Short Skirt Quotes

We've searched our database for all the quotes and captions related to Short Skirt. Here they are! All 100 of them:

A good speech should be like a woman's skirt; long enough to cover the subject and short enough to create interest.
Winston S. Churchill
If you wear a short enough skirt, the party will come to you.
Dorothy Parker
It's good to see you, little one." He (Uncle Eddie) scanned her short skirt. "I only wish I were not seeing quite so much of you.
Ally Carter (Heist Society (Heist Society, #1))
Remember Love doesn't make the world go round Sex makes it spin for a second or two If you're lucky So do chips, sausage rolls and girls in short skirts Remember Love Lays its fingers on your heart And holds it Under water Remember that When the next girl smiles
Cath Crowley (Graffiti Moon)
There were people thrice her size on the Trenton platform and she looked admiringly at one of them, a woman in a very short skirt. She thought nothing of slender legs shown off in miniskirts--it was safe and easy, after all, to display legs of which the world approved--but the fat woman's act was about the quiet conviction that one shared only with oneself, a sense of rightness that others failed to see.
Chimamanda Ngozi Adichie (Americanah)
I try to make my comments like a woman's skirt: long enough to be respectable and short enough to be interesting.
Adam Clayton Powell III
She wore a short skirt and a tight sweater and her figure described a set of parabolas that could cause cardiac arrest in a yak.
Woody Allen (Getting Even)
That is what I want to tell you about: the girls with their short skirts and bright eyes and big-city dreams. The girls of 1929.
Anna Godbersen (Bright Young Things (Bright Young Things, #1))
If the justification for controlling women's bodies were about women themselves, then it would be understandable. If, for example, the reason was 'women should not wear short skirts because they can get cancer if they do.' Instead the reason is not about women, but about men. Women must be 'covered up' to protect men. I find this deeply dehumanizing because it reduces women to mere props used to manage the appetites of men.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims. United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for? The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them. How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
I envisaged a perfect detective’s assistant. She’d have long, wavy blonde hair, a short skirt, and curves in all the right places. She’d have a genius IQ, know how to hack and code, and be available at all hours. Now, make her into a robot. Sadly, I mentally removed her body, leaving a phone app.
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
living with a teenage daughter is like living with the Taliban a mum is not allowed to laugh, sing, dance or wear short skirts
Kathy Lette
A good speech is like a woman's skirt: short enough to hold your attention, long enough to cover the subject
Jonathan Tropper (This is Where I Leave You)
The world is falling down around our ears, and all these people care for is talking about fucking to women in short skirts and men with their shirts hanging open
Stephen King (The Green Mile)
They were not asked to adhere to the same rules. If there were countless guidelines women had to follow; cover your drink, stick close to others, don't wear short skirts. Their behaviour was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many girls got hurt, shouldn't we hold guys to a higher standard instead of reprimanding the girl? Why was passing out considered more reprehensible than fingering the passed out person?
Chanel Miller (Know My Name)
She’s smokin’ hearts with a burnin’ flame She’s got a wild side without a name And when she’s riled it’s a cryin’ shame Yeah! Yeah! Yeah! I’ve got it bad Yeah! Yeah! Yeah! I’m going’ mad Cause in your head you’ve got it right Won’t go to bed without a fight You think you’re wise, you think it shows So show me wise without those clothes Isaac raised an eyebrow at me, but I couldn’t even shrug. I was frozen. My heart had stopped. Everything had stopped. She’s playin’ hardball and it’s nothin’ new Short skirts so enjoy the view She’s a coldblooded tease baby through and through Yeah! Yeah! Yeah! I’ve got it bad Yeah! Yeah! Yeah! I’m goin’ mad Cause in your head you’ve got it right Won’t go to bed without a fight You think you’re wise you think it shows So show me wise without those clothes Come on Legs don’t go to waste I could be your only savin’ grace” “Put those morals on the back burner Something tells me you’re a fast fast learner As I listened to the chorus taunt me over and over again until the song came to a climatic end, I somehow remembered to breathe.
Kelly Oram (V is for Virgin (V is for Virgin, #1))
This is the best thing to wear for today, you understand. Because I don't like women in skirts and the best thing is to wear pantyhose or some pants under a short skirt, I think. Then you have the pants under the skirt and then you can pull the stockings up over the pants underneath the skirt. And you can always take off the skirt and use it as a cape. So I think this is the best costume for today.
Edith Bouvier Beale
Excellent." As soon as Bergman left earshot Vayl said, "I am going to buy you some pom-poms and a short pleated skirt-" Hey, if Bergman needs a cheerleard, that's what he's getting." Vayl tipped his head to one side and smiled wickedly. "I was just thinking perhaps I need a cheerleader as well." Cassandra got up. "If that's where this conversation is headed, I'm leaving." She wants some pom-poms too," I told Vayl. I do not!
Jennifer Rardin (Another One Bites the Dust (Jaz Parks, #2))
LINA's RULES OF SCOOTER RIDING: 1. Never ride a scooter sopping wet. 2. Never ride a scooter wearing a short skirt. 3. Try to pay attention to the light signals. Otherwise, every time the driver accelerates you'll smash into him and you'll have this awkward untangling moment and then you'll worry he's thinking you're doing it on purpose. 4. If by chance you aren't abiding by rule number two, be sure to avoid eye contact with male drivers. Otherwise they'll honk enthusiastically every time your skirt flies up.
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
A rap at the back door made her jump, and she peered through the window for a long time before she eased open the door a crack. She left the security chain on. 'What do you want, Richard?' Richard Morrell's police cruiser was parked in the drive. He hadn't flashed any lights or howled any sirens, so she supposed it wasn't an emergency, exactly. But she knew him well enough to know he didn't pay social visits, at least not to the Glass House. 'Good question,' Richard said. 'I guess I want a nice girl who can cook, likes action movies, and looks good in short skirts. But I'll settle for you taking the chain off the door and letting me in.
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
-and nobody’s getting laid!” I practically shouted. “You think I don’t know that?” He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn’t my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn’t even bother trying.
