Shoulder Tattoo Quotes

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I am a canvas of my experiences, my story is etched in lines and shading, and you can read it on my arms, my legs, my shoulders, and my stomach.
Kat Von D.
Most Shadowhunters get their first Marks at twelve. It must have been in your blood.” “Maybe. Although I doubt most Shadowhunters get a tattoo of Donatello from the Teenage Mutant Ninja Turtles on their left shoulder.” Jace looked baffled. “You wanted a turtle on your shoulder?” -Jace & Clary, pg. 314-
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
He swapped the fistful of my shirt for one in my hair, and ground his mouth against mine. I exploded. I shoved at him, and clawed him closer. He shoved me back, and yanked me tighter to his body. I pulled his hair. He pulled mine. He didn‘t fight fair. Actually, he fought exactly fair. He didn‘t extend courtesies, not a single one. I bit his lip. He tripped me and pushed me down to the stone floor of the cavern. I punched him. He straddled me. I ripped his shirt down the front, left it hanging in tatters from his shoulders. "I liked that shirt", he snarled. He rose over me, a dark demon, glistening in the torchlight, dripping sweat and blood, his torso covered with tattoos that disappeared beneath his waistband. He grabbed the hem of my shirt, tore it straight up to my neck, and inhaled sharply.
Karen Marie Moning (Bloodfever (Fever, #2))
A hand landed on his shoulder like an anvil. “How’d you like to stay for dinner?” Butch looked up. The guy was wearing a baseball cap and had some kind of marking—was that a tattoo, on his face? “How’d you like to be dinner?” said another one, who looked like some kind of model.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Beside me, Molly rolled her shoulders in a few jerky motions and pushed at her hair in fitful little gestures. She tugged at her well-tattered skirts, and grimaced at her boots. "Can you see if there’s any mud on them?" I paused to consider her for a second. Then I said, "You have two tattoos showing right now, and you probably used a fake ID to get them. Your piercings would set off any metal detector worth the name, and you’re featuring them in parts of your anatomy your parents wish you didn’t yet realize you had. You’re dressed like Frankenhooker, and your hair has been dyed colors I previously thought existed only in cotton candy.” I turned to face the door again. “I wouldn’t waste time worrying about a little mud on the boots.
Jim Butcher (Proven Guilty (The Dresden Files, #8))
Maybe. Although I doubt most Shadowhunters get a tattoo of Donatello from the Teenage Mutant Ninja Turtles on their left shoulder.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I had a tattoo once,” said Kaidan. “Last year, just before we left England.” “What do you mean, you had one 'once'?” “Bloody thing was gone by the morning!” His voice was indignant. “Sheets were black with ink. I put myself through all of that for hours, and my body just pushed it back out!” And once again we were both in a fit of hysterics, sharing the world's best inside joke. We were doubled over, unable to breathe, and I accidentally snorted. Kaidan pointed at me and laughed harder, clutching his stomach. “What was your tattoo?” I managed to push the words out. “You had to ask. It was a deadly-looking pair of black wings on my shoulder blades.” Kaidan and I started roaring again, muscles clenching from the exertion. We had no way of knowing it would be our last reason to laugh for a very long time.
Wendy Higgins (Sweet Evil (Sweet, #1))
In that moment, I finally figured out what kind of handsome he was. He was fiction-handsome. Romance novel handsome; but not the clean-cut (billionaire) alpha male or even the tattooed (billionaire) bad boy archetype. He was the Scottish highlander, Viking conqueror, bodice-ripper historical romance kind of handsome; an unshaven, lion wrestling, mountain man recluse, toss you over his shoulder and plunder your goodies kind of handsome. He was both scary and swoony. I wanted to braid his beard. I also wanted to run away.
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
She probably didn’t realize he had matched the structure of his back dragon tattoo to match her back scars, from one hip to one shoulder. If anyone looked at their naked backs together, they would see symmetry—a dragon breathing fire across her back in mirrored structure, side by side.
RuNyx (The Emperor (Dark Verse, #3))
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
You were right, you know,” Ty whispered. “About what?” Ty swallowed hard. “I sold my soul a long time ago.” Ty gripped Zane’s shoulder and pressed him down, laying him out again, then stretched out over Zane, his hand dragging down Zane’s body to push at his boxers. “Ty,” Zane gasped. Ty kissed him. Zane trailed the tips of his fingers down Ty’s arm, sliding over the tattoo and the scars and the muscles. “Do you really believe that?” Zane asked. “I know it. I will never be the man you think I am.” Zane’s breaths came harder. “We’ve both been trying so hard to be worthy of each other.
Abigail Roux (Touch & Geaux (Cut & Run, #7))
And what do you know, John's hands flew through the positions of ASL in various l-got-this combinations. "Is he deaf" the guy behind the cash register asked in a stage whisper. As if someone using American Sign Language was some kind of freak. "No. Blind." "Oh." As the man kept staring, Qhuinn wanted to pop him. "You going to help us out here or what?" "Oh ... yeah. Hey, you got a tattoo on your face." Mr. Observant moved slowly, like the bar codes on those bags were creating some kind of wind resistance under his laser reader. "Did you know that?" Really. "I wouldn't know." ''Are you blind, too?" No filter on this guy. None. "Yeah, I am." "Oh, so that's why your eyes are all weird." "Yeah. That's right." Qhuinn took out a twenty and didn't wait for change-murder was just a liiiiiittle too tempting. Nodding to John, who was also measuring the dear boy for a shroud, Qhuinn went to walk off. "What about your change ?" the man called out. "I'm deaf, too. I can't hear you." The guy yelled more loudly, "I'll just keep it then, yeah?" "Sounds good," Qhuinn shouted over his shoulder. Idiot was stage-five stupid. Straight up.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Kiss me!” I pleaded. “Please, Pigeon! I told him no!” Abby shoved me away. “Leave me alone, Travis!” She shouldered passed me, but I grabbed her wrist. She kept her arm straight, outstretched behind her, but she didn’t turn around. “I am begging you.” I fell to my knees, her hand still in mine. My breath puffed out in white steam as I spoke, reminding me of the cold. “I’m begging you, Abby. Don’t do this.” Abby glanced back, and then her eyes drifted down her arm to mine, seeing the tattoo on my wrist. The tattoo that bared her name. She looked away, toward the cafeteria. “Let me go, Travis.” The air knocked out of me, and with all hope obliterated, I relaxed my hand, and let her slip out of my fingers. Abby didn’t look back as she walked away from me, and my palms fell flat on the sidewalk. She wasn’t coming back. She didn’t want me anymore, and there was nothing I could do or say to change it.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other. “Are you sober?” I asked from the doorway. He turned and leveled a smile at me that made me a little wobbly. “I am." “Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook." Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.” “Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ” He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
Myra McEntire (Hourglass (Hourglass, #1))
By the way, Dallas?" "What, Peabody?" "That's a lovely tattoo. New?" Eve clamped her teeth together, strode toward the door with as much dignity as she could manage. "See?" She jabbed a finger into Roarke's chest as they walked down the corridor. "I told you I'd be humiliated by that stupid rosebud." "You've been drugged, slapped, tied up naked, and nearly killed, but a rose on your butt humiliates you?" "All that other stuff's the job. The rosebud's personal." Laughing, he swung his arm around her shoulders, hugging her close. "Christ, Lieutenant, I love you.
J.D. Robb (Ceremony in Death (In Death, #5))
Wait a minute," said Gabriel. "Someone knows what the secret tattoo says?" Hunter gave him a look. "It´s not a secret. It´s on my arm." "Enough with the suspense already. What does it say?" "Nothing important," said Hunter. The nurse smiled and released the pressure in the cuff. "It says , The first day you meet, you are friends. The next day, you are brothers." Gabriel lost the smile. Then he clapped Hunter on the shoulder. Hunter frowned at him. "What was that for?" "Brotherhood," he said. "Welcome to the family.
Brigid Kemmerer (Spirit (Elemental, #3))
She had a dream about a tattoo. This was a pleasant dream. She was walking away and she had the most beautiful tattoo. It covered her shoulders, her back, the back of her legs. It was unspeakably fine.
