Chocolate World Quotes

We've searched our database for all the quotes and captions related to Chocolate World. Here they are! All 100 of them:

You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?” Sam let go of my hands to get his wallet and took out some bills. “Six years.” I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species. Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age." Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be. I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.” The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
She peeped through one of the small holes in the outer wall rising up from the walkway. The world on the outside was nothing but countryside now. Dirt roads, like chocolate ribbons, disappeared into woods or green fields in the distance.
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
Why do I read? I just can't help myself. I read to learn and to grow, to laugh and to be motivated. I read to understand things I've never been exposed to. I read when I'm crabby, when I've just said monumentally dumb things to the people I love. I read for strength to help me when I feel broken, discouraged, and afraid. I read when I'm angry at the whole world. I read when everything is going right. I read to find hope. I read because I'm made up not just of skin and bones, of sights, feelings, and a deep need for chocolate, but I'm also made up of words. Words describe my thoughts and what's hidden in my heart. Words are alive--when I've found a story that I love, I read it again and again, like playing a favorite song over and over. Reading isn't passive--I enter the story with the characters, breathe their air, feel their frustrations, scream at them to stop when they're about to do something stupid, cry with them, laugh with them. Reading for me, is spending time with a friend. A book is a friend. You can never have too many.
Gary Paulsen (Shelf Life: Stories by the Book)
I look out the window and I see the lights and the skyline and the people on the street rushing around looking for action, love, and the world's greatest chocolate chip cookie, and my heart does a little dance.
Nora Ephron (Heartburn)
The End is Nigh!" the man shouted. "Is there still time for hot chocolate?" Riley asked. The-End-is-Nigh guy blinked. "Ah, maybe, I don’t know.
Jana Oliver (Forbidden (The Demon Trappers, #2))
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
Chemically speaking, chocolate really is the world's perfect food.
Michael Levine
Just the other day, I was in my neighborhood Starbucks, waiting for the post office to open. I was enjoying a chocolatey cafe mocha when it occurred to me that to drink a mocha is to gulp down the entire history of the New World. From the Spanish exportation of Aztec cacao, and the Dutch invention of the chemical process for making cocoa, on down to the capitalist empire of Hershey, PA, and the lifestyle marketing of Seattle's Starbucks, the modern mocha is a bittersweet concoction of imperialism, genocide, invention, and consumerism served with whipped cream on top.
Sarah Vowell
Let's just say that if these scientist had been using their brilliance for good instead of evil, cars would run off water vapor and leave fresh compost behind them; no one would be hungry; no one would be ill; all buildings would be earthquake-, bomb-, and flood-proof; and the world's entire economy would have collapsed and been replaced by one based on the value of chocolate.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
I thought of all the different kinds of love in the world. I could think of ten without even trying. The way parents love their kids, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of love and then there's the other kind. The falling kind.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Um, there's a girl meeting her friend,' he went on. 'Her friend is giving her an ice-cream cone. Oh-it's dripping. Huh. It, uh, dripped on her...chest.' Iggy drew in a hissing breath. It's gonna stain for sure,' the Gasman said. 'That's chocolate.' Hmm,' Fang said, watching, the girl dab at her chest with a paper napkin.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Eat chocolate first, destroy the world later.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Mia's smile is melting chocolate. It's a kick-ass guitar solo. It's everything good in this world.
Gayle Forman (Where She Went (If I Stay, #2))
All the baby books written by women who had the most perfect birth experience in the world said you should talk to your child in the womb. That was about the only piece of advice I took from those things. Every day I told him if he ruined my vagina I would video tape his birth and show all his future girlfriends what happened to your who-ha when you had sex, ensuring that he will never, ever get laid.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Whoa. It was hard to stick to my resolve of not caving to the ridiculous notion of us being together when he was actually…nice, and when he stared at me like I was the last piece of chocolate in the whole world. Which made me think of that damn chocolate chip cookie in his mouth.
Jennifer L. Armentrout (Onyx (Lux, #2))
What test?" Asked Nudge. "Max, you're incorruptible." "Only by power." I said. "You haven't tried chocolate yet.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
I was waiting for the sun to chase me,” he breathes, drawing me to his chest. In one swift movement, my lips are on his. The world is spinning. He kisses me like this is the moment he’s envisioned all his life. Like this is heaven on Earth. For me, it is. A blissful moment before something that could be the end. The rush before the fear. He whispers, “I fucking love you.” I smile, my lips tingling. “Guess what?” “What?” “I love you more than chocolate cake.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
Do I dare disturb the universe? Yes, I do, I do. I think. Jerry suddenly understood the poster--the solitary man on the beach standing upright and alone and unafraid, poised at the moment of making himself heard and known in the world, the universe.
Robert Cormier (The Chocolate War (Chocolate War, #1))
No guy in his right mind would ever choose me when there are people like Hana in the world: It would be like settling for a stale cookie when what you really want is a big bowl of ice cream, whipped cream and cherries and chocolate sprinkles included.
Lauren Oliver (Delirium (Delirium, #1))
Don't miss the bus, boy. You're missing a lot of things in the world, better not miss that bus.
Robert Cormier (The Chocolate War (Chocolate War, #1))
Of course they're real people. They're Oompa-Loompas...Imported direct from Loompaland...And oh what a terrible country it is! Nothing but thick jungles infested by the most dangerous beasts in the world - hornswogglers and snozzwangers and those terrible wicked whangdoodles. A whangdoodle would eat ten Oompa-Loompas for breakfast and come galloping back for a second helping.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
If you can’t change the world with chocolate chip cookies, how can you change the world?
Pat Murphy
I want to eat chocolates in a great big room where the world is a different place.
