Shocked Dog Quotes

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But I'm shocked by the tenderness in his voice. The sincerity with which he wants to know. He's like a feral dog, crazed and wild, thirsty for chaos, simultaneously aching for recognition and acceptance. Love.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Bishop was all done with the witty conversation. 'Will you swear?' And Myrnin said, shockingly, 'I will.' And he proceeded to, a string of swearwords that made Claire blink. He ended with, '—frothy fool-born apple-john! Cheater of vandals and defiler of dead dogs!' and did another twirl and bow. He looked up with a red, red grin that was more like a leer. 'Is that what you meant, my lord?
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
they had come to a time when no one dared speak his mind, when fierce, growling dogs roamed everywhere, and when you had to watch your comrades torn to pieces after confessing to shocking crimes.
George Orwell (Animal Farm)
She finally had to admit she missed Hank. Hank and his beautiful dog face. Faithful hank, who was always by her side without grievance or judgement.Hank, who reminded her when it was time to eat and never let her sleep in.
Alyssa Hall (And Then I Heard The Quiet)
The state of shock is losing its charm. I want my brain back. Can’t it just shake itself off like a dog already and get back to work?
Kendare Blake (Anna Dressed in Blood (Anna, #1))
Juliette," he says. He touches my hand so gently it startles me. "Did you notice? it seems I am immune to your gift." He studies my eyes. "Isn't that incredible? Did you notice"? he asks again. "When you tried to escape? did you feel it...? Warner who misses absolutely nothing. Warner who absorbs every single detail. Of course he knows. But I'm shocked by the tenderness in his voice. The sincerity with which he wants to know. He's like a feral dog, crazed and wild, thirsty for chaos, simultaneously aching for recognition and acceptance. Love.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
...out from the door of the farmhouse came a long file of pigs, all walking on their hind legs...out came Napoleon himself, majestically upright, casting haughty glances from side to side, and with his dogs gambolling round him. He carried a whip in his trotter. There was a deadly silence. Amazed, terrified, huddling together, the animals watched the long line of pigs march slowly round the yard. It was as though the world had turned upside-down. Then there came a moment when the first shock had worn off and when, in spite of everything-in spite of their terror of the dogs, and of the habit, developed through long years, of never complaining, never criticising, no matter what happened-they might have uttered some word of protest. But just at that moment, as though at a signal, all the sheep burst out into a tremendous bleating of- "Four legs good, two legs better! Four legs good, two legs better! Four legs good, two legs better!" It went on for five minutes without stopping. And by the time the sheep had quieted down, the chance to utter any protest had passed, for the pigs had marched back into the farmhouse.
George Orwell (Animal Farm)
In 1965, a psychologist named Martin Seligman started shocking dogs. He was trying to expand on the research of Pavlov--the guy who could make dogs salivate when they heard a bell ring. Seligman wanted to head in the other direction, and when he rang his bell, instead of providing food, he zapped the dogs with electricity. To keep them still, he restrained them in a harness during the experiment. After they were conditioned, he put these dogs in a big box with a little fence dividing it into two halves. He figured if the dog rang the bell, it would hop over the fence to escape, but it didn't. It just sat there and braced itself. They decided to try shocking the dog after the bell. The dog still just sat there and took it. When they put a dog in the box that had never been shocked before or had previously been allowed to escape and tried to zap it--it jumped the fence. You are just like these dogs. If, over the course of your life, you have experienced crushing defeat or pummeling abuse or loss of control, you convince yourself over time that there is no escape, and if escape is offered, you will not act--you become a nihilist who trusts futility above optimism. Studies of the clinically depressed show that they often give in to defeat and stop trying. . . Any extended period of negative emotions can lead to you giving in to despair and accepting your fate. If you remain alone for a long time, you will decide loneliness is a fact of life and pass up opportunities to hang out with people. The loss of control in any situation can lead to this state. . . Choices, even small ones, can hold back the crushing weight of helplessness, but you can't stop there. You must fight back your behavior and learn to fail with pride. Failing often is the only way to ever get the things you want out of life. Besides death, your destiny is not inescapable.
David McRaney (You Are Not So Smart)
His stories were what frightened people worst of all. Dreadful stories they were--about hanging, and walking the plank, and storms at sea, and the Dry Tortugas, and wild deeds and places on the Spanish Main. By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea, and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described. My father was always saying the inn would be ruined, for people would soon cease coming there to be tyrannized over and put down, and sent shivering to their beds; but I really believe his presence did us good. People were frightened at the time, but on looking back they rather liked it; it was a fine excitement in a quiet country life, and there was even a party of the younger men who pretended to admire him, calling him a "true sea-dog" and a "real old salt" and such like names, and saying there was the sort of man that made England terrible at sea.
Robert Louis Stevenson (Treasure Island)
As Clover looked down the hillside her eyes filled with tears. If she could have spoken her thoughts, it would have been to say that this was not what they had aimed at when they had set themselves years ago to work for the overthrow of the human race. These scenes of terror and slaughter were not what they had looked forward to on that night when old Major first stirred them to rebellion. If she herself had had any picture of the future, it had been of a society of animals set free from hunger and the whip, all equal, each working according to his capacity, the strong protecting the weak, as she had protected the lost brood of ducklings with her foreleg on the night of Major's speech. Instead--she did not know why--they had come to a time when no one dared speak his mind, when fierce, growling dogs roamed everywhere, and when you had to watch your comrades torn to pieces after confessing to shocking crimes. There was no thought of rebellion or disobedience in her mind. She knew that, even as things were, they were far better off than they had been in the days of Jones, and that before all else it was needful to prevent the return of the human beings. Whatever happened she would remain faithful, work hard, carry out the orders that were given to her, and accept the leadership of Napoleon. But still, it was not for this that she and all the other animals had hoped and toiled.
George Orwell (Animal Farm)
Do you ever think when you look at someone, when to you listen to someone, does that person really have a life?" Abdul was asking the boy who was not listening. "Like that woman who just went to hang herself, or her husband, who probably beat her before she did this? I wonder what kind of life is that," Abdul went on. "I go through tensions just to see it. But it is a life. Even the person who lives like a dog still has a kind of life. Once when my mother was beating me, and that thought came to me. I said, 'If what is happening now, you beating me, is to keep happening for the rest of my life, it would be a bad life, but it would be a life, too.' And my mother was so shocked when I said that. She said, "Don't confuse yourself by thinking about such terrible lives.'" Sunil though that he, too, had a life. A bad life, certainly-the kind that could be ended as Kalu's had been and then forgotten, because it made no difference to the people who lived in the overcity. But something he'd come to realize on the roof, leaning out, thinking about what would happen if he leaned to far, was that a boy's life could still matter to himself.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
I don't know who had the training of you," he continued doggedly, "but your morals are shocking. You spent a night in my bed, remember, after a night in a bawdy house. You go about collecting street urchins and letting inebriated vagabonds kiss you, and then you get into brawls in pawnshops. You are probably past all redemption, but I'm going to reform you anyhow. If you behave yourself, perhaps I'll let you reform me on occasion, but I make no promises.
Loretta Chase (Viscount Vagabond)
Andy kicked her way in, moonlit and angerstruck, doors shattering the decoration behind as she shouted at the shocked furniture: “Blyton Summer Fucking Detective Club! Anybody home?” Kerri and Nate came to flank her right after, rifles aimed at the horrified haunted house. Tim scurried between them, promenaded across the hall, stopped by a decorative suit of armor, and peed on it.
Edgar Cantero (Meddling Kids)
Huh,” she said in a neutral voice, then looked out over the pasture again, at the sheep racing through the grass like frantic clouds. A defiant expression crossed her face, and she took a breath. “Razor!” she barked, making Keirran jump. “No! Bad gremlin! You stop that, right now!” The gremlin, shockingly, looked up from where he was bouncing on a rock, sheep scattering around him. He blinked and cocked his head, looking confused. Kenzie pointed to the ground in front of her. “I want to see you. Come here, Razor,. Now!” And, he did. Blipping into sight at her feet, he gazed up expectantly, looking like a mutant Chihuahua awaiting commands. Keirran blinked in astonishment as she snapped her fingers and pointed at him, and Razor scurried up his arm to perch on his shoulder. She smiled, giving us both a smug look, and crossed her arms. “Dog training classes,” She explained.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
Neither knew it at the time, but a line had been crossed that could not be uncrossed- a running leap over a chasm of ignorance and misunderstanding between species and worlds...and a baby step taken into life's endless possibilities for wonder and joy and surprise that could no more be reversed than one's first taste of chocolate. A dog kiss.