Joy Williams (Honored Guest)
You look different." His words, normally crisp,are now sluggish. "So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?" "Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea." "No,it isn't" I'm not sure I like Four this way.There's something unsettling about it. "Didn't know you had a tattoo," he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath. "Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way." I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand. "What way?" I ask. "Drunk? "Yeah...well,no." His voice softens. "Real,I guess." "I'll pretend I didn't." "Nice of you." He puts his lips next to my ear and says, "You look good, Tris." His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?" "Of course." He winks at me. I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends. Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot. "Come on,little girl," he says, "I'm taking you to dinner." I rest my elbows on Al's back and wave at Four as he carries me away.
Veronica Roth (Divergent (Divergent, #1))
I force my eyes upward and look at Mia for the first time. She's still beautiful. Not in an obvious Vanessa LeGrande or Bryn Shraeder kind of way. In a quiet way that's always been devastating to me. Her hair, long and dark, is down now, swimming damply against her bare shoulders, which are still milky white and covered with the constellation of freckles that I used to kiss. The scar on her left shoulder, the one that used to be an angry red weld is silvery pink now. Almost like the latest rage in tattoo accessories. Almost pretty.
Gayle Forman (Where She Went (If I Stay, #2))
ALTERNATE UNIVERSE IN WHICH I AM UNFAZED BY THE MEN WHO DO NOT LOVE ME when the businessman shoulder checks me in the airport, i do not apologize. instead, i write him an elegy on the back of a receipt and tuck it in his hand as i pass through the first class cabin. like a bee, he will die after stinging me. i am twenty-four and have never cried. once, a boy told me he doesn’t “believe in labels” so i embroidered the word chauvinist on the back of his favorite coat. a boy said he liked my hair the other way so i shaved my head instead of my pussy. while the boy isn’t calling back, i learn carpentry, build a desk, write a book at the desk. i taught myself to cum from counting ceiling tiles. the boy says he prefers blondes and i steam clean his clothes with bleach. the boy says i am not marriage material and i put gravel in his pepper grinder. the boy says period sex is disgusting and i slaughter a goat in his living room. the boy does not ask if he can choke me, so i pretend to die while he’s doing it. my mother says this is not the meaning of unfazed. when the boy says i curse too much to be pretty and i tattoo “cunt” on my inner lip, my mother calls this “being very fazed.” but left over from the other universe are hours and hours of waiting for him to kiss me and here, they are just hours. here, they are a bike ride across long island in june. here, they are a novel read in one sitting. here, they are arguments about god or a full night’s sleep. here, i hand an hour to the woman crying outside of the bar. i leave one on my best friend’s front porch, send my mother two in the mail. i do not slice his tires. i do not burn the photos. i do not write the letter. i do not beg. i do not ask for forgiveness. i do not hold my breath while he finishes. the man tells me he does not love me, and he does not love me. the man tells me who he is, and i listen. i have so much beautiful time.
Olivia Gatwood (New American Best Friend)
Tris!” Four calls out. Will and I exchange a look, half surprise and half apprehension. Four pulls away from the railing and walks up to me. Ahead of us, Al and Christina stop running, and Christina slides to the ground. I don’t blame them for staring. There are four of us, and Four is only talking to me. “You look different.” His words, normally crisp, are now sluggish. “So do you,” I say. And he does—he looks more relaxed, younger. “What are you doing?” “Flirting with death,” he replies with a laugh. “Drinking near the chasm. Probably not a good idea.” “No, it isn’t.” I’m not sure I like Four this way. There’s something unsettling about it. “Didn’t know you had a tattoo,” he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp. Like the factionless man’s breath. “Right. The crows,” he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, “I’d ask you to hang out with us, but you’re not supposed to see me this way.” I am tempted to ask him why he wants me to hang out with him, but I suspect the answer has something to do with the bottle in his hand. “What way?” I ask. “Drunk?” “Yeah...well, no.” His voice softens. “Real, I guess.” “I’ll pretend I didn’t.” “Nice of you.” He puts his lips next to my ear and says, “You look good, Tris.” His words surprise me, and my heart leaps. I wish it didn’t, because judging by the way his eyes slide over mine, he has no idea what he’s saying. I laugh. “Do me a favor and stay away from the chasm, okay?” “Of course.” He winks at me.
Veronica Roth (Divergent (Divergent, #1))
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved. Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said. Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe. The ragged sound cut through the apartment again. “What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air. Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape. “I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand. “I thought we were clear that night was for sleeping.” Ronan shrugged. “Perhaps for you.” “Not tonight. Your pterodactyl woke me. Why is it making that sound?” In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex. “Well, this is not going to do,” he said. “You’re going to have to make it stop.” “She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.” “Can’t you keep her downstairs?” In reply, Ronan half-lifted the little bird toward him. “You tell me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
When I got home, I took a bat and examined my back in detail in the bathroom mirror. This tattoo would be for myself and no-one else. It wasn’t just because I was about to end my relationship with Iro, it was because I wanted to make some serious changes deep down inside me… My torso - my back and front – and my shoulders, breasts, and upper arms were decorated with a vibrantly coloured work of art. I knew it had been the right thing to do… When I looked at that beautifully crafted tattoo, I was filled with a sense of total contentment I had never experienced before. I felt as though I had been set free.
Shōko Tendō (Yakuza Moon: Memoar seorang Putri Gangster Jepang)
Swear to God, you come near us and–” “Like this?” The biker sidestepped a slash from the hockey stick, grabbed it on the way, and yanked it out of Eve’s hands. He tossed it over his shoulder to land on the floor with a clatter. “This near enough? Whatcha gonna do, doll girl?” Claire hid her eyes as the biker reached out for Eve with one tattooed hand. “No,” Eve said breathlessly. “I’m going to let my boyfriend beat the crap out of you.” There was a dull thunk of wood meeting flesh, and a howl. Then another, harder thunk, and a crash as a body hit the floor. The biker was down. Claire stared at him in disbelief, then looked past him, to the figure standing there with the field hockey stick in both hands. Michael Glass. Back from the dead, again, a gorgeous blond avenging angel, breathing hard.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
After a moment, he heard the hood groan as Kavinsky leaned over him. Then he felt the ridged callus of a finger drag slowly over the skin on his back. A slow arc between his shoulder blades, drawing the pattern of his tattoo. Then sliding down his spine, tensing every muscle it moved over. The fuse inside him was burning to nothing, nothing at all.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
I don’t want them because they don’t have a caterpillar tattoo on their shoulder.” Xav clutches my face with both hands. “I don’t want them because they’re not the only ones who get me in a world of fucking idiots.” He gives a breathy laugh, the garage’s fluorescent lights 
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
I slowly came to recognize individual monks within the crowds of interchangeable orange robes and shaved heads. There were flirtatious and daring monks who stood on each other's shoulders to peek over the temple at you and call out "Hello, Mrs. Lady!" as you walked by. There were novices who snuck cigarettes at night outside the temple walls, the embers of their smokes glowing as orange as their robes. I saw a buff teenage monk doing push-ups, and I spotted another one with an unexpectdely gangsterish tattoo of a knife emblazoned on one golden shoulder. One night I'd eavesdropped while a handful of monks sang Bob Marley songs to each other underneath a tree in a temple garden, long after they should have been asleep. I'd even seen a knot of barely adolescent novices kickboxing each other - a display of good-natured competition, that like boys' games all over the world, carried the threat of turning truly violent at a moment's notice.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
Blomkvist picked up Salander by her front door on Lundagatan at 10:00 and drove her to the Norra crematorium. He stayed at her side during the ceremony. For a long time they were the only mourners along with the pastor, but when the funeral began Armansky slipped in. He nodded curtly to Blomkvist and stood behind Salander, gently putting a hand on her shoulder. She nodded without looking at him, as if she knew who was standing there. Then she ignored them both. Salander had told him nothing about
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
What are the chances we get through today without a fight?” … “We don’t fight,” she responded quickly. “Like hell we don’t,” he laughed, letting her walk in front of him. “We wouldn’t fight if you just agreed with me,” she threw back over her shoulder. “Drea, we might be the only two people who could fight over whether or not we fight.
