Shot Drinking Quotes

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Sublime is something you choke on after a shot of tequila.
Mark Z. Danielewski (House of Leaves)
Aw I don't wanta go to no such thing, I just wanta drink in alleys.'... But you'll miss all that, just for some old wine.' There's wisdom in wine, goddam it!' I yelled. 'Have a shot!
Jack Kerouac (The Dharma Bums)
They're professionals at this in Russia, so no matter how many Jell-O shots or Jager shooters you might have downed at college mixers, no matter how good a drinker you might think you are, don't forget that the Russians - any Russian - can drink you under the table.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
When do you think people die? When they're shot through the heart with a pistol? ...No. When they have an uncurable disease? ...No. When they drink soup made from a poisonous mushroom? No! When they are forgotten! Even if I die, my dream will come true. The hearts of the people will be cured..!
Eiichiro Oda
When do you think people die? When they are shot through the heart by the bullet of a pistol? No. When they are ravaged by an incurable disease? No. When they drink a soup made from a poisonous mushroom!? No! It’s when… they are forgotten.
Dr. Hiriluk One Piece
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.
Holly Black (Black Heart (Curse Workers, #3))
I'm a bartender. I like recipes. They're concretes. Was the drink recipe for seduction one shot charm and two shots self-deception, shaken, not stirred?
Karen Marie Moning (Faefever (Fever, #3))
Psf. I'm not an alcoholic. An alcoholic needs a drink. Look here," I explained raising my next shot to her. "I already have one. S therefore, I do not need one. Which makes me not an alcoholic.
Christine Zolendz (Saving Grace (Mad World, #2))
Beasts bounding through time. Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by the Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
Isabelle took out her invitation and waved it like a white flag. "I have an invitation. These"—she indicated the rest of the group with a grand wave of her arm—"are my friends." Magnus plucked the invitation out of her hand and looked at it with fastidious distaste. "I must have been drunk," he said. He threw the door open. "Come in. And try not to murder any of my guests." Jace edged into the doorway, sizing up Magnus with his eyes. "Even if one of them spills a drink on my new shoes?" "Even then." Magnus's hand shot out, so fast it was barely a blur. He plucked the stele out of Jace's hand—Clary hadn't even realized he was holding it—and held it up. Jace looked faintly abashed. "As for this," Magnus said, sliding it into Jace's jeans pocket, "keep it in your pants, Shadowhunter.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
How can one person be more real than any other? Well, some people do hide and others seek. Maybe those who are in hiding - escaping encounters, avoiding surprises, protecting their property, ignoring their fantasies, restricting their feelings, sitting out the pan pipe hootchy-kootch of experience - maybe those people, people who won't talk to rednecks, or if they're rednecks won't talk to intellectuals, people who're afraid to get their shoes muddy or their noses wet, afraid to eat what they crave, afraid to drink Mexican water, afraid to bet a long shot to win, afraid to hitchhike, jaywalk, honky-tonk, cogitate, osculate, levitate, rock it, bop it, sock it, or bark at the moon, maybe such people are simply inauthentic, and maybe the jacklet humanist who says differently is due to have his tongue fried on the hot slabs of Liar's Hell. Some folks hide, and some folk's seek, and seeking, when it's mindless, neurotic, desperate, or pusillanimous can be a form of hiding. But there are folks who want to know and aren't afraid to look and won't turn tail should they find it - and if they never do, they'll have a good time anyway because nothing, neither the terrible truth nor the absence of it, is going to cheat them out of one honest breath of Earth's sweet gas.
Tom Robbins (Still Life with Woodpecker)
Don't drink too much." "When I can spell out your name in shot glasses, I'll stop." "I'll have to get a shorter name." "I'll have to forget how to spell it.
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
I need another drink!” I said as a second attempt to change the subject. “Shots!” America yelled. Shepley rolled his eyes. “Oh, yeah. That’s what you need, another shot.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Is that all you bought?” His eyes shot to the left. “Um.” I clenched my teeth. “What else?” “A Super Mega Juicer,” he said quickly. “But, Sabina, seriously that juicer is a miracle machine.” “I’m a vampire, Giguhl. The only liquids I drink are blood and alcohol. I don’t do juice.
Jaye Wells (Red-Headed Stepchild (Sabina Kane, #1))
Lawyers are alright, I guess — but it doesn't appeal to me", I said. "I mean they're alright if they go around saving innocent guys' lives all the time, and like that, but you don't do that kind of stuff if you're a lawyer. All you do is make a lot of dough and play golf and play bridge and buy cars and drink Martinis and look like a hot-shot. And besides, even if you did go around saving guys' lives and all, how would you know if you did it because you really wanted to save guys' lives, or because you did it because what you really wanted to do was be a terrific lawyer, with everybody slapping you on the back and congratulating you in court when the goddam trial was over, the reporters and everybody, the way it is in the dirty movies? How would you know you weren't being a phony? The trouble is you wouldn't.
J.D. Salinger (The Catcher in the Rye)
You're so very good at that. The temper, the scowl. You must drink shots of testosterone in your morning coffee.
Rob Thurman (Deathwish (Cal Leandros, #4))
GET YOURSELF TOGETHER DRINK TILL YOU DROP FORGET ABOUT TOMORROW AND HAVE ANOTHER SHOT
Slash
Maybe they're out doing the tango and drinking tequila shots." He sent Eve a grin. "As we will be when we reach their age. After which we'll come home and have mad sex." "For God's sake. This is on the record." "Yes, I know." He stepped off with her on Var's floor. "I wanted those future plans to be official as well.
J.D. Robb (Fantasy in Death (In Death, #30))
what shall we drink to?" "How about family?" Stacy said, showing up just in time to pour a fourth shot. "To those who are here, those who are gone, and those who are lost." and she clicked glasses with mom
Kristin Hannah (Winter Garden)
A double shot of Laphroaig twenty-five-year-old, neat, please. And ask the bartender for a small shot glass of spring water, non-sparkling,” Gabriel instructed without making eye contact with the waitress. The waitress left, and Rachel began to laugh. “Big brother, only you could make ordering a drink sound pretentious.” -Rachel to Gabriel
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
Scheide,'Noah said. I decided to give the drink another shot. 'What does that mean?' I asked, then sipped. 'Vagina' I almost choked, and covered my mouth with my hand.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
The inside is packed with people. Lots of them crowding the bar, passing drinks back for people to carry to tables. A bunch of guys are pouring shots of vodka. "To Zacharov!" one toasts. "To open hearts and open bars!" calls another. "And open legs," says Anton.
