty breathing naturally, but when you get accustomed to it you will be able to breathe naturally and deeply.
”
”
Shunryu Suzuki (Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice)
“
we develop a set of our own. The most important step in emancipating oneself from social controls is the ability to find rewards in the events of each moment. If a person learns to enjoy and find meaning in the ongoing stream of experience, in the process of living itself, the burden of social controls automatically falls from one’s shoulders.
”
”
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
“
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.
'That's a sound I never thought to hear from you, girl,' Amren said beside her.
The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight.
Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting.
Nesta fell to one knee and bowed her head. 'I am sorry.'
Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.'
Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.'
Nesta's brow furrowed. She hadn't changed anything.
Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.'
'I didn't do anything.'
'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?'
Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.'
'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.'
'But my power only creates terrible things. The House is good,' Nesta breathed.
'Is it?'
Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.'
Amren nodded. 'And where is it now?'
'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.'
Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.'
But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it.
Amren chuckled gently. 'And worth it for that, too.'
Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
Rubbing shoulders and relating to each other in those classrooms and cafes, we had indulged our curiosities, about the coexistence of faiths, philosophies, and political options. Tolerance had also proven to us just how profitable diversity could be, not just financially but intellectually and emotionally, for those who could embrace it wholeheartedly.
”
”
Cynthia F. Davidson (The Importance of Paris: Loves, Lies, & Resolutions)
“
For no obvious reason, I began to look closely at the women on the stradone. Suddenly it seemed to me that I had lived with a sort of limited gaze: as if my focus had been only on us girls, Ada, Gigliola, Carmela, Marisa, Pinuccia, Lila, me, my schoolmates, and I had never really paid attention to Melina’s body, Giuseppina Pelusi’s, Nunzia Cerullo’s, Maria Carracci’s. The only woman’s body I had studied, with ever-increasing apprehension, was the lame body of my mother, and I had felt pressed, threatened by that image, and still feared that it would suddenly impose itself on mine. That day, instead, I saw clearly the mothers of the old neighborhood. They were nervous, they were acquiescent. They were silent, with tight lips and stooping shoulders, or they yelled terrible insults at the children who harassed them. Extremely thin, with hollow eyes and cheeks, or with broad behinds, swollen ankles, heavy chests, they lugged shopping bags and small children who clung to their skirts and wanted to be picked up. And, good God, they were ten, at most twenty years older than me. Yet they appeared to have lost those feminine qualities that were so important to us girls and that we accentuated with clothes, with makeup. They had been consumed by the bodies of husbands, fathers, brothers, whom they ultimately came to resemble, because of their labors or the arrival of old age, of illness. When did that transformation begin? With housework? With pregnancies? With beatings? Would Lila be misshapen like Nunzia? Would Fernando leap from her delicate face, would her elegant walk become Rino’s, legs wide, arms pushed out by his chest? And would my body, too, one day be ruined by the emergence of not only my mother’s body but my father’s? And would all that I was learning at school dissolve, would the neighborhood prevail again, the cadences, the manners, everything be confounded in a black mire, Anaximander and my father, Folgóre and Don Achille, valences and the ponds, aorists, Hesiod, and the insolent vulgar language of the Solaras, as, over the millenniums, had happened to the chaotic, debased city itself? I
”
”
Elena Ferrante (The Story of a New Name (The Neapolitan Novels, #2))
“
How men are like little ants on the crust of the earth, busying themselves with all that is so important, but their lives and industry are just a blink in geological time, really. Borrowed time at that. Mother Earth has only to shrug a shoulder in her sleep, and all the little men and houses go tumbling and scattering, and the men go fleeing for safer sanctuary.
”
”
Loreth Anne White (The Dark Bones (A Dark Lure, #2))
“
He looks out the window at the falling snow, then turns and takes his wife in his arms, feeling grateful to be here even as he wonders what he is going to do with his life in strictly practical terms. For years he had trained himself to do one thing, and he did it well, but he doesn't know whether he wants to keep doing it for the rest of his life, for that matter, whether anyone will let him. He is still worrying when they go to bed.
Feeling his wife's head nesting in the pillow below his shoulder, he is almost certain that they will find ways to manage. They've been learning to get by with less, and they'll keep learning. It seems to him as if they're taking a course in loss lately. And as he feels himself falling asleep he has an insight he believes is important, which he hopes he will remember in the morning, although it is one of those thoughts that seldom survive translation to the language of daylight hours: knowing that whatever plenty befalls them together or separately in the future, they will become more and more intimate with loss as the years accumulate, friends dying or slipping away undramatically into the crowded past, memory itself finally flickering and growing treacherous toward the end; knowing that even the children who may be in their future will eventually school them in the pain of growth and separation, as their own parents and mentors die off and leave them alone in the world, shivering at the dark threshold.
”
”
Jay McInerney (Brightness Falls)
“
The other notable Titans were OCEAN, the river that was supposed to encircle the earth; his wife TETHYS; HYPERION, the father of the sun, the moon, and the dawn; MNEMOSYNE, which means Memory; THEMIS, usually translated by Justice; and IAPETUS, important because of his sons, ATLAS, who bore the world on his shoulders, and PROMETHEUS, who was the savior of mankind.
”
”
Edith Hamilton (Mythology)
“
As you will,” Malice agreed, not surprised at Zak’s desire to prove her wrong. Zak placed little value in wizardry, preferring the hilt of a blade to the crystal rod component of a lightning bolt. Zak moved to stand before Drizzt and handed him the coin. “Flip it.” Drizzt shrugged, wondering what this vague conversation between his mother and the weapons master was all about. Until now, he had heard nothing of any future profession being planned for him, or of this place called Sorcere. With a consenting shrug of his shoulders, he slid the coin onto his curled index finger and snapped it into the air with his thumb, easily catching it. He then held it back out to Zak and gave the weapons master a confused look, as if to ask what was so important about such an easy task. Instead of taking the coin, the weapons master pulled another from his neck-purse. “Try both hands,” he said to Drizzt, handing it to him. Drizzt shrugged again, and in one easy motion, put the coins up and caught them. Zak turned an eye on Matron Malice. Any drow could have performed that feat, but the ease with which this one executed the catch was a pleasure to observe. Keeping a sly eye on the matron, Zak produced two more coins. “Stack two on each hand and send all four up together,” he instructed Drizzt. Four coins went up. Four coins were caught. The only parts of Drizzt’s body that had even flinched were his arms. “Two-hands,” Zak said to Malice. “This one is a fighter. He belongs in Melee-Magthere.
”
”
R.A. Salvatore (Homeland (The Dark Elf, #1; The Legend of Drizzt, #1))
“
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
”
”
Louisa May Alcott (Little Women)
“
They have the opposite problem: they shoulder intolerable burdens of self-disgust, self-contempt, shame and self-consciousness. Thus, instead of narcissistically inflating their own importance, they don’t value themselves at all, and they don’t take care of themselves with attention and skill. It seems that people often don’t really believe that they deserve the best care, personally speaking. They are excruciatingly aware of their own faults and inadequacies, real and exaggerated, and ashamed and doubtful of their own value. They believe that other people shouldn’t suffer, and they will work diligently and altruistically to help them alleviate it. They extend the same courtesy even to the animals they are acquainted with—but not so easily to themselves.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
She tensed as she felt a gentle arm curve behind her shoulders.
It was the duchess, her blue eyes radiant with kindness and a hint of concern, as if she understood how frightening it was to have made the most important decision of her life based on a few days' acquaintance. But there was no way this woman would understand what it was like to face the prospect of marrying a virtual stranger.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
If Sophie hadn’t used my magic in her body,” Elodie summed up, “she would’ve been dead like, ten times by now.”
Okay, it was only twice, I grumbled inside.
Elodie ignored me. “And no,” she said, raising my hand to cut off Jenna’s next question. “I can’t possess anyone else. Trust me, I’ve been trying to get inside Lara Casnoff ever since we got here. Which…sounds really wrong.”
I felt my shoulders shrug. “Anyway, you looked like you were about to eat your own lip, and that’s totally gross, so I figured I oughta swoop in and put your mind at ease. Last night, when I was trying my hardest to possess anyone who’s not this freak, I overheard the Casnoffs talking. Apparently, turning a vampire into a demon seems like an awesome idea, so that’s why you’re here. No staking on the agenda.”
Usling Elodie as a spy hadn’t even occurred to me. Oh my God, this is perfect! I shouted. Well, mentally shouted. Of course! They can’t see you unless you want them to; you can go anywhere in the school, and-
Jeez, not so loud, she interrupted. I’m in your head, so use your inside inside voice.
Elodie went to brush my hair out of my eyes, muttering, “God, how does she live like this?”
If you promise to stop taking over whenever you feel like it, I promise to get a hot oil treatment, I replied, and she snorted.
Jenna folded her arms tightly across her chest. “So, what-you’re like, helping us now?”
My eyes rolled. “No, I’m on Team Take Over The World With A Demon Army. Of course I’m helping you. Mostly so that whenever this is over, Sophie can get back to important stuff. Like how to unbind me from her.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
I chose you.” The words grind out of my chest. I’m breathless and so damn miserable. “I had my mother’s ring and the two most important people with me for Thanksgiving. I told Maren and Will that I chose you. This huge weight was lifted off my shoulders because I knew that you would say yes. And you would consume my whole fucking body and soul, and nothing and no one would ever matter as much as you.
”
”
Jewel E. Ann (From Air (Wildfire, #1))
“
There's a great Hindu story about a lady who wanted to meet the god Krishna. So she went into the forest, closed her eyes, and prayed and meditated on making the god appear and lo and behold, Krishna came wandering down the forest path toward her. But when Krishna tapped the lady on the shoulder, she, without opening her eyes, told him to get lost because she was busy meditating on a very important goal.
”
”
Jen Sincero
“
Did I feel like the weight of the world was on my shoulders sometimes? Yes. Did I get angry, frustrated, and stressed? Yes. But so did a lot of people. The important thing was, I no longer felt trapped. I’d learned to master my circumstances instead of letting them master me, and I had Rhys by my side. No matter how terrible of a day I had, I could go home to someone I loved who loved me back, and that made all the difference.
”
”
Ana Huang (Twisted Games (Twisted, #2))
“
He makes it to the door before turning one-hundred-eighty degrees to jog right back to me. I have the smoothie in one hand and my crossword puzzle in the other, but Isaiah throws his arms around my shoulders, pulling me into a hug. It’s foreign yet comforting, and my body holds no protest to his hug. He holds me as if I were important to him, needed in order for him to get through his day. It feels good, so good. He’s so good.
”
”
Liz Tomforde (Play Along (Windy City, #4))
“
For the record," I do not desire your body. Not that you're hideous or anything, far from it. Even with those scars, your chest is really nice, and I like your legs because they aren't scrawny, and you have nice shoulders and naughty bits, but I've never been one to put physical attributes ahead of more important things."
"Such as?" He had his hands on his hips when he asked the question, which just made me want to giggle again.
"Intelligence, a sense of humor, and oh yes, not being a mythical creature." I swallowed another giggle. "Not that it wasn't a cool form, but still. I like my men without the sort of baggage that must go with being a shape-shifter."
"Is that so?" One eyebrow lifted.
"Yes."
"Then you will not like this." He pulled me against him, his mouth moving into place on mine, his breath hotter than I could have imagined. And then he kissed the very wits right out of my brain.
”
”
Katie MacAlister (Dragon Fall (Dragon Falls, #1))
“
My parents always insulted each other. Mom was a good student and thought school was important. Dad agreed even though he had a chip on his shoulder because he never got good grades. He learned most things from running around on the street, but in a funny way, my dad was smarter. My mom never remembered what she learned in school because she just memorized stuff for tests; it was my dad, who had bad grades, that actually remembered everything he learned.
”
”
Eddie Huang (Fresh Off the Boat)
“
Then he took his hands and placed them on my shoulders, peered straight into my eyes and said, “I hope you’ll hear what I’m about to tell you. I hope you’ll hear it all the way down to your toes. When you’re waiting, you’re not doing nothing. You’re doing the most important something there is. You’re allowing your soul to grow up. If you can’t be still and wait, you can’t become what God created you to be.” Somehow I knew in my soul that his words were God’s words.
”
”
Sue Monk Kidd (When the Heart Waits: Spiritual Direction for Life's Sacred Questions (Plus))
“
Do you believe in love at first sight?”
He made himself look at her face, at her wide-open eyes and earnest forehead. At her unbearably sweet mouth.
“I don’t know,” he said. “Do you believe in love before that?”
Her breath caught in her throat like a sore hiccup.
And then it was too much to keep trying not to kiss her.
She came readily into his arms. Lincoln leaned against the coffee machine and pulled her onto him completely. There it was again, that impossible to describe kiss. This is how 2011 should have ended, he thought. This is infinity.
The first time Beth pulled away, he pulled her back.
The second time, he bit her lip.
Then her neck.
Then the collar of her shirt.
“I don’t know…,” she said, sitting up in his lap, laying her check on the top of his head. “I don’t know what you meant by love before love at first sight.”
Lincoln pushed his face into her shoulder and tried to think of a good way to answer.
“Just that… I knew how I felt about you before I ever saw you,” he said, “when I still thought I might never see you…”
She held his head in her hands and titled it back, so she could see his face.
“That’s ridiculous,” she said. Which made him laugh.
“Absolutely,” he said.
“No, I mean it,” Beth said. “Men fall in love with their eyes.” He closed his. “That’s practically science,” she said.
“Maybe,” Lincoln said. Her fingers felt so good in his hair. “But I couldn’t see you, so…”
“So, what did you see?”
“Just…the sort of girl who would write the sort of things that you wrote.”
“What things?”
Lincoln opened his eyes. Beth was studying his face. She looked skeptical-maybe about more than just the last thing he said. This was important, he realized.
“Everything,” he said, sitting straighter, keeping hold of her waist. “Everything you wrote about your work, about your boyfriend…The way you comforted Jennifer and made her laugh, through the baby and after. I pictured a girl who could be kind, and that kind of funny. I pictured a girl who was that alive…”
She looked guarded. Lincoln couldn’t tell from her eyes whether he was pushing her away or winning her over.
“A girl who never got tired of her favourite movies,” he said softly. “Who saved dresses like ticket stubs. Who could get high on the weather..
“I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. I pictured you,” he said. “I just didn’t know what you looked like. And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.”
