Short Mother Mary Quotes

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Then again, she didn't like small talk either, so she was glad he wasn't commenting on the weather or the landscape. Life was too big and too short and too important to talk about the lack of rain or the latest gossip. She wanted to know how people felt about themselves and one another, whether they were happy or sad. She wanted to know what made them feel loved and what hurt them to the core. She wanted to know about their past, how they got where they were, and their relationships with their mothers and fathers and siblings. She wanted to know if she was the only mixed-up person in the world who felt completely and utterly alone.
Ellen Marie Wiseman (The Life She Was Given)
Presently, Mary Mac—that’s what we call her for short—has churned out more kids than I can count. It’s like she’s a hoarder, only for children. In terms of personal achievement, she’s pretty much the patron saint of minivans and stretch marks. What is that meme I’ve seen about the prolific 19 Kids and Counting mother? Ah, yes, “It’s a vagina, not a clown car.” Add one persecution complex, stir, and, boom! Meet my older sister.
Jen Lancaster (Twisted Sisters)
Astrid looked at Lana, now leaning against the window, and Diana, lost in thought, and reminded herself that at times she had hated Diana. She had told Sam to kill her if necessary. And she had disliked Lana as a short-tempered bitch who sometimes abused her privileges. She let her mind move beyond these two. Orc, who had been the first to kill in the FAYZ, the first murderer. A vicious drunk. But someone who had died a hero. Mary. Mother Mary. A saint who had died trying to murder the children she cared for. Quinn, who had been a faithless worm at the start and had been a pillar at the end. Albert. She still didn’t know quite what to think of Albert, but it was undeniable that far fewer would have walked out of the FAYZ without Albert. If her own feelings were this conflicted, was it any wonder the rest of the world didn’t know what to do with the Perdido survivors?
Michael Grant (Light (Gone, #6))
If there is, indeed, an anti-Marian spirit, what might it look like? Well, a woman in its grip would not value children. She would be bawdy, vulgar, and angry. She would rage against the idea of anything resembling humble obedience or self-sacrifice for others. She would be petulant, shallow, catty, and overly sensuous. She would also be self-absorbed, manipulative, gossipy, anxious, and self-servingly ambitious. In short, she would be everything that Mary is not. She would bristle especially at the idea of being a virgin or a mother.
Carrie Gress (The Anti-Mary Exposed: Rescuing the Culture from Toxic Femininity)
The marriage of a Jewish son is a bittersweet prospect. There is relief, always, that he has navigated the tantalizing and plentiful assemblies of non-Jewish women to whom the children of the Diaspora are inevitably exposed: from the moment he enters secondary school there is the constant anxiety that a blue-eyed Christina or Mary will lure him away from the tribe. Jewish men are widely known to be uxorious in all the most advantageous ways. And so each mother fears that, whether he be short and myopic, boorish or stupid or prone to discuss his lactose intolerance with strangers, whether he be blessed with a beard rising almost to meet his hairline, he is still within the danger zone. Somewhere out there is a shiksa with designs on her son. Jewish men make good husbands. It is the Jewish woman's blessing as a wife, and her curse as a mother.
Francesca Segal (The Innocents)
I sat with my back to the door, muffling my tears, wishing my dead liberal mother were here, to tell them all to leave me alone, pack my bags for me, and take me home to our little stucco house a few short blocks from Penny, my best friend, who didn’t deserve to be a “major policy issue,” who I swore, I swore, I would never, ever apologize for.
