Should Albums Be In Quotes

I wrote the song 'Down to Earth' a few years ago, and i was really excited to record it for My World album. It's a huge fan favourite. So many people feel where i'm coming from. It doesn't need any spectacular stage effects in the touring show; the best thing i can do is just sing it straight from my heart. I'm not afraid to show my emotions; if you love someone, you should tell them. If you think a girl is beautiful, you should say that. Usher says some songs work best when there's a sob in the singer's voice. You gotta let that deep feeling come through. And that's how i felt about this song. Sometimes the emotion of it is enough to bring tears to my eyes.

To all the boys who inspired this album: You should've known. ;)

Don’t play that game with me, Acheron. Tell me what I need to know! (Xypher) Nice tone. We should rent you out to record Halloween albums. (Acheron)

Music shouldn't be just a tune, it should be a touch.

Nothing about him looked particularly demonic, at least by classical standards. No horns, no wings. Admittedly he was listening to a Best of Queen tape, but no conclusions should be drawn from this because all tapes left in a car for more than about a fortnight metamorphose into Best of Queen albums.

I should live my life on bended knee If I can't control my destiny You've gotta have a scheme You've gotta have a plan In the world of today, for tomorrow's man - No Control

If someone who is agitated comes to visit you, wanting to discuss their agitation and weigh the pros and cons of what action he should take, my suggestion is to give him the mantram album and say, "why don't you just write Rama, Rama, Rama a thousand times?

Crowley was currently doing 110 mph somewhere east of Slough. Nothing about him looked particularly demonic, at least by classical standards. No horns no wings. Admittedly he was listening to a Best of Queen tape, but no conclusions should be drawn from this because all tapes left in a car for more than about a fortnight metamorphose into Best of Queen albums

I was just thinking that Edward’s Tumescent Cloaca would have been an excellent band name.” “Emo, obviously,” Kahurangi said. “Their first album glistened with promise, but their follow-up was a little flaccid.” “Their third album was really shitty.” “To be fair, the competition was stiff that year.” “I just thought that they should have showed more spunk.

snapshots to remember in our mental scrapbooks and throw away the bad? Perhaps all photo albums should bear the subtitle “The Past—The Way You Want to Remember It.

Why did you come back?” It felt like a trick question. My hard-won hermitage — begun by me, secured by Jeremy — was no small thing. It was a chance to be someone else, and how many of those do you get? And yet I’d left it behind. I came back because I had to. Because there was nothing wrong in the world except that I was getting older in it. Because Sam and Grace had told me I should go if that was what I wanted. What I wanted was: I wanted. Isabel — I wanted to make something. At the beginning of all of this, I had just been a kid with a keyboard. It was less the game of it, and more those hours I spent falling from song to song. “I want to make an album,” I said. “I miss making music.” I could tell he approved of my answer.

The 1976 album, Rising, is a fucking classic and you should put this book down, fire up the internet and listen to it.

Beyoncé should release a country album,

It could all be an act,” Darlington growled. “Should I put on some tunes?” Tripp asked. “I have this amazing Red Hot Chili Peppers double album—” Maybe they should kill him.

We both share the same philosophy about making albums; we don’t believe in B-sides or album songs. Every song should be able to stand on its own as a single, and we always push for this.

Indie; I think the ten-minute song is going to be really good. Jenna: I hope you didn't tell him that. Indie: No, I told him it's unmarketable. Hudson: And what did he say? Indie: He said I sounded like a Suit., specifically like Jenna Holden, and that Jenna Holden was hired to get him Balmain deals and negotiate fat deals with record labels, not produce his next album. He also said he'd once caught you nodding your head at a Maroon 5 song, and the fact that you're not dead to him after that is a miracle in itself, so you should not push your luck. Again, his words, not mine.>/b>

I don't want any money for it," he said. "It's a gift." Scarlett's mouth dropped open. The line was so closely, so carefully drawn where gifts from men were concerned. "Candy and flowers, dear," Ellen had said time and again, "and perhaps a book of poetry or an album or a small bottle of Florida water are the only things a lady may accept from a gentleman. Never, never any expensive gift, even from your fiance. And never any gift of jewelry or wearing apparel, not even gloves or handkerchiefs. Should you accept such gifts, men would know you were no lady and would try to take liberties.

That night she listened to the Nirvana album again. In Kurt Cobain's voice, Irene heard a perfect and beautiful misery, a voice stretched so thin with loneliness and wanting that it should break. But his voice didn't break, and there was a kind of joy in it too.

Small towns blossomed by elevators and the trains Once every 14 miles along the prairie veins We were born of progress, now progress will decree That we’re no longer viable, and should no long be… Still Standing about Canada’s Prairie Elevators (The First Song album)

While we took the children off to Disneyland. A visit to this magical kingdom should be a compulsory part of being an American---who else on earth would put so much ingenuity into simply having fun? The rides were fabulous: a real life pirate ship with real life pirates; a roller coaster that tppk you inside the Matterhorn (that was my favourite); and the Haunted House, with its flickering lights and a moving floor. By the end of the day, our feet were aching and our voices were hoarse, but it was well worth it. We all had a tremendous time !

