Shoes Lover Quotes

I am your moon and your moonlight too I am your flower garden and your water too I have come all this way, eager for you Without shoes or shawl I want you to laugh To kill all your worries To love you To nourish you.

Some women have a weakness for shoes... I can go barefoot if necessary. I have a weakness for books.

No matter what you wear... to me, you will always have diamonds on the soles of your shoes.

A good bookstore,” Charlie says, “is like an airport where you don’t have to take your shoes off.

Undeterred by his lack of enthusiasm, she leaned forward, flashing him a set of breasts that didn't so much defy gravity as flip it off, insult its mother, and piss on its shoes.

I took my time, running my fingers along the spines of books, stopping to pull a title from the shelf and inspect it. A sense of well-being flowed through me as I circled the ground floor. It was better than meditation or a new pair of shoes- or even chocolate. My life was a disaster, but there were still books. Lots and lots of books. A refuge. A solace. Each one offering the possibility of a new beginning.

Giving in to a shrill instinct, she ran around the side of the building. Butch was marching toward his car as if he were carrying an unstable load, and she rushed to catch up with them. “Wait. I need to ask him a question.” “You want to know his shoe size or something?” Butch snapped. “Fourteen,” Wrath drawled. “I’ll remember that at Christmas, asshole.

You were going to travel for love, without shoes, or cloak, or common sense. This is one of the things a woman can do when her lover leaves her. It's hard on the feet perhaps, but staying at home is hard on the heart, and you weren't quite ready to give up on him yet.

My name is all but lost to antiquity while his legend is told and retold around the world. Yet I am a god and he is nothing but a bastard seed not even fit to inhabit Olympus. (Priapus) Get your hands off her, you worthless footnote. You’re not fit to wipe her shoes. (Julian)

You must be blind." "Why?" he asked, coming over to her. "Well, I feel like such an ass for saying this." She smoothed the front of her off-the-rack-and-then-some slacks. "But I wish I had better clothes. Then I'd be beautiful." Rehvenge paused. And then he shocked the crap out of her by kneeling before her. As he looked up, he had a slight smile on his lips. "Don't you get it Ehlena." With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces of her cheapo Keds sneaker, he whispered, "No matter what you wear... to me, you will always have diamonds on the soles of your shoes.

And Cormia will be okay, I mean, she's not kicked out of here, correct?" "She shall be welcomed back herein. She is a fine female. Just not...as well suited to this life as some of us are." In the quiet heartbeats that followed, he had an image of her undressing him for the shower, her guileless, innocent green eyes looking up at him as she fumbled with his belt and his leathers. She only wanted to do what was right. Back when this whole mess had gotten started, even though she'd been terrified, she would have done the right thing by her tradition and taken him in her. Which made her stronger than him, didn't it. She wasn't running. He was the one with the track shoes on. "You tell the others I was not worthy of her." As the Directrix's mouth fell open, he pointed a finger at her. "That's a goddamned order. You tell them...she is too good for me. I want her elevated to a special rank.... I want her fucking enshrined, do you understand me? You do right by her or I'll bust this place into ruins.

Fire         i   The morning you were made to leave she sat on the front steps, dress tucked between her thighs, a packet of Marlboro Lights near her bare feet, painting her nails until the polish curdled. Her mother phoned–   What do you mean he hit you? Your father hit me all the time but I never left him. He pays the bills and he comes home at night, what more do you want?   Later that night she picked the polish off with her front teeth until the bed you shared for seven years seemed speckled with glitter and blood.       ii   On the drive to the hotel, you remember “the funeral you went to as a little boy, double burial for a couple who burned to death in their bedroom. The wife had been visited by her husband’s lover, a young and beautiful woman who paraded her naked body in the couple’s kitchen, lifting her dress to expose breasts mottled with small fleshy marks, a back sucked and bruised, then dressed herself and walked out of the front door. The wife, waiting for her husband to come home, doused herself in lighter fluid. On his arrival she jumped on him, wrapping her legs around his torso. The husband, surprised at her sudden urge, carried his wife to the bedroom, where she straddled him on their bed, held his face against her chest and lit a match.       iii   A young man greets you in the elevator. He smiles like he has pennies hidden in his cheeks. You’re looking at his shoes when he says the rooms in this hotel are sweltering. Last night in bed I swear I thought my body was on fire.

I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.” “Even my Peloton?” I ask. “Great piece of equipment,” he says. “The fact that I check my email after work hours?” “Just makes it easier to share Bigfoot erotica without having to walk across the room,” he says. “Sometimes I wear very impractical shoes,” I add. “Nothing impractical about looking hot,” he says. “And what about my bloodlust?” His eyes go heavy as he smiles. “That,” he says, “might be my favorite thing. Be my shark, Stephens.” “Already was,” I say. “Always have been.” “I love you,” he says again. “I love you too.” I don’t have to force it past a knot or through the vise of a tight throat. It’s simply the truth, and it breathes out of me, a wisp of smoke, a sigh, another floating blossom on a current carrying billions of them. “I know,” he says. “I can read you like a book.

I had a dream that I was in someone else’s shoes for once…they were the wrong size.

Seriously. Who needed a real lover when you had a handsome, affectionate man who adored you, put a beautiful house over your head, gave you a great job, lavished you with fabulous clothes, shoes, purses and jewelry and would never break your heart?

It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy ... we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a pack of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared – she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.

We now find our gods not on the altar, but in the bottle of alcohol, the football match on television, the new pair of shoes and the arms of the casual lover.

Parking himself on the chaise lounge, he stared at the gown that Lassiter had handled so roughly. The fine satin was bunched up in waves, the disorder creating a wonderful, shimmering display over on the bed. “My beloved is dead,” he said out loud. As the sound of the words faded, something was suddenly, stupidly clear: Wellesandra, blooded daughter of Relix, was never filling out that bodice again. She was never going to put the skirting over her head and wriggle into the corset, or free the ends of her hair from the lace-ups in the back. She wasn’t going to look for matching shoes, or get pissed off because she sneezed right after she put her mascara on, or worry about whether she was going to spill on the skirting. She was… dead.

My shoes are made of Spanish leather, My socks are made of silk; I wear a ring on every finger, I wash myself in milk.

I do not understand why a person has to choose to either be happy or walk in the shoes that someone has prepared and sized up for them, so it would fit perfectly in their eyes.

If I walk in the shoes you prepared for me, I will not be happy, and I will always stumble and fall.

When a woman comes over to your place, and she takes her shoes off, you are going to get laid. If she leaves them on, you won't.

Looking from Alex to Kaiden, taking in their joined hands and having witnessed the sweet kiss, he dryly said, “I bet lover boy Aven would kill to be in your shoes right now, Kaid.