Holly Black (White Cat (Curse Workers, #1))
He shot back the drink, swallowing his thoughts along with it. Dreaming was for people with nothing better to do.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
There's a drinking game in Heaven, where angels do a shot every time humans invest 'for the long term.
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
Ours is a love that reimagines—that peels back the sky at high noon searching for the stars, collecting them like shells in a bucket. We bathe in stardust, drink from the Milky Way, and dance on the moon. We pierce the firmament, peer into infinity, and tread on time and space. There is no before. There is no after. Now gives birth to forever. This moment may die, but this love never will. Time is not a line. It’s a circle, and we, August and Iris, we stand at the center.
Kennedy Ryan (Long Shot (Hoops, #1))
So. You think you ended things too late with Brooke. You mean . . . because you’re totally crazy about her?” When Cade shot him a glare, Vaughn gestured between them with his free hand. “Oh, are we still pretending that’s not the deal? ’Cuz I can always wait two more drinks if you need time to ease into, you know, the truth.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
The devil lives in a double-shot", Roman explains himself obscurely. "I got a great worm inside. Gnaws and gnaws. Every day I drown him and every day he gnaws. Help me drown the worm, fellas.
Nelson Algren (The Neon Wilderness)
I've been chased, shot, cut, beaten, and dragged a hundred leagues in the blink of an eye. I need a drink.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
I feel like I'm forgetting something. Vyrus. Clans. Zombies. Stay out of the sun. Don't get shot. Abandon your life. Drink blood to survive. No, guess that pretty much covers it.
Charlie Huston (Every Last Drop (Joe Pitt, #4))
Well, make up your mind. I don’t have all night.” Fidelia set her beer on the porch and removed a set of keys from her skirt pocket. She fumbled with the key, trying to release the trigger lock on her pistol. “Don’t do that,” Heather warned her. “You’ve had too much to drink.” Fidelia snorted. “I’m not drunk. I’m in complete control.” She tore off the trigger lock. Bang! The gun fired, ripping into a nearby oak tree. The women screamed. Jean-Luc winced. A squirrel plummeted from the tree and landed in the yard with a thud. Fidelia shrugged. “I meant to do that. Damned rodent’s been gnawing on the house. And stealing all the nuts from our pecan tree.” Heather planted her hands on her hips. “Haven’t I told you a million times to keep the locks on?” Fidelia hung her head, looking properly remorseful. “I’ll be more careful.” She switched on the safety, then shot Jean-Luc a pointed look. “I know how to deal with a scumbag with nuts.
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
Stealing drugs, selling drugs, buying clothes, renting luxury cars, taking clothes back, ordering blender drinks, this isn't what I'd call Real Life, not by a long shot.
Chuck Palahniuk (Invisible Monsters)
If last night proved anything, it's that life is a strong drink served up in an extremely short - and fragile - shot glass.
Samantha Sotto Yambao (Before Ever After)
When he was done adding sloe gin and grenadine, Danny shoved the glass across the counter to Drew. "Try that and tell me what it needs." Drew took a sip, then coughed and set the glass down. "That's awful." Danny scowled and tossed a dripping tablespoon at him. "You're awful. I'm looking for constructive feedback, asshole. What does it need?" Drew threw the tablespoon back. "It needs to be taken out and shot." "Make your own damn drink, Mr. Mixology.
Brenna Yovanoff (The Replacement)
Can I get you a drink?” Rude Sex Hair was back. “I don’t know. Can you?” I shot back. “We’re fresh out of the blood of children, Satan. How about something that matches your personality?” She was saying the words nicely. Sweetly even. “I’ll have a—” “Unsweetened iced tea,” she filled in for me. Bitter. Boring. Bland.
Lucy Score (By a Thread)
Here’s what I find helpful: Sunlight, antidepressants, and antianxiety drugs, vitamin B shots, walking, letting myself be depressed when I need to be, drinking water,
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
The boy gestured with his chin at Dimity. “She was shot.” He sounded remarkably unconcerned for a brother with any degree of affection for his sibling.“Good lord!” Sophronia climbed in to see to her new friend’s health. The bullet had grazed Dimity’s shoulder. It had ripped her dress and left a partly burned gash behind, but didn’t look all that bad. Sophronia checked to make certain Dimity had no other injuries. Then she sat back on her heels.“Is that all? I’ve had worse scrapes from drinking tea. Why has she come over all crumpled?”Pillover rolled his eyes. “Faints at the sight of blood, our Dimity. Always has. Weak nerves,father says. It doesn’t even have to be her blood.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs.
Holly Black (Black Heart (Curse Workers, #3))
Life is a strong drink served up in an extremely short, and fragile shot glass. We shouldn't waste a single drop.
Samantha Sotto Yambao
Cade Winston, by drinking this shot, you hereby swear to do something out of character tonight. Should you fail, you'll be cused to a lifetime filled with premature ejaculation.' 'Seriously, man?' He held up his hands and laughed, 'Hey, the alcohol gods giveth and they taketh away.
Cora Carmack
I will not be quiet. I cannot believe you’re moving to Greece. That’s… that’s insane.” Now hang on a second! “It’s not insane,” I shot back. “It is! Who moves to Greece? Do you know a single soul who’s moved to Greece?” He didn’t give me a chance to reply before he continued, “No? Me neither. No one moves to Greece. Goes there. Yes. Gets laid. Definitely. Drinks ouzo. Lots of it. Gets a sunburn. Of course! But you don’t move there!
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
Wendy Higgins (Sweet Peril (Sweet, #2))
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Detective Virgil and Barlow [bomb-technician] arranged to meet at the Starbucks. Virgil got a grande hot chocolate, no-fat milk, no foam, no whipped cream, and Barlow got a venti latte with an extra shot. As they took a corner table, Virgil said, “Remind me not to stand next to you if you’re handling a bomb. That much caffeine, you gotta be shakin’ like a hundred-dollar belly dancer.” “At least I’m not drinking like a little girl,” Barlow said.
John Sandford (Shock Wave (Virgil Flowers, #5))
Really, I want you to finish this book feeling like we could become friends, if the timing was right. That's it. Oh, and by the way, you should drink while you're reading this book. If you want to play a drinking game, I suggest you take a shot when you feel like I am abusing commas.
Alida Nugent (Don't Worry, It Gets Worse: One Twentysomething's (Mostly Failed) Attempts at Adulthood)
I’m a mix of everything the bayou could come up with,” she continues, taking a sip of her drink. “So my cousin says I had more ingredients than—” “Gumbo,” I finish with her. We share a smile, and she nods. “So you’re a mutt like me.