Karen Marie Moning (Faefever (Fever, #3))
Halt?" he said diffidently. He heard a deep sigh from the short, slightly built man riding beside him. Mentally he kicked himself. I thought you must be coming down with some illness for a moment there," Halt said straight faced. "It must be two or three minutes since you've asked a question." Commited now, Horace continued. One of those girls," he began, and immediately felt the Ranger's eyes on him. "She was wearing a very short skirt." There was the slightest pause. Yes?" Halt prompted, not sure where this conversation was leading. Horace shrugged uncomfortably. The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again. Well," he said uncertainly, "I just wondered if that was normal over, that's all." Halt considered the serious young face beside him. He cleared his throat several times. I believe that sometimes Gallican girls take jobs as couriers. he said. Couriers. They carry messages from one person to another. Or from one buisness to another, in towns and cities." Halt checked to see if Horace seemed to believe him so far. There seemed no reason to think otherwise, so he added: "Urgent messages." Urgent messages," Horace replied, still not seeing the connection. But he seemed inclined to believe what Halt was saying, so the older man continued. And I suppose for a really urgent message, one would have to run." Now he saw a glimmer of understanding in the boy's eyes. Horace nodded several times as he made the connection. So, the short skirts...they'd be to help them run more easily?" he suggested. Halt nodded in his turn. It would be more sensible for of dress than long skirts, if you wanted to do a lot of runnig." He shot a quick look at Horace to see if his gentle teasing was not being turned back on himself-to see if, in fact, the boy realized Halt was talking nosense and was simply leading him on. Horace's face, however, was open and believing. I suppose so," Horace replied finally, then added in a softer voice, "They certainly look a lot better that way too.
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
Why is it when I’m the one shot, I’m a baby, but when it’s you, it’s a matter of life and death and national security? (Joe) Because I’m cuter in a short skirt. (Tee)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
Who would have thought, Mr. Jiabao, that of this whole family, the lady with the short skirt would be the one with a conscience?
Aravind Adiga (The White Tiger)
He grabs the swing by the seat and it grinds to a halt. Oz’s fingers brush along the skin of my thigh. My heart stutters. Stupid heart. Stupid short skirt. Stupid deep blue eyes and wild charcoal hair. Stupid, stupid, stupid me for licking my suddenly dry lips.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
dress suitably in short skirts & strong boots, leave your jewels in the bank, and buy a revolver.
countess markievicz
She's trollin' for a breadwinner and uses a short skirt for bait.
Sharon Gillenwater (Jenna's Cowboy (The Callahans of Texas, #1))
The world had taught me to dress up my trauma in short skirts and secret bathroom crying, to protect the fragility of boys at all costs
Mary Lambert (Shame Is an Ocean I Swim Across: Poems by Mary Lambert)
(...)"Flapper"— the notorious character type who bobbed her hair, smoked cigarettes, drank gin, sported short skirts, and passed her evenings in steamy jazz clubs, where she danced in a shockingly immodest fashion with a revolving cast of male suitors.
Joshua Zeitz (Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern)
Grandma Mazur stood two feet back from my mother. "I gotta get me a pair if those," she said, eyeballing my shorts. "I've still got pretty good legs, you know." She raised her skirt and looked down at her knees. "What do you think? You think I'd look good in them biker things?" Grandma Mazur had knees like doorknobs.
Janet Evanovich (One for the Money (Stephanie Plum, #1))
Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.
Libba Bray (Beauty Queens)
She could have braked. She could have not worn such a short skirt. She could have not gone up to his room. She could have not laughed at him and made him feel small. There is a blitheness to the statement, a maleness to it that sets me straight.
Jessica Knoll (The Favorite Sister)
Have you not realised how fragile and brutal the ego is? It will always choose what it perceives as in its best interest for the cheapest price. It may be as blatant as short skirts and lies. It may be more sophisticated and hidden behind ‘kind’ words. But it all comes from the same place of either using people to get what we want or trying to eliminate people who get in our way.
Donna Goddard (Together (Waldmeer, #2))
Never, ever link Chizalum’s appearance with morality. Never tell her that a short skirt is “immoral.” Make dressing a question of taste and attractiveness instead of a question of morality. If you clash over what she wants to wear, never say things like “You look like a prostitute,” as I know your mother once told you. Instead, say, “That dress doesn’t flatter you like this other one.” Or doesn’t fit as well. Or doesn’t look as attractive. Or is simply ugly. But never “immoral.” Because clothes have absolutely nothing to do with morality. Try
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
Before I found Minerva, I'd passed nights with more than my share of women." Thorne groaned. Don't. Just don't. "I've passed time with duchesses and farm girls, and it doesn't matter whether their skirts are silk or homespun. Once you get them bare--" Thorne drew up short. "If you start in on rivers of silk and alabaster orbs, I will have to hit you.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
Dress suitably in short skirts and strong boots, leave your jewels in the bank and buy a revolver.
Constance Markievicz
Parents always think they have to talk to their daughters about guys. We shouldn’t wear short skirts and shouldn’t go out alone and shouldn’t get drunk and shouldn’t let guys like us too much. But you don’t have to talk to us about guys because we already know all that, for fuck’s sake, because we’re the ones they rape!! Talk to your damn sons instead!!! Teach them to talk to one another and teach them to stop one another. Raise just one fucking boy somewhere who can become a head teacher who understands that when boys pull girls by the hair, it’s the fucking boys there’s something wrong with. Tell your sons that if they have to THINK about whether or not they’ve had sex with a girl who didn’t want it, then they HAVE!!! If you can’t understand if the girl you’re having sex with wants it or not, then you’ve never had fucking sex with a girl who wants it. Stop telling your daughters. We already know it all.
Fredrik Backman (The Winners (Beartown, #3))
The suspense is killin’ me, Pigeon!” Travis called. I walked out, fidgeting with my dress while Travis stood in front of me, blank-faced. America elbowed him and he blinked. “Holy shit.” “Are you ready to be freaked out?” America asked. “I’m not freaked out, she looks amazing,” Travis said. I smiled and then slowly turned around to show him the steep dip of the fabric in the back of the dress. “Okay, now I’m freakin’ out,” he said, walking over to me “Okay, now I’m freakin’ out,” he said, walking over to me and turning me around. “You don’t like it?” I asked. “You need a jacket.” He jogged to the rack and then hastily draped my coat over my shoulders. “She can’t wear that all night, Trav,” America chuckled. “You look beautiful, Abby,” Shepley said as an apology for Travis’ behavior. Travis’ expression was pained as he spoke. “You do. You look incredible…but you can’t wear that. Your skirt is…wow, your legs are…your skirt is too short and it’s only half a dress! It doesn’t even have a back on it!” I couldn’t help but smile. “That’s the way it’s made, Travis.” “Do you two live to torture each other?” Shepley frowned. “Do you have a longer dress?” Travis asked. I looked down. “It’s actually pretty modest in the front. It’s just the back that shows off a lot of skin.” “Pigeon,” he winced with his next words, “I don’t want you to be mad, but I can’t take you to my frat house looking like that. I’ll get in a fight the first five minutes we’re there, Baby.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Don't you think it's possible that this could be good? That maybe this won't lead to disaster after all? What if we find out that we fit together, like your grandparents and their hands? What if you, with your sweetness and your too-soft heart, those pretty eyes and very short skirts, are exactly what I've been looking for?