She shrugged, looking as baffled by it as he felt. "I don't know. I wonder sometimes if people even know what love is anymore. Some days, when I'm watching my friends change lovers as unperturbedly as they change shoes, I think the world just got filled with too many people, and all our technological advances made things so easy that it cheapened our most basic, essential value somehow," she told him. "It's like spouses are commodities nowadays: disposable, constantly getting tossed back out for trade on the market and everyone's trying to trade up, up--like there is a 'trading up' in love." She rolled her eyes. "No way. That's not for me. I'm having one husband. I'm getting married once. When you know going in that you're staying for life, it makes you think harder about it, go slower, choose really well.

Welcome to the real world of marriage, where hairs are always on the sink and little white spots cover the mirror, where arguments center on which way the toilet paper comes off and whether the lid should be up or down. It is a world where shoes do not walk to the closet and drawers do not close themselves, where coats do not like hangers and socks go AWOL during laundry. In this world, a look can hurt and a word can crush. Intimate lovers can become enemies, and marriage a battlefield.

To walk barefoot is sacred.

A good bookstore,” Charlie says, “is like an airport where you don’t have to take your shoes off.” “In fact,” I say, “it’s discouraged.

Get on your knees and take off my shoes, Ramirez,” she ordered, her dark gaze fixed on me.

This fight isn’t what you want. If I was wearing your Pradas, I’d pass the permit.” Kas glanced at her shoes. “They look better without bloodstains.

Undeterred by his lack of enthusiasm, she leaned forward, flashing him a set of breasts that didn’t so much defy gravity as flip it off, insult its mother, and piss on its shoes.

Among rocks, I am the loose one, among arrows, I am the heart, among daughters, I am the recluse, among sons, the one who dies young. Among answers, I am the question, between lovers, I am the sword, among scars, I am the fresh wound, among confetti, the black flag. Among shoes, I am the one with the pebble, among days, the one that never comes, among the bones you find on the beach the one that sings was mine

Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.

You made me feel like shit—pure shit on the bottom of your shoe. I felt like you had no respect for me. You were talking as if I owed you something. I wouldn’t ever make you feel less than a human being. I always carried your load, your burden, and I always gave you a hand when you needed one or both of them. I never judged you, but you judged me.

What if she doesn't worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women's shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem to obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like?

A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot On my bed, my green comforter draped over my knees like a lumpy turtle, I think about the Berlin Wall of years that separates us. In my own life, the years are beginning to stack up like a Guinness World Record’s pile of pancakes, yet I’m still searching for some kind of syrup to believe in. In the shadows of my pink sheet, I see your face, Desnos’ face, and two clock faces staring at each other. I see a gaping wound that ebbs rose petals, while a sweaty armpit holds an orchestra. Beethoven, maybe. A lover sings a capella, with the frothiness of a cappuccino. Starbucks, maybe. There’s an hourglass, too, and beneath the sands lie untapped oil reserves. I see Dali’s mustache, Magritte’s pipe, and bowling shoes, which leaves the question-- If you could time travel through a trumpet, would you find today and tomorrow too loud?

The middle of the 'Atlantis' the warm, luxurious cabins,ining-rooms, halls, shed light and joy, buzzed with the chatter of an elegant crowd, was fragrant with fresh flowers, and quivered with the sounds of a string orchestra. And again amidst that crowd, amidst the brilliance of lights, silks, diamonds, and bare feminine shoulders, a slim and supple pair of hired lovers painfully writhed and at moments convulsively clashed. A sinfully discreet, pretty girl with lowered lashes and hair innocently dressed, and a tallish young man with black hair looking as if it were glued on, pale with powder, and wearing the most elegant patent-leather shoes and a narrow, long-tailed dress coat, a beau resembling an enormous leech. And no one knew that this couple had long since grown weary of shamly tormenting themselves with their beatific love-tortures, to the sound of bawdy-sad music ; nor did any one know of that thing which lay deep, deep below at the very bottom of the dark hold, near the gloomy and sultry bowels of the ship that was so gravely overcoming the darkness, the ocean, the blizzard.

Why would I want to be the lover of a broken oven that fails in the cold, a flimsy door that the wind blows through, a palace that falls on its staunchest defenders, a mouse that gnaws through its thin reed shelter, tar that blackens the workman’s hands, a waterskin that is full of holes and leaks all over its bearer, a piece of limestone that crumbles and undermines a solid stone wall, a battering ram that knocks down the rampart of an allied city, a shoe that mangles its owner’s foot?

I can’t help but think, does money determine if I am good enough? If I was in your shoes, would life pity me or accept me because of what I have? Why can’t people look at others for who they are instead of putting a price tag on a person because of the type of car they drive or the kind of house they live in? I guess that’s life.

Baby,” he murmured roughly, staring at me fixedly with half-closed eyes, “I try and put myself in your damn shoes every single day. Because you’re my girl. You’re my woman. You’re my partner. You’re my lover. And if I can’t try and fucking understand you and that complex, crazy head of yours, then I’m not doing my job. Then I’m not worthy of you. I want to be worthy of you, baby. I want to know how you work, how you function, how you think. I want to know you so I can be there for you and be there with you. There’s not a day that I’m not trying to discover another one of your beautiful layers. So don’t say that I’m not in your shoes. I’ve been wearing them more than you think.

There are stories where you must wear out your iron shoes to right a wrong, where children are baked into pies, where jealousy cuts off hands and cuts out hearts. We forget, because the stories end with those ritual words—happily ever after—all the darkness, all the pain, all the effort that comes before. People say they want a fairy tale life, but what they really want is the part that happens off the page, after the oven has been escaped, after the clock strikes midnight. They want the part that doesn’t come with glass slippers still stained with a stepsister’s blood, or a lover blinded by an angry mother’s thorns. If you live through a fairy tale, you don’t make it through unscathed or unchanged. Hands

In my opinion, love at first sight existed with shoes, not with men...

She might not be cinderella to lose her shoe to find her prince or Rapunzel for that matter who will lift him up to set her free only to be lost in him, or Snow-white to be kissed and awakened by a Prince or any other princesses but yet she knows, she believes her destiny has a Prince in store for her - Her man. She would be his Princess and he would be her prince.

I had a dream about you. We were married and I walked into the room to see you in my new black dress and high heels and I said "That's not what I meant when I said I bought them for you".

I try and put myself in your damn shoes every single day. Because you’re my girl. You’re my woman. You’re my partner. You’re my lover. And if I can’t try and fucking understand you and that complex, crazy head of yours, then I’m not doing my job. Then I’m not worthy of you. I want to be worthy of you, baby. I want to know how you work, how you function, how you think. I want to know you so I can be there for you and be there with you. There’s not a day that I’m not trying to discover another one of your beautiful layers. So don’t say that I’m not in your shoes. I’ve been wearing them more than you think.” - Ashes To Ashes

Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.

