Towel Rail Quotes

We've searched our database for all the quotes and captions related to Towel Rail. Here they are! All 13 of them:

Lister patted the towel rail against his left palm. 'I'm going out like I came in - screaming and kicking.' 'You can't whack Death on the head.' 'If he comes near me, I'll rip his tits off.
Grant Naylor (Infinity Welcomes Careful Drivers (Red Dwarf, #1))
But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.
Anne Tyler (A Spool of Blue Thread)
What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth?...The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. "That's what my experience has been,' they say, and it gets folded in with the others--one more report on what living felt like. What it was like to be alive.
Anne Tyler
One does feel proud to belong to the human race when one sees the wonderful things human beings have fashioned with their hands. They have been creators–they must share a little the holiness of the Creator, who made the world and all that was in it, and saw that it was good. But he left more to be made. He left the things to be fashioned by men’s hands. He left them to fashion them, to follow in his footsteps because they were made in his image, to see what they made, and see that it was good. The pride of creation is an extraordinary thing. Even the carpenter who once fashioned a particularly hideous towel-rail of wood for one of our expedition houses had the creative spirit. When asked why he had put such enormous feet on it against orders, he said reproachfully: ‘I had to make it that way because it was so beautiful like that!’ Well, it seemed hideous to us, but it was beautiful to him, and he made it in the spirit of creation, because it was beautiful. Men
Agatha Christie (Agatha Christie: An Autobiography)
At the end of the piece, Reverend Alban rose and approached the lectern again. He placed his fingertips together. “I didn’t know Mrs. Whitshank,” he said, “and therefore I don’t have the memories that the rest of you have. But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.
Anne Tyler (A Spool of Blue Thread)
Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.
Nelson A. Denis (War Against All Puerto Ricans: Revolution and Terror in America's Colony)
He leaned over the rail and stared down into the Pool with interest. It was certainly not much of a place, the water dark and rather slimy, the steps slippery-looking too. Grandfather must be right, and it formed part of the city drain. The man who had been lame for thirty-eight years was lucky when Jesus came along and healed him instantly, rather than waiting for someone to lift him into the Pool. Perhaps Jesus realized the water was bad. There they go, he said to himself, as the father, ignoring the child’s terrified screams, slowly descended the steps. Freeing one hand, he dipped it in the Pool and sloshed the water three times over his daughter, wetting her face, her neck, her arms. Then, smiling in triumph at the curious watchers above, he ascended the steps to safety, his wife smiling with him, mopping the child’s face with a towel. The child herself, bewildered, distraught, rolled her frightened eyes over the heads of the crowd. Robin waited to see if the father would put her down, cured. Nothing happened, though. She began screaming again, and the father, making soothing sounds, bore her away from the top of the steps and was lost in the crowd. Robin turned to the Rev. Babcock. “No luck, I’m afraid. There
Daphne du Maurier (Don't Look Now and Other Stories)
We stop at the gate to the apartment, but Bruno’s still hanging on to me. “The key,” he says, swaying his hips. “Pocket on left.” “So put me down and get it out.” He lowers his lips to my ear. “You get it for me?” Goose bumps. All over. I may have decided I want his attention, but that’s a little much. I remove my hands from his neck and push my legs down against his arm, making myself as heavy as possible. He gives in and lets me slide off, then opens the gate. I hop over to the stairs and use the railing as leverage to hoist myself up the first and second steps, blood pounding in my ears with every move. With a top floor apartment, this could take an hour. Bruno scoops me back up without a word and trudges up the stairs. Despite the strength and precision it takes him to avoid letting any of my appendages smack into the wall, he’s not even winded when we finally get to the apartment. He sets me down on the couch--the boys’ temporary bed folded away inside--and carefully props my giant foot on a pillow. He rummages in the kitchen and comes back with a plastic sandwich bag filled with ice, wrapped in a hand towel. The weight of it sends a fresh wave of pain up to my temples and I lean back, bracing myself. “I am sorry!” he says, a deep line between his eyebrows. “It’s fine.” I force a laugh. “This”--I motion to my foot--“is definitely not your fault.” “It is. I should have gone. It would not have happened.” If he had come with me, I know exactly what would have happened, and it wouldn’t have involved sightseeing. It would have been The Kissing Bench Part II.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
not get home until after ten. Her coat was still sodden from the rain so she hung it over the heated towel rail in her bathroom before having a shower. Anna’s own fridge was virtually empty. She sighed, knowing she should have bought some groceries for herself, never mind Langton. She made some beans on toast and a mug of tea, taking them on a tray to eat in her bedroom. Her initial nagging thoughts about the doll’s house returned. Putting down the tray on the floor beside the bed, she reached for her briefcase and
Lynda La Plante (Backlash (Anna Travis, #8))