Ashley Woodfolk (Blackout)
- If a woman wears short skirt in the company of man it means "I want to fuck", if she talks with a man when she wears short skirt it means "I want to fuck just you". - And if I have no clothes now? - It means that I'm gonna fuck you right now!
Bryanna Reid (Ветви Дуба)
Your graciousness is what carries you. It isn't how old you are, how beautiful you are, or how short your skirt is. What it is, is what comes out of your heart. If you are gracious, you have won the game.
Stevie Nicks
but she was wearing a short skirt.” it doesn’t matter. “but she never screamed for help.” it doesn’t matter. “but she had a lot to drink.” it doesn’t matter. “but she waited so long to tell.” it doesn’t matter. “but she consented to it before.” it doesn’t matter. “but they were hopelessly in love.” it doesn’t matter. —believe her, no matter what.
Amanda Lovelace (Flower Crowns and Fearsome Things)
Look at that skirt," my mother said when she opened the door to me. "It's no wonder we have so much crime today what with these short skirts. How can you sit in a skirt like that? Everyone can see everything." "It's two inches above my knee. It’s not that short.
Janet Evanovich (Two for the Dough (Stephanie Plum, #2))
But Brad…” My eyes widen with shock as he sheds his leather… (skirt? shorts? No, that’s not right. Tunic! Tunic is good. Manly but still Greek.) …his leather tunic. “What about Angelina?” “That unsightly hag? She’s dead to me.
Melanie Harlow (Floored (Frenched, #3))
As I sat down to my book at last, my old dream about Lena coming across the harvest-field in her short skirt seemed to me like the memory of an actual experience. It floated before me on the page like a picture, and underneath it stood the mournful line: ‘Optima dies ... prima fugit.
Willa Cather (My Ántonia)
Oh God, you’re one of those pimps that takes girls off the streets and gets them addicted to drugs and turns them into prostitutes, aren’t you?!” My future suddenly maps out in front of me. I can see myself all greasy hair, short skirts and ripped tights, getting into stranger’s cars.
Samantha Towle (First Bitten (Alexandra Jones, #1))
What a Crazy Woman Thinks About While Walking Down the Street She tries to walk not too fast and not too slow. She doesn’t want to attract any attention. She pretends she doesn’t hear the whistles and catcalls and lewd comments. Sometimes she forgets and leaves her house in a skirt or a tank top because it’s a warm day and she wants to feel warm air on her bare skin. Before long, she remembers. She keeps her keys in her hand, three of them held between her fingers, like a dull claw. She makes eye contact only when necessary and if a man should catch her eye, she juts her chin forward, makes sure the line of her jaw is strong. When she leaves work or the bar late, she calls a car service and when the car pulls up to her building, she quickly scans the street to make sure it’s safe to walk the short distance from the curb to the door. She once told a boyfriend about these considerations and he said, “You are completely out of your mind.” She told a new friend at work and she said, “Honey, you’re not crazy. You’re a woman.
Roxane Gay (Difficult Women)
These guys are fakes. All they've got on their minds is impressing the new girls with the big words they're so proud of, while sticking their hanse up their skirts. And when they graduate,they cut their hair short and march off to work for Mitsubishi or IBM or Fuji Bank. They marry pretty wives who've never read Marx and have kids they give fancy names to that are enough to make you puke. Smash what educational-industrial complex? Don't make me laugh!
Haruki Murakami (Norwegian Wood)
LINA"S RULES FOR SCOOTER RIDING: 1.Never ride a scooter sopping wet. 2. Never ride a scooter wearing a short skirt. 3. Try to pay attention to light signals. Otherwise, every time the driver accelerates you'll smash into him and you'll have this awkward untangling moment and then you'll worry he 's thinking you're doing it on purpose.
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
a sermon was meant to be like a woman’s skirt, long enough to cover the essentials and short enough to keep one interested!
Ashwin Sanghi (Rozabal Line: Book 1 in the Bharat Series of Historical and Mythological Thrillers)
Summer sticks to her skirt sumptuously, in the shiny gray fabric hanging loosely from her curves. Her chestnut eyes, apparently hidden from strangers; her simple but graceful face, unpainted by Madison Avenue; and her straight black hair, parted down the middle without ego, all suggest a minimalist - almost pastoral - beauty that is oddly discordant with her fashionable attire, comfortable indifference to the crowds, and quasi-attentive perusal of the Time magazine unfolded over her hand.
Zack Love (City Solipsism)
Youth leaders, are you holding aloft our standards, or have you compromised them for the lowest common denominator in order to appease the deceived or vile within the Church? Are the dances and music in your cultural halls virtuous, lovely, praiseworthy, and of good report (Articles of Faith 13), or do they represent a modern Sodom with short skirts, loud beat, strobe lights, and darkness?
Ezra Taft Benson (The Teachings of Ezra Taft Benson)
They decide as soon as they meet you. Ten seconds in. If you’re poor. If you’re brown. If you’re black. If you’ve got an accent. If your skirt’s too short. If your nose is ugly—sorry, Cherie. If you’re chewing gum. If you’re breathing funny. If nobody from your family is there. If you’re any of that? Or all of that? Have a nice life, because you’re out of there.
Nova Ren Suma (The Walls Around Us)
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
Charlotte, dressed in a very short-skirted policewoman's outfit, was leading a dancing brigade, jumping around at the front of the room, her long red hair flapping up and down like a matador's cape. She was head girl, and she would shows us how to party if she had to. I wasn't really sure why Charlotte had decided to come to the party as a stripper. I found myself at a loss for words as she complimented us on our costumes. "You're a..." I tried to find the right thing to say. "Really...hot cop?" "I'm Amy Pond," she said. "From Doctor Who. This is her kissogram outfit.