I believe the reason why people are so sad, is because we live in a world constantly telling us that we have a million options: a millions options of shoes, soda, burgers, television shows, friends, lovers... we are all filled with empty air! Why? Because options are things that float around in the air but we don't really have them. They're not ours, and we don't really want them, anyway! A million options of lovers and most people don't even have one person to hold at night! That is how empty we all are.

It needs to be in person.” I can’t take this tension between us anymore. Avoiding him is only making this worse, and I hate feeling like I’m hiding. With Libby, the way to get to the heart of things might be a slow, cautious obstacle course, but this is Charlie, and Charlie’s like me. We need to bulldoze through the awkwardness. I miss him. His teasing, his challenges, his competitiveness, his care for my overpriced shoes, his smell, and— Shit, I didn’t expect the list to be so long. I’m in deeper than I realized.

You are so beautiful,” he said as he stared at her, “standing there in the light like that.” She glanced at her Gap black pants and her two-year-old knit turtleneck. “You must be blind.” “Why?” he asked, coming over to her. “Well, I feel like such an ass for saying this.” She smoothed the front of her off-the-rack-and-then-some slacks. “But I wish I had better clothes. Then I’d be beautiful.” Rehvenge paused. And then shocked the crap out of her by kneeling before her. As he looked up, he had a slight smile on his lips. “Don’t you get it, Ehlena.” With gentle hands, he stroked down her calf and brought her foot forward, balancing it on his thigh. As he undid the laces on her cheapo Keds sneaker, he whispered, “No matter what you wear…to me, you will always have diamonds on the soles of your shoes.” -Rehv & Ehlena

I had a dream about you. Knowing that women like to buy two things above all else, shoes and purses, I combined the two into one product that looked like Margaret Thatcher’s dress on your feet. You asked if my shoes made your ass look fat, and I replied, “If I have to tell you it is, it isn’t.

When we were lovers in high school,” he began and she knew who he meant by we, “it was my job to undress him many nights, but his clothes must be folded neatly, precisely, reverently, and then placed on a chair. No mess, no wrinkles. But he...he would strip me naked and drop all my clothes onto the floor. Then he’d walk on them. Not barefoot, either. With his shoes on most of the time. And you know what?” Kingsley asked as he stepped closer to her, close enough she could kiss him if she wanted to. “What?” “I worshipped him for it.” Kingsley smiled at her, a Mona Lisa smile that hinted of secrets but didn’t reveal them.

All of us are taking the night off,” Wrath said abruptly. “We need some regroup time.” Rhage snorted from across the table. “You’re not going to make us play Monopoly again, are you?” “Yup.” A collective groan rose up from the Brotherhood, one that Wrath ignored. “Right after dinner.” “I have something I have to do,” V said. “I’ll be back as soon as I can.” “Fine, but you can’t be the shoe or the dog then. They always go first.” “I can live with that.” -Wrath, Rhage, & Vishous

A Day Away We often think that our affairs, great or small, must be tended continuously and in detail, or our world will disintegrate, and we will lose our places in the universe. That is not true, or if it is true, then our situations were so temporary that they would have collapsed anyway. Once a year or so I give myself a day away. On the eve of my day of absence, I begin to unwrap the bonds which hold me in harness. I inform housemates, my family and close friends that I will not be reachable for twenty-four hours; then I disengage the telephone. I turn the radio dial to an all-music station, preferably one which plays the soothing golden oldies. I sit for at least an hour in a very hot tub; then I lay out my clothes in preparation for my morning escape, and knowing that nothing will disturb me, I sleep the sleep of the just. On the morning I wake naturally, for I will have set no clock, nor informed my body timepiece when it should alarm. I dress in comfortable shoes and casual clothes and leave my house going no place. If I am living in a city, I wander streets, window-shop, or gaze at buildings. I enter and leave public parks, libraries, the lobbies of skyscrapers, and movie houses. I stay in no place for very long. On the getaway day I try for amnesia. I do not want to know my name, where I live, or how many dire responsibilities rest on my shoulders. I detest encountering even the closest friend, for then I am reminded of who I am, and the circumstances of my life, which I want to forget for a while. Every person needs to take one day away. A day in which one consciously separates the past from the future. Jobs, lovers, family, employers, and friends can exist one day without any one of us, and if our egos permit us to confess, they could exist eternally in our absence. Each person deserves a day away in which no problems are confronted, no solutions searched for. Each of us needs to withdraw from the cares which will not withdraw from us. We need hours of aimless wandering or spates of time sitting on park benches, observing the mysterious world of ants and the canopy of treetops. If we step away for a time, we are not, as many may think and some will accuse, being irresponsible, but rather we are preparing ourselves to more ably perform our duties and discharge our obligations. When I return home, I am always surprised to find some questions I sought to evade had been answered and some entanglements I had hoped to flee had become unraveled in my absence. A day away acts as a spring tonic. It can dispel rancor, transform indecision, and renew the spirit.

It has happened. It is over. They fled. They mourned. Until grief had turned stony, too, and they came back. Awed by the completeness of the erasure, they gazed upon the fattened ground below which their world lay entombed. The ash under their feet, still warm, no longer seared their shoes. It cooled further. Hesitations vaporized. ...most of those who had survived set about rebuilding, reliving; there. Their mountain now had an ugly hole at the top. The forests had been incinerated. But they, too, would grow again.

What if she doesn’t worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women’s shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem so obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? But if she is not careful she will end up: raped, pregnant, impossible to control, or merely what is now called fat. The teenage girl knows this. Everyone is telling her to be careful. She learns that making her body into her landscape to tame is preferable to any kind of wildness

He had always assumed that a time would come in adulthood, a kind of plateau, when he would have learned all the tricks of managing, of simply being. All mail and e-mails answered, all papers in order, books alphabetically on the shelves, clothes and shoes in good repair in the wardrobes, and all his stuff where he could find it, with the past, including its letters and photographs, sorted into boxes and files, the private life settled and serene, accommodation and finances likewise. In all these years this settlement, the calm plateau, had never appeared, and yet he had continued to assume, without reflecting on the matter, that it was just around the next turn, when he would exert himself and reach it, that moment when his life became clear and his mind free, when his grown-up existence could properly begin. But not long after Catriona's birth, about the time he met Darlene, he thought he saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply, and lovers he had not owned up to. Oblivion, the last word in organization, would be his only consolation.