Berkeley Breathed (Flawed Dogs: The Shocking Raid on Westminster)
--How I Was Visited By Messengers-- Something clicked in the clock on the wall, and I was visited by messengers. at first, I did not realize that I was visited by messengers. instead, I thought that something was wrong with the clock. but then I saw that the clock worked just fine, and probably told the correct time. then I noticed that there was a draft in the room. and then it shocked me: what kind of thing could, at the same time, cause a clock to click and a draft to start in the room? I sat down on a chair next to the divan and looked at the clock, thinking about that. the big hand was on the number nine, and the little one on the four, therefore, it was a quarter till four. there was a calendar on the wall below the clock, and its leafs were flipping, as if there was a strong wind in my room. my heart was beating very fast and I was so scared it almost made me collapse. "i should have some water," I said. on the table next to me was a pitcher with water. I reached out and took the pitcher. "water should help," I said and looked at the water. it was then that I realized that I had been visited by messengers, and that I could not tell them apart from the water. I was scared to drink the water, because I could, by accident, drink a messenger. what does that mean? nothing. one can only drink liquids. could the messengers be liquid? no. then, I can drink the water, there is nothing to be afraid of. but I couldn't find the water. I walked around the room and looked for the water. I tried putting a belt in my mouth, but it was not the water. I put the calendar in my mouth -- that also was not the water. I gave up looking for the water and started to look for the messengers. but how could I find them? what do they look like? I remembered that I could not distinguish them from the water, therefore, they must look like water. but what does water look like? I was standing and thinking. I do not know for how long I stood and thought, but suddenly I came to. "there is the water," I thought. but that wasn't the water and instead I got an itch in my ear. I looked under the cupboard and under the bed, hoping that there I might find the water or the messengers. but under the cupboard, in a pile of dust, I found a little ball, half eaten by a dog, and under the bed I found some pieces of glass. under the chair I found a half-eaten steak, I ate it and it made me feel better. it wasn't drafty anymore, the clock was ticking steadily, telling the time: a quarter till four. "well, this means the messengers are gone," I said quietly and started to get dressed, since I had a visit to make. -August 22, 1937
Daniil Kharms
Must she eat like a dog? My cheeks redden, but I make no moves to conceal this, and in a wild moment of abandonment – something I have never known before – I think, I would be the microbes in the beef that her body seeks and destroys if it meant she would be paying me even the slightest bit of attention. The warmth and the wet of her mouth. What a thought to think! How suddenly and vehemently I think it. And how hot my cheeks are. It makes perfect sense to want to be inside her mouth, to be torn to pieces by her; until I catch myself wanting it, and I am shocked, I am disgusted. I almost laugh at my own absurdity.
Chloe Michelle Howarth (Sunburn)
Berganza, I’m not shocked that—since there’s good and bad in all of us—we get the hang of evil in no time.
Miguel de Cervantes Saavedra (The Dialogue of the Dogs (The Art of the Novella))
Someone once asked me, “Soen Sa Nim, do you believe in God?” I said, “Of course!” The person was very shocked. “You are a Zen teacher. How can you possibly believe in God?” “I believe my eyes, ears, nose, tongue, body, and mind—why not believe everything? I believe this green tree, the blue sky, a barking dog, the smell of incense—why not believe in Buddha or God?” So, you can believe in everything. Believing in everything means realizing that you and everything are never separate.
Seung Sahn (The Compass of Zen (Shambhala Dragon Editions))
Chastity and moral purity were qualities McCandless mulled over long and often. Indeed, one of the books found in the bus with his remains was a collection of stories that included Tol¬stoy’s “The Kreutzer Sonata,” in which the nobleman-turned-ascetic denounces “the demands of the flesh.” Several such passages are starred and highlighted in the dog-eared text, the margins filled with cryptic notes printed in McCandless’s distinc¬tive hand. And in the chapter on “Higher Laws” in Thoreau’s Walden, a copy of which was also discovered in the bus, McCand¬less circled “Chastity is the flowering of man; and what are called Genius, Heroism, Holiness, and the like, are but various fruits which succeed it.” We Americans are titillated by sex, obsessed by it, horrified by it. When an apparently healthy person, especially a healthy young man, elects to forgo the enticements of the flesh, it shocks us, and we leer. Suspicions are aroused. McCandless’s apparent sexual innocence, however, is a corol¬lary of a personality type that our culture purports to admire, at least in the case of its more famous adherents. His ambivalence toward sex echoes that of celebrated others who embraced wilderness with single-minded passion—Thoreau (who was a lifelong virgin) and the naturalist John Muir, most prominently— to say nothing of countless lesser-known pilgrims, seekers, mis¬fits, and adventurers. Like not a few of those seduced by the wild, McCandless seems to have been driven by a variety of lust that supplanted sexual desire. His yearning, in a sense, was too pow¬erful to be quenched by human contact. McCandless may have been tempted by the succor offered by women, but it paled beside the prospect of rough congress with nature, with the cosmos it¬self. And thus was he drawn north, to Alaska.
Jon Krakauer (Into the Wild)
The statement “Hitler loved dogs and little children” is shocking no matter how many times you hear it, because any trace of kindness in someone so evil violates the expectations set up by the halo effect.
Daniel Kahneman (Thinking, Fast and Slow)
...fiction writing is like duck hunting. You go to the right place at the right time with the right dog. You get into the water before dawn, wearing a little protective gear, then you stand behind some reeds and wait for the story to present itself...You choose the place and the day. You pick the gun and the dog. You have the desire to blow the duck apart for reasons that are entirely your own. But you have to be willing to accept not what you wanted to have happen, but what happens... By the time you get out of the marsh, you will have written a novel so devoid of ducks it will shock you.
Ann Patchett
It's moments like this, when you need someone the most, that your world seems smallest. I'm told there's no going back. So I’m choosing forward The exhaustion of living was just too much for me to talk any longer It still might be a shock. To realize you are just one story walking among millions Why is it so much easier to talk to a stranger? Why do we feel we need that disconnect in order to connect? I had done it. I had embraced danger. The experience might have been an epic disaster, but it was still…an experience We are reading the story of our lives/ as though we were in it, /as though we had written it Like dogs and lions, small children can sense fear. The slightest flinch, the slightest disinclination, and they will jump atop you and devour you I might have liked to share a dance with you. If I may be so bold to say In a field, I am the absence of field. In a crowd, I am the absence of crowd. In a dream, I am the absence of dream. But I don’t want to live as an absence. I move to keep things whole. Because sometimes I feel drunk on positivity. Sometimes I feel amazement at the tangle of words and lives, and I want to be a part of that tangle…It’s only a game if there is an absence of meaning. And we’ve already gone too far for that You restore my faith in humanity Do you want to go get coffee or something tomorrow and discuss and analyze the situation at length? Let’s just wander and see what happens It was rather awkward, insofar as we were both teetering between the possibility of something and the possibility of nothing. Fate has a strange way of making plans I love a man who doesn’t let go of the leash, even when it leads him to ruin
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
People settle by acquiring a first-person plural – a place, a community and a way of life that is ‘ours’. The need for this ‘we’ is not accepted by internationalists, by revolutionary socialists, or by intellectuals wedded to the Enlightenment’s timeless, placeless vision of the ideal community. But it is a fact, and indeed the primary fact from which all community and all politics begin. George Orwell noticed this, during the course of the Second World War. The disloyalty of the left intelligentsia was, for Orwell, all the more evident and all the more shocking, when set beside the simple, dogged ‘we’ of the ordinary people. And the real political choice, about which Orwell had no hesitation, was whether to join the intellectuals in their work of destruction, or to stand by the ordinary people in defending their country in its hour of need.
