“
Are you her boyfriend?”
...
No, I’m her fiancé.” Nate said.
We’ve been promised to each other since birth,” Summer added.
Our wedding isn’t until March.
”
”
Brandon Mull (The Candy Shop War (The Candy Shop War, #1))
“
I thought I would inaugurate a Bipolar Pride Day. You know, with floats and parades and stuff! On the floats we would get the depressives, and they wouldn’t even have to leave their beds - we’d just roll their beds out of their houses, and they could continue staring off miserably into space. And then for the manics, we’d have the manic marching band, with manics laughing and talking and shopping and fucking and making bad judgment calls.
”
”
Carrie Fisher (Wishful Drinking)
“
And like that, I said goodbye to my grandmother like we were two people who met in a coffee shop, shared a lifetime of stories and left wanting more, but knowing we’d meet there again.
”
”
Darnell Lamont Walker
“
The girl with the long brown hair turned around. "Are you her boy friend?" she asked.
Summer glanced from Crystal to Nate and back. Then question made her feel a little awkward. After all, she had saved him a seat.
No, I'm her fiance," Nate said.
We've been promised to each other since birth." Summer added.
Our wedding isn't until March.
”
”
Brandon Mull (The Candy Shop War (The Candy Shop War, #1))
“
Some people buried their fears in food, she knew, and some in booze, and some in planning elaborate engagements and weddings and other life events that took up every spare moment of their time, in case unpleasant thoughts intruded. But for Nina, whenever reality, or the grimmer side of reality, threatened to invade, she always turned to a book. Books had been her solace when she was sad; her friends when she was lonely. They had mended her heart when it was broken, and encouraged her to hope when she was down. Yet
”
”
Jenny Colgan (The Little Shop of Happy Ever After (Kirrinfief, #1))
“
She noticed that the man at the table next to her, in his sixties, was watching her. Clearly, he’d
caught the show.
“Well, he asked for my opinion,” she said defensively.
“I’m just wondering what you’re going to do to the next guy who walks in,” the older man said.
“They’re gonna start taking them out of here in body bags.”
Probably it was high time she left this coffee shop.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
--a drive in the country, an expedition to a shoe shop a quiet cup of tea under a cloudless sky; each of us had something that made it easier to continue in a world that sometimes, just sometimes, was not as we might wish it to be.
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
Rachel and I, we’d been raised to do what we wanted to do, and we had; we’d been successful, and we’d shown everyone. We didn’t need to wear apocryphal T-shirts because we already knew the secret, which was this: that when you did succeed, when you did outearn and outpace, when you did exceed all expectations, nothing around you really shifted. You still had to tiptoe around the fragility of a man, which was okay for the women who got to shop and drink martinis all day—this was their compensation; they had done their own negotiations—but was absolutely intolerable for anyone who was out there working and getting respect and becoming the person that others had to tiptoe around. That these men could be so delicate, that they could lack any inkling of self-examination when it came time to try to figure out why their women didn’t seem to be batshit enthusiastic over another night of bolstering and patting and fellating every insecurity out of them—this was the thing we’d find intolerable.
”
”
Taffy Brodesser-Akner (Fleishman Is in Trouble)
“
Our scars make us who we are. Wear them proudly, and move forward.
”
”
Jane Linfoot (The Little Wedding Shop by the Sea (The Little Wedding Shop by the Sea, #1))
“
Armies aren’t very good about carrying libraries with them. I can’t imagine why. We’d fight so much less if everyone would just sit down and read.”
Gifford’s laugh rumbled through him, loud against her ear. “A question I often ask myself. Imagine how much money the realm would save if the rulers focused their finances on libraries, rather than wars.”
“Not if I were allowed to shop for books.”
“England would go bankrupt,” he said gravely. “Thank God for wars.
”
”
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
“
We’re living in an acquisitive capitalist society that is fundamentally anti-family and fundamentally uncomfortable with just enjoying being human. We’d rather shop than live, acquire than love and stare into a screen than hold each other.
”
”
Frank Schaeffer (Why I am an Atheist Who Believes in God: How to give love, create beauty and find peace)
“
I stepped inside and stopped, blinking in astonishment. From the exterior I'd expected a charming little book and curio shop with the inner dimensions of a university Starbucks. What I got was a cavernous interior that housed a display of books that made the library Disney's Beast gave to Beauty on their wedding day look understocked.
”
”
Karen Marie Moning (Darkfever (Fever, #1))
“
There’s a verse in Proverbs that speaks to me. “There are three things which are too wonderful for me, four which I do not understand. The way of an eagle in the sky, the way of a serpent on a rock, the way of a ship in the middle of the sea, and the way of a man with a maid.” The
”
”
Rachel Hauck (The Wedding Shop: A Sweet Romance (The Wedding Collection))
“
It's not the concept of marriage I have a problem with. I'd like to get married too. A couple times. It's the actual wedding that pisses me off.
The problem is that everyone who gets married seems to think that they are the first person in the entire universe to do it, and that the year leading up to the event revolves entirely around them. You have to throw them showers, bachelorette weekends, buy a bridesmaid dress, and then buy a ticket to some godforsaken town wherever they decide to drag you. If you're really unlucky, they'll ask you to recite a poem at their wedding. That's just what I want to do- monitor my drinking until I'm done with my public service announcement. And what do we get out of it, you ask? A dry piece of chicken and a roll in the hay with their hillbilly cousin. I could get that at home, thanks.
Then they have the audacity to go shopping and pick out their own gifts. I want to know who the first person was who said this was okay. After spending all that money on a bachelorette weekend, a shower, and often a flight across the country, they expect you to go to Williams Sonoma or Pottery Barn and do research? Then they send you a thank-you note applauding you for such a thoughtful gift. They're the one who picked it out! I always want to remind the person that absolutely no thought went into typing in a name and having a salad bowl come up.
”
”
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
“
We would never go shopping together or eat an entire cake while we complained about men. He'd never invite me over to his house for dinner or a barbecue. We'd never be lovers. But there was a very good chance that one of us would be the last person the other saw before we died. It wasn't friendship the way most people understood it, but it was friendship. There were several people I'd trust with my life, but there is no one else I'd trust with my death. Jean-Claude and even Richard would try to hold me alive out of love or something that passed for it. Even my family and other friends would fight to keep me alive. If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
This is a great wedding. I like weddings." "It is a good one, isn't it?" she agreed. "But it was always going to be--Emma so efficient." "Isn't she," he said. "I like weddings." Lulu said nothing. "Weddings," he said after a moment. "Funny things, but I like them." Lulu stopped dancing and drew back to look up into his eyes. "If you say that one more time," she said levelly, "I won't take you to the Cheddar cheese shop." "Sorry," he said quickly "I like funerals, too, if that's any help? We do marvelous ones in Ireland, we're famous for them.
”
”
Gabrielle Donnelly (The Little Women Letters)
“
Buttons may be tiny. Delicate, even. But they fasten together the fabric of an entire garment. The fabric wear day in and day out, the mundane cotton blouse and the lacy wedding dress. The fabric, the seams, that cover us, warm us, protect us. Binding dream to dream, story to story, but mostly, death to life.
With a particular kind of beauty that rises from the dust. The resurrection life of a second story, of the breath that mends us.
”
”
Ashley Clark (The Dress Shop on King Street (Heirloom Secrets, #1))
“
...each of us needed to find just the right way to take our mind off our problems, and it did not matter what that was--a drive in the country, an expedition to a shoe shop, a quiet cup of tea under a cloudless sky; each of us had something that made it easier to continue in a world that sometimes, just sometimes, was not as we might wish it to be.
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
So it was perfectly possible that there were men who liked shopping, men who understood exactly what it was all about, but Mma Ramotwe had yet to meet such a man. Maybe they existed elsewhere - in France, perhaps - but they did not seem to be much in evidence in Botswana.
”
”
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
“
Howard was almost as fond of this hall as he was of his own shop. The Brownies used it on Tuesdays, and the Women's Institute on Wednesdays. It had hosted jumble sales and Jubilee celebrations, wedding receptions and wakes, and it smelled of all of these things: of stale clothes and coffee urns, and the ghosts of home-baked cakes and meat salads; of dust and human bodies; but primarily of aged wood and stone.
”
”
J.K. Rowling (The Casual Vacancy)
“
Now," he said. "I want to hear about your day. Did you read any new books?"
"I've read all the books we have." She wrinkled her nose. "Armies aren't very good about carrying libraries with them. I can't imagine why. We'd fight so much less if everyone would just sit down and read."
Gifford's laugh rumbled through him, loud against her ear. "A question I often ask myself. Imagine how much money the realm would save if the rulers focused their finances on libraries, rather than wars."
"Not if I were allowed to shop for books."
"England would go bankrupt," he said gravely. "Thank God for wars."
She pushed him away, playful. "You can't switch sides like that."
The corner of his mouth quirked up. "It's too late. I've switched already, and since you've forbidden switching that quickly again, I'm stuck opposing you."
"Congratulations," she said. "You've just described our entire relationship.
”
”
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
“
Aunt Jayne asks if we'd like to stop somewhere for dessert, and since nodding and smiling is easier than shaking our heads and inventing a reason for not wanting dessert, we okay it without thinking.
And since the universe has worked in its own mysterious way all vacation, tonight shouldn't be any different, which is why neither of us is particularly surprised to discover that Jayne is craving a smoothie.
...