Actually, yeah, I did buy a few new things,” she confirmed, then she teased a little more by adding, “I think Pete is going to really enjoy my outfit tomorrow night.” “Pete seems to like you no matter what you’re wearing,” Luke grumbled. “So, what did you buy for good ol’ Pete?” Darn, if he didn’t sound jealous! Could it be possible? It’d mean she meant something to him. Something more than Dr. Doolittle anyway. “I bought a mini skirt.” She wouldn’t tell him about the hair and the shoes. Or what she bought to wear under the skirt. She heard him cough. Hard. As if having a spasm. “Luke? Are you okay?” A couple more very tense seconds of coughs, and then, “Did you say a skirt?” She wanted to smack him.

But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.

It’s to do with knowing and being known. I remember how it stopped seeming odd that in biblical Greek, knowing was used for making love. Whosit knew so-and-so. Carnal knowledge. It’s what lovers trust each other with. Knowledge of each other, not of the flesh but through the flesh, knowledge of self, the real him, the real her, in extremis, the mask slipped from the face. Every other version of oneself is on offer to the public. We share our vivacity, grief, sulks, anger, joy… we hand it out to anybody who happens to be standing around, to friends and family with a momentary sense of indecency perhaps, to strangers without hesitation. Our lovers share us with the passing trade. But in pairs we insist that we give ourselves to each other. What selves? What’s left? What else is there that hasn’t been dealt out like a deck of cards? Carnal knowledge. Personal, final, uncompromised. Knowing, being known. I revere that. Having that is being rich, you can be generous about what’s shared — she walks, she talks, she laughs, she lends a sympathetic ear, she kicks off her shoes and dances on the tables, she’s everybody’s and it don’t mean a thing, let them eat cake; knowledge is something else, the undealt card, and while it’s held it makes you free-and-easy and nice to know, and when it’s gone everything is pain. Every single thing. Every object that meets the eye, a pencil, a tangerine, a travel poster. As if the physical world has been wired up to pass a current back to the part of your brain where imagination glows like a filament in a lobe no bigger than a torch bulb. Pain.

Blake took off his jacket and blanketed her undergarments on the ground. He unbuttoned his shirt with the carelessness of a man standing in front of his dresser. His hands never hitched. Livia wanted to cheer as he revealed his chest to the sun. But Blake had other plans. He put his chest against hers, and his sun-drenched hands ran from her shoulders to her lower back, pulling her to him with a hard jerk. He was a gentleman, but not necessarily a gentle lover. Their hearts beat as if they were trying to touch from the inside out. Blake ghost-kissed Livia, not quite letting their lips touch. She felt his hot mint breath on her cheek. Blake reached for his pants, and Livia longed to release the button for him, but he needed to do this. He removed his pants and boxer briefs in one swift motion. He kicked off his socks and shoes. All that remained was the mask. Blake and Livia stood apart for a moment before he gathered her again in his arms. With no more material between their bodies, he touched every part of her. He spun her so her back pressed against his chest and he could warm her breasts with his hands. “I always wanted to know if your lips were the same color as your nipples. But they’re not. I think the sun has faded your lips just a bit.” Blake’s liquid silk voice tickled her neck. Livia could feel the scratch of the ski mask. She remembered that the first time she’d heard his voice it was just like this, from behind her. She begged her hands not to remove his mask. They were having a hard time listening. She squirmed until she and Blake were chest to chest again. She kissed his shoulder instead of his mouth. Blake was glorious naked. Powerful.

You're beautiful." The words dropped from his lips before he could stop them. She was wearing a cherry red dress with white polka dots that hugged all her curves and dipped low at the top, giving him a delicious glimpse of the soft swell of her breasts. "Thank you." Her gaze dropped and she pulled her phone out of a small red purse that matched her shoes. Liam had never thought much about a woman's shoes before, but Daisy's shoes demanded to be noticed. Curvy and round with bows on top and a big, graceful heel that made his mouth water, they were sweet and sexy all at once---the kind of shoes a man could admire when his lover was bent over his table in her fancy dress, skirt flipped up, and... fuck, why had he locked his helmet to his bike? Shrugging off his leather jacket, he held it discreetly in front of him and forced his mind back to the conversation because, holy hell, when had he ever let his Daisy fantasies get this out of control?

The father is appalled by the news of the engagement: horrified, angry, jealous, unable to conceal his wounded sense of having been displaced. He acts comically badly towards the fiancé; when his daughter and the new man kiss, he rolls his eyes, while the mother whimpers in admiration. The father identifies as a jilted lover, while the mother identifies with a romantic girlhood. The audience is presumably meant to do the same, in line with their gender. Later in the film, Martin bitterly acknowledges that 'my day has passed', likening himself to 'an old shoe, discontinued.' But is the father's horror at his daughter's sexuality exactly that? Or is it a displaced horror at his own sexuality, his own desire? The commonness o sexual abuse of teens, and the ubiquity of the teen trope in pornography, would suggest that most men at least know what it's like to desire a teenage girl. Is the father's horror at his daughter's sexuality perhaps a disavowed horror at his own susceptibility to it?

Add Healthy Coping Mechanisms Regardless of how much work we do to heal our root issues, we will always need to deal with life, people, our family, assholes, emotions, pain, disappointment, anxiety, depression, loss, grief, and stress. So we need to not only work on the root causes and break the cycle of addiction, but also to replace our crappy coping mechanisms with healthy and constructive ones. Some examples of healthy coping mechanisms are: breathing techniques, spiritual practices, essential oils, chants and sound therapies, supplements, meditations, positive affirmations, and so on. We need to learn how to incorporate these healthy substitutes—not just know what we “should do.” We need to create an existence where we naturally and impulsively reach for something that builds us up or reinforces us or heals us (a poem or mantra, a meditation, a cup of hot water with lemon) instead of something that just takes us down further (a cigarette, a text to an abusive ex-lover, a bottle of wine, a new pair of shoes we can’t afford).

