Short Queen Quotes

We've searched our database for all the quotes and captions related to Short Queen. Here they are! All 100 of them:

What in hell is that?” She kept going toward the bathroom, refusing to apologize or look down at the pink, delicate, very short lace nightgown. When she emerged, face washed and clean, Rowan was sitting up, arms crossed over his bare chest. “You forgot the bottom part.” She merely blew out the candles in the room one by one. His eyes tracked her the entire time. “There is no bottom part,” she said, flinging back the covers on her side. “It’s starting to get so hot, and I hate sweating when I sleep. Plus, you’re practically a furnace. So it’s either this or I sleep naked. You can sleep in the bathtub if you have a problem with it.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Remember... life is short. Each moment you have is precious. Treasure every second. Don't spend them doing anything you don't love.
Meg Cabot (Queen of Babble Gets Hitched (Queen of Babble, #3))
Ten feet from the car, a man stepped directly into our path. We came to a screeching halt, and I jerked Lissa back by her arm. It was him, the guy I’d seen across the street watching me. He was older than us, maybe mid-twenties, and as tall as I’d figured, probably six-six or six-seven. And under different circumstances–say, when he wasn’t holding up our desperate escape–I would have thought he was hot. Shoulder-length brown hair, tied back in a short ponytail. Dark brown eyes. A long brown coat–a duster, I thought it was called. But his hotness was irrelevant now. He was only an obstacle keeping Lissa and me away from the car and our freedom. The footsteps behind us slowed, and I knew our pursuers had caught up. Off to the sides, I detected more movement, more people closing in. God. They’d almost sent a dozen guardians to retrieve us. I couldn’t believe it. The queen herself didn’t travel with that many.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Three mouthfuls. That's all Fenrys took before he laid his head back on the moss and closed his eyes. Rowan couldn't move. None of them moved. Aelin mouthed a short, curt word. Fenrys did not respond. She spoke again, that queen's unfaltering. Live.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
There are some things worth giving up anything for, even your freedom, and getting rid of your period is definitely one of them.
Connie Willis (Even the Queen, & Other Short Stories)
Rowan just asked, “Did you have a favorite form?” Lysandra's grin was nothing short of wicked. “I liked anything with claws and big, big fangs.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
If some area of your life sucks - do something else. Life is too short - and too long - to spend it being miserable. Life may indeed be short but it is for a fact wide. It is high time we started settling for more.
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
A mortal had woven it, a man who, having caught sight of the Seelie queen, had spent the remainder of his short life weaving depictions of her. He had died of starvation, raw, red fingers staining the final tapestry.
Holly Black (Tithe (Modern Faerie Tales, #1))
Life is too short to go around hating things I know nothing about. My ignorance doesn’t mean others should suffer.
G.A. Aiken (The Blacksmith Queen (The Scarred Earth Saga, #1))
We don't get to choose how we're born, Miranda, and very rarely how we die; but we get to choose how we live. Life is too short to spend in dread and guilt.
Dianne Sylvan (Queen of Shadows (Shadow World, #1))
Vampires, fey folk, werewolves, Shadowhunters, and demons - these things made sense to Magnus. But the mundane world - it seemed to have no pattern, no form. Their quicksilver politics. Their short lives...
Cassandra Clare (The Runaway Queen (The Bane Chronicles, #2))
I stay because there is an extraordinary difference between thinking of you and seeing you in the mortal flesh. I stay for the one moment you smile throughout the day. Or to watch you run your hand through your hair. Because I must, must –" his breath was short – "must be near you, in any way I can.
Rebecca Maizel (Stolen Nights (Vampire Queen, #2))
In fairy tales, there were always ogres or evil queens or circumstances to be overcome. But in real life, you could give everything you had, everything you were, for someone, and still fall short.
Kit Rocha (Beyond Innocence (Beyond, #6))
Life is too short not to be who you are
Libba Bray (Beauty Queens)
A gentleman would have announced himself!” I told him, pressing against the side of the tub. “And a scoundrel would have joined you.” -- Kit Marlowe to the witch Gillian (shortly before joining her in the tub!)
Karen Chance
I didn't ask anything—I hadn't the words. Instead I spoke the smallest one—the one I should have used more in my short and foolish life. Sorry.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
Hey, let’s try speed-starting the fire with an infusion of pure oxygen!” Because inside every senior tech officer was a junior tech officer who’d been on a short leash for a long time.
Lois McMaster Bujold (Gentleman Jole and the Red Queen (Vorkosigan Saga (Publication) #16))
Consider it this way: what would you say if a blond homecoming queen fell in love with a short Japanese businessman? He treats her cruelly, then goes home for three years, during which time she prays to his picture and turns down marriage from a young Kennedy. Then, when she learns he has remarried, she kills herself. Now I believe you should consider this girl to be a deranged idiot, correct? But because it's an Oriental who kills herself for a Westerner–ah!–you find it beautiful.
David Henry Hwang (M. Butterfly)
Babies need not to be taught a trade, but to be introduced to a world. To put the matter shortly, woman is generally shut up in a house with a human being at the time when he asks all the questions that there are, and some that there aren't. It would be odd if she retained any of the narrowness of a specialist. Now if anyone says that this duty of general enlightenment (even when freed from modern rules and hours, and exercised more spontaneously by a more protected person) is in itself too exacting and oppressive, I can understand the view. I can only answer that our race has thought it worth while to cast this burden on women in order to keep common-sense in the world. But when people begin to talk about this domestic duty as not merely difficult but trivial and dreary, I simply give up the question. For I cannot with the utmost energy of imagination conceive what they mean. When domesticity, for instance, is called drudgery, all the difficulty arises from a double meaning in the word. If drudgery only means dreadfully hard work, I admit the woman drudges in the home, as a man might drudge at the Cathedral of Amiens or drudge behind a gun at Trafalgar. But if it means that the hard work is more heavy because it is trifling, colorless and of small import to the soul, then as I say, I give it up; I do not know what the words mean. To be Queen Elizabeth within a definite area, deciding sales, banquets, labors and holidays; to be Whiteley within a certain area, providing toys, boots, sheets, cakes. and books, to be Aristotle within a certain area, teaching morals, manners, theology, and hygiene; I can understand how this might exhaust the mind, but I cannot imagine how it could narrow it. How can it be a large career to tell other people's children about the Rule of Three, and a small career to tell one's own children about the universe? How can it be broad to be the same thing to everyone, and narrow to be everything to someone? No; a woman's function is laborious, but because it is gigantic, not because it is minute. I will pity Mrs. Jones for the hugeness of her task; I will never pity her for its smallness.
G.K. Chesterton (What's Wrong with the World)
Picture a thirteen-year-old boy sitting in the living room of his family home doing his math assignment while wearing his Walkman headphones or watching MTV. He enjoys the liberties hard won over centuries by the alliance of philosophic genius and political heroism, consecrated by the blood of martyrs; he is provided with comfort and leisure by the most productive economy ever known to mankind; science has penetrated the secrets of nature in order to provide him with the marvelous, lifelike electronic sound and image reproduction he is enjoying. And in what does progress culminate? A pubescent child whose body throbs with orgasmic rhythms; whose feelings are made articulate in hymns to the joys of onanism or the killing of parents; whose ambition is to win fame and wealth in imitating the drag-queen who makes the music. In short, life is made into a nonstop, commercially prepackaged masturbational fantasy.
Allan Bloom (The Closing of the American Mind)
My Dearest Love, As I sit here writing, I wish nothing more than to have you with me. The days have gone slowly without your tender gaze upon mine. I am weak without you and do not know how I can survive in this state. The scent of your hair, the touch of your lip, the rose of your cheek all lay engraved in my touch, my sight, my scent, my mind and my heart. I am committed to you with all that I am, and I am nothing without you. Tonight I lay awake recounting our lover’s meets and I agonize over the insignificant distance between us. Yet, it so pains me to have you this short distance away. Might I be a fool to feel this way? And if a fool I am, then it is for you; for you would make any man a king’s fool, my queen. I pray thee sleep well, with dreams of your one true love and may he be me, for the love of my eternal life is the one that breathes life into my soul and that is you and only you. I bid thee sweet dreams and sweet kisses on thy cheek and thy lip and thine eyes, that I should be so fortunate to keep them on mine lip every night. Ceaselessly Yours, David Chios
Nely Cab (Creatura (Creatura, #1))
The Queen of Monsea, in trousers and short hair, looking for all the world like a miniature pirate.