I went to the room in Great Jones Street, a small crooked room, cold as a penny, looking out on warehouses, trucks and rubble. There was snow on the windowledge. Some rags and an unloved ruffled shirt of mine had been stuffed into places where the window frame was warped and cold air entered. The refrigerator was unplugged, full of record albums, tapes, and old magazines. I went to the sink and turned on both taps all the way, drawing an intermittent trickle. Least is best. I tried the radio, picking up AM only at the top of the dial, FM not at all." The industrial loft buildings along Great Jones seemed misproportioned, broad structures half as tall as they should have been, as if deprived of light by the great skyscraper ranges to the north and south." Transparanoia owns this building," he said. She wanted to be lead singer in a coke-snorting hard-rock band but was prepared to be content beating a tambourine at studio parties. Her mind was exceptional, a fact she preferred to ignore. All she desired was the brute electricity of that sound. To make the men who made it. To keep moving. To forget everything. To be that sound. That was the only tide she heeded. She wanted to exist as music does, nowhere, beyond maps of language. Opal knew almost every important figure in the business, in the culture, in the various subcultures. But she had no talent as a performer, not the slightest, and so drifted along the jet trajectories from band to band, keeping near the fervers of her love, that obliterating sound, until we met eventually in Mexico, in somebody's sister's bed, where the tiny surprise of her name, dropping like a pebble on chrome, brought our incoherent night to proper conclusion, the first of all the rest, transactions in reciprocal tourism. She was beautiful in a neutral way, emitting no light, defining herself in terms of attrition, a skinny thing, near blond, far beyond recall from the hard-edged rhythms of her life, Southwestern woman, hard to remember and forget...There was never a moment between us that did not measure the extent of our true connection. To go harder, take more, die first.

Billy’s voice is sarcastic, drawing her fire away from me. “Hey, Delores, it’s good to see you too. I’m great, thanks for asking. The album? Doin’ awesome—triple platinum. California? Fabulous, couldn’t be happier. Again . . .” He cups his hands around his mouth, megaphone style, “. . . thanks for asking.” Delores’s eyes zero in on him, looking him over head to toe. Not happy with what she sees. “It’s called a razor; you should get one. If ancient man could figure it out, you’ve got a slim chance. Oh—and Pearl Jam called. They want their flannel back.” Billy’s brows go up. “You’re criticizing my style? Really, Cruella? How many puppies had to die so you could wear that coat?” “Eat shit.” “Cooking again, are you? I thought the health department banned you for life the last time you tried?” Delores opens her mouth for a rebuttal, but nothing comes out. Her glossy lips stretch slowly into a smile. “I’ve missed you, Jackass.” Billy winks. “Right back at you, cuz.

* Many people think it should have been a hydrogen molecule, but this is against the observed facts. Everyone who has found a hitherto unknown egg-whisk jamming an innocent kitchen drawer knows that raw matter is continually flowing into the universe in fairly developed forms, popping into existence normally in ashtrays, vases and glove compartments. It chooses its shape to allay suspicion, and common manifestations are paperclips, the pins out of shirt packaging, the little keys for central heating radiators, marbles, bits of crayon, mysterious sections of herb-chopping devices and old Kate Bush albums. Why matter does this is unclear, but it is evident that matter has Plans. It is also apparent that creators sometimes favor the Big Bang method of universe construction, and at other times use the more gentle methods of Continuous Creation. This follows studies by cosmotherapists which have revealed that the violence of the Big Bang can give a universe serious psychological problems when it gets older.

The Beatles were working on an album called Everest (actually named after a brand of cigarettes). When it was suggested they should get the photo for the record cover taken at the actual place the album was named after - and being too lazy to travel to the Himalayas - they renamed it to Abbey Road, which was the street on which their recording studio was.

We met. He asked me out. I said no. He gave me his card should I rethink. The end,” I told him. Luke looked to Lee. Mace looked to Vance. Hector looked back down at the card. Brody looked at me. “Why’d you say no?” “Have I ever struck you as a woman who shares her personal life?” I asked. “I was over at your house watching Tarzan two weeks ago and you pulled out your family albums,” Brody reminded me. “All twelve of them.” Damn. “I was drunk,” I lied.

Expanding further on his own observations of Prince’s writing style(s) during the course of the album’s recording, fellow Paisley Park engineer Eddie Miller, who engineered the recording of ‘Electric Chair’ among other Prince recordings during the Batman era, recalled that “he would write all sorts of ways. I have to admit that I listened to some of his cassette demos that he would sometimes bring into the studio to reference (as I remember, he would hold the cassette player up to his ear, so you couldn’t really hear it.). They were fascinating. His cassette demo technique was extremely crude but ingenious—it’s like something you’d do if you had no access to any equipment. He’d use two cheap cassette recorders. If he wanted to hear drums, he’d record a human beat box rhythm for the length of the song—and most likely, he’d have the form of the song in his head while he was recording this. By the way, it was the same in the studio when he’d do his one man band approach to recording a song. He’d know the song in his head, and start out recording the drums for the song (it would essentially become the ‘click track’—the way a click track should be). Back to the cassette demo—he’d then play his beat box groove over the speaker on the cassette recorder and sing the bass line while recording all this onto the second cassette machine. He’d build up a rhythm track this way, and then add vocals. And there’s your demo.