Once Sam returns to his post behind the counter, Frankie stops kicking me and we slurp down our drinks in about two minutes, anxious to get out of here before anyone recognizes us. Uncle Red and Aunt Jayne, on the other hand, act like this is the last smoothie shop they'll ever see, like smoothies are an endangered species to be appreciated and savored and drawn out as long as possible. With each passing minute, Frankie and I sink lower in our chairs, praying to the God of Annoying Coincidences that Jake doesn't show up and blow our cover.
”
”
Sarah Ockler (Twenty Boy Summer)
“
Beauty exists everywhere in the world. Love resides in all of us. That’s the point. I only…I only want to deepen that. Show that there can be—that there should be—substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn’t diminish in old age, when she’s too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. There is love in caring for the sick, the weak, the ugly. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it.” He rubbed at his forehead, his eyes bright with fervor. “Why should we celebrate one without the other?
”
”
Erin A. Craig (House of Roots and Ruin (Sisters of the Salt, #2))
“
I nod. "Yeah, I'm on the step where I tell her exactly how I feel and she kisses me behind the fudge shop." I deadpan.
”
”
Courtney Walsh (A Cross-Country Wedding (Road Trip Romance, #2))
“
wisdom.” I suspect you’re upset about the inheritance Daddy left me. But
”
”
Rachel Hauck (The Wedding Shop: A Sweet Romance (The Wedding Collection))
“
the truth, then I suppose you’re right. Did you say something about the bakery order? I glanced in
”
”
Rachel Hauck (The Wedding Shop: A Sweet Romance (The Wedding Collection))
“
I suppose - in a way - we’d got to the end of love. There was nothing else we could do together. She could shop and cook and fall asleep with you, but she could only make love with me.
”
”
Graham Greene (The End of the Affair)
“
We scoffed at the kids who weren't like us, the ones who already talked about careers, or bliddy mortgages and pensions. Kids wanting to be old before they were young. Kids wanting to be dead before they'd lived. They were digging their own graves, building the walls of their own damn jails. Us, we hung to our youth. We were footloose, fancy free. We said we'd never grow boring and old. We plundered charity shops for vintage clothes. We bought battered Levis and gorgeous faded velvet stuff from Attica in High Bridge. We wore coloured boots, hemp scarves from Gaia. We read Baudelaire and Byron. We read our poems to each other. We wrote songs and posted them on YouTube. We formed bands. We talked of the amazing journeys we'd take together once school was done. Sometimes we paired off, made couples that lasted for a little while, but the group was us. We hung together. We could say anything to each other. We loved each other.
”
”
David Almond (A Song for Ella Grey)
“
Keir had never suspected it was possible for a woman to wear so much clothing. After they'd gone to Merritt's bedroom, he'd unfastened the back of her velvet dress and she'd stepped out of it to reveal a profusion of... Christ, he didn't know the names for them... frilly lace-trimmed undergarments that fastened with tiny hooks, ribbons, and buttons. They reminded him of the illustrations pasted on the walls of the Islay baker's shop, of wedding cakes decorated with sugar lace and marzipan pearls, and flowers made of icing. He adored the sight of her in all those pretty feminine things.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
”
”
David Nicholls (One Day)
“
Agapanthus and peonies in June. Scented stock and sweet peas in July. Sunflowers and sweet William in August. By the time September's oriental lilies and ornamental cabbages appeared, she wasn't hiding upstairs in the workroom anymore. She was spending more time in the shop, answering the phone, dealing with the customers. One Sunday she spent the afternoon at an allotment belonging to a friend of Ciara's, picking lamb's ear and dusty miller and veronica for a wedding, and didn't think about Michael once, but she kept remembering a Patrick Kavanagh poem she'd learned at school, the one about how every old man he saw reminded him of his father.
”
”
Ella Griffin (The Flower Arrangement)
“
A year on, Eleanor remained haunted by what happened to her. She still had no idea where the bacteria came from. Perhaps the foot soak and pedicure she had gotten at a small hair-and-nail shop the day before that wedding.
”
”
Atul Gawande (Complications: A Surgeon's Notes on an Imperfect Science)
“
The creamy millefeuille roses had arrived from Holland yesterday and been left in the warm kitchen, where they were opening like tulle ballerina skirts. The pale pink peonies were in the coolest corner of the shop downstairs so they wouldn't go over. The wildflower man would be in at 6 a.m. to deliver the cornflowers and foxgloves. Every flower in the bouquet had a special meaning for the bride. She had known exactly what she wanted, Lara remembered, and had turned up at the shop with her own color swatches and mood boards and Pinterest links.
”
”
Ella Griffin (The Flower Arrangement)
“
We would get a small paper bag containing maybe five or six squares of chocolate we had picked at random. This was often all we bought at the mall...Those Saturdays, we'd stroll the corridors until, one by one, the shops pulled shut their steel gates...Our hands empty except for our hands.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap.
The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.
”
”
Mary Katharine Ham
“
I follow her into a storeroom at the back of the shop and catch my breath when I see the bouquets she has made for the shoot. I've seen a lot of wedding flowers, but nothing like these.
There are soft apricot roses with dusty-blue delphiniums, creamy-white peonies with miniature pink alliums. Waxy green orchids with deep purple irises.
A phone rings in the shop and she excuses herself and goes back outside to answer it. I bend down and pick up a pretty tumble of glossy green ivy and pale purple bells on slender stems.
The flowers have a delicate scent, something elusive between hyacinth and freesia.
”
”
Ella Griffin (The Flower Arrangement)
“
Mike’s Tuxedo Rental was a bolt-hole of polyester knockoffs sandwiched between a Dunkin’ Donuts on the corner and a local flower shop on the other side. As Anne parallel-parked across the street from it, she checked the clock on her dash and was relieved they had an hour before the shop closed at five.
”
”
J.R. Ward (The Rehearsal Dinner (The Wedding From Hell, #1; Firefighters, #0.5))
“
We made the choice, right there in our local coffee shop, that we were going to do things differently. We were going to put the story first, no matter where that led us. We’d open ourselves up to all genres, all forms. We’d publish works that stayed with us in an intangible way, long after that last page is turned.
”
”
Dani Hedlund
“
This was the time when all we could talk about was sentences, sentences—nothing else stirred us. Whatever happened in those days, whatever befell our regard, Clea and I couldn’t rest until it had been converted into what we told ourselves were astonishingly unprecedented and charming sentences:
“Esther’s cleavage is something to be noticed” or “You can’t have a contemporary prison without contemporary furniture” or “I envision an art which will make criticism itself seem like a cognitive symptom, one which its sufferers define to themselves as taste but is in fact nothing of the sort” or “I said I want my eggs scrambled not destroyed.”
At the explosion of such a sequence from our green young lips, we’d rashly scribble it on the wall of our apartment with a filthy wax pencil, or type it twenty-five times on the same sheet of paper and then photocopy the paper twenty-five times and then slice each page into twenty-five slices on the paper cutter in the photocopy shop and then scatter the resultant six hundred and twenty-five slips of paper throughout the streets of our city, fortunes without cookies.
”
”
Jonathan Lethem
“
those who gave me the most pleasure. You know why? Because you’re an idiot, and even to fuck well it takes a little intelligence. For example you don’t know how to give a blow job, you’re hopeless, and it’s pointless to explain it to you, you can’t do it, it’s too obvious that it disgusts you. And he went on like that for a while, making speeches that became increasingly crude; with him vulgarity was normal. Then he wanted to explain clearly how things stood: he was marrying her because of the respect he felt for her father, a skilled pastry maker he was fond of; he was marrying her because one had to have a wife and even children and even an official house. But there should be no mistake: she was nothing to him, he hadn’t put her on a pedestal, she wasn’t the one he loved best, so she had better not be a pain in the ass, believing she had some rights. Brutal words. At a certain point Michele himself must have realized it, and he became gripped by a kind of melancholy. He had murmured that women for him were all games with a few holes for playing in. All. All except one. Lina was the only woman in the world he loved—love, yes, as in the films—and respected. He told me, Gigliola sobbed, that she would have known how to furnish this house. He told me that giving her money to spend, yes, that would be a pleasure. He told me that with her he could have become truly important, in Naples. He said to me: You remember what she did with the wedding photo, you remember how she fixed up the shop? And you, and Pinuccia, and all the others, what the fuck are you, what the fuck do you know how to do? He had said those things to her and not only those. He had told her that he thought about Lila night and day, but not with normal desire, his desire for her didn’t resemble what he knew. In reality he didn’t want her. That is, he didn’t want her the way he generally wanted women, to feel them under him, to turn them over, turn them again, open them up, break them, step on them, and crush them. He didn’t want her in order to have sex and then forget her. He wanted the subtlety of her mind with all its ideas. He wanted her imagination. And he wanted her without ruining her, to make her last. He wanted her not to screw her—that word applied to Lila disturbed him. He wanted to kiss her and caress her. He wanted to be caressed, helped, guided, commanded. He wanted to see how she changed with the passage of time, how she aged. He wanted to talk with her and be helped to talk. You understand? He spoke of her in way that to me, to me—when we are about to get married—he has never spoken.
”
”
Elena Ferrante (Those Who Leave and Those Who Stay)
“
I used to have this fantasy that in some distant Star Wars sequel, we’d finally stop all the shooting and screaming at each other and would go to a shopping-and-beauty planet, where the stormtroopers would have to get facials, and Chewbacca would have to get pedicures and bikini and eyebrow waxes. I felt at some point that I should get—okay, fine, maybe not equal time—but just a few scenes where we all did a lot of girly things. Imagine the shopping we might have done on Tatooine! Or a little Death Star souvenir shop where you could get T-shirts that said “My parents got the force and jumped to light speed and all I got was this lousy t-shirt!” or “My boyfriend blew Jabba the Hutt and all I got” . . . etc., etc. You get the gist of my drift.