Kristin Cashore (Graceling (Graceling Realm #1))
Centuries pass when nothing happens, and then in a few short years events of such tremendous importance take place that the world is never the same again .... Now's the time to be alive-- to see it happen, to be a part of it. That makes the blood race, and each breath is an adventure.
David Eddings (The Belgariad, Vol. 1: Pawn of Prophecy / Queen of Sorcery / Magician's Gambit (The Belgariad, #1-3))
Life is too short to read a bad book
Hildie McQueen (Desperate Betrayal (The Protectors #1))
She's as old as the hills, evil as a snake, all malevolence and magic and death.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
She resented being put in a position where those were her choices: violence or violation. She didn’t want to be built to endure, a long-suffering saint tossed by the whims of men. She wanted, for once, not to be handed the short end of the stick by a system that expected gratitude in return.
Parini Shroff (The Bandit Queens)
Destinies, are like roads. Relationships are much like destinies. Therefore, relationships are like roads. Some roads are circular. They start at one spot and end in the same. Some roads fork and force. Their travelers to choose which way to go. Some roads go great distances. And then there are those that end abruptly. Who is to say that a short road is less meaningful than a long?
Heather Lyons (The Hidden Library (The Collectors' Society, #2))
Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.
Libba Bray (Beauty Queens)
He didn't object as she took up a place at the head of the tub and dumped some of the tonic into his short hair. The sweet, night-filled scent of jasmine floated up, caressing and kissing her. Even Rowan breathed it in as she scrubbed the tonic into his scalp. "I could still probably braid this," she mused. "Very teensy-tiny braids, so - " He growled, but leaned back against the tub, his eyes closed. "You're no better than a house cat," she said, massaging his head. He let out a low noise in his throat that might have very well have been a purr. Washing his hair was intimate-a privilege she doubted he'd ever allowed many people; something she'd never done for anyone else. But lines had always been blurred for them, and neither of them had particularly cared. He'd seen every inch of her several times, and she'd seen most of him. They'd shared a bed for months. On top of that, they were carranam. He'd let her inside his power, past his inner barriers, to where half a thought from her could have shattered his mind. So washing his hair, touching him... it was an intimacy, but it was essential, too.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The Priestess Her skin was pale, and her eyes were dark, and her hair was dyed black. She went on a daytime talk show and proclaimed herself a vampire queen. She showed the cameras her dentally crafted fangs, and brought on ex-lovers who, in various stages of embarrassment, admitted that she had drawn their blood, and that she drank it. "You can be seen in a mirror, though?" asked the talk show hostess. She was the richest woman in America, and had got that way by bringing the freaks and the hurt and the lost out in front of her cameras and showing their pain to the world. The studio audience laughed. The woman seemed slightly affronted. "Yes. Contrary to what people may think, vampires can be seen in mirrors and on television cameras." "Well, that's one thing you finally got right, honey," said the hostess of the daytime talk show. But she put her hand over her microphone as she said it, and it was never broadcast.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
My guitar's name was Liz. As in, short for Elizabeth, Queen of England. She was a lady. Don't judge.
Rachael Wade (Declaration (Preservation, #3))
Certain poems and lines of poetry seem as solid and miraculous to me as church altars or the coronation of queens must seem to people who revere quite different images.
Sylvia Plath (Johnny Panic and the Bible of Dreams: Short Stories, Prose, and Diary Excerpts)
What she read was a series of short connected lyrics, “Isis in Darkness.” The Egyptian Queen of Heaven and Earth was wandering in the Underworld, gathering up pieces of the murdered and dismembered body of her lover Osiris. At the same time, it was her own body she was putting back together; and it was also the physical universe. She was creating the universe by an act of love.
Margaret Atwood (Wilderness Tips)
And then the queen wept with all her heart. Not for the cruel and greedy man who had warred and killed and savaged everywhere he could. But for the boy who had somehow turned into that man, the boy whose gentle hand had comforted her childhood hurts, the boy whose frightened voice had cried out to her at the end of his life, as if he wondered why he had gotten lost inside himself, as if he realized that it was too, too late to get out again.
Orson Scott Card (Maps in a Mirror: The Short Fiction of Orson Scott Card)
She loved him no longer, it was true, but often the memory of love was more powerful than the love itself. For a short while that had felt like a long while, he'd been her world. But her world was bigger now.
Parini Shroff (The Bandit Queens)
Mother' (with a short scornful laugh), 'you will make me confess. The only time I saw Miss Hale, she treated me with a haughty civility which had a strong flavour of contempt in it. She held herself aloof from me as if she had been a queen, and I her humble, unwashed vassal. Be easy, mother.
Elizabeth Gaskell (North and South)
I can’t help being a gorgeous fiend. It’s just the card I drew. The bastard monster who made me what I am picked me on account of my good looks. That’s the long and short of it. And accidents like that occur all the time.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Marie supposedly is still queen of a land where you can see sparkling Christmas Forests everywhere as well as translucent Marzipan Castles - in short, the most splendid and most wondrous things, if you only have the right eyes to see them with.
E.T.A. Hoffmann (The Nutcracker)
Vida Winter's appearance was not calculated for concealment. She was an ancient queen, sorceress or goddess. Her stiff figure rose regally out of a profusion of fat purple and red cushions. Draped around her shoulders, the folds of the turquoise-and-green cloth that had cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous tone.
Diane Setterfield (The Thirteenth Tale)
It is found easier, by the short-sighted victims of disease, to palliate their torments by medicine, than to prevent them by regimen.
Percy Bysshe Shelley (A vindication of natural diet: Being one in a series of notes to Queen Mab (a philosophical poem))
inside every senior tech officer was a junior tech officer who’d been on a short leash for a long time.
Lois McMaster Bujold (Gentleman Jole and the Red Queen (Vorkosigan Saga (Publication) #16))
There is hope for you,’ said the Queen. ‘You believe you are my only hope, but, truthfully, I am yours.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this...pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world.
Michael Cunningham (A Wild Swan: And Other Tales)
Life is short, precious, and should not be wasted. Everyone has a chance at it. We’re equals after all. There are no pawns, no kings, and no queens. We’re all humans and we all have the same value.
Cristelle Comby (Blind Chess (The Neve & Egan cases, #4))
Dear Daughter, Revolutionise your life. Rise and cease looking down on yourself. You have what it takes to dream big and manifest big dreams. Do it. Do it now. Do not wait for tomorrow. The clock is ticking.
Gift Gugu Mona (Dear Daughter: Short and Sweet Messages for a Queen)
There was once a country ruled by a king and queen who loved different things. The king loved cats and the queen loved birds. And just as cats and birds never get along, so it was that the king and queen never got along. And everyone in the country suffered as a result. In short, it was not a very pretty situation.
Kristin Kladstrup (The Book of Story Beginnings)
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Better a long ignoble life of shallow pleasures than a short stab at heroism, ending with a short stab. And just because one man plays another doesn’t always mean that it’s not the right direction for both of them.
Mark Lawrence (Prince of Fools (The Red Queen's War, #1))
The Queen of Crimson. And, in time, Death’s Herald, Ghost of Grimway, and Butcher of Brindale. My name has been public knowledge only for a short time but my reputation was crafted the day I massacred an entire envoy.
Rose Reid (Crown of Crimson (The Afterlight Chronicles, #1))
I am..." Who was I? Daughter, sister, wife, queen, composer,; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes. "I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
S. Jae-Jones (Wintersong (Wintersong, #1))
All right. Here's the deal, bigshot: suck my cock. Do that and I'll let you go. Straight trade." He unzipped his fly and pulled down the elastic front of his shorts. Something that looked like a dead whitesnake fell out. Johnny observed the thin stream of blood driz-zling from it without surprise. The cop was bleeding from every other orifice, wasn't he? "Speaking in the literature sense," the cop said, grinning, "this particular blowjob is going to be a little more Anne Rice than Armistead Maupin. I suggest you follow Queen Victoria's advice - close your eyes and think of strawberry shortcake.