Terry Pratchett (Monstrous Regiment (Discworld, #31))
So shines a good deed in a weary world.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
I mean if there was any justice in the world you wouldn't even have to go to school during your period. You'd just stay home for five days and eat chocolate and cry.
Andrea Portes (Anatomy of a Misfit)
A new sickness invaded Jerry, the sickness of knowing what he had become, another animal, another beast, another violent person in a violent world, inflicting damage, not disturbing the universe but damaging it.
Robert Cormier (The Chocolate War (Chocolate War, #1))
There are two kinds of people in the world: those who love chocolate, and communists.
Leslie Moak Murray
That pipe, just so happens to lead to the room where I make the most delicious flavored chocolate covered fudge." Then he will be made into strawberry flavoered chocolate covered fudge, they'll be selling him by the pound, all over the world!" No, I wouldn't allow it. The taste would be terrible. Can you imagine Augustus flavored chocolate covered gloop? Ew. No one would buy it.
Johnny Depp
Art arises from loss. I wish this weren't the case. I wish that every time I met a new woman and she rocked my world, I was inspired to write my ass off. But that is not what happens. What happens is we lie around in bed eating chocolate and screwing. Art is what happens when things don't work out, when you're licking your wounds. Art is, to a larger extent than people would like to think, a productive licking of the wounds.
Steve Almond (Candyfreak: A Journey through the Chocolate Underbelly of America)
He was swept with a sadness, a sadness deep and penetrating, leaving him desolate like someone washed up on a beach, a lone survivor in a world full of strangers.
Robert Cormier (The Chocolate War (Chocolate War, #1))
Some days you get up and you already know that things aren't going to go well. They're the type of days when you should just give in, put your pajamas back on, make some hot chocolate and read comic books in bed with the covers up until the world looks more encouraging. Of course, they never let you do that.
Bill Watterson (There's Treasure Everywhere (Calvin and Hobbes, #10))
Forest Gump had it wrong. Life is not a box of chocolate; it's a kaleidoscope. In the flip of a wrist, realities are shredded and the world takes on a totally new shape.
Carolyn Haines (Them Bones (Sarah Booth Delaney, #1))
From then on, Matilda would visit the library only once a week in order to take out new books and return the old ones. Her own small bedroom now became her reading-room and there she would sit and read most afternoons, often with a mug of hot chocolate beside her. She was not quite tall enough to reach things around in the kitchen, but she kept a small box in the outhouse which she brought in and stood on in order to get whatever she wanted. Mostly it was hot chocolate she made, warming the milk in a saucepan on the stove before mixing it. Occasionally she made Bovril or Ovaltine. It was pleasant to take a hot drink up to her room and have it beside her as she sat in her silent room reading in the empty house in the afternoons. The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She traveled all over the world while sitting in her little room in an English village.
Roald Dahl (Matilda)
It's strange. How hollow i feel. Like there might be echoes inside of me. Like I'm one of those chocolate rabbits they used to sell around Easter, the ones that were nothing more than a sweet shell encapsulating a world of nothing. I'm like that. I encapsulate a world of nothing.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
There was nothing more beautiful in the world than the sight of a teacher getting upset.
Robert Cormier (The Chocolate War (Chocolate War, #1))
The world won’t get more or less terrible if we’re indoors somewhere with a mug of hot chocolate,’ Kim said. ‘Though it’s possible it will seem slightly less terrible if there are marshmallows in the hot chocolate.
Kamila Shamsie (Burnt Shadows)
My entire world revolves around you. If you want mint chocolate chip, then that’s what I want, too,
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Because, ten-year-olds of the world, you shouldn't believe what your teachers tell you about the beauty and specialness and uniqueness of you. Or, believe it, little snowflake, but know it won't make a bit of difference until after puberty. It's Newton's lost law: anything that makes you unique later will get your chocolate milk stolen and your eye blackened as a kid. Won't it, Sebastian? Oh, yes, it will, my little Mandarin Chinese-learning, Poe-reciting, high-top-wearing friend. God bless you, wherever you are.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
It would be nice to avoid the world, to leave it and all its threats and unhappiness. Not to die or anything like that, but to find a place of solitude and solace.
Robert Cormier (Beyond the Chocolate War (Chocolate War, #2))
A young man didn't bring flowers or chocolates to the woman he loved: He brought her stories from the wider world, where men grappled with demons of desire, and monstrous injustice.
Gregory David Roberts (Shantaram)
She smiled radiantly at the shield, pretending it was Dageus. The three simple words just didn't seem like enough. Love was so much larger than words. "I love you, I love you, I love you. I love you more than chocolate. I love you more than the whole world is big." She paused, thinking, searching for a way to explain what she felt. "I love you more than artifacts. I love you so much it makes my toes curl just thinking about it." Pushing her hair back from her face, she donned her most sincere expression. "I love you." "You can have the confounded shield if you love it that much, lass," Dageus said, sounding utterly bewildered. Chloe felt all the blood drain from her face.
Karen Marie Moning (The Dark Highlander (Highlander, #5))
Often he rose early in the morning, before anyone else, and poured himself liquid through the sunrise streets, and everything seemed beautiful, everything in its proper orbit, nothing impossible, the entire world attainable.
Robert Cormier (The Chocolate War (Chocolate War, #1))
There wasn't enough chocolate in the world to make this better.
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
There were actual people in the world whose idea of heaven would be a chocolate cat.