Scarlett Cole (The Fractured Heart (Second Circle Tattoos, #2))
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known. After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine. I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that. I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull. “What are you doing?” “Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me. He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?” “Is that what it is?” I feign innocence. He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites. It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him. But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going. I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies. It’s easy to walk away from lies. Power is another thing. Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it. He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?” I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it. I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
Karen Marie Moning (Burned (Fever, #7))
I have to go," I said, resting my head against Archer's chest. It occurred to me that my cheek was probably right over his tattoo. Without thinking, I lifted my face and tugged at the neckline of his T-shirt. This time, the stark black-and-gold mark wasn't hidden. No need for that spell anymore, I guess. Still, I covered it with my palm. Archer's hands clutched reflexively on my waist. Our eyes met. "It doesn't burn this time," I whispered. His breathing was ragged. "Beg to differ, Mercer." Magic was rushing through me, and when Archer covered my hand with his own, there was a little blue spark. Slowly, he moved my hand off his chest, then gripped both my shoulders. I thought he was going to kiss me again-and with the way we were feeling, there was a chance we might set the whole mill on fire-but instead, he gingerly pushed me away. "Okay," he said, closing his eyes. "If you don't go now, we're...You should go now." Once we were several feet apart, he lust-fog cleared a little. "We still have no idea what we're going to go." Archer opened his eyes and took a couple of steps backward. "Right now, you're going to go back to Thorne and check in with your dad. I'm going to go back to my people and do the same. Then tomorrow night, we'll meet here. You'll stand over there"-he pointed at a corner-"and I'll stand over there"-the complete opposite corner-"and there will be no physical contact until we've figured something out. Deal?" I smiled,even as I shoved my hands in my pockets to keep from grabbing him again. "Deal.Midnight?" "Perfect.So." That grin again. "See ya, Mercer." Happiness flooded through me as warm and bright as sunlight. "See ya, Cross.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Like that breeder-woman sitting at the bar, who thinks it's a buzz to go into a gay joint and has no doubt heard somewhere that this is one. Her lurid get-up's a joke, ludicrous. She's the type who dons the camouflage-green combat trousers, wraps a bandanna around her head and paints herself with black lipstick, imagining all the lesbians in the joint'll have the hots for her. Not so much imagining as secretly hoping. Naturally, no one goes and sits with her. She's been here before, and everyone gives the ice-cold shoulder, yet she still turns up again and again. Someone might argue we're zoo animals for her. But I've another theory. For her, we're noble savages, a kind of grey area outside the respectable, minutely organized community, an untamed wilderness it takes a lot of guts to step into. But if you do dare, there's a glorious smell of freedom floating around your trousers and giving the finger to society, making whoever an instant anarchist. Certainly, for her, coming here is like putting a washable tattoo on your shoulder : there's the thrill of deviance with none of the dull commitment - and she'll never have to wonder whether she's too weird to be seen out before dark.
Johanna Sinisalo (Troll: A Love Story)
Mmm, God, I love that.” He settled her thighs on either side of his hips until she rested on the thickness of his fully impaled cock. “Don’t need to come. Just want inside.” He brushed his lips across her mouth, cheek, and temple, and let her head come to rest against his shoulder. “Try to get some sleep. Morning comes early.
Cameron Dane (The Sweetest Tattoo (Cabin Fever, #1))
His hands shift to my shoulders, and his fingers brush over the edge of my bandage. He pulls back with a puckered brow. “Are you hurt?” he asks. “No. It’s another tattoo. It’s healed, I just…wanted to keep it covered up.” “Can I see?” I nod, my throat tight. I pull my sleeve down and slip my shoulder out of it. He stares down at my shoulder for a second, and then runs his fingers over it. They rise and fall with my bones, which stick out farther than I’d like. When he touches me, I feel like everywhere his skin meets mine is changed by the connection. It sends a thrill through my stomach. Not just fear. Something else, too. A wanting. He peels the corner of the bandage away. His eyes roam over the symbol of Abnegation, and he smiles. “I have the same one,” he says, laughing. “On my back.” “Really? Can I see it?” He presses the bandage over the tattoo and pulls my shirt back over my shoulder. “Are you asking me to undress, Tris?” A nervous laugh gurgles from my throat. “Only…partially.
Veronica Roth (Divergent (Divergent, #1))
He points to the clock tower that sits in the middle of the town square, the moon and stars shimmering in the background. "Straight on 'til morning." My head tilts. "What's that mean?" His arm wraps around my shoulders, bringing me in close. "That means you don't quit until you get what you want. Even if takes all damn night. Understand?
Emily McIntire (Hooked (Never After, #1))
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
RIDE A WHITE SWAN" "Ride it on out like a bird in the skyway, Ride it on out like you were a bird, Fly it all out like an eagle in a sunbeam, Ride it all out like you were a bird. Wear a tall hat like the druid in the old days Wear a tall hat and a Tattooed gown Ride a white swan like the people of the Beltane, Wear your hair long,babe,you can't go wrong. Catch a bright star and place it on your forehead, Say a few spells and baby,there you go, Take a black cat and sit it on your shoulder, And in the morning you'll know all you know. Wear a tall hat like the druid in the old days Wear a tall hat and a Tattooed gown Ride a white swan like the people of the Beltane, Wear your hair long, babe ,you can't go wrong. Da di di da, da di di da
Marc Bolan (Marc Bolan Lyric Book)
Sometimes it amazed him. Lanky Thom with his white hair and mustaches, who had been a Queen’s lover once, and more willingly than himself, not to mention more than a lover, if you believed half he said. Square-jawed Harnan with that tattoo on his cheek and more elsewhere, who had been a soldier all his life. Juilin with his bamboo staff and his sword-breaker on his hip, who thought himself as good as any lord even if the idea of carrying a sword himself still made him uneasy, and fat Vanin, who made Juilin look a bootlicker by comparison. Skinny Fergin, and Gorderan, nearly as wide in the shoulders as Perrin, and Metwyn, whose pale Cairhienin face still looked like a boy’s despite being years older than Mat. Some of them followed Mat Cauthon because they thought he was lucky, because his luck might keep them alive when the swords were out, and some for reasons he was not really sure of, but they followed. Not even Thom had ever more than protested an order of his. Maybe Renaile had been more than luck. Maybe his being ta’veren did more than dump him in the-middle of trouble. Suddenly he felt... responsible... for these men. It was an uncomfortable feeling. Mat Cauthon and responsibility did not go together. It was unnatural.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
She kissed him softly, her eyes closed as her body finally relaxed. "I love you," she whispered. "I'm an idiot." "Well, yes, but you're adorable when you're an idiot." She punched him in the shoulder. Hard. "Patronizing much?
Carrie Ann Ryan (Delicate Ink (Montgomery Ink, #1))
I touch the double row of silver hoop earrings hanging from his left ear, trail along his jawline, his neck, down his shoulder, to the flaming tail of the dragon on his arm. He leans into the caress, and my own body feels on fire with the continued way his eyes gaze upon me. The first moment I saw him, the night people clamored over each other to step out of his way, I was frightened. The guy with earrings and tattoos and an energy radiating danger. Now—inside and out—all I see is beauty.
Katie McGarry (Crash into You (Pushing the Limits, #3))
There was no coining back from that! What had been in my head for so long would now be out in the real world, no longer afloat in my foreverland of ambiguities. I felt like someone entering a tattoo parlor and taking a last, long look at his bare left shoulder
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
"Pounding steps approached in the night. Malachi appeared out of the black, shirtless and dripping despite the cool evening air. (He was out for a run and just returned.) His talesm seemed to glow when he caught sight of her, a low sliver light in the darkness. He said nothing, shooting Rhys a glare as he walked past them and into the house. 'Has he kissed you?' Rhys asked when Malachi was gone. 'Yes, on the island.' 'Was it more than fine?' (She had described Rhy's kiss as 'fine' previous to this scene.) Her breath left her body in a rush of memories. 'So much more than fine.' He nudged her shoulder with his own. 'Then don't be stubborn, go to him.' Fifteen minutes and another glass of wine later, Ava knocked on his door. Malachi opened it, holding a towel. He'd showered, and a few drops of water still clung to his tanned shoulders. He wore a pair of loose pants and a guarded expression. 'What do you want?' 'I kissed Rhys.' Now she knew she wasn't imagining it. The tattoos pulsed silver in the dim light of the hall. Ava forced her eyes back to Malachi's face which was locked down tight. Only a tic in his jaw told Ava her words have even been heard. His voice was low and thick with tension. 'Get that out of your system?' 'Felt a little like kissing my brother.' He dropped the towel and tugged her into the room.'This won't' "
Elizabeth Hunter (The Scribe (Irin Chronicles, #1))
Or: how do you go back to sleep no longer a virgin? There was no coming back from that! What had been in my head for so long would now be out in the real world, no longer afloat in my foreverland of ambiguities. I felt like someone entering a tattoo parlor and taking a last, long look at his bare left shoulder.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
He leaned closer and she swallowed the rest of her words as he pressed a kiss to her lips. He lifted his head slightly and looked into her eyes. She stared back at him, stunned, her heart thudding against her breastbone. He palmed the nape of her neck, and then he was kissing her again, his tongue sweeping into her mouth this time, turning her legs to jelly. She pressed her body against his, her skin on fire, desire beating a tattoo through her veins. His tongue stroked hers gently, provocatively, and she reached out and gripped his shoulders with both hands. After a long, long moment he drew back. “Come home with me?” he asked very quietly, his voice a low husk. Dear God, I thought you’d never ask.