”
”
Carrie Fisher (Wishful Drinking)
“
When Pru and I were in school, we’d plan our reading days based on the weather. She’d circle the spring rains on her calendar, mark off the weeks when hurricanes came through in the fall, and then when the storms hit, we’d have at least a dozen books ready—library reads and wilted paperbacks from the secondhand shop. We’d curl up on the couch for hours on end, playing hooky from school.
”
”
Ashley Poston (A Novel Love Story)
“
Our taste for books came from Antonin, an old second-hand bookseller, an anarchist, whose shop was on Cours Julien. We'd cut classes to go see him. He'd tell us stories of adventures and pirates. The Caribbean. The Red Sea. The South Seas... Sometimes he'd stop, grab a book, and read us a passage. As if to prove that what he was telling us was true. Then he'd give it to us as a present.
”
”
Jean-Claude Izzo (Total Chaos (Marseilles Trilogy, #1))
“
armies are not very good about carrying libraries with them. i can’t imagine why. we’d fight so much less if everyone would sit down and read.”
“a question i often ask myself. imagine how much money the realm would save if the rulers focused their finances on libraries rather than wars.”
“not if i were allowed to shop for books.”
“england would go bankrupt. thank god for wars.”
- jane & g
”
”
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
“
There would be no more hot dog-eating contests or NASCAR or picnics in the park or Cheetos or America's Funniest Home Videos or revving truck engines or books or children laughing or fetch with a stick or i{hone updates or shopping or electrical jobs or songs or genius inventions or drunken dancing or Fireball whiskey or snow globes or wedding vows or ugly ties or Christmas hugs or...families
”
”
Kira Jane Buxton (Hollow Kingdom (Hollow Kingdom, #1))
“
I wake on the fiction couch deeply hungover, my head cracking, with Rachel telling me to get up. She’s holding my eyelids open like she used to do in high school when we’d stayed up all night talking and then slept through the morning alarm. ‘Get. Up. Henry.’
‘What time is it? I ask, batting off her hands.
‘It’s eleven. The shop’s been open for an hour. There are customers asking for books I can’t find. George is yelling at a guy called Martin Gamble who’s here to help me create the database. And as a separate issue, Amy’s waiting in the reading garden.’
‘Amy’s here?’ I sit up and mess my hair around. ‘How do I look?’
‘I decline to answer on the grounds that technically you’re my boss and I don’t want to start my new job by insulting you.’
‘Thank you,’ I say. ‘I appreciate that.
”
”
Cath Crowley (Words in Deep Blue)
“
When I select my wedding gown, I am reminded of the story of the young woman who wished to go to a dance with her lover, but could not afford a dress. She purchased a lovely white frock from a secondhand shop, and then later fell ill and passed from this earth. A doctor who examined her in her final days discovered she had died from exposure to embalming fluid. It turned out that an unscrupulous undertaker's assistant had stolen the dress from the corpse of a bride.
”
”
Carmen Maria Machado (Her Body and Other Parties: Stories)
“
Rachel and I, we’d been raised to do what we wanted to do, and we had; we’d been successful, and we’d shown everyone. We didn’t need to wear apocryphal T-shirts because we already knew the secret, which was this: that when you did succeed, when you did outearn and outpace, when you did exceed all expectations, nothing around you really shifted. You still had to tiptoe around the fragility of a man, which was okay for the women who got to shop and drink martinis all day—this was their compensation; they had done their own negotiations—but was absolutely intolerable for anyone who was out there working and getting respect and becoming the person that others had to tiptoe around. That these men could be so delicate, that they could lack any inkling of self-examination when it came time to try to figure out why their women didn’t seem to be batshit enthusiastic over another night of bolstering and patting and fellating every insecurity out of them—this was the thing we’d find intolerable. I
”
”
Taffy Brodesser-Akner (Fleishman Is in Trouble)
“
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf.
It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe.
Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era.
The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats.
It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains.
About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
”
”
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
“
I could almost see what would have happened: The shop ladies would have been polite—a bit nervous—and given us privacy as Rhys sat on the settee in the back of the shop while I went behind the curtained-off chamber to try on the red lace set I’d eyed thrice now. And when I emerged, mustering up more bravado than I felt, Rhys would have looked me up and down. Twice. And he would have kept staring at me as he informed the shop ladies that the store was closed and they should all come back tomorrow, and we’d leave the tab on the counter.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
My car rounds the corner, riding the path to the body shop. When I spot Alex leaning on his motorcycle waiting for me in the parking lot, my pulse skips a beat.
Oh, boy. I’m in trouble.
Gone is his ever-present bandanna. Alex’s thick black hair rests on his forehead, daring to be swept back. Black pants and a black silk shirt have replaced his jeans and T-shirt. He looks like a young Mexican daredevil. I can’t help but smile as I park next to him.
“Querida, you look like you’ve got a secret.”
I do, I think as I step out of my car. You.
“Dios mio. You look…preciosa.”
I turn in a circle. “Is this dress okay?”
“Come here,” he says, pulling me against him. “I don’t want to go to the wedding anymore. I’d rather have you all to myself.”
“No way,” I say, running a slow finger along the side of his jaw.
“You’re a tease.”
I love this playful side of Alex. It makes me forget all about those demons.
“I came to see a Latino wedding, and I expect to see one,” I tell him.
“And here I thought you were comin’ to be with me.”
“You’ve got a big ego, Fuentes.”
“That’s not all I’ve got.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
I had meant to take her to my favorite pastry shop after dinner. I'd known happiness there once, or maybe not happiness, but the vision of it. I wanted to see whether the place had changed at all, or whether I had changed, or whether, just by sitting with her I could make up for old loves I'd gotten so close to but had never been bold enough to seize. Always got so very close, and always turned my back when the time came. Manfred and I had dessert here so many times, especially after the movies, and before Manfred, Maud and I, because it was so hot on summer nights that we'd stop to drink fizzy lemonades here, night after night, happy to be together drinking nothing stronger. And Chloe, of course, on those cold afternoons on Rivington Street so many years ago. My life, my real life, had not even happened yet, and all of this was rehearsal still. Tonight, I thought, relishing Joyce's words and feeling exquisitely sorry for myself, the time has come for me to set out on my journey westward. Then I thought of Saint Augustine's words: "Sero te amavi! Late have I loved you!
”
”
André Aciman (Enigma Variations)
“
One rather odd use of xerography insures that brides get the wedding presents they want. The prospective bride submits her list of preferred presents to a department store; the store sends the list to its bridal-registry counter, which is equipped with a Xerox copier; each friend of the bride, having been tactfully briefed in advance, comes to this counter and is issued a copy of the list, whereupon he does his shopping and then returns the copy with the purchased items checked off, so that the master list may be revised and thus ready for the next donor.
”
”
John Brooks (Business Adventures: Twelve Classic Tales from the World of Wall Street)
“
So . . . for some reason we thought you were the guys assigned to Ms. Lynde’s surveillance. Guess we were mistaken?”
“Nope, you got it right,” Kamin said. “We do the night shift. Nice girl. We talk a lot on the way to the gym.”
“Oh. Then I guess Agent Wilkins and I are just curious why you two are here instead of with her.”
Kamin waved this off. “It’s cool. We did a switcheroo with another cop, see?”
“A switcheroo . . . right. Remind me again how that works?” Jack asked.
“It’s because she’s got this big date tonight,” Kamin explained.
Jack cocked his head. “A date?”
Phelps chimed in. “Yeah, you know—with Max-the-investment-banker-she-met-on-the-Bloomingdales-escalator.”
“I must’ve missed that one.”
“Oh, it’s a great story,” Kamin assured him. “She crashed into him coming off the escalator and when her shopping bag spilled open, he told her he liked her shoes.”
“Ah . . . the Meet Cute,” Wilkins said with a grin.
Jack threw him a sharp look. “What did you just say?”
“You know, the Meet Cute.” Wilkins explained. “In romantic comedies, that’s what they call the moment when the man and woman first meet.” He rubbed his chin, thinking this over. “I don’t know, Jack . . . if she’s had her Meet Cute with another man that does not bode well for you.”
Jack nearly did a double take as he tried to figure out what the hell that was supposed to mean.
Phelps shook his head. “Nah, I wouldn’t go that far. She’s still on the fence about this guy. He’s got problems keeping his job from intruding on his personal life. But she’s feeling a lot of pressure with Amy’s wedding—she’s only got about ten days left to get a date.”
“She’s the maid of honor, see?” Kamin said.
Jack stared at all three of them. Their lips were moving and sound was coming out, but it was like they were speaking a different language.
Kamin turned to Phelps. “Frankly, I think she should just go with Collin, since he and Richard broke up.”
“Yeah, but you heard what she said. She and Collin need to stop using each other as a crutch. It’s starting to interfere with their other relationships.”
Unbelievable. Jack ran a hand through his hair, tempted to tear it out. But then he’d have a bald spot to thank Cameron Lynde for, and that would piss him off even more. “Can we get back to the switcheroo part?”
“Right, sorry. It was Slonsky’s suggestion.