Jennifer Marie Thorne (The Wrong Side of Right)
If you like cool, funny entertainment, you might like this one. It's a first novel by a local author." She handed him a copy of Practical Demonkeeping. "A very different kind of buddy novel. I thought it was hilarious." "You're reading me like a book." The guy shook his head as if embarrassed by his own lame joke. Then he looked over at Blythe. Natalie saw his gaze move swiftly over her mother's red V-neck sweater and short skirt. "How can you tell that's exactly what would make me happy?" he asked. Oh boy. He was flirting. Guys did that a lot with her mom. She was super pretty, and Natalie knew it wasn't only because Mom was her mom and all kids thought their moms were pretty. Even her snottiest friends like Kayla said Blythe looked like a model. Like Julia Roberts. Plus, her mom had a knack for dressing cool and being social---she could talk to anyone and make them like her. Also, she had a superpower, which was on full display right now. She had the ability to see a person for the first time and almost instantly know what book to recommend. She was really smart and had also read every book ever written, or so it seemed to Natalie. She could talk to high school kids about Ivanhoe and Silas Marner. She ran a mystery discussion group. She could tell people the exact day the new Mary Higgins Clark novel would come out. She knew which kids would only ever read Goosebumps books, no matter what, and she knew which kids would try something else, like Edward Eager or Philip Pullman. Sometimes people didn't know anything about the book they were searching for except "It's blue with gold page edges" and her mom would somehow figure it out.
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
Maris smiled as he saw that day so clearly in his mind. He’d been pinned to the school wall by a bully who’d been pounding on him. Out of nowhere, this tiny little red-haired boy had come charging in like a hurricane. Barely five years old, Darling had been short for his age. But what he lacked in height, he made up for in ferocity. In no time at all, he’d beat the bully back and had him on the ground, crying for his mother. After making him swear he’d never even look at Maris again, Darling had stood up and come over to him. Forever proud and fierce, Darling had wiped the blood from his lips, then offered Maris his other hand. “Hi, I’m Darling Cruel. We should be friends.” Maris had fallen in love instantly. And he’d been in love with Darling every day since. “You
Sherrilyn Kenyon (Born of Silence (The League #5))
Noble Dash has a kind master, who values his faithful dog, and who would not part with him for a pile of silver and gold, He never forgets the day when his fair-haired little Mary was washed by a big wave into the sea as’ she ran towards her ball, which Tom had thrown into the tide. Dash at the time was lying as if asleep on a heap of sea-weed a short distance off. At the cry of Mary's nurse he bounded away, and in a moment was battling in the midst of the waves. He soon had little Mary's dress held fast in the grip of his strong teeth, and swam bravely with her ashore. Good dog! who could repay him for such a noble deed? Mary's father and mother patted and praised him, and nurse and the children cried over him and hugged him, all dripping as he was from the salt sea; and that night, when little Mary was: warmly asleep in her bed, and the household met together at the hour of evening prayer, no one was surprised that Mary s father thanked God that he had made so noble a dumb creature as faithful Dash, who had saved the life of his darling child.
Edwin Henry Landseer (The Landseer series of picture books: containing sixteen coloured illustrations)
We kept our fingers crossed and eagerly scanned the newspapers and magazines for news of an engagement between Diana and Charles. Then, late in the morning of February 24, I answered the telephone in my bedroom and heard the voice of a friend in London… “Mary, it’s Dena. Your girl made it!” I knew she meant that Diana’s engagement to Prince Charles had just been announced. I gave a big shout and literally jumped for joy, banging my head on the low dormer ceiling. I couldn’t have been prouder of Diana if I’d been her mother. I was so happy for her I could have burst! I knew how desperately she had wished for this outcome. The past fall, she had told me that she would “simply die” if the romance didn’t work out. How wonderful that her dream had come true. Almost immediately, a mischievous picture popped into my mind of the future and royal Diana, scheduled for an official day of handshaking, ribbon cutting, or tree planting and wishing she could have a friend call to cancel those tedious engagements. As Princess of Wales, she would not be able to cancel on short notice, if at all, as she had when she was baby-sitting for me. I wondered how the lively, spontaneous, and very young Diana would adjust to her official duties. I felt a bit sorry for her as I dimly realized how rigid and structured her new life might be.