Beth’s fingers trembled in his hair, and her forehead dropped against his. A heavy, wet tear fell onto Lincoln’s lips, and he licked it. He pulled her close, as close as he could. Like he didn’t care for the moment whether she could breath. Like there were two of them and only one parachute.
“Beth,” he barely said, pressing his face against hers until their lashes brushed, pressing his hand into the small of her back. “I don’t think I can explain it. I don’t think I can make any more sense. But I’ll keep trying. If you want me to.”
She almost shook her head. “No,” she said, “no more explaining. Or apologizing. I don’t think it matters how we ended up here. I just…I want to stay…I want..
He kissed her then.
There.
In the middle of the sentence.
”
”
Rainbow Rowell (Attachments)
“
The mere contemplation of revelation and the loss of its possibility, though, had shown him something important. Stephan von Namtzen both attracted and aroused him, but it was not because of his own undoubted physical qualities. It was, rather, the degree to which those qualities reminded Grey of James Fraser. Von Namtzen was nearly the same height as Fraser, a powerful man with broad shoulders, long legs, and an instantly commanding presence. However, Stephan was heavier, more crudely constructed, and less graceful than the Scot. And while Stephan warmed Grey’s blood, the fact remained that the Hanoverian did not burn his heart like living flame. He lay down finally upon his bed, and put out the candle. Lay watching the play of firelight on the walls, seeing not the flicker of wood flame, but the play of sun upon red hair, the sheen of sweat on a pale bronzed body … A brief and brutal dose of Mr. Keegan’s remedy left him drained, if not yet peaceful.
”
”
Diana Gabaldon (Lord John and the Hand of Devils (Lord John Grey, #0.5-1.5-2.5))
“
What was it you told me Old Mongwe said?" she asked suddenly. "About guilt?"
"That it's useless." I sighed, remembering the hermit's opaque words: Guilt is self-centered, and leads only to destructive obsession. But conviction brings balance-a sense of purpose beyond oneself.
"And what you said," Kirah pressed. "When you convinced Thaddace to leave that prison?"
I blinked in confusion. She gripped my shoulders, hazel eyes alight. "It was important, Tarisai. You said you heard it from someone-someone powerful."
I remembered then-the voice from the shrine at Sagimsan, turning my limbs to water as the breath of the Storyteller swelled on the mountain air.
"Do not ask how many people you will save," I murmured: "Ask, the what world will you save them? what makes a world worth surviving in?"
"That's right." Kirah nodded fervently. "And what made Thaddace keep going-what made him try-it wasn't guilt. It was love." She reached out and squeezed my hand. "It was love, Tarisai.
”
”
Jordan Ifueko (Redemptor (Raybearer, #2))
“
Which got Thomas thinking. What religious book was any better? The Holy Bible, full of power and poetry, was also filled with tall tales. Thomas had found them enthralling, but in the end they were all just stories, less important than the Sky Woman story, the manidoog at creation, the Nanabozho stories. To them all, especially the humorless book Elnath and Vernon had left, Thomas preferred their supernatural figure Nanabozho, who fooled ducks, got angry at his own butt and burnt it off, created a shit mountain to climb down when stuck high in a tree, had a wolf for his nephew, and no conscience at any time, who painted the kingfisher lovely colors and by trickery fed his children when they starved, who threw his penis over his shoulder and his balls to the west, who changed himself to a stump and made his penis look like a branch where the kingfisher perched, who killed a god by shooting its shadow, and created everything useful and much that was essential, like laughter.
”
”
Louise Erdrich (The Night Watchman)
“
I have some vows for you first,” he spoke to Mia. “I may not be your real daddy, but I vow to be one in all the ways that matter. I vow to be a shoulder for you to cry on when you’re sad. I vow to hold you in my arms and hug you whenever you need it. I vow to protect you always, in any way you may need. I vow to hunt down any guy that thinks he can date you—you’re going to be single for life Mia, just accept it. But most importantly, I vow to love you with all my heart and take care of you always.
”
”
Micalea Smeltzer (Take A Chance (Willow Creek, #4))
“
Men have always been a prey to distractions, which arethe original sins of the mind; but never before today has an attempt been made to organize and exploit distractions, to make of them, because of their economic importance, the core and vital center of human life, to idealize them as the highest manifestations of mental activity. Ours is an age of systematized irrelevances, and the imbecile within us has become one of the Titans, upon whose shoulders rests the weight of the social and economic system
”
”
Aldous Huxley
“
I’m not a child!” the boy cried out while hastily using his sleeve to wipe away his running nose. “Yes, my son, you are.” Norman stepped forward and knelt before the young prince before resting his hands on his shoulders. “There is nothing wrong with being a child; in fact, it is far more important than you know. You are entitled to your childhood, Eric. All boys and girls are, and it is the adults’ responsibility to protect those childhoods. When you are grown up, then it will be your job to protect the younger ones.
”
”
Delemhach (The House Witch 3 (The House Witch, #3))
“
Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.”
Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice.
“Under the circumstances, I don’t think I’m the one you ought to ask.”
“I’ll stay,” she said after a moment and saw the tension in his shoulders relax. Unbuttoning her jacket, she gave it to him, along with her bonnet, and he took them over to the fireplace, hanging them on the pegs in the wall. “Stand by the fire,” he ordered, walking over to the table and filling two glasses with wine, watching as she obeyed.
The front of her hair that had not been covered by her bonnet was damp, and Elizabeth reached up automatically, pulling out the combs that held it off her face on the sides and giving the mass a hard shake. Unconscious of the seductiveness of her gesture, she raised her hands, combing her fingers through the sides of it and lifting it.
She glanced toward Ian and saw him standing perfectly still beside the table, watching her. Something in his expression made her hastily drop her hands, and the spell was broken, but the effect of that warmly intimate look in his eyes was vibrantly, alarmingly alive, and the full import of the risk she was taking by being here made Elizabeth begin to quake inside. She did not know this man at all; she’d only met him hours ago; and yet even now he was watching her with a look that was much too…personal. And possessive.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I looked back and forth between them, feeling the heat of their anger, the unspoken words swelling in the air like smoke. Jerry took a slow sip from his beer and lit another cigarette. "You don't know anything about that little girl," he told Nona. "You're just jealous because Cap belongs to her now."
I could see Nona's heartbeat flutter beneath her t-shirt, the cords tightening in her neck. "Her mommy and daddy might have paid for him," she whispered. "But he's mine."
I waited for Jerry to cave in to her, to apologize, to make things right between them. But he held her gaze, unwavering. "He's not."
Nona stubbed her cigarette out on the barn floor, then stood. "If you don't believe me," she whispered, "I'll show you."
My sister crossed the barn to Cap's stall and clicked her tongue at him. His gold head appeared in the doorway and Nona swung the stall door open. "Come on out." she told him.
Don't!" I said, but she didn't pause.
Cap took several steps forward until he was standing completely free in the barn. I jumped up, blocking the doorway so that he couldn't bolt. Jerry stood and widened himself beside me, stretching out his arms. "What the hell are you doing?" he asked.
Nona stood beside Cap's head and lifted her arms as though she was holding an invisible lead rope. When she began to walk, Cap moved alongside her, matching his pace to hers.
Whoa," Nona said quietly and Cap stopped. My sister made small noises with her tongue, whispering words we couldn't hear. Cap's ears twitched and his weight shifted as he adjusted his feet, setting up perfectly in showmanship form. Nona stepped back to present him to us, and Jerry and I dropped our arms to our sides.
Ta da!" she said, clapping her hands at her own accomplishment.
Very impressive," Jerry said in a low voice. "Now put the pony away."
Again, Nona lifted her hands as if holding a lead rope, and again, Cap followed. She stepped into him and he turned on his heel, then walked beside her through the barn and back into his stall. Once he was inside, Nona closed the door and held her hands out to us. She hadn't touched him once.
Now," she said evenly. "Tell me again what isn't mine."
Jerry sank back into his chair, cracking open a fresh beer. "If that horse was so important to you, maybe you shouldn't have left him behind to be sold off to strangers."
Nona's face constricted, her cheeks and neck darkening in splotches of red. "Alice, tell him," she whispered. "Tell him that Cap belongs to me."
Sheila Altman could practice for the rest of her life, and she would never be able to do what my sister had just done. Cap would never follow her blindly, never walk on water for her. But my eyes traveled sideways to Cap's stall where his embroidered halter hung from its hook. If the Altmans ever moved to a different town, they would take Cap with them. My sister would never see him again. It wouldn't matter what he would or wouldn't do for her.
My sister waited a moment for me to speak, and when I didn't, she burst into tears, her shoulders heaving, her mouth wrenching open. Jerry and I glanced at each other, startled by the sudden burst of emotion.
You can both go to hell," Nona hiccuped, and turned for the house. "Right straight to hell.
”
”
Aryn Kyle (The God of Animals)
“
There are many husbands like Zahar in the world. A diplomatist will sometimes carelessly listen to his wife's advice, shrug his shoulders, and secretly write what she told him. A Government official will whistle and make a contemptuous grimace at his wife's chatter about some important affair - and the next day he will solemnly repeat this chatter to the Minister. These gentlemen treat their wives morosely or lightly, despising them, like Zahar, as mere women, or regarding them as a pleasant relaxation from the serious life of business.
”
”
Ivan Goncharov (Oblomov)
“
I want you with me.” Another kiss was placed on my face. “But don’t rush into making a decision. I don’t want you regretting anything.”
“We’ll figure it out.” I smiled, soaking in the scent of him, the feel of his slick suit and thick shoulder beneath my cheek. The brush of his beard against the top of my head. Heaven.
“Yeah,” he whispered. “Love you.”
“You do?”
“Without a doubt.”
“Good. I love you more though,” I said. Because it’s important in relationships, especially those that felt like forever, to show that you were the better person. Ha.
”
”
Kylie Scott (Twist (Dive Bar, #2))
“
How shall we deal with such a child? Have our hands, soiled with daily toil, become too hard and too proud to fold in prayer at the sight of this child? Has our head become too full of serious thoughts … that we cannot bow our head in humility at the wonder of this child? Can we not forget all our stress and struggles, our sense of importance, and for once worship the child, as did the shepherds and the wise men from the East, bowing before the divine child in the manger like children?4 “The Government upon the Shoulders of the Child,” Christmas 1940
”
”
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
“
Not everyone will be capable of shouldering this task of personal responsibility or of being a good example for their children. But the heroes of the next generation will be those who can calm the buzzing and jigging of outside distraction long enough to listen to the sound of their own hearts, those who will follow their own path until they learn to walk erect—not hunched over like a Neanderthal, palm-gazing. Into traffic. You have a choice in where to direct your attention. Choose wisely. The world will wait. And if it’s important, they’ll call back.
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.”
“Why is that, exactly?” Tom asked, disgruntled.
“A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.”
Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.”
“Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.”
Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed.
West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels.
“Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew.
“Dad needed my help,” Justin said self-importantly, bringing an umbrella to him.
“We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.”
“I didn’t think you were superstitious,” Tom protested. “You believe in science.”
West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.”
Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.”
“What’s fertility?” Justin asked.
In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?”
“As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.”
West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested.
The child looked mildly concerned. “Don’t you know, Dad?
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Evolution has molded males and females to carry out the only imperative that nature has— the continuance of life—which is achieved via individual survival and reproductive success. It falls upon the shoulders of females to perform the most important and noble role of all: that of carrying, delivering, and nurturing the next generation of humans. That is both a burden and a crowning glory, assigned not by a patriarchal society but by Mother Nature herself. Observing a young mother basking in her newborn, we see the quintessence of joyous satisfaction, certainly a far cry from an inferior role, as it is often described by radical feminists.
To liken traditional sex roles to slavery and prostitution, and all heterosexual sexual activity to rape, as many of the most radical feminists have done, is the essence of idiocy and bigotry, and it is not too far away from self-loathing. Furthermore, it is an insult of the most egregious kind to millions of men and women living decent, moral lives in the context of those traditional roles. My wife hardly thinks of herself as a slave, nor do I think of her as a prostitute.
”
”
Anthony Walsh (Science Wars: Politics, Gender, and Race)
“
One final thing,” my older version said. He put a hand on my shoulder, touching me for the first time. “Do us both a favor and remember that people are more important.”
I scrunched my eyes with uncertainty. “More important than what?”
“More important… period. More important than pride. More important than ego. More important than being right or being first or being the best. More important than a job, a salary, a want, a desire. The people in your life are more important, son. Remember that. Promise me you will always remember that.”
“Okay,” I nodded, “I’ll remember.
”
”
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
“
QUOTES AND THOUGHTS FROM SEEMA & FRIENDS
_________________________________________________
On work and career (some paraphrasing involved):
_________________________________________________
“Bosses are always jerks. It’s a job requirement.”
———-
“Don’t do dumb shit.”
———-
Never ever lose sight of priorities. Food always comes first.
———-
An itch started in her chest. Go away, she crossly ordered her conscience. It had a habit of popping its head out at the most inconvenient times. The itch became a tickle rising to her nose. Nope, not her conscience. She was going to sneeze.
———-
It’s your God-given right as an employee to whine about bosses.
_______________________________________________
On romance and families (some paraphrasing involved):
_______________________________________________
“Smell is very important,” Gayathri agreed, tone grave. “One of the first things I notice about a man.”
———-
“Men—no matter how awful they look—always believe they deserve the hottest girl on the planet.”
“What are the rest of us supposed to do?” asked Seema, glumly.
Gayathri shrugged. “Act like we are the hottest girl on the planet. Confidence goes a long way.”
———-
Seema had never been able to tell where friendly conversation ended and the banter of romance started. Did the delight in his gaze when it landed on her mean something more than casual amiability? What about his hand cupping her cheek to check for fever? The arm he’d wrapped around her shoulders? Was she gonna have to wait until he initiated a lip lock to be certain? Could she plant one on him? What if he ran, screaming in horror?
———-
“You just have to look the other way on some things,” Gayathri advised. “Pretence is the glue which holds families together.”
———-
”
”
Anitha Perinchery (One Monsoon in Mumbai: Trouble and Laughter and Mushy Stuff)
“
His ragù begins the same way all ragù begin: with finely diced onion, carrot, and celery sautéed in olive oil, the sacred soffritto. "It's important to really caramelize the vegetables. That's where the flavor comes from."