Roger Scruton (How to Be a Conservative)
Gideon, you old dog, you have taken a mate,” the Prince accused with humor sparkling from those fathomless eyes. “And I believe she finds me quite attractive.” Gideon heard Legna gasp in shock and tried to repress a feral smile as he became aware of the burning blush she sprouted. “I would not cross that particular line even as a joke, Damien,” Gideon warned him smoothly. “My apologies. I could not resist.” Damien looked steadily into Gideon’s eyes for a moment. “She must be young, not to realize I would be able to read her presence within your mind.” “She is young, but I would not underestimate her if I were you.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
I always like to think of Neal Cassady as being representative of the tarot card The Fool, which displays him at the outset of his journey with unlimited potential. The card also shows him about to step off a cliff and it’s clear he hasn’t planned things properly. He’s got a bag with him that contains all he needs, but he’s not bothering to open it. In his left hand he’s holding a white rose, which represents purity and righteousness. He’s got a little white dog with him, who’ll protect him on his journey, but will push him to learn life’s lessons. The Fool represents crazy wisdom, for his journey may well be to discover advanced and contemporary ideas, new frames of reference, shocking concepts, knowledge or viewpoints. The Fool has holy curiosity.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
You would be shocked how many people tell me that they got through cancer, or divorce, or having their house burn down. But then they lost their keys or they ran out of coffee or the dog chewed on their slipper and they fell to pieces. It’s just that last insult.
Linda Holmes (Evvie Drake Starts Over)
What God do for me? I ast. She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death. Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won't ever see again. Anyhow, I say, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgitful and lowdown. She say, Miss Celie, You better hush. God might hear you. Let 'im here me, I say. If he ever listened to poor colored women the world would be a different place, I can tell you. She talk and she talk, trying to budge me way from blasphemy. But I blaspheme much as I want to. All my life I never care what people thought about nothing I did, I say. But deep in my heart I care about God. What he going to think. And come to find out, he don't think. Just sit up there glorying in being deef, I reckon. But it ain't easy, trying to do without God. Even if you know he ain't there, trying to do without him is a strain.
Alice Walker (The Color Purple)
In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet." (The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948)
W.H. Auden
Yes. Five minutes later and it wouldn’t have mattered so much. It was a quite shocking cock-up.” “Huh?” said Arthur. “The mice were furious.” “The mice were furious?” “Oh yes,” said the old man mildly. “Yes, well, so I expect were the dogs and cats and duck-billed platypuses, but . . .” “Ah, but they hadn’t paid for it, you see, had they?
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
he reached out and took her hand, overcome by a shocking tenderness. For a moment he was struck dumb at a habit of hers he saw now for the first time, how whenever she looked up from whatever she was doing, even unwrapping a sandwich in the front seat of a car, she always looked up smiling. He wondered if anybody had ever noticed it before.
Thomas Savage (The Power of the Dog)
I didn’t tell her that Anton Kirschler, the artist I wrote about, was a character of my own invention. I wrote that his work was instructive for how to maintain “a humanistic approach to art facing the rise of technology.” I described various made-up pieces: Dog Urinating on Computer, Stock Market Hamburger Lunch. I wrote that his work spoke to me personally because I was interested in how “art created the future.” It was a mediocre essay. My mother seemed unperturbed by it, which shocked me, and handed it back with the suggestion that I look up a few words in the thesaurus because I’d repeated them too often. I didn’t take her advice. I applied to Columbia early decision and got in.
Ottessa Moshfegh (My Year of Rest and Relaxation)
The hard right vs. The easy wrong
Josie Campbell (Dog days of Daycare: Shocking true story of one dog kennel's Trials, Tribulations, Tradegy and Triumph)
Post-traumatic shock, phooey. Seemed to me the trauma was trotting right along with me, like a dog on a leash with its owner. I was the dog. I
Robin McKinley (Sunshine)
Almost the whole of Christian theology could perhaps be deduced from the two facts (a) That men make coarse jokes, and (b) That they feel the dead to be uncanny. The coarse joke proclaims that we have here an animal which finds its own animality either objectionable or funny. Unless there had been a quarrel between the spirit and the organism I do not see how this could be: it is the very mark of the two not being ‘at home’ together. But it is very difficult to imagine such a state of affairs as original—to suppose a creature which from the very first was half shocked and half tickled to death at the mere fact of being the creature it is. I do not perceive that dogs see anything funny about being dogs: I suspect that angels see nothing funny about being angels.
C.S. Lewis (Miracles)
Leo wondered what unknown sin they must have committed in some previous life to deserve this. The answer came the same way their feet later shocked to life in the warming hut after being so numb for hours- you think you'll never feel your toes again, and then all of a sudden life, damaged, stiffened, clammy, but life, dog-eat-dog life! We have not done a single thing to deserve this.
Peter Orner (Love and Shame and Love)
Tell me, Blaise, are we very far from Montmartre?' Worries Forget your worries All the stations full of cracks tilted along the way The telegraph wires they hang from The grimacing poles that gesticulate and strangle them The world stretches lengthens and folds in like an accordion tormented by a sadistic hand In the cracks of the sky the locomotives in anger Flee And in the holes, The whirling wheels the mouths the voices And the dogs of misfortune that bark at our heels The demons are unleashed Iron rails Everything is off-key The broun-roun-roun of the wheels Shocks Bounces We are a storm under a deaf man's skull... 'Tell me, Blaise, are we very far from Montmartre?' Hell yes, you're getting on my nerves you know very well we're far away Overheated madness bellows in the locomotive Plague, cholera rise up like burning embers on our way We disappear in the war sucked into a tunnel Hunger, the whore, clings to the stampeding clouds And drops battle dung in piles of stinking corpses Do like her, do your job 'Tell me, Blaise, are we very far from Montmartre?
Blaise Cendrars (Prose of the Trans-Siberian and of the Little Jeanne de France)
And what are Andy Warhol’s Campbell’s Soup cans, Jeff Koons’s balloon dogs and Damien Hirst’s pickled sharks if not the appropriation of everyday objects by an artist in order to re-present them in a new, artistic context?
Will Gompertz (What Are You Looking At?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art)
The halo effect helps keep explanatory narratives simple and coherent by exaggerating the consistency of evaluations: good people do only good things and bad people are all bad. The statement “Hitler loved dogs and little children” is shocking no matter how many times you hear it, because any trace of kindness in someone so evil violates the expectations set up by the halo effect. Inconsistencies reduce the ease of our thoughts and the clarity of our feelings.
Daniel Kahneman (Thinking, Fast and Slow)
He look over at me. I thought you was finally happy, he say. What wrong now? You a lowdown dog is what’s wrong, I say. It’s time to leave you and enter into the Creation. And your dead body just the welcome mat I need. Say what? he ast. Shock.
Alice Walker (The Color Purple (The Color Purple Collection))
Sometimes, after a really cathartic guffaw, I’d look around the table and feel overcome by emotion. Camaraderie, loyalty, gratitude. Even love. Surely love. But I also remember feeling shocked that these were the men I’d assembled. These were the founding fathers of a multimillion-dollar company that sold athletic shoes? A paralyzed guy, two morbidly obese guys, a chain-smoking guy? It was bracing to realize that, in this group, the one with whom I had the most in common was . . . Johnson.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
When just a kid, moved back to Canada and looking for a taste of England, I’d picked up a book of my Gram’s, a dog-eared romance from the ’sixties about English hospital ‘sisters’ trying to get it on with the doctors, and thought it very shocking behaviour for nuns.
Roberta Pearce (Famous Penultimate Words)
Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only. Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans. The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns. To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again. You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop. Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament. They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.
Jean Donaldson (The Culture Clash: A Revolutionary New Way to Understanding the Relationship Between Humans and Domestic Dogs)
I don’t even want to think about all the animals--livestock, pets, strays--left out to battle the elements. The very idea makes my heart hurt. “You okay?” Ryder asks me. “Yeah, why?” “I dunno.” He shrugs. “You just looked…sad or something.” I’m shocked at how well he can read me. “I was just thinking about anyone--anything--stuck out there in this. You know, dogs, cats, horses. Cows,” I add, sighing heavily. “We’ve got cows!” Rider quips, quoting that old movie about tornadoes--you know, the one with Bill Paxton. I admit, it makes me smile. “Sorry, I couldn’t help myself,” Ryder says.
Kristi Cook (Magnolia (Magnolia Branch, #1))
The revelation that there was nothing "special" about humanity didn't shock her. Not specifically. She'd always been cynical about that sort of thing. The idea that reality was all too big to even quantify in any meaningful way didn't disturb her much either. Except, deep down, she'd assumed there was some inherent logic at work. Like ricocheting molecules congealing into planets and stars, dogs and cats. At least the made sense, even if it wasn't very comforting. At least it put things in neat little boxes with neat little labels that she didn't always understand but could rely on in terms of familiarity.