I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of

which did not touch his heart. He was not in Kamaswami's house for long, when he already took part in his landlords business. But daily, at the hour appointed by her, he visited beautiful Kamala, wearing pretty clothes, fine shoes, and soon he brought her gifts as well. Much he learned from her red, smart mouth. Much he learned from her tender, supple hand. Him, who was, regarding love, still a boy and had a tendency to plunge blindly and insatiably into lust like into a bottomless pit, him she taught, thoroughly starting with the basics, about that school of thought which teaches that pleasure cannot be taken without giving pleasure, and that every gesture, every caress, every touch, every look, every spot of the body, however small it was, had its secret, which would bring happiness to those who know about it and unleash it. She taught him, that lovers must not part from one another after celebrating love, without one admiring the other, without being just as defeated as they have been victorious, so that with none of them should start feeling fed up or bored and get that evil feeling of having abused or having been abused. Wonderful hours he spent with the beautiful and smart artist, became her student, her lover, her friend. Here with Kamala was the worth and purpose of his present life, nit with the business of

What if she doesn’t worry about her body and eats enough for all the growing she has to do? She might rip her stockings and slam-dance on a forged ID to the Pogues, and walk home barefoot, holding her shoes, alone at dawn; she might baby-sit in a battered-women’s shelter one night a month; she might skateboard down Lombard Street with its seven hairpin turns, or fall in love with her best friend and do something about it, or lose herself for hours gazing into test tubes with her hair a mess, or climb a promontory with the girls and get drunk at the top, or sit down when the Pledge of Allegiance says stand, or hop a freight train, or take lovers without telling her last name, or run away to sea. She might revel in all the freedoms that seem so trivial to those who could take them for granted; she might dream seriously the dreams that seem so obvious to those who grew up with them really available. Who knows what she would do? Who knows what it would feel like? But if she is not careful she will end up: raped, pregnant, impossible to control, or merely what is now called fat. The teenage girl knows this. Everyone is telling her to be careful. She learns that making her body into her landscape to tame is preferable to any kind of wildness. Dieting is being careful, and checking into a hunger camp offers the ultimate in care.

Have you ever been swept away by a toxic lover who sucked you dry? I have. Bad men used to light me up like a Christmas tree. If I had a choice between the rebel without a cause and a nice guy in a sweater and outdoorsy shoes, you can imagine who got my phone number. Rebels and rogues are smooth (and somewhat untamed); they know the headwaiters at the best steak houses, ride fast European motorcycles, and start bar fights in your honor. In short, the rebel makes you feel really alive! It’s all fun and games until he screws your best friend or embezzles your life’s savings. You may be asking yourself how my pathetic dating track record relates to your diet. Simple. The acid—alkaline balance, which relates to the chemistry of your body’s fluids and tissues as measured by pH. The rebel/rogue = acid. The nice solid guy = alkaline. The solid guy gives you energy; he’s reliable and trustworthy. The solid guy calls you back when he says he will. He helps you clean your garage and does yoga with you. He’s even polite to your family no matter how whacked they are, and has the sexual stamina to rock your world. While the rebel can help you let your hair down, too much rebel will sap your energy. In time, a steady rebellious diet burns you out. But when we’re addicted to bad boys (junk food, fat, sugar, and booze), nice men (veggies and whole grains) seem boring. Give them a chance!

When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.

Faith’s like a goddess to the Marines, and she’s actually good at her job, especially given she’d just finished seventh grade. Which is an important job. She does really important shit. “Right now, you’re just getting your head together. Like the pamphlet says, maybe you decide to help out. We can use people who know how to get shit done. Not just as military. I only took the Lieutenancy they offered cause I have to work with the Navy and Marines to get my job done and it helps. But there’s lots of ways a guy with your background and work ethic and general get-it-done attitude could help. Problem being, even if you wanted to, right now the only reason the Marines haven’t gotten together to kick the crap out of you is that they’re too busy. When they get less busy or, for example, this evening when they break from killing zombies, I would not want to be in your shoes.” “So what is this?” Zumwald said. “A military dictatorship? Beatings for free?” “Yeah,” Isham said, looking at him as if he was nuts. “We’re on ships. And they are all officially US Navy vessels. Even most of the dinky little yachts. The commanders, including this one, are all Navy officers, even if the ink is still wet on the commissions. And even if they weren’t, captains of vessels at sea have a lot of legal control in any circumstances. By the way, I talked Captain Graham, boss of this boat, out of pressing charges against you for assault. Because you don’t get how badly you fucked up. I get that. He’s another Faith lover, but it’s also you don’t get to just grab any cookie and tell her you want another scotch. You don’t. This isn’t Hollywood, and, sorry, you’re not some big time movie executive anymore. You’re a fucking refugee in a squadron that spends half its time on the ragged edge. Still. You got no clue how tough it is to keep these vessels supplied.

...and the handsome jester, Devil’s Gold, is shaking his bead-covered rattle, making medicine and calling us by name. We are so tired from our long walk that we cannot but admire his gilded face and his yellow magic blanket. And, holding each other’s hands like lovers, we stoop and admire ourselves in the golden pool that flickers in the great campfire he has impudently built at the crossing of two streets in Heaven. But we do not step into the pool as beforetime. Our boat is beside us, it has overtaken us like some faithful tame giant swan, and Avanel whispers: “Take us where The Golden Book was written.” And thus we are up and away. The boat carries us deeper, down the valley. We find the cell of Hunter Kelly,— . St. Scribe of the Shrines. Only his handiwork remains to testify of him. Upon the walls of his cell he has painted many an illumination he afterward painted on The Golden Book margins and, in a loose pile of old torn and unbound pages, the first draft of many a familiar text is to be found. His dried paint jars are there and his ink and on the wall hangs the empty leather sack of Johnny Appleseed, from which came the first sowing of all the Amaranths of our little city, and the Amaranth that led us here. And Avanel whispers:—“I ask my heart: —Where is Hunter Kelly, and my heart speaks to me as though commanded: ‘The Hunter is again pioneering for our little city in the little earth. He is reborn as the humblest acolyte of the Cathedral, a child that sings tonight with the star chimes, a red-cheeked boy, who shoes horses at the old forge of the Iron Gentleman. Let us also return’.” It is eight o’clock in the evening, at Fifth and Monroe. It is Saturday night, and the crowd is pouring toward The Majestic, and Chatterton’s, and The Vaudette, and The Princess and The Gaiety. It is a lovely, starry evening, in the spring. The newsboys are bawling away, and I buy an Illinois State Register. It is dated March 1, 1920. Avanel of Springfield is one hundred years away. The Register has much news of a passing nature. I am the most interested in the weather report, that tomorrow will be fair. THE END - Written in Washington Park Pavilion, Springfield, Illinois.

Mr. Sweet answered, "THE TANK. WE DON'T HAVE ANY VACANCIES. CALL BACK TOMORROW." "WAIT. IT'S MiKEY." "MiKEY?" "YEAH." I ask him if he's seen Tiger. "That sweet delicious young thing you brought in tonight with the nice round booty? Yeah I SAW him. Said that he had NO IDEA where you were." "I'm in my room. Where is he?" "He left. You know that he's Sebastian Wolfe's lover?" "I know. How long ago did he leave?" "Two minutes.. three tops. Did you know-" "No I DIDN'T." I hang up, put my shoes on, and run out the door.