... and being part of Stan 'Twitter is much more fun than logging on just to frown at politicians or congratulate acquaintances on their new jobs. When I'm doom-scrolling through a timeline full of terrible news and inane bickering, it's a treat to come across all-caps excitement or an ultra-niche joke. Or to wake up and find that there is a conversation going on and that I understand it, and that people are excited about something and I am too. This is the type of thing that can buoy a person for an hour or so at a time. In the same way that holidays give shape to formless years, album promotion and single releases give color to the days that line up one after another. There is a reason to stay up late. There is a reason to wake up early. There is something to do at lunch when you feel like you'd like to cry and take a nap. There are people who swear they hacked into an airport security camera, and aren't you interested to see what they saw, even if you find that totally weird and ultimately quite scary? I like Stan Twitter because it is so peculiar, even as millions of people participate in it and it should have become generic.

Seamus tossed down two of his cards. “Hell. I’d train her if Tristan asked me. Wouldn’t mind seeing that pretty face every day.” I studied my cards, pretending not to hear him. “Maybe I should offer to work with her,” he said. “Free you up so you can get back to doing what you love.” My jaw tightened. “You go kill things, and I’ll show the lass some Irish moves. Win-win situation for both of us, right?” The cards in my hand began to buckle. “Ha!” Seamus gave Niall a victorious grin. “Pay up, bro.” Niall’s mouth turned down. “You don’t even like that album.” “I said it wasn’t my favorite one, but you know I like all of Johnny Cash’s stuff.” “Since when?” I stared at the two brothers with a mix of irritation and confusion. “What are you two going on about?” Chris asked. Seamus looked at me with a smug expression. “I told Niall you had it bad for the lass. He said she was too young and sweet to interest you. We made a friendly wager, which he just lost.” “You don’t have proof he’s into her,” Niall argued. “He just might not want your ugly mug around her.” Seamus snorted. “You do realize we’re identical twins.” “I’m still better looking.

You should never buy an album called The Best of Bob Dylan and you shouldn’t by The Best of anything else either. It’s not a race, or at least not a race against anyone else. All trophies are bullshit. All prizes are bullshit. And competition is the biggest bullshit of all. What? Do you believe in pride, too? If you think what you have is better than what others have then you’re fucked because you still believe in words that you’ve already been told were dead. Words die. Learn this. Your ego must be annihilated before anything true will surface from inside of you. Only egos (and money) can make you say, “This is the best.

album, by the way,” I said loudly. “You should just burn it or something.” “Julian,” she said. Then, out of the blue, I started crying. “Oh, my darling!” said Mom, kind of surprised. She hugged me. “I can’t help it, Mom,” I said through my tears. “I hate that I have to see him every day!” That night, I had the same nightmare I’ve been having since the start of school. I’m walking down the main hallway, and all the kids are in front of their lockers, staring at me, whispering about me as I walk past them. I keep walking up the stairwell until I get to the bathroom, and then I look in the mirror. When I see myself, though, it’s

You were a wanted child, God knows, she would say at other moments, lingering over the photo albums in which she had me framed; these albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit by some plague. She would say this a little regretfully, as though I hadn't turned out entirely as she'd expected. No mother is ever, completely, a child's idea of what a mother should be, and I suppose it works the other way around as well. But despite everything, we didn't do badly by one another, we did as well as most. I wish she were here, so I could tell her I finally know this.

As part of the deal, Dylan appeared in a television ad for the iPod, featuring his new album, Modern Times. This was one of the most astonishing cases of flipping the script since Tom Sawyer persuaded his friends to whitewash the fence. In the past, getting celebrities to do an ad required paying them a lot of money. But by 2006 the tables were turned. Major artists wanted to appear in iPod ads; the exposure would guarantee success. James Vincent had predicted this a few years earlier, when Jobs had said he had contacts with many musicians and could pay them to appear in ads. "No, things are going to soon change,' Vincent replied. "Apple is a different kind of brand, and it's cooler than the brand of most artists. We should talk about the opportunity we offer the bands, not pay them.

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

I promise that he following sentences are not a joke. I especially want to say this to artists: I'm improbably successful in the comedy world. You don't know the full scope of it, but it's almost unimaginable. I'm not telling you to brag. I'm saying it because I'm really not special. I wasn't chosen, and I didn't have a team of tastemakers behind me making my dreams happen. I made them happen, and you can make yours happen too. I mean it. If you're a comedian, writer, actor, painter, director, dancer, or any other type of artist, you can make your dreams happen. You can have the career and the life that you dream of. The only thing I did was believe I could do it, and I took action. You must do the same. You have to know you are meant to do your craft and you have to act. You have to write, dance, paint, get onstage, express yourself however you feel compelled to, and you have to take a chance on yourself. I recorded my own album, submitted for what was available, and started my own podcase. I'm not special, but I didn't wait for something to happen. I took calculated risks, and you can and should do the same. Make the life you want happen for yourself because you really can.