Maureen Johnson (The Name of the Star (Shades of London, #1))
So I go upstairs and put on my gray school skirt that is too small, and put my old PE shorts on over my tights so you can’t see anything, and then I attempt to sort out my hair but oh, guess what, I don’t care about that either, and then I go to put some makeup on but no, wait, I also do not care what my face looks like, so I go back downstairs and pick up my school bag and leave the house with Charlie, basking in the light and glory that comes with not giving a damn about anything in the entire universe.
Alice Oseman (Solitaire)
The old expression goes, a good speech is like a woman’s skirt: short enough to hold your attention, long enough to cover the subject.
Jonathan Tropper (This is Where I Leave You)
A good speech should be a like a woman’s skirt: long enough to cover the subject and short enough to create interest. —WINSTON CHURCHILL
Bill McGowan (Pitch Perfect: How to Say It Right the First Time, Every Time (How to Say It Right the First Time, Every Time Hardcover))
Those skirts are crunchy toast! Santana Lopez bent over in hers the other day, and I swear I could see her ovaries.
Ryan Murphy, Brad Falchuk, and Ian Brennan
Some women wear a miniskirt to reveal their thighs; some wear one to conceal their age.
Mokokoma Mokhonoana
I’m not saying you did anything,” said Sandow mildly. “I’m just saying by dint of what you are, you may have brought this on.” Dawes crossed her arms. “That sounds a lot like She was asking for it, Dean Sandow.” Alex couldn’t quite believe what she was hearing. Pamela Dawes disagreeing with Dean Sandow. On her behalf. Sandow set his mug down with a clatter. “That’s certainly not what I meant to imply.” “But that is the implication,” said Dawes in a voice Alex had never heard her use before, clear and incisive. Her eyes were cold. “Alex has indicated her own concerns regarding her assault, and instead of hearing her out, you’ve chosen to question her credibility. You may not have meant to imply anything, but the intent and the effect were to silence her, so it’s hard not to think this stinks of victim blaming. It’s the semantic equivalent of saying her skirt was too short.
Leigh Bardugo (Ninth House (Alex Stern, #1))
You were wearing a skirt nearly as short as this. Were you hoping he’d finger you right in front of me?” Embarrassment and desire twine through me. “Maybe.” My breath catches in my throat as his hand shift higher, his rough palm against my bare skin. I swallow hard. “Maybe I was hoping you’d do it.
Katee Robert (Your Dad Will Do (A Touch of Taboo, #1))
To cut a long story short, coaching by Charlotte and Mr. Giordano was even worse than I’d expected. That was mainly because they were trying to teach me everything at the same time. While I was struggling to learn the steps of the minuet (rigged out in a hooped skirt with cherry-red stripes, not very chic worn with my school uniform blouse, which was the color of mashed potato), I was also supposed to be learning how greatly the political opinions of the Whigs and the Tories differed, how to hold a fan, and the difference between “Your Highness,” “Your Royal Highness,” “Your Serene Highness,” and even “Your Illustrious Highness.” After only an hour plus seventeen different ways of opening a fan, I had a splitting headache, and I couldn’t tell left from right. My attempt to lighten the atmosphere with a little joke—“Couldn’t we stop for a rest? I’m totally, serenely, illustriously exhausted”—went down like a lead balloon. “This is not funny,” said Giordano in nasal tones. “Stupid girl.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
Marley, let’s get one thing straight. I've seen you in a short skirt. I've seen your bare legs and have imagined them wrapped around me. I've felt the curves of your body with my hands and the way it responds to me. I've tasted the sweetness of your mouth. There is nothing you can do to erase those images from my mind. So understand this, you could wear a Middle-eastern Burka and it wouldn't help me right now.
M.K. Schiller (The Other C-Word (In Other Words, #1))
George moved from one group of people he didn’t know to another, trying to get out of the draught. The girls didn’t seem to notice it. They were Sydney girls, with short skirts and long, bare arms. Recently, George had gone to an opening at a gallery in the company of a visiting lecturer from Berlin. The artist was fashionable, and the gallery’s three rooms were packed. Over dinner, the German woman expressed mild astonishment at the number of sex workers who had attended the opening. ‘Is this typical in Australia?’ she asked. George had to explain that she had misunderstood the significance of shouty make-up, tiny, shiny dresses and jewels so large they looked fake.
Michelle de Kretser (The Life to Come)
I find the whole concept of being 'sexy' embarrasing and confusing. If it do an interview with photographs people desperately want to change me - dye my hair blonder, pluck my eyebrows, give me a fringe. Then there's the choice of clothes. I know everyone wants a picture of me in a mini-skirt. But that's not me. I feel uncomfortable. I'd never go out in a mini-skirt. It's nothing to do with protecting the Hermione image. I wouldn't do that. Personally, I don't actually think it's even that sexy. What's sexy about saying, 'I'm here with my boobs out and a short skirt, have a look at everything I've got?' My idea of sexy is that less is more. The less you reveal the more people can wonder.
Emma Watson
Now in my eleven years of conventional life I had learned many things and one of them is what it means to be convicted of rape--I do not mean the man who did it, I mean the woman to whom it was done. Rape is one of the Christian mysteries, it creates a luminous and beautiful tableau in people's minds; and as I listened furtively to what nobody would allow me to hear straight out, I slowly came to understand that I was face to face with one of those feminine disasters, like pregnancy, like disease, like weakness; she was not only the victim of the act but in some strange way its perpetrator; somehow she had attracted the lightening that struck her out of a clear sky. A diabolical chance--which was not chance--had revealed her to all of us as she truly was, in her secret inadequacy, in that wretched guiltiness which she had kept hidden for seventeen years but which now finally manifested in front of everybody. Her secret guilt was this: She was Cunt. She had "lost" something. Now the other party to the incident had manifested his essential nature, too; he was Prick--but being Prick is not a bad thing. In fact, he had "gotten away with" something (possibly what she had "lost"). And there I was at eleven years of age: She was out late at night. She was in the wrong part of town. Her skirt was too short and that provoked him. She liked having her eye blacked and her head banged against the sidewalk. I understood this perfectly. (I reflected thus in my dream, in my state of being a pair of eyes in a small wooden box stuck forever on a grey, geometric plane--or so I thought.) I too had been guilty of what had been done to me, when I came home from the playground in tears because I had been beaten up by bigger children who were bullies. I was dirty. I was crying. I demanded comfort. I was being inconvenient. I did not disappear into thin air.