Every great idea has a spark of inspiration. Divine…if the shoe fits. Every great spark of inspiration comes from a remarkably intense passion, love, or desire. It can be out of love for God, a family member, a lover, child, friend, or just out of a desire to be compassionate and help others. It can be an intense passion for music, art, physical comforts, or beauty. It can be from the desire to prove those who hurt, wrong, or doubt them wrong because they themselves are not yet capable of asking questions and chasing dreams which seem so far away. The paradox of any genius or creative virtuoso is that they see one plus one does not equal two and they do not consult the mathematicians to hear what they have to say about this. When the idea or project they desire to create is fueled from a combination of these previously mentioned factors and then ignited by a pure intention of their heart and soul it is more than the sum of its’ parts. It is no longer a song composed of a melody and words or a picture brushed with paint upon an easel. It is a masterpiece with an explanation which can only be hinted or pointed at. Just like the moon can only reflect the light passed on to it by the sun. Personally, a master watch maker is a person I look up to. They lovingly and thoughtfully put immense energy and concentration on putting seemingly small pieces into place that once put into place learn to work on their own in perfect synchronization and harmony. However, this working together of gears and pieces does not happen by itself; It happens because the master had a vision of what he wanted and put in the time, energy, love, and effort to make it happen. The designer didn’t have it materialize right in front of their face instantly. Rather, they had faith it would come together a piece at a time. It’s my mission to find as many of these Masters who don’t run away from their ability to love, be loved, and create. The more we present beauty to those around us, the quicker others will find light within themselves. The more assistance we give to those we know struggling with poverty both inside and externally, the quicker we change this world into what it’s meant to be.

I try and put myself in your damn shoes every single day. Because you’re my girl. You’re my woman. You’re my partner. You’re my lover. And if I can’t try and fucking understand you and that complex, crazy head of yours, then I’m not doing my job. Then I’m not worthy of you. I want to be worthy of you, baby. I want to know how you work, how you function, how you think. I want to know you so I can be there for you and be there with you. There’s not a day that I’m not trying to discover another one of your beautiful layers. So don’t say that I’m not in your shoes. I’ve been wearing them more than you think.

Time is mercurial when you’re with children. A whole morning making pancakes and playing freeze tag goes by in a minute, whereas waiting for Jasper to tie his shoes or catch up on his bike is endless.

Yes good one- hold on tight- to ideas. At times, since we are talking so much about birds and all things avian, these flighty things do have a tendency to spread their gossamer wings and take flight. So you haven’t even begun to see it and it disappears from your view. At times you don’t even know how many of these frisky things you thought of and they instantly frolicked their way into some wonderland. There they remain latent. Sometimes for mere moments, sometimes days, sometimes months and years. And then in a flash. They come back without warning, at times stealthily, in our most unguarded moments- in bed, polishing shoes, rolling out a roti, driving or pooping and you are not prepared. They settle tentatively on your sleepy eyes for a second and before you know it, fly past you in a flash again, good for you if you hold them then and there, for if you think you will sit yourself down one day with the wrong end of the pen in your mouth, or the laptop loaded with the works, or the dream paints on the palette, to capture what you saw in your mind’s stratosphere- you just blink and find it’s just a blankness you see, no matter how hard you try, a blankness that stares with a baffling obduracy. At times you even forget that you forgot. The thought had yet not entered your conscious mind- it was just hovering between the sleeping world and the awake, and just falls off the edge. Never makes it. Yes they are flighty things.” She rounded it with a peal of laughter, amused with the little story she had concocted.

Sitting in the courtyard, I watch the woman sweeping. I luxuriate in the sound of the bristles of her besom against the ground. She sweeps in an invisible pattern only she understands. I study her hands. They are blackened with chimney dust— not unlike the soft dust she’s now sweeping. It rises in a cloud above her, which makes me wonder: Where does it come from? The dust on our overworked hands and travelled shoes. The dust we inhale and cough into our handkerchiefs. The house dust, the road dust, the concrete dust, and cosmic dust. Where are they born? Perhaps they come from our aged bodies. We shed our skins like we shed our beauty— not all at once. And we walk freely on this blanket of dust without paying any mind to our ancestors, though we walk on them! Tread softly, for you tread on Yeats’s wrists and Poe’s elbows. You tread on van Gogh’s ears and Keller’s eyes. You breathe in your grandfather’s lover and the little girl you were when you were four. You smell them after the first rain in a long dry spell, or when an old lamp smoulders the bulb quite well. These all serve as reminders of our dusty secret: we are all dust under dust under dust. So next time it settles, remember to ask the dust!

Good Advices" When you greet a stranger, look at his shoes Keep your money in your shoes, put your trouble behind When you greet a stranger, look at her hands Keep your money in your hands, put your travel behind Who are you going to call for, what do you have to say Keep your hat on your head Home is a long way away At the end of the day, I'll forget your name I'd like it here if I could leave and see you from a long way away When you greet a stranger, look at his shoes Keep you memories in your shoes, put your travel behind Who are you going to call for, what do you have to say Keep your hat on your head Home is a long way away At the end of the day, when there are no friends When there are no lovers, who are you going to call for What do you have to change A familiar face, a foreign place, I'll forget your name I'd like it here if I could leave and see you from a long way away Who are you going to call for, what do you have to say Keep your hat on your head Home is a long way away R.E.M., Fables of the Reconstruction (1985)

Hey there, have you seen a dog? Cute white and brown?" "Uh, no sorry," Allison said while mouthing to me, 'Roll the window up'. Allison rolled her eyes, "I haven't," I said, "But I'd be willing to help you." "Really?" The girl and Allison asked in unison. "Yea, sure anything to help another dog lover. Hang on." I opened the door and grabbed my purse. Once I got out of the car the girl looked down at my Louis Vuittons, "Those aren't really dog finding shoes." "Oh yeah? Watch me." I grabbed her hand and ran towards the sidewalk. I walked up the bustling sidewalk. "Are you new to New York? Or the Upper East Side? You stick out like a sore thumb.

The Sad Boy Ay, his old mother was a glad one. And his poor old father was a mad one. The two begot this sad one. Alas for the single shoe The Sad Boy pulled out of the rank green pond, Fishing for fairies On the prankish advice Of two disagreeable lovers of small boys. Pity the unfortunate Sad Boy With a single magic shoe And a pair of feet And an extra foot With no shoe for it. This was how the terrible hopping began That wore the Sad Boy thin and through To his only shoe And started the great fright in the provinces above Brent Where the Sad Boy became half of himself To match the beautiful boot He had dripped from the green pond. Wherever he went weeping and hopping And stamping and sobbing, Pounding a whole earth into a half-heaven, Things split where he stood Into the left side for the left magic, Into no side for the missing right boot. Mercy be to the Sad Boy Scamping exasperated After a wide boot To double the magic Of a limping foot. Mercy to the melancholy folk On the Sad Boy's right. It was not for want of wandering He lost the left boot too And the knowledge of his left side, But because one awful Sunday This dear boy dislimbed Went back to the old pond To fish up another shoe And was quickly (being too light for his line) Fished in. Gracious how he kicks now All the little ripples up! The quiet population of Brent has settled down, And the perfect surface of the famous pond Is slightly pocked, marked with three signs, For visitors come to fish for souvenirs, Where the Sad Boy went in And his glad mother and his mad father after him.

