Ball Dance Quotes

Who're you going with, then?" said Ron. "Angelina," said Fred promptly, without a trace of embarrassment. "What?" said Ron, taken aback. "You've already asked her?" "Good point," said Fred. He turned his head and called across the common room, "Oi! Angelina!" Angelina, who had been chatting with Alicia Spinnet near the fire, looked over at him. "What?" She called back. "Want to come to the ball with me?" Angelina gave Fred a sort of appraising look. "All right, then," she said, and she turned back to Alicia and carried on chatting with a bit of a grin on her face. "There you go," said Fred to Harry and Ron, "piece of cake.

He wouldn't even dance with Levana at the stupid ball if he could help it—to hell with diplomacy.

Did you know that she was cyborg?” asked a woman in an unhidden tone of disgust. Kai stared at her, appearing confused, then let his gaze dance over the crowd. He shuffled his feet closer to the podium, a wrinkle forming on the bridge of his nose. Cinder bit the inside of her cheek and braced herself for adamant disgust. Who would ever invite a cyborg to the ball? But instead, Kai said simply, “I don’t see that her being cyborg is relevant. Next question?” Cinder’s metal fingers jolted.

What's your name?" he asked above the roar of the music. She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song." He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself. "I have no name," she purred. "I am whoever the keepers of my fate tell me to be." He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.

Why aren't you in school? I see you every day wandering around." "Oh, they don't miss me," she said. "I'm antisocial, they say. I don't mix. It's so strange. I'm very social indeed. It all depends on what you mean by social, doesn't it? Social to me means talking to you about things like this." She rattled some chestnuts that had fallen off the tree in the front yard. "Or talking about how strange the world is. Being with people is nice. But I don't think it's social to get a bunch of people together and then not let them talk, do you? An hour of TV class, an hour of basketball or baseball or running, another hour of transcription history or painting pictures, and more sports, but do you know, we never ask questions, or at least most don't; they just run the answers at you, bing, bing, bing, and us sitting there for four more hours of film-teacher. That's not social to me at all. It's a lot of funnels and lot of water poured down the spout and out the bottom, and them telling us it's wine when it's not. They run us so ragged by the end of the day we can't do anything but go to bed or head for a Fun Park to bully people around, break windowpanes in the Window Smasher place or wreck cars in the Car Wrecker place with the big steel ball. Or go out in the cars and race on the streets, trying to see how close you can get to lampposts, playing 'chicken' and 'knock hubcaps.' I guess I'm everything they say I am, all right. I haven't any friends. That's supposed to prove I'm abnormal. But everyone I know is either shouting or dancing around like wild or beating up one another. Do you notice how people hurt each other nowadays?

Occupied in observing Mr. Bingley’s attentions to her sister, Elizabeth was far from suspecting that she was herself becoming an object of some interest in the eyes of his friend. Mr. Darcy had at first scarcely allowed her to be pretty: he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. To this discovery succeeded some others equally mortifying. Though he had detected with a critical eye more than one failure of perfect symmetry in her form, he was forced to acknowledge her figure to be light and pleasing; and in spite of his asserting that her manners were not those of the fashionable world, he was caught by their easy playfulness. Of this she was perfectly unaware: to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with.

Dead or alive, the balls still hurt when kicked, huh? (Zarek)

Shoes are funny beasts. You think they’re just clothes, but really, they’re alive. They want things. Fancy ones with gems want to go to balls, big boots want to go to work, slippers want to dance. Or sleep. Shoes make the path you’re on. Change your shoes, change your path.

And from the whole she deduced this useful lesson, that to go previously engaged to a ball, does not necessarily increase either the dignity or enjoyment of a young lady.

The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in "Lonesome Dove" and had nightmares about slavery in "Beloved" and walked the streets of Dublin in "Ulysses" and made up a hundred stories in the Arabian nights and saw my mother killed by a baseball in "A Prayer for Owen Meany." I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career, all because I listened to my fabulous English teachers and soaked up every single thing those magnificent men and women had to give. I cherish and praise them and thank them for finding me when I was a boy and presenting me with the precious gift of the English language.

He gripped her shoulders determinedly. 'I should’ve told you this earlier, Jordan. Now that I’ve got my chance, you’re going to hear it whether you like it or not. You came into my life and messed the whole thing up and now I’m screwed. Because I’m in love with you. As in balls-out, head-over-heels, watching-Dancing-with-the-Stars-on-Monday-nights, wine-and-bubble-bath kind of love. Hell, I think I’d even wear a scarf indoors for you.

If there was one word Agatha dreaded more than "ball", it was "dancing".

Vimes felt his hand begin to move of its own accord-- And stopped. Red rage froze. There was The Beast, all around him. And that's all it was. A beast. Useful, but still a beast. You could hold it on a chain, and make it dance, and juggle balls. It didn't think. It was dumb. What you were, what you were, was not The Beast.

He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two" She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam. Celaena grabbed Sam's elbow. "Enough," she warned him. The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind. Celaena whirled to face Sam. "What in hell was that for?" "You're drunk," he told her, so close her chest brushed his, "And he knew it, too." "So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground. "You'll thank me in the morning." "Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist. "Let me take you home.

Ladies should also remember that gentlemen look more to the effect of a dress in setting off the figure and countenance of a lady than to its cost. Very few gentlemen have any idea the value of ladies' dresses. This is a subject for female criticism. Beauty of person and elegance of manners in women will always command more admiration from the opposite sex than beauty, elegance or costliness of clothing." The Scholars' Companion and Ball Room Vade Mecum Thomas Hillgrove, 1857

I'm so glad you're okay." "So, how do we celebrate my okayness? It's my day off. Let's go crazy. Glow-in-the-dark bowling?" "No" "I'll let you use the kiddie ball." "Shut up. I do NOT need the kiddie ball." "The way you bowl, I think you might." He grabbed her in an exaggerated formal dance pose and whirled her around, backpack and all, which didn't make her any more graceful. "Ballroom dancing?" "Are you INSANE?" "Hey, girls who tango are hot." "You think I'm not hot because I don't tango?" He dropped the act. Shane was a smart boy. "I think you are too hot for ballroom or bowling. So you tell me. What do you want to do? And don't say study.

The ball laughs, radiant, in the air. He brings her down, puts her to sleep, showers her with compliments, dances with her, and seeing such things never before seen his admirers pity their unborn grandchildren who will never see them.

I'd say..." Petra crossed her legs, tucked a wayward strand of hair behind her ear. "I'd say, I am too fucking fabulous for one gender. Oh, and can we please get rid of the cheesy dance numbers? It's like torture step-ball-change." "I'd say I am not a race. I am an individual," Nicole said. Sosie moved her fingers gracefully, but no one understood. She waited for a moment. "I would say, learn to hear me in my own voice. I'm hearing impaired, not invisible.

She wouldn’t fit in at a formal ball anyway. Even if she did find dress gloves and slippers that could hide her metal monstrosities, her mousy hair would never hold a curl, and she didn’t know the first thing about makeup. She would just end up sitting off the dance floor and making fun of the girls who swooned to get Prince Kai’s attention, pretending she wasn’t jealous. Pretending it didn’t bother her. Although she was curious about the food.