A. Lee Martinez (Chasing the Moon)
Mr. _____ start up from his seat, look at Shug, plop back down again. He look over at me. I thought you was finally happy, he say. What wrong now? You a lowdown dog is what’s wrong, I say. It’s time to leave you and enter into the Creation. And your dead body just the welcome mat I need. Say what? he ast. Shock.
Alice Walker (The Color Purple)
After administering several courses of electric shock, the researchers opened the doors of the cages and then shocked the dogs again. A group of control dogs who had never been shocked before immediately ran away, but the dogs who had earlier been subjected to inescapable shock made no attempt to flee, even when the door was wide open—they just lay there, whimpering and defecating. The mere opportunity to escape does not necessarily make traumatized animals, or people, take the road to freedom. Like Maier and Seligman’s dogs, many traumatized people simply give up. Rather than risk experimenting with new options they stay stuck in the fear they know.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Yours have passed away too?” I asked her. She shrugged and said, “Peter still has both of his, squirrelled away in Devon or Dorset.” Her voice was low, whispering a secret. “I think he’s embarrassed by them —their cheeks are too ruddy, or they look too much like their dogs.” I stared at her, shocked, until she laughed and I realised she was joking.
Claire Fuller (Bitter Orange)
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
See, that’s what I want more of. A little spunk!’ ‘Fuck off!’ I yell, shocking myself with my vulgar language. ‘Ooh, yes, carry on, you filthy-mouthed bitch!’ I gasp and swing around, finding him grinning from ear to ear. ‘Wanker.’ ‘Cow.’ ‘Tosser.’ He grins some more. ‘Dog.’ ‘Shirt-lifter,’ I retort. ‘Tart.’ I recoil, horrified. ‘I am not a tart!
Jodi Ellen Malpas (One Night Promised (One Night, #1))
Side by side, their faces blurred, The earl and countess lie in stone, Their proper habits vaguely shown As jointed armour, stiffened pleat, And that faint hint of the absurd - The little dogs under their feet. Such plainness of the pre-Baroque Hardly involves the eye, until It meets his left-hand gauntlett, still Clasped empty in the other, and One sees with a sharp tender shock His hand withdrawn, holding her hand. They would not think to lie so long, Such faithfulness in effigy Was just a detail friends would see, A sculptor's sweet commissioned grace Thrown off in helping to prolong The Latin names around the base. They would not guess how early in Their supine stationary voyage The air would change to soundless damage, Turn the old tenantry away; How soon succeeding eyes being To look, not read. Rigidly, they Persisted, linked, through lengths and breadths Of time. Snow fell, undated. Light Each summer thronged the grass. A bright Litter of birdcalls strewed the same Bone-littered ground. And up the paths The endless altered people came Washing at their identity. Now helpless in the hollow Of an unarmorial age, a trough Of smoke in slow suspended skeins Above their scrap of history, Only an attitude remains. Time has transfigured them into Untruth. The stone fidelity They hardly meant has come to be Their final blazon and to prove Our almost-instinct almost-true: What will survive of us is love. - An Arundel Tomb
Philip Larkin (The Whitsun Weddings)
I nodded along with the others. The ex-gay lingo had by now become familiar to me, though it had come as a shock when I’d first read it on the facility’s website, when I’d first learned that the homosexuality I’d been trying to ignore for most of my life was likely “out of control,” that I could end up messing around with someone’s dog if I didn’t cure myself.
Garrard Conley (Boy Erased: A Memoir)
She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death. Yeah, I say, and he give me a lynched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won’t ever see again. Anyhow, I say, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgitful and lowdown.
Alice Walker (The Color Purple (The Color Purple Collection, #1))
It still shocks me sometimes that other people don’t feel the way I do about the dogs,” he said, “When I first started doing this, I was surprised that other people didn’t hear the dogs talking to them, you know? They tell you when they’re hungry, when they’re sad, when they’re happy. I mean, they’re just like us; they’re living, breathing beings who search for happiness just like we do. They want comfort. They want a nice place to sleep, good food, and treats. They want to be loved and wanted.” But you know, I’ve realized that people choose not to hear them. People are selfish and don’t want to see suffering. I mean, it’s easier just to get rid of them, not to feed them, to kick them when they get in the way. Then it doesn’t hurt to look at them, to hear them beg for help.
Melinda Roth (The Man Who Talks to Dogs: The Story of Randy Grim and His Fight to Save America's Abandoned Dogs)
It was in that kitchen where I waited for Daddy and Mrs. Masicotte to be finished with the weekly business, two rooms away. Though Mrs. Masicotte seemed as indifferent to me as her renters were, she provided richly for me while I waited. On hand were plates of bakery cookies, thick picture books with shiny pages, punch-out paper dolls. My companion during these vigils was Zahra, Mrs. Masicotte’s fat tan cocker spaniel, who sat at my feet and watched, unblinking, as cookies traveled mercilessly from the plate to my mouth. Mrs. Masicotte and my father laughed and talked loud during their meetings and sometimes played the radio. (Our radio at home was a plastic box; Mrs. Masicotte’s was a piece of furniture.) “Are we going soon?” I’d ask Daddy whenever he came out to the kitchen to check on me or get them another pair of Rheingolds. “A few minutes,” was what he always said, no matter how much longer they were going to be. I wanted my father to be at home laughing with Ma on Saturday afternoons, instead of with Mrs. Masicotte, who had yellowy white hair and a fat little body like Zahra’s. My father called Mrs. Masicotte by her first name, LuAnn; Ma called her, simply, “her.” “It’s her,” she’d tell Daddy whenever the telephone interrupted our dinner. Sometimes, when the meetings dragged on unreasonably or when they laughed too loud in there, I sat and dared myself to do naughty things, then did them. One time I scribbled on all the faces in the expensive storybooks. Another Saturday I waterlogged a sponge and threw it at Zahra’s face. Regularly, I tantalized the dog with the cookies I made sure stayed just out of her reach. My actions—each of which invited my father’s anger—shocked and pleased me.
Wally Lamb (She's Come Undone)
You remember in your youth the thought "that this world is a curious place" in the emotion when you felt "why" as to whether this life is a reasonable development? What was the cause of this and of your summarily dismissing it from your mind? Again the feeling that the most commonplace object is magnificently strange and the vague emotion of co-relation between the incompatible (exhaustive arguments often see this, but always excuse it); the curiosity and shock with a more intimate association with the wonders of creation. What is it that prevents you following investigation into "what exactly is surprise," etc.? What is the cause of your believing more in God than a dog-fight? Yet you fear dogs more than God! Where is the difference between yourself choked with disquieting piety, and the innocence of a babe? Perhaps in these is the cause of ignorance. 
Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
Lucifer: This old dog has plenty of tricks he could teach you.  Did he make a sexual joke? My whole body burns from his reply, and I can’t come to grips with his shift in personality.  Rowan replies again before I have a chance to move past my shock.  Lucifer: That was highly inappropriate. Me: I think your phone has been hacked. Lucifer: I can assure you it hasn’t, but I can’t say the same about my brain. I tend to do stupid things around you.
Lauren Asher (The Fine Print (Dreamland Billionaires, #1))
But what the dragons in general hadn’t realized was that, in the absence of physical predators, time itself becomes a predator. Dragons got accustomed to being top dogs. They started to enjoy the whole shock-and-awe thing. They forgot that humans weren’t just dumb sheep with thumbs. First the dragons grew complacent; then they got lazy. And the universe cannot suffer laziness because it leads to species-killing mistakes. The dragons’ mistake was when they started keeping familiars, because before you knew it, the humans had moved on up from carrying logs and shoveling dragon shit to bringing home the bacon. Next thing, those familiars were doing the books and giving pedicures, making themselves indispensable, making themselves invisible. Dragons allowed those humans to build quarters for themselves inside the walls. Dragons blabbed on about politics and strategy while their familiars were in the room. And goddamn if those familiars weren’t taking notes. It didn’t take more than five hundred years and half a dozen failed revolutions before those smart little humans were running the show, and any dragons who had survived the purge were reduced to hiring themselves out as muscle or skulking around in various inhospitable shitholes. And still humans ran the show, keeping themselves sharp by becoming their own predators, which was twisted as hell.
Eoin Colfer (Highfire)
In other words, Mom, your son is a horn dog,” Kat says. “Well, I already knew that. In kindergarten, he had three girlfriends, for Pete’s sake. That I knew of.” “Mom, please. This is not a conversation I want to be having with you.” I glare at Kat. “Thanks a lot, Kat.” Mom chuckles. “Oh, slow your roll, Dax. I’ve raised four kids before you—one of them Keane. Trust me, when it comes to boys and raging hormones, nothing shocks me anymore.” I grimace. “Please, Mom. Move along.