Rishikesh is one of the most wanted places for adventure lovers. Rishikesh is also well-known among Hindus for its pilgrimage. The free of charge graceful river and also Substring Mountains make this place beautiful for travelers. It is really one of the best locations for people wanting onward to get tons of adventure, and fun. It's also a precious knowledge for nature lovers. The major fair activity in Rishikesh is White Water Rafting. It has grown to a well-liked and daring spot for white water rafting enthusiast as the place offers an impressive experience of average to very tough and rough rapids in the region of River Ganges. Uttarakhand adventure is well known rafting company in Rishikesh. Many adventurous tourists both from India and overseas stay this place to experience the real challenge of white water rafting. All services for white water rafting Rishikesh is available here, and there are preparation guides for rafting from whom a tourist can take help in this sport. River rafting in Rishikesh is one of the majority popular sport activities because of free flowing rivers from Himalayas. Rafting, camping, trekking, and Rock Climbing, Bungee jumping is some of the sports education that a traveler can consider. We are best rafting company in Rishikesh. Important and Helpful Information and Rafting Safety Tips for All Rafting Users • Important Equipments Shell Be take for River Rafting and Camping • Sunglasses and water glasses with retaining cord, Battery Torch • Swimming costume and quick drying shorts for river • Odomos, Antiseptic Cream and Sunscreen Lotion, First Aid Box • Only Use River Sandals & old Sneakers , no flip flops • River Rafting Guide & Splash life jackets. • Other required safety accessories • Waterproof disposable camera with Extra Battery (Full Battery Charge). • Mobile Phone with Extra Mobile Batteries (Electricity may be off) • We provide River Rafting Gears & Assistance • Helmets & river rafting gears • Trekking Shoes

Mid May 2012 Andy wrote in his Email reply: Dear Young, You are still the boy I grew to love and cherish forty-four years ago. The lyrics you sent, to “The Things You Are To Me” brought back many fond memories of our time together. You, young man, do have a way with words. In more ways than one, you always touched the core of my heart with your innocence and childlike approach to life. Walter is a lucky man to have you in his life. I wish I were in his shoes, you little ‘faerie’ boy, stirring up an emotional storm within me which I had kept hidden for so long. Now that our parents are deceased, we can be free from the emotional baggage imposed upon us. You had mentioned briefly that you are writing your memoirs. I hope you are not revealing anything that we pledged to never reveal. My advice to you is to stay clear of those subjects. It is not advisable to tamper with the school or the Society, especially when you swore an oath, a gentlemanly honor of confidentiality to never reveal any of our membership secrets. If the word gets out, the paparazzi will have a field day digging for whatever dirt they can find. I hate to see you being sued by any parties involved. I’m speaking to you as a trusted friend, confidant, and ex- lover. Tread with caution, Young! You are old enough to decide for yourself. I’m sure you don’t need your ex-Valet to tell you what to do. Please send my regards to Walter and maybe we’ll have a chance to meet one day, soon. Let’s continue our regular correspondence. My love always! Andy.

You feel so overwritten you're like a palimpsest; the original girl almost lost under years of scrawling yet you nurture an illusion of beauty, brush your hair in the dark so when your reflection finally catches up with you you stare straight past that older woman to the skateboard dancers behind hitting the frosty air with exuberant grace. On the loose in the morning city reminds you of lovers, catching the tram to work in last night's laddered stockings, the sharp-edged day already intruding like a hangover. It's not the sex you miss or the hotel mornings but the reassurance of strangers and that wild card. Now everything's played out the same, no surprises in the pack except those dealt by disaster. Early this morning such certainty dragged on your thoughts they stumbled flat-footed through the breakfast silence and you knew neither the apples orchard fresh, crisp as snow nor the blue bowl they posed in were enough. People disappear all the time, emerge like summer snakes newly marked and glittering into a clean desert. Without the photo of a child you carry in your wallet which reminds you who you have become you'd catch a train to Musk or Mollymook, some place your fingers have strayed over. Even thinking that, you turn your face into the wind, keep walking that same old line in your new flamboyant shoes. Oh my treacherous heart.

I might be a fan of Audubon, I suppose." "Ah, birds. I can tell a lot about a person by the type of art they're drawn to. You say Audubon, and I think of someone with a meticulous eye for detail. But that's an easy assumption, isn't it? Not the sort of thing that impresses someone like you much." "Like me?" "Uh-huh. Skeptic." He studied her intently, and she was surprised to find herself unaffected, buffered from his scrutiny by her coat and her mittens, her ugly shoes and her padded socks, her warm cup of coffee and her anonymity. He rubbed his chin with his knuckle. "I would say a person who hangs Audubon on her walls is a person who believes in God, but not necessarily religion. A person who believes in free will, but also in the existence of a natural pecking order, pardon the pun, in all societies. Aware of it, and accepts it. I would say such a person has the capacity to be awed by nature and horrified by it, in equal amounts. A scientist's brain, but an artist's soul. How am I doing?" Alice smiled. "Remarkable." "You're not impressed. I see I'll have to up my game." He looked at her face, her eyes, and she looked back at him blandly, keeping her sharp corners hidden. She had little practice talking to strangers but embraced the thought that she could play the role of anyone she chose, trying on imagined identities to see what fit: businesswoman here for a meeting, opera impresario, wealthy collector, lover en route to a secret assignation. "Hmm," he said, narrowing his eyes while he watched her. "It's not so much an admiration for the artist as it is for the subject matter, correct? What is it about birds? People envy them the ability of flight, of course, but it must be more. Maybe not just their ability to fly, but to fly away 'from', is that it? To leave trouble behind, be free from boundaries, from expectations.

All night a door floated down the river. It tried to remember little incidents of pleasure from its former life, like the time the lovers leaned against it kissing for hours and whispering those famous words. Later, there were harsh words and a shoe was thrown and a door was slammed. From "The Wrong Way Home

Charlie in the back office listening to parents bemoan their child’s lack of discipline, the exorbitant cost of pointe shoes, the holiday schedule, Charlie nodding patiently as mothers spoke in hushed tones about their own long-ago ballet aspirations, of the mad fantasy of tutus and rosin, satin and tulle, floodlights and beaming faces, leaping endlessly into a lover’s waiting arms.