He holds out his hand, and in his palm are two shiny silver balls linked with a thick black thread … Inside me! I gasp, and all the muscles deep in my belly clench. My inner goddess is doing the dance of the seven veils … Oh my … It’s a curious feeling. Once they’re inside me, I can’t really feel them—but then again I know they’re there … Oh my … I may have to keep these. They make me needy, needy for sex.

You’re on, Ted,” I told him. “Your big chance, boy. Don’t blow it. Folks, this kid is going to dance his balls off before your very eyes.

The poets say some moths will do anything out of love for a flame [...] The moth takes off again, and we both step back, because he's circling at eye level now and seems to have lost rudder control, smacking into the wall on each round. He circles lower and lower, spinning around the candle in tighter revolutions, like a soap sud over an open drain. A few times he seems to touch the flame, but dances off unhurt. Then he ignites like a ball of hair, curling into an oily puff of fumes with a hiss. The candle flame flickers and dims for a moment, then burns as bright as before. Moth Smoke Lingers.

Alcohol whipped me. Alcohol and I had many, many marvelous times together. We laughed, we talked, we danced at the party together; then one day I woke up and the band had gone home and I was lying in the broken glass with a shirt full of puke and I said, 'Hey, man, the ball game's up'.

Crystal ball and candle light, I want your dance tonight. Show me the power of love as we stand together in the middle of the night.

The idea of Zen is to catch life as it flows. There is nothing extraordinary or mysterious about Zen. I raise my hand ; I take a book from the other side of the desk ; I hear the boys playing ball outside my window; I see the clouds blown away beyond the neighbouring wood: — in all these I am practising Zen, I am living Zen. No wordy discussions is necessary, nor any explanation. I do not know why — and there is no need of explaining, but when the sun rises the whole world dances with joy and everybody’s heart is filled with bliss. If Zen is at all conceivable, it must be taken hold of here.

I firmly believe in small gestures: pay for their coffee, hold the door for strangers, over tip, smile or try to be kind even when you don’t feel like it, pay compliments, chase the kid’s runaway ball down the sidewalk and throw it back to him, try to be larger than you are— particularly when it’s difficult. People do notice, people appreciate. I appreciate it when it’s done to (for) me. Small gestures can be an effort, or actually go against our grain (“I’m not a big one for paying compliments…”), but the irony is that almost every time you make them, you feel better about yourself. For a moment life suddenly feels lighter, a bit more Gene Kelly dancing in the rain.

Galen stowed the goblets behind a curtain and walked up to twitch the hem of Rose’s shawl. She gasped and looked around. “Hello,” Galen said in a low voice. “Would you like to dance?” “So you’re Pansy’s good spirit?” “I am.” “Your voice sounds familiar.” Her eyes sparkled. “Could you pretend to snore, so that I could make sure?

Life's best adventures are as close as your nearest bookshelf. Tour Europe with the Count of Monte Cristo. Dance a ball with Mr Darcy. Hunt down bad guys with Stephanie Plum. Amazing things can happen when you read.

I should like balls infinitely better,' she replied, 'if they were carried on in a different manner; but there is something insufferably tedious in the usual process of such a meeting. It would surely be much more rational if conversation instead of dancing were made the order of they day.' 'Much more rational, my dear Caroline, I dare say, but it would not be near so much like a ball.

Your love is different from mine. What I mean is, when you close your eyes, for that moment, the center of the universe comes to reside within you. And you become a small figure within that vastness, which spreads without limit behind you, and continues to expand at tremendous speed, to engulf all of my past, even before I was born, and every word I've ever written, and each view I've seen, and all the constellations, and the darkness of outer space that surrounds the small blue ball that is earth. Then, when you open your eyes, all that disappears. I anticipate the next time you are troubled and must close your eyes again. The way we think may be completely different, but you and I are an ancient, archetypal couple, the original man and woman. We are the model for Adam and Eve. For all couples in love, there comes a moment when a man gazes at a woman with the very same kind of realization. It is an infinite helix, the dance of two souls resonating, like the twist of DNA, like the vast universe. Oddly, at that moment, she looked over at me and smiled. As if in response to what I'd been thinking, she said, "That was beautiful. I'll never forget it.

The first time I met death, it was at a ball and we danced a waltz.

Petunia Temminnick’s coming-out ball was pronounced a resounding success by all in attendance. There had been highly intoxicating punch, a variety of dances, good music, and intermission entertainment. No one knew why the beautiful Miss Pelouse had stripped, rolled about in the garden, and then chucked a cheese pie at the youngest Temminnick girl before being taken away in floods of tears, but it was surely the highlight of a most enjoyable evening.

It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively, without being at any ball of any description, and no material injury accrue either to body or mind;-- but when a beginning is made-- when the felicities of rapid motion have once been, though slightly, felt-- it must be a very heavy set that does not ask for more.

Wait, wait, wait. Are you telling me they stick you out here where there are no Daimons and you don’t have a weak spot? What kind of shit is that? I live in Daimon Central with one hell of an Achilles’ heel that no one ever bothered to mention, and you live where there’s no danger to you and yet you don’t have one? What’s not fair with this picture? And then Ash asks me to come up here to save your ass and here we are dropping like flies while you’re Teflon. No, I have a problem with this. I love you, man, but dayam. This just ain’t right. I’m up here freezing my balls off, and you, you don’t need protection. Meanwhile I have a bull’s-eye on my arm that says, ‘Hey, Daimon on steroids, kill me right here.’ Do you realize, I put my keys in my mouth to pull out my wallet to pay for gas and they froze there? The last thing I want to do is die up here in this godforsaken place at the hands of some freaked-out something no one has ever heard of before except for Guido the Killer Squire from Jersey? I swear I want someone’s ass for this. (Jess)

When they married and gave in marriage They danced at the County Ball And some of them kept a carriage And the flood destroyed them all.

You have to understand, before now, I hadn’t been entirely certain Reece even realized I was female. Yet here he was, edging toward me as if I was territory to be protected. Something Mal didn’t intend to allow if his side-stepping maneuver meant anything. It was like some strange animalistic caveman dance, the two of them slowly hemming me in. Amusing in a way. The first male to pee on me, however, would pay with his balls.

In 1637, anywhere from four to seven hundred Pequot gathered for their annual Green Corn Dance. Colonists surrounded their village, set it on fire, and shot any Pequot who tried to escape. The next day the Massachusetts Bay Colony had a feast in celebration, and the governor declared it a day of thanksgiving. Thanksgivings like these happened everywhere, whenever there were what we have to call “successful massacres.” At one such celebration in Manhattan, people were said to have celebrated by kicking the heads of Pequot people through the streets like soccer balls.

and tonight we held each other, one last time, like a dance to a slow song on an empty floor, underneath a single disco ball in front of no one at all

The violins seemed to swoon with her every step, or maybe she was simply happy.