Terry Pratchett (Hogfather (Discworld, #20))
Our leaders strain every nerve and with success, to get the next war going, while the rest of us, meanwhile, dance the fox trot, earn money and eat chocolates...And perhaps...it has always been the same and always will be, and what is called history at school, and all we learn by heart there about heroes and geniuses and great deeds and fine emotions, is all nothing but a swindle invented by the schoolmasters for educational reasons to keep children occupied for a given number of years. It has always been so and always will be. Time and the world, money and power belong to the small people and shallow people. To the rest, to the real men belongs nothing...eternity...it isn't fame. Fame exists in that sense only for the schoolmasters. No, it isn't fame. It is what I call eternity...The music of Mozart belongs there and the poetry of your great poets. The saints, too, belong there, who have worked wonders and suffered martyrdom and given a great example to men. But the image of every true act, the strength of every true feeling, belongs to eternity just as much, even though no one knows of it or sees it or records it or hands it down to posterity. In eternity there is no posterity...It is the kingdom on the other side of time and appearances. It is there we belong. There is our home. It is that which our heart strives for...And we have no one to guide us. Our only guide is our homesickness.
Hermann Hesse (Steppenwolf)
it has been one of the greatest and most difficult years of my life. i learned everything is temporary. moments. feelings. people. flowers. i learned love is about giving. everything. and letting it hurt. i learned vulnerability is always the right choice because it is easy to be cold in a world that makes it so very difficult to remain soft. i learned all things come in twos. life and death. pain and joy. salt and sugar. me and you. it is the balance of the universe. it has been the year of hurting so bad but living so good. making friends out of strangers. making strangers out of friends. learning mint chocolate chip ice cream will fix just about everything. and for the pains it can’t there will always be my mother’s arms. we must learn to focus on warm energy. always. soak our limbs in it and become better lovers to the world. for if we can’t learn to be kind to each other how will we ever learn to be kind to the most desperate parts of ourselves.
Rupi Kaur (The Sun and Her Flowers)
In a clutch or a corner, I tend to make a weapon out of what is near at hand. That can be anything from a crowbar to a cat, though if I had a choice, I would prefer an angry cat, which I have found to be more effective than a crowbar. Although weaponless, I left the house by the back door, with two chocolate-pumpkin cookies. It's a tough world out there, and a man has to armor himself against it however he can. ~Odd Thomas
Dean Koontz (Odd Hours (Odd Thomas, #4))
What would you do if you only had one day left in this world? Spend it with the people you love? Travel to the far corners of the earth to see as many wonders as possible? Eat nothing but chocolate? Would you apologize for all your mistakes? Would you stand up to those you'd never had the courage to face? Would you tell your secret crush that you loved him or her? Why is it that we wait till the last minute to do the things we should be doing all along?
Jodi Picoult (Off the Page (Between the Lines, #2))
Romance isn't just about roses or killing dragons or sailing a kayak around the world. It's also about chocolate chip cookies and sharing The Grateful Dead and James Taylor with me in the middle of the night, and believing me when I say that you could be bigger than both of them put together, and not making fun of me for straightening out my french fries or pointing my shoelaces in the same direction, and letting me pout when I don't get my own way, and pretending that if I play "Flower Drum Song" one more time you won't throw me and the record out the window
Steve Kluger (Almost Like Being in Love)
You make your whole existence dependant on another human being you’re asking for a world of trouble. Think of every tragic love story ever written. And I didn’t want to play Juliet to anybody’s Romeo, not if I could help it. Even if the only candidate available was willing to die for me and sitting right beside me holding my hand and looking deeply into my eyes with the not-so-gah-now eyes the colour of melted chocolate. Plus being practically naked under those covers and possession the body of a Hollister dude . . . but I’m not getting into all that.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
Dads are like chocolate chip cookies; they may have chips or be totally nutty, but they are sweet and make the world a better place, especially for their children.
Hillary Lytle
Suddenly, in the space of a moment, I realized what it was that I loved about Britain - which is to say, all of it. Every last bit of it, good and bad - Marmite, village fetes, country lanes, people saying 'mustn't grumble' and 'I'm terribly sorry but', people apologizing to me when I conk them with a nameless elbow, milk in bottles, beans on toast, haymaking in June, stinging nettles, seaside piers, Ordnance Survey maps, crumpets, hot-water bottles as a necessity, drizzly Sundays - every bit of it. What a wondrous place this was - crazy as fuck, of course, but adorable to the tiniest degree. What other country, after all, could possibly have come up with place names like Tooting Bec and Farleigh Wallop, or a game like cricket that goes on for three days and never seems to start? Who else would think it not the least odd to make their judges wear little mops on their heads, compel the Speaker of the House of Commons to sit on something called the Woolsack, or take pride in a military hero whose dying wish was to be kissed by a fellow named Hardy? ('Please Hardy, full on the lips, with just a bit of tongue.') What other nation in the world could possibly have given us William Shakespeare, pork pies, Christopher Wren, Windsor Great Park, the Open University, Gardners' Question Time and the chocolate digestive biscuit? None, of course. How easily we lose sight of all this. What an enigma Britain will seem to historians when they look back on the second half of the twentieth century. Here is a country that fought and won a noble war, dismantled a mighty empire in a generally benign and enlightened way, created a far-seeing welfare state - in short, did nearly everything right - and then spent the rest of the century looking on itself as a chronic failure. The fact is that this is still the best place in the world for most things - to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, use the bank, get lost, seek help, or stand on a hillside and take in a view. All of this came to me in the space of a lingering moment. I've said it before and I'll say it again. I like it here. I like it more than I can tell you.
Bill Bryson (Notes from a Small Island)
What could he say? After the phone calls and the beating. After the desecration of his locker. The silent treatment. Pushed downstairs. What they did to Goober, to Brother Eugene. What guys like Archie and Janza did to the school. What they would do to the world when they left Trinity.
Robert Cormier (The Chocolate War (Chocolate War, #1))
I'm the smartest man in the world. Once I wore a cape in public, and fought battles against men who could fly, who had metal skin, who could kill you with their eyes. I fought CoreFire to a standstill, and the Super Squadron, and the Champions. Now I have to shuffle through a cafeteria line with men who tried to pass bad checks. Now I have to wonder if there will be chocolate milk in the dispenser. And whether the smartest man in the world has done the smartest thing he could do with his life.