I open the door to see him on my doorstep and he doesn’t even say hello. He says, “Let’s cut the crap, Daisy. You need to record this album or Runner’s taking you to court.” I said, “I don’t care about any of that. They can take their money back, get me kicked out of here if they want. I’ll live in a cardboard box.” I was very annoying. I had no idea what it meant to truly suffer. Teddy said, “Just get in the studio, love. How hard is that?” I told him, “I want to write my own stuff.” I think I even crossed my arms in front of my chest like a child. He said, “I’ve read your stuff. Some of it’s really good. But you don’t have a single song that’s finished. You don’t have anything ready to be recorded.” He said I should fulfill my contract with Runner and he would help me get my songs to a point where I could release an album of my own stuff. He called it “a goal for us all to work toward.” I said, “I want to release my own stuff now.” And that’s when he got testy with me. He said, “Do you want to be a professional groupie? Is that what you want? Because the way it looks from here is that you have a chance to do something of your own. And you’d rather just end up pregnant by Bowie.” Let me take this opportunity to be clear about one thing: I never slept with David Bowie. At least, I’m pretty sure I didn’t. I said, “I am an artist. So you either let me record the album I want or I’m not showing up. Ever.” Teddy said, “Daisy, someone who insists on the perfect conditions to make art isn’t an artist. They’re an asshole.” I shut the door in his face. And sometime later that day, I opened up my songbook and I started reading. I hated to admit it but I could see what he was saying. I had good lines but I didn’t have anything polished from beginning to end. The way I was working then, I’d have a loose melody in my head and I’d come up with lyrics to it and then I’d move on. I didn’t work on my songs after one or two rounds. I was sitting in the living room of my cottage, looking out the window, my songbook in my lap, realizing that if I didn’t start trying—I mean being willing to squeeze out my own blood, sweat, and tears for what I wanted—I’d never be anything, never matter much to anybody. I called Teddy a few days later, I said, “I’ll record your album. I’ll do it.” And he said, “It’s your album.” And I realized he was right. The album didn’t have to be exactly my way for it to still be mine.

But it seemed to me, or at least it had seemed to me in the few years I had been coming and going from this town, there was something finally ludicrous, finally unimpressive about even the people who had all the things to coveted by all the people who did not have them. It was difficult to say why. It might have been only a private blindness, a private indifference which prevented me from seeing how gratifying the possession of power or the possession of fame could be. Whatever money did, it didn't do the things it was popularly supposed to do, and I thought I could speak with a certain minor authority on the matter because [...] I no longer spoke with the suspect voice of poverty. My hostility, if there was still hostility in me toward the rich, now seemed to flow from another source: a feeling, not quite identifiable, that there was something sinister about the way these people lived. But then, how could this life possibly be sinister? What harm could there be in the Braque bought in an art shop in Paris and now featured over the low couch against the pale wall? What danger could accrue from the immense albums of records stored in the living room or the den with the brick fireplace and the spotless desk? Why should it strike me darkly that a huge refrigerator, with Coca-Cola perpetually on ice, and the grapes kept perfectly cold by a servant, stood on the patio beside the thirty-foot pool? Why did I persist in reacting so oddly to all their comforts, their acquisitions, their rarities, their cool, large and enviable homes? The fault, most likely, was in myself; they weren't, perhaps, sinister at all. It was only a kind of voracity which struck me so, an insatiety that gave off, perhaps, a slight aura of the sinister.

Ah! you cliques of the city!—don’t you know you had forebears with handlebar mustaches, who came down to the river in the morning bearing masts and booms on their shoulders? who killed their own bulls with a mighty club? who made their own clothes and tilled their own earth? For a million of your clever fashionable phrases, would you exchange one single such accomplishment? I know I would—and Oh God but I’m just as futile as you are, you city vermin; I too am vermin, vermin trying to struggle back to manhood, with small success. Here is our second illuminative nugget, with no emotions this time: that the fear of the family album is pursuant to the city’s general fear of time and particularly of the past (“Oh the stupid Victorian 19th Century!” they keep crying, as though Victorianism were the whole sum of that great century). Fear of the past is in the city, thus a love, a frantic need of the present—with all the hedonistic overtones involved, the psychological doctrines of “alertness” and the so-called liberation of sexuality: in other words, giving the moment over to the dictates of sexuality (divorce is such a dictate) and leaving time, the future—which is to them equivalent to the past, as a moral factor rather than a hedonistic factor of the “pulsing present”—leaving the future to the dogs, childless marriages, or one-child “families,” broken-up families, and thus leaving the future of mankind and the race to the dogs: to the destruction at the hands of a society’s inward atom bomb of organic-familial-societal disintegration: in short, the end of a race, as in Rome. This fear of reaching back into the past, into lineality and tradition, and of extending similarly forward into the future, is like a plant drying up, dying. Where I say this, they speak of the “reality of the moment” and the danger of suppressing the urges of the moment for any reason—but I find good reason if it is to spell the continuation of our own cultural mankind. Perhaps that’s what they don’t want, like children who resent all brothers and sisters burgeoning in their mother’s womb, resenting the future after them, feeling they should be the last, final men, that none must follow—a childish emotion. But to give oneself over to childish emotions is the aim of these city intellectuals, they abstrusely find much to “scientifically” substantiate this desire in the cult of psychoanalysis and its sub-cults, the Orgone “Institute” for one splendid example, and so they go ahead blithely, and I am not the one to oppose their concepts, their march off the ship’s plank—since I am marching to a plank of my own, since I do not wish to be reviled as a neurotic and an atavistic neo-fascist, since the other night, when mentioning these objections of mine, a city intellectual had apoplexy right before me. Oh

The notion that a story should unfold over the course of two or three hundred pages was as antiquated as the idea that a band’s musical output should consist of four or five songs on one side of a piece of vinyl, and then four or five slightly more experimental and intelligent songs on the other side. Albums used to make sense; they used to hang together as a body of work, and this had something to do with the fact that vinyl records could only hold eight or ten songs. Digital music changed all that. A quote-unquote album could now hold two mp3s or two hundred.