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Pat and I smiled to see a small evening bag with a short handle hooked over her left elbow. We wondered why she would carry a handbag in her own home. What would she possibly need from it? I was longing to walk over to Her Majesty, the Queen, and tell her, mother to mother, “Your Majesty, we’ve known Lady Diana quite well for the past year and a half. We’d like you to know what a truly lovely young woman your son is about to marry.” A sincere and uncontroversial prewedding remark. Unfortunately, this was not only the groom’s mother but also Her Majesty, the Queen of England. Protocol prevented our approaching her, since we had not been personally introduced. I toyed briefly with the idea of walking up to her anyway and pretending that, as an American, I didn’t know the rules. But I was afraid of a chilling rebuff and did not want to embarrass Diana, who had been kind enough to invite us. Pat did not encourage me to plunge ahead. In fact, this time he exclaimed, “Have you lost your mind?” Maybe I should have taken a chance. Too timid again! Our next glimpse of the royal family was Prince Philip, socializing a room or two away from the queen and surrounded by attractive women. He was a bit shorter than he appears in photographs, but quite handsome with a dignified presence and a regal, controlled charm. Pat was impressed by how flawlessly Prince Philip played his role as host, speaking graciously to people in small groups, then moving smoothly on to the next group, unhurried and polished. I thought he had an intimidating, wouldn’t “suffer fools gladly” air—not a person with whom one could easily make small talk, although his close friends seemed relaxed with him. It was easy to believe that he had been a stern and domineering father to Prince Charles. The Prince of Wales had seemed much warmer and more approachable.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
9:36a    ἰδὼν δὲ τούς ὄχλους ἐσπλαγχνίσθη πεϱὶ αὐτῶν seeing the crowds, his insides were moved with pity for them THE JEWS AND THE GREEKS could not succeed in making pity and compassion into a purely mental act. It sounds archaic, hardly short of embarrassing, to say that “Jesus saw the crowds and felt pity for them in his bowels.” But, in fact, any translation that omits compassion’s element of viscerality (for σπλάγχνα, the root of the verb here, means “viscera”, “bowels”, “womb”) has already betrayed the depth of Jesus’ divine and human pity. We all know how the strongest emotions—whether sorrow, fear, joy, or desire—are all initially registered in the abdominal region, and this physiological reaction is one of the proofs of the authenticity of our emotions. The same teacher, herald, and healer who surpassed all others in these crafts finally reveals himself in utter silence and inactivity in his deepest nature: the Compassionate One who is affected by suffering more elementally than the sufferers he sees around him. If Mary’s womb was proclaimed blessed for having borne such a Child, we now see in the Son the Mother’s most precious quality: wide-wombed compassion. When we allow ourselves to be moved in this way, we are already hopelessly involved with the object of our pity: no possibility here of a distanced display of “charity” that refuses to become tainted by contact with the stench of human misery. Jesus looks at the crowds, then, and is viscerally moved. What power in the gaze of a Savior who pauses in the midst of his activity in order to take into himself the full, wounded reality about him! Jesus never protects himself against the claims of distress. He is not content with emanating the truth, joy, and healing power that are his: he must become a fellow sufferer. His loving gaze is like an open wound that filters out no sorrow. He has already done so much for them; but as long as he sees misery, nothing is enough; and so he wonders what else remains to be done. His contemplative sorrow becomes a stimulant to his creative imagination. He nestles all manner of plight within his person, and every human need becomes a churning in his inward parts. He interiorizes the chaos of the surrounding landscape, but, by entering him, it becomes contained, comprehended, embraced and saved.