Kennedy Ryan (Long Shot (Hoops, #1))
After this drive I need a drink! Then again, maybe that’s not why I need a shot of tequila. You should shoot to feel, to experience, and to remember not to forget. I
N.E. Henderson (More Than Lies)
When I bucked and shot myself, hearing him greedily drink and swallow, I knew I had tasted life at last—and wouldn't end up sobbing in a wheelchair after all.
Paul Monette (Becoming a Man)
For the entire summer, Lane’s cell phone background was a picture of Jared eating Lucky Charms out of the Kelly Cup. Jared’s was, of course, that shot of his that blocked Lane’s would-be goal. According to Jared, it was going to stay that way until he had a picture of Lane drinking Dr Pepper out of Lord Stanley’s Cup to replace it with. He liked to call it incentive.
Avon Gale (Breakaway (Scoring Chances, #1))
Graham: I said "Hi." And Karen just said, "Hi." Karen: We were sort of quiet on the phone for a second. And then I said, "How come you've never made a move on me?" I could hear him drinking a beer. I could hear him take a sip. He said, "I don't take shots I know I'll miss." It was out of my mouth before I'd decided to say it. I said, "I don't think you'll miss, Dunne." And then as soon as I said it, there was a dial tone. Graham: I have never run anywhere faster then down that hall to her room.
Taylor Jenkins Reid (Daisy Jones & The Six)
Another low moan rose from the grass. "That was a good shot," Mother said, nodding toward it. "Not good enough." Mother shrugged. "It was dark." She rose and stretched out her stiff body, a sign that she truly felt safe. "You'll get better." Another cry. Mother licked her finger, tested the wind, and fired once into the night. Silence fell.
Mindy McGinnis (Not a Drop to Drink (Not a Drop to Drink, #1))
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again. A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes. She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything. There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Holly Black (Black Heart (Curse Workers, #3))
Van Gogh writing his brother for paints Hemingway testing his shotgun Celine going broke as a doctor of medicine the impossibility of being human Villon expelled from Paris for being a thief Faulkner drunk in the gutters of his town the impossibility of being human Burroughs killing his wife with a gun Mailer stabbing his the impossibility of being human Maupassant going mad in a rowboat Dostoyevsky lined up against a wall to be shot Crane off the back of a boat into the propeller the impossibility Sylvia with her head in the oven like a baked potato Harry Crosby leaping into that Black Sun Lorca murdered in the road by Spanish troops the impossibility Artaud sitting on a madhouse bench Chatterton drinking rat poison Shakespeare a plagiarist Beethoven with a horn stuck into his head against deafness the impossibility the impossibility Nietzsche gone totally mad the impossibility of being human all too human this breathing in and out out and in these punks these cowards these champions these mad dogs of glory moving this little bit of light toward us impossibly.
Charles Bukowski
V? Answer the question or so help me God I'll beat it out of you." "I just know how to find him." "What are you hiding?" V went over to the bar, poured himself a couple of fingers of Grey Goose, and hammered the shot. He swallowed a number of times and then let the words fly. "I fed him." A chorus of inhales floated a...round the room. As Wrath rose in disbelief, V poured himself another hit of Goose. "You did what?" The last word was bellowed. "I had him drink some of me." "Vishous..." Wrath stalked around the desk, shitkickers hitting the floor like boulders. The king got face-to-face close. "He's a male. He's human. What the fuck were you thinking?" More vodka. Definitely time for more Goose.
J.R. Ward
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."... I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle." ... "The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived." ... "The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
You drank acid, and it turned a vitality drink in your stomach. You had an accident, and you find yourself sleeping comfortably on your sofa. Robbers shot you, and the bullets became a basking fire on your skin. Your enemy cursed you, and you became a president next year. You were headstrong and rude, then suddenly, you find yourself very humble and compassionate. Don't think all these things are magic, you're not under the possession of the world nor its people, but God is the power behind your metamorphosis.
Michael Bassey Johnson
Hey, I'm still the walking wounded, you know," he protested. "You were shot on the other side," Rosie said drily. "And since when do you and Dalton agree on anything?" "We are men." Pip and Dalton straightened up. "We settle out differences through fighting and drink." He held up the fine crystal tumbler, then frowned at it. "Though maybe not in this kind of glass.
Lara Morgan (Dark Star (The Rosie Black Chronicles, # 3))
Everything that was not so must go. All the beautiful literary lies and flights of fancy must be shot in mid-air! So they lined them up against a library wall one Sunday morning thirty years ago, in 2006; they lined them up, St. Nicholas and the Headless Horseman and Snow White and Rumpelstiltskin and Mother Goose--oh, what a wailing!--and shot them down, and burned the paper castles and the fairy frogs and old kings and the people who lived happily ever after (for of course it was a fact that nobody lived happily ever after!), and Once Upon A Time became No More! And they spread the ashes of the Phantom Rickshaw with the rubble of the Land of Oz; they filleted the bones of Glinda the Good and Ozma and the shattered Polychrome in a spectroscope and served Jack Pumpkinhead with meringue at the Biologists' Ball! The Beanstalk died in a bramble of red tape! Sleeping Beauty awoke at the kiss of a scientist and expired at a fatal puncture of his syringe. And they made Alice drink something from a bottle which reduced her to a size where she could no longer cry 'Curiouser and curioser,' and they gave the Looking Glass one hammer blow to smash it and every Red King and Oyster away!
Ray Bradbury (The Martian Chronicles)
You cannot be everyone's cup of tea, but you can be someone's first sip of a cold drink on a sunny day. Or a warming hot chocolate when you come in from the rain. Or the pop of a long-awaited champagne cork. Or a stiff shot of tequila when things go awry. Find your people. Love them hard
Donna Ashworth
That little space of irresolution is a strange place to be. You feel safe because you are entirely at the world’s mercy. It is a rush. You lose yourself in it. And so you run towards those little shots of fate, where the world turns. That is the lure: that is why we lose ourselves, when powerless from hurt and grief, in drugs or gambling or drink; in addictions that collar the broken soul and shake it like a dog.
Helen Macdonald (H is for Hawk)
If you wanted to kill me, why haven't you smothered me in my sleep?" "No sport in that." She gestured towards the ceiling. "Can I expect to be strung up on that bar and gutted like a deer?" He looked up at the bar and frowned. "Too much sport. Lots of heave-hoeing. Big mess to clean up after. Instead, why don't you just drink the poison-laced whiskey?" He extended the glass toward her again and when she didn't move he said, "No? Okay then." He shot the drink. She might not want the edge taken off but he sure as hell did.