Austin Grossman (Soon I Will Be Invincible)
Myth: Vampires eat only raw meat or drink blood. Truth: Why would we do that when there's chocolate in the world?
Kimberly Pauley
Okay, so maybe chocolate doesn’t make the world go around, but it sure makes the trip worthwhile.
Jill Shalvis (Forever and a Day (Lucky Harbor, #6))
It’s an open horizon before us, as far as the eye can see: no angst and no games, just mutual delight. So simple, but so rich. Like chocolate. Not a gold-dusted truffle or a foofy pastry tower teetering on a crystal platter, but a plain, honest bar of the best chocolate in the world.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
All I really, really want to do is find a very, very fine chocolate store that I can walk into and then figure out how in the world one manages to pick out just a few chocolates out of all those very many chocolates! If I am one day able to walk into a fine chocolate store and know for certain which chocolates I want, when that happens, I will believe myself to be accomplished!
C. JoyBell C.
nothing had ever been invented or discovered that beat chocolate—
Dennis E. Taylor (All These Worlds (Bobiverse, #3))
Project Runway, chocolate and margaritas and suddenly all is right with the world
Sarah Pekkanen (Skipping a Beat)
Shay opened his palm, a Hershey's Kiss rested in his hand. Mason winked at him. ''Welcome to the table, man. I hope you survive.'' ''I think I'll manage.'' He turned the silver-wrapped chocolate in his fingers. ''Thanks for this. There's nothing quite like a really good kiss.'' His mouth crinkled in a smile and he cast me a sidelong glance, making my toes curl.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
First time I think about the world. What the world got to do with anything, I think. Then I see myself sitting there quilting tween Shug Avery and Mr ——. Us three set together gainst Tobias and his fly speck box of chocolate. For the first time in my life, I feel just right.
Alice Walker (The Color Purple)
Those huge stars have lasted for millions of years by taking care never to absorb any of the fiery rays lovers all over the world send up at them night after night. To avoid that, the star generates so much heat inside itself that it shatters the rays into a thousand pieces. Any look it receives is immediately repulsed, reflected back onto the earth, like a trick done with mirrors. That is the reason the stars shine so brightly at night.
Laura Esquivel (Like Water for Chocolate)
What would you rather have?" "Cheeseburger and a small fry. Coke classic. Better yet, dope classic." "Sure. I'll take a milkshake. What's the special flavor this week, chocolate Jack Daniels?" "Strawberry scotch." "Stick one of those paper umbrellas in mine." "Shove a syringe in mine. And a plastic tombstone. RIP, baby. He was born a rock star. He died a junkie." "Rock in peace." [...] "He wanted the world and lost his soul. [...] Sold it all for rock and roll. Lost his heart in a needle. Found his life in the grave. The road to hell is paved in marijuana leaves. Now he rocks in peace.
L.F. Blake (The Far Away Years)
I remember the first time I saw you,” Allie said. “I thought you smelled me first.” “Right,” said Allie. “The chocolate. But then I saw you as I sat up in the dead forest, thinking I knew you. At the time, I thought I must have seen you through the windshield when our cars crashed…. But that wasn’t it. I think, way back then, I was seeing you as you are now. Isn’t that funny?” “Not as funny as the way I always complained, and the way you always bossed me around!” They embraced and held each other for a long time. “Don’t forget me,” Nick said. “No matter where your life goes, no matter how old you get. And if you ever get the feeling that someone is looking over your shoulder, but there’s nobody there, maybe it’ll be me.” “I’ll write to you,” said Allie, and Nick laughed. “No really. I’ll write the letter then burn it, and if I care just enough it will cross into Everlost.” “And,” added Nick, “it will show up as a dead letter at that the post office Milos made cross into San Antonio!” Allie could have stood there saying good-bye forever, because it was more than Nick she was saying good-bye to. She was leaving behind four years of half-life in a world that was both stunningly beautiful, and hauntingly dark. And she was saying good-bye to Mikey. I’ll be waiting for you, he had said…. Well, if he was, maybe she wasn’t saying good-bye at all. Nick hefted the backpack on his shoulder. “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road…. Jack.” Then he chuckled by his own joke, and walked off.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
A man's strength was supposed to be against the outside world: to fight it back from himself and those he took under his protection: his wife, his children, and for a man strong enough, more people still, people like his employees. To turn it inward, against the very people you had been given that strength to protect, because you couldn't deal with the outward fight, was the ultimate weakness.
Laura Florand (The Chocolate Touch (Amour et Chocolat #4))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
He had suddenly the clearest understanding he had ever had of the way his father had gone so wrong. A man's strength was supposed to be against the outside world; to fight it back from himself and from those he took under his protection: his wife, his children, and for a man strong enough, more people still, people like his employees. To turn it inward, against the very people you had been given the strength to protect, because you couldn't deal with the outward fight, was the ultimate weakness.
Laura Florand (The Chocolate Touch (Amour et Chocolat #4))
Neither knew it at the time, but a line had been crossed that could not be uncrossed- a running leap over a chasm of ignorance and misunderstanding between species and worlds...and a baby step taken into life's endless possibilities for wonder and joy and surprise that could no more be reversed than one's first taste of chocolate. A dog kiss.
Berkeley Breathed (Flawed Dogs: The Shocking Raid on Westminster)
After the waitress left, I rounded on him. “what, can’t I eat food?” “you could. Probably five or six whole bites before you had to purge it. your digestive track has been altered. Pretend to drink your hot chocolate.” I slouched lower in the booth, my arms over my chest. “but I really like food. It’s the best part about being here in this world.