Stephen King (Desperation)
Dear Exquisite Black Queen… Being a Strong Black Woman doesn’t mean that you can’t be vulnerable. It’s okay to cry. It’s okay if you’re having a bad day. It’s okay if some days you feel like giving up. It’s okay if you need to ask for help. It’s okay if you’re feeling stressed out. It’s okay if you’re feeling a little depressed. It’s okay if you’re not quite sure about what you’re going to do next. It’s okay if you fall short sometimes. It’s okay if you don’t have all the answers. It’s okay to show your true emotions and not feel weak. I encourage you to not be so hard on yourself! Allow yourself to feel whatever it is you’re feeling, and know that it’s okay. You’re human, and you’re doing your VERY best, Queen. Love, respect, and appreciate the Black Queen you are!
Stephanie Lahart
I am woman and woman is beautiful. We are expected to be beautiful, so I will be what people don’t expect. They don’t expect intelligence, they don’t expect grace. I am strong, and even when others have the ability to physically overpower me, mentally, I am stronger. I am a queen on a throne, and a place next to me must be earned. When I find my king, his power doesn’t erase my own. My crown is not a man’s to repossess. I was born in regality. I am kind, but naivety does not dwell within me. I am woman. I am the origin. Everything begins and ends with me. No man is worthy of my worth. I cannot be bought. I will not sell myself short. I do not give discounts. I am woman. I demand respect. I respect my dignity. My presence is a revocable gift, rented with effort and good intention. I am woman.
Ashley Antoinette (Ethic 3)
North. To Terrasen. To fight, not run. To Aelin and Ren and Aedion—grown and strong and alive. She did not know how long it would take or how far she would have to walk, but she would make it. She would not look back. Walking under the trees, the forest buzzing around her, Elide pressed a hand against the pocket inside her leather jacket, feeling the hard little lump tucked there. She whispered a short prayer to Anneith for wisdom, for guidance—and could have sworn a warm hand brushed her brow as if in answer. It straightened her spine, lifted her chin. Limping, Elide began the long journey home.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
He turned his mind back to another unwelcome task: mentally composing his letter to Chase. Dear friend, you were right. I'll be very late seemed too short, and would give his friend far too much to crow about; but I must venture through time with the pirate queen would be met with confusion, and fear for Nicholas's mind.
Alexandra Bracken (Passenger (Passenger, #1))
Queen Gunnhild waves away the advice with a pale hand. "I can't abide that scourge sneaking around the Chateau, killing everyone that comes within an inch of its evil presence. That building and its surrounds are Nord Property and we are in dire need of an outpost so near the Gray Sea again. It's time to end this, return a presence to a southern territory.
Mandy Gardner (Short Tales From Earth's Final Chapter: Book 1: Volume 1 Paperback (English) Close)
Akasha, for two thousand years I have watched,' he said. 'Call me the Roman in the Arena if you will and tell me tales of the ages that went before. When I knelt at your feet I begged you for your knowledge. But what I have witnessed in this short span has filled me with awe and love for all things mortal; I have seen revolutions in thought and philosophy which I believed impossible. Is not the human race moving towards the very age of peace you describe?' Her face was a picture of disdain. 'Marius,' she said, 'this will go down as one of the bloodiest centuries in the history of the human race. What revolutions do you speak of, when millions have been exterminated by one small European nation on the whim of a madman, when entire cities were melted into oblivion by bombs? When children in desert countries of the East war on other children in the name of an ancient and despotic God? Marius, women the world over wash the fruits of their wombs down public drains. The screams of the hungry are deafening, yet unheard by the rich who cavort in technological citadels; disease runs rampant among the starving of whole continents while the sick in palatial hospitals spend the wealth of the world on cosmetics refinements and the promise of eternal life through pills and vials." She laughed softly. 'Did ever the cries of the dying ring so thickly in the ears of those of us who can hear them? Has ever more blood been shed?
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
Life is too short to hold back, so live It as if It's not guaranteed.
Queen Of Spades
Aelin said to Fenrys, “We’ll only invite him to Orynth on holidays.” “So he can ruin the festivities?” Fenrys scowled. “I, for one, cherish my holidays. I don’t need a misanthrope raining on them.” Gods above. Lorcan cut Rowan a look, but the warrior-prince was watching his queen carefully. As if he knew precisely what manner of storm brewed beneath her skin. Aelin waved a hand. “Fine, fine. You won’t try to kill Lorcan for what happened in Eyllwe, and in exchange, we won’t invite him to anything.” Her grin was nothing short of wicked.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
With domineering hand she moves the turning wheel, Like currents in a treacherous bay swept to and fro: Her ruthless will has just deposed once fearful kings While trustless still, from low she lifts a conquered head; No cries of misery she hears, no tears she heeds, But steely hearted laughs at groans her deeds have wrung. Such is a game she plays, and so she tests her strength; Of mighty power she makes parade when one short hour Sees happiness from utter desolation grow. (A Consolation of Philosophy, Book II, translated by V.E. Watts)
Boethius - Queen Elizabeth I translation
Queen and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light, Goddess excellently bright. Earth, let not thy envious shade Dare itself to interpose, Cynthia's shining orb was made Heaven to clear when day did close: Bless us then with wished sight, Goddess excellently bright. Lay thy bow of pearl apart, And thy crystal-shining quiver, Give unto the flying hart Space to breath, how short soever: Thou that mak'st a day of night- Goddess excellently bright.
Ben Jonson
Love me,’ said the girl. ‘All will love me, and you, who woke me, you must love me most of all.’ The queen felt something stirring in her heart. She remembered her stepmother then. Her stepmother had liked to be adored. Learning how to be strong, to feel her own emotions and not another’s, had been hard; but once you learned the trick of it, you did not forget. And she did not wish to rule continents.
Neil Gaiman (Trigger Warning: Short Fictions and Disturbances)
Well? Can we fight together?” It was the queen who said the word, but Roshar who made it real. He crossed the short space of the forge and placed one palm on Arin’s cheek. It was the Herrani gesture of kinship. The queen smiled as Arin returned the gesture, and then the word came: beautiful, deadly, as small and hot as the hole in the kitchen door. In that moment, that word was all that Arin wanted. “Yes.” *
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Why does it always have to hurt so much?” Kingsley asked. “What?” “Life.” Nora smiled. “God’s a sadist. That’s why.” “You think so?” “Oh, I know so,” Nora said. “I’m a writer. I do what God does in miniature every time I write a book. I create worlds and people out of nothing—ex nihilo—and I torture the fuck out of them for four hundred pages.” “Because you’re a sadist?” “Partly that. Plus...if I didn’t torture them it would be a real fucking short book. And trust me on this, King, there is no money in short stories.” Kingsley laughed and buried his head into her lap again, seeking her comfort and safety and the shelter of someone stronger. “You’ve solved the oldest theological conundrum of all time,” Kingsley said. “Why does God allow suffering? Because there’s no money in short stories.” “I’ll tell you one more little secret about being a god. Even though I torture them for four hundred pages, it hurts me to do it.” “They aren’t real. Why does it hurt?” “I created them. They’re mine. I love them. God loves us, too, even when He hurts us. Especially when He hurts us, I imagine.
Tiffany Reisz (The Queen (The Original Sinners, #8))
Tears shone in Lucien’s remaining eye as he raised his hands and removed the fox mask. The brutally scarred face beneath was still handsome—his features sharp and elegant. But my host was looking at Tamlin now, who slowly faced my dead body. Tamlin’s still-masked face twisted into something truly lupine as he raised his eyes to the queen and snarled. Fangs lengthened. Amarantha backed away—away from my corpse. She only whispered “Please” before golden light exploded. The queen was blasted back, thrown against the far wall, and Tamlin let out a roar that shook the mountain as he launched himself at her. He shifted into his beast form faster than I could see—fur and claws and pound upon pound of lethal muscle. She had no sooner hit the wall than he gripped her by the neck, and the stones cracked as he shoved her against it with a clawed paw. She thrashed but could do nothing against the brutal onslaught of Tamlin’s beast. Blood ran down his furred arm from where she scratched. The Attor and the guards rushed for the queen, but several faeries and High Fae, their masks clattering to the ground, jumped into their path, tackling them. Amarantha screeched, kicking at Tamlin, lashing at him with her dark magic, but a wall of gold encompassed his fur like a second skin. She couldn’t touch him. “Tam!” Lucien cried over the chaos. A sword hurtled through the air, a shooting star of steel. Tamlin caught it in a massive paw. Amarantha’s scream was cut short as he drove the sword through her head and into the stone beneath. And then closed his powerful jaws around her throat—and ripped it out.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
The gate was made out of blocks of stone bigger across than I am tall. Something else supposedly built by the old gods, it was topped by a solid stone lintel with two carved lions that were supposed to roar if an enemy of the king passed beneath them. At least they were said to be lions. The stone had been weathered by the centuries, and only indistinct monster figures remained, facing each other over a short pillar. They remained silent as we passed under.