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
Jobs and Kottke became serious vegetarians during their freshman year. “Steve got into it even more than I did,” said Kottke. “He was living off Roman Meal cereal.” They would go shopping at a farmers’ co-op, where Jobs would buy a box of cereal, which would last a week, and other bulk health food. “He would buy flats of dates and almonds and lots of carrots, and he got a Champion juicer and we’d make carrot juice and carrot salads. There is a story about Steve turning orange from eating so many carrots, and there is some truth to that.” Friends remember him having, at times, a sunset-like orange hue.
”
”
Walter Isaacson (Steve Jobs)
“
I was only hit on once at the grocery store. I remember it was early one Saturday morning and I was buying my daily bacon, when I got tapped on the shoulder. I turned around and I saw a rather short and very feeble eighty-year-old lady looking up at me. She said in a weak, scratchy voice, "Excuse me, young man, could you reach up and grab some ketchup for me?" Well I'm no dummy. I know when I'm getting hit on. I smiled politely and reached up for the ketchup, knowing full well that she just wanted to get a gander at my derriere. As I handed her the ketchup, she said, "Thank you," like I was some piece of meat, a boy toy, or something. Finally I just blurted out, "Look, I'm married, lady!" She acted all surprised and confused. "Excuse me? I don't understand!" I shook my head with a smirk, raised my left hand, and showed her my wedding ring. "Married!" I loudly told her. "I'm taken!" A stock boy at the end of the aisle looked at us and inquired, "Is everything okay?" "I'm fine," I assured him. "I know how to deal with predators." Well, suddenly this sex-crazed lady got all angry at me. Like I was out of line. She huffed off. "Well, I never!" "And you ain't gonna with me either, " I yelled after her. I have to admit, it was nice to get the attention.
”
”
Jim Gaffigan (Food: A Love Story)
“
On the other side of the hedgerow, on the road there appeared a short little man blowing a bugle and leading a long, tall cart drawn by a grey horse. It was Lambourdieu, a big shopkeeper of Cloyes who little by little had added hosiery, haberdashery, boots and shoes and even ironmongery to his original draper's business: a whole bazaar which he hawked around all the villages within a radius of fifteen miles or so. In the end the villagers found themselves buying everything from him, from saucepans to wedding-dresses. His cart opened up and folded flat, revealing rows and rows of drawers, like the display counters of a proper shop.
”
”
Émile Zola (The Earth (Les Rougon-Macquart, #15))
“
His eyes light up. “Wait, this is a sakura mochi. How did you remember—"
I glance down and curse internally at the faintly pink, round dessert, pale as a cherry blossom petal. How did I remember his favorite?
His mom used to take us, Cam, and Remy down to San Jose to go around Japantown, picking up bentos from a homey restaurant to eat at the park, and then we’d stop at Shuei-Do Manju Shop. Every time, without fail, Jack would choose sakura mochi. The times that there was only one left in stock, the rest of us purposefully ordered other sweets, just so Jack could get his favorite. And his eyes would shine with delight as he munched on the pink rice cake, the way he’s smiling now.
”
”
Julie Abe (The Charmed List)
“
My family’s tradition of ‘matching-matching’ names is so obsessive, it’s against the order of nature. When my uncles Anil and Anant married, they took advantage of a heinous custom in Marathi weddings. After the pheras, a dish of uncooked rice is placed before the newlyweds, and whatever name the husband chooses to write in the rice becomes the new name of his wife.
Because marriage in our culture is akin to buying a puppy at a pet shop and saying, ‘I am your new owner, and I shall call you Flu y.’
So Anil Adarkar brought home Asha Adarkar (née Kiran), and Anant Adarkar brought home Anita Adarkar (née Geeta). And to complete this picture of divine perfection they named their children Aniket, and Ashwini and Ashleysha, respectively.
”
”
Nikita Deshpande (It Must've Been Something He Wrote)
“
Beauty exists everywhere in the world. Love resides in all of us. That's the point. I only...I only want to deepen that. Show that there can be - that there should be - substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn't diminish in old age, when she's too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it." He rubbed at his forehead, his eyes bright with fervor. "Why should we celebrate one without the other?
”
”
Erin A. Craig (House of Roots and Ruin (Sisters of the Salt, #2))
“
After Tom leaves for work, I take Evie to the park, we play on the swings and the little wooden rocking horses, and when I put her back into her buggy she falls asleep almost immediately, which is my cue to go shopping. We cut through the back streets towards the big Sainsbury’s. It’s a bit of a roundabout way of getting there, but it’s quiet, with very little traffic, and in any case we get to pass number thirty-four Cranham Road. It gives me a little frisson even now, walking past that house—butterflies suddenly swarm in my stomach, and a smile comes to my lips and colour to my cheeks. I remember hurrying up the front steps, hoping none of the neighbours would see me letting myself in, getting myself ready in the bathroom, putting on perfume, the kind of underwear you put on just to be taken off. Then I’d get a text message and he’d be at the door, and we’d have an hour or two in the bedroom upstairs.
”
”
Paula Hawkins (The Girl on the Train)
“
To me, Chicago was the bar in the twelfth-floor lobby of the Ritz-Carlton, where I drank strawberry daiquiris—sophisticated!—with my visiting parents and with girls I was trying to impress. It was the elegant shops at the new, fancy Water Tower Place. My favorite Chicago spots were primarily restaurants. Dianna’s Opaa, in Greektown on South Halsted Street, with its lanky, serpent-like owner, Petros Kogiones, performing his host duties that were as important as the food—on the nights he wasn’t there, you felt cheated—sliding back his sheet of long black hair to greet his female customers with an overly familiar kiss and their dates with a disarming, arms-flung-wide cry of “cousin!” then conducting his odd 9 p.m. ceremonies, calling up all the engaged couples to be officially blessed by Famous Petros in the name of God, the Greek Orthodox Church, and Dianna’s Opaa! We’d all cheer and raise our juice glasses of Roditis high. Or
”
”
Neil Steinberg (You Were Never in Chicago (Chicago Visions and Revisions))
“
I shared my love of books with Benny, but Aunt Yolanda opened my eyes to the world of food as art, cooking without cans. She introduced me to the magic of spices, the exotic perfume of fresh herbs crushed between fingers. Younger than my mother, she was rounded in just the right spots, from her love of good food, and when we talked she looked right at me and listened, nodding and laughing loudly when I'd tell jokes, holding my hand when we'd walk, as if we were best friends or sisters.
She liked Anne and Christine, too, but I could tell I was her favorite. She took me with her on shopping trips, to the fish market near the waterfront and the farm stands out west. Sometimes she'd journey to the Asian grocers in Northeast Portland or the hippie vegetarian markets on Hawthorne to find something special. We'd come home laden with ingredients that I knew my mother had never heard of, and the resulting feasts would fill me with a yearning to go to different places, to try new things.
”
”
Jennie Shortridge (Eating Heaven)
“
And Rhysand … Rhysand … He would be there. He’d give me the money to open my own shop; and because I wouldn’t charge anyone, I’d sell my paintings to pay him back. Because I would pay him back, mate or no. And he’d be here during the summer, flying over the meadow, chasing me across the little streams and up the sloped, grassy mountainside. He would sit with me under the stars, feeding me fat summer berries. And he would be at that table in the town house, roaring with laughter—never again cold and cruel and solemn. Never again anyone’s slave or whore. And at night … At night we’d go upstairs together, and he would whisper stories of his adventures, and I’d whisper about my day, and … And there it was. A future. The future I saw for myself, bright as the sunrise over the Sidra. A direction, and a goal, and an invitation to see what else immortality might offer me. It did not seem so listless, so empty, anymore. And I would fight until my last breath to attain it—to defend it. So I knew what I had to do.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Once I closed my eyes, it was like magic. I got to live world’s best life.
Smiled at his smile. Wrote to him twenty times, and then knocked on wood when he replied.
I didn’t wanna jinx it, I kept my fingers crossed.
But secretly, I dreamt about our date at the coffee shop.
I wished for him to find me in traffic on his way,
Or maybe, on a stormy night of Valentine’s Day.
This was the city of sweet sorrow,
But when he walked in that jacket he borrowed,
I dreamt of getting a new apartment near subway.
Two blocks away from his favorite café.
Wrapped in his arms, warm and safe,
We’d sit across the fireplace, “I love you,” he’d say.
I believe in miracles. I crossed my heart. I prayed, I was the one.
It’s just so sweet when you’re blind in love.
I imagined dancing with him in rain.
Not rainbow, unicorns, fairytales, I dreamt about his blue jacket.
I was pretending he didn’t see me cry,
He already knew I was crazy for his smile.
Then he broke my heart one more time,
But I knocked on wood, because he replied.
I believe in miracles. I crossed my heart. I knew I wasn’t not the one.
But it’s still so sweet when you’re blind in love.
”
”
Snehil Niharika (That’ll Be Our Song)
“
Not knowing what to do, I started walking down St. Mark’s toward Tompkins Square. All Day All Night. You Must Be Twenty One To Enter. Downtown, away from the high-rise press, the wind cut more bitterly and yet the sky was more open too, it was easier to breathe. Muscle guys walking paired pit bulls, inked-up Bettie Page girls in wiggle dresses, stumblebums with drag-hemmed pants and Jack O’Lantern teeth and taped-up shoes. Outside the shops, racks of sunglasses and skull bracelets and multicolored transvestite wigs. There was a needle exchange somewhere, maybe more than one but I wasn’t sure where; Wall Street guys bought off the street all the time if you believed what people said but I wasn’t wise enough to know where to go or who to approach, and besides who was going to sell to me, a stranger with horn rimmed glasses and an uptown haircut, dressed for picking out wedding china with Kitsey? Unsettled heart. The fetishism of secrecy. These people understood—as I did—the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted life above the ordinary and made it worth living.