Later come two pounds of coarsely ground beef ("from the neck or shoulder- something with fat and flavor") and a pound of ground pork butt, browned separately from the vegetables and deglazed with a cup of white wine (pignoletto, of course). Peeled tomatoes, tomato paste, bay leaves, and three hours of simmering over a low flame. Seasoning? "Salt. Never pepper.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
Hennessy carefully patted the blood away to reveal the tattoo. It was difficult to not be overwhelmed by the realness of it, the permanence of it. Part of him expected her to just wipe the blood and ink away to reveal bare skin, but instead, his entire left arm was patterned darkly from shoulder to wrist with something like chain mail.
No, like snakeskin.
Each scale was a pure dark green, and the only place his skin showed through was in a narrow line to indicate the edge of each interlocking scale.
It felt like a lifetime ago he and Hennessy had held a snake in the abandoned museum. Bryde had ordered them to look at the reptile, to study it, take in its details in case they wanted to dream it later. They had. But Hennessy had been wide awake, not dreaming, when she’d painted these scales up and down his skin.
“Fuck you,” he told her. “This is so good.”
She gave him the ghost of a smile. “Welcome back, Ronan Lynch.”
It was still jarring to be Ronan Lynch. Time behaved so differently here; it was important here. One did not have endless dark moments to fill; human lives were so short, so urgent—
“Where’s Adam?”
Hennessy asked, “What?”
“Adam. My Adam. Adam!
”
”
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
“
At this time, we would like to open up the floor to the victim, Aubriella Adams, to speak.” The room feels motionless, quiet, as if everyone knows this is an important moment. They know what this man did to my girl. They know what kind of monster he is. Aubrey stands and unfolds a piece of paper. I didn’t know this was going to happen, if I did I would not be okay with it. I don't want her to go through any more pain. She looks at Rich and holds his stare and now I know why she needs to do this. I see no fear in her face. I see anger and I see strength but she’s devoid of fear. She squares her shoulders and stands fierce. “You were supposed to take care of me. You weren’t supposed to take my innocence. You raped me and abused me. I want to look you in the eye and tell you…. You are a monster. You are sick. You are a murderer and a pedophile. You need to know, you may have taken my youth, but you will never….ever have my future. I have a man I love and I’m loved by him. I’m going to have his children one day. One day soon, I’m going to go to college. I’m going to have a career. I’m going to grow old. I’m going to live my life and you will rot behind bars.” She continues staring him down as she takes a seat.
”
”
Abby McCarthy (Fight You (Wrecked #2))
“
Having to remind your partner to do something doesn’t take that something off your list. It adds to it. And what’s more, reminding is often unfairly characterized as nagging. (Almost every man interviewed in connection with this project said nagging is what they hate most about being married, but they also admit that they wait for their wives to tell them what to do at home.) It’s not a partnership if only one of you is running the show, which means making the important distinction between delegating tasks and handing off ownership of a task. Ownership belongs to the person who first off remembers to plan, then plans, and then follows through on every aspect of executing the plan and completing the task without reminders. A survey conducted by Bright Horizons—an on-site corporate childcare provider—found that 86 percent of working mothers say they handle the majority of family and household responsibilities, “not just making appointments, but also driving to them and mentally calendaring who needs to be where, and when.” In order to save us from big-time burnout, we need our partners to be more than helpers who carry out instructions that we’ve taken time and energy to think through (and then who blame us when things fall through the cracks). We need our partners to take the lead by consistently picking up a task, or “card”—week after week—and completely taking it off our mental to-do list by doing every aspect of what the card requires. Otherwise we still worry about whether the task is being done as we would do it, or done fully, or done at all—which leaves us still shouldering the mental and emotional load for the “help” or the “favor” we had to ask for. But how do we get our partners to take that initiative and own every aspect of a household or childcare responsibility without being (nudge, nudge) told what to do? Or, to simply figure it out?
”
”
Eve Rodsky (Fair Play: A Game-Changing Solution for When You Have Too Much to Do (And More Life to Live))
“
Captain Bailey’s face went rigid as he stepped aside, revealing another bicorne-crowned officer just behind him.
The gentleman joined their circle, probing Milly with his gaze. He was handsome, more so than the other two. The upward tilt of his chin, confident set to his shoulders, and seductive smile lifting one corner of his mouth sent a wave of disquiet through her middle.
She’d met this sort before.
The silver tassels on his epaulettes glimmered in the firelight and spoke of power, and she lowered her eyes, pointedly aware she didn’t belong here, surrounded by such important men, addressing them as if anything she said were worthy of their consideration. She sucked in a deliberate breath and drew back ever so slightly.
Captain Bailey matched her move and slipped a hand to the back of her elbow. She suspected the touch was meant to be one of support. Instead, she felt trapped.
“Miss Milly Wilkins, may I present Captain Jameson Collins?” Captain Bailey’s voice was clipped, and Milly feared he was beginning to see through the ruse.
The sound of rattling chains stemmed from the shadows and her eyes darted toward it. Any minute these officers would realize she should be shackled as well. Could they see through the shadows of her hood to the pulse pounding in her neck?
”
”
April W. Gardner (Beneath the Blackberry Moon: The Ebony Cloak (Creek Country Saga #3))
“
With the exception of the fog he seemed to control everything. Yet he was angry. I knew that he was angry by this token. When I read what he wrote about women I thought, not of what he was saying, but of himself. When an arguer argues dispassionately he thinks only of the argument; and the reader cannot help thinking of the argument too. If he had written dispassionately about women, had used indisputable proofs to establish his argument and had shown no trace of wishing that the result should be one thing rather than another, one would not have been angry either. One would have accepted the fact, as one accepts the fact that a pea is green or a canary yellow. So be it, I should have said. But I had been angry because he was angry. Yet it seemed absurd, I thought, turning over the evening paper, that a man with all this power should be angry. Or is anger, I wondered, somehow, the familiar, the attendant sprite on power? Rich people, for example, are often angry because they suspect that the poor want to seize their wealth. The professors, or patriarchs, as it might be more accurate to call them, might be angry for that reason partly, but partly for one that lies a little less obviously on the surface. Possibly they were not “angry” at all; often, indeed, they were admiring, devoted, exemplary in the relations of private life. Possibly when the professor insisted a little too emphatically upon the inferiority of women, he was concerned not with their inferiority, but with his own superiority. That was what he was protecting rather hot-headedly and with too much emphasis, because it was a jewel to him of the rarest price. Life for both sexes—and I looked at them, shouldering their way along the pavement—is arduous, difficult, a perpetual struggle. It calls for gigantic courage and strength. More than anything, perhaps, creatures of illusion as we are, it calls for confidence in oneself. Without self-confidence we are as babes in the cradle. And how can we generate this imponderable quality, which is yet so invaluable, most quickly? By thinking that other people are inferior to oneself. By feeling that one has some innate superiority—it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney—for there is no end to the pathetic devices of the human imagination—over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself. It must indeed be one of the chief sources of his power.
”
”
Virginia Woolf (A Room of One's Own)
“
And not just beautiful, but hot, too, with her breasts straining against her tight tank top, her curved legs swinging back and forth beneath the swing, flip-flops dangling from her electric-blue-painted toes. It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls’ bodies ease from one place to another, from arc of the foot to ankle to calf, from calf to hip to waist to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I’d noticed curves before, of course, but I had never quite apprehended their significance.
”
”
John Green (Looking for Alaska)
“
He lives near me so we do some things together.” His throat felt tight. “Well, lots of things, actually. But of course we have our own lives. Both know it’s important we don’t get in each other’s way. It’s not like he needs me, needs my help for anything.”
“But you do.”
Garry turned his head so swiftly, he heard it crick.
“You need him,” Emily announced, gravely. “Don’t you?”
And while he desperately searched for something to say that would stop this right now, she peered carefully at his shoulders and neck.
“You need him to do your hair, to comb out those very nasty dangles. It’s difficult, I know. I can’t do my plates on my own.”
Max caught Garry’s eye. “Tangles,” he mouthed. “Plaits.
”
”
Clare London (Between a Rock and a Hard Place)
“
Many people approach Tolstoy with mixed feelings. They love the artist in him and are intensely bored by the preacher; but at the same time it is rather difficult to separate Tolstoy the preacher from Tolstoy the artist—it is the same deep slow voice, the same robust shoulder pushing up a cloud of visions or a load of ideas. What one would like to do, would be to kick the glorified soapbox from under his sandalled feet and then lock him up in a stone house on a desert island with gallons of ink and reams of paper—far away from the things, ethical and pedagogical, that diverted his attention from observing the way the dark hair curled above Anna's white neck. But the thing cannot be done : Tolstoy is homogeneous, is one, and the struggle which, especially in the later years, went on between the man who gloated over the beauty of black earth, white flesh, blue snow, green fields, purple thunderclouds, and the man who maintained that fiction is sinful and art immoral—this struggle was still confined within the same man. Whether painting or preaching, Tolstoy was striving, in spite of all obstacles, to get at the truth. As the author of Anna Karenin, he used one method of discovering truth; in his sermons, he used another; but somehow, no matter how subtle his art was and no matter how dull some of his other attitudes were, truth which he was ponderously groping for or magically finding just around the corner, was always the same truth — this truth was he and this he was an art.
What troubles one, is merely that he did not always recognize his own self when confronted with truth. I like the story of his picking up a book one dreary day in his old age, many years after he had stopped writing novels, and starting to read in the middle, and getting interested and very much pleased, and then looking at the title—and seeing: Anna Karenin by Leo Tolstoy.
What obsessed Tolstoy, what obscured his genius, what now distresses the good reader, was that, somehow, the process of seeking the Truth seemed more important to him than the easy, vivid, brilliant discovery of the illusion of truth through the medium of his artistic genius. Old Russian Truth was never a comfortable companion; it had a violent temper and a heavy tread. It was not simply truth, not merely everyday pravda but immortal istina—not truth but the inner light of truth. When Tolstoy did happen to find it in himself, in the splendor of his creative imagination, then, almost unconsciously, he was on the right path. What does his tussle with the ruling Greek-Catholic Church matter, what importance do his ethical opinions have, in the light of this or that imaginative passage in any of his novels?
Essential truth, istina, is one of the few words in the Russian language that cannot be rhymed. It has no verbal mate, no verbal associations, it stands alone and aloof, with only a vague suggestion of the root "to stand" in the dark brilliancy of its immemorial rock. Most Russian writers have been tremendously interested in Truth's exact whereabouts and essential properties. To Pushkin it was of marble under a noble sun ; Dostoevski, a much inferior artist, saw it as a thing of blood and tears and hysterical and topical politics and sweat; and Chekhov kept a quizzical eye upon it, while seemingly engrossed in the hazy scenery all around. Tolstoy marched straight at it, head bent and fists clenched, and found the place where the cross had once stood, or found—the image of his own self.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
There was also in his nature a trait which some people might have called laziness, though it was not quite that. No one was capable of harder work, when it had to be done, and few could better shoulder responsibility; but the facts remained that he was not passionately fond of activity, and did not enjoy responsibility at all. Both were included in his job, and he made the best of them, but he was always ready to give way to any one else who could function as well or better. It was partly this, no doubt, that had made his success in the Service less striking than it might have been. He was not ambitious enough to shove his way past others, or to make an important parade of doing nothing when there was really nothing doing. His dispatches were sometimes laconic to the point of curtness, and his calm in emergencies, though admired, was often suspected of being too sincere. Authority likes to feel that a man is imposing some effort on himself, and that his apparent nonchalance is only a cloak to disguise an outfit of well-bred emotions. With Conway the dark suspicion had sometimes been current that he really was as unruffled as he looked, and that whatever happened, he did not give a damn. But this, too, like the laziness, was an imperfect interpretation. What most observers failed to perceive in him was something quite bafflingly simple—a love of quietness, contemplation, and being alone.
”
”
James Hilton (Lost Horizon)
“
But as a Puerto Rican woman, she belonged to not one but two minority groups. New research suggests that her double minority status may have amplified the costs and the benefits of speaking up. Management researcher Ashleigh Rosette, who is African American, noticed that she was treated differently when she led assertively than were both white women and black men. Working with colleagues, she found that double minority group members faced double jeopardy. When black women failed, they were evaluated much more harshly than black men and white leaders of both sexes. They didn’t fit the stereotype of leaders as black or as female, and they shouldered an unfair share of the blame for mistakes. For double minorities, Rosette’s team pointed out, failure is not an option. Interestingly, though, Rosette and her colleagues found that when black women acted dominantly, they didn’t face the same penalties as white women and black men. As double minorities, black women defy categories. Because people don’t know which stereotypes to apply to them, they have greater flexibility to act “black” or “female” without violating stereotypes. But this only holds true when there’s clear evidence of their competence. For minority-group members, it’s particularly important to earn status before exercising power. By quietly advancing the agenda of putting intelligence online as part of her job, Carmen Medina was able to build up successes without attracting too much attention. “I was able to fly under the radar,” she says. “Nobody really noticed what I was doing, and I was making headway by iterating to make us more of a publish-when-ready organization. It was almost like a backyard experiment. I pretty much proceeded unfettered.” Once Medina had accumulated enough wins, she started speaking up again—and this time, people were ready to listen. Rosette has discovered that when women climb to the top and it’s clear that they’re in the driver’s seat, people recognize that since they’ve overcome prejudice and double standards, they must be unusually motivated and talented. But what happens when voice falls on deaf ears?
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
She had the kind of eyes that predisposed you to supporting her every endeavor. And not just beautiful, but hot, too, with her breasts straining against her tight tank top, her curved legs swinging back and forth beneath the swing, flip-flops dangling from her electric-blue-painted toes. It was right then, between when I asked about the labyrinth and when she answered me, that I realized the importance of curves, of the thousand places where girls’ bodies ease from one place to another, from arc of the foot to ankle to calf, from calf to hip to waist to breast to neck to ski-slope nose to forehead to shoulder to the concave arch of the back to the butt to the etc. I’d noticed curves before, of course, but I had never quite apprehended their significance.
”
”
John Green (Looking for Alaska)
“
why she wants you to think it over."
"It must be a neurosurgeon thing," she mused. "This intractability. It's what happens when you assume one organ system is more important than the others."
"It is," he replied. "When the brain shuts down, the game's over."
Alex squared her shoulders and let out a long breath. "Gastric functions continue, unaided, for at least a week following brain death."
"Yeah. With a ventilator," he snapped.
Because I couldn't listen to this argument without fighting for my service's supremacy, I added, "You're both wrong because none of it matters without a beating heart."
The three of us stared at each other for a second, each ready to drop our specialized
hammers. Then Nick said, "We need to get a urologist at this table. Someone to stand up for balls.