Sarah Mayberry (More Than One Night)
After deliberating my options for a split second, I rolled my chair over to watch him tattoo the guy he had hunched over, working on an old pirate ship right smack on the middle of the man’s brawny shoulder. I didn’t say a word as I watched him, not wanting to distract him from the man who had been all too excited to request Slim’s work an hour before. But my friend Slim had other thoughts. His green eyes flashed up at me. “What was that about?” "Huh?" I played stupid. Slim pulled the gun off the customer’s skin, dabbing at the beaded blood before continuing with a shake of his head. "Since when are you guys BFFs?" I’d learned over the last month how chatty all the guys were, well, specifically Slim and Blake. If I answered his question just remotely weird, I’d bet my first born Slim would jump to some kind of crazy conclusion that I wanted no part of. So I went with the truth. “I heard him fart last night. It kind of broke the ice.” The little whistle he let out told me that was good enough. He snorted and raised an eyebrow before getting back to work. “That’ll do it.
Mariana Zapata (Under Locke)
THE SECOND NYX walked into the clubhouse with Giulia’s name tattooed on his throat, there wasn’t much more of a declaration required. I had no doubt that her brand would be somewhere only he could see, because he was a possessive bastard, and the way his arm was around her shoulders reminded me of shit Jocks pulled with their girlfriends as they walked down the hall in school.
Serena Akeroyd (Nyx (Dark and Dirty Sinners' MC, #1))
The hairs on the back of her neck tingled and she shivered. She turned toward the door and blinked once. Twice. The sexiest man she'd ever seen in her life stood in the doorway. No, stood wasn't a good word, not with the way his presence filled the shop. Dear Lord, was she panting? His broad shoulders were encased in a suit that had t cost more than her rent, but she didn't care about that. His thick chest tapered into a trim waist and strong thighs. Just the thought of those thighs made her clench her own. He had his hands fisted at his sides, and oh God, those hands. Large, thick and they looked so out of place compared to his classy suit. It looked as if he actually used his hands rather than merely sitting behind a desk as his attire suggested,
Carrie Ann Ryan (Forever Ink (Montgomery Ink, #1.5))
Palpatine laughed without merriment. “What could you possibly have to offer someone like me?” “Just this.” She opened the soft shoulder bag to reveal a humanoid infant of less than a standard year in age. The infant’s hairless head was stippled with an array of short but still pliant horns, and its entire body had been garishly and ceremonially tattooed in red and black pigments.
James Luceno (Darth Plagueis)
He lay stretched full length along his glorified cot, and while his bandage masked his shoulder, plenty of bare skin remained for her gaze to lap up. Bare, musclely skin. Skin that was somehow otherworldly in the soft glow of the flickering candlelight. Skin that made her want to touch, feel, and…and…lick. Until her gaze snagged on the scar-tattoo combo, and ice again crystallized in her gut.
Angela Quarles (Must Love More Kilts (Must Love, #4))
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
Imperial War Museum
The bed was swathed in black cotton; turning her head, Danika saw that she was draped by a half-clothed man. He possessed skin of chocolate and honey, taut muscle and ripped sinew. No hair marred his chest, but there was a menacing butterfly tattoo that stretched from one shoulder to the other and up his neck. Menacing butterfly—two words that could be used together to describe only one man. Reyes. “Oh,
Gena Showalter (The Darkest Pleasure (Lords of the Underworld, #3))
India’s black spaghetti-strapped tank revealed a cutlass tattoo on her right shoulder.  Her jet-black hair was disheveled and tumbled over her narrow shoulders giving her the appearance of an untamed lioness, ready to pounce on her prey.  Intense, dark eyes were leveled on the approaching boat.  With a quick jerk, she flipped the butt of her rifle to her shoulder and firmly planted it to prepare for the imminent attack.
K.D. McNiven (Shark Eater)
The place on your back.” Dorian puts a hand up to his shoulder, touching the topmost edge of the very elaborate, very real tattoo that covers his back. The branches of a tree, the canopy of a forest of cherry blossoms, star-sparkling with lanterns and lights though all of that is background for the centerpiece: a tree stump covered in books dripping with honey under a beehive with an owl sitting atop it, wearing a crown.
Erin Morgenstern (The Starless Sea)
Oh, Levi. Levi. You sweet summer child.” I point at myself. Tonight I’m wearing a nose stud, galaxy leggings, and a white tank top. My purple hair is loose on my shoulders. I’m pretty sure one of my back tattoos is visible. Everything about me screams Levi’s kryptonite. “You see this scrawny, stunted, unmuscled body? It’s built to live in parasitic symbiosis with a couch. It resists training with the force of many million ohms.
Ali Hazelwood (La ronde du bien-être (French Edition))
People love to say, “There’s someone for everyone.” It’s one of those ‘feel better’ things your mom tells you after your relationship has crashed and burned, or your normally noncommunicative dad mumbles as he slaps you between your shoulder blades, then announces “good talk.” But it’s mostly true. If you consider how many people are walking around this planet, there has to be someone you could fit perfectly with, right? The person who makes your heart say super-cray things like “I’ll love you forever” and “I can’t wait to meet your parents” and “Oh, sure, let’s definitely get each other’s names tattooed on our necks.” The problem is we spend most of our puny lives chasing someone else’s someone, and, if we’re lucky, we end up with only a third of the time we could’ve spent with the person truly meant for us. That is, if we don’t wind up missing them altogether.
Justin A. Reynolds (Opposite of Always)
I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.
Melissa Jensen (The Fine Art of Truth or Dare)
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it. We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory. I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes. She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable. “Morning,” I say. “Shh,” she says. “If you don’t acknowledge it, maybe it will go away.” I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear. My self-control is about to disappear in five, four, three… “Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.” “They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly. “No, they can’t!” she says.
Veronica Roth (Allegiant (Divergent, #3))
Elizabeth puts her hands on her hips. Elizabeth has shoulder-length brown hair that looks as if it has been cut with a straight razor and a mouth that could have done the cutting. Elizabeth is smart, ruthless, and emotionally damaged; that is, she is a sales representative. If Elizabeth’s brain was a person, it would have scars, tattoos, and be missing one eye. ‘Do you want to ask me a question, Roger? Do you want to ask if I took your donut?
Max Barry (Company)
Will it fade? The tattoo?” “No.” “Why would you want it on your shoulder like that, something that will forever be there?” “As I recall, I was quite drunk at the time and thought it a good idea.” “Why a dragon?” “Symbolic. We all face dragons in one way or another, at one time or another.” “So it’s not a good thing.” “Depends whether or not we slay them. It all made perfect sense when I was drunk.” “Did you slay yours?” “I thought so at the time.
Lorraine Heath (Surrender to the Devil (Scoundrels of St. James, #3))
Azriel asked her with terrifying calm, “What happened to the Horn?” Bryce held his stare, seething, beyond trying to spin any bullshit. But Nesta said, “She is the Horn, Azriel. It’s inked into her flesh.” She lowered her hand from Bryce’s shoulder and peered at her. “Isn’t that right? It’s the only thing that would have made your tattoo react that way earlier.” Azriel’s hazel eyes flickered with predatory intent. He’d carve it out of her fucking back.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
A horn sounded in the distance and as Stella turned towards the sea to look at the enormous ship that had produced the sound, her gaze was locked on a scene so beautiful that the picturesque beach paled in comparison. A lifeguard was emerging from the water, his orange trunks stuck to his legs and water dripping from all over him. He shook his head to get rid of some of the water in his hair and Stella felt as if everything started developing in slow motion – tiny drops of water slid from his neck down his broad chest and muscular arms, along a weaving tattoo design on his right shoulder, and continued downwards towards his chest and washboard stomach, finally getting lost in his trunks’ waist. A part of another tattoo was peeking over his trunks on his left hip, the other part hidden under them. His golden, tanned skin glistened in the sun and he moved with such grace that a panther would be deemed clumsy next to him. It was a total Baywatch moment.