Joanna Russ (The Female Man)
Mrs Loudon was even more successful than her husband thanks to a single work, Practical Instructions in Gardening for Ladies, published in 1841, which proved to be magnificently timely. It was the first book of any type ever to encourage women of elevated classes to get their hands dirty and even to take on a faint glow of perspiration. This was novel almost to the point of eroticism. Gardening for Ladies bravely insisted that women could manage gardening independent of male supervision if they simply observed a few sensible precautions – working steadily but not too vigorously, using only light tools, never standing on damp ground because of the unhealthful emanations that would rise up through their skirts.
Bill Bryson (At Home: A Short History of Private Life)
... those females least embedded in male “culture,” the least nice, those crass and simple souls who reduce fucking to fucking, who are too childish for the grown-up world of suburbs, mortgages, mops and baby shit, too selfish to raise kids and husbands, too uncivilized to give a shit for anyone’s opinion of them, too arrogant to respect Daddy, […] in short, those who, by the standards of our “culture” are SCUM … these females are cool and relatively cerebral and skirting asexuality.
Valerie Solanas (SCUM Manifesto)
You stand there all tan and glowing and wonder why I use Voice on you?” he bellowed. “Where the hell do you get off? You’ve been with V’lane again. How many slaps in the face do you think I’m going to take, Ms. Lane?” He grabbed my fist and held it when I tried to punch him again. I swung at him with the other. He caught that, too. “I warned you not to play us against each other.” “I’m not playing you! I’m trying to survive. And I don’t slap you when I go off with V’lane!” I tried to yank my fists from his hands. “It doesn’t have anything to do with you. I’m trying to get answers, and since you won’t give me any, you can’t blame me for going somewhere else.” “So, the man who doesn’t get laid at home has the right to go off and cheat?” “Huh?” “Which word didn’t you understand?” he sneered. “You’re the one who’s crippled by illogic. This isn’t home, it never will be, and nobody’s getting laid!” I practically shouted. “You think I don’t know that?” He shifted his body beneath me, making me painfully aware of something. Two somethings, in fact, one of which was how far up my short skirt was. The other wasn’t my problem. I wriggled, to shimmy my hem down, but his expression perished the thought. When Barrons looks at me like that, it rattles me. Lust, in those ancient, obsidian eyes, offers no trace of humanity. Doesn’t even bother trying. Savage Mac wants to invite it to come out and play. I think she’s nuts. Nuts, I tell you. “Let go of my hands.” “Make me,” he taunted. “Voice me, Ms. Lane. Come on, little girl, show me some power.” Little girl, my ass.
Karen Marie Moning (Faefever (Fever, #3))
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?” He grunted. “You don’t want to eat anything?” “No.” He did not want to tax his stomach for the next twelve hours. “So what now? Are we going on the run?” He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh. The sight jolted him out of his lethargy. “Where are your trousers?” “They had no braces and won’t stay up. Besides, it’s warm enough in here.” He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement. He might have been a bit unsteady too, if he were not already lying down. “You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
She wanted to feel normal. She wanted to feel like everyone else. She wanted more than this even; she wanted to be pretty. She wanted to be like the girls who ran laps in gym class, climbed ropes, jumped, and were asked out on dates. When some girls were wondering if their shorts or skirts were too tight, Sarah was worried about her underpants: granny panties, she called them. When the prettiest and most popular were trying out for cheerleading or volleyball, Sarah went home and read, gorged herself between meals in front of her computer and television.
Todd Nelsen (Appetite & Other Stories)
You had your hair in a ponytail.” He moved his gaze over her head, caressingly. “I like your new style, but I kind of liked that ponytail more.” Her hand self-consciously touched her bob. “You had a dark blue turtleneck shirt on and a short black and blue kilt skirt. I thought I’d never seen anyone that beautiful.” “When I think of you, that image is the one coming to my mind, but every time I see you, you take my breath away.
Nat Chelloni (A Favor For a Favor)
As it is not a settled question, you must clear your mind of the fancy with which we all begin as children, that the institutions under which we live, including our legal ways of distributing income and allowing people to own things, are natural, like the weather. They are not. Because they exist everywhere in our little world, we take it for granted that they have always existed and must always exist, and that they are self-acting. That is a dangerous mistake. They are in fact transient makeshifts; and many of them would not be obeyed, even by well-meaning people, if there were not a policeman within call and a prison within reach. They are being changed continually by Parliament, because we are never satisfied with them.... At the elections some candidates get votes by promising to make new laws or to get rid of old ones, and others by promising to keep things just as they are. This is impossible. Things will not stay as they are. Changes that nobody ever believed possible take place in a few generations. Children nowadays think that spending nine years in school, oldage and widows’ pensions, votes for women, and short-skirted ladies in Parliament or pleading in barristers’ wigs in the courts are part of the order of Nature, and always were and ever shall be; but their great-grandmothers would have set down anyone who told them that such things were coming as mad, and anyone who wanted them to come as wicked.
George Bernard Shaw (The Intelligent Woman's Guide to Socialism, Capitalism, Sovietism and Fascism)
There was another line of argument that nagged at me: the suggestion that boys simply could not help themselves. As if he never had a choice. I have told each of my girls heading off to college: If you walk in front of a semi truck expect to get hit. Don't walk in front of a semi. If you go to a frat party expect to get drunk, drugged and raped. Don't go to a frat party. You went to a frat and got assaulted? What did you expect? I'd heard this in college, freshman girls in frats compared to sheep in a slaughterhouse. I understand you are not supposed to walk into a lion's den because you could be mauled. But lions are wild animals. And boys are people, they have minds, live in a society with laws. Groping others was not a natural reflex, biologically built in. It was a cognitive action they were capable of controlling. It seemed once you submitted to walking through fraternity doors, all laws and regulation ceased. They were not asked to adhere to the same rules, yet there were countless guidelines women had to follow: cover your drink, stick close to others, don't wear short skirts. Their behavior was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many young girls were getting hurt, shouldn't we hold the guys in these houses to a higher standard, instead of reprimanding the girls? Why was passing out considered more reprehensible than fingering the passed-out person?