Lauren Rowe (Rockstar (Morgan Brothers, #5))
The halo effect helps keep explanatory narratives simple and coherent by exaggerating the consistency of evaluations: good people do only good things and bad people are all bad. The statement “Hitler loved dogs and little children” is shocking no matter how many times you hear it, because any trace of kindness in someone so evil violates the expectations set up by the halo effect. Inconsistencies reduce the ease of our thoughts and the clarity of our feelings. A compelling narrative fosters an illusion of inevitability.
Daniel Kahneman (Thinking, Fast and Slow)
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Even more confused than before, I started backing up. I’d go around and get in through the kitchen; David and Raquel had to know what was going on. Unfortunately for all of us, that was when Lend came out the front door, immediately collapsed with a thunk that made me cringe, and—perfect—went completely transparent. The police officers stopped fighting, every eye glued on my boyfriend, now essentially invisible other than this T-shirt and flannel pajama pants. “Okay,” I said, putting my hands on my hips. “No. This is unacceptable. I don’t care what the bleep is going on, we’re going to get it settled immediately or I swear I will give you all to the Dark Queen and let her feed on your dreams for the rest of eternity.” Every head turned my direction, their faces a portrait of shock and disbelief. “What, you’ve never seen a boy made of water before? Yawn. Go down to the pond—it’ll really blow your mind.” One close to the front—barrel-chested, middle-aged man with salt-and-pepper hair and a thick mustache—shook his head as though trying to clear it. “Are you Evelyn Green?” “Sort of. Mostly. I mean, legally. Again, sort of.” He tried to look at me, but his eyes kept drifting back to Lend. “You’re under—We’re here to—Could you please come with us?” I rolled my eyes. “No, I couldn’t. You’re last place in a very long line of people who want me right now. Besides, I haven’t done anything.” “Actually,” said a painfully tall and thin officer with a voice that struggled between tenor and bass but really sounded like a dog with something caught in its throat, “you’re wanted for terrorism.” He shrugged apologetically. “We’re supposed to take you into NSA headquarters.” “I think you have the wrong acronym there,” I said. This had Anne-Whatever Whatever written all over it.
Kiersten White (Endlessly (Paranormalcy, #3))
I think you're in love,' she said. And with a sort of shock, Nickie realized it was true. She had definitely fallen in love with Otis. This was being in love, wasn't it? Looking forward to seeing him every day, feeling like a hole was ripped in her heart when he was gone, jumping for joy when he came back, not minding if he smelled bad, wanting to take care of him? Surely it was being in love. It was true that she hadn't fallen in love with...the obvious candidate. She'd fallen in love with a dog instead of a person. But that didn't matter. It was still love. She'd apply it to a person later on.
Jean Duprat
don’t know why it should be, I am sure; but the sight of another man asleep in bed when I am up, maddens me. It seems to me so shocking to see the precious hours of a man’s life—the priceless moments that will never come back to him again—being wasted in mere brutish sleep. There was George, throwing away in hideous sloth the inestimable gift of time; his valuable life, every second of which he would have to account for hereafter, passing away from him, unused. He might have been up stuffing himself with eggs and bacon, irritating the dog, or flirting with the slavey, instead of sprawling there, sunk in soul-clogging oblivion.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
What advice would you give to a smart, driven college student about to enter the “real world”? What advice should they ignore? I thought about this a lot when I gave the commencement address at MIT back in 2013. I said that if I had a cheat sheet I could give myself at 22, it would have three things on it: a tennis ball, a circle, and the number 30,000. The tennis ball is about finding something that you can become obsessed with, like my childhood dog who would go crazy whenever anyone threw a ball for her. The most successful people I know are all obsessed with solving a problem that really matters to them. The circle refers to the idea that you’re the average of your five closest friends. Make sure to put yourself in an environment that pulls the best out of you. And the last is the number 30,000. When I was 24, I came across a website that says most people live for about 30,000 days—and I was shocked to find that I was already 8,000 days down. So you have to make every day count. I’d give the same advice today, but I would clarify that it’s not just about passion or following your dreams. Make sure the problem you become obsessed with is one that needs solving and is one where your contribution can make a difference. As Y Combinator says, “Make something people want.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
Unfortunately, the Hospital Fund Raising Committee, to which Elizabeth was assigned, spent most of its time mired down in petty trivialities and rarely made a decision on anything. In a fit of bored frustration, Elizabeth finally asked Ian to step into their drawing room one day, while the committee was meeting there, and to give them the benefit of his expertise. “And,” she laughingly warned him in the privacy of his study when he agreed to join them, “no matter how they prose on about every tiny, meaningless expenditure-which they will-promise me you won’t point out to them that you could build six hospitals with less effort and time.” “Could I do that?” he asked, grinning. “Absolutely!” She sighed. “Between them, they must have half the money in Europe, yet they debate about every shilling to be spent as if it were coming out of their own reticules and likely to send them to debtors’ gaol.” “If they offend your thrifty sensibilities, they must be a rare group,” Ian teased. Elizabeth gave him a distracted smile, but when they neared the drawing room, where the committee was drinking tea in Ian’s priceless Sevres china cups, she turned to him and added hastily, “Oh, and don’t comment on Lady Wiltshire’s blue hat.” “Why not?” “Because it’s her hair.” “I wouldn’t do such a thing,” he protested, grinning at her. “Yes, you would!” she whispered, trying to frown and chuckling instead. “The dowager duchess told me that, last night, you complimented the furry dog Lady Shirley had draped over her arm.” “Madam, I was following your specific instructions to be nice to the eccentric old harridan. Why shouldn’t I have complimented her dog?” “Because it was a new fur muff of a rare sort, of which she was extravagantly proud.” “There is no fur on earth that mangy, Elizabeth,” he replied with an impenitent grin. “She’s hoaxing the lot of you,” he added seriously. Elizabeth swallowed a startled laugh and said with an imploring look, “Promise me you’ll be very nice, and very patient with the committee.” “I promise,” he said gravely, but when she reached for the door handle and opened the door-when it was too late to step back and yank it closed-he leaned close to her ear and whispered, “Did you know a camel is the only animal invented by a committee, which is why it turned out the way it has?” If the committee was surprised to see the formerly curt and irascible Marquess of Kensington stroll into their midst wearing a beatific smile worth of a choir boy, they were doubtlessly shocked to see his wife’s hands clamped over her face and her eyes tearing with mirth.
Judith McNaught (Almost Heaven (Sequels, #3))
She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
In the late 1960s, a young Martin Seligman, now the pooh-bah of the positive-psychology movement, conducted experiments with dogs. He would place a dog in a cage and give it a (supposedly harmless) electric shock. The dog, though, could escape to another side of the cage and avoid the shock, the onset of which was signaled by a loud noise and a flashing light. Then Seligman put the dog in a no-win situation. No matter what he did, he couldn’t avoid getting shocked. Then, and this is the part that surprised Seligman, when he returned the same dog to a cage where he could easily avoid the shock (by jumping over a low fence), the dog did nothing. He just sat there and endured the shocks. He had been taught to believe that the situation was hopeless.
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
There are food stations around the room, each representing one of the main characters. The Black Widow station is all Russian themed, with a carved ice sculpture that delivers vodka into molded ice shot glasses, buckwheat blini with smoked salmon and caviar, borsht bite skewers, minipita sandwiches filled with grilled Russian sausages, onion salad, and a sour cream sauce. The Captain America station is, naturally, all-American, with cheeseburger sliders, miniwaffles topped with a fried chicken tender and drizzled with Tabasco honey butter, paper cones of French fries, mini-Chicago hot dogs, a mac 'n' cheese bar, and pickled watermelon skewers. The Hulk station is all about duality and green. Green and white tortellini, one filled with cheese, the other with spicy sausage, skewered with artichoke hearts with a brilliant green pesto for dipping. Flatbreads cooked with olive oil and herbs and Parmesan, topped with an arugula salad in a lemon vinaigrette. Mini-espresso cups filled with hot sweet pea soup topped with cold sour cream and chervil. And the dessert buffet is inspired by Loki, the villain of the piece, and Norse god of mischief. There are plenty of dessert options, many of the usual suspects, mini-creme brûlée, eight different cookies, small tarts. But here and there are mischievous and whimsical touches. Rice Krispies treats sprinkled with Pop Rocks for a shocking dining experience. One-bite brownies that have a molten chocolate center that explodes in the mouth. Rice pudding "sushi" topped with Swedish Fish.