Erasmo Leiva-Merikakis (Fire of Mercy, Heart of the Word: Meditations on the Gospel According to Saint Matthew, Vol. 1)
I miss Diana more than I can express. The world seems a colder place without her luminous presence. To had had Diana’s friendship, to have known her personally, has been a gift beyond comparison. She brought joy and pride and a touch of glamour to my life for years. I loved and admired her without reservation. When Patrick recognized her picture on magazine covers, I thought how incredible it was that we actually knew the beautiful, famous Diana. Best of all, we knew she was even lovelier inside. I read her letters, feeling deeply touched that she continued to care for us. Seeing her in person--warm, unpretentious, and radiant--was a thrill that lasted a long, long time. It truly was, “like being brushed by angels’ wings,” as my friend at the funeral had said. Whoever would have thought when I called for a nanny so many years ago, that magic would enter my life. My family and I watched her dazzling progress from a shy teenager to a multi-faceted and charismatic woman. She fulfilled her many roles so beautifully. Yet to me, Diana was a beloved friend, not the world-famous Princess of Wales. Behind the glamour, I saw the qualities I’d always admired in her--kindness, integrity, and grace in all she did. Above all, Diana was born to be a mother. Showing affection was as natural to her as breathing. I saw her tender care for my young son. I know she was an utterly devoted mother to her own boys, giving them unconditional love and deriving her greatest joy in life from them. I’ve wished so often that her life had been a fairytale, that Diana had been spared the pain and loneliness she suffered. But without the despair, she might not have developed the strength and humanity that reached out to people everywhere. Diana instinctively looked beyond her own problems to ease the pain and distress of others. She touched so many people in her short lifetime. I never thought it would end this way--that she would die so young. I will always remember, as the last hymn faded into silence at her funeral, the solemn tread of the soldiers’ boots--so haunting, so final--as they carried her casket through the Abbey. I couldn’t bear that she was leaving forever. For months now, I’ve searched for some solace in this tragedy. I hope that Diana’s untimely death and the worldwide mourning for her have silenced forever those who belittled her values and doubted her appeal. She rests peacefully now beyond reproach--young and beautiful. Diana, you were greater than we realized. We will never, never forget you.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
As the most perfect subject for painting I have already specified inwardly satisfied [reconciled and peaceful] love, the object of which is not a purely spiritual ‘beyond’ but is present, so that we can see love itself before us in what is loved. The supreme and unique form of this love is Mary’s love for the Christ-child, the love of the one mother who has borne the Saviour of the world and carries him in her arms. This is the most beautiful subject to which Christian art in general, and especially painting in its religious sphere, has risen. The love of God, and in particular the love of Christ who sits at’ the right hand of God, is of a purely spiritual kind. The object of this love is visible only to the eye of the soul, so that here there is strictly no question of that duality which love implies, nor is any natural bond established between the lovers or any linking them together from the start. On the other hand, any other love is accidental in the inclination of one lover for another, or,’ alternatively, the lovers, e.g. brothers and sisters or a father in his love for his children, have outside this relation other conceI1l8 with an essential claim on them. Fathers or brothers have to apply themselves to the world, to the state, business, war, or, in short, to general purposes, while sisters become wives, mothers, and so forth. But in the case of maternal love it is generally true that a mother’s love for her child is neither something accidental just a single feature in her life, but, on the contrary, it is her supreme vocation on earth, and her natural character and most sacred calling directly coincide. But while other loving mothers see and feel in their child their husband and their inmost union with him, in Mary’s relation to her child this aspect is always absent. For her feeling has nothing in common with a wife’s love for her husband; on the contrary, her relation to Joseph is more like a sister’s to a brother, while on Joseph’s side there is a secret awe of the child who is God’s and Mary’s. Thus religious love in its fullest and most intimate human form we contemplate not in the suffering and risen Christ or in his lingering amongst his friends but in the person of Mary with her womanly feeling. Her whole heart and being is human love for the child that she calls her own, and at the same time adoration, worship, and love of God with whom she feels herself at one. She is humble in God’s sight and yet has an infinite sense of being the one woman who is blessed above all other virgins. She is not self-subsistent on her own account, but is perfect only in her child, in God, but in him she is satisfied and blessed, whether. at the manger or as the Queen of Heaven, without passion or longing, without any further need, without any aim other than to have and to hold what she has. In its religious subject-matter the portrayal of this love has a wide series of events, including, for example, the Annunciation, the Visitation, the Birth, the Flight into Egypt, etc. And then there are, added to this, other subjects from the later life of Christ, i.e. the Disciples and the women who follow him and in whom the love of God becomes more or less a personal relation of love for a living and present Saviour who walks amongst them as an actual man; there is also the love of the angels who hover over the birth of Christ and many other scenes in his life, in serious worship or innocent joy. In all these subjects it is painting especially which presents the peace and full satisfaction of love. But nevertheless this peace is followed by the deepest suffering. Mary sees Christ carry his cross, she sees him suffer and die on the cross, taken down from the cross and buried, and no grief of others is so profound as hers. Mary’s grief is of a totally different kind. She is emotional, she feels the thrust of the dagger into the centre of her soul, her heart breaks, but she does not turn into stone.