”
”
Kate Canterbary (Before Girl (Vital Signs, #1))
“
Twitter is real life; it’s realer than real life, because that is the realm that the social economy of publishing exists on, because the industry has no alternative. Offline, writers are all faceless, hypothetical creatures pounding out words in isolation from one another. You can’t peek over anyone’s shoulder. You can’t tell if everyone else is really doing as dandy as they pretend they are. But online, you can tune into all the hot gossip, even if you’re not nearly important enough to have a seat in the room where it happens. Online, you can tell Stephen King to go fuck himself. Online, you can discover that the current literary star of the moment is actually so problematic that all of her works should be canceled, forever. Reputations in publishing are built and destroyed, constantly, online.
”
”
R.F. Kuang (Yellowface)
“
The school teacher tried to bring home to the mind of the boy some conception of the difficulties he would have to face as a writer. “You will have to know life,” she declared, and her voice trembled with earnestness. She took hold of George Willard’s shoulders and turned him about so that she could look into his eyes. A passer-by might have thought them about to embrace. “If you are to become a writer you’ll have to stop fooling with words,” she explained. “It would be better to give up the notion of writing until you are better prepared. Now it’s time to be living. I don’t want to frighten you, but I would like to make you understand the import of what you think of attempting. You must not become a mere peddler of words. The thing to learn is to know what people are thinking about, not what they say.
”
”
Sherwood Anderson (Winesburg, Ohio)
“
I’ve kept a tally of the alcohol Ellie’s consumed—three martinis at the dinner reception and four whiskeys neat at the pub. She downs a fifth one like water.
“You’re a Viking!” Henry encourages her.
“Vikings!!!” Ellie shouts.
When the Prince calls the bartender for another, I push my way through the crowd to Henry.
“She’s had enough,” I tell him quietly.
“She’s fine.” He waves his hand at the air.
“She’s just a girl,” I insist.
Ellie takes exception, poking my arm with her finger and slurring. “Hey! I resent that. I’m a matter adult. Mattur. Ma-ture.” She tilts her head, gasping. “Oh my God, I just realized that except for one letter, mature and manure are the same word! That’s so weird.”
I turn back to Prince Henry. “Like I said . . . more than enough.”
He leans across the bar towards Ellie, holding up two fingers. “Ellie, how many fingers do you see?”
Ellie squints and strains, until finally she grabs Henry’s hand and holds it still.
“Four.”
“Brilliant answer!”
“Was I right?” Ellie asks hopefully.
“No—if you’d gotten it right, I’d be really concerned.” Then he bangs the bar with his palm. “Another round!”
That’s when Ellie slides clear off her stool. I catch her before she hits the floor, but just barely. And then I glare at Henry.
“Mmm . . . perhaps we have reached our quota for the evening.” He puts his hand on Ellie’s arm, lifting his chin a little as he says, “It’s always important to be able to actually walk out of the pub on our own two feet. Dignity and all that.”
Ellie’s head lolls on her neck until she rests it on my shoulder, her puffs of breath brushing my throat. “M’kay
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
The hermit takes a long wooden spoon from the table and then stirs what must be her dinner for a solid week. Her slow mixing sets loose even more of the mouth-watering meat and herbs aroma of whatever is stewing over the fire, and my stomach rumbles—long, low, and loud.
She slants me an unnerving, bright-green look before moving her slightly contemptuous gaze over to Griffin. “Does your man not feed you?” she asks.
I sense Griffin bristling beside me, as if his shoulders grow a foot in width.
“Of course he feeds me. More importantly, I feed myself.” Sort of. I can pick berries. And maybe catch a fish. I can definitely start a fire. Sometimes.
I glance at Griffin, and he looks back at me with a definite hint of Liar, liar, tunic on fire in his eyes.
I shrug. I guess that’s why we’re a team. I’m Elpis. He cooks.
”
”
Amanda Bouchet (Heart on Fire (Kingmaker Chronicles, #3))
“
I start to speak, but he pushes me. “I lost a brother, but I also gained one the day I met you. So I’m begging you not to go after Loki, because if you die I’ll be destroyed again and I don’t think I can take that.”
Fucking hell.
Jace has always been important to me—Cole, too—and I considered them my family, but I never knew he felt like I was his.
The sound of someone sniffing has us both turning to Cole.
Jace’s expression twists in horror. “Motherfucker, are you crying?”
“Nah, man,” Cole says, rolling his shoulders back. “They got some onions up in this bitch or something.”
Jace and I start howling with laughter.
“Sawyer must keep his balls in a jar on the nightstand,” Jace jokes. “Right next to her Bible.”
“Dammit. I’m telling you, it’s the onions,” Cole argues.
“It’s okay, man,” I tell him. “I love you, too.
”
”
Ashley Jade (Broken Kingdom (Royal Hearts Academy, #4))
“
Lend stood up, shouldering his duffel bag, as I walked back into the living room. “Where do you think you’re going?” I snatched his coat away and held it. He just got here. There was no way I was letting him go anywhere else.
“I happen to have very important things to do.”
“What on earth is more important than watching Easton Heights??”
“Christmas shopping for you?”
I dropped the coat into his arms and opened the door. “Take your time.”
“Glad to know I’ll be missed.”
“Have fun!” I leaned up and kissed him hard, then shoved him out and sat back on the couch with a sloppy smile on my face. “Best boyfriend ever.”
“Shut. Up. Now.” Arianna didn’t move, eyes fixed on the television. A firm knock sounded on the door. “And tell Lend he can just walk in already!”
“Did you forget something?” I said as I opened the door, surprised to see a short black woman in a suit. And not Lend pretending to be one, either.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it is your power. It can’t be given away: it resides in you. It is literally the result of your discipline. “Now, what is interesting about this process is that, by the time someone has acquired the ability to kill with his bare hands, he has also matured to the point where he won’t use it unwisely. So that kind of power has a built-in control. The discipline of getting the power changes you so that you won’t abuse it. “But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step. You can do it very young. You can make progress very fast. There is no discipline lasting many decades. There is no mastery: old scientists are ignored. There is no humility before nature. There is only a get-rich-quick, make-a-name-for-yourself-fast philosophy. Cheat, lie, falsify—it doesn’t matter. Not to you, or to your colleagues. No one will criticize you. No one has any standards. They are all trying to do the same thing: to do something big, and do it fast. “And because you can stand on the shoulders of giants, you can accomplish something quickly. You don’t even know exactly what you have done, but already you have reported it, patented it, and sold it. And the buyer will have even less discipline than you. The buyer simply purchases the power, like any commodity. The buyer doesn’t even conceive that any discipline might be necessary.
”
”
Michael Crichton (Jurassic Park (Jurassic Park, #1))
“
A CITY IS AS much a state of mind as a place—a set of perceptions of place. On the last train home to Mullaghbrack or Gortyfarnham or half a hundred other BallyBogMans, two farmers fall to reviewing their experiences of the big city. One has walked the streets and avenues and come away with memories of glistening steeples and dreaming spires, monuments to men of bearing and import, Palladian porticos and grand civic cupolas, pillars, piers, and palisades, and the air full of singing birds. The other has walked the same streets, yet his memories are of grey brick tenements shouldering against each other like nervous thugs; cracked fanlights, windows boarded over with card, baby carriages full of coal or potatoes, tramps in doorways, cabbage leaves underfoot, the perfume of urine and porter, pressing people with voices like flatirons. They might have visited cities continents apart, but it is the same city.
”
”
Ian McDonald (King of Morning, Queen of Day)
“
In Fleury’s day, however, the grass was cut and the graves well cared for. Besides, as you might expect, he was fond of graveyards; he enjoyed brooding in them and letting his heart respond to the abbreviated biographies he found engraved in their stones . . . so eloquent, so succinct! All the same, once he had spent an hour or two pondering by his mother’s grave he decided to call it a day because, after all, one does not want to overdo the lurking in graveyards. This decision was not a very sudden one. From the age of sixteen when he had first become interested in books, much to the distress of his father, he had paid little heed to physical and sporting matters. He had been of a melancholy and listless cast of mind, the victim of the beauty and sadness of the universe. In the course of the last two or three years, however, he had noticed that his sombre and tubercular manner was no longer having quite the effect it had once had, particularly on young ladies. They no longer found his pallor so interesting, they tended to become impatient with his melancholy. The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian. The truth was that the tide of sensitivity to beauty, of gentleness and melancholy, had gradually ebbed leaving Fleury floundering on a sandbank. Young ladies these days were more interested in the qualities of Tennyson’s “great, broad-shouldered, genial Englishman” than they were in pallid poets, as Fleury was dimly beginning to perceive. Louise Dunstaple’s preference for romping with jolly officers which had dismayed him on the day of the picnic had by no means been the first rebuff of this kind. Even Miriam sometimes asked him aloud why he was looking “hangdog” when once she would have remained silent, thinking “soulful”. All
”
”
J.G. Farrell (The Siege of Krishnapur)
“
Where to stash your organizational risk? Lately, I’m increasingly hearing folks reference the idea of organizational debt. This is the organizational sibling of technical debt, and it represents things like biased interview processes and inequitable compensation mechanisms. These are systemic problems that are preventing your organization from reaching its potential. Like technical debt, these risks linger because they are never the most pressing problem. Until that one fateful moment when they are. Within organizational debt, there is a volatile subset most likely to come abruptly due, and I call that subset organizational risk. Some good examples might be a toxic team culture, a toilsome fire drill, or a struggling leader. These problems bubble up from your peers, skip-level one-on-ones,16 and organizational health surveys. If you care and are listening, these are hard to miss. But they are slow to fix. And, oh, do they accumulate! The larger and older your organization is, the more you’ll find perched on your capable shoulders. How you respond to this is, in my opinion, the core challenge of leading a large organization. How do you continue to remain emotionally engaged with the challenges faced by individuals you’re responsible to help, when their problem is low in your problems queue? In that moment, do you shrug off the responsibility, either by changing roles or picking powerlessness? Hide in indifference? Become so hard on yourself that you collapse inward? I’ve tried all of these! They weren’t very satisfying. What I’ve found most successful is to identify a few areas to improve, ensure you’re making progress on those, and give yourself permission to do the rest poorly. Work with your manager to write this up as an explicit plan and agree on what reasonable progress looks like. These issues are still stored with your other bags of risk and responsibility, but you’ve agreed on expectations. Now you have a set of organizational risks that you’re pretty confident will get fixed, and then you have all the others: known problems, likely to go sideways, that you don’t believe you’re able to address quickly. What do you do about those? I like to keep them close. Typically, my organizational philosophy is to stabilize team-by-team and organization-by-organization. Ensuring any given area is well on the path to health before moving my focus. I try not to push risks onto teams that are functioning well. You do need to delegate some risks, but generally I think it’s best to only delegate solvable risk. If something simply isn’t likely to go well, I think it’s best to hold the bag yourself. You may be the best suited to manage the risk, but you’re almost certainly the best positioned to take responsibility. As an organizational leader, you’ll always have a portfolio of risk, and you’ll always be doing very badly at some things that are important to you. That’s not only okay, it’s unavoidable.
”
”
Will Larson (An Elegant Puzzle: Systems of Engineering Management)
“
Montgomery, Alabama. December 1, 1955. Early evening. A public bus pulls to a stop and a sensibly dressed woman in her forties gets on. She carries herself erectly, despite having spent the day bent over an ironing board in a dingy basement tailor shop at the Montgomery Fair department store. Her feet are swollen, her shoulders ache. She sits in the first row of the Colored section and watches quietly as the bus fills with riders. Until the driver orders her to give her seat to a white passenger. The woman utters a single word that ignites one of the most important civil rights protests of the twentieth century, one word that helps America find its better self. The word is “No.” The driver threatens to have her arrested. “You may do that,” says Rosa Parks. A police officer arrives. He asks Parks why she won’t move. “Why do you all push us around?” she answers simply. “I don’t know,” he says. “But the law is the law, and you’re under arrest.” On the afternoon of her trial and conviction for disorderly conduct, the Montgomery Improvement Association holds a rally for Parks at the Holt Street Baptist Church, in the poorest section of town. Five thousand gather to support Parks’s lonely act of courage. They squeeze inside the church until its pews can hold no more. The rest wait patiently outside, listening through loudspeakers. The Reverend Martin Luther King Jr. addresses the crowd. “There comes a time that people get tired of being trampled over by the iron feet of oppression,” he tells them. “There comes a time when people get tired of being pushed out of the glittering sunlight of life’s July and left standing amidst the piercing chill of an Alpine November.” He praises Parks’s bravery and hugs her. She stands silently, her mere presence enough to galvanize the crowd. The association launches a citywide bus boycott that lasts 381 days. The people trudge miles to work. They carpool with strangers. They change the course of American history.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Very important words!” Wasp said. “But you’ll never hear them!” “Okay,” I agreed. “You can’t make us!” Tempest said. “Even though your fate depends on it!” A hint of doubt crept into my cranium. Was it possible—? No, surely not. If I fell for their tricks, I’d most likely get the Gray Sisters’ hot take on which facial products were perfect for my skin undertones. “Not buying it,” I said. “Not selling!” Wasp shrieked. “Too important, these lines! We would only tell you if you threatened us with terrible things!” “I will not resort to threatening you—” “He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
He concluded the speech with an irritated motion of his hands.
Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment.
Then his face went dark.
“Evie,” he said, his voice containing a bladelike ferocity that frightened her. “Did you think I was about to…Christ. Someone hit you. Someone hit you in the past—who the hell was it?” He reached for her suddenly—too suddenly—and she stumbled backward, coming up hard against the wall. Sebastian went very still. “Goddamn,” he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. “I would never strike a woman. I would never harm you. You know that, don’t you?”
Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn’t move or make a sound. She started as he approached her slowly. “It’s all right,” he murmured. “Let me come to you. It’s all right. Easy.” One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. “Who was it?” he asked.
“M-my uncle,” she managed to say. The motion of his hand on her back paused as he heard her stammer.
“Maybrick?” he asked patiently.
“No, th-the other one.”
“Stubbins.”
“Yes.” Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian’s hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne.
“How often?” she heard him ask. “More than once?”
“I…i-it’s not important now.”
“How often, Evie?”
Realizing that he was going to persist until she answered, Evie muttered, “Not t-terribly often, but…sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip.”
“Did he?” Sebastian was silent for a long moment, and then he spoke with chilling softness. “I’m going to tear him limb from limb.”
“I don’t want that,” Evie said earnestly. “I-I just want to be safe from him. From all of them.”
Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Why are you doing this? I don’t want you. Is that the problem? Is your ego so big you can’t handle a woman rejecting you?”
“Oh, you want me alright, my sexy little witch. Want me so bad it scares you. Well, I’ve got news for you. It scares the fuck out of me, too. But I don’t care. When the options are settling down with you for life and popping out little demonlings or watching you walk away, I know what I choose.”
For a moment, she couldn’t answer, could only gape at him as his words penetrated. Surely, she misunderstood. “What did you say?”
“I want you as my mate.”
No misunderstanding that time.
She tamped down her elation by slapping it with the cold, hard truth. “You’ll hurt me.”
“Trust me.”
He asked too much.
“I’m not the right woman.”
“You’re all I want.”
She shook her head lest his words weave a spell around her and make her believe. Yet despite all the warnings in her head, hope blossomed and love warmed her. How nice it would be to allow herself to love him. To trust him.
Sadness entered his expression at her rejection. “I know it’s hard for you, little witch, but I promise you’ve nothing to fear. Unless the thought of too many orgasms in a row freaks you out.”
And that quickly, he changed from pensive male to the one she’d grown to love with the mischievous smile. He lunged. She squealed like a little girl and ran. Not far though.
With his ridiculously long stride, he quickly caught her and tossed her over his shoulder.
He laughed as she beat at his broad back with her fists. “Save some of that energy for the bedroom because you are not leaving until you admit you care for me.”
“I’ll kill you first.”
“I like a girl who’s kinky.”
“You’re impossible.”
“No, but I am horny.”
“How are we supposed to catch those souls if we’re fooling around here?”
“Some things are more important.”
“How can having sex with me be more important than ensuring you don’t burst into flame tomorrow?”
“I would let someone beat me with a cat-o-nine too, if you’d just admit you like me.”
“I hate you.”
“Close. I see we’ll need to work on that.”
-Ysabel & Remy
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
I want to take care of it. I need to do something to make up for…” He breathed out shakily. His hands clenched at his sides and he stared at the ground. “I’m sorry for making all of this happen. He was right. I should have stayed away from you. I’ve brought you nothing but trouble.”
Sarah grabbed his shoulders and forced him to look into her eyes. “No! Forget
everything that man ever said. You did nothing wrong. Not ever. He made this happen.”
She grasped his hands and held them. “I don’t know how many more ways I can say it.
I’m happy you came here. You’ve…” she hesitated over the melodramatic words, but they were the truth and he needed to hear them, “brought my heart to life again.”
She rubbed her hands over his bandaged ones then lifted them to her mouth and
kissed the backs of them.
She gestured to the smolder ruin. “We’ll take care of that later. Right now I have something more important for you to do. I want you to come inside with me. I need you to hold me.”
His eyes were glistening as he looked into hers. He nodded then took her hand and followed her into the house.
”
”
Bonnie Dee (Bone Deep)
“
I did, and she nestled into the crook of my arm again, resting her head on my shoulder. "It must be hard to be a man," she said softly. "A woman knows she is part of the world. We are full of life. A woman is the flower and the fruit. We move through time as part of our children. But a man..." She turned her head and looked up at me with gentle pity in her eyes. "You are an empty branch. You know when you die, you will leave nothing of any import behind."
Penthe stroked my chest fondly. "I think that is why you are so full of anger. Maybe you do not have more than women. Maybe the anger in you simply has no place to go. Maybe it is desperate to leave some mark. It ham mets at the world. It drives you to rash action. To bickering. To rage. You paint and build and fight and tell stories that are bigger than the truth."
She gave a contented sigh and rested her head on my shoulder, snugging herself firmly into the circle of my arm. "I am sorry to tell this thing. You are a good man and a good man, and a pretty thing. But still, you are only a man. All you have to offer the world is your anger.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Being a mother is NOT a job. Stop throwing things at me. I'm sorry but it is not. I find it offensive to motherhood to call being a mother a job. Being a mother isn't a job. It's who someone is. It's who I am. You can quit a job. I can't quit being a mother. I'm a mother forever. Mothers are never off the clock, mothers are never on vacation. Being a mother redefines us, reinvents us, destroys and rebuilds us. Being a mother brings us face-to-face with ourselves as children, with our mothers as human beings, with our darkest fears of who we really are. being a mother requires us to get it together or risk messing up another person forever. Being a mother yanks our hearts out of our bodies and attaches them to our tiny humans and sends tem out into the world, forever hostages. If all of that happened at work, I'd have quit fifty times already. Because there isn't enough money in the world. And my job does not pay me in the smell of baby head and the soft weight of snuggly sleepy toddler on my shoulder. Being a mother is incredibly important. To the naysayers, I growl, do not diminish it by calling it a job.
”
”
Shonda Rhimes (Year of Yes)
“
The truth is, the vanity of protective parents that I cited to the court goes beyond look-at-us-we’re-such-responsible-guardians. Our prohibitions also bulwark our self-importance. They fortify the construct that we adults are all initiates. By conceit, we have earned access to an unwritten Talmud whose soul-shattering content we are sworn to conceal from “innocents” for their own good. By pandering to this myth of the naïf, we service our own legend. Presumably we have looked the horror in the face, like staring into the naked eye of the sun, blistering into turbulent, corrupted creatures, enigmas even to ourselves. Gross with revelation, we would turn back the clock if we could, but there is no unknowing of this awful canon, no return to the blissfully insipid world of childhood, no choice but to shoulder this weighty black sagacity, whose finest purpose is to shelter our air-headed midgets from a glimpse of the abyss. The sacrifice is flatteringly tragic. The last thing we want to admit is that the forbidden fruit on which we have been gnawing since reaching the magic age of twenty-one is the same mealy Golden Delicious that we stuff into our children’s lunch boxes. The last thing we want to admit is that the bickering of the playground perfectly presages the machinations of the boardroom, that our social hierarchies are merely an extension of who got picked first for the kickball team, and that grown-ups still get divided into bullies and fatties and crybabies. What’s a kid to find out? Presumably we lord over them an exclusive deed to sex, but this pretense flies so fantastically in the face of fact that it must result from some conspiratorial group amnesia. To this day, some of my most intense sexual memories date back to before I was ten, as I have confided to you under the sheets in better days. No, they have sex, too. In truth, we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. That is what we really wish to keep from our kids, and its suppression is the true collusion of adulthood, the pact we make, the Talmud we protect.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
This might baffle you, but despite not being a physician, I do have some pride. Although most certainly not enough to withstand the kind of beating you're capable of dealing it. The kind of beating you've repeatedly dealt it from the first time we've met. You're right, I value honesty, so I'll tell you that I make it a practice not to find women who insult me at every opportunity attractive."
Color flooded her cheeks and traveled down her neck. Finally, she stepped away from him, too, and found the back of a chair to clutch. She looked entirely devastated. Had no one ever denied her anything? He hated the hurt in her eyes. But it was done now.
"How is telling you I'm attracted to you an insult?"
He pressed the back of his hand into his forehead. It made him feel like a drama queen in some sort of musical farce. Which this had to be. "Telling me how unworthy I am of your attraction, that's the insulting part. And, no, that's not all it is. Even if you hadn't told me at every opportunity how inferior to you I am... all I do is cook... every assumption you've made about me is insulting. Culinary school is definitely college. And Le Cordon Bleu is one of the most competitive institutions in the world. The fact that that's so wholly incomprehensible to you... that's the insulting part. And it wasn't thrown in my overly privileged lap either. I had to work my bottom off to make it in."
Ammaji had sold her dowry jewels to pay for his application, something her family would have thrown her out on the street for had they found out.
Trisha squared her shoulders, the devastation draining fast from her face, leaving behind the self-possession he was so much more used to. And the speed with which she gathered herself shook something inside him. "I might not do what you see as important work, but I work hard at being a decent human being, and I would need anyone I'm with to be that first and foremost. Even if I didn't find snobbery in general incredibly unattractive, I would never go anywhere near a person as self-absorbed and arrogant as you, Dr. Raje. I would have to be insane to subject myself to your view of me and the world."
"Wow." She was panting, or maybe it was him. He couldn't be sure.
"You wanted honesty. I'm sorry if I hurt you."
She cleared her throat. "I'm surprised you think someone as... as... self-absorbed and arrogant as me is even capable of being hurt.
”
”
Sonali Dev (Pride, Prejudice, and Other Flavors (The Rajes, #1))
“
If you do not take baths or you tend to take more showers, you can use the same ritual in the shower. Set the water temperature so that it is cool but not cold (just below body temperature). Adjust the showerhead so the water hits you at the base of the skull and the water runs as evenly as possible over the back and front of your body. It is important to ensure that the water runs down the back of the neck because this is where many people tend to develop a lot of tension (in the shoulders). As the water flows, run your hands down your body to bring the excess Fire energy down to your feet. Use the same glowing heating coil visualization as with the bathtub ritual. See the excess Fire energies being soaked up by the water, and flowing with the water down the drain. At the same time, choose one of the litanies given previously and say it aloud with power and authority. Keep repeating the litany until you feel a change in your state. You may feel less physical pain, a lessening of anxiety, or a sense of peace in your mind. If you have a lot of mind chatter and you suddenly notice that your mind is quiet, then you know that the ritual has been effective. At this point, you may stop saying the litany and consider the ritual a success!
”
”
G. Alan Joel (Learn How to Do Witchcraft Rituals and Spells with Your Bare Hands (Witchcraft Spell Books, #1))
“
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?”
“What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!”
“You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry.
“I’m not important. Everyone will do just fine without me,” I say.
“Who cares about everyone? What about me?”
He lowers his head into his hand, covering his eyes. His fingers are trembling.
Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to.
I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things.
“You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.”
He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again.
This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do.
But I want to. Oh, I want to.
I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not.
He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye.
He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips.
I can’t stop.
I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder.
I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers.
Stop, I tell myself.
Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much.
He pulls back just enough to look into my eyes, his eyelids lowered.
“Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.”
Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body.
Do this one thing for me. Tobias’s dark eyes plead with me.
But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do.
I feel a stab of pain in my chest as I lie to him. “Okay.”
“Promise,” he says, frowning.
The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
A man approached me and asked if he could sit next to me on the dock. I shrugged my shoulders. Apparently, he had been at the bar the night before and was concerned by what he had witnessed. More importantly, this complete stranger took the time to say something. He remarked that I seemed lost. I simply nodded as the tears began to pour down my checks. It was the first time I had cried in many years. He spoke about how our lives are like the boats we could see on the water. That we all need to orient toward a point on the horizon or we will hopelessly drift. He suggested that it was time for me to realize that I was here for a purpose. I listened and felt a tender release of my pain. He continued to speak about finding a balance between risk and safety. Too much risk sets us back. Too much safety and we can’t progress forward. It is remarkable how one courageous conversation can save a life. I never found out who this man by the ocean was and never saw him again. However, he helped me to discover an inner compass that would eventually help me come back to my true north. With time, therapy helped me gain traction and create more stability. Although my path forward wasn’t completely straight and narrow, I slowly began to emerge with greater confidence and hope.
”
”
Arielle Schwartz (The Post-Traumatic Growth Guidebook: Practical Mind-Body Tools to Heal Trauma, Foster Resilience and Awaken Your Potential)
“
LIKE IT OR NOT, SOCIAL media has fundamentally changed the ways in which nearly everybody conducts their friendships,276 but more so for women than for men.277 Social media is more important to women in part because it can accommodate the expressions of affection and self-revelation that often characterize female friendships. These empathetic expressions contrast with the norm for man-to-man friendships, which by and large can exist without the intimate confessions women so often make to one another. The increasing scarcity of women’s disposable time has helped spawn the mushrooming of social media. Even in dual-income households where the husband sincerely tries to shoulder a fair share of domestic burdens, the “second shift” of housekeeper/mother duties is still more often than not borne by the wife. Consequently, women in the twenty-first century have reincarnated themselves as quintessential multitaskers. Social media provides critical tools for women who manage the domestic front and the job front but who still wish to maintain important friendships. As Facebook honcho Sheryl Sandberg notes, women do the majority of the sharing on Facebook. Whereas men generally use social media for research and status boosting, “the social world is led by women,” according to Sandberg.278
”
”
Marilyn Yalom (The Social Sex: A History of Female Friendship)
“
When the light was off, I would put my hand under my pillow, searching for the photo of my mother that I had taken from my father’s dresser. In it, my mother is lying in a hammock in our backyard, holding me and smiling at the camera. There is an orange tree above us. I am asleep in her arms, her chin is resting on my head, her hand is on my back. Her hair is long and her curls soft. I used to run my finger over the photo, the length of her dress, from her shoulders to her feet. I would hold the photo to my chest and then tuck it back under my pillow and go to sleep. One night when I was about eight years old, I went to find the photo and it was gone. I threw my pillow onto the ground. I jumped off my bed and lifted the mattress onto its side. How could I have lost it, something so important? I started screaming, tears falling down my cheeks. My father came in and saw me sitting there, red-faced, my eyes wet, my room torn apart. He calmly put my mattress back on the frame and took me in his arms. “Pichoncita,” he said. “No te preocupés. The photo is fine. I put it back in my dresser. It’s time to stop looking at it every night.” “Pero I want to look at it every night.” He shook his head and held me tight. “Cariño, put it out of your mind. It is too heavy of a weight for you to bear.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
responsibility—the very topic we made central in this book in Rule IV: Notice that opportunity lurks where responsibility has been abdicated. That response was fascinating—and not at all predictable. Responsibility is not an easy sell. Parents have been striving forever to make their kids responsible. Society attempts the same thing, with its educational institutions, apprenticeships, volunteer organizations, and clubs. You might even consider the inculcation of responsibility the fundamental purpose of society. But something has gone wrong. We have committed an error, or a series of errors. We have spent too much time, for example (much of the last fifty years), clamoring about rights, and we are no longer asking enough of the young people we are socializing. We have been telling them for decades to demand what they are owed by society. We have been implying that the important meanings of their lives will be given to them because of such demands, when we should have been doing the opposite: letting them know that the meaning that sustains life in all its tragedy and disappointment is to be found in shouldering a noble burden. Because we have not been doing this, they have grown up looking in the wrong places. And this has left them vulnerable: vulnerable to easy answers and susceptible to the deadening force of resentment. What about the unfolding of history has left us in this position? How has this vulnerability, this susceptibility, come about?