Stacey Ballis (Out to Lunch)
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear. There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
Claire North (The First Fifteen Lives of Harry August)
This estranged me. And I was still more estranged by what he said next; for, having inquired what the story I was then writing was about, and I having answered—reluctantly and apologetically, because down on the flat he had seemed so strictly principled,—that I was very sorry but I was afraid it was about adultery, he called out, with horrifying heartiness, “The finest sport in the world!” What sort of a guest, I asked myself, shocked, was this for a widow, the sole protector of a set of orphans, to have got herself involved in? But there was worse to come; for quite soon, instead of helping me with the uproarious children, he left off even pretending to be interested in them, and began, to my concern, to concentrate on me. In other words, he left off being just a guest, and turned into a suitor. I know
Elizabeth von Arnim (All The Dogs Of My Life)
Dear Nettie, I don’t write to God no more. I write to you. What happen to God? ast Shug. Who that? I say. She look at me serious. Big a devil as you is, I say, you not worried bout no God, surely. She say, Wait a minute. Hold on just a minute here. Just because I don’t harass it like some peoples us know don’t mean I ain’t got religion. What God do for me? I ast. She say, Celie! Like she shock. He gave you life, good health, and a good woman that love you to death. Yeah, I say, and he give me a lunched daddy, a crazy mama, a lowdown dog of a step pa and a sister I probably won’t ever see again. Anyhow, I ay, the God I been praying and writing to is a man. And act just like all the other mens I know. Trifling, forgetful and lowdown. She say, Miss Celie, You better hush. God might hear you. Let ‘im hear me, I say. If he ever listened to poor colored women the world would be a different place, I can tell you.
Alice Walker (The Color Purple)
Two of D’s sisters were now dead, and only Aunt May was left. People said I looked like her, which I couldn’t see at all, because she was dark, going grey, and had brown eyes, and when one kissed her the bones in her cheek felt sharp. She was said to have ‘nerves’. She had a dog called Poolo who smelt. Once, when we were staying at Ramsgate with Big Granny, who had a house there when she wasn’t in London, I was going downstairs by myself, one step at a time, and singing, or rather humming, staring at the model of the tugboat on a shelf which, if I could only touch it, would be the greatest of all possible treats, when suddenly a door on the landing was thrown open and Aunt May came out, her eyes blazing. ‘How dare you make such a noise when I am resting?’ she shouted. I stared, mouth open. I stood quite still. Then without another word she went back into her room and shut the door. The encounter was a shock. I told no one.
Daphne du Maurier (Myself When Young)
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))
Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan. I was supposed to check the monitor and announce if the temperature was above ninety-degrees. The first one was fine. But before I had a chance to remove the probe, Tim set the hot branding iron against the steer’s left hip. The animal let out a guttural Mooooooooooooo!, and as he did, the contents of its large intestine emptied all over my hand and forearm. Tim said, “Okay, Ree, you can take it out now.” I did. I didn’t know what to do. My arm was covered in runny, stinky cow crap. Was this supposed to happen? Should I say anything? I glanced at my sister, who was looking at me, completely horrified. The second animal entered the chute. The routine began again. I stuck it in. Tim branded. The steer bellowed. The crap squirted out. I was amazed at how consistent and predictable the whole nasty process was, and how nonchalant everyone--excluding my sister--was acting. But then slowly…surely…I began to notice something. On about the twentieth animal, I began inserting the thermometer. Tim removed his branding iron from the fire and brought it toward the steer’s hip. At the last second, however, I fumbled with my device and had to stop for a moment. Out of the corner of my eye, I noticed that when I paused, Tim did, too. It appeared he was actually waiting until I had the thermometer fully inserted before he branded the animal, ensuring that I’d be right in the line of fire when everything came pouring out. He had planned this all along, the dirty dog. Seventy-eight steers later, we were finished. I was a sight. Layer upon layer of manure covered my arm. I’m sure I was pale and in shock. The cowboys grinned politely. Tim directed me to an outdoor faucet where I could clean my arm. Marlboro Man watched as he gathered up the tools and the gear…and he chuckled. As my sister and I pulled away in the car later that day, she could only say, “Oh. My. God.” She made me promise never to return to that awful place. I didn’t know it at the time, but I’d found out later that this, from Tim’s perspective, was my initiation. It was his sick, twisted way of measuring my worth.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Arm in arm with a fellow who's had the mishap, To forget, when he shagged her, to button his flap. Nor I don't like to see, though some think it a treat. A young woman scratching her thing in the street; And a boarding-school miss, with no sense in her pate. Sit and chalk a man's tool on the back of her slate. I don't like to see, in the bright face of the day, A man stand and piss in the public highway; Nor a Newfoundland dog, without any disguise. Tied fast to a bitch not a quarter his size. Nor I don't like to see, little sisters and brothers Get playing at what they call fathers and mothers; And I don't like to see, though at me you might scoff, An old woman trying to toss herself off. I don't like to see - it's a fact that I utter - That nasty word — written up on a shutter: And I don't like to see a man, drunk as an Earl. Getting into a lamp-post thinking it's a girl. I don't like to see, 'cause my feelings it shocks. Two girls busy playing with each other's c-; Nor I don't like to see, though it may be a whim. A hole like a pit-mouth in place of a q-. But I fear I'm encroaching too much on your time, So I'll put an end to my quizzical rhyme; Though with my way of taste you'll perhaps not agree, I've told you the things I don't like to see.
Anonymous (The Pearl)
Pixie lay in a basket by the fire where a dozen brown and white puppies wriggled around her.  She had surprised us by getting pregnant very soon after moving back in with us, and the puppies were just under four-weeks-old now. We couldn’t have been more thrilled, and Bandit couldn’t have been a better dad.  He seemed to have endless patience as they climbed all over him, these wriggling furballs of energy.  Literally everything excited them.   Sully kneeled down beside me to pet the nearest pup, one with a big brown patch over one eye and a butt that never quit shaking.   “Have you got names for them yet?”  I pointed at the one in his hand while Bandit said.  “That’s Patch” “Because of his eye, obviously,” I filled in. Hearing the name, Patch suddenly squirmed out of his hands and bolted for Bandit, but his little paws couldn’t quite get purchase on the new floor and he skidded all the way to Bandit who he bumped into, coming to a sudden stop.  Shaking his head, he looked up at Bandit with intelligent eyes, then sat, waiting for further instructions.  Sully and I shared a look.   They were too young to know their names or much more than that, but it definitely seemed that Patch had known his name and was now waiting for Bandit to begin a game or something.  I pointed at a different puppy, one with a white shape on his rump.   “That one’s Star.” Bandit said. The minute the iPad said his name, Star’s head shot up, then he too bounded over to sit beside his brother.  Sully’s mouth fell open.  “No way…. They’re too young to behave like this.” Feeling a wave of excitement, I watched as Bandit finished calling his kids.   “Panda, Ace, Champ…” As he called their names, each puppy jumped to attention, coming to sit in a neat row in front of Bandit until all twelve of them were in a line in front of him.   I snapped a look at Bandit.  “Did you know about this? Did you know they were super smart too?”  He snorted out of his nose, laughing at our shock.  Sully and I looked at each other, the same startled expression in our eyes. “But…” was all Sully could say.  I at least managed two whole words before the full ramifications of an entire household of super smart dogs could hit me. “Oh boy.
Jo Ho (The Chase Ryder Series: Complete Series)
Ben realised that shock was setting in. He smiled reassuringly and said that he would leave her with the WPC for a few minutes while he went to get news of Barney. To his relief, as soon as he mentioned her dog she began to calm down.
Joy Ellis (Captive on the Fens (DI Nikki Galena, #6))
Certainly no permission was asked of the owners. The dogs were simply shot. In some instances, the carcasses were thrown in piles and burnt. All this happened in view of their shocked owners. For the Nunavut perspectives of the dog slaughters, see the Qikiqtani Truth Commission Reports, which were commissioned by the Qikiqtani Inuit Association. The testimony of Inuit who watched the slaughter unfold is harrowing. Some men had come in from outpost camps and watched as their only means of transport, their only way to get back to their families, was destroyed before their eyes. Others said that they were preparing to go hunting, and their dogs were shot and killed as they stood harnessed to the sleds. Still others testified that the RCMP chased and shot loose dogs, even firing at those that had taken refuge under family homes. Some dogs were wounded and not killed, and their owners would beg the officials to track the animals down to put them out of their suffering. My own uncle Johnny eventually told me that he received a knock on his door, only to have someone of authority throw his new harnesses in his face and tell him, without remorse or apology, that he had just shot his dogs.