Megan Whalen Turner (The Thief (The Queen's Thief, #1))
George Williams, the revered evolutionary biologist, describes the natural world as “grossly immoral.” Having no foresight or compassion, natural selection “can honestly be described as a process for maximizing short-sighted selfishness.” On top of all the miseries inflicted by predators and parasites, the members of a species show no pity to their own kind. Infanticide, siblicide, and rape can be observed in many kinds of animals; infidelity is common even in so-called pair-bonded species; cannibalism can be expected in all species that are not strict vegetarians; death from fighting is more common in most animal species than it is in the most violent American cities. Commenting on how biologists used to describe the killing of starving deer by mountain lions as an act of mercy, Williams wrote: “The simple facts are that both predation and starvation are painful prospects for deer, and that the lion's lot is no more enviable. Perhaps biology would have been able to mature more rapidly in a culture not dominated by Judeo-Christian theology and the Romantic tradition. It might have been well served by the First Holy Truth from [Buddha's] Sermon at Benares: “Birth is painful, old age is painful, sickness is painful, death is painful...”” As soon as we recognize that there is nothing morally commendable about the products of evolution, we can describe human psychology honestly, without the fear that identifying a “natural” trait is the same as condoning it. As Katharine Hepburn says to Humphrey Bogart in The African Queen, “Nature, Mr. Allnut, is what we are put in this world to rise above.
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
It is of no use mincing the matter; Dr John Marsh, after being regarded by his friends at home as hopelessly unimpressible—in short, an absolute woman-hater—had found his fate on a desolate isle of the Southern seas, he had fallen—nay, let us be just—had jumped over head and ears in love with Pauline Rigonda! Dr Marsh was no sentimental die-away noodle who, half-ashamed, half-proud of his condition, displays it to the semi-contemptuous world. No; after disbelieving for many years in the power of woman to subdue him, he suddenly and manfully gave in—sprang up high into the air, spiritually, and so to speak, turning a sharp somersault, went headlong down deep into the flood, without the slightest intention of ever again returning to the surface.
R.M. Ballantyne (The Island Queen: Dethroned by Fire and Water: A Tale of the Southern Hemisphere)
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’ Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand. ‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
This was the culmination of all her hopes. God had seen fit to answer her prayers, and she was filled to the brim with thankfulness. She was to be Queen of England, raised by this magnificent young man to be the bride of his heart and the mother of his heirs. Those who had scorned he and tried to humiliate her would now have to defer to her - she tried not to relish the prospect, but she was only human. The days of want were gone for good; very shortly she wold be the wife of the richest king ever to reign in England.
Alison Weir (Katherine of Aragon: The True Queen (Six Tudor Queens, #1))
Peter smiled as Concheetah sashayed across the ballroom floor Concheetah sashayed towards him, wriggling her hips, full lips in a pout, followed obediently by the tentative, Tapping Ted dressed in tight shorts and singlet. Tapping? Tapping because he always wore conspicuous, tap-dancing shoes in the club. Was Ted going to rip up the stage as a mincing Irish dancer or maybe perform a Gene Kelly routine or the Swan Lake ballet in taps? It was terrible to imagine. Peter bit his lip at that thought, hoping he wouldn’t burst into howls of laughter. He had noted after coming to several shows, that Ted usually stood at the side of the stage ready with a drink of champagne and an encouraging word and a dry towel to mop Her Highness’s face. And he always cried during the show’s finale, Abba’s Dancing Queen. Poor Tapping Ted.
T.W. Lawless (Thornydevils (Peter Clancy #2))
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
Progress in evil was quick and easy; Apollyon was not a chap who hid himself and he gave every assistance in his power. The growth in goodness was so slow, at times so flat, so dull, and like the White Queen one had to run so fast to stay where one was, let alone progress; and there were few men who dared to say they had found God. It was easy to be a clever sinner, for the race to an earthly visible goal was short to run, so impossibly hard to be a wise saint, with the goal set at so vast a distance from this world and clouded with such uncertainty.
Elizabeth Goudge (The Rosemary Tree)
from where she scratched. The Attor and the guards rushed for the queen, but several faeries and High Fae, their masks clattering to the ground, jumped into their path, tackling them. Amarantha screeched, kicking at Tamlin, lashing at him with her dark magic, but a wall of gold encompassed his fur like a second skin. She couldn’t touch him. “Tam!” Lucien cried over the chaos. A sword hurtled through the air, a shooting star of steel. Tamlin caught it in a massive paw. Amarantha’s scream was cut short as he drove the sword through her head and into the stone beneath. And then closed his powerful jaws around her throat—and ripped it out. Silence fell.
Sarah J. Maas
My goddess! My queen!' 'Oh, no, no, no!' He raised his head, smiling a little crookedly down at her. 'Do you dislike to hear yourself called so? There is nothing I would not do to please you, but you cannot help but be my goddess! You have been so these seven years!' 'Only a goddess could dislike it! You see by that how wretchedly short of the mark I fall. I have a little honesty - enough to tell you *now* that you must not worship me.' He only laughed, and kissed her again. She protested no more, too much a woman not to be deeply moved by such idolatry, and awed by the constancy which, though it might have been to a false image, could not be doubted.
Georgette Heyer (Bath Tangle)
ADVICE ON SLEEPING “Many people will tell you that they can’t nap. The one thing I learned from a single yoga class I took many years ago was to slow down my breathing. I just keep breathing slowly in and out and don’t think I must fall asleep. Instead, I think things like, Sleepytime! and just focus on my breathing. I also make sure it’s dark in the room, or I cover my eyes with one of those airplane sleep masks. Also, I set my phone alarm for twenty-one minutes because turning a short power nap into a longer sleep can leave you groggy. This amount of time gives me what’s basically a cognitive reboot.” —Amy Alkon, syndicated columnist and catnap queen
Barbara Oakley (A Mind for Numbers: How to Excel at Math and Science (Even If You Flunked Algebra))
Miss me?" she asks with her usual wryness, tossing her backpack on the floor and dropping down on the bed beside me like she comes over all the time. "I feel like a rebel just knowing you. Everyone keeps asking me if you really lit Brooklyn on fire." I arch a brow. "On fire?" Catherine pumps up a pillow beneath her head. "The actual event has gotten a bit exaggerated." Her lips twitch. "Maybe I had something to do with that." "Nice. Thanks." "No problem." "So I guess I'm pretty much done for at school." For the first time, it matters to me. If I'm to stay here and make a go of it, it wouldn't hurt to have a few friends. To not be a social outcast. Especially since it seems pretty important for Tamra's success at school, too. "Are you kidding? You're a hero." Her lips twist with a smile. "I think you've got a shot at homecoming queen next fall." I give a short laugh, and then her words sink. Next fall. Might I be here then? With Will? It's almost too sweet to believe. "So," Catherine beings, picking at the loose paper edging my spiral. "Rutledge was absent today." "Yeah?" I try for nonchalance. "Yeah." She stretches the word, her blue-green eyes cutting meaningfully into mine. "And his cousins were around, so he's not off somewhere with them. I wonder..." She cocks her head, her long, choppy bangs, sliding low across her forehead. "Wherever could he have been?" I shrug and pick at the flaking tip of my pencil. She continues, "I know where Xander thinks he was." My gaze swings back to her face. "Xander talked to you?" "I know, right? Can my days as a pariah be coming to an end?" "Where does he think Will was?" "With you, of course.