Georg Wilhelm Friedrich Hegel
Langevin-Joliot noted that they also were never encouraged to be the best. “I did not learn this as a child. That is more of an American idea. When I was at school, I was first in many things—physics, sport, math. My brother was just an average kid. My mother always told him not to worry that his sister is doing so well. We did not have to be the best,” she said. “My mother never heard that either as a child and I never heard that. It’s a dangerous idea. The culture of prizes is an American one and it is invading Europe. I don’t care for it. My mother chose to do what her mother did not for prizes but just to be happy. That was the most important thing.” Shortly
Shelley Emling (Marie Curie and Her Daughters: The Private Lives of Science's First Family (MacSci))
They are sent here for a short time only, with a work to do. When that work is done, or the end of time for doing it is come, they are taken hence. Now, many of these exiles forget that they are in exile and try to make themselves at home here. They neglect the task they were set to do, get together whatever will make them comfortable, and think of nothing but enjoying themselves.
Mary Loyola
Life was too big and too short and too important to talk about the lack of rain or the latest gossip. She wanted to know how people felt about themselves and one another, whether they were happy or sad. She wanted to know what made them feel loved and what hurt them to the core. She wanted to know about their past, how they got where they were, and their relationships with their mothers and fathers and siblings. She wanted to know if she was the only mixed-up person in the world who felt completely and utterly
Ellen Marie Wiseman (The Life She Was Given)
rocked with the train as it trundled slowly out of the station. The journey was slow, but uneventful. There were no spot checks, for which Mother Marie-Pierre gave thanks, as at such close quarters it was likely that even the most short-sighted inspector would notice that there was little similarity between the picture on the second nun’s papers and the person it purported to represent. It was with great relief that they climbed down from the train when it finally reached Amiens.
Diney Costeloe (The Sisters of St Croix)
From the women in this book, I realized that I had been broken open by becoming a mother, and it was time to build myself back up, and discover the new version of who I was becoming. I think I may be recognizing myself again, if only in short glimpses from a reflection in the glass window. By researching this book, I was inspired by the theory of metta, which is described in some Buddhist circles as mother love. Similar notions of mother love may be found in Christianity, as seen through the stories and sculptures of Mary embracing Jesus. Metta is unlike any other type of love. Because it is metta, it brings out the very best and the very worst in us. Metta is forever—there is no “happily ever after,” and there is no finish line.
Christine Woodcock (The Evolution of Us: Portraits of Mothers and Their Changing Roles)
an artist. My mother’s deluded sense of reality.” What pisses me off is that she talks like she got the short end of the stick. Like her life is full of hard knocks. She doesn’t have a fucking clue what tough luck is like. I think of the mint-green trailer home, of sitting out a storm in a makeshift shelter while we watched our home blow over. “I’m supposed to feel sorry for you?” I ask. A bird begins to warble. In the distance, another returns its call. Her voice is quiet. “I never asked you to feel sorry for me. You asked a question. I gave you an answer,” she confides. “You’re just full of self-pity, aren’t you?” “It isn’t like that.” “Always the victim.” I’m unsympathetic. This girl doesn’t know a damn thing about tough luck. “No,” she hisses at me. She thrusts the fishing rod into my hands. “Take it,” she says. She unzips
Mary Kubica (The Good Girl)
What had been the purpose of my too-short like? I had been a daughter, a sister, a friend. Was that enough? My mother always said the most important thing in life was to love and be loved. I had done both. “Come along.” I felt the guard nudge me forward. “Wait.” I steadied myself enough to slip my feet out of my shoes, stepping onto the dewy grass, which felt soft and prickly at the same time. I needed to feel the grass beneath my feet one last time. “I want to run,” Jamie said, is voice rising hopefully. “Please.” “No running,” the guard responded sternly. “Please let him,” Mary pleaded. “He’s been ill his whole life, until now.” I heard the second guard shuffle his feet and whisper something to the first. I wished I could see their faces. “All right,” the first guard reluctantly agreed. “Three minutes. We’ll take off your blindfold so you don’t trip,” he added gruffly. I couldn’t see Jamie, but I heard the patter of his feet, the joy in his voice as he cried out in happiness. Moved, the soldiers let him play for much longer than three minutes. And for once in his life, Jamie got to run outside like a normal boy, as the rain fell harder and the Tower chimed the hour of our execution.