What we’re trying to do is write cricket bats, so that when we throw up an idea and give it a little knock, it might … travel … ([He] picks up the script.) Now, what we’ve got here is a lump of wood of roughly the same shape trying to be a cricket bat, and if you hit a ball with it, the ball would travel about ten feet and you will drop the bat and dance about shouting ‘Ouch!’ with your hands stuck into your armpits. (indicating the cricket bat) This isn’t better because someone says it’s better, or because there’s a conspiracy by the MCC to keep cudgels out of Lords. It’s better because it’s better.

In public Nina was a quiet, reserved person; in private she was an all-singing, all-dancing cavalcade of light and motion. Unless she was a quivering ball of anxiety, because that was also a frequently selected option.

[Garrincha] was the one who would climb out of the training camp window because he heard from some far-off back alley call of a ball asking to be played with, music demanding to be danced to, a woman wanting to be kissed.

It was one of those days when it’s a minute away from snowing, and there’s this electricity in the air, you can almost hear it. And this bag was just, dancing with me, like a little kid beggin’ me to play with it – for fifteen minutes. And that’s the day I realized that there was this entire life behind things, and this incredibly benevolent force that wanted me to know that there was no reason to be afraid, ever. Video’s a poor excuse, I know. But it helps me remember – I need to remember. Sometimes, there’s so much beauty in the world – I feel like I can’t take it, like my heart is just going to cave in. — Wes Bentley [Ricky Fitts] American Beauty (1999) Written by Alan Ball. Directed by Sam Mendes.

In the common walks of life, with what delightful emotions does the youthful mind look forward to some anticipated scene of festivity! Imagination is busy sketching rose-tinted pictures of joy. In fancy, the voluptuous votary of fashion sees herself amid the festive throng, 'the observed of all observers.' Her graceful form, arrayed in snowy robes, is whirling through the mazes of the joyous dance; her eye is brightest, her step is lightest in the gay assembly. "In such delicious fancies time quickly glides by, and the welcome hour arrives for her entrance into the Elysian world, of which she has had such bright dreams. How fairy-like does everything appear to her enchanted vision! Each new scene is more charming than the last. But after a while she finds that beneath this goodly exterior, all is vanity, the flattery which once charmed her soul, now grates harshly upon her ear; the ball-room has lost its charms; and with wasted health and imbittered heart, she turns away with the conviction that earthly pleasures cannot satisfy the longings of the soul!

I don't dare tell him that once while I sat in her lap she told me that if I ever went to the ball, I should set the place on fire and dance on the ashes.

Ben actually had no intention of dancing at the ball. That, as far as he was concerned, was for pussies, a judgement he also gave to art, classical music, black and white films, and any books without serial killers, or explosions, or zombies

It was seeing these worn-out men that really allowed Ophelia to take the measure of this world in which she found herself. There were those who danced at the ball, enclosed in their bubbles of illusion, and those who kept the whole machine going.

I hate dancing. I mean, I don't hate it. I just - I'm terrible. I'm totally into music, but I really can't dance." Phew. Relief. "Yeah, you said that this morning. Neither can I." I hitched my thumb at the couples on the dance floor. "Not that I'd call that dancing." "Heh. Yeah." "Sometimes I wish I lived back when people had balls." Oh God. That did not come out right.

And then also, again, still, what are those boundaries, if they’re not baselines, that contain and direct its infinite expansion inward, that make tennis like chess on the run, beautiful and infinitely dense? The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise… You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again…Mario thinks hard again. He’s trying to think of how to articulate something like: But then is battling and vanquishing the self the same as destroying yourself? Is that like saying life is pro-death? … And then but so what’s the difference between tennis and suicide, life and death, the game and its own end?

She danced as if nothing had ever made her so happy. She smiled as if it was only for him. He hoped those smiles meant she liked him, because he hoped to dance only with her at the ball tomorrow night.

Whenever you come back, you will be welcomed with open arms. And after everything that’s happened, you’re probably going to have about two hundred thousand guys wanting to take you to the Annual Peace Ball next year. I expect the offers to start rolling in any day now.” “I highly doubt that.” “Just wait, you’ll see.” He tilted his head, clumps of hair falling into his eyes. “I figured it couldn’t hurt to get my name on the list before anyone else steals you away. If we start now, and plan frequent visits between Earth and Luna, I might even have time to teach you to dance.” Cinder

The world of literature has everything in it, and it refuses to leave anything out. I have read like a man on fire my whole life because the genius of English teachers touched me with the dazzling beauty of language. Because of them I rode with Don Quixote and danced with Anna Karenina at a ball in St. Petersburg and lassoed a steer in Lonesome Dove and had nightmares about slavery in Beloved and walked the streets of Dublin in Ulysses and made up a hundred stories in The Arabian Nights and saw my mother killed by a baseball in A Prayer for Owen Meany. I've been in ten thousand cities and have introduced myself to a hundred thousand strangers in my exuberant reading career

A week ago, Harry would have said finding a partner for a dance would be a cinch compared to taking on a Hungarian Horntail. But now that he had done the latter, and was facing the prospect of asking a girl to the ball, he thought he’d rather have another round with the dragon. Harry had never known so many

I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume. But you must stubbornly walk into that room, regardless, and you must hold your head high. You made it; you get to put it out there. Never apologize for it, never explain it away, never be ashamed of it. You did your best with what you knew, and you worked with what you had, in the time that you were given. You were invited, and you showed up, and you simply cannot do more that that. They might throw you out - but then again, they might not. They probably won't throw you out, actually. The ballroom is often more welcoming and supportive than you could ever imagine. Somebody might even think you're brilliant and marvelous. You might end up dancing with royalty. Or you might just end up having to dance alone in the corner of the castle with your big, ungainly red foam claws waving in the empty air. that's fine, too. Sometimes it's like that. What you absolutely must not do is turn around and walk out. Otherwise, you will miss the party, and that would be a pity, because - please believe me - we did not come all this great distance, and make all this great effort, only to miss the party at the last moment.

No man can know his deliverer, nor yet the thief of his soul. Their faces are covered; they swirl in the mob at the masquerade ball. Wine flows, and dance follows dance, and we are never certain of their names until that Midnight when all masks are removed

The macabre who lived through the war have a story they loved to tell about the soldiers of the Foreign Legion giving a ball in the expanses around Verdun and dancing with the corpses. Alabama's continued brewing of the poisoned filter for a semiconscious banquet table, her insistence on the magic and glamor of life when she was already feeling its pulse like the throbbing of an amputated leg, had something of the same sinister quality.

I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball. To believe otherwise was to believe that a God to whom my mother had devoted her life had responded by striking down her husband and causing her so much pain. I couldn’t accept that.