”
”
Donna Tartt (The Goldfinch)
“
I turned my focus to clothes, immediately endeavoring to find just the right dress for the occasion. This was huge--my debut as the girlfriend of Marlboro Man--and I shopped with that in mind. Should I go for a sleek, sexy suit? That might seem too confident and brazen. A floral silk skirt? Too obvious for a wedding. A little black dress? Too conservative and safe. The options pummeled my brain as I browsed the choices on the racks. I tried on dress after dress, suit after suit, outfit after outfit, my frustration growing more acute with each zip of the zipper. I wanted to be a man. Men don’t agonize over what to wear to a wedding. They don’t spend seven hours trying on clothes. They don’t think of wardrobe choices as life-or-death decisions.
That’s when I found it: a drop-dead gorgeous fitted suit the exact color of a stick of butter. It was snug, with just a slight hint of sexy, but the lovely, pure color made up for it. The fabric was a lightweight wool, but since the wedding would be at night, I knew it would be just fine. I loved the suit--not only would I feel pretty for Marlboro Man, but I’d also appear moderately, but not overly, confident to all his cousins, and appropriate and proper to his elderly grandmothers.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
You said she works at an ice-cream shop around here, right?” He made a big show of wiping the sweat off his brow. “Come to think of it, a nice double cone would really hit the spot in this heat.”
Zach’s expression was one of pure teenage mortification. “Yeah, because that’s exactly what will help my inability to talk to her—my older brother watching and critiquing all my moves.”
“I thought we’d already established that you don’t have any moves.”
“Now that’s funny. Picking on someone half your age. Hey, here’s an idea: I’ll introduce you to Paige as soon as I meet this so-called smart, witty, and hot woman you’re supposedly seeing. Sounds a lot like one of those made-up girlfriends who live in Niagara Falls.”
“She’s real. I’m seeing her tonight, in fact.” They hadn’t decided their specific plans yet, but Brooke had texted him last night, asking if he was free.
“Wow. You actually, like, beamed when you said that.”
“Get out of here,” Cade scoffed. “I did not.”
“What’s her name?”
Cade opened his mouth to answer, then paused.
Zach grinned. “Worried you can’t say it without beaming again?”
Ridiculous. “Her name is Brooke.” He deliberately maintained a straight face
Zach made a big show of studying him, presumably looking for any sign of this alleged “beaming.” He stepped closer and then, with a comically scrutinizing face, slowly looked at one side of Cade’s face, and then the other.
Cade never cracked once.
Finally, Zach gave up. “Dude, I’m impressed. You need to show me that trick.
”
”
Julie James (Love Irresistibly (FBI/US Attorney, #4))
“
One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout
”
”
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
“
You’ll need a dress,” I tell her and wait for the objection I know is coming.
“I have dresses,” she replies, but tiny lines of concern mar her forehead and I’ve been with enough women to know what’s going through her head. Does she have the right dress for this? How fancy is the event? What will everyone else be wearing? Add to that—she can’t have the budget for a dress. She’s fresh out of college and on a teacher’s salary, both of which tell me it isn’t likely she has an appropriate dress hanging in her closet. Shit, this entire scheme is pure genius, I think, as I make a mental note to cancel the date I had lined up for this wedding when I get home.
This is a formal event. We’ll pick up a dress this weekend.”
She gives me a dirty look. “What do you mean we’ll pick up a dress this weekend?”
“I mean shopping. I’ll pick you up at ten on Saturday.”
“I can find a dress by myself,” she says firmly.
“Please. You were wearing pants with donuts on them the second time I saw you. If you can even call those things pants.” Fucking leggings left nothing to the imagination. And I’ve done a lot of imagining. Mostly involving her legs wrapped around my hips. “Half my family is going to be there. I’ll pick out the dress.” I could give a fuck about the dress. I want to spend time with her that she thinks isn’t a date, so she’ll relax and be herself.
“Well, that was rude,” she deadpans.
I shrug. “Besides, you’re doing me a favor,” I remind her, “so the dress is on me.”
“Whatever,” she agrees sullenly.
“You’re welcome,” I reply.
”
”
Jana Aston (Trust (Cafe, #3))
“
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.”
Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt.
“It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.”
“So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?”
He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions.
She never had been very good at resisting his dares.
“Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee.
Vaughn raised an eyebrow. “You have a list?”
“Yep.”
“Of course you do.”
Isabelle looked over, surprised. “You never told me about this.”
“What kind of list?” Kathleen asked interestedly.
“It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.”
Vaughn rolled his eyes. “And now I’ve heard it all.”
“Where did you find this list?” Simon asked. “Is this something all women know about?”
“Why? Worried you won’t pass muster?” Isabelle winked at him.
“I did some research,” Sidney said. “Pulled it together after reading several articles online.”
“Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?”
Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?”
She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.”
“But all it takes is one,” Isabelle said, with a loving smile at her fiancé.
Simon slid his hand across the table, covering hers affectionately. “The right one.”
Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow.
Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.”
Kathleen shushed him. “Don’t tease your brother.”
“What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.”
Sidney laughed out loud. Quickly, she bit her lip to cover.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
For all the bachelors out there tonight, yeah for anybody who's never whistled this song.
Maybe you whistled it but you lost the sheet music.
Um...this is um...well actually I don't mind going to weddings or anything,
as long as there not my own I show up.
But I've always kinda been partial to calling myself up on the phone and asking myself out, you know?
Oh yeah, you call yourself up too huh? Yeah, well one thing about it, your always around.
Yeah I know, yeah you ask yourself out, you know, some class joint somewhere.
The Buretto King or something, you know. Well I ain't cheap you know.
Take yourself out for a couple of drinks maybe.
Then there'd be some provocative conversation on the way home.
Park in front of the house you know.
Oh yeah, you smoothly put a little nice music on,
maybe you put on like uh, you know, like shopping music,
something thats not too interruptive you know and then uh slide over real nice and say
'Oh I think you have something in your eye'.
Well maybe it's not that romantic with you but Christ I don't know, you know I get into it you know.
Take myself up to the porch, take myself inside or maybe uh,
or may get a little something, a brandy snifter or something.
'Would like you like to listen to some of my back records?
I got something here' Uh Well usually about 2.30 in the morning you've ended up taking advantage of yourself.
There ain't no way around that you know. Yeah, making a scene with a magazine, there ain't no way around.
I'll confess you know, I'm no different you know. I'm not weird about it or anything, I don't tie myself up first.
I just kinda spend a little time with myself
”
”
Tom Waits
“
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees.
I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers.
I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand.
I raced back to the villa, ran up the stairs and died.
Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station.
I’ve got peaches and water for the journey, I said.
Thank you, he said. You think of everything.
Because I love you, I said.
He didn’t look at me. The change was happening too quickly.
Is there a taxi coming? My voice was weak, breaking.
Madame Cournier’s taking us.
I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit.
The bottle of pastis? he said.
I smiled at him. You take it, I said.
We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK.
We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
”
”
Sarah Winman (Tin Man)
“
Marks,” he replied, crawling about on hands and knees, eyes intent on the short turf. “How did they know where to start and stop?” “Good question. I don’t see anything.” Casting an eye over the ground, though, I did see an interesting plant growing near the base of one of the tall stones. Myosotis? No, probably not; this had orange centers to the deep blue flowers. Intrigued, I started toward it. Frank, with keener hearing than I, leaped to his feet and seized my arm, hurrying me out of the circle a moment before one of the morning’s dancers entered from the other side. It was Miss Grant, the tubby little woman who, suitably enough in view of her figure, ran the sweets and pastries shop in the town’s High Street. She peered nearsightedly around, then fumbled in her pocket for her spectacles. Jamming these on her nose, she strolled about the circle, at last pouncing on the lost hair-clip for which she had returned. Having restored it to its place in her thick, glossy locks, she seemed in no hurry to return to business. Instead, she seated herself on a boulder, leaned back against one of the stone giants in comradely fashion and lighted a leisurely cigarette. Frank gave a muted sigh of exasperation beside me. “Well,” he said, resigned, “we’d best go. She could sit there all morning, by the looks of her. And I didn’t see any obvious markings in any case.” “Perhaps we could come back later,” I suggested, still curious about the blue-flowered vine. “Yes, all right.” But he had plainly lost interest in the circle itself, being now absorbed in the details of the ceremony. He quizzed me relentlessly on the way down the path, urging me to remember as closely as I could the exact wording of the calls, and the timing of the dance.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
What if—” I stopped, swallowing hard. Nope. I couldn’t even say it aloud. We’d figure something else out because we had to. Time for a subject change before I lost it. “What did your mom say?”
“Mostly that she thinks my hair is getting too long and I should cut it.”
“That’s not helpful.”
“That’s my mom for you.” He was trying for humor but his voice caught, and I wondered if he was thinking about how if she left and he didn’t, he’d never ever see her again.
“So,” I said, sitting on the floor against the wall as close to the kitchen doorway as I could get without Lend dropping like a rock, “do you want your Christmas present?”
“You got me something?” He sounded surprised.
“I’ve been working on it for a while.”
“I, uh, didn’t find you anything yet. I was actually setting up for your party, not Christmas shopping like I said.”
“Being kidnapped by the Dark Queen and then cursed gets you off the hook for a lot. Besides, my birthday party totally counted.”