Galaxy Craze (The Last Princess (Last Princess, #1))
It was not the people of Prussia who bartered their allegiance to the fatherland for peace and for Hanover. It was their King and princes who brought this stain upon them, and their beautiful Queen Louise, mother of the late Emperor William, had pleaded in vain with the King to pursue a loyal and patriotic course. The
Mary Platt Parmele (A Short History of Germany (Illustrated))
Mary’s new motherhood is not some vague or abstract sort of thing. It’s concrete and personal. And even though it’s universal, it’s also intensely particular. Mary is your mother. She is my mother. In this light, John Paul thinks it’s significant that Mary’s new motherhood on Calvary is expressed in the singular, “Behold, your son” not “Behold, your billions of spiritual children.” The Pope gets to the heart of it when he says, “Even when the same woman is the mother of many children, her personal relationship with each one of them is of the very essence of motherhood.”98 In short: Mary is uniquely, particularly, personally your mother and my mother, and she doesn’t lose us in the crowd.
Michael E. Gaitley (33 Days to Morning Glory: A Do-It-Yourself Retreat In Preparation for Marian Consecration)
Our mother-daughter bonding was cut short by the sound of the doorbell. Mom turned, and without a second glance, raced downstairs. Dad had already let them in, Rose Marie…and Chad. He was holding her suitcase; she was holding his hand with her other hand resting on her stomach. I did a double take. Was Rose Marie, my perfect sister, getting fat? My dad swore. My mom wailed like a baby. I thought, “Hey, parents, chill, it’s just the freshman fifteen. Lots of students gain weight their first year in college.” Then it hit me.
Tara West (Sophie's Secret (Whispers, #1))
Shortly before Christmas that year, Patrick, now seven, came along with me to work at our church’s annual Christmas bazaar. As he wandered around, he spotted a small handcrafted necklace and earring set. He thought of Diana’s recent letter and remembered our visit in Washington. As a result, he bought the little jewelry set with his saved-up allowance. We sent it to Diana for Christmas, accompanied by notes from Patrick and me. Later the following January, 1987, Diana wrote to “Dearest Patrick,” telling him she was “enormously touched to be thought of in this wonderful way.” Then she drew a smiley face. “I will wear the necklace and earrings with great pride and they will be a constant reminder of my dear friend in America. This comes with a big thank you and a huge hug, and as always, lots of love from Diana.” Could one imagine a more precious letter? I just felt chills of emotion when I rediscovered it after her death. Diana wrote to me at the same time. Now that the holidays were over, Diana had to return to her official duties--“It’s just like going back to school!” Prince William loved his new school. Diana felt he was ready for “stimulation from a new area and boys his own age…” She described taking William to school the first day “in front of 200 press men and quite frankly I could easily have dived into a box of Kleenex as he look incredibly grown-up--too sweet!” Diana noticed that Patrick and Caroline looked very much alike in our 1987 Christmas photograph. “But my goodness how they grow or maybe it’s the years taking off and leaving us mothers behind!” Diana was a young twenty-six when she wrote that observation. I wonder if she knew then that less than four years later, Prince William would be off to boarding school, truly leaving his mother behind. Again she extended a welcoming invitation. If we could manage a trip to London, “I’d love to introduce you to my two men!” By then, she meant her two sons. She also repeated that our letters “mean a great deal to me…
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Pat and I, of course, could barely grasp that the Diana who’d been Patrick’s beloved nanny three short months ago was destined to be the next queen of England. What a leap! From the nursery to the palace. Positively daunting.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