Sophie Jordan (Firelight (Firelight, #1))
I made tiny newspapers of ant events, stamp-sized papers at first, then a bit bigger, too big for ants, it distressed me, but I couldn’t fit the stories otherwise and I wanted real stories, not just lines of something that looked like writing. Anyway, imagine how small an ant paper would really be. Even a stamp would have looked like a basketball court. I imagine political upheavals, plots and coups d e’tat, and I reported on them. I think I may have been reading a biography of Mary Queen of Scots at the time…. Anyway, there was this short news day for the ants. I’d run out of political plots, or I was bored with them. So I got a glass of water and I created a flood. The ants scrambled for safety, swimming for their lives. I was kind of ashamed, but it made for good copy. I told myself I was bringing excitement into their usual humdrum. The next day, I dropped a rock on them. It was a meteorite from outer space. They gathered around it and ran up and over it; obviously they didn’t know what to do. It prompted three letters to the editor.
Karen Joy Fowler (The Jane Austen Book Club)
Please guide this ship away from harm and make her safe - keep her warm... Attention and lust all she desires - and the time it takes to stoke those fires You may invite her to your lair with sensuousness and a passionate flair her draw irresistible, hunger insatiable  -  your thoughts no more your own For she has taken place there, in you, the queen upon her throne..... Sensual bliss one of many rewards, but stolen heart and pointy swords Your skills and gift of most import, for when they wane, pain, and love's cut short.... May crack your inner strength some day and truly steal your time (heart) away.... For a muse but one of intermittent bliss starting from the first kiss And ending only when she's done - then you're left alone as one.....
Lady Blossom
​“I am woman and woman is beautiful. We are expected to be beautiful, so I will be what people don’t expect. They don’t expect intelligence, they don’t expect grace. I am strong, and even when others have the ability to physically overpower me, mentally, I am stronger. I am a queen on a throne, and a place next to me must be earned. When I find my king, his power doesn’t erase my own. My crown is not a man’s to repossess. I was born in regality.  I am kind, but naivety does not dwell within me. I am woman. I am the origin. Everything begins and ends with me. No man is worthy of my worth. I cannot be bought. I will not sell myself short. I do not give discounts. I am woman. I demand respect. I respect my dignity. My presence is a revocable gift, rented with effort and good intention. I am woman.
Ashley Antoinette (Ethic 3)
First, there's the rose— the queen of the flowers; she's so beautiful and her fragrance is so intoxicating that it goes to everyone's head, most of all her own. The rose is beautiful, sweet-smelling and elegant, but if things aren't going her way, she shows her thorns. She's like a spoiled child—beautiful, elegant and seemingly nice as can be, but if you touch her or talk to someone else so that she's no longer the center of attention, out come her claws.
Anne Frank (Anne Frank's Tales from the Secret Annex: A Collection of Her Short Stories, Fables, and Lesser-Known Writings, Revised Edition)
My mother doesn't even notice, she's jovial and curious and delighted and oblivious to snottiness. She's a bit loud because of her mild deafness and she laughs a lot and has questions about everything and no embarrassment in asking. In her mind there is no reason she and a group of beautiful film students hanging out at the Communist's Daughter could not party together every night of the week. She is the antithesis of what the Queen West crowd would like themselves to be. She's comfortable in her XXL pink cotton shorts and the T-shirt she won at a Scrabble tournament in Rhode Island. She would like to engage these pale, thin retail workers in conversation, she'd like to get their story, she'd like to know where the products come from, how they are chosen, how does one wear this, how does it wash, she's trying to learn more about her new home and to become acquainted with her new world, which makes their cold bony shoulder treatment of her that much more heartbreaking.
Miriam Toews (All My Puny Sorrows)
Torrens kicked at the door until it was finally opened. The farm couple and three youngsters had been eating breakfast in the common room. The yard dog would have bounded in had not Torrens kicked the door shut. 'I want a bed. Quilts. A hot drink. I am a doctor. This woman is my patient.' The farm couple was terrified. The look on the face of Torrens cut short any questions. They did as he ordered. One of the children ran to fetch his medical kit from the cart. The woman motioned for Torrens to set Caroline on a straw pallet. The farmer kept his distance, but his wife, shyly, fearffully, ventured closer. She glanced at Torrens, as if requesting his permission to help. Between them, they made Caroline as comfortable as they could. Torrens knelt by the pallet. Caroline reached for his hand. 'Leave while you can. Do not burden yourself with me.' 'A light burden.' 'I wish you to find Augusta.' 'You have my promise.' 'Take this.' Caroline had slipped off a gold ring set with diamonds. 'It was a wedding gift from the king. It has not left my finger since then. I give it to you now - ' Torrens protested, but Caroline went on - 'not as a keepsake. You and I have better keepsakes in our hearts. I wish you to sell it. You will need money, perhaps even more than this will bring. But you must stary alive and find my child. Help her as you have always helped me.' 'We shall talk of this later, when you are better. We shall find her together.' 'You have never lied to me.' Caroline's smile was suddenly flirtacious. 'Sir, if you begin now, I shall take you to task for it.' Her face seemed to grow youthful and earnest for an instant. Torrens realized she held life only by strength of will. 'I am thinking of the Juliana gardens,' Caroline said. 'How lovely they were. The orangerie. And you, my loving friend. Tell me, could we have been happy?' 'Yes.' Torrens raised her hand to his lips. 'Yes. I am certain of it.' Caroline did not speak again. Torrens stayed at her side. She died later that morning. Torrens buried her in the shelter of a hedgerow at the far edge of the field. The farmer offered to help, but Torrens refused and dug the grave himself. Later, in the farmhouse, he slept heavily for the first time since his escape. Mercifully, he did not dream. Next day, he gave the farmer his clothing in trade for peasant garb. He hitched up the cart and drove back to the road. He could have pressed on, lost himself beyond search in the provinces. He was free. Except for his promise. He turned the cart toward Marianstat.
Lloyd Alexander (The Beggar Queen (Westmark, #3))
There was a pub looking out over the graveyard. The Queen’s Arms, where Pünd had stayed, was actually called the King’s Head. The village noticeboard where Joy had posted her notice of infidelity was on one side of the square. The village shop and the bakery – it was called the Pump House – was on the other. The castle, which cast a shadow over Dr Redwing’s house, and which must have been built around the same time as the one I had seen in Framlingham, was a short distance away. There was even a Daphne Road. In the book it had been Neville Brent’s address but in the real world it was Alan’s sister who lived there. The house was very much as he had described it. I wondered what this meant. Claire Jenkins had been unable to see me the day before but had agreed to meet me at lunchtime. I got there early and strolled around the village, following the main road all the way down to the River Alde. The river doesn’t exist in Alan’s book – it’s been replaced by the main road to Bath. Pye Hall is somewhere over to the left, which would in
Anthony Horowitz (Magpie Murders (Susan Ryeland #1))
I decided early in graduate school that I needed to do something about my moods. It quickly came down to a choice between seeing a psychiatrist or buying a horse. Since almost everyone I knew was seeing a psychiatrist, and since I had an absolute belief that I should be able to handle my own problems, I naturally bought a horse. Not just any horse, but an unrelentingly stubborn and blindingly neurotic one, a sort of equine Woody Allen, but without the entertainment value. I had imagined, of course, a My Friend Flicka scenario: my horse would see me in the distance, wiggle his ears in eager anticipation, whinny with pleasure, canter up to my side, and nuzzle my breeches for sugar or carrots. What I got instead was a wildly anxious, frequently lame, and not terribly bright creature who was terrified of snakes, people, lizards, dogs, and other horses – in short, terrified of anything that he might reasonably be expected to encounter in life – thus causing him to rear up on his hind legs and bolt madly about in completely random directions. In the clouds-and-silver-linings department, however, whenever I rode him I was generally too terrified to be depressed, and when I was manic I had no judgment anyway, so maniacal riding was well suited to the mood. Unfortunately, it was not only a crazy decision to buy a horse, it was also stupid. I may as well have saved myself the trouble of cashing my Public Health Service fellowship checks, and fed him checks directly: besides shoeing him and boarding him – with veterinary requirements that he supplement his regular diet with a kind of horsey granola that cost more than a good pear brandy – I also had to buy him special orthopedic shoes to correct, or occasionaly correct, his ongoing problems with lameness. These shoes left Guicci and Neiman-Marcus in the dust, and, after a painfully aquired but profound understanding of why people shoot horse traders, and horses, I had to acknowledge that I was a graduate student, not Dr. Dolittle; more to the point, I was neither a Mellon nor a Rockefeller. I sold my horse, as one passes along the queen of spades, and started showing up for my classes at UCLA.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