“This isn’t how I wanted our first Christmas to go. We were going to go all out, pick out a Christmas tree on Christmas Eve, decorate it, watch cheesy holiday movies, drink hot chocolate, let my dad make his eggnog and then complain about how disgusting it was, then I was going to deck out my entire room in mistletoe . . .”
“Wait, you mean you didn’t plan for us to be stuck in different rooms for the holidays?”
“Well, that part’s kind of nice.” I heard his head bang against the wall where he was sitting right on the other side of it from me. “I mean, who wants to actually be able to touch their super hot girlfriend? Overrated.”
“I know, right?” I tried to laugh, but it came out choked. I swallowed, forcing my one to come out light. “And I totally dig watching people sleep. It’s so sexy.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
We do eventually get dressed and look for food, although we only make it to the dining room in time for lunch. Egeria accepts her ousting as Alpha Sinta without a hint of anger or regret. Clearly, it’s what she was expecting all along. Piers is away on a recruitment trip, but the rest of the family is here and overjoyed by our wedding announcement. Jocasta decrees that we have to go shopping, now, and Kaia bounces in her seat, beyond excited about any outing that will actually get her on the other side of the castle gate.
Shopping requires money, so I dig around in Griffin’s pocket under the table, letting my fingers wander enough for him to nearly choke on his stew. I find four gold coins and hold on to them. “You never pay me.”
He looks aghast. “I can’t pay you anymore.”
“We’re about to get married. No one’s going to confuse me with a prostitute.”
Kaia spits out a grape. It bounces across the table and then lands in her mother’s lap. Kaia slaps her hand over her mouth, her blue-gray eyes huge, and Nerissa gives her a quelling look. The look finishes on me, and I might have felt a little quelled myself if Carver hadn’t suddenly made a noise like a donkey, finally belting out the laugh he’d been holding back.
Anatole bangs his hand down on the table and bursts out laughing. He sounds like a donkey, too. It’s contagious, and the whole table erupts, snorting and braying until most of us are wiping tears from our eyes. I shake my head, grinning. I haven’t laughed like this in…well, ever.
Nerissa eventually gets up, comes over to me, and then kisses my cheek, something that would usually make me squirm. Today, it somehow feels normal. “I always wanted to have four daughters.” She squeezes my shoulder. “Now I do.”
I keep smiling like a loon even though my throat suddenly feels thick, and heat stings the backs of my eyes. I have a family that loves me. I would protect them with my life.
Well, maybe not Piers, but I have a feeling he would return the sentiment
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
Marlboro Man and I walked together to our vehicles--symbolically parked side by side in the hotel lot under a cluster of redbud trees. Sleepiness had definitely set in; my head fell on his shoulder as we walked. His ample arms gripped my waist reassuringly. And the second we reached my silver Camry, the temperature began to rise.
“I can’t wait till tomorrow,” he said, backing me against the door of my car, his lips moving toward my neck. Every nerve receptor in my body simultaneously fired as his strong hands gripped the small of my back; my hands pulled him closer and closer.
We kissed and kissed some more in the hotel parking lot, flirting dangerously with taking it a step--or five--further. Out-of-control prairie fires were breaking out inside my body; even my knees felt hot. I couldn’t believe this man, this Adonis who held me so completely and passionately in his arms, was actually mine. That in a mere twenty-four hours, I’d have him all to myself. It’s too good to be true, I thought as my right leg wrapped around his left and my fingers squeezed his chiseled bicep. It was as if I’d been locked inside a chocolate shop that also sold delicious chardonnay and french fries…and played Gone With the Wind and Joan Crawford movies all day long--and had been told “Have fun.” He was going to be my own private playground for the rest of my life. I almost felt guilty, like I was taking something away from the world.
It was so dark outside, I forgot where I was. I had no sense of geography or time or space, not even when he took my face in his hands and touched his forehead to mine, closing his eyes, as if to savor the powerful moment.
“I love you,” he whispered as I died right there on the spot. It wasn’t convenient, my dying the night before my wedding. I didn’t know how my mom was going to explain it to the florist. But she’d have to; I was totally done for.
I’d had half a glass of wine all evening but felt completely inebriated. When I finally arrived home, I had no idea how I’d gotten there. I was intoxicated--drunk on a cowboy. A cowboy who, in less than twenty-four hours, would become my husband.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?”
Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him.
“I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table.
“See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.”
“I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said.
Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?”
“Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.”
Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?”
“That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.”
“But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?”
“First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.”
“Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff.
“In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls.
“So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?”
“The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.”
Sidney noticed that wasn’t an actual answer to her question
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
With the news that he would soon be a daddy again, Steve seemed inspired to work even harder. Our zoo continued to get busier, and we had trouble coping with the large numbers. The biggest draw was the crocodiles. Crowds poured in for the croc shows, filling up all the grandstands. The place was packed.
Steve came up with a monumental plan. He was a big fan of the Colosseum-type arenas of the Roman gladiator days. He sketched out his idea for me on a piece of paper.
“Have a go at this, it’s a coliseum,” he declared, his eyes wide with excitement. He drew an oval, then a series of smaller ovals in back of it. “Then we have crocodile ponds where the crocs could live. Every day a different croc could come out for the show and swim through a canal system”--he sketched rapidly--“then come out in the main area.”
“Canals,” I said. “Could you get them to come in on cue?”
“Piece of cake!” he said. “And get this! We call it…the Crocoseum!”
His enthusiasm was contagious. Never mind that nothing like this had ever been done before. Steve was determined to take the excitement and hype of the ancient Roman gladiators and combine it with the need to show people just how awesome crocs really were.
But it was a huge project. There was nothing to compare it to, because nothing even remotely similar had ever been attempted anywhere in the world. I priced it out: The budget to build the arena would have to be somewhere north of eight million dollars, a huge expense. Wes, John, Frank, and I all knew we’d have to rely on Steve’s knowledge of crocodiles to make this work.
Steve’s enthusiasm never waned. He was determined. This would become the biggest structure at the zoo. The arena would seat five thousand and have space beneath it for museums, shops, and a food court. The center of the arena would have land areas large enough for people to work around crocodiles safely and water areas large enough for crocs to be able to access them easily.
“How is this going to work, Steve?” I asked, after soberly assessing the cost. What if we laid out more than eight million dollars and the crocodiles decided not to cooperate? “How are you going to convince a crocodile to come out exactly at showtime, try to kill and eat the keeper, and then go back home again?”
I bit my tongue when I realized what was coming out of my mouth: advice on crocodiles directed at the world’s expert on croc behavior. Steve was right with his philosophy: Build it, and they will come.
These were heady times. As the Crocoseum rose into the sky, my tummy got bigger and bigger with our new baby. It felt like I was expanding as rapidly as the new project.
The Crocoseum debuted during an Animal Planet live feed, its premiere beamed all over the world. The design was a smashing success. Once again, Steve had confounded the doubters.
”
”
Terri Irwin (Steve & Me)
“
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’
Opening my eyes again, I swallowed nervously. ‘What’s happened?’
‘Your sister didn’t arrive at work today.’
Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever.
‘Isn’t today Saturday, though?’ I asked.
‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’
‘Missing?’ I didn’t understand.
Mum nodded.
The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’
It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling.
‘Missing isn’t the same as dead,’ I pointed out.
Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’
‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’
Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’
‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’
‘Sometimes it’s difficult to identify someone after…’ Mum faltered.
I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real.
This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey.
My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was?
I didn’t realise I was crying again until Mum touched my cheek.
‘It’s not fair,’ I said weakly.
‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’
I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly.
‘What sort of awful things?’ I’d asked her.
‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’
People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war.
I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
”
”
Emma Carroll (Letters from the Lighthouse)
“
This is not a wedding. This is a shopping spree.
”
”
A.S.A. Harrison (The Silent Wife)
“
She had no idea a man could even get that upset without having to go to four different flower shops in one day.
”
”
Lisa S. Gayle (Weddings Coordinated)
“
in responding to challenging life events from the devastating (becoming handicapped, losing a loved one) to the difficult (a divorce, an illness), people do better than they anticipate. They believe that they’ll never laugh again, but they do. They think they’ll never love again, but they do. They go grocery shopping and see movies; they have sex and dance at weddings; they overeat on Thanksgiving and go on diets in the New Year—the day-to-day returns.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
and I might have very well gone to that pretty shop with Rhysand. I could almost see what would have happened: The shop ladies would have been polite—a bit nervous—and given us privacy as Rhys sat on the settee in the back of the shop while I went behind the curtained-off chamber to try on the red lace set I’d eyed thrice now. And when I emerged, mustering up more bravado than I felt, Rhys would have looked me up and down. Twice. And he would have kept staring at me as he informed the shop ladies that the store was closed and they should all come back tomorrow, and we’d leave the tab on the counter. I would have stood there, naked save for scraps of red lace, while we listened to the quick, discreet sounds of them closing up and leaving. And he would have looked at me the entire time—at my breasts, visible through the lace; at the plane of my stomach, now finally looking less starved and taut. At the sweep of my hips and thighs—between them. Then he would have met my gaze again, and crooked a finger with a single murmured, “Come here.” And I would have walked to him, aware of every step, as I at last stopped in front of where he sat. Between his legs. His hands would have slid to my waist, the calluses scraping my skin. Then he’d have tugged me a bit closer before leaning
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
*JESUS IN LONDON
'INASMUCH AS YE DID IT NOT—'
If JESUS came to London,
Came to London to-day,
He would not go to the West End,
He would come down our way;
He'd talk with the children dancing
To the organ out in the street,
And say He was their big Brother
And give them something to eat.