In the meantime, Pat was enjoying his first solo conversation with Diana. Previously, he’d seen her only twice at our flat in London in 1980 and again at the prewedding ball in 1981. Pat had been waiting on the palace driveway by our car. Diana’s butler had come out and asked, “Are you Mr. Robertson?” Then he graciously said, “Please come inside.” Pat expected to be shown into the entrance hall to wait more comfortably. He was pleasantly surprised to be led upstairs into Diana’s elegant drawing room. There, Diana’s butler gave him coffee and the newspaper to read while Diana and I finished our tete-a-tete. Pat was caught unawares when Diana breezed in to see him. Pat is six feet three inches tall, but he was struck by Diana’s height and by her natural good looks and vitality. He stood up, saying “Gosh, I don’t know what to call you.” Diana, unassuming and direct as always, replied, “Diana’s just fine.” They sat down together and had a short visit. Pat recalls that they talked about children, hers and ours, and our travel plans for Wales and Scotland. He couldn’t get over how unaffected and natural she was. He was thrilled finally to visit with the wonderful Diana I’d been talking about for years. Pat asked if we’d taken any photographs yet. Diana said, “Yes, but would you like to take another one outside in the garden?” I had finished my coffee and the children had returned from their tour, so we all walked downstairs and out onto the front courtyard and lawn. With my camera, Pat took a picture of Diana standing with the children and me. Then Diana asked one of her staff, who was standing nearby, to use my camera so that Pat could be in a photograph. Then with hugs and good wishes all around, we returned to our car and drove slowly from Kensington Palace. I hated to leave Diana, not knowing when, or even if, we’d see her again.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
After the shattering events of the past ten days, I was happy to fly home and return to my normal, everyday life. Pat met me at the airport, then we picked up a very unhappy Caroline after school. She’d been missing Patrick desperately since he’d left for college. In my short absence, she’d experienced an unexpectedly rough adjustment to her new high school. This had been a bad time for me to be away. She felt abandoned. Caroline burst into tears of relief the minute she stepped into the car. I just held her close for the twenty-minute ride home. We went straight up to her cozy pink bedroom to talk. She sobbed that she’d been miserable while I was away. “Daddy has been wonderful, but a daddy is not a mommy. I really needed you.” I choked back my own tears. “But, Caroline, darling,” I said, “I was only gone for five days. Just think of William and Harry. Their mummy is never coming back.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
We can always choose another path in the short amount of time we have here on earth. Where we go from here is totally up to us.
Kevin Matthews (Mary's Roadie: My Travels with Mary the Mother of Jesus)
Life was too big and too short and too important to talk about the lack of rain or the latest gossip. She wanted to know how people felt about themselves and one another, whether they were happy or sad. She wanted to know what made them feel loved and what hurt them to the core. She wanted to know about their past, how they got where they were, and their relationships with their mothers and fathers and siblings. She wanted to know if she was the only mixed-up person in the world who felt completely and utterly alone.
Ellen Marie Wiseman (The Life She Was Given)
Then again, she didn’t like small talk either, so she was glad he wasn’t commenting on the weather or landscape. Life was too big and too short and too important to talk about the lack of rain or the latest gossip. She wanted to know how people felt about themselves and one another, whether they were happy or sad. She wanted to know what made them feel loved and what hurt them to the core. She wanted to know about their past, how they got where they were, and their relationships with their mothers and fathers and siblings. She wanted to know if she was the only mixed-up person in the world who felt completely and utterly alone.