There is only one way to sort photos, and you should keep in mind that it takes a little time. The correct method is to remove all your photos from their albums and look at them one by one. Those who protest that this is far too much work are people who have never truly sorted photos. Photographs exist only to show a specific event or time. For this reason, they must be looked at one by one. When you do this, you will be surprised at how clearly you can tell the difference between those that touch your heart and those that don’t. As always, only keep the ones that inspire joy.

It should be clear that this was a list made by someone who prized control, yearned after momentum, someone determined to play her role as if she had the script, heard her cues, knew the narrative.

38 Paul was still thinking of singles and albums as he did during the Beatles’ days, and as many British groups (and record labels) did in the 1960s—as separate releases, with no crossover. With few exceptions, when the Beatles released a song as a single, it was removed from consideration as an album track. They explained this as a value-for-money issue: fans who already bought a single should not have to buy those tracks again on the next LP. It was different in the United States. Singles were considered teasers for albums. Record executives like Coury considered albums more marketable when they had hits on them, and American consumers considered it a convenience to have the songs they knew as singles on albums as well. In the Beatles’ case, because Capitol LPs typically included 12 songs, compared with

then how Beyoncé should release a country album,

Photos Cherish who you are now If you have been sorting and discarding things in the order I recommend, you have likely stumbled across photographs in many different places, perhaps stuck between books on a shelf, lying in a desk drawer, or hidden in a box of odds and ends. While many may already have been in albums, I’m sure you found the odd photo or two enclosed with a letter or still encased in the envelope from the photo shop. (I don’t know why so many people leave photos in these envelopes.) Because photos tend to emerge from the most unexpected places when we are sorting other categories, it is much more efficient to put them in a designated spot every time you find one and deal with them all at the very end. There is a good reason to leave photos for last. If you start sorting photos before you have honed your intuitive sense of what brings you joy, the whole process will spin out of control and come to a halt. In contrast, once you have followed the correct order for tidying (i.e., clothes, books, papers, komono, sentimental items), sorting will proceed smoothly, and you will be amazed by your capacity to choose on the basis of what gives you pleasure. There is only one way to sort photos, and you should keep in mind that it takes a little time. The correct method is to remove all your photos from their albums and look at them one by one. Those who protest that this is far too much work are people who have never truly sorted photos. Photographs exist only to show a specific event or time. For this reason, they must be looked at one by one. When you do this, you will be surprised at how clearly you can tell the difference between those that touch your heart and those that don’t. As always, only keep the ones that inspire joy. With this method, you will keep only about five per day of a special trip, but this will be so representative of that time that they bring back the rest vividly. Really important things are not that great in number. Unexciting photos of scenery that you can’t even place belong in the garbage. The meaning of a photo lies in the excitement and joy you feel when taking it. In many cases, the prints developed afterward have already outlived their purpose. Sometimes people keep a mass of photos in a big box with the intention of enjoying them someday in their old age. I can tell you now that “someday” never comes. I can’t count how many boxes of unsorted photographs I have seen that were left by someone who has passed away. A typical conversation with my clients goes something like this: “What’s in that box?” “Photos.” “Then you can leave them to sort at the end.” “Oh, but they aren’t mine. They belonged to my grandfather.” Every time I have this conversation it makes me sad. I can’t help thinking that the lives of the deceased would have been that much richer if the space occupied by that box had been free when the person was alive. Besides, we shouldn’t still be sorting photos when we reach old age. If you, too, are leaving this task for when you grow old, don’t wait. Do it now. You will enjoy the photos far more when you are old if they are already in an album than if you have to move and sort through a heavy boxful of them.

He frowned. "Naked baby photos should be outlawed." She closed the photo album. "So tell me, do you still have those cute dimples on your ass?