He wouldn't go to the mansions
Where the charitable live,
He'd come to the tenement houses
Where we ain't got nothing to give.
He'd come so kind and so homely,
And feed us with love and bread,
And then He'd tell us how to behave,
And then we'd mind what He said.
In the warm, bright, West End churches
They sing and preach and pray,
They call us “Beloved brethren,”
But they do not act that way;
And when He come to the church door
He'd call out loud and free,
“You stop that preaching and praying
And show what you've done for Me.”
Then they'd say, “Oh, Lord, we have given
To the poor both blankets and tracts,
And we've tried to make them sober
And we've tried to teach them facts.
But they will sneak round to the drink shop
And pawn the blankets for beer,
And we find them very ungrateful—
But still we persevere.”
Then He would say, “I told you
The time I was here before,
That you were all of you brothers,
All you that I suffered for.
I won't go into your churches,
I'll stop in the sun outside.
You bring out the men, your brothers,
The men for whom I died!”
Out of our lousy lodgings,
From arches and doorways about,
They'd have to do as He told them,
They'd have to call us out.
Millions and millions and millions,
Thick and crawling like flies,
We should creep out to the sunshine
And not be afraid of His eyes.
He'd see what God's image looks like
When men have dealt with the same—
Wrinkled with work that is never done,
Swollen and dirty with shame.
He'd see on the children's foreheads
The branded gutter-sign
That marks the girls to be harlots,
That dooms the boys to be swine.
Then He'd say, “What's the good of churches
When these have nowhere to sleep?
And how can I hear you praying
When they are cursing so deep?
I gave My blood and My body
That they might have bread and wine,
And you have taken your share and theirs
Of these good gifts of Mine!”
Then some of the rich would be sorry,
And all would be very scared;
And they'd say, “But we never knew, Lord!”
And He'd say, “You never cared!”
And some would be sick and shameful
Because they'd know that they knew,
And the best would say, “We were wrong, Lord.
Now tell us what to do!”
I think He'd be sitting, likely,
For someone 'ud bring Him a chair,
With a common kid cuddled up on His knee
And the common sun on His hair.
And they'd be standing before Him,
And He'd say, “You know that you knew.
Why haven't you worked for your brothers
The same as I worked for you?
“For since you're all of you brothers,
It's clear as God's blessed sun
That each must work for the others,
Not thousands work for one.
And the ones that have lived bone-idle,
If they want Me to hear them pray,
Let them go and work for their livings—
The only honest way!
“I've got nothing new to tell you;
You know what I always said.
But you've built their bones into churches
And stolen their wine and bread.
You with My name on your foreheads,
Liar, and traitor, and knave,
You have lived by the death of your brothers,
These whom I died to save.”
I wish He would come and say it;
Perhaps they'd believe it then,
And work like men for their livings
And let us work like men.
Brothers? They don't believe it,
The lie on their lips is red.
They'll never believe till He comes again
Or till we rise from the dead
”
”
E. Nesbit (Jesus In London By E. Nesbit: With Seven Pictures By Spencer Pryse)
“
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Jana Ann Couture Bridal
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Jana Ann Bridal Couture | San Diego Plus Size Wedding Dresses
First time in Bridal Industry, a Bridal Designer making a full Collection just for Plus Size Brides. Jana Ann Couture launched 40 new designs for 2020, all collections specifically designed with all the latest trends. Internationally well-known bridal designer Jana Ann says, “Size cannot limit your dreams.”
Jana Ann has been recognized and featured on TLC TV show for Curvy brides, her remarkable attention to detail of giving her plus size brides the best variety of wedding dresses, reminding them that there is no compromise that they’re dream dress is reality and it is done with so much love and impeccable workmanship along with the belief that size doesn’t matter.
In her mission of changing the industry standard of giving plus size the best and wide variety and trendy styles of plus size wedding dresses to choose from, giving them full attention and making them shine more than ever before.
Jana Ann with her Engineering background as much as she gives importance to design and beauty, she has applied her engineering knowledge to build impeccable structure built in that brides over size 18 are two-three sizes down without having to wear bra, spanx, shapewear and additional undergarment. Incredible combination of comfort and function is her secret in building the structure in her plus size wedding dresses dresses.
She has heard her plus size brides coming in disappointment from the lack of options that it has come to her attention to fully focus to fill this need to make a collection fully focused to her plus size brides, with her mission of body positivity, rooted in the belief that all human beings should have a positive body image, while challenging the ways in which society presents and views the physical body. She believes that no matter what size, shape and form with the right dress that is engineered and designed very well, every bride can be as equally stunning. Making every bride dreams come true one a dress at a time.
She strongly believes that there is no compromise to settle down on a dress because it fits the bride size, that equally every bride has to find a dress according to their personality.
Call us: (619) 649-2439
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Jana Ann Bridal Couture San Diego Wedding Dress Styles
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Jana Ann Bridal Couture | Bridal Shop in San Diego
Are you a bride-to-be getting jitters for your dress? Have you been dealing with a bride going bridezilla? If you have been on the search for the best San Diego bridal shop have to offer, welcome aboard Jana Ann Bridal Couture.
We offer bridal dresses that please even the pickiest of brides. That’s because our bridal dresses are made-to-order, which allows you to incorporate any features and design elements you desire. We understand that there’s nothing more devastating than finding your perfect dress that’s missing one element. From tulle to lace, rhinestones to feathers, help us help you with your bridal dress dreams. You’ll always be delighted with a Jana Ann bridal dress because our dresses center around you. Come browse our selection of bridal dresses in San Diego that can be customized to your liking.
Take some to shed the stress off your shoulders hoping to stumble across the perfect dress. Brides can spend hours trying on dresses, usually leaving empty-handed and disappointed. We understand that it’s a flawed process that can end up causing unnecessary pre-wedding stress. Our dresses are designed especially for you, so you don’t have to luck out on finding a dress that suits you. Jana Ann Bridal Couture gets you that perfect bridal dress without unnecessary bridal stress. Are you ready to bring your dream dress to life? We’d love to do that for our lovely brides!
Call us: (619) 649-2439
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Jana Ann Bridal Couture San Diego Wedding Dress Styles
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Jana Ann Bridal Couture | Custom Wedding Dresses San Diego
Are you frustrated by the wedding dress buying process and tired of trying on dress after dress with no luck? The modern woman and her strict schedule do not have much time for boutique hopping to find a dress inspired by a hundred pieces you have already seen before. If all wedding dresses start to look the same to you, choose to stand out from the crowd with a custom made wedding dress, handcrafted Jana Ann Couture dress.
Blending in is so not your style, so why settle for less? Our bridal boutique is different from the rest. We know that the searches for bridal boutiques in San Diego have increased after the pandemic. This is why our team of design experts has created a collection of flexible creations that can be altered to fit in your bridal shenanigans. We have seen it all, from ruffles to lace to mermaid tails, and there is no job too complicated for us. If you are having trouble finding a dress that is as unique as you, your first stop should be Jana Ann Bridal Boutique. It has never been simpler to find the dress of your dreams.
Jana Ann makes all of its wedding dresses by hand, meaning you can be sure of the gown’s high-quality and craftsmanship. Moreover, you won’t have to worry about seeing similar wedding dresses on other brides. Maybe you’ve given up on finding the perfect wedding dress. We want to breathe new hope into your search at Jana Ann Bridal Boutique in San Diego. We have all the trending styles and the ability to create a new trend specifically for you. What are you waiting for? Don’t make do with any San Diego bridal boutique search when you have us only an interaction away! Dreaming of a customized wedding dress? Have Jana Ann onboard to get the most exclusive couture designs for your wedding! Book an appointment now.
Call us: (619) 649-2439
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Jana Ann Bridal Couture San Diego Wedding Dress Styles
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Jana Ann Bridal Couture | San Diego Custom Wedding Dresses
What appeals to one person may not appeal to another. Which is why Jana Ana Bridal Couture prides itself on creating custom wedding dresses from start to finish.
Jana Ana Bridal Couture offers custom wedding dresses in the San Diego area and beyond. You are in control of your own destiny here. Did you find an almost-perfect dress that’s not your preferred shade of off-white? Or maybe it doesn’t have a long and dramatic train that you had your heart set on? What if we told you that you don’t have to settle for less? At Jana Ana Bridal Couture, we are excited by the opportunity of crafting your dream dress. If you’re a bride that knows what she wants and won’t stop until she gets it, we should be the first people you call, because we put your needs first. Custom wedding dresses are all the rage, and there’s no one who does custom wedding dresses better than Jana Ana Bridal Couture. We were making custom dresses before it was cool! Stop on by our San Diego Bridal Boutique today.
Jana Ana Bridal Couture also provides Plus Size Wedding Dresses, Beach Wedding Dresses and with our variety of styles and special collections will sure end your baffles, our team is waiting for you to give the service you deserve, plan your wedding dress in style with the best San Diego Wedding Dresses shop.
Call us: (619) 649-2439
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Jana Ann Bridal Couture San Diego Wedding Dress Styles
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Jana Ann Couture Bridal | Wedding Dress Shops San Diego
You will appreciate the many styles presented. Jana Ann wedding dresses in San Diego are elegant in design but also allow you to get the look you want. Some are long and skinny while others are full skirts and veils. You can choose from a sleeveless dress, partial sleeves, or a full sleeve dress. No matter what you choose, it will be an option that you love.