Teodora Kostova (In a Heartbeat (Heartbeat, #1))
He looked at me and I couldn’t read his face or his scent. “I talked to Samuel earlier. He’s sorry to have missed the excitement, but he’s at home now. If Fideal follows you home, he’ll have Samuel to contend with.” He waved his hand around. “And there are plenty of us here to come to your aid." “Are you sending me home?” Was I flirting? Damn it, I was. He smiled, first with his eyes and then his lips, just a little, just enough to turn his face into something that made my pulse pick up. “You can stay if you’d like,” he said, flirting right back. Then, a wicked light gleaming in his eyes, he went one step too far. “But I think there are too many people around for what I’d like you to stay for.” I dodged around Honey’s husband and out the door, the flip-flops making little snapping sounds that didn’t cover up Adam’s final comment. “I like your tattoo, Mercy.” I made sure that my shoulders were stiff as I walked away. He couldn’t see the grin on my face . . .
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
The room was small, lit by two naked bulbs in wall recesses, and bare of anything except for two solid wooden posts the height of a man and four feet apart. In each post, at just below shoulder height, was set a large iron ring. There were two other men already waiting, both leathermen. Len indicated each in turn. 'Rick and Sam.' The two men regarded Mike with arms folded. Rick was in his late twenties, a tall, blond biker, his hair hanging down well past his shoulders. Under his leather waistcoat he was bare-chested, his spare, pale flesh covered with tattoos of skulls, burning angels and other biker motifs, the twining reds, blues and blacks extending along both arms as well. He was wearing black leather gloves and impenetrable black shades. Shaven-headed Sam was older, shorter and stockier, built like a rugby player. A leather harness stretched across the barrel of his chest, its steel circlet buried in wiry hair. Through his leather chaps Mike could see a sizeable pouch, heavy with its contents.
Jack Stevens (Fellowship of Iron)
Dude, wait until you see the hot little number on there!” He was grinning like the Cheshire cat. “What are you talking about? Aren’t all flight attendant’s middle-aged, blonde women?” “Not this one. She’s feisty too, kneed me right in the balls.” I smiled, and it was actually genuine. I wondered if he was fucking with me. But, it was enough to peak my curiosity. I slowly walked towards the plane wondering if it was going to be a grandma, or something. It wouldn’t be the first time. I really hoped that it wasn’t some die-hard groupie either. As soon as I reached the top of the stairs I almost tripped and fell on my face when I got my first look at her. She was gorgeous! She looked like she walked straight off of a pin-up girl calendar. She had long, black hair with strands of hot pink. I appraised my way down her body. She had a slim waist and curvy hips. She was built like an hourglass. I noticed a couple of sexy facial piercings. She had an adorable little nose and big brown eyes. Then I saw a tattoo peeking out on her shoulder. I could tell that she had a chest piece. I was instantly hard. Awesome…
Sophie Monroe (Battlescars (Battlescars, #1))
No,” Noah protested, around Blue’s arm. “I’m serious. This place creeps me the hell out. Can we go?” Gansey’s face broke into a relieved, easy grin. “Yes, we can go home.” “I’m still not eating pizza,” Noah said, backing out of the church with Blue. Ronan, still in the ruins, looked over his shoulder at them. In the dim light of the flashlights, the tattooed hook that edged out above his collar looked like either a claw or a finger or part of a fleur-de-lis. It was nearly as sharp as his smile. “I guess now would be a good time to tell you,” he said. “I took Chainsaw out of my dreams.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
Suddenly Junior Allen swung aboard, leaped, landed lightly. He was immaculate in white sport shirt, white slacks, pale blue yachting cap. I guessed he was nearing forty. I had not been prepared for him to look so powerful and so fit. He was broad, with shoulders so packed and corded with muscle they gave him a slightly simian posture, the impression enhanced by the extra-long weight and heft of brown tattooed arms, and the short legs, slightly bowed. He had a brown, seamed, knotty face, broad, smiling broadly, the smile squinching the small blue eyes. It was a friendly grin. It was a likable grin. It did not change in any way as he looked at me.
John D. MacDonald (The Deep Blue Good-By)
...She froze in the doorway of her kitchen. And nearly swallowed her tongue. Ivan leaned against the counter, wearing nothing but dark jogging pants and holding a cup of coffee. His blond hair was spiked adorably, as if he hadn't combed it yet. the sculpted muscles of his chest and shoulders stood out as he raised the cup to his mouth, a bright tattoo of intricate artwork wrapping around one shoulder and over one pec. What she'd imagined he might look like was nothing compared to the reality of the Viking god in her kitchen. Her gaze trained on that ridiculously muscular chest and it was like she'd lost the ability to speak. Or breathe. Or, you know, think.
Katie Reus (Under His Protection (Red Stone Security, #9))
Okay, up!” he says, taking off his jacket. “Shower time.” “What?” I cough again, because it’s hard to stop, even though my stomach is already sore from the effort. “Jesus, Canning.” Wes gives me a smartass grin over his shoulder, the same one he’s been giving me since we were fourteen. “Rules are for breaking. There’s no lock on the door, but whatever.” When he turns around, I see he’s unbuttoning his shirt. “What are you doing?” “Don’t want to get my shirt wet,” he says as his tattoos ripple into view. He tosses the shirt onto the chair and then unzips his jeans. I’m still hesitating, though, my hands on the sheet that covers my lap. The words are on the tip of my tongue: We’re going to get in so much trouble for this.
Sarina Bowen (Us (Him, #2))
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
The tattooed face of a cat, blue and grinning, covered his right hand; on one shoulder a blue rose blossomed. More markings, self-designed and self-executed, ornamented his arms and torso: the head of a dragon with a human skull between its open jaws; bosomy nudes; a gremlin brandishing a pitchfork; the word PEACE accompanied by a cross radiating, in the form of crude strokes, rays of holy light; and two sentimental concoctions—one a bouquet of flowers dedicated to MOTHER-DAD, the other a heart that celebrated the romance of DICK and CAROL, the girl whom he had married when he was nineteen, and from whom he had separated six years later in order to “do the right thing” by another young lady, the mother of his youngest child. (“I have three boys who
Truman Capote (In Cold Blood)
The man—male—down the alley was Fae. After ten years, after all the executions and burnings, a Fae male was prowling toward her. Pure, solid Fae. There was no escaping him as he emerged from the shadows yards away. The vagrant in the alcove and the others along the alley fell so quiet Celaena could again hear those bells ringing in the distant mountains. Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
They started calling people my grandfather’s age “generation ink”. He represents the era when extensive tattoos tipped into the mainstream. Now the old men and women sit together in the lounge room of my grandfather’s nursing home, watching daytime television. They don’t watch sport. Tattoos from their wrist to shoulders and across their chest, snake beneath their woolen cardigans and cotton shirts. Withered souls eternally painted in often incomprehensible scrawling. Faded colours. But that’s not to say that they regret getting inked. Far from it. It’s a part of who they are. As real and as precious as the blank skin they were born with. Their tastes in music haven’t mellowed either. They slowly approach the sound-system, leaning on their walking frame, and skip to songs by Pantera and Sepultura. Or Metallica, Slayer and Iron Maiden. My grandfather enjoyed punk and post-rock bands like Millencolin, Thursday, Coheed and Cambria or At The Drive-In.