Sandra Brown (Mean Streak)
Is six a.m. too early to watch The Bachelor and mock all the giggly, desperate women?" "Go for it. Though I bet it'd work better as a drinking game," Laurel said. "One shot for the flirty arm touch. Chug if they strip and bum-rush the pool." Anne hit play. "Like they'd get their hair wet." Laurel stared at the screen, laughed at Anne's comments but felt another weird pang upset her insides. "Would you say this show makes something incredibly complex--you know, relationships--into something mind-numbingly vapid? Or does it make something actually rather simple into a big fucking circus?" "Both. That's why I love it." "I couldn't stand competing for a man like that," Laurel murmured. "I don't have the right...programming for it. Like to fight like that. Some people get an adrenaline rush and they're like foosh, give me somebody to beat down. I just, like curl up into a ball and want to hide." "I'm somewhere in the middle," Anne said. "I'm like a ninja. I'll like, come out of my shadowy hiding space and beat you down, bitches. You won't even see me.
Cara McKenna (Willing Victim (Flynn and Laurel, #1))
You haven't stopped smiling since you came in." "You want me to yell?" "No, no," Buddy hastily assured him. "You just keep right on smiling." He picked delicately at the remaining pie. "You sure did sleep late today." Tate grinned at him. "Yep." "Didn't go fishing, either." "Nope." "Sure was a lot of tromping around going on upstairs a few minutes ago. What were you doing?" "Just moving a few things." Tate took a drink of coffee. "What things?" He was beginning to wish he'd strangled Buddy at birth. "My things." "Were you moving them somewhere in particular, or just dragging them up and down the hall for the exercise?" Tate ground his teeth together. "I was moving them to Abby's room." "Oh." Buddy gave a half grin. "Can I have some money?" "No." Tate glared at him. "Well, it was worth a shot. I should have asked while you were still smiling.
Katherine Allred (What Price Paradise)
Tequila, anyone?” he asked our group, but his eyes were on me. “Hell, yeah, K, break it out,” Blake said. I tried to take a step back, but I couldn't go far. Kaidan poured the drinks, handing one to each twin and Blake. “Jay?” he asked. “Nah, dude. I gotta drive.” “Kope? Anna?” We both stared at him, not answering. “Oh, that's right, I nearly forgot,” Kaidan said with smooth indifference. “The prince and princess would never stoop so low. Well, bottoms up to us peasants.” What was up with that? The group shared a round of uneasy glances. Jay's mouth was set in firm disapproval as he stared at Kaidan, who wouldn't meet Jay's eye. The four of them raised their glasses, taking the shots and chasing them with bites of lime. I got a strong whiff of the pungent, salty tequila and gripped the counter with one hand. “How's your soda, princess?” Though Kaidan spoke with a calm air, there was underlying menace that pained me to hear. “You don't need to be so hateful,” I whispered. “If you ask me, I'd say the princess prefers a dark knight.” Ginger smirked and took a long drink of her beer. “She only thinks she does,” Kaidan said to her. I opened and closed my hands at my sides. After all we'd been through, how could he stand there and have the audacity to throw temptations in my face and insult me? I wanted to say something to shut him up, but the more flustered I got, the more tongue-tied I became. “Anna?” Jay asked. “You ready to bounce?” There was no way Jay was ready to leave. “No! Don't go yet,” Marna begged. She yanked the front of Kaidan's shirt. “You're scaring everyone off, Kai! If you can't be nice, then don't get so pissed.” “She means drunk,” Blake said to me in a stage whisper; then he added, “Brits,” with a roll of his eyes. Blake's attempt at comic relief didn't lighten the mood much. “My apologies,” Kaidan said to Marna. He slid the bottle away with the back of his hand, and Marna patted down the bit of shirt she'd crumpled. I stared at Kaidan, but he wouldn't meet my eye.
Wendy Higgins (Sweet Evil (Sweet, #1))
Who dies best, the soldier who falls for your sake, or the fly in my whiskey-glass? The happy agony of the fly is his reward for an adventurous dive in no cause but his own. Gorged and crazed, he touches bottom, knows he's gone as far as he can go, and bravely sticks. I sleep on. In the morning I pour new happiness upon the crust of the old, and only as I raise the glass to my lips descry through that rich brown double inch my flattened hero. I drink around his death, being no angler by any inclination, and leave him in the weird shallows. The glass set down, I idle beneath the fan, while beyond my window-bars a warm drizzle passes silently from clouds to leaves. How to die? How to live? These questions, if we ask the dead fly, are both answered thus: In a drunken state. But drunk on WHAT should we all be? Well, there's love to drink, of course, and death, which is the same thing, and whiskey, better still, and heroin, best of all—except maybe for holiness. Accordingly, let this book, like its characters, be devoted to Addiction, Addicts, Pushers, Prostitutes and Pimps. With upraised needles, Bibles, dildoes and shot glasses, let us now throw our condoms in the fire, unbutton our trousers, and happily commit THIS MULTITUDE OF CRIMES.
William T. Vollmann (The Royal Family)
Nicky knew when he was being ignored, and he had no problem interpreting Roland's searching stare. He interrupted his own story to demand, "Don't you dare tell me you knew about them before I did! Oh my god," he said at Roland's startled, guilty look. "Oh my god, you did. How the hell? We just figured it out a couple weeks ago. How long have you known Andrew was gay?" "Are they a 'them' now?" Roland asked instead of answering. His smile was back, wide and pleased, and he stopped filling their tray to pour them shots. ... Roland plucked his own shot up and tipped it in a toast. "I'll drink to that. It's about damned time.
Nora Sakavic (The King's Men (All for the Game, #3))
Myrnin blinked, looked at Eve, and smiled. It was his seductive smile, and it came with a lowering of his thick eyelashes. “Sweet lady,” he said, “could you get me one of those delicious drinks you prepared for my friend, here?” He gracefully indicated Oliver, who remembered the cup of blood still sitting in front of him, and angrily choked it down. “Perhaps warm the bag a bit in hot water first? It’s a bit disgusting, cold.” “Yeah, sure,” Eve sighed. “Want a shot of espresso with that?” Myrnin seemed to be honestly considering it. Claire urgently shook her head no. The last thing she—any of them—needed just now was Myrnin on caffeine.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
Everything seems different now. The room I am in looks no more familiar to me than it did this morning when I woke up and stumbled into it, trying to find the kitchen, desperate for a drink of water, desperate to piece together what happened last night. And yet it no longer seems shot through with pain, and sadness. It no longer seems emblematic of a life I cannot consider living. The ticking of the clock at my shoulder is no longer just marking time. It speaks to me. Relax, it says. Relax, and take what comes.