Sheila Watt-Cloutier (The Right to Be Cold)
One former prisoner, Reza Baraheni, reported to AI the following: Not every prisoner goes through the same process, but generally, this is what happens to a prisoner of the first importance. First, he is beaten by several torturers at once, with sticks and clubs. If he doesn’t confess, he is hanged upside down and beaten; if this doesn’t work, he is raped; and if he still shows signs of resistance, he is given electric shock which turns him into a howling dog; and if he is still obstinate, his nails and sometimes all his teeth are pulled out; and in certain cases, a hot iron rod is put into one side of the face to force its way to the other side, burning his entire mouth and tongue. A young man was killed this way….24 And the United States, while trying to claim at times that it was unaware of the depths of depravity of the SAVAK, was quite aware in real time what it was up to. As one example, a State Department cable from December 5, 1978, matter-of-factly details the complaints of the bazaaris about the SAVAK: BAZAARIS EXPRESSED GENERAL COMPLAINTS AGAINST THE SHAH SIMILAR TO THOSE HEARD ELSEWHERE, I.E., CORRUPTION OF HIGH-LEVEL OFFICIALS, MURDER AND TORTURE OF OPPOSITIONISTS, OVER-CONCENTRATION OF POWER AND POOR ECONOMIC DECISIONMAKING. HOWEVER, BAZAARIS CONCENTRATED THEIR IRE ON SAVAK AND ITS FORMER CHIEF NEMATOLLAH NASSIRI. SAVAK UNDER NASSIRI, THEY SAID, HAS KILLED AND TORUTURED (sic.) THOUSANDS OF PEOPLE. DURING THE IMPRISONMENT OF THE AYATOLLAH TALEGHANI, SAVAK JAILORS HAD RAPED THE WOMEN IN HIM [His] HOME AND FORCED TALEGHANI TO DRINK HIS JAILORS’ URINE.25
Dan Kovalik (The Plot to Attack Iran: How the CIA and the Deep State Have Conspired to Vilify Iran)
A shock report in the London Evening Standard on August 23, 1995, “Treason at the Tower as Charlie kills raven,” revealed that a police sniffer dog, a springer spaniel named Charlie, killed a raven also named Charlie during a routine security check. (According to the report, no disciplinary action was taken against the dog.)
Christopher Skaife (The Ravenmaster: My Life with the Ravens at the Tower of London)
He had wished me well in finding my own fate to follow, and I never doubted his sincerity. But it had taken me years to accept that his absence in my life was a deliberate finality, an act he had chosen, a thing completed even as some part of my soul still dangled, waiting for his return. That, I think, is the shock of any relationship ending. It is realizing that what is still an ongoing relationship to someone is, for the other person, something finished and done with. For some years I waited, like a faithful dog told to sit and stay. I had had no reason to believe that the Fool had lost affection or regard for me. Yet the ringing silence and constant absence began, over time, to feel like dislike or, worse, indifference.
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
All of our savings were consumed in the effort to bring my dog over. Steve loved Sui so much that he understood completely why it was worth it to me. The process took forever, and I spent my days tangled in red tape. I despaired. I loved my life and I loved the zoo, but there were times during that desperate first winter when it seemed we were fighting a losing battle. Then our documentaries started to air on Australian television. The first one, on the Cattle Creek croc rescue, caused a minor stir. There was more interest in the zoo, and more excitement about Steve as a personality. We hurried to do more films with John Stainton. As those hit the airwaves, it felt like a slow-motion thunderclap. Croc Hunter fever began to take hold. The shows did well in Sydney, even better in Melbourne, and absolutely fabulous in Brisbane, where they beat out a long-running number one show, the first program to do so. I believe we struck a chord among Australians because Steve wasn’t a manufactured TV personality. He actually did head out into the bush to catch crocodiles. He ran a zoo. He wore khakis. Among all the people of the world, Australians have a fine sense of the genuine. Steve was the real deal. Although the first documentary was popular and we were continuing to film more, it would be years before we would see any financial gain from our film work. But Steve sat down with me one evening to talk about what we would do if all our grand plans ever came to fruition. “When we start to make a quid out of Crocodile Hunter,” he said, “we need to have a plan.” That evening, we made an agreement that would form the foundation of our marriage in regard to our working life together. Any money we made out of Crocodile Hunter--whether it was through documentaries, toys, or T-shirts (we barely dared to imagine that our future would hold spin-offs such as books and movies)--would go right back into conservation. We would earn a wage from working at the zoo like everybody else. But everything we earned outside of it would go toward helping wildlife, 100 percent. That was our deal. As a result of the documentaries, our zoo business turned from a trickle to a steady stream. Only months earlier, a big day to us might have been $650 in total receipts. When we did $3,500 worth of business one Sunday, and then the next Sunday upped that record to bring in $4,500, we knew our little business was taking off. Things were going so well that it was a total shock when I received a stern notice from the Australian immigration authorities. Suddenly it appeared that not only was it going to be a challenge to bring Shasta and Malina to my new home of Australia, I was encountering problems with my own immigration too. Just when Steve and I had made our first tentative steps to build a wonderful life together, it looked as though it could all come tumbling down.
Terri Irwin (Steve & Me)
Farm animals aren't the only ones that suffer at the hands of human beings. Scientists use animals for their research. It's not just rats and guinea pigs – cats, dogs, monkeys and even chimpanzees can be found in laboratories, many of them suffering pain and distress as they are drugged or given electric shocks. Singer's test to see if any research is morally acceptable is this: would we be prepared to perform the same experiment on a brain-damaged human being? If not, he believes, it is not right to perform the experiment on an animal with a similar level of mental awareness. This is a tough test, and not many experiments would pass it. In practice, then, Singer is very strongly against using animals in research. The
Nigel Warburton (A Little History of Philosophy (Little Histories))
It wouldn’t be heaven without a dog, would it?
Scott Nicholson (The Shock (After, #1))
And the award for Best Teen Action Star goes to…” She opened and read the card. “…Jett Carson!” Jett jumped to his feet, elated! “YEAAAAAAAHHH!!!!” Up above, Jonas was startled by Jett’s scream – and he started to lose his balance! He had to think fast. He grabbed a cable from his spy utility belt and fired it at the ceiling above. THUNK! The arrow tip sunk solidly into the wooden roof. And fortunately, the sound was muffled by the cheering on the TV and Jett’s own cheering. Jonas pulled hard on the cable, using it to keep from falling. He swayed back and forth, but he eventually righted himself. Phew! Below, Jett danced around the room. “Yes! In your face!” He grabbed his phone and tweeted: “Love to all my fans who voted for me! #MaximumAwesomeness.” Jonas prayed that Jett wouldn’t look up and see him. He still clung tight to the cable, and he looked down to Jett and the floor below. Then he got an idea. Glancing forward to the waiting Rascal at the end of the beam, he motioned for Rascal to come. Rascal walked up to Jonas, and Jonas carefully picked him up. Jonas looked down again at Jett who was singing softly to himself and doing a little dance as he headed into the kitchen. Now was Jonas’s chance. He secured the cable unit to his spy belt, and he got ready to let himself down. But then – POP! – a Champagne cork flew by his head! Below, Jett came back into the room carrying a bottle of Champagne. But Jonas was startled by the cork, and he clumsily slipped off of the beam! He almost dropped Rascal as he swung and slammed against the wall! Jett looked up in shock to see Jonas and Rascal swinging back and forth! “Whoa!” He dropped his Champagne bottle. SMASH! Jonas struggled to get the cable to let out, but he just succeeded in
Richard Clark (A Dog of My Own)
The benefits of feelings of control also appear in animal research. In research done before today’s greater concern for animal welfare, dogs confined in a cage and taught that they could not escape shocks learned a sense of helplessness. Later, these dogs cowered passively in other situations when they could escape punishment. Dogs that learned personal control (by successfully escaping their first shocks) adapted easily to a new situation. Researcher Martin Seligman (1975, 1991) noted similarities to this learned helplessness in human situations. Depressed or oppressed people, for example, become passive because they believe their efforts have no effect. Helpless dogs and depressed people both suffer paralysis of the will, passive resignation, and even motionless apathy.