Coosawhatchie, South Carolina December 25, 1861 My Dear Daughter: Having distributed such poor Christmas gifts as I had to those around me, I have been looking for something for you. Trifles even are hard to get these war times, and you must not therefore expect more. I have sent you what I thought most useful in your separation from me and hope it will be of some service. Though stigmatized as “vile dross,” it has never been a drug with me. That you may never want for it, restrict your wants to your necessities. Yet how little will it purchase! But see how God provides for our pleasure in every way. To compensate for such “trash,” I send you some sweet violets that I gathered for you this morning while covered with dense white frost, whose crystals glittered in the bright sun like diamonds, and formed a brooch of rare beauty and sweetness which could not be fabricated by the expenditure of a world of money. May God guard and preserve you for me, my dear daughter! Among the calamities of war, the hardest to bear, perhaps, is the separation of families and friends. Yet all must be endured to accomplish our independence and maintain our self-government. In my absence from you I have thought of you very often and regretted I could do nothing for your comfort. Your old home, if not destroyed by our enemies, has been so desecrated that I cannot bear to think of it. I should have preferred it to have been wiped from the earth, its beautiful hill sunk, and its sacred trees buried rather than to have been degraded by the presence of those who revel in the ill they do for their own selfish purposes. I pray for a better spirit and that the hearts of our enemies may be changed. In your homeless condition I hope you make yourself contented and useful. Occupy yourself in aiding those more helpless than yourself. Think always of your father. R.E. Lee

Remember, rock stars become rock stars because they are inveterate insecure attention-seeking babies and you may have written a couple of half-decent couplets and memorable tunes, amidst the doggerel and mud, and you really should be grateful that the public bought a couple of your songs in droves, but here’s the thing: you do not have to feel guilty, you do not have a higher calling, you just have too much time on your hands. Make more than one album every eight years, try a bit of acting. Alternately you could just remember you are a rock star and shut the fuck up, and please spare us your political insight.

ant a successful party? Remember to laugh! Don't take yourself too seriously-especially when it's party time. Tell jokes, share funny stories that highlight your own embarrassing moments. Celebrate fun memories. One of our favorite family parties is getting out the old photo albums and making fun of ourselves. Guests love it too if you have them bring some pictures of their own to add to the fun. now when to say "no" to good things and "yes" for the best. Everything I didn't do yesterday Added to everything I haven't done today Plus everything I won't do tomorrow-completely exhausts me! AUTHOR UNKNOWN ne of the best compliments you can give a friend is to say, "You're such a kind person!" And what exactly is a kind person? • Kindness is an attitude of the heart. • A kind person goes out of her way to be nice to someone else. All through Scripture we're shown God's character, and it's one of kindness. So why not lighten someone's load today and bring him or her joy? • Offer to help lighten someone's load. • Open the door for someone. • Even a bright smile conveys kindness.

A couple of things strike me about the finished album. In hindsight I really should have had the self-belief to play all the drum parts. And in the early days of life after Roger, I think David and I felt that we had to get it right, or we would be slaughtered. As a result it is a very ‘careful’ album with very few risks taken. These things together make me feel ever so slightly removed from Momentary Lapse, to the point that it doesn’t always sound like us. However, ‘Learning To Fly’ does for some reason – it feels very much like a ‘home’ track.

I’d like to think of this endeavor as a rewrite of a misinformed story you’ve been told, like the Taylor’s Version rerecordings. I’m no Taylor Swift, but if this ebook were an album, I’d title it Gypsy’s Version—the only version that should be told—raw, revealing, and in rhythm with the real me.

Anticipation draws you through your days—the impending release of a hyped new album, a trailer for a movie that we should see next month. You look forward to the future, even if you can no longer imagine life beyond that morning.

The ideal coorie scene should reflect a balance of the outside and in. Bring to mind a day spent Munro-bagging or loch swimming, bookended by a bowl of something hot and nourishing as you dry off next to a heat source with a contended dog at your side. Don't forget smell: faint lanolin clinging to woollen blankets, cinnamon dissolving into porridge cooking slowly on the hob, the frosty pinch of winter air when you step into a Trossachs morning. If a King Creosote album is playing as you road trip across the humpbacked north-west Highlands then all the better. The more homegrown ingredients are added to the mix, the coorier life will be.

On our single sheet of foolscap we’ve got the Big Beats. Now what? Fill in the gaps. David Lean famously declared that a feature film should have seven or eight major sequences. That’s a pretty good guideline for our play, our album, our State of the Union address.

In July, we started work on my next album, and Tommy wanted to go all in on making me a combo of Britney and Mariah. He said he would be even more involved this time and said I needed to be doing more dance pop over the ballads I loved. I also had to get even skinnier. I started the Atkins diet hardcore, envying and resenting anybody who could just eat. Off the diet, I obsessed over how I looked 24/7; on the diet, I was also hyperfocused on food. It made me nervous. My anxiety had something to hold on to, and instead of examining my emotions, I could just block them out by focusing on carb counts and waist sizes. If I focused on controlling my outward appearance, I could avoid thinking about my emotions and fears. My mother sometimes, with the best of intentions, fed into it. Her aerobics-teacher past would kick in, seeing a problem to fix and giving a solution she thought would help. When she urged me to exercise or told me she was going for a long walk and maybe I should come along, I knew what she meant. We ended up doing the Atkins diet together.

We’ve mutually enthused about Julian Cope – ‘Oh my word, “Safesurfer”!’ – and Jerry’s tried to tell me I should like Slint, which I am resistant to, as, to me, they sound like people who are deliberately making horrible music that make their mums sad. ‘The album’s called Spiderland,’ I say. ‘Spiderland would be the worst possible place you could find up the Faraway Tree.’ And Jerry laughs! I’ve made a famous comedian laugh!