S.J. Watson
We can't all leave this country, Bijan had told me-this is our home. The world is a large place, my magician had said when I went to him with my woes. You can write and teach wherever you are. You will be read more and heard better, in fact, once you are over there. To go or not to go? In the long run, it's all very personal, my magician reasoned. I always admired your former colleague's honesty, he said. Which former colleague? Dr. A, the one who said his only reason for leaving was because he liked to drink beer freely. I am getting sick of people who cloak their personal flaws and desires in the guise of patriotic fervor. They stay because they have no means of living anywhere else, because if they leave, they won't be the big shots they are over here; but they talk about sacrifice for the homeland. And then those who do leave claim they've gone in order to criticize and expose the regime. Why all these justifications?
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
Somewhere en route to Port Via in the New Hebrides, for my last meal I serve dinner the way I've always dreamed. Anybody caught buttering their bread before breaking it, I promise to shoot them. Anybody who drinks their beverage with food still in their mouth will also be shot. Anybody caught spooning toward themself will be shot. Anybody caught without a napkin in their lap- Anybody caught using their fingers to move their food- Anybody who begins eating before everybody is seved- Anybody who blows on food to cool it- Anybody who talks with food in their mouth- Anybody who drinks white wine holding their glass by the bowl or drinks red wine holding their glass by the stem- You will each of you get a bullet in the head. We are 30,000 feet above earth, going 455 miles per hour. We're at a pinnacle of human achievement, we are going to eat this meal as civilized human beings.
Chuck Palahniuk (Survivor)
Drink [the shot of tequila], Mia." He repeated, quietly, using my name this time. He leaned in close to me so that I could feel the heat of his body. "Believe me," His eyes locked on mine and in a hoarse voice he whispered, "you're going to want to be drunk for what I'm going to do to you tonight.
Donya Soltis (Six Ways From Sunday)
You could drink, slice, do meth, snort coke, burn, cut, stab, slash, rip out your eyelashes, or fuck till you bleed and it’s all the same thing: self-harm. She says: whether someone has hurt you or made you feel bad or unworthy or unclean, rather than taking the rational step of realizing that person is an asshole or a psycho and should be shot or strung up and you should stay the fuck away from them, instead we internalize our abuse and begin to blame and punish ourselves and weirdly, once you start cutting or burning or fucking because you feel so shitty and unworthy, your body starts to release this neat-feeling shit called endorphins and you feel so fucking high the world is like cotton candy at the best and most colorful state fair in the world, only bloody and stuffed with infection. But the fucked-up part is once you start self-harming, you can never not be a creepy freak, because your whole body is now a scarred and charred battlefield and nobody likes that on a girl, nobody will love that, and so all of us, every one, is screwed, inside and out. Wash, rinse, fucking repeat.
Kathleen Glasgow (Girl in Pieces)
It's bad form to go to a Halloween party without a costume, Neil," Nicky said. "Besides, the bartenders give out a free round to anyone who comes dressed up." "I don't drink," Neil said. "Then give your shot to me, you stingy child," Nicky said. "I know you said you'd never come shopping with us again, but we're doing you a huge favor dragging you along. You wouldn't trust me to pick out your costume, would you? I'd probably make you a French maid or something. Come on.
Nora Sakavic (The Raven King (All for the Game, #2))
One afternoon a bunch of us went downtown to sell our blood for $10 a pint to get some more money to keep drinking shots and beer. On the way back we saw a sign for a carnival. It said that if you could last three rounds with a kangaroo you’d win $100. That was a better deal than the blood money we had just made. So off we went to the carnival. They
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
I was never happier than on the nights we stayed home, lying on the living room rug. We talked about classes and poetry and politics and sex. Neither of us were in love with the Iowa Writers' Workshop, but it didn't really matter because we had no place else to go. What we had was the little home we made together, our life in the ugly green duplex. We lived next door to a single mother named Nancy Tate who was generous in all matters. She would drive us to the grocery store and give us menthol cigarettes and come over late at night after her son was asleep to sit in our kitchen and drink wine and talk about Hegel and Marx. Iowa City in the eighties was never going to be Paris in the twenties, but we gave it our best shot.
Ann Patchett (Truth & Beauty)
The biology majors among them would someday come to learn this fact: certain parasites can bend the behavior of their hosts to serve their own purposes. If viruses could do it, here is how it would look: seventeen people crowded into one small room, seventeen pairs of lungs breathing the same air, seventeen mouths drinking from the same two shot glasses, again and again, for hours.
Karen Thompson Walker (The Dreamers)
you are an exit wound the extra shot of tequila the tangled knot of hair that has to be cut out you are the cell phone ringing in a hushed theatre pebble wedged in the sole of a boot the bloody hangnail you are, just this once you are flip flops in a thunderstorm the boy’s lost erection a pen gone dry you are my father’s nightmare my mother’s mirage you are a manic high which is to say: you are a bad idea you are herpes despite the condom you are, I know better you are pieces of cork floating in the wine glass you are the morning after whose name I can’t remember still in my bed the hole in my rain boots vibrator with no batteries you are, shut up and kiss me you are naked wearing socks mascara bleeding down laughing cheeks you are the wrong guy buying me a drink you are the typo in an otherwise brilliant novel sweetalk into unprotected sex the married coworker my stubbed toe you are not new or uncommon not brilliant or beautiful you are a bad idea rock star in the back seat of a taxi burned popcorn top shelf, at half price you are everything I want you are a poem I cannot write a word I cannot translate you are an exit wound a name I cannot bring myself to say aloud
Jeanann Verlee
I popped the tab off the Coke and took a drink. Tink had filled the sink up with water. I had no idea what he— Tink cocked his arm back and moved the stick—no, it was a pole—forward. My eyes widened. I shot forward, almost dropping the soda. “What the fuck? Tink! Are youfishing in my sink?” He looked up. “Yeah,” he said, drawing the word out. Sitting the Coke on the counter, I slowly approached the sink. “If there are fish in my sink, I swear to God, I’m flushing you down a toilet.” Tink shot me a bored look. “As if I’d fit down a toilet.” “Tink!” He sighed. “Relax. They’re not real fish.” Dropping to his knees, he reached into the water and pulled out a small, red plastic fish. “I tried to order real ones from Amazon, but alas, they do not sell them.” I fell back against the counter, breathing a sigh of relief. Thank God for the small things in life.