There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.

I stare at the woman in question and wonder what happened to the concept of sisterhood. If women stopped doing this kind of thing to other women, there would be a lot less pain in this world. Men, I'll admit, are probably a lost cause, but we could stop cheating on other women with their husbands, boyfriends, fiancés. Jo props herself up on her elbows and gives me a defiant look which, frankly, I'd like to wipe off her face---preferably with a cricket bat. "Who'd have thought that I'd be seeing so much of you," I say. "And so soon." Marcus's breakfast dish looks rather rattled. "I can explain," Marcus says as he tries to dismount from the table with some dignity. Difficult to pull off. "I'm all ears." "This was the last time," he says earnestly. There are raspberries crushed on his knees. "The last time ever. I was having one last fling before settling down. As soon as you moved in, I was going to be completely and utterly faithful." Jo doesn't look as if she knows about this particular part of the arrangement and she glares darkly at my fiancé. Perhaps she'll be sneaking into his flat and filling his clothes and his shoes with leftovers and leaving stinking prawns in his soft furnishings. Because, for sure, I won't be troubling myself to do it again. "You called to tell me you love me while she was here?" Jo clearly doesn't know about that bit either. Marcus chews his lip. I stare at Marcus as if I'm seeing him for the first time. He looks ridiculous---yogurt on his knob, smears of berry juice all over his chest and legs, breakfast cereal in his hair. I burst out laughing. Marcus laughs too---nervously. "Oh, Marcus," I say, clutching at my sides. "I can't believe you've done this again." I double over and belly laugh right the way up from my boots. "I love you," he says bleakly, and then he continues to laugh along with me, although it sounds forced. When I finally wrest control of my voice once more, I say softly, "I'm not laughing with you, Marcus. I'm laughing at you." Slipping my engagement ring from my finger, I put it delicately into the bowl of yogurt that's lying by Jo's feet. Then, picking it up, I tip the bowl upside down on Marcus's head. Yogurt drips slowly down his face. He licks it from his lips. Perhaps he can get Jo to do it for him when I'm gone. "This really is the very last time you do this to me, Marcus.

People tried to understand, and many did, but not everybody could make the imaginative leap that landed one in the position of another person, in their shoes, in their very garments, looking out on the world with their eyes, feeling what went on inside their hearts; being made to cry by the things that made them want to cry. That was easy in theory, but hard in practice. They pretended to understand, but when it came down to it, many simply did not.

The gun goes back into the shoe box, which is in turn put back in its hiding place under the sink. Like a fickle lover, I no longer want to look at it now that I’ve held it all night.

What?" she asked, partly annoyed, partly curious. "Just trying to get the witch hat and pointy shoes in frame." He moved slightly to his left, then right. She channeled her most intense withering gaze, then said, "How are you still single?" "I'm not, remember?" He pointed at her. "Seriously, though. You need to look like you're having a good time." He put down the phone, then gnawed on his lips, deep in thought. "Oh, I know! Imagine I've stubbed my toe in an extremely painful way." Now that really did make her smile. "Excellent, excellent," he said as he reviewed the photo.

The father is appalled by the news of the engagement: horrified, angry, jealous, unable to conceal his wounded sense of having been displaced. He acts comically badly towards the fiancé; when his daughter and the new man kiss, he rolls his eyes, while the mother whimpers in admiration. The father identifies as a jilted lover, while the mother identifies with a romantic girlhood. The audience is presumably meant to do the same, in line with their gender. Later in the film, Martin bitterly acknowledges that 'my day has passed', likening himself to 'an old shoe, discontinued.' But is the father's horror at his daughter's sexuality exactly that? Or is it a displaced horror at his own sexuality, his own desire? The commonness of sexual abuse of teens, and the ubiquity of the teen trope in pornography, would suggest that most men at least know what it's like to desire a teenage girl. Is the father's horror at his daughter's sexuality perhaps a disavowed horror at his own susceptibility to it?

how am I supposed to deal with the constant fear of losing him? The anxiety every time he cancels a call or a visit falls through? Waiting for the other shoe to drop, for the day he finally says, I want something different. It’s not you. I want someone different. A slow, excruciating heartbreak unfolding bit by bit for weeks.

all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.” “Even my Peloton?” I ask. “Great piece of equipment,” he says. “The fact that I check my email after work hours?” “Just makes it easier to share Bigfoot erotica without having to walk across the room,” he says. “Sometimes I wear very impractical shoes,” I add. “Nothing impractical about looking hot,” he says. “And what about my bloodlust?” His eyes go heavy as he smiles. “That,” he says, “might be my favorite thing. Be my shark, Stephens.” “Already was,” I say. “Always have been.” “I love you,” he says again. “I love you too.” I don’t have to force it past a knot or through the vise of a tight throat. It’s simply the truth, and it breathes out of me, a wisp of smoke, a sigh, another floating blossom on a current carrying billions of them. “I know,” he says. “I can read you like a book.” EPILOGUE SIX MONTHS LATER THERE ARE BALLOONS in the window, a chalkboard sign out front.

And I,” he replies, “am not letting you destroy those poor, innocent shoes. I’m not that kind of man.

Oh, man, he was colossal. If her apartment was small to begin with, he turned it into a shoe box. And all that black leather just seemed to make him bigger. He had to be six-feet-six, two seventy-five at least.

No one went out for shoes that deliberately pinched, gave you blisters or pain. I had simply fallen in love with the shoes...

There was nothing like stepping into a fabulous pair of heels for the first time.

A good bookstore is like an airport where you don't have to take your shoes off.

Don’t you get it, Ehlena? No matter what you wear…to me, you will always have diamonds on the soles of your shoes.

she leaned forward, flashing him a set of breasts that didn’t so much defy gravity as flip it off, insult its mother, and piss on its shoes.

Mostly I’d Like to Be a Spiderweb because in the rain I’d look like a cracked window without a church to belong to. You could look through me and see the world in front of us. One time, my ex-lovers made a road of tongues for me. I took my shoes off to feel the song a little better, and cut a note short with each step. I want to tell you how many churches I’ve built to praise little things that deserve more than their few seconds of existence. Like the time I opened my door, smelled hibiscus and knew you were home. Like the time a child told me there was a god And because he was smiling, I believed him. Mostly, I’d like to be a spiderweb to feel you walk through. To see if you’ll take me with you, despite the spider I bring. — C.T. Salazar, from micro collection This Might Have Meant Fire: Poems, INCH quarterly (no. 39, Summer 2019)