”
”
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
“
When was the last time you made something that someone wasn’t paying you for, and looking over your shoulder to make sure you got it right?” When I ask creatives this question, the answer that comes back all too often is, “I can’t remember.” It’s so easy for creativity to become a means to a very practical end—earning a paycheck and pleasing your client or manager. But that type of work only uses a small spectrum of your abilities. To truly excel, you must also continue to create for the most important audience of all: yourself. In her book The Artist’s Way, Julia Cameron discusses a now well-known practice that she calls “morning pages.” She suggests writing three pages of free-flowing thought first thing in the morning as a way to explore latent ideas, break through the voice of the censor in your head, and get your creative juices flowing. While there is nothing immediately practical or efficient about the exercise, Cameron argues that it’s been the key to unlocking brilliant insights for the many people who have adopted it as a ritual. I’ve seen similar benefits of this kind of “Unnecessary Creation” in the lives of creative professionals across the board. From gardening to painting with watercolors to chipping away at the next great American novel on your weekends, something about engaging in the creative act on our own terms seems to unleash latent passions and insights. I believe Unnecessary Creation is essential for anyone who works with his or her mind.
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
Yes, that. Would you care to explain where the money is going, Madam President?”
Letty laughed up at him with warm, loving eyes. “Certainly, Mr. Blackstone. Do you want to hear the explanation before or after I tell you that I have
every reason to believe I'm pregnant?”
That very morning Joel had decided that it was probably not possible for him to be any happier than he was already. Now he realized he was
wrong. He forgot about the little matter of a fifty thousand dollar cost overrun and started to grin like an idiot.
“You're pregnant?” Joel ignored the embarrassed expression on the face of the blond Adonis. “You're going to have our baby?”
“It would appear so.” Letty pushed her glasses up onto her nose and smiled demurely. “What do you say to that, Mr. Blackstone?”
Joel tossed the file over his left shoulder. The data on the ad budget was sent flying into the air.
Eyes gleaming, he walked over to Letty and lifted her carefully into his arms. “I say the hell with the fifty thousand dollars. What's a few bucks
between a president and her CEO?”
“I knew you'd be reasonable about it, Joel.”
Joel carried her out the door and down the hall. “Let's go back to my office, Mrs. Blackstone, and discuss something far more important than ad
budget overruns.”
“Yes, of course, Mr. Blackstone.” Letty glowed up at him. “And this time we must remember to lock the door before we start our discussions.”
Joel's laughter echoed down the halls of Thornquist Gear. Life was very good.
”
”
Jayne Ann Krentz (Perfect Partners)
“
It was, in fact, his weapon of choice—extremely accurate, with a manageable form factor, and most importantly, dependable. The thing never jammed, never malfunctioned. When an operator needed to spit a lot of lead in the bad guys’ direction, an HK416 would do it forever without complaining once. “Who the hell are you?” Trapp asked, eyeing the man with his steel-blue gaze. The shooter was dressed in dark combat fatigues and had the mark of a special operator about him—a cold, lethal tension that suggested he could snap into action with a millisecond’s notice. Out of the corner of his eye, Trapp saw that the man’s partner was dressed and armed exactly the same. Except the other shooter had his weapon raised and aimed directly at Trapp’s skull. He did the math, quickly, and decided for the time being to play it cool. In all honesty, he didn’t really have much of a choice. Either of the two operators could drop him before he moved a yard. The man ignored the question. “Get back on the helicopter!” he yelled, his voice a slow Arkansas drawl. Trapp’s brow furrowed. The hell? What was the point in dragging him halfway across the country just to send him back? And then it clicked. The operator wasn’t speaking to him. “But—” “No questions. Get back on the helicopter, and fuck off!” the shooter shouted, jerking his thumb to accentuate his point. Trapp glanced over his shoulder at the liaison officer’s dismayed frown, and a wide grin crept across his face. Maybe he didn’t mind being held at gunpoint after all.
”
”
Jack Slater (Dark State (Jason Trapp #1))
“
I guess I've been waiting so long I'm looking for perfection. That makes it tough."
"Waiting for the perfect love?"
"No, even I know better than that. I'm looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for."
"I'm not sure that has anything to do with love," I said with amazement.
"It does," she said. "You just don't know it. There are times in a girl's life when things like that are incredibly important."
"Things like throwing strawberry shortcake out the window?"
"Exactly. And when I do it, I want the man to apologize to me. 'Now I see, Midori. What a fool I've been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I'll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?' "
"So then what?"
"So then I'd give him all the love he deserves for what he's done."
"Sounds crazy to me."
"Well, to me, that's what love is. Not that anyone can understand me though." Midori gave her head a little shake against my shoulder. "For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn't begin at all.
”
”
Haruki Murakami (Norwegian Wood)
“
19. Don’t Assume
It’s good training for the rest of your life, too. If something is important, always check - never assume. You might look a little foolish if you always ask the basic questions, but better a fool than an ass!
It’s usually ego that stops us from asking the ‘silly’ questions, but I know a lot of ‘smart’ people on expeditions who have tripped over their egos and fallen flat on their faces.
When it comes to navigating on an expedition, this ability to be clear and un-‘assuming’ is especially important.
All of us have, at times, when navigating from A to B, had a few moments of doubt. ‘Are we here or here?’ we ask. The stubborn press on, ‘hoping’, ‘assuming’ all will be clearer in a mile or two. It rarely works like that.
Too many times, if you don’t act fast, a small error in judgement can become a big error with desperate consequences - and that applies to navigating through life as well as through mountains.
A good rule with navigating is that if there is doubt, then stop, reassess, ask others for help if you need to. Trust me, a stitch in time saves nine.
We would all prefer to be asked than for the leader to get us lost.
Besides, I have also learnt that people generally like to help and love to be asked for their advice. So put your ego aside and let people help you. Anyone who succeeds is really standing on many other people’s shoulders - the shoulders of those who have helped them along the way.
Assume nothing, be humble, and don’t be afraid to ask for that little bit of help when you need it.
”
”
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
“
Our supposed leader was Miss Joyce, who had been working as a civil servant in the department since its foundation forty-five years earlier in 1921. She was sixty-three years old and, like my late adoptive mother Maude, was a compulsive smoker, favouring Chesterfield Regulars (Red), which she imported from the United States in boxes of one hundred at a time and stored in an elegantly carved wooden box on her desk with an illustration of the King of Siam on the lid. Although our office was not much given to personal memorabilia, she kept two posters pinned to the wall beside her in defence of her addiction. The first showed Rita Hayworth in a pinstriped blazer and white blouse, her voluminous red hair tumbling down around her shoulders, professing that ‘ALL MY FRIENDS KNOW THAT CHESTERFIELD IS MY BRAND’ while holding an unlit cigarette in her left hand and staring off into the distance, where Frank Sinatra or Dean Martin were presumably pleasuring themselves in anticipation of erotic adventures to come. The second, slightly peeling at the edges and with a noticeable lipstick stain on the subject’s face, portrayed Ronald Reagan seated behind a desk that was covered in cigarette boxes, a Chesterfield hanging jauntily from the Gipper’s mouth. ‘I’M SENDING CHESTERFIELDS TO ALL MY FRIENDS. THAT’S THE MERRIEST CHRISTMAS ANY SMOKER CAN HAVE – CHESTERFIELD MILDNESS PLUS NO UNPLEASANT AFTER-TASTE’ it said, and sure enough he appeared to be wrapping boxes in festive paper for the likes of Barry Goldwater and Richard Nixon, who, I’m sure, were only thrilled to receive them
”
”
John Boyne (The Heart's Invisible Furies)
“
At any rate, I CAME TO THE CONCLUSION THAT SELF-DEFENSE IS BEING TAUGHT WRONG NEARLY EVERYWHERE, FOR THE FOLLOWING MAJOR REASONS:
1. Beginners are not grounded in the four principal methods of putting the body-weight into fast motion: (a) FALLING STEP, (b) LEG SPRING, (c) SHOULDER WHIRL, (d) UPWARD SURGE.
2. The extremely important POWER LINE in punching seems to have been forgotten.
3. The wholesale failure of instructors and trainers to appreciate the close cooperation necessary between the POWER LINE and WEIGHTMOTION results generally in impure punching-weak hitting.
4. Explosive straight punching has become almost a lost art because instructors place so much emphasis on shoulder whirl that beginners are taught wrongfully to punch straight 'without stepping whenever possible.
5. Failure to teach the FALLING STEP ("trigger step") for straight punching has resulted in the LEFT JAB being used generally as a light, auxiliary weapon for making openings and "setting up," instead of as a stunning blow.
6. Beginners are not shown the difference between SHOVEL HOOKS and UPPERCUTS.
7. Beginners are not warned that taking LONG STEPS with hooks may open up those hooks into SWINGS.
8. The BOB-WEAVE rarely is explained properly.
9. Necessity for the THREE-KNUCKLE LANDING is never pointed out. 10. It is my personal belief that BEGINNERS SHOULD BE TAUGHT ALL TYPES OF PUNCHES BEFORE BEING INSTRUCTED IN DEFENSIVE MOVES, for nearly every defensive move should be accompanied by a simultaneous or a delayed counterpunch. You must know how to punch and you must have punching confidence before you can learn aggressive defense.
”
”
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
“
We have become so trusting of technology that we have lost faith in ourselves and our born instincts. There are still parts of life that we do not need to “better” with technology. It’s important to understand that you are smarter than your smartphone. To paraphrase, there are more things in heaven and earth than are dreamt of in your Google. Mistakes are a part of life and often the path to profound new insights—so why try to remove them completely? Getting lost while driving or visiting a new city used to be an adventure and a good story. Now we just follow the GPS. To “know thyself” is hard work. Harder still is to believe that you, with all your flaws, are enough—without checking in, tweeting an update, or sharing a photo as proof of your existence for the approval of your 719 followers. A healthy relationship with your devices is all about taking ownership of your time and making an investment in your life. I’m not calling for any radical, neo-Luddite movement here. Carving out time for yourself is as easy as doing one thing. Walk your dog. Stroll your baby. Go on a date—without your handheld holding your hand. Self-respect, priorities, manners, and good habits are not antiquated ideals to be traded for trends. Not everyone will be capable of shouldering this task of personal responsibility or of being a good example for their children. But the heroes of the next generation will be those who can calm the buzzing and jigging of outside distraction long enough to listen to the sound of their own hearts, those who will follow their own path until they learn to walk erect—not hunched over like a Neanderthal, palm-gazing. Into traffic. You have a choice in where to direct your attention. Choose wisely. The world will wait. And if it’s important, they’ll call back.
”
”
Jocelyn K. Glei (Manage Your Day-To-Day: Build Your Routine, Find Your Focus, and Sharpen Your Creative Mind)
“
Most kinds of power require a substantial sacrifice by whoever wants the power. There is an apprenticeship, a discipline lasting many years. Whatever kind of power you want. President of the company. Black belt in karate. Spiritual guru. Whatever it is you seek, you have to put in the time, the practice, the effort. You must give up a lot to get it. It has to be very important to you. And once you have attained it, it’s your power. It can't be given away: it resides in you. It is literally the result of your discipline.
Now what is interesting about this process is that, by the time someone has acquired the ability to kill with his bare hands, he has also matured to the point where he won't use it unwisely. So that kind of power has a built-in control. The discipline of getting the you so that you won't abuse it.
But scientific power is like inherited wealth: attained without discipline. You read what others have done, and you take the next step. You can do it very young. You can make progress very fast.
There is no discipline lasting many decades. There is no mastery: old scientists are ignored. There is no humility before nature. There is only a get-rich-quick, make-a-name-for-yourself-fast philosophy.
Cheat, lie, falsify--it doesn't matter. Not to you, or to your colleagues. No one will criticize you. No one has any standards. They all trying to do the same thing: to do something big, and do it fast.
"And because you can stand on the shoulders of giants, you can accomplish something quickly. Yon don't even-know exactly what you have done, but already you have reported it; patented it, and sold it. And the buyer will have even less discipline than you. The buyer simply purchases the power, like any commodity. The buyer doesn’t even conceive that any discipline might be necessary.
”
”
Michael Crichton
“
The physical technique is important,” I say. “But it’s mostly a mental game, which is lucky for you, because you know how to play those. You don’t just practice the shooting, you also practice the focus. And then, when you’re in a situation where you’re fighting for your life, the focus will be so ingrained that it will happen naturally.”
“I didn’t know the Dauntless were so interested in training the brain,” Caleb says. “Can I see you try it, Tris? I don’t think I’ve ever really seen you shoot something without a bullet wound in your shoulder.”
Tris smiles a little and faces the target. When I first saw her shoot during Dauntless training, she looked awkward, birdlike. But her thin, fragile form has become slim but muscular, and when she holds the gun, it looks easy. She squints one eye a little, shifts her weight, and fires. Her bullet strays from the target’s center, but only by inches. Obviously impressed, Caleb raises his eyebrows.
“Don’t look so surprised!” Tris says.
“Sorry,” he says. “I just…you used to be so clumsy, remember? I don’t know how I missed that you weren’t like that anymore.”
Tris shrugs, but when she looks away, her cheeks are flushed and she looks pleased. Christina shoots again, and this time hits the target closer to the middle.
I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?”
She nods, smirking.
“Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath.
“I’m not likely to forget that anytime soon,” she mutters.
She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
She pulled her small Ray-Ban sunglasses partway out of her shoulder bag and took three thousand-yen bills from her wallet. Handing the bills to the driver, she said, 'I'll get out here. I really can't be late for this appointment.'
The driver nodded and took the money. 'Would you like a receipt?'
'No need. And keep the change.'
'Thanks very much,' he said. 'Be careful, it looks windy out there. Don't slip.'
'I'll be careful,' Aomame said.
'And also,' the driver said, facing the mirror, 'please remember: things are not what they seem.'
Things are not what they seem, Aomame repeated mentally. 'What do you mean by that?' she asked with knitted brows.
The driver chose his words carefully: 'It's just that you're about to do something out of the ordinary. Am I right? People do not ordinarily climb down the emergency stairs of the Metropolitan Expressway in the middle of the day - especially women.'
'I suppose you're right.'
'Right. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. I've had that experience myself. But don't let appearances fool you. There's always only one reality.'
Aomame thought about what he was saying, and in the course of her thinking, the Janáček ended and the audience broke into immediate applause. This was obviously a live recording. The applause was long and enthusiastic. There were even occasionally calls of 'Bravo!' She imagined the smiling conductor bowing repeatedly to the standing audience. He would then raise his head, raise his arms, shake hands with the concertmaster, turn away from the audience, raise his arms again in praise of the orchestra, face front, and take another deep bow. As she listened to the long recorded applause, it sounded less like applause and more like an endless Martian sandstorm.