The deafening crowd echoed through the pale stone corridors of the royal castle of Orynth. They were chanting her name, almost wailing it. Aelin. A two-beat pulse that sounded through each step she made up the darkened stairwell. Goldryn was heavy at her back, its ruby smoldering in the light of the sun trickling from the landing above. Her tunic was beautiful yet simple, though her steel gauntlets—armed with hidden blades—were as ornate as they were deadly. She reached the landing and stalked down it, past the towering, muscled warriors who lurked in the shadows just beyond the open archway. Not just warriors—her warriors. Her court. Aedion was there, and a few others whose faces were obscured by shadow, but their teeth gleamed faintly as they gave her feral grins. A court to change the world. The chanting increased, and the amulet bounced between her breasts with each step. She kept her eyes ahead, a half smile on her face as she emerged at last onto the balcony and the cries grew frantic, as overpowering as the frenzied crowd outside the palace, in the streets, thousands gathered and chanting her name. In the courtyard, young priestesses of Mala danced to each pulse of her name, worshipping, fanatic. With this power—with the keys she’d attained—what she had created for them, the armies she had made to drive out their enemies, the crops she had grown, the shadows she had chased away … these things were nothing short of a miracle. She was more than human, more than queen. Aelin. Beloved. Immortal. Blessed. Aelin. Aelin of the Wildfire. Aelin Fireheart. Aelin Light-Bringer. Aelin. She raised her arms, tipping back her head to the sunlight, and their cries made the entirety of the White Palace tremble. On her brow, a mark—the sacred mark of Brannon’s line—glowed blue. She smiled at the crowd, at her people, at her world, so ripe for the taking.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
The door creaked open and there he was. “My star-touched queen,” he said. “I missed you.” He walked toward me. In the candle-lit glow of our bedroom, every feature was more pronounced. The sweep of his shoulders, the short hair that curled at his neck. The glow of his skin, honey-drenched and russet. My beautiful nightmare. I caught his hand in mine, my fingers trailing over the band of leather around his wrist. The noose. Against my skin, the noose was a cold pulse. There was a small knot at its base, lazily tied. He probably hadn’t expected it was in any danger. “We lost an entire day together,” he said. I loosened the silk around my waist and Amar raised an eyebrow. Around him, the shadows rippled silkily. I met his gaze and he stared at me, his breath shallow and waiting. The silk fell noiselessly to the floor. “We still have the night.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
The few remaining men can exist out their puny days dropped out on drugs or strutting around in drag or passively watching the high-powered female in action, fulfilling themselves as spectators, vicarious liver*, or breeding in the cow pasture with the toadies, or they can go off to the nearest friendly suicide center where they will be quietly, quickly, and painlessly gassed to death. Prior to the institution of automation, to the replacement of males by machines, the male should be of use to the female, wait on her, cater to her slightest whim, obey her every command, be totally subservient to her, exist in perfect obedience to her will, as opposed to the completely warped, degenerate situation we have now of men, not only not only not existing at all, cluttering up the world with their ignominious presence, but being pandered to and groveled before by the mass of females, millions of women piously worshiping the Golden Calf, the dog leading the master on a leash, when in fact the male, short of being a drag queen, is least miserable when his dogginess is recognized – no unrealistic emotional demands are made of him and the completely together female is calling the shots. Rational men want to be squashed, stepped on, crushed and crunched, treated as the curs, the filth that they are, have their repulsiveness confirmed. The sick, irrational men, those who attempt to defend themselves against their disgustingness, when they see SCUM barreling down on them, will cling in terror to Big Mama with her Big Bouncy Boobies, but Boobies won’t protect them against SCUM; Big Mama will be clinging to Big Daddy, who will be in the corner shitting in his forceful, dynamic pants. Men who are rational, however, won’t kick or struggle or raise a distressing fuss, but will just sit back, relax, enjoy the show and ride the waves to their demise.
Valerie Solanas
Angels! Halt and listen to me! I am the witch Ruta Skadi, and I want to talk to you!” They turned. Their great wings beat inward, slowing them, and their bodies swung downward till they were standing upright in the air, holding their position by the beating of their wings. They surrounded her, five huge forms glowing in the dark air, lit by an invisible sun. She looked around, sitting on her pine branch proud and unafraid, though her heart was beating with the strangeness of it, and her dæmon fluttered to sit close to the warmth of her body. Each angel-being was distinctly an individual, and yet they had more in common with one another than with any human she had seen. What they shared was a shimmering, darting play of intelligence and feeling that seemed to sweep over them all simultaneously. They were naked, but she felt naked in front of their glance, it was so piercing and went so deep. Still, she was unashamed of what she was, and she returned their gaze with head held high. “So you are angels,” she said, “or Watchers, or bene elim. Where are you going?” “We are following a call,” said one. She was not sure which one had spoken. It might have been any or all of them at once. “Whose call?” she said. “A man’s.” “Lord Asriel’s?” “It may be.” “Why are you following his call?” “Because we are willing to,” came the reply. “Then wherever he is, you can guide me to him as well,” she ordered them. Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance. Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool. What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can. "I'm here, gosh! Stop yelling," I say. "Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you." There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.
Alecia Whitaker (The Queen of Kentucky)
Clay’s heart was beating fast. Peril tilted her head at Starflight. “He is smart,” she said. “Just like you said. I guess I could do that.” She sounded like she wasn’t entirely convinced. “If you’re really sure you want to escape tonight.” “Of course we are,” Tsunami said, springing to her feet. “Let’s get out of here.” “But Sunny —” Starflight said. “We hide somewhere and wait until Peril can free her tomorrow,” Tsunami said. “And Glory,” Clay said. “We have to save Glory, too.” “Glory?” Peril’s brow creased in a frown. “The RainWing. Queen Scarlet’s new artwork,” Clay said. “Oh,” Peril said. “Her. She’s very beautiful.” She narrowed her eyes at Clay, which confused him. “Let’s run away now and worry about that later,” Tsunami said. “Is there somewhere we can hide?” Peril snapped her wings open. “Below the waterfall. There’s a cave only I know about.” She turned, nearly smacking Clay with her tail, and hopped over the pool into the fire. Clay watched in amazement as she wrapped her claws around two of the black rocks and picked them up. She stepped into the tunnel, and the fire from the rocks went with her, blazing around her talons. Carefully she piled the fire on the rock floor outside until there was a gap big enough for the dragonets to jump through. Tsunami went first, and then Clay, and then Starflight. When they were all out in the tunnel, Peril rebuilt the wall of fire across the cave entrance. “There,” she said with satisfaction. “Now she’ll have no idea how you got out.” “Can you get these off our wings?” Starflight whispered, pointing to the bindings. Peril gave him a hard look. “Maybe,” she said. “But maybe I’ll wait until I know you won’t leave without saying good-bye.” “We wouldn’t leave without our friends,” Clay promised. She scowled. “Which way to the waterfall?” Tsunami asked. Peril nodded up the tunnel and slithered off, leading the way. “Stop making her mad,” Tsunami hissed in Clay’s ear as they followed. “Me?” he said, genuinely surprised. “What did I do?” “Well, you’re a handsome idiot,” she said affectionately. “And I’ll tell you later.” Which didn’t clear things up at all. Shortly
Tui T. Sutherland (The Dragonet Prophecy (Wings of Fire, #1))