Chanel Miller (Know My Name)
That bitch should not be in a club like this. As if her language is not enough indication, there is also the matter of her Hot Topic mallrat outfit: short black leather skirt with buckles up the side, mass-produced “vintage” Ramones T-shirt, and piss-yellow leggings with some horrible pair of pink patent-leather shoes. She looks like a neon sign bumblebee by way of early Debbie Harry rip-off.
Rachel Cohn (Nick & Norah's Infinite Playlist)
These guys are a bunch of phonies. All they’ve got on their minds is impressing the new girls with the big words they’re so proud of and sticking their hands up their skirts. And when they’re seniors, they cut their hair short and go trooping to work for Mitsubishi or IBM or Fuji Bank. They marry pretty wives who’ve never read Marx and have kids they give fancy new names to that are enough to make you puke.
Haruki Murakami (Norwegian Wood (Vintage International))
[High angel] Carter's fucked-up sense of humor in action.' [The angel] Lucinda flushed deep crimson. 'How can you use such language so carelessly? You sound like you're… like you're in a locker room!" I smoothed down my tank top. 'No way. I'd never wear this in a locker room.' 'Yeah, it isn't even in school colors,' said Peter. I couldn't resist toying with the guardian. 'If i were in a locker room, i'd probably have on a short cheerleader skirt. And no underwear.' Peter continued playing off me. 'And you'd do that one cheer, right? The one with your hands splayed against the shower wall and ass sticking out?' 'That's me,' i agreed. 'Always ready to take one for the team.' Even Cody[, the other vampire] flushed at our crassness. Lucinda was practically purple. 'You–you two have no sense of decency! None at all.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
Where are you going?” “Out. Like you.” He raised an eyebrow, but he didn’t press for more information. “One should always make one’s own mistakes, instead of the mistakes of others, amira.” “Out like me, then.” “Dressed like that?” “And what’s wrong with it?” “It looks like you chose the pieces by throwing darts. And you are terrible at darts. Besides, it’s much too short.” He pointed vaguely toward my ankles and winked. “The whole world can see the top of your foot. You look like a hussy.” I grabbed my skirt and flashed him my knees. He pretended to swoon. “Don’t worry. This is late Victorian, not early. More permissive.
Heidi Heilig (The Girl from Everywhere (The Girl from Everywhere, #1))
The Cheerful Fairy was quite short and plump in a tweed skirt and shoes so sensible they could do their own tax returns, and was pretty much like the first teacher you get at school, the one who has special training in dealing with nervous incontinence and little boys whose contribution to the wonderful world of sharing consists largely of hitting a small girl repeatedly over the head with a wooden horse. In fact, this picture was helped by the whistle on a string around her neck and a general impression that at any moment she would clap her hands. The tiny gauzy wings just visible on her back were probably just for show, but the wizards kept on staring at her shoulder.
Terry Pratchett (Hogfather (Discworld, #20))
I love you and adore you and cherish you, with my dying heart, with my fleeting mind, and I wish you the absolute best in joy and harmony. The darkness is so grand, so hungry and so enormous, that it is a sin to fill it with anything but friendship. For we are many, and yet we are one, and no division, no barrier, no wall of any sort can separate us, can tear asunder the commonality that allows us to shower beautiful sparks into the black pits of desolation.
ShortSkirtsAndExplosions (Background Pony)
In Cecil B. DeMille’s 1920 film Why Change Your Wife?, the usually glamorous Gloria Swanson played a wife who wore glasses, listened to classical music, and read such books as How to Improve Your Mind. It was obvious to the audience why her husband left her for a perfumed, short-skirted man chaser. But a happy ending was achieved when Swanson’s character ordered some sleeveless, backless dresses and devoted herself to improving her dance steps instead of her mind.
Stephanie Coontz
I peeled the shorts off my sweating skin and stepped into the skirt. It slid up my body, resting on my waist, and I pulled the zipper up towards the lord. It didn't just fit. No, it did more than that. It melded to my body, beautifully, as if it had been cut specifically for me, to mask and smooth and elevate. I would be better in this skirt. The dream was happening! I had the all-knowing smile, my hair was suddenly more luxurious, I felt thinner, more acceptable. Girls who had been mean to me in high school would see me in this skirt and think, "Is that Scaachi?" and I'd say, "YOU BET IT IS, YOU DUMB BITCH" and then punch all their boyfriends in the teeth. (I have not thought this fantasy through; just let me have this.)
Scaachi Koul (One Day We'll All Be Dead and None of This Will Matter)
fad is a wave in the ocean, and a trend is the tide. A fad gets a lot of hype, and a trend gets very little. Like a wave, a fad is very visible, but it goes up and down in a big hurry. Like the tide, a trend is almost invisible, but it’s very powerful over the long term. A fad is a short-term phenomenon that might be profitable, but a fad doesn’t last long enough to do a company much good. Furthermore, a company often tends to gear up as if a fad were a trend. As a result, the company is often stuck with a lot of staff, expensive manufacturing facilities, and distribution networks. (A fashion, on the other hand, is a fad that repeats itself. Examples: short skirts for women and double-breasted suits for men. Halley’s Comet is a fashion because it comes back every 75 years or so.) When the fad disappears, a company often goes into a deep financial shock. What happened to Atari is typical in this respect. And look how Coleco Industries handled the Cabbage Patch Kids. Those homely dolls hit the market in 1983 and started to take off. Coleco’s strategy was to milk the kids for all they were worth. Hundreds of Cabbage Patch novelties flooded the toy stores. Pens, pencils, crayon boxes, games, clothing. Two years later, Coleco racked up sales of $776 million and profits of $83 million. Then the bottom dropped out of the Cabbage Patch Kids. By 1988 Coleco went into Chapter 11. Coleco died, but the kids live on. Acquired by Hasbro in 1989, the Cabbage Patch Kids are now being handled conservatively. Today they’re doing quite well.