'There is always, as I said, only one reality,' the driver repeated slowly, as if underlining an important passage in a book.
”
”
Haruki Murakami (1Q84)
“
I’m sorry, Rosie,” Silas says when he sees the sadness in my eyes. I shake my head, trying to brush the look away, but Silas isn’t easily deterred. He hesitates, then leans on the counter beside me, moving slowly as if he needs verification that each move is acceptable, wanted.
“Hey,” he says, resting two fingers on my arm. It starts as a friendly gesture. I press my lips together as he slides his palm up my arm and around his shoulders. Silas paused, and though I’m not certain, I think he realizes that the touch is far more friendly as well—a thought that makes me dizzy but practically forces me to move my own hand to the small of his back. I close my eyes and inhale, and I feel Silas’s breath on my forehead, hear his relaxed heartbeats. His lips are so close to me, I could easily tilt my head back and kiss him if I were braver. It’s hard to not sigh, like the exhausted breath is building up in my chest and I’m holding it back, though more than anything I want to release it, to truly hold myself against him—
Scarlett’s shower cuts off. Silas snatches his arm away and I lean back up, head swirling from the quick change.
“Um . . . right,” Silas says, looking startled. He looks at me. “Okay, back to studying Potentials, wolves, important stuff . . .” He shakes his head as if he’s casting away a mental fog.
I bite my lip. I want to get out of here—I need to get out of here, or the thumping desire for Silas is going to consume me. There’s no way Scarlett won’t figure it out if I can’t escape and get my mind off him. It’s just for a little while—I can go get groceries or something. Silas will help her research. We can’t keep paying for Chinese food. I meet Silas’s eyes, dashes of sky color in the monotone apartment.
“I’ll be back,” I say, then dart for the door.
“Wait!” he whispers sharply. He lunges toward the couch and tosses me the belt with my knives on it. “Just in case.” I catch it with one hand and swing it around my waist. Silas gives me a sly smile—does he know the affect that smile has on me?
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
She thought she was getting out of the Water Rising clean, because she didn’t see her father anywhere around: there was only Ash and Lillian sitting at a table, and a few other patrons at as much of a distance from Ash and Lillian as they could get. She made for the door, at which point Lillian caught her arm.
“Where are you going?”
“Uh,” said Kami, eyeballing her wildly. “I’m going to buy some drugs.”
Lillian stared. “I beg your pardon?”
“This is a really stressful time for everyone,” said Kami. “So I thought maybe I could buy a little weed, take the edge off. I might be a while. This is a very clean-living town, apart from all the murders, so I don’t actually know any drug dealers. I realize Jared kind of looks like one, but he’s not, which is a shame because I think the drug dealer’s girlfriend gets her drugs free.”
“I realize you are attempting to be humorous,” said Lillian, after a pause during which she stared some more. “I don’t understand it.”
“Hey, you’re not the only family with a legacy. ‘Glass’ rhymes with ‘sass.’ Have you met my dad?”
“I have had that dubious pleasure,” said Lillian. “He is, in fact, meant to be meeting me in order to, and I quote, ‘teach me to integrate better with society, display leadership skills, win over the populace, and stop acting like a robot princess from space.’ I admit that the humor in his humor escapes me as well.” She paused and suddenly looked determined. “I’m going to start without him.”
She climbed off the stool and headed toward the group of people in the corner. Kami and Ash watched as they collectively shrank away.
“Come on, quick,” said Kami, and as if summoned by some spirit warning him of his child’s intended reckless behavior, her dad appeared through the inn doors.
He looked distracted. “Where’s Lillian?’
Kami checked over her shoulder. “Appears to be trying to wrest a screaming baby from the arms of her frightened mother in order to kiss it.”
“Oh no no no,” murmured Jon, and raised his voice as he made his way over. “Libba, we’ve talked about this!”
“The good news is the grown-ups are distracted by politics,” said Kami.
You mean that your poor father is distracted by my awful mother, said Ash, who was far too polite to say such a thing out loud and looked vaguely embarrassed to be thinking it.
Kami grinned. “Why quibble when we have the results we want!”
I wish I could ask you what you’re planning, but I know what you’re planning, said Ash. Lucky me. I know this is important information, but going to Aurimere at all is a huge risk.
“See, the thing is, if I ran a business it would probably be called Risky Business,
”
”
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
“
The only thing I knew about pickups was this: growing up, I always inwardly mocked the couples I saw who drove around in them. The girl would be sitting in the middle seat right next to the boy, and the boy’s right arm would be around her shoulders, and his left arm would be on the wheel. I’m not sure why, but there was something about my golf course upbringing that had always caused me to recoil at this sight. Why is she sitting in the middle seat? I’d wonder. Why is it important that they press against each other as they drive down the road? Can’t they wait until they get home? I looked at it as a sign of weakness--something pitiable. They need to get a life may have even crossed my mind once or twice, as if their specific brand of public affection was somehow directly harming me. But that’s what happens to people who, by virtue of the geography of their childhood, are deprived of the opportunity to ride in pickup trucks. They become really, really judgmental about otherwise benign things.
Still, every now and then, as Marlboro Man showed me the beauty of the country in his white Ford F250, I couldn’t help but wonder…had he been one of those boys in high school? I knew he’d had a serious girlfriend back in his teenage years. Julie. A beautiful girl and the love of his adolescent life, in the same way Kev had been mine. And I wondered: had Julie scooched over to the middle seat when Marlboro Man picked her up every Friday night? Had he hooked his right arm around her neck, and had she then reached her left hand up and clasped his right hand with hers? Had they then dragged Main in this position? Our hometowns had been only forty miles apart; maybe he’d brought her to my city to see a movie. Was it remotely possible I’d actually seen Marlboro Man and Julie riding around in his pickup, sitting side by side? Was it possible this man, this beautiful, miraculous, perfect man who’d dropped so magically into my life, had actually been one of the innocent recipients of my intolerant, shallow pickup-related condemnation?
And if he had done it, was it something he’d merely grown out of? How come I wasn’t riding around in his middle seat? Was I supposed to initiate this? Was this expected of me? Because I probably should know early on. But wouldn’t he have gestured in that direction if he’d wanted me to move over and sit next to him? Maybe, just maybe, he’d liked those girls better than he liked me. Maybe they’d had a closeness that warranted their riding side by side in a pickup, a closeness that he and I just don’t share? Please don’t let that be the reason. I don’t like that reason. I had to ask him. I had to know.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Your house is lovely, ma’am.”
The duchess gave her a radiant smile. “If you like, I’ll take you on a tour later this afternoon. We have some very good art, and interesting old f-furniture, and some beautiful views from the second floor.”
“Oh, that would be—” Pandora began, but to her annoyance, Lord St. Vincent interrupted from behind them.
“I had already planned to take Lady Pandora on an outing this afternoon.”
Pandora glanced over her shoulder with a quick frown. “I would prefer a tour of the house with the duchess.”
“I don’t trust you around unfamiliar furniture,” Lord St. Vincent said. “It could be disastrous. What if I have to pull you out of an armoire, or God forbid, a credenza?”
Embarrassed by the reminder of how they’d met, Pandora said stiffly, “It wouldn’t be proper for me to go on an outing without a chaperone.”
“You’re not worried about being compromised, are you?” he asked. “Because I’ve already done that.”
Forgetting her resolution to be dignified, Pandora stopped and whirled to face the provoking man. “No, you didn’t. I was compromised by a settee. You just happened to be there.”
Lord St. Vincent seemed to enjoy her indignation. “Regardless,” he said, “you have nothing to lose now.”
“Gabriel—” the duchess began, but fell silent as he slid her a glance of bright mischief.
The duke regarded his son dubiously. “If you’re trying to be charming,” he said, “I should tell you that it’s not going well.”
“There’s no need for me to be charming,” Lord St. Vincent replied. “Lady Pandora is only pretending disinterest. Beneath the show of indifference, she’s infatuated with me.”
Pandora was outraged. “That is the most pomposterous thing I’ve ever heard!” Before she had finished the sentence, however, she saw the dance of mischief in Lord St. Vincent’s eyes. He was teasing, she realized. Turning pink with confusion, she lowered her head. Within a few minutes of arriving at Heron’s Point, she had tumbled on the drive, lost her hat and her temper, and had used a made-up word. It was a good thing Lady Berwick wasn’t there, or she’d have had apoplexy.
As they continued to walk, Lord St. Vincent fell into step beside Pandora while the duchess followed with the duke. “Pomposterous,” he murmured, a smile in his voice. “I like that one.”
“I wish you wouldn’t tease,” Pandora muttered. “It’s difficult enough for me to be ladylike.”
“You don’t have to be.”
Pandora sighed, her momentary annoyance fading into resignation. “No, I do,” she said earnestly. “I’ll never be good at it, but the important thing is to keep trying.”
It was the statement of a young woman who was aware of her limitations but was determined not to be defeated by them. Gabriel didn’t have to look at his parents to know they were thoroughly charmed by Pandora. As for him . . .
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
In the course of my discussion with Ravenswood, I tried to get him to tell me how you got your scar, but he wouldn’t. He said I’d have to ask you.”
Jane’s words came suddenly into his head: That’s why you haven’t shared this with your own family? That’s why you keep all of us out? Because you think it was your fault? Oh, my sweet darling, none of it was your fault.
When Dom didn’t answer right away, Tristan went on, “I told Ravenswood you’d always brushed off the question with some nonsense about a fight you got into. But that isn’t true, I assume.”
Dom ventured a glance at his brother and winced to see the hurt on his face. Jane had said, Every time you refuse to reveal your secrets, Dom, I assume that you find me unworthy to hear them. Apparently, that was how he’d made all of them feel. As if he were somehow too important to let them into his life.
Only God could have stopped this disaster, and contrary to what you think, you aren’t God.
When she’d said it, he hadn’t understood why she would accuse him of such a thing. Why she sometimes called him “Dom the Almighty.”
But he understood now. By shielding his guilt from the world, he’d shut himself off from his family. From her. He’d pushed away the very people he should have embraced.
Having just watched Jane retreat into fear and shut him out, he now knew precisely how painful it could feel to be on the receiving end.
If he wanted to change all that, he would have to start opening his heart, letting his family--and her--see the things he was most ashamed of, most worried about. He would have to trust them to understand, to empathize, to love him in spite of everything.
The only other choice was to keep closing himself up until, as she’d said at that ball last year: One day that church you’re building around yourself shall become your crypt. He didn’t want that.
He took a steadying breath as he and Tristan walked up the steps to Ravenswood’s manor house. “As it happens, I did receive my scar in a fight. But it was a fight against the militia at the Peterloo Massacre.”
When Tristan shot him a startled look, Dom halted at the top of the steps to face him. “If you want to hear the story, I’ll tell you all about it. Right now, if you wish.”
Tristan searched his face, as if not quite sure he believed what he was hearing. “I’d like that very much.” Then he broke into a grin. “But only if we do it over a glass of Ravenswood’s brandy. That’s the best damned brandy I’ve ever tasted.”
“One of the privileges of being a spymaster is that you can get your hands on the good stuff,” Dom said lightly, though his stomach churned at the thought of revealing his most humiliating secret, even to his brother.
Still, as they headed inside, Tristan clapped him on the shoulder, and that reassured him. Telling Tristan about Peterloo represented a beginning of sorts, toward a closer friendship than Dom had allowed himself to have with his brother in recent years.
Jane would be proud.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty.
Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention.
This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled.
How could he have mistaken her for his Vex?
While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right.
With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel.
With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone.
Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away.
Ready, though, didn’t mean he looked happy about it.
The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased.
Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.”
For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty.
Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride.
His bride was beautiful, and it was only right she be admired.
From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked.
He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success.
She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen.
And she is mine.
”
”
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
“
Suddenly he felt his foot catch on something and he stumbled over one of the trailing cables that lay across the laboratory floor. The cable went tight and pulled one of the instruments monitoring the beam over, sending it falling sideways and knocking the edge of the frame that held the refractive shielding plate in position. For what seemed like a very long time the stand wobbled back and forth before it tipped slowly backwards with a crash.
‘Take cover!’ Professor Pike screamed, diving behind one of the nearby workbenches as the other Alpha students scattered, trying to shield themselves behind the most solid objects they could find. The beam punched straight through the laboratory wall in a cloud of vapour and alarm klaxons started wailing all over the school. Professor Pike scrambled across the floor towards the bundle of thick power cables that led to the super-laser, pulling them from the back of the machine and extinguishing the bright green beam.
‘Oops,’ Franz said as the emergency lighting kicked in and the rest of the Alphas slowly emerged from their hiding places. At the back of the room there was a perfectly circular, twenty-centimetre hole in the wall surrounded by scorch marks. ‘I am thinking that this is not being good.’
Otto walked cautiously up to the smouldering hole, glancing nervously over his shoulder at the beam emitter that was making a gentle clicking sound as it cooled down.
‘Woah,’ he said as he peered into the hole. Clearly visible were a series of further holes beyond that got smaller and smaller with perspective. Dimly visible at the far end was what could only be a small circle of bright daylight.
‘Erm, I don’t know how to tell you this, Franz,’ Otto said, turning towards his friend with a broad grin on his face, ‘but it looks like you just made a hole in the school.’
‘Oh dear,’ Professor Pike said, coming up beside Otto and also peering into the hole. ‘I do hope that we haven’t damaged anything important.’
‘Or anyone important,’ Shelby added as she and the rest of the Alphas gathered round.
‘It is not being my fault,’ Franz moaned. ‘I am tripping over the cable.’
A couple of minutes later, the door at the far end of the lab hissed open and Chief Dekker came running into the room, flanked by two guards in their familiar orange jumpsuits. Otto and the others winced as they saw her. It was well known already that she had no particular love for H.I.V.E.’s Alpha stream and she seemed to have a special dislike for their year in particular.
‘What happened?’ she demanded as she strode across the room towards the Professor. Her thin, tight lips and sharp cheekbones gave the impression that she was someone who’d heard of this thing called smiling but had decided that it was not for her.
‘There was a slight . . . erm . . . malfunction,’ the Professor replied with a fleeting glance in Franz’s direction. ‘Has anyone been injured?’