Kalayna Price (Once Bitten (Haven, #1))
(on the Pip and Squeak asking for a taxi tip) "How about a tip?" "Here's a tip," I said. "Next time you're at the library, check out a book about a champion of the world." "By that author with all the chocolate?" "Yes, but this one's even better It has some very good chapters in it." "That's the kind of tip we can use," Squeak said. "Pip reads to me between fares.
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
There’s been some discussion as to why God created the world. Let me clear it up. He made the world because that’s what he does. He makes things. A more pertinent question, though pertinence is hardly the point at this point: why did he make humans? Now there’s a question. He made us as a bulwark against loneliness and boredom. Too late he discovered we were in fact the opposite. We augment boredom; we deepen loneliness.
Jeet Thayil (The Book of Chocolate Saints)
Traffic crawls Cell phone calls Talk radio screams at me But through my tinted window I see a little girl Rust red minivan She’s got chocolate on her face Got little hands and she waves at me Yeah, she smiles at me Well hello world How you been Good to see you my old friend Sometimes I feel Cold as steel Broken like I’m never gonna heal And I see a light A little hope In a little girl Hello world
Lady Antebellum
…ten year olds of the world, you shouldn’t believe what your teachers tell you about the beauty and specialness and uniqueness of you. Or, believe it, little snowflake, but know it won’t make a bit of difference until after puberty. It’s Newton’s lost law: anything that makes you unique later will get your chocolate milk stolen and your eye blackened as a kid.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof. “You shouldn’t make friends with crows,” he’d told her. “Why not?” she asked. He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue. The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world. “Why not?” she’d repeated, eyes still closed. He said the first thing that popped into his head. “They don’t have any manners.” “Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Tripp was my best friend, my lover, my confidant, my soul mate. He was the salt to my pepper. He was the peanut butter to my chocolate. He gave me love and hope and joy. Together we created our three beautiful girls and together we looked at the world as ours to conquer. In short, he was my other half; the part that completed me.
Kathryn McNeill Crane (Searching for Tomorrow (Tomorrows #1))
I’m going home to an old country farmhouse, once green, rather faded now, set among leafless apple orchards. There is a brook below and a December fir wood beyond, where I’ve heard harps swept by the fingers of rain and wind. There is a pond nearby that will be gray and brooding now. There will be two oldish ladies in the house, one tall and thin, one short and fat; and there will be two twins, one a perfect model, the other what Mrs. Lynde calls a ‘holy terror.’ There will be a little room upstairs over the porch, where old dreams hang thick, and a big, fat, glorious feather bed which will almost seem the height of luxury after a boardinghouse mattress. How do you like my picture, Phil?" "It seems a very dull one," said Phil, with a grimace. "Oh, but I’ve left out the transforming thing," said Anne softly. "There’ll be love there, Phil—faithful, tender love, such as I’ll never find anywhere else in the world—love that’s waiting for me. That makes my picture a masterpiece, doesn’t it, even if the colors are not very brilliant?" Phil silently got up, tossed her box of chocolates away, went up to Anne, and put her arms about her. "Anne, I wish I was like you," she said soberly.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I love you, and it's driving me crazy to see you so upset. I want to fix it, and I know I can't. But what I want to do is rewrite this whole world so you can fix it. I want to come up with a story that all the world will choose to celebrate, and in it, the people we love will never get sick, and the people we love will never be sad for long, and there would be unlimited frozen hot chocolate. Maybe if it were up to me I wouldn't have the whole world collectively believe in Santa Claus, but I would definitely have them collectively believe in something, because there is a messed-up kind of beauty in the way we can bend over backward to make life seem magical when we want to. In other words, after giving it some thought , I think that reality has the distinct potential to complete suck, and the way to get around that is to step out of reality with someone you completely, unadulteratedly enjoy. In my life, that's you. And if it takes dressing up like Santa to get that across to you, then so be it.
David Levithan (The Twelve Days of Dash & Lily (Dash & Lily, #2))
She loved sinking into her bed on evenings like this, but apparently she shouldn't, because it worried her aunts, who thought she ought to be out dancing. It worried her a little bit, too, because what if they were right, and because sometimes a great loneliness welled up in her and threatened all the dams she built to hold it back. You couldn't cure loneliness by wallowing in it, up above the world, on an island removed from everything. She knew that. But she had such a hard time with all the cures. They seemed rough and brusque and brutal, as if they abused her skin with a pot scrubber . . . forcing herself into a mass of people, a stranger among strangers. . . . But it was much more tempting to curl up with a book under her thick white comforter. Still, sometimes after she curled up, she regretted her lack of courage and felt bleakly lonely. It was important to have a really good book.
Laura Florand (The Chocolate Kiss (Amour et Chocolat, #2))
Beautiful!” she would murmur, nudging Septimus, that he might see. But beauty was behind a pane of glass. Even taste (Rezia liked ices, chocolates, sweet things) had no relish to him. He put down his cup on the little marble table. He looked at people outside; happy they seemed, collecting in the middle of the street, shouting, laughing, squabbling over nothing. But he could not taste, he could not feel. In the tea-shop among the tables and the chattering waiters the appalling fear came over him—he could not feel. He could reason; he could read, Dante for example, quite easily (“Septimus, do put down your book,” said Rezia, gently shutting the Inferno), he could add up his bill; his brain was perfect; it must be the fault of the world then—that he could not feel.
Virginia Woolf (Mrs. Dalloway)
Xavier said...[he] was making a list of dark-skinned saints to correct the western historical record that acknowledged only fair saints with blond hair and blue eyes. Many saints were dark-complexioned, swarthy, or negroid, with unwashed hair and poor nutrition. Like Jesus. He hoped to compile a book of chocolate saints, a directory in which there would be no pale faces, only dark and darker, as a counterbalance against the many books in the world that had no black or brown or yellow faces….