I keep this my dirty little secret for years, he was my true first, yet it was not the most romantic yet it was something, now looking back now how is the loser, it did it long before, yet it was with him so it was not cool, I never- ever said this to anyone, that he took me. Yet play around like that with a boy that was me, he wanted to know so I said okay. It was the first time seeing all that- you know, at least mine was real, and not like time two at a party. This thing is so high- I get sick of feeling so short at like four-foot, on top that I can see the world by looking down, and they are looking up at me, my mom and grandmother were all the same size also, if not shorter, or so they say. The car is old and dusty and looks like no one has been in it for years on the outside, it is just blacked and crusty, the only car other than the coal car behind the locomotive, and it too is rusted reddish orange. They used to have tripped over this thing and park it on the bridge, and you spent the night up in the stars, and so that is what we did on a big full moon night. In the big bed looking out the one side of all those old windows. The car and train sit here for there was a fire or something on that line, and this becomes the new home of the serving remanences about half a mile in, the train was going over and was near the end on the one said when the wind took it all down, and all the cars but one fall all the many feet to the ground below, yet it never steamed over again. There sits the old Pullman car. It's red and has black, with yellow writing on it, up till now I am not sure what it says. It was a custom car made just for spending the night on top of the linked- mountains. The train is all the same color for what I can make out, dating around the 1800s or so, that what my dad said anyway we and he were up here, oh so long ago. We both walked up to her and me on the left, tacking him on the right hand-woven tight. The grass tall the track worn, and feet sore, from the journey there. Over smaller yet high crossings that have known side rails. Inside you can see it is in touch, and all dark wood, I light one of the old lanterns, I thought down a towel, and we had juice pouches and P-P and J. Romantic- No! It’s all good, he tried. It wasn’t about that anyway. The bed is off to the back and looks like a five-star hotel room to us, there is a living room spot, where ass naked in the big old sofas… or next to it, we were playing house, and loving it. We were young but we feel- we were on the bed all night long. Looking out over… see the tree sway below. it was cold in the car, yet he keeps me warm, I was fogging up the windows, with my breath Moan it out in a sweet- yet sensual way, I was pressed upon it looking out as I was on top, he was looking up at me, yet I was looking out and at his eyes, at definite times. I even kissed the glass to leave something behind, I wonder if it’s still there, and my name is covered in the old wood, next to his.
Marcel Ray Duriez (Nevaeh They Call Out)
After the better part of a month working in the fringed cold, we were ready. There were still a few minor things to do but the ship was now completely primed and painted, with her name outlined with spot welds on each side of the bow and the stern. That morning, prior to sailing from Boston, I slipped ashore and bought a case of Budweiser beer. There was a lot of activity around the ship so no one noticed when I returned with beer in my sea bag. I distributed the three six-packs I had sold to classmates and the remaining one was for the guys in my room. I hung the brew out of the porthole, wrapped and tied securely in a towel. For us the porthole wasn’t just a small round window to the outside, it was also our refrigerator for keeping things cold! We didn’t get going until after dark, expecting to be on the Penobscot River back in Maine by daybreak. I was on the afterdeck trying to free lines that were solidly frozen from the cold, when I felt a jarring under foot. Looking over the railings, I saw one of the tugboats right outside of where our room was. He had bumped into us, and now with his engines roaring in reverse, was backing down. What the hell was going on? Instinctively, I knew what had happened. I dropped the mooring lines onto the deck and left the flaking down of them to others. I quickly ran to our room and opened the porthole, confirming what I already knew. Our beer was gone! Damn it, the tugboat was disappearing into the dark and they would be the ones drinking our beer that night! At least we still had some cold pizza. Free of the dock, we headed down the Inner Harbor, past Logan International Airport and Deer Island towards the Atlantic. We had worked hard to get our ship ready, and had every reason to be proud, as we steamed out of Boston Harbor that night. We were on our way back to Castine and to the Academy. By the next morning, we were sailing under the Waldo-Hancock Bridge into Bucksport Harbor.
Hank Bracker
She grabbed a towel from the rail and wrapped it around him, lifting him straight out of the bath, kicking and screaming. She carried him into his bedroom and laid him with elaborate care on the bed because she was terrified she might throw him against the wall.
Liane Moriarty (Big Little Lies)
Last night DeShawn had taken a mix of drugs and decided to fulfill a fantasy he’d had for some years—the one where he goes to the back of the sex club, lies down on the floor with a towel over his head, and lets a bunch of gnarly strangers rail him. For years DeShawn had searched for the courage to make this dream real, but there were problems with its execution. DeShawn lay on the grimy sex club floor for hours, high and waiting for nothing, his pussy cold and lonely. No one would fuck him. Am I coming off too desperate? he asked as he collected what was left of his dignity and left.
Brontez Purnell (Since I Laid My Burden Down)