‘It doesn’t look like it,’ Dekker replied tersely, ‘but I think it’s safe to say that Colonel Francisco won’t be using that particular toilet cubicle again.’ Franz visibly paled at the thought of the Colonel finding out that he had been in any way responsible for whatever indignity he had just suffered. He had a sudden horribly clear vision of many laps of the school gym somewhere in his not too distant future.
”
”
Mark Walden (Aftershock (H.I.V.E., #7))
“
Chapter 1
Death on the Doorstep LIVY HINGE’S AUNT lay dying in the back yard, which Aunt Neala thought was darned inconvenient. “Nebula!” she called, hoping her weakened voice would reach the barn where that lazy cat was no doubt taking a nap. If Neala had the energy to get up and tap her foot she would. If only that wretched elf hadn’t attacked her, she’d have made her delivery by now. Instead she lay dying. She willed her heart to take its time spreading the poison. Her heart, being just as stubborn as its owner, ignored her and raced on. A cat with a swirling orange pattern on its back ran straight to Neala and nuzzled her face. “Nebula!” She was relieved the cat had overcome its tendency to do the exact opposite of whatever was most wanted of it. Reaching into her bag, Neala pulled out a delicate leaf made of silver. She fought to keep one eye cracked open to make sure the cat knew what to do. The cat took the leaf in its teeth and ran back toward the barn. It was important that Neala stay alive long enough for the cat to hide the leaf. The moment Neala gave up the ghost, the cat would vanish from this world and return to her master. Satisfied, Neala turned her aching head toward the farmhouse where her brother’s family was nestled securely inside. Smoke curled carelessly from the old chimney in blissful ignorance of the peril that lay just beyond the yard. The shimmershield Neala had created around the property was the only thing keeping her dear ones safe. A sheet hung limply from a branch of the tree that stood sentinel in the back of the house. It was Halloween and the sheet was meant to be a ghost, but without the wind it only managed to look like old laundry. Neala’s eyes followed the sturdy branch to Livy’s bedroom window. She knew what her failure to deliver the leaf meant. The elves would try again. This time, they would choose someone young enough to be at the peak of their day dreaming powers. A druid of the Hinge bloodline, about Livy’s age. Poor Livy, who had no idea what she was. Well, that would change soon enough. Neala could do nothing about that now. Her willful eyes finally closed. In the wake of her last breath a storm rose up, bringing with it frightful wind and lightning. The sheet tore free from the branch and flew away. The kitchen door banged open. Livy Hinge, who had been told to secure the barn against the storm, found her lifeless aunt at the edge of the yard. ☐☐☐ A year later, Livy still couldn’t think about Aunt Neala without feeling the memories bite at her, as though they only wanted to be left alone. Thankfully, Livy wasn’t concerned about her aunt at the moment. Right now, Rudus Brutemel was going to get what was coming to him. Hugh, Livy’s twin, sat next to her on the bus. His nose was buried in a spelling book. The bus lurched dangerously close to their stop. If they waited any longer, they’d miss their chance. She looked over her shoulder to make sure Rudus was watching. Opening her backpack, she made a show of removing a bologna sandwich with thick slices of soft homemade bread. Hugh studied the book like it was the last thing he might ever see. Livy nudged him. He tore his eyes from his book and delivered his lines as though he were reading them. “Hey, can I have some? I’m starving.” At least he could make his stomach growl on demand.
”
”
Jennifer Cano (Hinges of Broams Eld (Broams Eld, #1))
“
Didn’t you ever notice that whatever you wanted or whatever you set out to do, Cora wanted to do it too?” Noah asked.
“She wasn’t like that.”
“She was, Mer. And it’s okay to admit it. One of the hardest things about Cora dying is that everyone wants to erase her—the real Cora. They talk about her as though she were perfect. She wasn’t. ‘Don’t talk ill of the dead,’ people say. But if we aren’t truthful about who our loved ones were, then we aren’t really remembering them. We’re creating someone who didn’t exist. Cora loved you. She loved me. But what she did was not okay. And I’m pissed off about it.”
Mercedes reeled back, stunned. “Geez, Noah. Tell me how you really feel. She still deserves our compassion,” she rebuked.
He nodded. “Everyone deserves compassion. And I know suicide isn’t always a conscious act. Most of the time it’s sheer desperation. It’s a moment of weakness that we can’t come back from. But regardless of illness or weakness, if we don’t own our actions and don’t demand that others own theirs, then what’s the point? We might as well give up now. We have to expect better of ourselves. We have to. I expect more of my patients, and when I expect more—lovingly, patiently—they tend to rise to that expectation. Maybe not all the way up, but they rise. They improve because I believe they can, and I believe they must. My mom was sick. But she didn’t try hard enough to get better. She found a way to cope—and that’s important—but she never varied from it. Life has to be more than coping. It has to be.”
Mercedes nodded slowly, her eyes clinging to his impassioned face. She’d struck a nerve, and he wasn’t finished.
“I know it’s not something we’re supposed to say. We’re supposed to be all-loving and all-compassionate all the time. But sometimes the things we aren’t supposed to say are the truths that keep us sane, that tether us to reality, that help us move the hell on! I know some of my colleagues would be shocked to hear it. But pressure—whether it’s the pressure of society, or the pressure of responsibility, or the pressure that comes with being loved and being needed—isn’t always a bad thing. You’ve heard the cliché about pressure and diamonds. It’s a cliché because it’s true. Pressure sometimes begets beautiful things.”
Mercedes was silent, studying his handsome face, his tight shoulders, and his clenched fists. He was weary, that much was obvious, but he wasn’t wrong.
“Begets?” she asked, a twinkle in her eye.
He rolled his eyes. “You know damn well what beget means.”
“In the Bible, beget means to give birth to. I wouldn’t mind giving birth to a diamond,” she mused.
“You ruin all my best lectures.”
There was silence from the kitchen. Silence was not good.
“Gia?” Noah called.
“What, Daddy?” she answered sweetly.
“Are you pooping in your new princess panties?”
“No. Poopin’ in box.”
“What box?” His voice rose in horror.
“Kitty box.”
Noah was on his feet, racing toward the kitchen. Mercedes followed.
Gia was naked—her Cinderella panties abandoned in the middle of the floor—and perched above the new litter box.
“No!” Noah roared in horror, scooping her up and marching to the toilet.
“Maybe it won’t be a turd, Noah. Maybe Gia will beget a diamond,” Mercedes chirped, trying not to laugh.
“I blame you, Mer!” he called from the bathroom. “She was almost potty-trained, and now she wants to be a cat!
”
”
Amy Harmon (The Smallest Part)
“
He concluded the speech with an irritated motion of his hands.
Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment.
Then his face went dark.
"Evie," he said, his voice containing a bladelike ferocity that frightened her. "Did you think I was about to... Christ. Someone hit you. Someone hit you in the past---who the hell was it?" He reached for her suddenly---too suddenly---and she stumbled backward, coming up hard against the wall. Sebastian went very still. "Goddamn," he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. "I would never strike a woman. I would never harm you. You know that, don't you?"
Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn't move or make a sound. She started as he approached her slowly. "It's all right," he murmured. "Let me come to you. It's all right. Easy." One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. "Who was it?" he asked.
"M-my uncle," she managed to say. The motion of his hand on her back paused as he heard her stammer.
"Maybrick?" he asked patiently.
"No, th-the other one."
"Stubbins."
"Yes." Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian's hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne.
"How often?" she heard him ask. "More than once?"
"I... i-it's not important now."
"How often, Evie?"
Realizing that he was going to persist until she answered, Evie muttered, "Not t-terribly often, but... sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip."
"Did he?" Sebastian was silent for a long moment, and then he spoke with chilling softness. "I'm going to tear him limb from limb."
"I don't want that," Evie said earnestly. "I-I just want to be safe from him. From all of them."
Sebastian drew his head back to look down into her flushed face. "You are safe," he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face with his palm. "Evie," he murmured. "I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard... but I wouldn't hurt you that way. You must believe that."
The delicate nerves of her skin drank in sensations thirstily... his touch, the erotic waft of his breath against her lips. Evie was afraid to open her eyes, or to do anything that might interrupt the moment. "Yes," she managed to whisper. "Yes... I---"
There was the sweet shock of a probing kiss against her lips... another... She opened to him with a slight gasp. His mouth was hot silk and tender fire, invading her with gently questing pressure. His fingertips traced over her face, tenderly adjusting the angle between them.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I wanted to apologize.”
His gaze lifted from her bosom. He remembered those breasts in his hands. “For what?”
“For deceiving you as I did. I misunderstood the nature of our relationship and behaved like a spoiled little girl. It was a terrible mistake and I hope you can find it in your heart to forgive me.”
A terrible mistake? A mistake to be sure, but terrible? “There is nothing to forgive,” he replied with a tight smile. “We were both at fault.”
“Yes,” she agreed with a smile of her own. “You are right. Can we be friends again?”
“We never stopped.” At least that much was true. He might have played the fool, might have taken advantage of her, but he never ceased caring for her. He never would.
Rose practically sighed in relief. Grey had to struggle to keep his eyes on her face. “Good. I’m so glad you feel that way. Because I do so want your approval when I find the man I’m going to marry.”
Grey’s lips seized, stuck in a parody of good humor. “The choice is ultimately yours, Rose.”
She waved a gloved hand. “Oh, I know that, but your opinion meant so much to Papa, and since he isn’t here to guide me, I would be so honored if you would accept that burden as well as the others you’ve so obligingly undertaken.”
Help her pick a husband? Was this some kind of cruel joke? What next, did she want his blessing?
She took both of his hands in hers. “I know this is rather premature, but next to Papa you have been the most important man in my life. I wonder…” She bit her top lip. “If you would consider acting in Papa’s stead and giving me away when the time comes?”
He’d sling her over his shoulder and run her all the way to Gretna Green if it meant putting an end to this torture! “I would be honored.” He made the promise because he knew whomever she married wouldn’t allow him to keep it. No man in his right mind would want Grey at his wedding, let along handling his bride.
Was it relief or consternation that lit her lovely face? “Oh, good. I was afraid perhaps you wouldn’t, given your fear of going out into society.”
Grey scowled. Fear? Back to being a coward again was he? “Whatever gave you that notion?”
She looked genuinely perplexed. “Well, the other day Kellan told me how awful your reputation had become before your attack. I assumed your shame over that to be why you avoid going out into public now.”
“You assume wrong.” He'd never spoken to her with such a cold tone in all the years he'd known her. "I had no idea your opinion of me had sunk so low. And as one who has also been bandied about by gossips I would think you would know better than to believe everything you hear, no matter how much you might like the source."
Now she appeared hurt. Doe-like eyes widened. "My opinion of you is as high as it ever was! I'm simply trying to say that I understand why you choose to hide-"
"You think I'm hiding?" A vein in his temple throbbed.
Innocent confusion met his gaze. "Aren't you?"
"I avoid society because I despise it," he informed her tightly. "I would have thought you'd know that about me after all these years."
She smiled sweetly. "I think my recent behavior has proven that I don't know you that well at all. After all, I obviously did not achieve my goal in seducing you, did I?"
Christ Almighty. The girl knew how to turn his world arse over appetite. "There's no shame in being embarrassed, Grey. I know you regret the past, and I understand how difficult it would be for you to reenter society with that regret handing over you head."
"Rose, I am not embarrassed, and I am not hiding. I shun society because I despise it. I hate the false kindness and the rules and the hypocrisy of it. Do you understand what I am saying? It is because of society that I have this." He pointed at the side of his face where the ragged scar ran.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
According to the book of Genesis, “God created man in his own image.” According to Aristotle, “men create the gods after their own image.” As should be clear by now, Aristotle seems to have been onto something, especially when it comes to the minds of gods. So, in theory, some of the more basic features of the human mind should be fairly standard equipment in gods, especially the gods of “primitive” religions.
That seems to be the case, and one of these features deserves special consideration: the part of the human mind shaped by the evolutionary dynamic known as “reciprocal altruism.” In light of this dynamic, much about the origin of religion, and for that matter much about contemporary religion, makes a new kind of sense.
Thanks to reciprocal altruism, people are “designed” to settle into mutually beneficial relationships with other people, people whom they can count on for things ranging from food to valuable gossip to social support, and who in turn can count on them. We enter these alliances almost without thinking about it, because our genetically based emotions draw us in. We feel gratitude for a favor received, along with a sense of obligation, which may lead us to return the favor. We feel growing trust of and affection for people who prove reliable reciprocators (aka “friends”), which keeps us entwined in beneficial relationships. This is what feelings like gratitude and trust are for—the reason they’re part of human nature.
But of course, not everyone merits our trust. Some people accept our gifts of food and never reciprocate, or try to steal our mates, or exhibit disrespect in some other fashion. And if we let people thus take advantage of us day after day, the losses add up. In the environment of our evolution, these losses could have made the difference between surviving and not surviving, between prolifically procreating and barely procreating. So natural selection gave us emotions that lead us to punish the untrustworthy—people who violate our expectations of exchange, people who seem to lack the respect that a mutually beneficial relationship demands. They fill us with outrage, with moral indignation, and that outrage—working as “designed” —impels us to punish them in one way or another, whether by actually harming them or just by withholding future altruism. That will teach them! (Perhaps more important, it will also teach anyone else who is watching, and in the ancestral hunter-gatherer environment, pretty much everyone in your social universe was watching.)
This is the social context in which the human mind evolved: a world full of neighbors who, to varying degrees, are watching you for signs of betrayal or disrespect or dishonesty—and who, should they see strong evidence of such things, will punish you. In such a social universe, when misfortune comes your way, when someone hits you or ridicules you or suddenly gives you the cold shoulder, there’s a good chance it’s because they feel you’ve violated the rules of exchange. Maybe you’ve failed to do them some favor they think they were due, or maybe you’ve shown them disrespect by doing something that annoys them.
Surely it is no coincidence that this generic explanation of why misfortune might emanate from a human being is also the generic explanation of why misfortune emanates from gods. In hunter-gatherer religions—and lots of other religions—when bad things happen, the root cause is almost always that people in one sense or another fail to respect the gods. They either fail to give gods their due (fail, say, to make adequate sacrifices to ancestral spirits), or they do things that annoy gods (like, say, making a noise while cicadas are singing). And the way to make amends to the aggrieved gods is exactly the way you’d make amends to aggrieved people: either give them something (hence ritual sacrifice), or correct future behavior so that it doesn’t annoy them (quit making noises while cicadas are singing).
”
”
Robert Wright (The Evolution of God)