But you’re a better singer, baby,” he said. “Then why won’t God let me have that success?” I asked. “I don’t understand what He wants from me.” At the mention of God, my dad slipped into preacher mode. “He is allowing you to go through this struggle so that He can build a strong foundation in you,” he said quietly. “So that when it comes time for you to have that success, you will appreciate it. And know how much work it takes. ‘If you remain in me and my words remain in you—’ ” “Ask whatever you wish, and it will be given to you,” I said, finishing John 15:7 for him. You can take the girl out of youth group, but you can’t take youth group out of the girl. “That’s a beautiful promise, isn’t it?” he said. “Yes,” I sighed. The verse did minister to me, though I also knew my dad didn’t really think fulfillment resided solely in sticking to scripture. Otherwise we’d still be in Richardson, and I wouldn’t have to be working so hard to prove my worth. I started to hear voices when I was alone at night, waiting for the sleeping pill to kick in. Half asleep, I would examine myself for flaws in the mirror, and a mental chorus would weigh in. They were intrusive and so mean that I was really convinced Satan was behind them. “You’re never going to be good enough, Jessica. Look who your competition is.” “Could your zits be any bigger?” “What happened to your hair? It used to be so much thicker and longer.” “Do more sit-ups, fat ass.” These thoughts derailed me just as I had to work harder to sell the album. It should have been no different than back when I stood next to the stage at a small Texas rodeo, selling my very first album. Back then, I knew if I just kept at it, people would respond. But now I was running on fumes, then beating myself up for that, too. I was fully aware that I was being unreasonable with myself—I would even beat myself up over beating myself up—but like a lot of times in my life, just because I could name the problem didn’t mean I was ready to do anything to fix it. Looking back, I see how my anxiety amplified the very real pressures on me, but I didn’t have that perspective then.

She looked at me listlessly. “Kristen, why haven’t you talked to him?” The question surprised me. My best friend hadn’t been my best friend in a long time. We didn’t talk about me or what I was going through. We didn’t really talk about anything. I went back to scrolling through the artist’s album on her phone so I wouldn’t have to look at her. “What’s there to say?” She laughed. It actually startled me it was so sudden, and I stared at her in surprise. “Go home, Kristen.” I blinked at her. “What?” She took her phone from my hands. “Go home. Talk to him. Be with him. Be happy.” I furrowed my brow. “Nothing has changed, Sloan.” She stared at me with red-rimmed eyes. “You don’t think you’re worth it.” I shifted uncomfortably. “What are you talking about?” “Your mom. All your life she made you feel like you were never good enough. And so you don’t think you’re good enough for Josh either. But you are.” I shook my head. “No. That’s not it, Sloan.” “Yeah. It is.” “Sloan, he doesn’t know what’s best for him. He’s just thinking about right now.” “No. You’re the one who doesn’t know what’s best for you. She ruined you. She spent your whole childhood setting a bar she knew you’d never reach, and now you think you have to be perfect to be good enough for anyone.” We stared at each other. Then Sloan’s chest started to rise and fall in the rapid way that told me a breakdown was coming. I instinctively pulled tissues from a box on the end table just as her eyes started to tear up. “Kristen? Brandon’s accident is my fault.” I was used to this. She lost focus a lot. This time I was glad for the change of subject. “No, Sloan, it wasn’t.” I took the plate from her lap and put it on the coffee table and gathered up her hands. “None of this was your fault.” She bit her lip, the tears falling down her cheeks. “It is. I should have never let him ride that bike. I should have insisted.” I shook my head, scooting closer to her. “No. He was a grown man, Sloan. He was a paramedic. He went on those accident calls—he knew the risks. Don’t you dare put this on yourself.” Her chin quivered. “How can I not? Shouldn’t I have protected him from himself? I loved him. It was my job.