Jennifer L. Armentrout (Torn (Wicked Trilogy, #2))
I'm going to lay it out straight for you here, Carson. And the reason that I'm going to do that is because I have every confidence that it will scare you off badly enough that I can then finish my drink in peace, and we can part as acquaintances who simply have nothing in common." He raised one eyebrow and I joined my hands in my lap, tilting my head as I continued. "I'm the kind of girl who wants to get married in a big, white dress, wearing my grandma's pearls. I want a husband who love me and is faithful to me. I want him to come home me every night, and I don't want to have to worry if he's doing his secretary, because he's the kind of man who has too much honor to do that. I want to wait a year and then I want to start trying for the two kids that we'll eventually have, a girl and a boy. And when we have those kids, I do not want, one day, to have to explain why their daddy is on the internet having relations with everyone from College Honeys to Cougars Gone Wild for money. I want to throw a cartoon themed birthday party at a jump house for my six year old, not mark the occasion by explaining what a "money shot" is. I have a feeling your life goals are somewhat different than mine. And by 'somewhat,' I mean, utterly and completely. Does that explain why it would be a waste of time for both of us to continue being in each other's presence?" Chapter 1
Mia Sheridan (Stinger)
I shot up out of my chair. “Change of plans. Finish your drink so we can go.” Jay responded flatly, “Go where exactly?” “I’m not sure but we’ll know it when we see it.” He looked at his glass and back to me. “Why bother?” I looked him the eye, seeing pain there and forcing myself not to flinch from it. “Because pity parties suck” I started walking toward the exit and over my shoulder asked “You coming?” He downed the rest of his drink and followed me out the door.
Amanda Kelly (Shifting Shadows (Sparks Collide, #1))
New Rule: Now that liberals have taken back the word "liberal," they also have to take back the word "elite." By now you've heard the constant right-wing attacks on the "elite media," and the "liberal elite." Who may or may not be part of the "Washington elite." A subset of the "East Coast elite." Which is overly influenced by the "Hollywood elite." So basically, unless you're a shit-kicker from Kansas, you're with the terrorists. If you played a drinking game where you did a shot every time Rush Limbaugh attacked someone for being "elite," you'd be almost as wasted as Rush Limbaugh. I don't get it: In other fields--outside of government--elite is a good thing, like an elite fighting force. Tiger Woods is an elite golfer. If I need brain surgery, I'd like an elite doctor. But in politics, elite is bad--the elite aren't down-to-earth and accessible like you and me and President Shit-for-Brains. Which is fine, except that whenever there's a Bush administration scandal, it always traces back to some incompetent political hack appointment, and you think to yourself, "Where are they getting these screwups from?" Well, now we know: from Pat Robertson. I'm not kidding. Take Monica Goodling, who before she resigned last week because she's smack in the middle of the U.S. attorneys scandal, was the third-ranking official in the Justice Department of the United States. She's thirty-three, and though she never even worked as a prosecutor, was tasked with overseeing the job performance of all ninety-three U.S. attorneys. How do you get to the top that fast? Harvard? Princeton? No, Goodling did her undergraduate work at Messiah College--you know, home of the "Fighting Christies"--and then went on to attend Pat Robertson's law school. Yes, Pat Robertson, the man who said the presence of gay people at Disney World would cause "earthquakes, tornadoes, and possibly a meteor," has a law school. And what kid wouldn't want to attend? It's three years, and you have to read only one book. U.S. News & World Report, which does the definitive ranking of colleges, lists Regent as a tier-four school, which is the lowest score it gives. It's not a hard school to get into. You have to renounce Satan and draw a pirate on a matchbook. This is for the people who couldn't get into the University of Phoenix. Now, would you care to guess how many graduates of this televangelist diploma mill work in the Bush administration? On hundred fifty. And you wonder why things are so messed up? We're talking about a top Justice Department official who went to a college founded by a TV host. Would you send your daughter to Maury Povich U? And if you did, would you expect her to get a job at the White House? In two hundred years, we've gone from "we the people" to "up with people." From the best and brightest to dumb and dumber. And where better to find people dumb enough to believe in George Bush than Pat Robertson's law school? The problem here in America isn't that the country is being run by elites. It's that it's being run by a bunch of hayseeds. And by the way, the lawyer Monica Goodling hired to keep her ass out of jail went to a real law school.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Mellas continued to look at the wallet, saying nothing. Hawke, who had been watching Mellas through the steam that rose from his pear-can coffee mug, handed Mellas the cup. Mellas gave a brief smile and took a drink. His hand was shaking. Hawke said in a calm voice, 'Something happened. You want to talk about it?' Mellas didn't answer right away. Then he said, 'I think I know where the gooks are.' He pulled out his map and pointed to the spot, his hand still trembling. 'How do you know that, Mel?' Hawke asked. 'From the direction he crawled after he was shot.' Mellas tossed the wallet down at Fitch. Then he dug into his pocket and pulled out the soldier's unit and rank patches. he looked at them, then at Fitch and Hawke, who were no longer eating. 'I let him crawl toward home with his guts hanging out.' He started sobbing. 'I just left him there.' Snot was streaming from his nose. 'I'm so sorry. I'm so fucking sorry.' His hands were now shaking with his body as he clenched the two pieces of cloth to his eyes.
Karl Marlantes (Matterhorn)
It was after midnight by a mile when I slid off the bar stool at O’Malley’s and began to walk home. O’Malley’s is an old Irish pub and though I wasn’t Irish, nor did I drink like a lot of other newspaper reporters I knew, I stopped by for a Coke nearly every evening. I liked listening to other reporters — and cops, who also frequented O’Malley’s — shoot the breeze and relate old stories that hadn’t been completely true the first time they’d been told. O’Malley’s was just somewhere to go which made every guy sipping a beer or doing shots feel a little less alone in a city like Los Angeles. Some of them still had wives, but you could tell they were lonely. Otherwise, they wouldn’t have been hanging around a bar at that hour; they’d have been finding solace in soft flesh and perfume. Maybe their wives would have been finding some solace too, and more of them would have stayed married. Most of those guys, cops and reporters alike, were working on their second or third marriage. I didn’t think they were working hard enough, but maybe that was because I didn’t have anyone to go home to.