Fragment of the Elegy on the Death of Adonis Prom the Greek of Bion Published by Forman, "Poetical Works of P. B. S.", 1876. I mourn Adonis dead—loveliest Adonis— Dead, dead Adonis—and the Loves lament. Sleep no more, Venus, wrapped in purple woof— Wake violet-stoled queen, and weave the crown Of Death,—'tis Misery calls,—for he is dead. The lovely one lies wounded in the mountains, His white thigh struck with the white tooth; he scarce Yet breathes; and Venus hangs in agony there. The dark blood wanders o'er his snowy limbs, His eyes beneath their lids are lustreless, The rose has fled from his wan lips, and there That kiss is dead, which Venus gathers yet. A deep, deep wound Adonis... A deeper Venus bears upon her heart. See, his beloved dogs are gathering round— The Oread nymphs are weeping—Aphrodite With hair unbound is wandering through the woods, 'Wildered, ungirt, unsandalled—the thorns pierce Her hastening feet and drink her sacred blood. Bitterly screaming out, she is driven on Through the long vales; and her Assyrian boy, Her love, her husband, calls—the purple blood From his struck thigh stains her white navel now, Her bosom, and her neck before like snow. Alas for Cytherea—the Loves mourn— The lovely, the beloved is gone!—and now Her sacred beauty vanishes away. For Venus whilst Adonis lived was fair— Alas! her loveliness is dead with him. The oaks and mountains cry, Ai! ai! Adonis! The springs their waters change to tears and weep— The flowers are withered up with grief... Ai! ai! ... Adonis is dead Echo resounds ... Adonis dead. Who will weep not thy dreadful woe. O Venus? Soon as she saw and knew the mortal wound Of her Adonis—saw the life-blood flow From his fair thigh, now wasting,—wailing loud She clasped him, and cried ... 'Stay, Adonis! Stay, dearest one,... and mix my lips with thine— Wake yet a while, Adonis—oh, but once, That I may kiss thee now for the last time— But for as long as one short kiss may live— Oh, let thy breath flow from thy dying soul Even to my mouth and heart, that I may suck That...' NOTE: _23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Next week is Beltane,” she reminded him. “Do you suppose we will make it through the wedding this time?” “Not if Gideon says you cannot get out of this bed,” he countered sternly. “Absolutely not!” she burst out, making him wince and cover the ear she’d been too close to. She immediately regretted her thoughtlessness, making a sad sound before reaching to kiss the ear she had offended with quiet gentleness. Jacob extricated himself from her hold enough to allow himself to turn and face her. “Okay, explain what you meant,” he said gently. “I refuse to wait another six months. We are getting married on Beltane, come hell or . . . necromancers . . . or . . . the creature from the Black Lagoon. There is no way Corrine is going to be allowed to get married without me getting married, too. I refuse to listen to her calling me the family hussy for the rest of the year.” “What does it matter what she says?” Jacob sighed as he reached to touch the soft contours of her face. “You and I are bonded in a way that transcends marriage already. Is that not what is important?” “No. What’s important is the fact that I am going to murder the sister I love if she doesn’t quit. And she will not quit until I shut her up either with a marriage or a murder weapon. Understand?” Clearly, by his expression, Jacob did not understand. “Thank Destiny all I have is a brother,” he said dryly. “I have been inundated with people tied into knots over one sister or another for the past weeks.” “You mean Legna. Listen, it’s not her fault if everyone has their shorts in a twist because of who her Imprinted mate is! Frankly, I think she and Gideon make a fabulous couple. Granted, a little too gorgeously ‘King and Queen of the Prom’ perfect for human eyes to bear looking at for long, but fabulous just the same.” Jacob blinked in confusion as he tried to decipher his fiancée’s statement. Even after all these months, she still came out with unique phraseologies that totally escaped his more classic comprehension of the English language. But he had gotten used to just shrugging his confusion off, blaming it on the fact that English wasn’t his first, second, or third language, so it was to be expected. “Anyway,” she went on, “Noah and Hannah need to chill. You saw Legna when she came to visit yesterday. If a woman could glow, she was as good as radioactive.” She smiled sweetly at him. “That means,” she explained, “that she looks as brilliantly happy as you make me feel.” “I see,” he chuckled. “Thank you for the translation.” He reached his arms around her, drawing her body up to his as close as he could considering the small matter of a fetal obstacle. He kissed her inviting mouth until she was breathless and glowing herself. “I thought I would be kind to you,” she explained with a laugh against his mouth. “You, my love, are all heart.” “And you are all pervert. Jacob!” She laughed as she swatted one of his hands away from intimate places, only to be shanghaied by another. “What would Gideon say?” “He better not say anything, because if he did that would mean he was in here while you are naked. And that, little flower, would probably cost him his vocal chords in any event.” “Oh. Well . . . when you put it that way . . .
Jacquelyn Frank (Gideon (Nightwalkers, #2))
The Swedish royal family’s legitimacy is even more tenuous. The current king of Sweden, Carl XVI Gustaf, is descended neither from noble Viking blood nor even from one of their sixteenth-century warrior kings, but from some random French bloke. When Sweden lost Finland to Russia in 1809, the then king, Gustav IV Adolf—by all accounts as mad as a hamburger—left for exile. To fill his throne and, it is thought, as a sop to Napoleon whose help Sweden hoped to secure against Russia in reclaiming Finland, the finger of fate ended up pointing at a French marshal by the name of Jean-Baptiste Bernadotte (who also happened to be the husband of Napoleon’s beloved Desirée). Upon his arrival in Stockholm, the fact that Bernadotte had actually once fought against the Swedes in Germany was quickly forgotten, as was his name, which was changed to Charles XIV John. This, though, is where the assimilation ended: the notoriously short-tempered Charles XIV John attempted to speak Swedish to his new subjects just the once, meeting with such deafening laughter that he never bothered again (there is an echo of this in the apparently endless delight afforded the Danes by the thickly accented attempts at their language by their current queen’s consort, the portly French aristocrat Henri de Monpezat). On the subject of his new country, the forefather of Sweden’s current royal family was withering: “The wine is terrible, the people without temperament, and even the sun radiates no warmth,” the arriviste king is alleged to have said. The current king is generally considered to be a bit bumbling, but he can at least speak Swedish, usually stands where he is told, and waves enthusiastically. At least, that was the perception until 2010, when the long-whispered rumors of his rampant philandering were finally exposed in a book, Den motvillige monarken (The Reluctant Monarch). Sweden’s tabloids salivated over gory details of the king’s relationships with numerous exotic women, his visits to strip clubs, and his fraternizing with members of the underworld. Hardly appropriate behavior for the chairman of the World Scout Foundation. (The exposé followed allegations that the father of the king’s German-Brazilian wife, Queen Silvia, was a member of the Nazi party. Awkward.) These days, whenever I see Carl Gustaf performing his official duties I can’t shake the feeling that he would much prefer to be trussed up in a dominatrix’s cellar. The
Michael Booth (The Almost Nearly Perfect People: Behind the Myth of the Scandinavian Utopia)
What franticke fit (quoth he) hath thus distraught Thee, foolish man, so rash a doome to give? What justice ever other judgement taught, But he should die, who merites not to live? None else to death this man despayring drive, But his owne guiltie mind deserving death. Is then unjust to each his due to give? Or let him die, that loatheth living breath? Or let him die at ease, that liveth here uneath? Who travels by the wearie wandring way, To come unto his wished home in haste, And meetes a flood, that doth his passage stay, Is not great grace to helpe him over past, Or free his feet, that in the myre sticke fast? Most envious man, that grieves at neighbours good, And fond, that joyest in the woe thou hast, Why wilt not let him passe, that long hath stood Upon the banke, yet wilt thy selfe not passe the flood? He there does now enjoy eternall rest And happie ease, which thou doest want and crave, And further from it daily wanderest: What if some litle paine the passage have, That makes fraile flesh to feare the bitter wave? Is not short paine well borne, that brings long ease, And layes the soule to sleepe in quiet grave? Sleepe after toyle, port after stormie seas, Ease after warre, death after life does greatly please. [...] Is not his deed, what ever thing is donne, In heaven and earth? did not he all create To die againe? all ends that was begonne. Their times in his eternall booke of fate Are written sure, and have their certaine date. Who then can strive with strong necessitie, That holds the world in his still chaunging state, Or shunne the death ordaynd by destinie? When houre of death is come, let none aske whence, nor why. The lenger life, I wote the greater sin, The greater sin, the greater punishment: All those great battels, which thou boasts to win, Through strife, and bloud-shed, and avengement, Now praysd, hereafter deare thou shalt repent: For life must life, and bloud must bloud repay. Is not enough thy evill life forespent? For he, that once hath missed the right way, The further he doth goe, the further he doth stray. Then do no further goe, no further stray, But here lie downe, and to thy rest betake, Th'ill to prevent, that life ensewen may. For what hath life, that may it loved make, And gives not rather cause it to forsake? Feare, sicknesse, age, losse, labour, sorrow, strife, Paine, hunger, cold, that makes the hart to quake; And ever fickle fortune rageth rife, All which, and thousands mo do make a loathsome life. Thou wretched man, of death hast greatest need, If in true ballance thou wilt weigh thy state: For never knight, that dared warlike deede, More lucklesse disaventures did amate: Witnesse the dongeon deepe, wherein of late Thy life shut up, for death so oft did call; And though good lucke prolonged hath thy date, Yet death then, would the like mishaps forestall, Into the which hereafter thou maiest happen fall. Why then doest thou, O man of sin, desire To draw thy dayes forth to their last degree? Is not the measure of thy sinfull hire High heaped up with huge iniquitie, Against the day of wrath, to burden thee? Is not enough, that to this Ladie milde Thou falsed hast thy faith with perjurie, And sold thy selfe to serve Duessa vilde, With whom in all abuse thou hast thy selfe defilde? Is not he just, that all this doth behold From highest heaven, and beares an equall eye? Shall he thy sins up in his knowledge fold, And guiltie be of thine impietie? Is not his law, Let every sinner die: Die shall all flesh? what then must needs be donne, Is it not better to doe willinglie, Then linger, till the glasse be all out ronne? Death is the end of woes: die soone, O faeries sonne.