Jeet Thayil (The Book of Chocolate Saints)
I want to be dipped into the world of a novel. I want to be immersed. I travel a lot for my work and my happiest moments are coming back to the hotel late at night, [knowing that a] book I’ve brought with me [is] waiting for me there. It’s like my version of chocolates on a pillow. Fiction is a necessity in my life. It’s a strange moment where the world is roiling. People are glued to the news, and rightly so. But what fiction can do is look with nuance and depth at something that’s not always looked at that way. There are those studies that say fiction teaches empathy. I feel like, here’s a chance. Reading fiction gives me a chance to look into other people and their lives. That’s incredibly moving to me.
Meg Wolitzer
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles." Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew. Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here." And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti. I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared. I breathe in the scent of his skin and feel the warmth of his body under mine. Jared makes everything safe, everything happy. Even houses.
Stephenie Meyer (The Host (The Host, #1))
Chance; pure chance. But chance was a dull explanation because it denied the possibility of the paranormal, and people were often disappointed by dull explanations. Mystery and the unknown were far more exciting because they suggested that our world was not quite as prosaic as we feared it might be. Yet we had to adjure those temptations because they lead to a world of darkness and fear.
Alexander McCall Smith (Friends, Lovers, Chocolate (Isabel Dalhousie, #2))
He gave us taste buds, then filled the world with incredible flavors like chocolate and cinnamon and all the other spices. He gave us eyes to perceive color and then filled the world with a rainbow of shades. He gave us sensitive ears and then filled the world with rhythms and music. Your capacity for enjoyment is evidence of God's love for you. He could have made the world tasteless, colorless, and silent. The Bible says that God "richly provides us with everything for our enjoyment." He didn't have to do it, but he did, because He loves us.
Rick Warren (The Purpose of Christmas)
Each human being deals with hurt or resentment in a unique way. When you feel insulted or bullied, you may reach for a chocolate bar. In the same circumstance, I might burst into tears. Another person may put his or her feelings quickly into words, confronting the mistreatment directly. Although our feelings can influence how we wish to act, our choices of how to behave are ultimately determined more by our attitudes and our habits. We respond to our emotional wounds based on what we believe about ourselves, how we think about the person who has hurt us, and how we perceive the world. Only in people who are severely traumatized or who have major mental illnesses is behavior governed by feelings. And only a tiny percentage of abusive men have these kinds of severe psychological problems.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Like a battalion of marines at roll call, her neck hairs marshaled to five-alarm status. She stumbled back to her desk, jerked open the botton drawer, retrieved a pair of Nighthawk binoculars, fixed the scopes on him, and fiddled with the focus. Gotcha. Hair the colour of coal. Chocolate brown eyes. A five-o'clock shadow ringing his craggy jawline. Handsome as the day was long... He sauntered towards her, oozing charisma from every pore. Charlee forgot to breathe. And then he committed the gravest sin of all, knocking her world helter-skelter. The scoundrel smiled.
Lori Wilde
Ethiopia is the center of origin and diversity for the majority of coffee we drink. The commodification of coffee pushes farmers to grow as much as possible by whatever means possible. This has contributed to deforestation. The place where coffee was born - the area with the greatest biodiversity of coffee anywhere in the world - could disappear. No forest, no coffee. No coffee, no forest. What we lose isn't specific to Ethiopia; it impacts us all.
Preeti Simran Sethi (Bread, Wine, Chocolate: The Slow Loss of Foods We Love)
If you loved someone, you loved him, and when you had nothing else to give, you still gave him love. when the last of the chocolate was gone, his mother had clasped the child in her arms. It was no use, it changed nothing, it did not produce more chocolate, it did net avert the child's death or her own; but it seemed natural to do it. The refugee woman in the boat had also covered the little boy with her arm, which was no more use against bullets than a sheet of paper. The terrible thing that the party has done was to persuade you that mere impulses, mere feelings, were of no account, while at the same time robbing you of all power over the material world. When once you were in the grip of the Party, what you felt or did not feel, what you did or refrained from doing, made literally no difference. Whatever happened you vanished, and neither you nor your actions were ever heard of again. You were lifted clean out of history.
George Orwell (1984)
More than anything, I'd like to go to a park today. I want to sit in a swing, drink chocolate milk, and not think about anything in the world except the pleasure of that moment. I want to know what a normal life feels like because I can't remember anymore. I want to drag my feet on the ground as I swing back and forth. I want to feel the fresh, spring chi on my skin. I'm very tempted to get out my Halloween decorations today because looking at them always gives me a little burst of excitement. I can't, though, because I have a rule: No Halloween decorations before June 21. That's the summer solstice, so after that we're officially in the second half of the year. Another rule I abide by is no peppermint until November 1. I only eat peppermint between November 1 and January 6, because that keeps it special. If you don't do things like that in here, then there's nothing to look forward to.
Damien Echols (Life After Death)
He went back to his first morning in Oxford: climbing a sunny hill with Ramy, picnic basket in hand. Elderflower cordial. Warm brioche, sharp cheese, a chocolate tart for dessert. The air that day smelled like a promise, all of Oxford shone like an illumination, and he was falling in love. 'It's so odd,' Robin said. Back then they'd already passed the point of honesty; they spoke to one another unfiltered, unafraid of the consequences. 'It's like I've known you forever.' 'Me too,' Ramy said. 'And that makes no sense,' said Robin, drunk already, though there was no alcohol in the cordial. 'Because I've known you for less than a day, and yet...' 'I think,' said Ramy, 'its' because when I speak, you listen.' 'Because you are fascinating.' 'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands.