David G. Myers (Social Psychology)
When I catch my reflection lately, I never see what I think I am going to see. I don’t look like I think I look. My first thought is always, Who is that? It’s jarring. I wish people would stop saying, “Age is just a number.” Hello, the outside no longer matches the inside! My changing looks is a situation I have to manage from here on out. It’s work. I’m working on it. I don’t want a nasty shock every time I unexpectedly see my reflection.
Stephanie Gangi (Carry the Dog)
Thе wау a shock соllаr works іѕ vеrу simple. If уоur реt іѕ doing something уоu dіѕаррrоvе оf, уоu саn uѕе the remote tо give a lіght ѕhосk. Hе mау nоt lеаrn whаt іѕ mеаnt by thіѕ lіght ѕhосk untіl you have tо gіvе hіm a couple more аnd hе wіll associate this unpleasant feeling wіth thе mіѕbеhаvіоr. Yоu muѕt be vеrу consistent whеn using a dоg trаіnіng соllаr for еffесtіvе quick rеѕultѕ. Believe mе thіѕ dоg соllаr dоеѕ wоrk аnd іѕ ѕаfе. They
Brian Balton (E-COLLAR TRAINING for Dog & How to Be your DOG'S BEST FRIEND (2 in 1): Complete guide for E-Collar training and Positive Dog Training Revolution to raising a healthy and happy Dog)
If I live to be a thousand, I won't see anything sweeter than the shock on Zara's face. Her mouth hangs down, like I'm a dog who suddenly learnt to talk. Like it never occurred to her that I might bite.
Sheila M. Averbuch (Friend Me)
If I live to be a thousand, I won't see anything sweeter than the shock on Zara's face. Her mouth hangs down, like I'm a dog who's suddenly learned to talk. Like it never occurred to her that I might bite.
Sheila M. Averbuch (Friend Me)
After administering several courses of electric shock, the researchers opened the doors of the cages and then shocked the dogs again. A group of control dogs who had never been shocked before immediately ran away, but the dogs who had earlier been subjected to inescapable shock made no attempt to flee, even when the door was wide open—they just lay there, whimpering and defecating. The mere opportunity to escape does not necessarily make traumatized animals, or people, take the road to freedom.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Steven Maier of the University of Colorado, who had collaborated with Martin Seligman of the University of Pennsylvania. His topic was learned helplessness in animals. Maier and Seligman had repeatedly administered painful electric shocks to dogs who were trapped in locked cages. They called this condition “inescapable shock.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
In spite of the shock that Snowball's expulsion had given them, the animals were dismayed by this announcement. Several of them would have protested if they could have found the right arguments. Even Boxer was vaguely troubled. He set his ears back, shook his forelock several times, and tried hard to marshal his thoughts; but in the end he could not think of anything to say. Some of the pigs themselves, however, were more articulate. Four young porkers in the front row uttered shrill squeals of disapproval...But suddenly the dogs sitting round Napoleon let out deep, menacing growls, and the pigs fell silent...
George Orwell (Animal Farm)
Narcissus Garden was an environmental piece consisting of fifteen hundred plastic mirror balls covering a section of green lawn. The chairman himself had helped me install the reflective spheres, so it was hardly a ‘guerrilla’ operation. I stood among the mirror balls in a formal gold kimono with silver obi and handed out copies of the statement Sir Herbert Read had provided for my exhibition two years earlier. As a comment on commercialism in the art world, I was selling the mirror balls for 1,200 lira (about $2) each, an audience-participation performance that shocked the authorities. They made me stop, telling me it was inappropriate to sell my artworks as if they were ‘hot dogs or ice cream cones’. But the installation remained.
Yayoi Kusama (Infinity Net: The Autobiography of Yayoi Kusama)
Her voice came out cold. “Bring the cows.” A shocked silence fell. The Iron Dogs looked around, bewildered. “You can’t,” Savannah recoiled. “For him? You would manifest for him?” “Hugh was abandoned by everyone in his life.” Her words rang out. “His parents, his teacher, his surrogate father. They all threw him away. He trusted us. He sacrificed himself to save us. This is his home. I’m his wife. I will not abandon him. Bring the cows.
Ilona Andrews (Iron and Magic (The Iron Covenant, #1))
Lily Samson, The Switch, Outtakes & Quotes, shameless manipulation of. A one minute reading test I am dog --Dog, Marina Lewycka, Two Caravans, 2007 Allergies disclaimer: One must stress that this book is not intended for the unwashed masses: I delayed showering after the last switch. I’ve created a Pavlovian response: he must associate its floral sweetness with sexual fulfilment. Adam has a “Pavlovian” reaction to Elena’s BO? Bribes her with cake to lessen the wrath when asking Elena to wash? He frowns, seeing that I’m silent and trembling. ‘My perfume was weak; hers much stronger.’ I say, my temper flaring. Now, ladies and gentlemen, the usual wasteman chatting up yours truly in Sarf London would probably assume that a big phat slice of Marks & Spencer’s Strawberry Pavlova will get him into the lady’s knickers. Nope, she’s allergic to stupid. A merengue dessert will hardly cause a rash, but a moron makes her skin crawl. A female of the human species displayed an unconditioned response: shoved cream cake into the courting male’s face. Requested a substantial meal of Shchavel Borscht with hard boiled egg --Anton Pavlovich Chekhov, Russian Cookbook for Love, Romance, and mating behaviours: Humans, 1904 Ding-dong! --Ivan Petrovich Pavlov, Neutral Triggers & Conditioned Responses: Canines, 1907 It is I! I make the best Byzantine shchi to entice a female. --Nikolai Vasilyevich Gogol, Dead Souls, Notebook (1841-1844), The Nose and other short stories Right! She turned her nose up at his advances: Idiot! I hate strawberries! --Seraphima Vasilievna Karchevskaya Pavlova, Mrs, My Husband and I – Memoirs The lady did not have a sweet tooth. Man didn’t do his research. This is a cleverly written book. So some of you, keen aspiring readers, please have your Oxford fictionary handy. Just saying! In the words of our hero: Bloody pricey...But God, it is a nice smell. Don’t you like it? And then he “squirts onto her wrist, playfully.” Shhhh.. Doctors Pavlov & Chekhov are not amused. Shall we shuffle the deck with these random quotes? One minute! Plenty of time is a full minute for a skilled bullshit dealer to shuffle themselves out of a gloomy Russian medical clerical predicament. Not tricky when Lily Samson gives treats: All around us are dog walkers, their expensive breeds racing about, barking and sniffing each other’s genitals. ..thinking it all through those awful dog ornaments she hated... feisty feminist...she simply hates them. Men are so stupid! And then.. She took another whiff and yet another. She sniffed him up and down like a dog before realizing what it was: the aroma of a woman’s cunt. --Milan Kundera, The Unbearable Lightness of Being Gratuitous use of one particular French vulgarism nested in the English language since the Norman conquest of 1066 is well demonstrated by this Milan Kundera translation. One has to wonder if the original 1984 edition contained the word “pizda”? It is one of the few remaining words in the English language with a genuine power to shock. --Scholar Germaine Greer But of course a cunt, in French, as much as el coño in Spanish does not carry near enough as much uncouth weight as in English. The English language doesn’t exist. It’s just badly pronounced French. --Bernard Cerquiglini Quelle conne! Un con reste un con! --William Shakespeare, Last Words, Holy Trinity Church, Gropecunt Lane, Stratford upon Avon, April 23rd 1616
Morgen Mofó
If you pass the fence, you get shocked. Just like a dog.
Samantha Love (Alternative Therapy (Femdom Erotica))
Despite two years of burgeoning controversy and spreading scandal, there had always remained at the core of Nixon's world a certain confidence-the idea that both because he was Richard Nixon, the politician whose phoenixlike ability to rise from the ashes always surprised his critics, and because he was the president, bathed in the office's unique mystique, he would manage to power his way through the worst. He'd always imagined, in Garment's words, that the dog would talk. The White House stood still in shock as it realized that that confidence no longer held true.
Garrett M. Graff (Watergate: A New History)
Interestingly, in Shadwell’s play The Lancashire Witches, the character Puck is described as “an imp like a black shock”- a ‘shock’ or ‘shug’ being a supernatural beast or bogie taking the form of a black dog or similar animal.
John Kruse (Who's Who in Faeryland)