Edmund Spenser (The Faerie Queene)
Some scholars have stressed early Israelite religion as the quintessential period of pure Yahwism. Following in the footsteps of Albright, G. Mendenhall and J. Bright posit an early pure Yahwism that was polluted secondarily in the land by the cult of Baal and other idolatry. In their schemes, the monarchy was largely a negative influence. There are three major problems with this characterization of Israelite religion. First, some of the features that Mendenhall and Bright view as secondary idolatry belonged to Israel’s Canaanite heritage. The cult of Baal, the symbol of the asherah, the high places, and the cultic practices involving the dead all belonged to Israel’s ancient past, its Canaanite past. Second, the “purest form of Yahwism” belonged not to an early stage of Israel’s history but to the late monarchy. Differentiation of the cult of Yahweh did not begin until the ninth century and appeared in full flower only in the eighth century and afterward. Even this stage of reform was marked by other religious developments considered idolatrous by later generations; the cults of the “Queen of Heaven” and “the Tammuz” undermine any idealization of the late monarchy. The temple idolatry denounced in Ezekiel 8-11 probably constituted the norm rather than the exception for the final decades of the monarchy. The religious programs of Hezekiah and Josiah have been claimed as moments of religious purity in Judah, although even these policies had their political reasons.743 The pure form of Yahwism that Mendenhall and Bright envision was perhaps an ideal achieved rarely, if ever, before the Exile — if even then. Third, the monarchy was not the villain of Israelite religion that Mendenhall and Bright make it out to be. Indeed, the monarchy made several religious contributions crucial to the development of monolatry. In short, Mendenhall and Bright stand much of Israel’s religious development on its head.
Mark S. Smith (The Early History of God: Yahweh and the Other Deities in Ancient Israel)
It wasn't only my friends who suffered from female rivalry. I remember when I was just sixteen years old, during spring vacation, being whisked off to an early lunch by my best friend's brother, only to discover, to my astonishment and hurt, that she was expecting some college boys to drop by and didn't want me there to compete with her. When I started college at Sarah Lawrence, I soon noticed that while some of my classmates were indeed true friends, others seemed to resent that I had a boyfriend. It didn't help that Sarah Lawrence, a former girls' school, included very few straight men among its student body--an early lesson in how competing for items in short supply often brings out the worst in women. In graduate school, the stakes got higher, and the competition got stiffer, a trend that continued when I went on to vie for a limited number of academic jobs. I always had friends and colleagues with whom I could have trusted my life--but I also found women who seemed to view not only me but all other female academics as their rivals. This sense of rivalry became more painful when I divorced my first husband. Many of my friends I depended on for comfort and support suddenly began to view me as a threat. Some took me out to lunch to get the dirt, then dropped me soon after. I think they found it disturbing that I left my unhappy marriage while they were still committed to theirs. For other women, the threat seemed more immediate--twice I was told in no uncertain terms that I had better stay away from someone's husband, despite my protests that I would no more go after a friend's husband than I would stay friends with a woman who went after mine. Thankfully, I also had some true friends who remained loyal and supportive during one of the most difficult times of my life. To this day I trust them implicitly, with the kind of faith you reserve for people who have proved themselves under fire. But I've also never forgotten the shock and disappointment of discovering how quickly those other friendships turned to rivalries.
Susan Shapiro Barash (Tripping the Prom Queen: The Truth About Women and Rivalry)
Oh, Gray, she said. Oh, gray, indeed. As in, oh Gray what the holy hell has come over you and what the devil do you intend to do about it? He took the coward’s way out. He looked away. “I thought you were painting a portrait. Of me.” She turned her head, following his gaze to her easel. A vast seascape overflowed the small canvas. Towering thunderclouds and a violent, frothy sea. And slightly off center, a tiny ship cresting a massive wave. “I am painting you.” “What, am I on the little boat, then?” It was a relief to joke. The relief was short-lived. “No,” she said softly, turning back to look at him. “I’m on the little boat. You’re the storm. And the ocean. You’re…Gray, you’re everything.” And that was when things went from “very bad” to “worse.” “I can’t take credit for the composition. It’s inspired by a painting I once saw, in a gallery on Queen Anne Street. By a Mr. Turner.” “Turner. Yes, I know his work. No relation, I suppose?” “No.” She looked back at the canvas. “When I saw it that day, so brash and wild…I could feel the tempest churning in my blood. I just knew then and there, that I had something inside me-a passion too bold, too grand to keep squeezed inside a drawing room. First I tried to deny it, and then I tried to run from it…and then I met you, and I saw you have it, too. Don’t deny it, Gray. Don’t run from it and leave me alone.” She sat up, still rubbing his cheek with her thumb. Grasping his other hand, she drew it to her naked breast. Oh, God. She was every bit as soft as he’d dreamed. Softer. And there went his hand now. Trembling. “Touch me, Gray.” She leaned forward, until her lips paused a mere inch away from his. “Kiss me.” Perhaps that dagger had missed his heart after all, because the damned thing was hammering away inside his chest. And oh, he could taste her sweet breath mingling with his. Her lips were so close, so inviting. So dangerous. Panic-that’s what had his knees trembling and his heart hammering and his lips spouting foolishness. It had to be panic. Because something told Gray that he could see her mostly naked, and watch her toes curl as she reached her climax, and even cup her dream-soft breast in his palm-but somehow, if he touched his lips to hers, he would be lost. “Please,” she whispered. “Kiss me.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
What secrets?” Eena blurted out. Kira answered the question by defensively listing them out on her fingers. “How about the fact that Derian was coming for you in a few short days, or the fact that Gemdorin was forcing you to search for some magic gem we were all unaware existed. How about the knowledge of your unusual powers that you stupidly used to infect the Ghengats, which was also a secret you kept to yourself until it was discovered by Gemdorin, making it too late for us to do anything about preventing you from being beaten half to death! You hide things as if you think your abilities are so superior to what the rest of us can possibly contribute!” Eena shook her head adamantly. “That’s not what I think…” “It’s how you behave. It’s how you come across to everyone. Your selfish actions speak a helluva lot louder than your hollow words or your foolish intentions.” The young queen felt a rise of tears burn her eyes. “My intentions are not foolish. All I ever meant to do was protect those around me.” “By keeping us in the dark? That’s not protection, girl. That’s neglect.” Eena sniffled as fresh waterworks ran down her cheeks. Her face twisted up, confused. “People get hurt when they’re involved in my problems.” “In our problems.” “No! My problems!” she insisted. Kira threw up her arms. “There you go being all selfish again!” Eena sucked in a ragged breath, almost crying out the next question. “How do you figure that’s being selfish? I’m trying to keep everyone safe!” “And what did I just get through telling you about that idiotic notion?” Eena looked up at the ceiling. She raised her palms in frustration as she bawled. “I don’t know what else to do! What do you want from me?” Kira stepped forward and knelt in front of her tortured sister. Her hand rested gently on Eena’s knee as the Mishmorat’s gruff countenance melted. A softer, kinder voice answered the desperate question. “We want you to understand that the world doesn’t rest on your shoulders. You’re only responsible for a small portion of what happens daily on Moccobatra. Life isn’t dependent upon you alone, Sha Eena. It’s dependent upon all of us. We’re a team. We work together doing our own part. We need you to be part of our team, not a single entity existing on your own.
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))