R.F. Kuang (Babel)
Some say that eating chocolate is better than kissing, and scientists have dutifully tested this hypothesis by carrying out a set of experiments. In 2007, a team led by Dr. David Lewis recruited pairs of passionate lovers, whose brain activity and heart rate were monitored first while they kissed each other and then while they ate chocolate (separately). The researchers found that although kissing set the heart pounding, the effect did not last as long as when the participants ate chocolate. The study also showed that when the chocolate started melting, all regions of the brain received a boost far more intense and longer lasting than the brain activity measured while kissing.
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
The End of World War One Out of the scraped surface of the land men began to emerge, like puppies from the slit of their dam. Up from the trenches they came out upon the pitted, raw earth wobbling as if new-born. They could not believe they would be allowed to live, the orders had come down: no more killing. They approached the enemy, holding out chocolate and cigarettes. They shook hands, exchanged souvenirs--mess-kits, neckerchiefs. Some even embraced, while in London total strangers copulated in doorways and on the pavement, in the ecstasy of being reprieved. Nine months later, like men emerging from the trenches, first the head, then the body, there were lifted, newborn, from these mothers, the soldiers of World War Two.
Sharon Olds
I tried to bend over and touch my toes this morning,” I tell the girls. “I tipped over, hit my head on the desk, and then had to call for Nana to get up. I’m literally the size of an Oompa Loompa.” “You’re the most beautiful Oompa Loompa in the world,” Hope declares. “Because she’s not orange.” “Oompa Loompas were orange?” I try to conjure up a mental picture of them but can only recall their white overalls. Carin purses her lips. “Were they supposed to be candies? Like orange slices? Or maybe candy corn?” “They were squirrels,” Hope informs us. “No way,” we both say at once. “Yes way. I read it on the back of a Laffy Taffy when I was like ten. It was a trivia question and I’d just seen the movie. I was terrified of squirrels for years afterwards.” “Shit. Learn something new every day.” I push my body upright, a task that takes a certain amount of upper body strength these days, and toddle over to inspect the crib. “I don’t believe you,” Carin tells Hope. “The movie is about candy. It’s called Willy Wonka and the Chocolate Factory. Since when are squirrels candies? I can buy into a bunny because, you know, the chocolate Easter bunnies, but not a squirrel.” “Look it up, Careful. I’m right.” “You’re ruining my childhood.” Carin turns to me. “Don’t do this to your daughter.” “Raise her to believe Oompa Loompas are squirrels?” “Yes
Elle Kennedy (The Goal (Off-Campus, #4))
The clerks at the bank who turned over our information. The fake attorney. The man who gave me free hot chocolate at Hertzoon’s fake office. I destroyed them all, one by one, brick by brick. And Rollins will be the last. These things don’t wash away with prayer, Wraith. There is no peace waiting for me, no forgiveness, not in this life, not in the next.” Inej shook her head. How could she still look at him with kindness in her eyes? “You don’t ask for forgiveness, Kaz. You earn it.” “Is that what you intend to do? By hunting slavers?” “By hunting slavers. By rooting out the merchers and Barrel bosses who profit off of them. By being something more than just the next Pekka Rollins.” It was impossible. There was nothing more. He could see the truth even if she couldn’t. Inej was stronger than he would ever be. She’d kept her faith, her goodness, even when the world tried to take it from her with greedy hands. His eyes scanned her face as they always had, closely, hungrily, snatching at the details of her like the thief he was—the even set of her dark brows, the rich brown of her eyes, the upward tilt of her lips. He didn’t deserve peace and he didn’t deserve forgiveness, but if he was going to die today, maybe the one thing he’d earned was the memory of her—brighter than anything he would ever have a right to—to take with him to the other side.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Note to self: Try to extend positive feelings associated with Scratch-Off win into all areas of life. Be bigger presence at work. Race up ladder (joyfully, w/smile on face), get raise. Get in best shape of life, start dressing nicer. Learn guitar? Make point of noticing beauty of world? Why not educate self re. birds, flowers, trees, constellations, become true citizen of natural world, walk around neighborhood w/kids, patiently teaching kids names of birds, flowers, etc. etc.? Why not take kids to Europe? Kids have never been. Have never, in Alps, had hot chocolate in mountain café, served by kindly white-haired innkeeper, who finds them so sophisticated/friendly relative to usual snotty/rich American kids (who always ignore his pretty but crippled daughter w/braids) that he shows them secret hiking path to incredible glade, kids frolic in glade, sit with crippled pretty girl on grass, later say it was most beautiful day of their lives, keep in touch with crippled girl via email, we arrange surgery here for her, surgeon so touched he agrees to do surgery for free, she is on front page of our paper, we are on front page of their paper in Alps? Ha ha. Just happy.
George Saunders (Tenth of December)
After a moment or two a man in brown crimplene looked in at us, did not at all like the look of us and asked us if we were transit passengers. We said we were. He shook his head with infinite weariness and told us that if we were transit passengers then we were supposed to be in the other of the two rooms. We were obviously very crazy and stupid not to have realized this. He stayed there slumped against the door jamb, raising his eyebrows pointedly at us until we eventually gathered our gear together and dragged it off down the corridor to the other room. He watched us go past him shaking his head in wonder and sorrow at the stupid futility of the human condition in general and ours in particular, and then closed the door behind us. The second room was identical to the first. Identical in all respects other than one, which was that it had a hatchway let into one wall. A large vacant-looking girl was leaning through it with her elbows on the counter and her fists jammed up into her cheekbones. She was watching some flies crawling up the wall, not with any great interest because they were not doing anything unexpected, but at least they were doing something. Behind her was a table stacked with biscuits, chocolate bars, cola, and a pot of coffee, and we headed straight towards this like a pack of stoats. Just before we reached it, however, we were suddenly headed off by a man in blue crimplene, who asked us what we thought we were doing in there. We explained that we were transit passengers on our way to Zaire, and he looked at us as if we had completely taken leave of our senses. 'Transit passengers? he said. 'It is not allowed for transit passengers to be in here.' He waved us magnificently away from the snack counter, made us pick up all our gear again, and herded us back through the door and away into the first room where, a minute later, the man in the brown crimplene found us again. He looked at us. Slow incomprehension engulfed him, followed by sadness, anger, deep frustration and a sense that the world had been created specifically to cause him vexation. He leaned back against the wall, frowned, closed his eyes and pinched the bridge of his nose. 'You are in the wrong room,' he said simply. `You are transit passengers. Please go to the other room.' There is a wonderful calm that comes over you in such situations, particularly when there is a refreshment kiosk involved. We nodded, picked up our gear in a Zen-like manner and made our way back down the corridor to the second room. Here the man in blue crimplene accosted us once more but we patiently explained to him that he could fuck off.