Part: 1 July This one more of how where I remember these days. Photos online, and cam videos all that are my memories- of me to others. Part: 2 August Compare… them then and now- naked slut girl or 1940s modesty. I remember having the old photo album spread out on the bedroom floor. Oh! Wow! Look at this one… do you like how she was remembered better than me? (Photo) Part: 3 It's- September More of the same- I have become a cam-whore!!! Nothing more… Part: 4 OCTOBER …And yah- a, ah- pics that would make you blush, and hard, you boys would love to see me, now, wouldn’t you? Part: 5 NOVEMBER Making cummie videos is my life. Part: 6 DECEMBER Coming 7 hours out of the day is taking time away from other things. Part: 7 WAKING UP …After fraping till- I passed out all hot gross and sweaty, I did not remember falling asleep- with mom and dad- sis and the world seeing me as my door to my trashed bedroom- all jammed open- and’s- and’s- AND’S- did not care at this point. (SAY IT WITH exhausted SLURRING.) JANUARY yet how- ga-gives- a ________. Ef… E- un- mm- ah- in-n… Whatever… I am making 50 G’s in a night… so that makes it okay. (A photo of me lying in bed with all this money!) Part: 8 TIME PASSES Craziness… look at my life here… all board… ‘I am home,’ I mumbled, confused- not even more. ‘What did I do?’ I felt my face wrinkle. It was so unfair. My behavior… here is wow… After that first week… of doing this… How do I look… which neither of us ever mentioned what we do? I hadn't missed a day of school or work. My grades were perfect. Yet this show is all going to shit- no? This is what I did here… showing everything that makes me a girl! Now I am passing down- to her- yah me- is it wrong? I must live with it. #- A cam video and all these photos of her online now are worth 1,000 words! #-0-okay then what does this one says then? My little sis- and she is frapping harder than I do- in this- damn, she is my Minnie me! She started younger than me even- yet that is all girls, her age. Here is one with her dressed wow seem weird to see her with something on anymore- (Swipe- and the phone in your hand would make a click sound…) Oh, this one- She loves these beautiful white lace kid’s girls’ shorts- so girlie- girly- from Wal-Mart, yet she was banned from wearing them in school without anything under them, yet I look around and all other girls do it. Yet, on Facebook- and Instagram 1, you get one persona and on Google images a whole other- just like Snapchat you have her as your girlfriend for the night yet have- yet she is your striptease only- and the other Instagram- that grammar should never- ever see- yet this is how to get popular- and stay popular. Besides then there is the community of internet nudists- on MFC. And the profile- she now has too, a legacy to be remembered by, no? Yet, when you have no education to speak of and working for some d*ck head is just out of the question, over they think you’re not worthy of their time- were you're not making anything, and at this point in Pa she too young to work, yet is old enough to have unprotected sex… Um- and then I wonder- yet she needs the money- for school coming up because your mommy and daddy don’t have it, and all for fun, boys, and a girl's night of fun- and partying- and being crazy. Money is everything… and why girls do what they must do…

Brian Wecht was born in New Jersey to an interfaith couple. His father ran an army-navy store and enjoyed going to Vegas to see Elvis and Sinatra. Brian loved school, especially math and science, but also loved jazz saxophone and piano. “A large part of my identity came from being a fat kid who was bullied through most of my childhood,” he said. “I remember just not having many friends.” Brian double majored in math and music and chose graduate school in jazz composition. But when his girlfriend moved to San Diego, he quit and enrolled in a theoretical physics program at UC San Diego. Six months later the relationship failed; six years later he earned a PhD. When he solved a longstanding open problem in string theory (“the exact superconformal R-symmetry of any 4d SCFT”), Brian became an international star and earned fellowships at MIT, Harvard, and the Institute for Advanced Study in Princeton, New Jersey. He secured an unimaginable job: a lifetime professorship in particle physics in London. He was set. Except. Brian never lost his interest in music. He met his wife while playing for an improv troupe. He started a comedic band with his friend Dan called Ninja Sex Party. “I was always afraid it was going to bite me in the ass during faculty interviews because I dressed up like a ninja and sang about dicks and boning.” By the time Brian got to London, the band’s videos were viral sensations. He cried on the phone with Dan: Should they try to turn their side gig into a living? Brian and his wife had a daughter by this point. The choice seemed absurd. “You can’t quit,” his physics adviser said. “You’re the only one of my students who got a job.” His wife was supportive but said she couldn’t decide for him. If I take the leap and it fails, he thought, I may be fucking up my entire future for this weird YouTube career. He also thought, If I don’t jump, I’ll look back when I’m seventy and say, “Fuck, I should have tried.” Finally, he decided: “I’d rather live with fear and failure than safety and regret.” Brian and his family moved to Los Angeles. When the band’s next album was released, Ninja Sex Party was featured on Conan, profiled in the Washington Post, and reached the top twenty-five on the Billboard charts. They went on a sold-out tour across the country, including the Brooklyn Bowl in Las Vegas.

If you want an average, successful life, it doesn’t take much planning. Just stay out of trouble, go to school, and apply for jobs you might like. But if you want something extraordinary, you have two paths: 1) Become the best at one specific thing. 2) Become very good (top 25%) at two or more things. The first strategy is difficult to the point of near impossibility. Few people will ever play in the NBA or make a platinum album. I don’t recommend anyone even try. The second strategy is fairly easy. Everyone has at least a few areas in which they could be in the top 25% with some effort. In my case, I can draw better than most people, but I’m hardly an artist. And I’m not any funnier than the average standup comedian who never makes it big, but I’m funnier than most people. The magic is that few people can draw well and write jokes. It’s the combination of the two that makes what I do so rare. And when you add in my business background, suddenly I had a topic that few cartoonists could hope to understand without living it. I always advise young people to become good public speakers (top 25%). Anyone can do it with practice. If you add that talent to any other, suddenly you’re the boss of the people who have only one skill. Or get a degree in business on top of your engineering degree, law degree, medical degree, science degree, or whatever. Suddenly you’re in charge, or maybe you’re starting your own company using your combined knowledge. Capitalism rewards things that are both rare and valuable. You make yourself rare by combining two or more “pretty goods” until no one else has your mix. . . . At least one of the skills in your mixture should involve communication, either written or verbal. And it could be as simple as learning how to sell more effectively than 75% of the world. That’s one. Now add to that whatever your passion is, and you have two, because that’s the thing you’ll easily put enough energy into to reach the top 25%. If you have an aptitude for a third skill, perhaps business or public speaking, develop that too. It sounds like generic advice, but you’d be hard-pressed to find any successful person who didn’t have about three skills in the top 25%.