Nick Milligan (Part Two (Enormity Book 2))
He shoved up his sleeves, displaying several thin leather bracelets and the red-and-black tip of a dragon tail just above his right elbow. I've never actually seen the head. It's on Daniel's back, Frankie told us once, between his shoulder blades. "So,my children, what is up?" "We're trying to figure out how to get a soul-sucking, male lower life-form out of Ella's head," Frankie explained. "Kill him," Daniel said casually. "Unless there's a symbiotic thing going on and Ella would have to die, too. That would be a shame." Here's the thing about Daniel. He has always scared me a little. I don't bother going through the scar-hiding motions; I'm convined he can see right through clothing. Not that he leers. He's not a leerer. He has two facial expressions: cold and amused. He also has a second tattoo, on the inside of his left wrist, that looks exactly like how I would expect a gang mark to look. Frankie has never said a word about that tat. Or much about his brother's friends.Who have names like Ax and spend time in police custody.
Melissa Jensen (The Fine Art of Truth or Dare)
Hennessy carefully patted the blood away to reveal the tattoo. It was difficult to not be overwhelmed by the realness of it, the permanence of it. Part of him expected her to just wipe the blood and ink away to reveal bare skin, but instead, his entire left arm was patterned darkly from shoulder to wrist with something like chain mail. No, like snakeskin. Each scale was a pure dark green, and the only place his skin showed through was in a narrow line to indicate the edge of each interlocking scale. It felt like a lifetime ago he and Hennessy had held a snake in the abandoned museum. Bryde had ordered them to look at the reptile, to study it, take in its details in case they wanted to dream it later. They had. But Hennessy had been wide awake, not dreaming, when she’d painted these scales up and down his skin. “Fuck you,” he told her. “This is so good.” She gave him the ghost of a smile. “Welcome back, Ronan Lynch.” It was still jarring to be Ronan Lynch. Time behaved so differently here; it was important here. One did not have endless dark moments to fill; human lives were so short, so urgent— “Where’s Adam?” Hennessy asked, “What?” “Adam. My Adam. Adam!
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
A good hard fuck later, she stared at me in a sleepy way. Raven needed more rest after all our fun. I know I sure as hell did. “My dick needs a nap,” I told her while brushing hair away from her face. “I should go.” Resting on my back, I sighed. “I need a nap too.” “After we sleep, you’ll drive me to my car, so I can go home?” she muttered with her eyes half closed. “No, we’ll get something to eat then I’ll take you to Jodi’s for your car.” “Getting something to eat sounds like a date and I’m not dating anyone,” she said, forcing her eyes open. “It’s not a date, crabapple. We’re friends with benefits. We’ve done the benefits. Now, let’s do the friend crap.” “I don’t want to be your friend,” she said, cuddling up against my arm. Smirking, I pulled a sheet over us. “Of course, you do. I’m awesome.” “I don’t want to eat with you.” “You need to keep your strength up, Raven, because I’m really looking forward to fucking you at your place. Doing a chick in more than one location is my thing.” A grinning Raven nuzzled the “Hungry Like a Wolf” tattoo on my shoulder. “You’re an idiot.” “Fuck you, darling. I’m the Einstein of the Reapers. Now, shut up and go to sleep.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
I sit by his bed and pull the covers over him. In doing so, I accidently brush against his thigh. And that’s when I feel it. That same electrical sensation I got the first time I touched the spot—in my room, when I begged him to stay the night. The feeling radiates up my spine and gnaws at my nerves. It’s like something’s there, marked on his leg. I run my fingers over the spot—through the blanket—almost tempted to have a look. I close my eyes, trying to sense things the way he does—to get a mental picture from merely touching the area. But I can’t. And I don’t. Still, I have to know if I’m right. I peer over my shoulder toward the door, checking to see that no one’s looking in. And then I roll the covers down. Ben’s wearing a hospital gown. With trembling fingers, I pull the hem and see it right away: the image of a chameleon, tattooed on his upper thigh. It’s about four inches long, with green and yellow stripes. And its tail curls into the letter C. I feel my face furrow, wondering when he got the tattoo, and why he never told me. It wasn’t so long ago that I told him the story of my name—how my mother named me after a chameleon, because chameleons have keen survival instincts.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
Without warning, he fingered the small, black tattoo on her lower back. “What does this script mean?” She did gasp then, as much from the shock of his touch as from her visceral reaction to it. She wanted to arch up to his hand and couldn’t understand why. She snapped, “Are you done groping me?” “Canna say. Tell me what the marking means.” Mari had no idea. She’d had it ever since she could remember. All she knew was that her mother used to write out that mysterious lettering in all of her correspondence. Or, at least her mother had before she’d abandoned Mari in New Orleans to go on her two-hundred-year-long druid sabbatical— He tapped her there, impatiently awaiting an answer. “It means ‘drunk and lost a bet.’ Now keep your hands to yourself unless you want to be an amphibian.” When the opening emerged ahead, she crawled heedlessly for it and scrambled out with her lantern swinging wildly. She’d taken only three steps into the new chamber before he’d caught her wrist, spinning her around. As his gaze raked over her, he reached forward and pulled a lock of her long hair over her shoulder. He seemed unaware that he was languidly rubbing his thumb over the curl. “Why hide this face behind a cloak?” he murmured, cocking his head to the side as he studied her. “No’ a damn thing’s wrong with you that I can tell. But you look fey. Explains the name.” “How can I resist these suave compliments?” He was right about the name though. Many of the fey had names beginning in Mari or Kari. She gave his light hold on her hair a pointed look, and he dropped it like it was hot, then scowled at her as if she were to blame.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
A BLESSING FROM MY SIXTEEN YEARS’ SON I have this son who assembled inside me during Hurricane Gloria. In a flash, he appeared, in a tiny blaze. Outside, pines toppled. Phone lines snapped and hissed like cobras. Inside, he was a raw pearl: microscopic, luminous. Look at the muscled obelisk of him now pawing through the icebox for more grapes. Sixteen years and not a bone broken, not a single stitch. By his age, I was marked more ways, and small. He’s a slouching six foot two, with implausible blue eyes, which settle on the pages of Emerson’s “Self Reliance” with profound belligerence. A girl with a navel ring could make his cell phone buzz, or an Afro’d boy leaning on a mop at Taco Bell— creatures strange as dragons or eels. Balanced on a kitchen stool, each gives counsel arcane as any oracle’s. Dante claims school is harshing my mellow. Rodney longs to date a tattooed girl, because he wants a woman willing to do stuff she’ll regret. They’ve come to lead my son into his broadening spiral. Someday soon, the tether will snap. I birthed my own mom into oblivion. The night my son smashed the car fender, then rode home in the rain-streaked cop cruiser, he asked, Did you and Dad screw up so much? He’d let me tuck him in, my grandmother’s wedding quilt from 1912 drawn to his goateed chin. Don’t blame us, I said. You’re your own idiot now. At which he grinned. The cop said the girl in the crimped Chevy took it hard. He’d found my son awkwardly holding her in the canted headlights, where he’d draped his own coat over her shaking shoulders. My fault, he’d confessed right off. Nice kid, said the cop.
Mary Karr (Now Go Out There: (and Get Curious))
BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
Gabe Durham (Fun Camp)
I was turned High Fae when an enemy shoved me into it. It’s raw power, but also … sentient.” “Like that mask you put on earlier.” Azriel folded his wings tightly, clearly wary of discussing such a powerful instrument with a potential enemy. But Nesta asked, “You detected a sentience in the Mask?” Bryce nodded. “It didn’t, like, talk to me or anything. I could just … sense it.” “What did it feel like?” Nesta asked quietly. “Like death,” Bryce breathed. “Like death incarnate.” Nesta’s eyes grew distant, grave. “That’s what the Mask can do. Give its wearer power over Death itself.” Bryce’s blood chilled. “And this is a … normal type of weapon here?” “No,” Azriel said from ahead, shoulders tense. “It is not.” Nesta explained, “The Mask is one of three objects of catastrophic power, Made by the Cauldron itself. The Dread Trove, we call it.” “And the Mask is … yours?” “I was also Made by the Cauldron,” Nesta said, “which allows me to wield it.” She spoke with no pride or boasting. Merely cold resignation and responsibility. “Made,” Bryce mused. “You said that my tattoo was Made.” “It is a mystery to us,” Nesta said. “You’d need to have had the ink Made by the Cauldron, in this world, for it to be so.” The Horn had come from here. Had been brought by Theia and Pelias into Midgard. Perhaps it, too, had been forged by the Cauldron. Bryce tucked away the knowledge, the questions it raised. “We don’t have anything like the Cauldron on Midgard. Solas is our sun god, Cthona his mate and the earth goddess. Luna is his sister, the moon; Ogenas, Cthona’s jealous sister in the seas. And Urd guides all—she’s the weaver of fate, of destiny.” Bryce added after a moment, “I think she’s the reason I’m here.” “Urd,” Nesta murmured. “The Fae say the Cauldron holds our fates. Maybe it became this Urd.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))
Not a comforting thought, but Bryce nonetheless popped the silver bean into her mouth, worked up enough saliva, and swallowed. Its metal was cool against her tongue, her throat, and she could have sworn she felt its slickness sliding into her stomach. Lightning cleaved her brain. She was being ripped in two. Her body couldn’t hold all the searing light— Then blackness slammed in. Quiet and restful and eternal. No—that was the room around her. She was on the floor, curled over her knees, and … glowing. Brightly enough to illuminate Rhysand’s and Amren’s shocked faces. Azriel was already poised over her, that deadly dagger drawn and gleaming with a strange black light. He noted the darkness leaking from the blade and blinked. It was the most shock Bryce had seen him display. “Put it away, you fool,” Amren said. “It sings for her, and by bringing it close—” The blade vanished from Azriel’s hand, whisked away by a shadow. Silence, taut and rippling, spread through the room. Bryce stood slowly—as Randall and her mom had taught her to move in front of Vanir and other predators. And as she rose, she found it in her brain: the knowledge of a language that she had not known before. It sat on her tongue, ready to be spoken, as instinctual as her own. It shimmered along her skin, stinging down her spine, her shoulder blades—wait. Oh no. No, no, no. Bryce didn’t dare reach for the tattoo of the Horn, to call attention to the letters that formed the words Through love, all is possible. She could feel them reacting to whatever had been in that spell that set her glowing and could only pray it wasn’t visible. Her prayers were in vain. Amren turned to Rhysand and said in that new, strange language—their language: “The glowing letters inked on her back … they’re the same as those in the Book of Breathings.” They must have seen the words through her T-shirt when she’d been on the floor. With every breath, the tingling lessened, like the glow was fading. But the damage was already done. They once again assessed her. Three apex killers, contemplating a threat. Then Azriel said in a soft, lethal voice, “Explain or you die.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
At night in the tent, he leaves the flaps open, to feel the fire outside, to hear Anthony in the trailer, to see her better. She asks him to lie on his stomach, and he does, though he can't see her, while she runs her bare breasts over his disfigured back, her nipples hardening into his scars. You feel that? she whispers. Oh, he does. He still feels it. She kisses him from the top of his head downward, from his buzz-cut scalp, his shoulder blades, his wounds. Inch by inch she cries over him and kisses her own salt away, murmuring into him, why did you have to keep running? Look what they did to you. Why didn't you just stay put? Why couldn't you feel I was coming for you? You thought I was dead, he says. You thought I had been killed and pushed through the ice in Lake Ladoga. And what really happened was, I was a Soviet man left in a Soviet prison. Wasn't I dead? He is fairly certain he is alive now, and while Tatiana lies on top of his back and cries, he remembers being caught by the dogs a kilometer from Oranienburg and held in place by the Alsatians until Karolich arived, and being flogged in Sachsenhausen's main square and then chained and tattooed publicly with the 25-point star to remind him of his time for Stalin, and now she lies on his back, kissing the scars he received when he tried to escape to make his way back to her so she could kiss him. As he drives across Texas, Alexander remembers himself in Germany lying in the bloody straw after being beaten and dreaming of her kissing him, and these dreams morph with the memories of last night, and suddenly she is kissing not the scars but the raw oozing wounds, and he is in agony for she is crying and the brine of her tears is eating away the meat of his flesh, and he is begging her to stop because he can't take it anymore. Kiss something else, he pleads. Anything else. He's had enough of himself. He's sick of himself. She is tainted not just with the Gulag. She is tainted with his whole life. Does it hurt when I touch them? He has to lie. Every kiss she plants on his wounds stirs a sense memory of how he got them. He wanted her to touch him, and this is what he gets. But if he tells her the truth, she will stop. So he lied. No, he says.
Paullina Simons
She said, “Why can’t you see that people care for you?” She said, “I care for you.” “I know that you care. But…” He searched her face. “Anyone would, for a friend.” “You’re more than a friend.” “On the battlefield, you stayed--” “Of course I did.” “You have a strong sense of honor. You always have. I think you think you owe me something.” “I stayed because I love you.” He flinched and looked away. “You don’t mean that.” “Yes, I do.” The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure. There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin. He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else. He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them. He bit his lip. “That hurts?” “No.” “What is this? What happened?” “I’ll tell you,” he said. “Later.” His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin. “Kestrel…I’ve never--” She whispered that this was new for her, too. There was a long pause. “Are you certain you want--” “Yes.” “Because…” “Arin.” “Maybe you--” “Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound. When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Sophie could sense Aidan’s attraction to Morgan.  Could he be more insane? Not that Aidan was ugly.  Sophie just figured his black clothing, studded eyebrow and ears, and tattoos were something the Queen of Ice wouldn’t be interested in. Morgan shook her curls off of her shoulder with a silent glare for the group. Aidan grinned again and turned to Jackson.  “You play for the football team?”  He leaned back in his chair and tapped his fingers on the arm. “Could you please stop that?”  Morgan speared Aidan with another look. “Sure thing, Princess.” “Shut up.” Jackson watched their exchange with a small smile.  A curl fell over his forehead that made him look devastatingly virtuous.  “Tristan and I are on the same team.  We’ve played together since we were little.
Samantha Long (Awakening (Guardians, #1))
Jax's eyes fell to my shoulder, and I realised he was looking at my hair. "Nice colour," he said. "Thanks." "Is that your rebellion flare?" he asked. I couldn't help it. I laughed again. "It's rated number two for 'how to scare your dad' products, online." "Right under piercings," he said. "Actually, I think pregnancy tests are number one," I said, and he laughed. "And we can't forget tattoos," Jax offered. "I've got that one covered." I raised my wrist with a smile. I had been waiting for this moment for a long time.
Katie Kacvinsky (Still Point (Awaken, #3))
He lowered his arm and started unbuttoning his shirt. “I don’t think so, bella. I think I’ll end up exactly where I need to be.” The shirt came off and his tan muscles flexed as he threw the shirt on the sofa next to her. She backed away as if the garment itself could be her undoing. “What the hell are you doing?” she asked, unable to keep her eyes off him. The tattoo covering his right bicep trailed its way across his shoulder, onto his chest and down his right side. “Getting to work,” he replied and walked towards her.
Mila Rossi (Under Construction)
I blink and look up. And up. Oh good god. The man towering over me … he’s a mountain – all broad shoulders, strong limbs and a firm jaw. And … he’s not wearing a shirt. His chest is toned, muscular and tanned, with streaks of mud over his abs and an eagle tattoo on his left collarbone. Fucking hell! Why the fuck is he walking around bare-chested like some kind of caveman? ‘What happened to your shirt?’ I stammer, then wince at my stupid, embarrassing question. Now he knows I’ve been gawping at his chest.
Suzy K. Quinn (The Ice Seduction (Devoted #1))
He lives with his brothers. Shoot. I’m not going to an apartment filled with men I don’t know. “I can’t,” I say, but he rolls his eyes at me. Then he bends at the waist and drives his shoulder very gently into my midsection. He hefts me over his back like I’m a sack of potatoes. I’m still holding on to my guitar, and I knock him against the backs of his legs with it. I could be screaming at him right now, and he would have no idea. I can’t talk to him. I can’t tell him to put me down. He carries me like that up four flights of stairs, and he’s huffing a little when we get to the fourth floor. I expect him to keep climbing, but he doesn’t. He stops and opens a door, and we’re suddenly in a hallway. My struggling has ceased because it’s no good. He can’t hear me. He can’t respond. So, I brush my hair out of my face with one hand and try not to drop my guitar with the other. He opens a door and steps inside, closing it behind him. Four men turn to look at me, flopped there over his shoulder. I’m turned to face them as he closes the door, so I wave. What else can I do? The one I met at the tattoo parlor gets to his feet. “Who’s that?” the biggest one asks. The tattoo guy bends over to look in my face. “Shit, Logan, that’s the girl who clocked you.” The other men get up and walk over, too. One of them says, “Dude, she’s got Betty Boop on her panties.” I can’t even reach back to cover my ass. Logan lowers me to my feet. I stumble as he sets me upright, when all the blood rushes back from my head. He reaches out to steady me, and he smiles.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
She looks up at me, a soft smile on her lips as she sees me in the mirror. I walk up behind her and put my arms around her, resting my chin on her shoulder. “I’m sorry I made you cry,” I say. She shakes her head and talks to me in the mirror. “No one has ever done anything like that for me before,” she says. Her eyes fill up with tears again, and I’m sorry that I came out of the stall. I’ll go back in there if she’ll stop crying, but I’m not leaving her. I can see that now. I’m not leaving her, no matter what. “The lock?” I ask. She’s leaning back against me, and she wraps her arms over mine. She nods. She wipes her eyes with a paper towel, swiping the black makeup from under her eyes. Her face is splotchy, but she’s never looked more beautiful. For that one split-second, she isn’t hiding anything from me. “The minute I saw the tattoo I knew it needed to be changed. I’m sorry if I defiled your art.” She could take exception to my change, but I have a feeling she doesn’t. “It’s perfect,” she says. She lifts my arm from around her waist and looks down at it. “It’s perfect,” she repeats, sniffling. “I don’t know how to tell you what I’m feeling.” I’m the one with the hearing impairment, and she can’t tell me something? I laugh and lift her hair from her neck and press my lips there. “You don’t have to say anything,” I tell her. She turns around and cups my face in her palm, her hand stroking across my five-o’clock shadow. I take her hands in mine and lift them to my lips, kissing them one by one. Then I look into her eyes and open my mouth to ask her the one question I need to know the answer to. “What’s your name?” I ask. She freezes. It’s like there’s suddenly a wall between us, and I haven’t even let her go. “No,” she says. I feel like she’s kicked me in the gut. I let her go and take a step back. “Why not?” I ask. “I just can’t,” she says. I nod and let myself out of the bathroom. My legs are shaking. The waitress shoots me a glance as I walk back to the table. I sit down. Kit’s still in the bathroom, and I can’t help but wonder if she’s ever going to come out. Her guitar is still under the table. So, she has to come back, right?
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
And the winner is,” he sings. He waits, opening the folded piece of paper slowly, drawing out the suspense. I can barely hear him over my own heartbeat, which is thumping like crazy. Is it too late to back out? Shit. I don’t want to do this. “The winner is the person who guessed twelve hundred and forty-eight!” The crowd is silent, and all the participants look to one another. But then I hear a thump, thump, thump, thump as someone comes up the stairs onto the platform. I see the baseball cap before I see the rest of him, and I hope to God that’s Sean’s cap. But Sean didn’t even buy a ticket. Not a single one. Yet it’s his brown gaze that meets mine. It’s his baseball cap, and they are his tattoos. They’re his broad shoulders and his long strides that eat up the distance between us. He turns his hat backward and looks down at me. He stops with less than an inch to spare between us. “Congratulations,” I squeak out. “You didn’t even buy a ticket. How did you…?” “I bought one hundred and forty-two tickets, dummy,” he says. My heart trips a beat. “You did?” All he had to buy was one. I put the winning number on the piece of paper I gave him. He nods, and he takes my face in his hands. His thumbs draw little circles on my cheeks as his fingers thread into the hair at my temples. “You didn’t look at the paper I gave you….” My heart is pounding like mad. “What paper?” he asks. His smile is soft and inviting, and I want to fall into him. “The one you put in your pocket.” His brow furrows. “Never mind,” I say, breathless. He spent 142 dollars for a kiss he already owned in more ways than one. If I loved this man any more, it would be dangerous. He looks down into my eyes, not moving. He’s going to kiss me, right? “What’s the plan here?” “I’m going to kiss my girl,” he says, smiling at me. My breath hitches. “But you have to say yes, first.” He hasn’t let me go. He’s holding me tightly, forcing me to meet his eyes. “This isn’t going to be a one-time thing.” I can’t even think, and he wants me to commit? “It’s not,” I breathe. “You promise?” His gaze searches mine like he’s going to find the secrets to the universe there. “I swear on your life,” I say. He chuckles. “My life?” I nod. His eyebrows draw together. “Aren’t you supposed to swear on your own life?” “My life means nothing if you’re not in it.” His hands start to tremble against my face, and he closes his eyes and takes a deep breath. Logan’s brothers start to chant, “Kiss, kiss, kiss, kiss…,” and the crowd joins in. “You better kiss me,” I say, “or they’re going to get restless.” A tear rolls down my cheek, and he brushes it back with his thumb, his gaze soft and warm. His eyes open, and he leans closer to me. I step onto my tiptoes to get to him because I can’t wait one more second. He stops a breath away from me, just like he did in the room. He waits. “You have to close the distance,” he says to me. He’s making me choose. I fall into him and press my lips to his. He freezes. But then he starts to kiss me. And all the fireworks at the state fair couldn’t compare to the ones that go off in my head.
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
The expression on his face should be enough to terrify the man who held her. Bare chested, barefoot, his jeans zipped but not buttoned, his shoulders and arms frighteningly huge, big tattoos on his swollen biceps, he looked like a wild man. He looked over the barrel of the gun, his eyes narrow, and a set to his jaw told her he was going to act. There was no question. He did not look at Mel, but at Calvin. And for a woman terrified of guns, she was unafraid. She believed in him. She knew, in that instant, that he would risk his life for her, but he would never put her at risk. Never. If he was going to make a move, she wouldn’t be in danger. Her expression went from frightened to trusting. Jack
Robyn Carr (Virgin River (Virgin River, #1))
What can I get for you, Princess?” a low, deep voice rumbled. Maddie’s head shot up and a man blinked into focus. Her mouth dropped open. In front of her stood the most gorgeous man she’d ever seen. Was she hallucinating? Was he a mirage? She blinked again. Nope. Still there. Unusual amber eyes, glimmering with amusement, stared at her from among strong, chiseled features. She swallowed. Teeth snapping together, she tried to speak. She managed a little squeak before words failed her. A hot flush spread over her chest. Men like this should be illegal. Unable to resist the temptation pulling her gaze lower, she let it fall. Just when she’d thought nothing could rival that face. Shoulders, a mile wide, stretched the gray T-shirt clinging to his broad chest. The muscles in his arms flexed as he rested his hands on the counter. A tribal tattoo in black ink rippled across his left bicep. Oh, she liked those. Her fingers twitched with the urge to trace the intricate scroll as moisture slid over her tongue. For the love of God, she was salivating. Stop staring. She shouldn’t be thinking about this. Not now. Not after today. It was so, so wrong. But she couldn’t look away. Stop. She tried again, but it was impossible. He was a work of art. “You okay there?” The smile curving his full mouth was pure sin. That low, rumbling voice snapped her out of her stupor, and she squared her shoulders. “Yes, thank you.” His gaze did some roaming of its own and stopped at her dress. One golden brow rose. Before he could ask any questions, she said, “I’ll have three shots of whiskey and a glass of water.” His lips quirked. “Three?” “Yes, please.” With a sharp nod, she ran a finger along the dull, black surface of the bar. “You can line them up right here.” When he continued to stare at her as if she might be an escaped mental patient, she reached into her small bag and pulled out her only cash. She waved the fifty in front of his face. “I assume this will cover it.” “If I give you the shots, are you going to get sick all over that pretty dress?” He leaned over the counter, and his scent wafted in her direction. She sucked in a breath. He smelled good, like spice, soap, and danger. She shook her head. What was wrong with her? She was so going to hell. She pushed the money toward him. “I’ll be fine. I’m Irish. We can handle our liquor.” “All right, then.” The bartender chuckled, and Maddie’s stomach did a strange little dip. He
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle. Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her. Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute. A fuse? Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body. At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz. Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else … Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight. Her heart stopped as she saw the heavy rounded band of a thumb ring. Wriggling beneath him, Amelia tried to turn over. The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—” He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body. “You,” he said softly. Cam Rohan.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
He had the perfect hazel eyes, and dreads that went past his shoulders that he had held up with rubber bands. He was the color of caramel and tattoos adorned
Diamond D. Johnson (Little Miami Girl: Antonia and Jahiem's Love Story)