Douglas Adams (Last Chance to See)
The wild is an integral part of who we are as children. Without pausing to consider what or where or how, we gather herbs and flowers, old apples and rose hips, shiny pebbles and dead spiders, poems, tears and raindrops, putting each treasured thing into the cauldron of our souls. We stir our bucket of mud as if it were, every one, a bucket of chocolate cake to be mixed for the baking. Little witches, hag children, we dance our wildness, not afraid of not knowing. But there comes a time when the kiss of acceptance is delayed until the mud is washed from our knees, the chocolate from our faces. Putting down our wooden spoon with a new uncertainty, setting aside our magical wand, we learn another system of values based on familiarity, on avoiding threat and rejection. We are told it is all in the nature of growing up. But it isn't so. Walking forward and facing the shadows, stumbling on fears like litter in the alleyways of our minds, we can find the confidence again. We can let go of the clutter of our creative stagnation, abandoning the chaos of misplaced and outdated assumptions that have been our protection. Then beyond the half light and shadows, we can slip into the dark and find ourselves in a world where horizons stretch forever. Once more we can acknowledge a reality that is unlimited finding our true self, a wild spirit, free and eager to explore the extent of our potential, free to dance like fireflies, free to be the drum, free to love absolutely with every cell of our being, or lie in the grass watching stars and bats and dreams wander by. We can live inspired, stirring the darkness of the cauldron within our souls, the source, the womb temple of our true creativity, brilliant, untamed
Emma Restall Orr
Hey.’ Annabeth slid next to me on the bench. ‘Happy birthday.’ She was holding a huge misshapen cupcake with blue icing. I stared at her. ‘What?’ ‘It’s August eighteenth,’ she said. ‘Your birthday, right?’ I was stunned. It hadn’t even occurred to me, but she was right. I had turned sixteen this morning – the same morning I’d made the choice to give Luke the knife. The prophecy had come true right on schedule, and I hadn’t even thought about the fact that it was my birthday. ‘Make a wish,’ she said. ‘Did you bake this yourself?’ I asked. ‘Tyson helped.’ ‘That explains why it looks like a chocolate brick,’ I said. ‘With extra-blue cement.’ Annabeth laughed. I thought for a second then blew out the candle. We cut it in half and shared, eating with our fingers. Annabeth sat next to me and we watched the ocean. Crickets and monsters were making noise in the woods, but otherwise it was quiet. ‘You saved the world,’ she said. ‘We saved the world.’ ‘And Rachel is the new Oracle, which means she won’t be dating anybody.’ ‘You don’t sound disappointed,’ I noticed. Annabeth shrugged. ‘Oh, I don’t care.’ ‘Uh-huh.’ She raised an eyebrow. ‘You got something to say to me, Seaweed Brain?’ ‘You’d probably kick my butt.’ ‘You know I’d kick your butt.’ I brushed the cake off my hands. ‘When I was at the River Styx, turning invulnerable … Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal.’ Annabeth kept her eyes on the horizon. ‘Yeah?’ ‘Then up on Olympus,’ I said, ‘when they wanted to make me a god and stuff, I kept thinking –’ ‘Oh, you so wanted to.’ ‘Well, maybe a little. But I didn’t, because I thought – I didn’t want things to stay the same for eternity, because things could always get better. And I was thinking …’ My throat felt really dry. ‘Anyone in particular?’ Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile. ‘You’re laughing at me,’ I complained. ‘I am not!’ ‘You are so not making this easy.’ Then she laughed for real, and she put her hands around my neck. ‘I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.’ When she kissed me, I had the feeling my brain was melting right through my body.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I also find Mill’s words to be of use when considering relationships. Often we want our friends, partners and people we love to be like us, because that allows us to feel validated and accepted. It is a powerful thing to find people in this world who share our values and instincts. But it is also important to celebrate the differences between our partners and us. Would we really want to be in a relationship where the other person reminds us every day of ourselves? Wouldn’t it just be like having rich chocolate cake every day? Do we even especially like people who are very much like us? Don’t we find ourselves cynical of their motives, believing we can see right through them? Love seems to come without a template. We may think we know what we want in a partner and then one day find ourselves in love for very different reasons. In the same way that differing, developed individuals contribute to Mill’s view of society and make it worth belonging to, so too the differences between people in a relationship can be precisely the substance of what makes it valuable. And then, rather than falling for that old fallacy of entering into a relationship thinking you will ‘change’ the other person to more comfortably reflect your values, you might see the qualities that separate them from you as precisely the features to celebrate. These qualities can complement our own: our laid-back approach to life can be challenged by the more active, dynamic ambition we might see in a partner, or vice versa. When the time comes, it will be useful to have them in mind as a role model. And to echo Mill: as our partners develop their own unique qualities, they can become of more value to themselves and therefore to the relationship as a whole.
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)