Bobby Underwood (City of Angels)
She inhaled the steam rising from the coffee without touching it. “I’m very picky about my coffee.” “White chocolate peppermint latte, half skim, half soy, no whip, extra white chocolate sauce on the bottom and a drizzle on top.” Her gaze shot up, watching me over the rim of the cup with a hint of incredulity. “How’d you know?” I shrugged. “Maybe we like the same drinks.” Or maybe Wendy had told me the other day when she balanced three cups of coffee in the elevator. Liya clamped her mouth shut but covered the warm cup with her petite hands. Her glossy red nails clicked against the sturdy paper cup, drowning out the muted sounds of others in the hallway beyond the open door. “It’s okay,” I assured her. “I don’t think you did anything to the coffee.” “I mean it’s okay to smile because someone brought you your picky-ass latte.” She took a sip. “We’re not friends, you know?” “No one forgets being told they’re not friends,” I said teasingly, knowing full well she didn’t want to be friends but yet, here we were. A smile crept across her lips, even though she tried hard to stop it.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
River looks at me for a beat, dragging his tongue over his lower lip before continuing. “This is how I remember it. I was singing a gig at the USC Campus Bar. During a break I went to grab a beer. I met the most incredible girl whom I don’t think even knew that I sang in the band, but loved music. We seemed to hit it off. We did a couple of shots, drank a few drinks, and talked without any pretense. I asked her to wait for me after the show. She didn’t say anything about having a boyfriend or not sticking around and then when I finished she was gone.
Kim Karr (Connected (Connections, #1))
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
We pick up our shots and for the first time there's a total absence of sound in the room. From the ceiling, shy silver things blink and wait. Dennis doesn't sit, but hovers at the edge of the table, leaning in with a darkroom perfected slump. His hair hangs like its edges were dipped in lead. Thin spears pointing to the table. I'm looking at his face; we're both serious in a self-aware way, pretending not to notice. "It doesn't even feel like I left. God, you look fucking terrible. But it's a terrible face that drinks tequila well. Down. And cheers." We force a dull clash of cups and pour everything down at once. The hard tequila shudders that never happen in the movies. First your head feels light, then it starts receiving the distress signals from throat, lungs, belly. Your shoulders jerk to shake off the snake that wrapped around you and squeezed. It burns. The good burn.
Laurie Perez (Torpor: Though the Heart Is Warm)
A woman with super long platinum blonde hair, a fake tan, injected bubble gum pink lips, and a large boob job came in. Phoebe showed her where to set up in front of us and we all sat patiently. "Hello, I’m Tandy" I almost rolled my eyes at her name, given her appearance. She placed a case on the coffee table in front of us, opened it, and pulled out rubber penises. I almost shot my drink out of my nose, again. "I will be instructing you on proper blow job technique." "Oh my God, Phoebe." I shouted at her. "Yeah," Viola clapped her hands and reached out to be the first to get a rubber practice penis.
Sadie Grubor (Save the Date (Modern Arrangements, #1))
The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to the brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised, When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected—yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: ‘We have won!’ At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: It is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The offer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man’s smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare.
Doris Lessing (The Golden Notebook)
Two applesauce shots, please." I gaped at her. "Shots? God, what are we, in college?" She moved her wavy brown hair out of her eyes. "No, we don't have to be in college to have what I'm sure"- she looked at the bartender- "will be a fantastically prepared, perhaps overflowing shot." He laughed with a shake of his head. "You got it." "It's delicious," she said to me, "Goldschlager and something else. I don't remember. But it totally tastes like applesauce." "Why would anyone want to drink applesauce?" But I was already wondering if it could be reduced to a glaze for pork chops, and made a mental note to find out what was in it.
Beth Harbison (When in Doubt, Add Butter)
Leslie Marmon Silko whispers the story is long. No, longer. Longer than that even. Longer than anything. With Anne Sexton and Sylvia Plath drink at the bar. Laugh the dark laughter in the dark light. Sing a dark drunken song of men. Make a slurry toast. Rock back and forth, and drink the dark, and bask in the wallow of women knowing what women know. Just for a night. When you need to feel the ground of your life and the heart of the world, there will be a bonfire at the edge of a canyon under a night sky where Joy Harjo will sing your bonesong. Go ahead-with Anne Carson - rebuild the wreckage of a life a word at a time, ignoring grammar and the forms that keep culture humming. Make word war and have it out and settle it, scattering old meanings like hacked to pieces paper doll confetti. The lines that are left … they are awake and growling. With Virginia Woolf there will perhaps be a long walk in a garden or along a shore, perhaps a walk that will last all day. She will put her arm in yours and gaze out. At your backs will be history. In front of you, just the ordinary day, which is of course your entire life. Like language. The small backs of words. Stretching out horizonless. I am in a midnight blue room. A writing room. With a blood red desk. A room with rituals and sanctuaries. I made it for myself. It took me years. I reach down below my desk and pull up a bottle of scotch. Balvenie. 30 year. I pour myself an amber shot. I drink. Warm lips, throat. I close my eyes. I am not Virginia Woolf. But there is a line of hers that keeps me well: Arrange whatever pieces come your way. I am not alone. Whatever else there was or is, writing is with me.
Lidia Yuknavitch (The Chronology of Water)
You and I, my son, are that “below.” That was true in 1776. It is true today. There is no them without you, and without the right to break you they must necessarily fall from the mountain, lose their divinity, and tumble out of the Dream. And then they would have to determine how to build their suburbs on something other than human bones, how to angle their jails toward something other than a human stockyard, how to erect a democracy independent of cannibalism. But because they believe themselves to be white, they would rather countenance a man choked to death on film under their laws. And they would rather subscribe to the myth of Trayvon Martin, slight teenager, hands full of candy and soft drinks, transforming into a murderous juggernaut. And they would rather see Prince Jones followed by a bad cop through three jurisdictions and shot down for acting like a human. And they would rather reach out, in all their sanity, and push my four-year-old son as though he were merely an obstacle in the path of their too-important day.
Ta-Nehisi Coates (Between the World and Me)
I think that’s the lesson of this story: you never know what is going to happen. Other lessons: •  No matter how good you have it, it’s cool to want more. •  Self-pity gets results. •  Sometimes you can get a second chance. •  Sometimes you get a third chance. •  Never take a vacation. •  Austin Mahone has a bright future as a singer and youth-brand spokesperson. •  It’s OK to drink tequila in the car if you just had a really good meeting. •  If you believe in yourself and work hard, your dreams will come true. •  Well … I guess the people who work hard whose dreams don’t come true don’t get to write books about it, so we never really find out what happens to them. So … •  If you believe in yourself and work hard, you have a fighting shot at having your dreams come true.
Mindy Kaling (Why Not Me?)