Your guests will be interested in your gorgeous dress and all of its features. This is your chance to find the dress you want and the wedding you want without anything getting in your way. Don't make compromises that won't make you enjoy this special day to the fullest!
Jana Ann San Diego Bridal Boutique is the only place that gives you all the features you are looking for.
Call us: (619) 649-2439
Address: Del Mar Plaza, 1555 Camino Del Mar STE 313, San Diego, CA 92014, United States
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Jana Ann Couture Bridal
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Jana Ann Bridal Couture Simple Wedding Dress
A simple wedding dress is perfect for the minimalistic bride. If you’re someone whose style would be best described as unfussy, a simple wedding dress is a perfect fit. You know who you are, you’re drawn to white t-shirts…even though you own 5. You search far and wide for the perfect cut of blue jeans with no rips or embellishments, and you stick with the classic patterns of stripes and polka dots. A floral print might be considered a little “wild” for you. You’re the simple bride, and you know what you like. We don’t want to stand in the way of your dream. Find your simple wedding dress in our San Diego location.
Jana Ana Bridal Couture is a wedding boutique that doesn’t put you in a box. There’s nothing wrong with choosing a simple wedding dress. Not everyone shares the philosophy of going big or going home when it comes to wedding dresses. If you want a dress that is beautiful yet not overwhelming, Jana Ana Bridal Couture can help. Loving what you’re wearing and feeling comfortable in your wedding dress is half the battle in feeling great on your wedding day. Besides, with a simple wedding dress, you won’t distract your guests from your hair, makeup, and that bride-to-be glow. Let your personality shine with a simple wedding dress from Jana Ana Bridal Couture San Diego.
Call us: (619) 649-2439
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Jana Ann Couture Bridal
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Jana Ann Bridal Couture Wedding Dress Stores San Diego
There are wedding dress stores in San Diego, and then there’s the wedding couture by Jana Ann. Jana Ann Bridal Couture is the place where wedding dress dreams come true. That’s because we are not just a boutique, but a bride’s sartorially-equipped best friend! You may have noticed other stores only carry dresses that hit some of the items on your list. If you want a pale pink, lace, and tulle dress with all the fixings, but can’t find one?
No problem. Don’t be limited in your choices or feel like you need to fit into someone else’s design. Exude the best possible version of yourself on your wedding day by choosing a dress that gives you confidence. We firmly believe confidence builds inside the being, and what better day to feel confident about your choices than your wedding day?
Wedding days are years, and sometimes even decades, in the making. Make sure you aren’t giving up your dreams just because big-box wedding dress stores in San Diego can’t turn your vision into a reality. By choosing Jana Ann Bridal Couture, you ensure that you’ll feel great, and obviously look great too. Pre-wedding glow? Yes, please. Be the star of your wedding in a wedding dress designed by you. Just for you.
Call us: (619) 649-2439
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Jana Ann Couture Bridal
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Jana Ann Bridal Couture Bridal Stores San Diego
Hundreds of dresses available off-the-rack, yet none that catch your eye? We’ve been there before, and we understand the frustration. Take all the frustration out of your wedding dress search by taking a quick stop into the best bridal store in San Diego, at Jana Ann Bridal Couture.
The Jana Ann Bridal Couture has a different approach to the wedding dress dilemma. Rather than stocking hundreds of dresses that only appeal to a small percentage of people, we reserve samples of dresses that you can customize from the bottom up. This ensures that every bride-to-be can find the dress of their dreams with ease at our bridal store in San Diego. We make sure that every frill and foil on the dress is customized to the bride’s choice. From the materials used to the form and fitting, each detail is used to express the bride’s identity and her love for her spouse-to-be! We create a love story out of the white gown worn at the wedding ceremony.
Whether Priyanka Chopra Jonas or Megan Markle inspires you, you can use your wedding dress as a definite fashion statement that can keep you joyful; even in the memory of the day! The majority of stores tagged as bridal stores in San Diego tend to lack the glitz and glamour of a custom-made wedding gown! We at Jana Ann Coutier recognize that wedding dresses are not one-type-fits-all. Brides come in all shapes and sizes, so we can help you determine which silhouette is most flattering. We add features and style elements to hide your trouble areas and accentuate your curves for a more captivating look on your big day! Brides also come with different tastes and preferences. Some like to stay simpler, while others want to go all out with embellishments. Don’t limit yourself if you’re going to go big or remain traditional.
Since most San Diego bridal stores search leads you to boutiques creating designer wear replicas, our specialty will satisfy your expectations for the dream wedding dress! We hope to help you create the dress of your dreams and feel fantastic on your wedding day, with the knowledge that your dress is one-of-a-kind, just like you! For a bridal store that values your opinion and time, stop by our location in San Diego today. Ready to get started? Get an appointment with Jana Ann to create the wedding ensemble of your dreams.
Call us: (619) 649-2439
#San_Diego_Wedding_Dresses #Bridal_Shops_San_Diego #San_Diego_Bridal_Boutique #Custom_Wedding_Dresses_San Diego #Plus_Size_Wedding_Dresses_San_Diego #Beach_Wedding_Dresses_San_Diego #Bridal_Stores_San_Diego #Simple Wedding_Dresses_San_Diego #Wedding_Shops_San_Diego #San_Diego_Bridal_Shops
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Jana Ann Couture Bridal
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Jana Ann Bridal Couture Bridal Dresses San Diego
Are you a bride-to-be getting jitters for your dress? Have you been dealing with a bride going bridezilla? If you have been on the search for the best San Diego bridal shop has to offer, welcome aboard Jana Ann Bridal Couture.
We offer bridal dresses that please even the pickiest of brides. That’s because our bridal dresses are made-to-order, which allows you to incorporate any features and design elements you desire. We understand that there’s nothing more devastating than finding your perfect dress that’s missing one element. From tulle to lace, rhinestones to feathers, help us help you with your bridal dress dreams. You’ll always be delighted with a Jana Ann bridal dress because our dresses center around you. Come browse our selection of bridal dresses in San Diego that can be customized to your liking.
Take some to shed the stress off your shoulders hoping to stumble across the perfect dress. Brides can spend hours trying on dresses, usually leaving empty-handed and disappointed. We understand that it’s a flawed process that can end up causing unnecessary pre-wedding stress. Our dresses are designed especially for you, so you don’t have to luck out on finding a dress that suits you. Jana Ann Bridal Couture gets you that perfect bridal dress without unnecessary bridal stress. Are you ready to bring your dream dress to life? We’d love to do that for our lovely brides!
Call us: (619) 649-2439
#San_Diego_Wedding_Dresses #Bridal_Shops_San_Diego #San_Diego_Bridal_Boutique #Custom_Wedding_Dresses_San Diego #Plus_Size_Wedding_Dresses_San_Diego #Beach_Wedding_Dresses_San_Diego #Bridal_Stores_San_Diego #Simple Wedding_Dresses_San_Diego #Wedding_Shops_San_Diego #San_Diego_Bridal_Shops
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Jana Ann Couture Bridal
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Jana Ann Couture Bridal | Wedding Shop San Diego - CA
What makes Jana Ana Bridal Couture different from all the other bridal shops in San Diego is the fact that our wedding dresses are YOU-centered. That means you get to be in control of the fabrics, the style, the design, the embellishments, and everything in between. You take care of the decisions, Jana Ana will take care of the rest. There is no Wedding Shop in San Diego quite like Jana Ana.
Our showroom is open 7 days a week, and our friendly staff is ready to assist you on your journey to finding the perfect dress. We are truly as invested in your happiness as we are. We want to make your dreams come true! That’s why we started Jana Ana Bridal Couture, to make every bride feel special and cared for on their special day. Wedding dress shopping shouldn’t be a stressful occasion, come relax and try on as many dresses as you would like in our showroom. Bring your friends and families and relax with a drink, or two.
Call us: (619) 649-2439
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Jana Ann
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Jana Ann Couture Bridal | Bridal Shops San Diego – CA
Whether you know exactly what you want, or you have no clue, Jana Ana Bridal Couture can guide you. We have a talent for helping you pinpoint exactly what you want, even if you don’t know how to describe it. We’re not going to call ourselves mind readers, but we have dealt with so many unique brides we often know what styles you’d like, before you know like it! Our bridal stores come in a wide variety of styles and fit a variety of budgets. We are sure we can find you something you love that’s within your budget.
Finding a Bridal Shop San Diego has never been easier. Come check out our showroom in San Diego today, we promise you won’t be disappointed!
Call us: (619) 649-2439
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Jana Ann
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Jana Ann Couture Bridal | Wedding Dress Shops San Diego - CA
We care about all details of our bridal dresses. You will feel like a pretty white bird that flap over the moon. We are focusing on the beautiful elements that make up a wedding day was always present. And that includes the wedding dress. Choosing a wedding outfit is such a milestone in the wedding planning process, that even the couples who choose to scale down their celebrations and don’t focus on fashion, Jana Ann Bridal Shop in San Diego ensures them that their desire isn’t an odd one as we have every fashion even it is from a passing age.
Our bridal stores are ready for all challenges to show tremendous creativity and resilience as they plot. The major pre-wedding tasks for any bride to tick off their to-do list is finding the white dress. This doesn't have to be stressful since there is Jana Ann Wedding Dresses Shops in San Diego are existed. To your Knowledge our wedding dress shops know how to pamper their customers, making it a pleasurable shopping experience from start to finish.
Call us: (619) 649-2439
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Jana Ann