We have gone sick by following a path of untrammelled rationalism, male dominance, attention to the visible surface of things, practicality, bottom-line-ism. We have gone very, very sick. And the body politic, like any body, when it feels itself to be sick, it begins to produce antibodies, or strategies for overcoming the condition of dis-ease. And the 20th century is an enormous effort at self-healing. Phenomena as diverse as surrealism, body piercing, psychedelic drug use, sexual permissiveness, jazz, experimental dance, rave culture, tattooing, the list is endless. What do all these things have in common? They represent various styles of rejection of linear values. The society is trying to cure itself by an archaic revival, by a reversion to archaic values. So when I see people manifesting sexual ambiguity, or scarifying themselves, or showing a lot of flesh, or dancing to syncopated music, or getting loaded, or violating ordinary canons of sexual behaviour, I applaud all of this; because it's an impulse to return to what is felt by the body -- what is authentic, what is archaic -- and when you tease apart these archaic impulses, at the very centre of all these impulses is the desire to return to a world of magical empowerment of feeling. And at the centre of that impulse is the shaman: stoned, intoxicated on plants, speaking with the spirit helpers, dancing in the moonlight, and vivifying and invoking a world of conscious, living mystery. That's what the world is. The world is not an unsolved problem for scientists or sociologists. The world is a living mystery: our birth, our death, our being in the moment -- these are mysteries. They are doorways opening on to unimaginable vistas of self-exploration, empowerment and hope for the human enterprise. And our culture has killed that, taken it away from us, made us consumers of shoddy products and shoddier ideals. We have to get away from that; and the way to get away from it is by a return to the authentic experience of the body -- and that means sexually empowering ourselves, and it means getting loaded, exploring the mind as a tool for personal and social transformation. The hour is late; the clock is ticking; we will be judged very harshly if we fumble the ball. We are the inheritors of millions and millions of years of successfully lived lives and successful adaptations to changing conditions in the natural world. Now the challenge passes to us, the living, that the yet-to-be-born may have a place to put their feet and a sky to walk under; and that's what the psychedelic experience is about, is caring for, empowering, and building a future that honours the past, honours the planet and honours the power of the human imagination. There is nothing as powerful, as capable of transforming itself and the planet, as the human imagination. Let's not sell it straight. Let's not whore ourselves to nitwit ideologies. Let's not give our control over to the least among us. Rather, you know, claim your place in the sun and go forward into the light. The tools are there; the path is known; you simply have to turn your back on a culture that has gone sterile and dead, and get with the programme of a living world and a re-empowerment of the imagination. Thank you very, very much.

Deep inside each human being is a spirit that hungers for movement and for growth. A live and burgeoning ball of energy, the spirit naturally moves, expands, gyrates—dances, even—purely by virtue of its desire for freedom. It craves beauty over entertainment, meaning over triviality, and knowledge over sensation. American society devotes few harbors to the trade of truth. Too often we sacrifice the pursuit of knowledge, distracted instead by sparkling material things.

As they traveled the sun and moon dipped in the sky and then rose again, moving around them in a stately dance. In the summer months, at the top of the world, neither sank below the horizon. The sky was both dark and light, the sun a tiny pale ball and the moon a long thin crescent, lying on its back like a bowl. Then, for a time, the sun was directly below the moon, looking insignificant and weak.

My tribesmen and I party deep into the night, drinking and dancing and going balls-to-the-wall, slap-yo-grandma buck-ass wild, just as the Chief had instructed. Also, I found out that the term “balls-to-the-wall” is not just a figure of speech here, and the drunken islanders and I spent a good portion of the evening just stumbling around the village, rubbing our nutsacks on various buildings and things

And this has given rise to a whole new class of preening, narcissistic quacks like yourself who say in the service of rich and shameless polluters that the state of the atmosphere and the water and the topsoil on which all life depends is as debatable as how many angels can dance on the fuzz of a tennis ball.

There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast. "The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways. "Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller. "I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state. "You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.

We’ve danced around the issue of ‘us’ for about two hundred years too long. While we work together, I want us to explore each other. Up close and personal. In bed. That would be more than adequate payment.” “And if I don’t agree?” “I’ll help you. Free of charge. But I’ll probably be an asshole.” He shrugged. “Blue balls make me cranky.

Evil Hall had been transformed into a magnificent ballroom, glittering with green tinsel, black balloons, thousands of green-flamed candles, and a spinning chandelier streaking wall murals with emerald bursts of light. Around a towering ice sculpture of two entwined snakes, Hort and Dot stumbled through a waltz, Anadil wrapped her arms around Vex, Brone tried not to step on Mona's green feet, and Hester and Ravan swayed and whispered as more villainous couples waltzed around them. Ravan's bunk mates picked up the music on reed violins as more pairs flooded onto the floor, clumsy, bashful, but aglow with happiness, dancing beneath a spangled banner: THE 1ST ANNUAL VILLAINS "NO BALL

Is she pleasing to the eye?" Gabriel went to an inset sideboard to pour himself a brandy. "She's bloody ravishing," he muttered. Looking more and more interested, his father asked, "What is the problem with her, then?" "She's a perfect little savage. Constitutionally incapable of guarding her tongue. Not to mention peculiar: She goes to balls but never dances, only sits in the corner. Two of the fellows I went drinking with last night said they'd asked her to waltz on previous occasions. She told one of them that a carriage horse had recently stepped on her foot, and she told the other that the butler had accidentally slammed her leg in the door." Gabriel took a swallow of brandy before finishing grimly, "No wonder she's a wallflower." Sebastian, who had begun to laugh, seemed struck by that last comment. "Ahhh," he said softly. "That explains it." He was silent for a moment, lost in some distant, pleasurable memory. "Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they're sirens who lure men to their downfall. You won't even notice the moment she steals the heart right out of your body- and then it's hers for good. A wallflower never gives your heart back." "Are you finished amusing yourself?" Gabriel asked, impatient with his father's flight of fancy. "Because I have actual problems to deal with." Still smiling, Sebastian reached for some chalk and applied it to the tip of his cue stick. "Forgive me. The word makes me a bit sentimental.

I’m playing catch with Nisha and Nena. They’re standing against the opposite wall shrieking with enjoyment. They’re teenagers, but they’ve never played catch before and lack any sense of coordination; when they throw the ball to me it flies in any direction. Sometimes it hits the wall behind them. We’ve been playing for half an hour and they have only caught it twice.

Everywhere you look in the literary cosmos, the great ones are busy loving and hating. Have you given up this primary business as obsolete in your own writing? What fun you are missing, then. The fun of anger and disillusion, the fun of loving and being loved, of moving and being moved by this masked ball which dances us from cradle to churchyard. Life is short, misery sure, mortality certain. But on the way, in your work, why not carry those two inflated pig-bladders labeled Zest and Gusto.

Boys are cheats and liars, they're such a big disgrace. They will tell you anything to get to second base... ball, baseball he thinks he's gonna score. If you let him go all the way then you are a hor... ticulture studies flowers, geologist studies rocks. The only thing a guy wants from you is a place to put his cock... roaches, beetles, butterflies and bugs. Nothing makes him happier than a giant pair of jug... glers and acrobats, a dancing bear named Chuck. All guys really want to do is - forget it, no such luck.

Memory is a landscape watched from the window of a moving train. We watch the dawn light break over the acacia trees, the birds pecking at the morning, as though at a fruit. Further off we see the serenity of a river, and the trees embracing its banks. We see the cattle slowly grazing, a couple running, holding hands, children dancing around a football, the ball shining in the sun (another sun). We see the calm lakes where there are ducks swimming, rivers heavy with water where elephants quench their thirst. These things happen right before our very eyes, we know them to be real, but they’re so far away we can’t touch them. Some are so far, so very far away, and the train moving so fast, that we can’t be sure any longer that they really did happen. Maybe we merely dreamed them?

But you won’t abdicate." Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace." Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him. Freddy?" Yes?" he answered. What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?" After a long silence, Freddy asked, "Which part of the formulation escapes you? Egg? Raw? The link between the two?" The two what?" Fredericka?" Yes, Freddy?" Would you like to go dancing?" Oh, yes Freddy!" Come then. We will.

Sticking your nose in a book might seem like the very opposite of grabbing life by the balls, but reading had always been one of my great loves, and it was one of the things I was most terrified to lose. Sure, there were always audiobooks, but the holy communion of bringing your eyes to paper and sweeping them across the page, left to right, left to right, left to right, the rhythm of that dance, the quiet of it, the sound of the page turning, the look of crinkled covers stained with the coffee you were drinking when you read that chapter that changed your life--you didn't get any of that when listening to an audiobook, and I wanted as much of that as I could get, while I still could.

It is foolish and childish, on the face of it, to affiliate ourselves with anything so insignificant and patently contrived and commercially exploitative as a professional sports team, and the amused superiority and icy scorn that the non-fan directs at the sports nut (I know this look - I know it by heart) is understandable and almost unanswerable. Almost. What is left out of this calculation, it seems to me, is the business of caring - caring deeply and passionately, really caring - which is a capacity or an emotion that has almost gone out of our lives. And so it seems possible that we have come to a time when it no longer matters so much what the caring is about, how frail or foolish is the object of that concern, as long as the feeling itself can be saved. Naïveté - the infantile and ignoble joy that sends a grown man or woman to dancing in the middle of the night over the haphazardous flight of a distant ball - seems a small price to pay for such a gift.

Birdle Burble I went out of mind and then came to my senses By meeting a magpie who mixed up his tenses, Who muddled distinctions of nouns and of verbs, And insisted that logic is bad for the birds. With a poo-wee cluck and a chit, chit-chit; The grammar and meaning don't matter a bit. The stars in their courses have no destination; The train of events will arrive at no station; The inmost and ultimate Self of us all Is dancing on nothing and having a ball. So with a chat for chit and with tat for tit, This will be that, and that will be It! (poem for James Broughton)

For the company to assemble at a late hour and engage in unusual, exciting and severe exercise throughout the entire night, is often too great a tax upon the physical system. To dress too thinly, and in a state of perspiration to be exposed, as ladies at the ball frequently are, to draughts of cold, is oftentimes to plant the seeds of a disease from which they never recover. Again, to come in contact, as ladies are liable to, more especially at the public ball, with disreputable men, is sometimes to form alliances that will make a lifetime of sorrow.' —Thomas E. Hill, Evils of the Ball, 1883

Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion." "It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently. "You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still... "Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him. Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.

Life is a great big beautiful three-ring circus. There are those on the floor making their lives among the heads of lions and hoops of fire, and those in the stands, complacent and wowed, their mouths stuffed with popcorn. I know less now than ever about life, but I do know its size. Life is enormous. Much grander than what we’ve taken for ourselves, so far. When the show is over and the tent is packed, the elephants, lions and dancing poodles are caged and mounted on trucks to caravan to the next town. The clown’s makeup has worn, and his bright, red smile has been washed down a sink. All that is left is another performance, another tent and set of lights. We rest in the knowledge: the show must go on. Somewhere, behind our stage curtain, a still, small voice asks why we haven’t yet taken up juggling. My seminars were like this. Only, instead of flipping shiny, black bowling balls or roaring chainsaws through the air, I juggled concepts. The world is intrinsically tied together. All things march through time at different intervals but move ahead in one fashion or another. Though we may never understand it, we are all part of something much larger than ourselves—something anchoring us to the spot we have mentally chosen. We sniff out the rules, through spiritual quests and the sciences. And with every new discovery, we grow more confused. Our inability to connect what seems illogical to unite and to defy logic in our understanding keeps us from enlightenment. The artists and insane tiptoe around such insights, but lack the compassion to hand-feed these concepts to a blind world. The interconnectedness of all things is not simply a pet phrase. It is a big “T” truth that the wise spend their lives attempting to grasp.

One more second and he would’ve hit you with the gun. And who knows what else. When I think about what could’ve happened . . .” He gripped her shoulders determinedly. “I should’ve told you this earlier, Jordan. Now that I’ve got my chance, you’re going to hear it whether you like it or not. You came into my life and messed the whole thing up and now I’m screwed. Because I’m in love with you. As in balls-out, head-over-heels, watching-Dancing-with-the-Stars -on-Monday-nights, wine-and-bubble-bath kind of love. Hell, I think I’d even wear a scarf indoors for you.” Jordan smiled, her eyes misty, as she touched his cheek. “That’s the best kind of love.

The alcohol danced down his throat like a contented snake on the way to a magic ball... The lights seemed suddenly brighter... He felt an immediate sense of danger... Electricity... Fear... Excitement... The glass left his lips he needed another. He needed ten, twenty, thirty more... He needed rivers, seas, oceans... He swore under his breath. Somewhere a woman laughed and a man shouted... He looked at the stage. Temptresses dancing... Strange Northern music.... Whores... laws... violence...

Do you hear the snow against the window-panes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, “Go to sleep, darlings, till the summer comes again.” And when they wake up in the summer, Kitty, they dress themselves all in green, and dance about—whenever the wind blows—oh, that’s very pretty!’ cried Alice, dropping the ball of worsted to clap her hands. ‘And I do so wish it was true! I’m sure the woods look sleepy in the autumn, when the leaves are getting brown.

Civilization was a dance, and the ancient Wyr were late to the ball. They donned masks and slipped with silent predatory grace into the ballroom. They watched with sharp eyes that glittered deep in the shadows behind their assumed facades, recording and learning the twist and rhythm of the dance, the social mores, when to bow and press their lips to the back of the hand, how to smile and say good evening, please and thank you and yes, I shall take more sugar with my tea. All the while they noted the pulse that fluttered at the base of the dancers' necks, the scents of sweat and the quickened breath.

Perhaps we can discuss this further during the dancing portion of the evening. You'll enjoy waltzing with me later this evening, Miss Eversea. I dance very well, despite the height.: "Your modesty is as appealing as your sensitivity, Lord Moncrieffe. But perhaps a reel other than the waltz? We differ so in height I shall be speaking to your third buttom throughout the dance. Else you will need to look a great distance down and I will need to look a great distance up. I shouldn't like you to end the evening with an aching neck." Inevitable at your creaky, advanced age, she left eloquently, palpably unspoken. He looked down at her for a moment, head slightly cocked, as if he could hear that unworthy thought echoing in her mind. “My third button is so often a wallflower during balls I doubt it will mind your conversation overmuch.” She blinked. This was so delightfully ... silly... she forgot herself absolutely for a moment. She stole a glance at his third button. It was nacre, of course, as were the rest of them, and looked like an expensive and luminous tiny moon brought down from the sky specifically to button up the duke. A row of snobs, those buttons, all of them. Lovely gown, it might say to her. But can you trace your ancestry back to the Conqueror?

I am a star at rest, my daughter,” answered Ramandu. “When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when I have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth’s eastern rim) and once more tread the great dance.” “In our world,” said Eustace, “a star is a huge ball of flaming gas.” “Even in your world, my son, that is not what a star is but only what it is made of. And in

At high school I was never comfortable for a minute. I did not know about Lonnie. Before an exam, she got icy hands and palpitations, but I was close to despair at all times. When I was asked a question in class, any simple little question at all, my voice was apt to come out squeaky, or else hoarse and trembling. When I had to go to the blackboard I was sure—even at a time of the month when this could not be true—that I had blood on my skirt. My hands became slippery with sweat when they were required to work the blackboard compass. I could not hit the ball in volleyball; being called upon to perform an action in front of others made all my reflexes come undone. I hated Business Practice because you had to rule pages for an account book, using a straight pen, and when the teacher looked over my shoulder all the delicate lines wobbled and ran together. I hated Science; we perched on stools under harsh lights behind tables of unfamiliar, fragile equipment, and were taught by the principal of the school, a man with a cold, self-relishing voice—he read the Scriptures every morning—and a great talent for inflicting humiliation. I hated English because the boys played bingo at the back of the room while the teacher, a stout, gentle girl, slightly cross-eyed, read Wordsworth at the front. She threatened them, she begged them, her face red and her voice as unreliable as mine. They offered burlesqued apologies and when she started to read again they took up rapt postures, made swooning faces, crossed their eyes, flung their hands over their hearts. Sometimes she would burst into tears, there was no help for it, she had to run out into the hall. Then the boys made loud mooing noises; our hungry laughter—oh, mine too—pursued her. There was a carnival atmosphere of brutality in the room at such times, scaring weak and suspect people like me.

Like a lot of gym teachers, Coach Babcock loved to torture his students. He felt he had failed as a teacher if his students didn't cry out for mercy. He often bragged that he held the school district's record for causing the most hysterical breakdowns in one afternoon. He used such classic forms of torture as weight training, wrestling, long-distance running, rope climing, wind spirits, chin-ups, and the occasional game of wet dodgeball (the wet ball was superloud when it hit a kid, and it left a huge red welt). But his favorite device of torment was so horrible, so truly evil, that it would drive most children to the brink of madness. It was the square dance. For six weeks of the school year, his students suffered through the Star Promenade, the Slip the Clutch, and the Ferris Wheel. As Babcock saw it, square dancing was the most embarrassing and uncomfortable form of dancing ever created, and a perfect way to prepare his students for the crushing heartbreak of life. Square dancing was a metaphor for like- you got swung around and just when you thought you were free, you got dragged back into the dance. He really thought he was doing the kids a favor.

The night of heady sensuality seemed to have been part of some prolonged erotic dream. She could hardly believe the things that she had allowed Sebastian to do, the intimacies that she had never imagined were possible. And in the drowsy aftermath of their passion, he had cradled her against his chest and they had talked for what seemed to be hours. She had even told him the story of the night when she and Annabelle and the Bowman sisters had become friends, sitting in a row of chairs at a ball. “We made up a list of potential suitors and wrote it on our empty dance cards,” Evie had told him. “Lord Westcliff was at the top of the list, of course. But you were at the bottom, because you were obviously not the marrying kind.” Sebastian had laughed huskily, tangling his bare legs intimately with hers. “I was waiting for you to ask me.” “You never spared me a glance,” Evie had replied wryly. “You weren’t the sort of man to dance with wallflowers.” Sebastian had smoothed her hair, and was silent for a moment. “No, I wasn’t,” he had admitted. “I was a fool not to have noticed you. If I had bothered to spend just five minutes in your company, you’d never have escaped me.

But there she was, standing next to his mother, so beautiful, so radiant that he could not see anyone else. Suddenly the rest of the world seemed like such a chore. He didn’t want to be here at this dance, with people he didn’t want to talk to and messages he didn’t particularly wish to deliver. He didn’t want to dance with young ladies he didn’t know, and he didn’t want to make polite conversation with people he did. He just wanted Billie, and he wanted her all to himself. He forgot about Tallywhite. He forgot about pease, porridge, and pudding, and he stalked across the room with such single-minded purpose that the crowds seemed to melt from his path. And somehow, amazingly, the rest of the world had not yet noticed her. She was so beautiful, so uncommonly alive and real in this room full of waxen dolls. She would not go undiscovered for long. But not yet. Soon he would have to fight the throngs of eager young gentlemen, but for now, she was still his alone.

He watched the newly arrived commuters as they stepped into the carriage, pushed their way down the tube, the odours from their damp clothes mingling, giving off varying degrees of mustiness: London grime, or smoke from airless offices. A woman wearing a blue swing coat glanced along the carriage, casting around for an empty seat. Her pale skin, the searching green eyes, reminded him of Emma. Briefly, he felt his breath catch; he stood, clambered back over his neighbour and indicated for her to take his seat. And so his mind stayed with Emma when he knew he should be working out a strategy for telling Dorothy of his news. But Emma was never far away; like the glitter balls in dance halls, she would slowly rotate in his memory, different facets reappearing, as the hues changed in her auburn hair.

A gentle warmth spread through my body and I felt a strange tingling in my veins. Feeling turned to thought, but my character seemed split into a thousand parts; each part was independent and had its own consciousness, and in vain did the head command e limbs, which, like faithless vassals, would not obey its author The thoughts in these separate parts now started to revolve like points of light, faster and faster, forming a fiery circle which became smaller as the speed increased, until it finally appeared like a stationary ball of fire, its burning rays shining from the flickering flames. “Those are my limbs dancing; I am waking up.” Such was my first clear thought, but a sudden pain shot through me at that moment and the chiming of bells sounded in my ears. “Flee! Flee!” I cried aloud. I could now open my eyes. The bells continued to ring. At first I thought I was still in the forest, and was amazed when I looked at myself and the objects around me. Dressed in the habit of a Capuchin, I was lying stretched out on comfortable mattress in a lofty room; the only other items of furniture were a few cane-chairs, a small table and a simple bed. I realized that my unconsciousness must have lasted some time and that in some way or other I had been brought to a monastery which offered hospitality to the sick; perhaps my clothes were torn and I had been given this habit for the time being.

Your hair grows by itself, your heart beats by itself, and your breath happens pretty much by itself. Your glands secrete the essences by themselves and you do not have voluntary control over these things, and so we say they happen spontaneously. So, when you go to bed and try to go to sleep you interfere with the spontaneous process of going to sleep. If you try to breathe real hard you will find you get balled-up in your breathing. So if you are to be human, you just have to trust yourself to go to sleep, to digest your food, and to have bowel movements. Of course if something goes seriously wrong and you need a surgeon that is another matter, but by and large the healthy human being does not from the start of life need surgical interference. One lets it happen by itself, and so with the whole picture that is fundamental to it. You have to let go and let it happen, because if you don’t then you are constantly going to be trying to do what happens easily only if you do not try. When you think a bit about what people really want to do with their time, and you ask what they do when they are not being pushed around or somebody is telling them what to do, you find they like to make rhythms. They listen to music and they dance or they sing, or perhaps they do something of a rhythmic nature like playing cards, bowling, or raising their elbows. Given the chance, everybody wants to spend their time swinging.

A look passed between Recevo and Karras. They could hear the rest of them crowded outside the door. Karras cradled the Thompson gun, pressed the butt tight against his ribs. "Well," he whispered. "Come on if you're gonna come." They charged into the room. Karras saw white fire as he heard the reports, heard Joey's gun explode, saw one man fall, heard Joey scream, watched Joey's fedora tumble by as if it had been blown by a strong wind. Karras squeezed the trigger, saw men diving through the gunsmoke, the doorframe disintegrating in spark and dust. He fell back to the floor from a blunt shock that felt like a hammer blow to his chest. Karras winced, got himself up onto the balls of his feet. He leaned his face against the table, rested it there, caught his breath. He listened to the others move about the room. Swim, you Greek bastard. And he was over the table, landing on his feet as softly as if he had landed in water. And they were there, the Welshman and the others, moving toward him, emptying their guns at once, the sound deafening now and riding over their caterwauling screams and the bottomless scream coming from his own mouth. Karras went forward, humming as his finger locked down on the trigger, the Tommy gun dancing crazily in his arms, the gunmen falling before him through the smoke and ejecting shells and the white gulls gliding against the perfect blue sky. Red flowers bloomed on the chests of the men who had come to take Peter Karras to the place where he was always meant to be.

Do those of you in like Chicago or NYC ever notice how commuters on the train tend to get all quiet and intense when South Side or South Bronx starts to flow past? If you look closely at the faces, you see it’s not depression, not even discomfort; it’s a kind of rigid fascination with the beauty of ruins in which people live but look or love nothing like you, a horizonful of numbly complex vistas in slab-gray and spraypaint-red. Hieroglyphs on walls, people on stoops, hoops w/o nets. White people have always loved to gaze at the ‘real black world,’ preferably at a distance and while moving briskly through, toward business. A view from this remove yields easy abstractions about rap in its role as just the latest ‘black’ music. Like: the less real power a people have, the more they’ll assert hegemony in areas that don’t much matter in any grand scheme. A way to rule in hell: their own vocabulary, syntax, gestures, music, dance; own food; religious rhetoric; social and party customs; that…well-known athletic superiority—the foot-speed, vertical leap—we like them in fields, cotton- or ball-. It’s a Hell we like to look at because it has so clearly been made someone else’s very own….And the exported popular arts! The singing and dancing!…each innovation, new Scene, and genius born of a ‘suffering’ we somehow long to imagine, even as we co-opt, overpay, homogenize, make the best of that suffering song go to stud for our own pale performers.

Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.

I played the last Born This Way ball here in Montreal. I was so badly injured, and I had been injured for like, a few shows. And I didn’t want anybody to know, because I didn’t want to disappoint fans, and I didn’t want to cancel. I remember, I was dancing on the stage - Sheisse - with a big castle behind me, and I was in some kinda fuckin’ pain, I’ll tell you. But you just kept cheering, all of you kept cheering for me. And I never told any of you what was wrong, I never said anything. But when I was saying goodbye, some fans that I picked out of the pit, backstage.. These two girls looked at me, and I’ll never forget it. They passed me a McQueen cane with a skull on it. And they looked right at me, and I knew that they knew I needed the cane to walk. I don’t know how they knew, or why they brought it, but it was one of the most special moments of my life, I’ll never forget it. That you could feel what I was thinking, like we’re one. We are friends. I made a decision on that day, and I thought I had made it long ago.. that I would never let you down again, and I would always put my fans first. The music, the magic of this music and these concerts, I hope that you remember them forever. You pretty girls putting flowers in each others hair… And you sweet boys, painting your faces like the sad clown that I was when I no longer heard your applause. How you whisper to each others ears, and you whisper, its okay. I was born this way. I will never forget these moments. you’re my little gypsy kingdom, and I love you.

To have a goddess like you in his arms and not appreciate it…” He kissed her, unable to resist the lush, succulent mouth so close to his. He put everything he felt into it, so he could wipe out any hurt the Neds of the world had given her. When he broke away, realizing he was treading dangerous ground, she said hoarsely, “You weren’t always so…appreciative. When I said that men enjoyed my company, you said you found that hard to believe.” “What?” he retorted with a scowl. “I never said any such thing.” “Yes, you did, the day that I asked you to investigate my suitors. I remember it clearly.” “There’s no way in hell I ever…” The conversation came back to him suddenly, and he shook his head. “You’re remembering only part, sweeting. You said that men enjoyed your company and considered you easy to talk to. It was the last part I found hard to believe.” “Oh.” She eyed him askance. “Why? You never seem to have trouble talking to me. Or rather, lecturing me.” “It’s either lecture you or stop up your mouth with kisses,” he said dryly. “Talking to you isn’t easy, because every time I’m near you I burn to carry you off to some secluded spot and do any number of wicked things with you.” She blinked, then gazed at him with such softness that at made his chest hurt. “Then why don’t you?” “Because you’re a marquess’s daughter and my employer’s sister.” “What does that signify? You’re an assistant magistrate and a famous Bow Street Runner-“ “And the bastard of nobody knows whom.” “Which merely makes you a fitting companion for a hellion with a reputation for recklessness.” The word companion resonated in his brain. What did she mean by it? Then she pressed a kiss to his jaw, eroding his resistance and his reason, and he knew precisely what she meant. He tried to set her off of him before he lost his mind entirely, but she looped her arms about his neck and wouldn’t let go. “Show me.” “Show you what?” “All the wicked things you want to do with me.” Desire bolted in a fever through his vein. “My God, Celia-“ “I won’t believe a word you’ve said if you don’t.” Her gaze grew troubled. “I don’t think you know what you want. Yesterday you gave me such lovely kisses and caresses and then at the ball you acted like you’d never met me.” “You were with your suitors,” he said hoarsely. “You could have danced with me. You didn’t even ask me for one dance.” Having her on his lap was rousing him to a painful hardness. “Because I knew if I did, I would want…I would need…” She kissed a path down his throat, turning his blood to fire. “Show me,” she whispered, “Show me now what you want. What you need.” “I refuse to ruin you,” he said, half as a caution to himself. “You already have.

Stop! Stop!” Sophie shrieked with laughter as she ran down the stone steps that led to the garden behind Bridgerton House. After three children and seven years of marriage, Benedict could still make her smile, still make her laugh . . . and he still chased her around the house any chance he could get. “Where are the children?” she gasped, once he’d caught her at the base of the steps. “Francesca is watching them.” “And your mother?” He grinned. “I daresay Francesca is watching her, too.” “Anyone could stumble upon us out here,” she said, looking this way and that. His smile turned wicked. “Maybe,” he said, catching hold of her green-velvet skirt and reeling her in, “we should adjourn to the private terrace.” The words were oh-so-familiar, and it was only a second before she was transported back nine years to the masquerade ball. “The private terrace, you say?” she asked, amusement dancing in her eyes. “And how, pray tell, would you know of a private terrace?” His lips brushed against hers. “I have my ways,” he murmured. “And I,” she returned, smiling slyly, “have my secrets.” He drew back. “Oh? And will you share?” “We five,” she said with a nod, “are about to be six.” He looked at her face, then looked at her belly. “Are you sure?” “As sure as I was last time.” He took her hand and raised it to lips. “This one will be a girl.” “That’s what you said last time.” “I know, but—” “And the time before.” “All the more reason for the odds to favor me this time.” She shook her head. “I’m glad you’re not a gambler.” He smiled at that. “Let’s not tell anyone yet.” “I think a few people already suspect,” Sophie admitted. “I want to see how long it takes that Whistledown woman to figure it out,” Benedict said. “Are you serious?” “The blasted woman knew about Charles, and she knew about Alexander, and she knew about William.” Sophie smiled as she let him pull her into the shadows. “Do you realize that I have been mentioned in Whistledown two hundred and thirty-two times?” That stopped him cold. “You’ve been counting?” “Two hundred and thirty-three if you include the time after the masquerade.” “I can’t believe you’ve been counting.” She gave him a nonchalant shrug. “It’s exciting to be mentioned.” Benedict thought it was a bloody nuisance to be mentioned, but he wasn’t about to spoil her delight, so instead he just said, “At least she always writes nice things about you. If she didn’t, I might have to hunt her down and run her out of the country.” Sophie couldn’t help but smile. “Oh, please. I hardly think you could discover her identity when no one else in the ton has managed it.” He raised one arrogant brow. “That doesn’t sound like wifely devotion and confidence to me.” She pretended to examine her glove. “You needn’t expend the energy. She’s obviously very good at what she does.” “Well, she won’t know about Violet,” Benedict vowed. “At least not until it’s obvious to the world.” “Violet?” Sophie asked softly. “It’s time my mother had a grandchild named after her, don’t you think?” Sophie leaned against him, letting her cheek rest against the crisp linen of his shirt. “I think Violet is a lovely name,” she murmured, nestling deeper into the shelter of his arms. “I just hope it’s a girl. Because if it’s a boy, he’s never going to forgive us . . .

You can sit,” Maggot said in a small, shy voice. Mia did as she was bid, holding her throbbing hand to her chest. Maggot toddled across the room, fishing about in a series of chests. She returned with a handful of wooden splints and a ball of woven brown cotton. “Hold out your hand,” the girl commanded. Mia’s shadow swelled, Mister Kindly drinking her fear at the thought of what was to come. Maggot looked her digits over, stroking her chin. And gentle as falling leaves, she took hold of Mia’s smallest finger. “It won’t hurt,” she promised. “I’m very good at this.” “All riiiiiaaaaaaaaaaaaAAAGHH!” Mia howled as Maggot popped her finger back into place, quick as silver. She rose from the slab and bent double, clutching her hand. “That HURT!” she yelled. Maggot gave a solemn nod. “Yes.” “You promised it wouldn’t!” “And you believed me.” The girl smiled sweet as sugarfloss. “I told you, I’m very good at this.” She motioned to the slab again. “Sit back down.” Mia blinked back hot tears, hand throbbing in agony. But looking at her finger, she could see Maggot had worked it right, popping the dislocated joint back into place neat as could be. Breathing deep, she sat back down and dutifully proffered her hand. The little girl took hold of Mia’s ring finger, looked up at her with big, dark eyes. “I’m going to count three,” she said. “All riiiiiaaaaaaaaaaaaFUCK!” Mia roared as Maggot snapped the joint back into place. She rose and half-danced, half-hopped about the room, wounded hand between her legs. “Shit cock twat fucking fuckitall!” “You swear an awful lot,” Maggot frowned. “You said you were going to count three!” Maggot nodded sadly. “You believed me again, didn’t you?” Mia winced, teeth gritted, looking the girl up and down. “ . . . You are very good at this,” she realized. Maggot smiled, patted the bench. “Last one.” Sighing, Mia sat back down, hand shaking with pain as Maggot gently took hold of her middle finger. She looked at Mia solemnly. “Now this one is really going to hurt,” she warned. “Wa—” The Blade flinched as Maggot popped the finger back in. Mia blinked. “Ow?” she said. “All done,” Maggot smiled. “But that was the easiest of the lot?” Mia protested. “I know,” Maggot replied. “I’m—” “—very good at this,” they both finished. Maggot began splinting Mia’s fingers, binding them tight to limit their movement. The three circles branded into the little girl’s cheek weren’t so much of a mystery anymore . . .

Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.

You know, one time I saw Tiger down at the water hole: he had the biggest testicles of any animal, and the sharpest claws, and two front teeth as long as knives and as sharp as blades. And I said to him, Brother Tiger, you go for a swim, I’ll look after your balls for you. He was so proud of his balls. So he got into the water hole for a swim, and I put his balls on, and left him my own little spider balls. And then, you know what I did? I ran away, fast as my legs would take me “I didn’t stop till I got to the next town, And I saw Old Monkey there. You lookin’ mighty fine, Anansi, said Old Monkey. I said to him, You know what they all singin’ in the town over there? What are they singin’? he asks me. They singin’ the funniest song, I told him. Then I did a dance, and I sings, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “Old Monkey he laughs fit to bust, holding his side and shakin’, and stampin’, then he starts singin’ Tiger’s balls, I ate Tiger’s balls, snappin’ his fingers, spinnin’ around on his two feet. That’s a fine song, he says, I’m goin’ to sing it to all my friends. You do that, I tell him, and I head back to the water hole. “There’s Tiger, down by the water hole, walkin’ up and down, with his tail switchin’ and swishin’ and his ears and the fur on his neck up as far as they can go, and he’s snappin’ at every insect comes by with his huge old saber teeth, and his eyes flashin’ orange fire. He looks mean and scary and big, but danglin’ between his legs, there’s the littlest balls in the littlest blackest most wrinkledy ball-sack you ever did see. “Hey, Anansi, he says, when he sees me. You were supposed to be guarding my balls while I went swimming. But when I got out of the swimming hole, there was nothing on the side of the bank but these little black shriveled-up good-for-nothing spider balls I’m wearing. “I done my best, I tells him, but it was those monkeys, they come by and eat your balls all up, and when I tell them off, then they pulled off my own little balls. And I was so ashamed I ran away. “You a liar, Anansi, says Tiger. I’m going to eat your liver. But then he hears the monkeys coming from their town to the water hole. A dozen happy monkeys, boppin’ down the path, clickin’ their fingers and singin’ as loud as they could sing, Tiger’s balls, yeah, I ate Tiger’s balls Now ain’t nobody gonna stop me ever at all Nobody put me up against the big black wall ’Cos I ate that Tiger’s testimonials I ate Tiger’s balls. “And Tiger, he growls, and he roars and he’s off into the forest after them, and the monkeys screech and head for the highest trees. And I scratch my nice new big balls, and damn they felt good hangin’ between my skinny legs, and I walk on home. And even today, Tiger keeps chasin’ monkeys. So you all remember: just because you’re small, doesn’t mean you got no power.

I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.