Al Ries (The 22 Immutable Laws of Marketing)
If you like cool, funny entertainment, you might like this one. It's a first novel by a local author." She handed him a copy of Practical Demonkeeping. "A very different kind of buddy novel. I thought it was hilarious." "You're reading me like a book." The guy shook his head as if embarrassed by his own lame joke. Then he looked over at Blythe. Natalie saw his gaze move swiftly over her mother's red V-neck sweater and short skirt. "How can you tell that's exactly what would make me happy?" he asked. Oh boy. He was flirting. Guys did that a lot with her mom. She was super pretty, and Natalie knew it wasn't only because Mom was her mom and all kids thought their moms were pretty. Even her snottiest friends like Kayla said Blythe looked like a model. Like Julia Roberts. Plus, her mom had a knack for dressing cool and being social---she could talk to anyone and make them like her. Also, she had a superpower, which was on full display right now. She had the ability to see a person for the first time and almost instantly know what book to recommend. She was really smart and had also read every book ever written, or so it seemed to Natalie. She could talk to high school kids about Ivanhoe and Silas Marner. She ran a mystery discussion group. She could tell people the exact day the new Mary Higgins Clark novel would come out. She knew which kids would only ever read Goosebumps books, no matter what, and she knew which kids would try something else, like Edward Eager or Philip Pullman. Sometimes people didn't know anything about the book they were searching for except "It's blue with gold page edges" and her mom would somehow figure it out.
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
You inhaled to the rhythm of her thick sighs as she scrutinized her form in the full-length bedroom mirror, her newly sewn skirt showing, she said, too much hip, too much leg. She yanked it off, snipping open the seams, laying it out across the dining table like a freshly gutted fish, where it eventually disappeared from view beneath sheaths of brown paper patterns, paisley skirts whose hems needed letting out, floral dresses whose cleavages needed closing in, and an assortment of garments whose long and short zippers would go neither up nor down, jammed from the humidity and the salt of August days.
Martin Munro (The Haunted Tropics: Caribbean Ghost Stories)
From a short distance, the few attending mourners under the blue tarp looked on silently as each ritualistic movement necessary to properly complete the last rites of the dead were respectively adhered to. Not surprisingly, only the constant raindrops marred the utter silence of the occasion, and not a single teardrop fell. Not a whimper or a shudder. Not for this man. Not today. Not ever again. It took all Skye had not to walk over to the hole, lift up her skirt, and piss on the man who had repeatedly raped her as a child. Good riddance, you nasty bastard. Now you are in God’s hands. Have fun with that, you piece of garbage.
Sahar Abdulaziz (As One Door Closes)
She begins to strip like a roommate and climb into bed. They have fallen asleep. Dean wakes first, in the early afternoon. He unfastens her stockings and slowly rolls them off. Her skirt is next and then her underpants. She opens her eyes. The garter belt he leaves on, to confirm her nakedness. He rests his head there. Her hand touches his chest and begins to fall in excruciating slow designs. He lies still as a dog beneath it, still as an idiot. The next morning she is recovered. His prick is hard. She takes it in her hand. They always sleep naked. Their flesh is innocent and warm. In the end she is arranged across the pillows, a ritual she accepts without a word. It is half an hour before they fall apart, spent, and call for breakfast. She eats both her rolls and one of his. “There was a lot,” she says. She glistens with it. The inside of her thighs is wet. “How long does it take to make again?” she asks. Dean tries to think. He is remembering biology. “Two or three days,” he guesses. “Non, non!” she cries. That is not what she meant. She begins to make him hard again. In a few minutes he rolls her over and puts it in as if the intermission were ended. This time she is wild. The great bed begins creaking. Her breath becomes short. Dean has to brace his hands on the wall. He hooks his knees outside her legs and drives himself deeper. “Oh,” she breathes, “that’s the best.
James Salter (A Sport and a Pastime)
I squeezed through a horde of gum-snapping girls I recognized as seniors from my school. “He did not say that!” “Yes, he did! And you wouldn’t believe what she said!” Please, someone tell me I wouldn’t be that annoying if I had girlfriends. “Sure, you will be.” I whipped around and nearly got a faceful of cotton candy. I moved the purple sugar cloud to the side and glared at my mother. She wore a white, short-sleeved blouse and a patchwork skirt. “You have to stop listening in on my thoughts without my permission, Mom. It’s not cool.” She shoved a piece of cotton candy in my mouth to shut me up. “I didn’t do it on purpose, Clarity. I was strolling along listening in to the crowd.” “Pick up anything interesting?” “Actually, I did. That detective’s son can’t stop checking out your legs. He loves this little pink dress you’ve got on. So much so that he’s actually mad at himself for it.” She shook her head. I blushed. “Did you happen to pick up anything important?” “Like a man walking along thinking, ‘I killed Victoria Happel’?” “Exactly.” “No such luck. But dear, people don’t wander around thinking about their biggest secrets all the time. The killer could be standing right next to me and all I might pick up from him is how he wants to buy some barbequed chicken.” “Have you seen Billy Rawlinson or Frankie Creedon?” I asked. Distaste turned her mouth down. “No. Why are you looking for those scoundrels?” “Billy might be a witness in the case. Or a suspect.” “I’ll keep my eyes out and my mind open.” “Thanks,” I said. “Enjoy invading everyone’s privacy.
Kim Harrington (Clarity (Clarity, #1))
Does it distress you, reader, how I remind you of their sexes in each sentence? ‘Hers’ and ‘his’? Does it make you see them naked in each other’s arms, and fill even this plain scene with wanton sensuality? Linguists will tell you the ancients were less sensitive to gendered language than we are, that we react to it because it’s rare, but that in ages that heard ‘he’ and ‘she’ in every sentence they grew stale, as the glimpse of an ankle holds no sensuality when skirts grow short. I don’t believe it. I think gendered language was every bit as sensual to our predecessors as it is to us, but they admitted the place of sex in every thought and gesture, while our prudish era, hiding behind the neutered ‘they,’ pretends that we do not assume any two people who lock eyes may have fornicated in their minds if not their flesh. You protest: My mind is not as dirty as thine, Mycroft. My distress is at the strangeness of applying ‘he’ and ‘she’ to thy 2450s, where they have no place. Would that you were right, good reader. Would that ‘he’ and ‘she’ and their electric power were unknown in my day. Alas, it is from these very words that the transformation came which I am commanded to describe, so I must use them to describe it. I am sorry, reader. I cannot offer wine without the poison of the alcohol within.
Ada Palmer (Too Like the Lightning (Terra Ignota, #1))
Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside. He offered you a what? she yelled. An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush. What is it? she said. Coffee! I yelled. Irma, can I come and live-- I turned around again and began to run.