We have no obligation to endure or enable certain types of certain toxic relationships. The Christian ethic muddies these waters because we attach the concept of long-suffering to these damaging connections. We prioritize proximity over health, neglecting good boundaries and adopting a Savior role for which we are ill-equipped. Who else we'll deal with her?, we say. Meanwhile, neither of you moves towards spiritual growth. She continues toxic patterns and you spiral in frustration, resentment and fatigue. Come near, dear one, and listen. You are not responsible for the spiritual health of everyone around you. Nor must you weather the recalcitrant behavior of others. It is neither kind nor gracious to enable. We do no favors for an unhealthy friend by silently enduring forever. Watching someone create chaos without accountability is not noble. You won't answer for the destructive habits of an unsafe person. You have a limited amount of time and energy and must steward it well. There is a time to stay the course and a time to walk away. There's a tipping point when the effort becomes useless, exhausting beyond measure. You can't pour antidote into poison forever and expect it to transform into something safe, something healthy. In some cases, poison is poison and the only sane response is to quit drinking it. This requires honest self evaluation, wise counselors, the close leadership of the Holy Spirit, and a sober assessment of reality. Ask, is the juice worth the squeeze here. And, sometimes, it is. You might discover signs of possibility through the efforts, or there may be necessary work left and it's too soon to assess. But when an endless amount of blood, sweat and tears leaves a relationship unhealthy, when there is virtually no redemption, when red flags are frantically waved for too long, sometimes the healthiest response is to walk away. When we are locked in a toxic relationship, spiritual pollution can murder everything tender and Christ-like in us. And a watching world doesn't always witness those private kill shots. Unhealthy relationships can destroy our hope, optimism, gentleness. We can lose our heart and lose our way while pouring endless energy into an abyss that has no bottom. There is a time to put redemption in the hands of God and walk away before destroying your spirit with futile diligence.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
And with light lips yet full of their swift smile, And hands that wist not though they dug a grave, Undid the hasps of gold, and drank, and gave, And he drank after, a deep glad kingly draught: And all their life changed in them, for they quaffed Death; if it be death so to drink, and fare As men who change and are what these twain were. And shuddering with eyes full of fear and fire And heart-stung with a serpentine desire He turned and saw the terror in her eyes That yearned upon him shining in such wise As a star midway in the midnight fixed. Their Galahault was the cup, and she that mixed; Nor other hand there needed, nor sweet speech To lure their lips together; each on each Hung with strange eyes and hovered as a bird Wounded, and each mouth trembled for a world; Their heads neared, and their hands were drawn in one, And they saw dark, though still the unsunken sun Far through fine rain shot fire into the south; And their four lips became one burning mouth.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Has he invited you to dinner, dear? Gifts, flowers, the usual?” I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.” “He fed you?” Raphael stopped rubbing Andrea. “How did this happen?” Aunt B stared at me. “Be very specific, this is important.” “He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.” “Did you accept?” Aunt B asked. “Yes, I was starving. Why are the three of you looking at me like that?” “For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.” Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?” “No. He chased everyone out.” Raphael nodded. “At least he hasn’t gone public yet.” “He might never,” Andrea said. “It would jeopardize her position with the Order.” Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.” “If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . . “Food has a special significance,” Aunt D said. I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.” “There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.” “In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.” “If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.” “But I didn’t know what it meant!” Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.” “You’re scaring me.” “Scared might be too strong a word, but in your place, I would definitely be concerned.” I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency. As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire. “Feel better?” “It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Walking home's going to be...interesting half dressed." Alan mused as he dropped the shirt over the lip of the sink. Shelby shot a look over her shoulder, but the retort she had in mind slipped away from her.He was lean enough so she could have counted his ribs, but there was a sense of power and endurance in the breadth of his chest and shoulders, the streamlined waist. His body made her forget any other man she'd ever seen. It had been he,she realized all at once, whom she'd been thinking of when she'd thrown the clay into that clean-lined bowl. Shelby let the first flow of arousal rush through her because it was as sweet as it was sharp. Then she tensed against it, rendering it a distant throb she could control. "You're in excellent shape," she commented lightly. "You should be able to make it to P street in under three minutes at a steady jog." "Shelby, that's downright unfriendly." "I thought it was more rude," she corrected as she struggled against a grin. "I suppose I could be a nice guy and throw it in the dryer for you." "It was your clay." "It was your move," she reminded him, but snatched up the damp shirt. "Okay, come on upstairs." With one hand, she tugged off her work apron, tossing it aside as she breezed through the doorway. "I suppose you're entitled to one drink on the house." "You're all heart," Alan murmured as he followed her up the stairs. "My reputation for generosity precedes me.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I didn’t answer, occupied in dissolving the penicillin tablets in the vial of sterile water. I selected a glass barrel, fitted a needle, and pressed the tip through the rubber covering the mouth of the bottle. Holding it up to the light, I pulled back slowly on the plunger, watching the thick white liquid fill the barrel, checking for bubbles. Then pulling the needle free, I depressed the plunger slightly until a drop of liquid pearled from the point and rolled slowly down the length of the spike. “Roll onto your good side,” I said, turning to Jamie, “and pull up your shirt.” He eyed the needle in my hand with keen suspicion, but reluctantly obeyed. I surveyed the terrain with approval. “Your bottom hasn’t changed a bit in twenty years,” I remarked, admiring the muscular curves. “Neither has yours,” he replied courteously, “but I’m no insisting you expose it. Are ye suffering a sudden attack of lustfulness?” “Not just at present,” I said evenly, swabbing a patch of skin with a cloth soaked in brandy. “That’s a verra nice make of brandy,” he said, peering back over his shoulder, “but I’m more accustomed to apply it at the other end.” “It’s also the best source of alcohol available. Hold still now, and relax.” I jabbed deftly and pressed the plunger slowly in. “Ouch!” Jamie rubbed his posterior resentfully. “It’ll stop stinging in a minute.” I poured an inch of brandy into the cup. “Now you can have a bit to drink—a very little bit.” He drained the cup without comment, watching me roll up the collection of syringes. Finally he said, “I thought ye stuck pins in ill-wish dolls when ye meant to witch someone; not in the people themselves.” “It’s not a pin, it’s a hypodermic syringe.” “I dinna care what ye call it; it felt like a bloody horseshoe nail. Would ye care to tell me why jabbing pins in my arse is going to help my arm?” I took a deep breath. “Well, do you remember my once telling you about germs?” He looked quite blank. “Little beasts too small to see,” I elaborated. “They can get into your body through bad food or water, or through open wounds, and if they do, they can make you ill.” He stared at his arm with interest. “I’ve germs in my arm, have I?” “You very definitely have.” I tapped a finger on the small flat box. “The medicine I just shot into your backside kills germs, though. You get another shot every four hours ’til this time tomorrow, and then we’ll see how you’re doing.” I paused. Jamie was staring at me, shaking his head. “Do you understand?” I asked. He nodded slowly. “Aye, I do. I should ha’ let them burn ye, twenty years ago.
Diana Gabaldon (Voyager (Outlander, #3))
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
Robert A. Heinlein