Ellen Marie Wiseman (The Life She Was Given)
Joey was not yet three years old when he came to an atrium in which I assisted. Initially, he was so unsure of the environment that his mother had to stand at the door until he engaged in a work, and even then, there was no guarantee that he would stay. Every now and again, he would glance toward the door to make sure she was there. I was asked to show him how to make a silence in the atrium.63 The purpose of this presentation is to aid the child’s prayer by helping him calm the mind and body. Joey’s response to the moment of silence was nothing short of mystical. As he opened his eyes, I beheld a very deep serenity, as if he had found that place of Divine Indwelling within his soul. Quietly, I asked him if he would like to make a silence again. He smiled, nodding ever so slowly. This young child who could hardly be away from his mother’s knee; whose language was still in formation, could rest in the Presence of God and speak God’s language of silence.
Sister Mary Michael Fox (Following God's Pedagogy: Principles for Children's Catechesis (E-book Edition))
Agnita, veteran of these rituals, was ready. “Look,” she replied, “I take this from the drawer. It clean.” From the pocket of her house-dress came a pair of jockey-shorts. Eggplant in color, with white piping. Miss Ivy sprinkled the underwear with holy water from a tiny bottle. Then, gripping the crotch, she closed her eyes and began a rolling chant, “O Mother, O Mother! Mother Sita. O Mother! Mother Mary. O Mother! Mother Earth. O Mother!
Celeste Mohammed (Pleasantview)
Today I renew my total consecration to you, Mary, my mother. I give you my whole being so you may lead me to console your Son with the perfect consolation you give to him. From this day forward, dear Jesus, whenever I embrace you, may it be with the arms of Mary. Whenever I kiss you, may it be with the lips of Mary. Whenever I sing to you, praise you, and thank you, may it be with the voice of Mary. Jesus, in short, every time I love you, may it be with the Heart of Mary.
Michael E. Gaitley (Consoling the Heart of Jesus: A Do-It-Yourself Retreat Inspired by the Spiritual Exercises of St. Ignatius)
The revolver was chambered for .442 rounds, which meant there was only room for five. "These are large caliber bullets for such a short gun," Merritt remarked. "It's designed to stop someone at close range," Ethan said, absently arching up to rub a spot on his chest. "Being hit by one of those bullets feels like a kick from a mule." "Why is the hammer bobbed?" "To keep it from catching on the holster or clothing, if I have to draw it fast." Keeping the muzzle of the gun pointed away from him, Merritt reassembled the revolver, slid the extractor rod into place, and locked it deftly. "Well done," Ethan commented, surprised by her assurance. "You're familiar with guns, then." "Yes, my father taught me. May I shoot it?" "What are you going to aim for?" By this time, the others had come out from the parlor to watch. "Uncle Sebastian," Merritt asked, "are those pottery rabbits on the stone wall valuable?" Kingston smiled slightly and shook his head. "Have at it." "Wait," Ethan said calmly. "That's a twenty-yard distance. You'll need a longer-range weapon." With meticulous care, he took the revolver from her and replaced it in his coat. "Try this one." Merritt's brows lifted slightly as he pulled a gun from a cross-draw holster concealed by his coat. This time, Ethan handed the revolver to her without bothering to disassemble it first. "It's loaded, save one chamber," he cautioned. "I put the hammer down to prevent accidental discharge." "A Colt single-action," Merritt said, pleased, admiring the elegant piece, with its four-and-a-half-inch barrel and custom engraving. "Papa has one similar to this." She eased the hammer back and gently rotated the cylinder. "It has a powerful recoil," Ethan warned. "I would expect so." Merritt held the Colt in a practiced grip, the fingers of her support hand fit neatly underneath the trigger guard. "Cover your ears," she said, cocking the hammer and aligning the sights. She squeezed the trigger. An earsplitting report, a flash of light from the muzzle, and one of the rabbit sculptures on the wall shattered. In the silence that followed, Merritt heard her father say dryly, "Go on, Merritt. Put the other bunny out of its misery." She cocked the hammer, aimed and fired again. The second rabbit sculpture exploded. "Sweet Mother Mary," Ethan said in wonder. "I've never seen a woman shoot like that." "My father taught all of us how to shoot and handle firearms safely," Merritt said, giving the revolver back to him grip-first.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))