Miriam Toews (Irma Voth)
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
The Buried Bishop’s a gridlocked scrum, an all-you-can-eat of youth: ‘Stephen Hawking and the Dalai Lama, right; they posit a unified truth’; short denim skirts, Gap and Next shirts, Kurt Cobain cardigans, black Levi’s; ‘Did you see that oversexed pig by the loos, undressing me with his eyes?’; that song by the Pogues and Kirsty MacColl booms in my diaphragm and knees; ‘Like, my only charity shop bargains were headlice, scabies, and fleas’; a fug of hairspray, sweat and Lynx, Chanel No. 5, and smoke; well-tended teeth with zero fillings, revealed by the so-so joke — ‘Have you heard the news about Schrodinger’s Cat? It died today; wait — it didn’t, did, didn’t, did…’; high-volume discourse on who’s the best Bond … Sartre, Bart Simpson, Barthes’s myths; ‘Make mine a double’; George Michael’s stubble; ‘Like, music expired with the Smiths’; and futures all starry; fetal think-tankers, judges, and bankers…power and money, like Pooh Bear and honey, stick fast — I don’t knock it, it’s me; and speaking of loins, ‘Has anyone told you you look like Demi Moore from Ghost?’; roses are red and violets are blue, I’ve a surplus of butter and Ness is warm toast.
David Mitchell
Tina and Pete stood together. Pete knew he should be grilling the girl, getting the full story before details were lost, but he was too spellbound by the reunion. The boy he was watching was so different. There was no way to avoid the truth. Someone, a very evil someone, had hurt his boy. Pete felt his fists clench. Whoever it was that had turned Lockie into the skinny kid trapped behind his pain, he would pay. If he had to spend his whole life looking for him, Pete would find him and then he would make him pay. The girl had obviously helped Lockie. He had no idea if she had found him or if she had been with him the whole time, but Lockie kept saying that she had ‘saved’ him. He was a clever kid and he knew what the word meant. Pete liked the way she looked at Lockie—like a lioness, like a sister, like a mother. The skinny girl with short messy black hair could have been anyone. She looked about fifteen but when she spoke she sounded a lot older. She was wearing a big coat but underneath that Pete had caught a glimpse of a short skirt and a tight red top. Not the kind of thing a nice girl would wear. Maybe she wasn’t a nice girl but she was smart. That was easy to see. She was watching Lockie with his dad and Pete could see her body sag with relief. She was relieved to get him home. It must have been a promise she had made the boy. Pete had no idea how she’d got him home. She didn’t look like she had a cent to her name. He sighed. So many questions to answer and the worst part was that some of the answers would be things he did not want to hear. Some of the answers would keep him up at night for the rest of his life. He wished he didn’t have to know, but he figured that if Lockie had been through it his family should know about it. If Lockie had been one of the small skeletons buried in the yard in Sydney they would have only been able to imagine what he had suffered. Now they would know. Which way was better? Pete thought about all the other parents who were waiting for the results of tests from the police. For a moment he let go of what needed to be done and what was to come and he offered up a prayer of thanks. Then he offered up a prayer for strength for all those other parents who would never again get to feel their kid’s arms around their neck. And then he wiped his eyes because he was a grown man and a cop and he really shouldn’t be standing in the driveway crying.
Nicole Trope (The Boy Under the Table)
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (Stormlight Archive #3, Part 1 of 6))
Please go outside. I really don’t want to hurt you.” Levi pulled up short. “No. Not toward me. To the door. The door!” She squealed, and Levi bounded forward, taking the stairs in a single leap. He threw the door wide and brought up his fists, ready to take on the unseen threat. “Get it off! Get it off!” She held her skirts away from her body and twisted her head to the side as if trying to put as much distance as possible between her and the invader clinging to the dark green fabric of her dress. A cockroach. A big ugly one—three, maybe four inches long, its wings still slightly askew. “Please.” Miss Spencer whimpered, and the sound galvanized him to action. Levi opened his hand and swiped the oversized beetle from her skirt. Then, before the thing could scamper into a dark corner, he crushed it with a stomp of his boot, wincing at the audible crunch that echoed in the now-quiet hall. He scraped his sole over the carcass like a horse pawing the ground, and sent the bug sailing out the door. “Did you have to squish him?” Levi jerked his eyes to Eden Spencer’s face. What had she expected him to do? Tie a leash around its neck and take it for a walk? “Don’t get me wrong,” she said, as she raised a shaky hand to fidget with the button at her collar. “I appreciate your removing that beastly insect from my person.” She shuddered slightly, and her gaze dropped to the darkened spot on the hardwood floor that evidenced the roach’s demise. “However, I can’t abide violence against any of God’s creatures. Even horrid, wing-sprouting behemoths.
Karen Witemeyer (To Win Her Heart)
Because there’s a silent, shrugging, stoical acceptance of all the things in the world we can never be part of: shorts, swimming pools, strappy dresses, country walks, roller-skating, ra-ra skirts, vest tops, high heels, rope climbing, sitting on a high stool, walking past building sites, flirting, being kissed, feeling confident. And ever losing weight, ever. The idea of suggesting we don’t have to be fat –that things could change –is the most distant and alien prospect of all. We’re fat now and we’ll be fat forever and we must never, ever mention it, and that is the end of it. It’s like Harry Potter’s Sorting Hat. We were pulled from the hat marked ‘Fat’ and that is what we must now remain, until we die. Fat is our race. Our species. Our mode. As a result, there is very little of the outside world –and very little of the year –we can enjoy. Summer is sweaty under self-conscious layers. On stormy days, wind flattens skirts against thighs, and alarms both us and, we think, onlookers and passers-by. Winter is the only time we feel truly comfortable: covered head to toe in jumpers, coats, boots and hat. I develop a crush on Father Christmas. If I married him, not only would I be expected to stay fat, but I’d look thin standing next to him, in comparison. Perspective would be my friend. We all dream of moving to Norway, or Alaska, where we could wear massive padded coats all the time, and never reveal an inch of flesh. When it rains, we’re happiest of all. Then we can just stay in, away from everyone, in our pyjamas, and not worry about anything. The brains in jars can stay inside, nice and dry.
Caitlin Moran (How to Be a Woman)
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson