Shire Horse Quotes

We've searched our database for all the quotes and captions related to Shire Horse. Here they are! All 13 of them:

you are a horse running alone and he tries to tame you compares you to an impossible highway to a burning house says you are blinding him that he could never leave you forget you want anything but you you dizzy him, you are unbearable every woman before or after you is doused in your name you fill his mouth his teeth ache with memory of taste his body just a long shadow seeking yours but you are always too intense frightening in the way you want him unashamed and sacrificial he tells you that no man can live up to the one who lives in your head and you tried to change didn't you? closed your mouth more tried to be softer prettier less volatile, less awake but even when sleeping you could feel him travelling away from you in his dreams so what did you want to do love split his head open? you can't make homes out of human beings someone should have already told you that and if he wants to leave then let him leave you are terrifying and strange and beautiful something not everyone knows how to love.
Warsan Shire
I think most kids have a place they go to when they're scared or lonely or just plain bored. They call it NeverLand or The Shire, Boo'ya Moon if they've got big imaginations and make it up for themselves. Most of them forget. The talented few - like Scott - harness their dreams and turn them into horses.
Stephen King (Lisey's Story)
After ripping through The Hobbit, I read The Lord of the Rings, and the darkness of that story enveloped me in a way that is impossible to explain. I was THERE, in a very real sense. The fear was palpable in the presence of the black-cloaked Ringwraiths, and I could taste the sulfurous fumes of Mt. Doom. I could smell the sweat of horses and hot leather and hear the clash of battle as I rode with the Rohan on the fields of the Pelennor. I bled and died with the sun-king, Theoden. I rose again with Eowyn’s defiance of the Witch King. I soared with the Eagles as they swept the broken and bloody body of Frodo and his companion Samwise the Brave from the smoking crags of the fiery mountain. There has never been such a story, and I don’t think there ever shall be again.
Steve Bivans (Be a Hobbit, Save the Earth: the Guide to Sustainable Shire Living)
Point Partageuse got its name from French explorers who mapped the cape that jutted from the south-western corner of the Australian continent well before the British dash to colonize the west began in 1826. Since then, settlers had trickled north from Albany and south from the Swan River Colony, laying claim to the virgin forests in the hundreds of miles between. Cathedral-high trees were felled with handsaws to create grazing pasture; scrawny roads were hewn inch by stubborn inch by pale-skinned fellows with teams of shire horses, as this land, which had never before been scarred by man, was excoriated and burned, mapped and measured and meted out to those willing to try their luck in a hemisphere which might bring them desperation, death, or fortune beyond their dreams.
M.L. Stedman (The Light Between Oceans)
I think most kids have a place they go to when they’re scared or lonely or just plain bored. They call it NeverLand or the Shire, Boo’ya Moon if they’ve got big imaginations and make it up for themselves. Most of them forget. The talented few—like Scott—harness their dreams and turn them into horses.
Stephen King (Lisey's Story)
George was the biggest fella I’ve ever met. If you found his skeleton in the woods, you’d think it the leftovers of a dead shire horse, need the skin of one to cobble him some shoes. Could be mistaken for a mountain when he stood against the skyline thanks to his hump, his crooked back stuck out under his shirt like someone had harpooned him and broke the shaft off. The other fella they called Bog and I’ve no idea what it was short for. For a bloke with fewer teeth than things to say, he could scarce get his words out. His tongue could’ve been swollen from the way he mumbled and his voice—maybe thick or foreign or from a part of England where they made a dog mayor and not for a laugh. Not so big as George but you could tell him to fight a brick wall and he’d do it thinking it a fair match.
Scott Preston (The Borrowed Hills)
He says to the king, in the north they have contempt for the king’s peace, they want to administer their own murders. If Norfolk cannot subdue them they will fall into their old savagery, where each eye or limb or life itself is costed out, and all flesh has a price. In our forefathers’ time a nobleman’s life was worth six times that of a man who followed the plough. The rich man can slaughter as he pleases, if his pocket can bear the fines, but the poor man cannot afford one murder across his lifetime. We repudiate this, he tells the king: we say a man of violence cannot go free because his cousin is the judge, no more than a wealthy sinner can make up for his sins by founding a monastery. Before God and the law, all men are equal. It takes a generation, he says, to reconcile heads and hearts. Englishmen of every shire are wedded to what their nurses told them. They do not like to think too hard, or disturb the plan of the world that exists inside their heads, and they will not accept change unless it puts them in better ease. But new times are coming. Gregory’s children—and, he adds quickly, your Majesty’s children yet to be born—will never have known their country in thrall to an old fraud in Rome. They will not put their faith in the teeth and bones of the dead, or in holy water, ashes and wax. When they can read the Bible for themselves, they will be closer to God than to their own skin. They will speak His language, and He theirs. They will see that a prince exists not to sit a horse in a plumed helmet, but—as your Majesty always says—to care for his subjects, body and soul. The scriptures enjoin obedience to earthly powers, and so we stick by our prince through thick and thin. We do not reject part of his polity. We take him as a whole, consider him God’s anointed, and suppose God is keeping an eye on him.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
She’s a tough one, Hermes,” he murmured to his lead horse, a giant black Shire that stood over seventeen hands, “but I think she’ll be worth the trouble.” He patted the beast’s neck, his gaze searching out Lewis to make sure the boy was keeping out of trouble. “Ma would like her, don’t you think? Seeing as how they’re cut from the same cloth. Smart, hardworking ladies, dedicated to their boys. Tori would fit right in at family dinners.” Helios,
Karen Witemeyer (Worth the Wait (Ladies of Harper’s Station, #1.5))
Eve was talking to the horse in low, earnest tones, and the horse gave every appearance of listening raptly. An image of Mildred Staines flashed in Deene’s mind. He’d seen her riding in the park on a pretty bay mare just a few days previous. Mildred sat a horse competently, but there was nothing pretty about the picture. Her habit was fashionable, her horse tidily turned out, her appointments all coordinated for a smart impression, but… Eve was still wearing Deene’s coat, her skirts were rumpled, her boots dusty, and she sported a few wisps of straw in her hair. She stopped to turn the horse the other direction, pausing to pet the beast on his solid shoulder. I could marry her. The thought appeared in Deene’s brain between one instant and the next, complete and compelling. It rapidly began sprouting roots into his common sense. She was wellborn enough. She was pretty enough. She was passionate enough. She was—he forced himself to list this consideration—well dowered enough. And she charmed King William effortlessly. Why not? Little leaves of possibility began twining upward into Deene’s imagination. He knew her family thoroughly and wouldn’t have to deal with any aunts secreted away in Cumbria. He was friends with her brothers, who did not leave bastards all over the shire. The Windham hadn’t been born who lost control when gambling. And Eve Windham was a delightful kisser. Why the hell not? The longer he thought about it, the more patently right the idea became. Eve
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Yon colt is pouting.” Bannister’s tone was lugubrious. “He wants the lady to watch him go.” “Lady Deene is a trifle indisposed.” “Then the colt will be indisposed too. Your horse has fallen in love, and though you breed him to half the shire, he’ll not try his heart out until her ladyship is on that rail, watching him go.” “For God’s sake, Bannister, he’s a horse. He can’t fall in love.” Bannister snorted and fell silent, leaving Deene to watch as his prized stallion put in a lackluster performance for no apparent reason. “He wants her ladyship,” Aelfreth said when the horse was making desultory circles on the rail. “He kept looking at her spot, and she’s not there.” Even Deene had seen that much. It was pathetic, how a dumb animal… “Keep walking him, Aelfreth. My wife has taken me into dislike, but she’s as smitten with the damned horse as ever, or I very much mistake the matter. Bannister, have my saddle put on the mare.” When
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Wynstan fumed throughout the long journey back to Shiring. He abused Degbert, yelled at tavern keepers, slapped maids, and whipped his horse mercilessly. The fact that he kept forgetting the simplest things made him
Ken Follett (The Evening and the Morning (Kingsbridge, #0))
Because he was unable to see out of the wind hole (window) Robin had learned to guess at what was going on down in the street. He knew the sound of armor and knightly equipment, for the King’s men passed that way going to and from the Tower or Westminster, to joust or tournament, to parade, or on business for the King. A horse was passing now, but Robin was sure it was not of that order. It was probably the shire reeve’s horse, for above the slow clatter over the cobbles Robin could hear the grating of runners on a kind of sled the horse was dragging. From the odor that came through the window he could guess that Wat Hokester had been taken again for selling putrid fish in the market stall.
Marguerite de Angeli (The Door in the Wall: (Newbery Medal Winner))
If I find this nostalgia for a "vanished" landscape a bit strange it is probably because as I write I can look from my window over twenty miles of superb countryside to the sea and a sparsely populated coast. This county, like many others, has seemingly limitless landscapes of great beauty and variety, unspoiled by excessive tourism or the uglier forms of industry. Elsewhere big cities have certainly destroyed the surrounding countryside but rapid transport now makes it possible for a Londoner to spend the time they would have needed to get to Box Hill forty years ago in getting to Northumberland. I think it is simple neophobia which makes people hate the modern world and its changing society; it is xenophobia which makes them unable to imagine what rural beauty might lie beyond the boundaries of their particular Shire. They would rather read Miss Read and The Horse Whisperer and share a miserable complaint or two on the commuter train while planning to take their holidays in Bournemouth, as usual, because they can't afford to go to Spain this year. They don't want rural beauty anyway; they want a sunny day, a pretty view. Writers like Tolkien take you to the edge of the Abyss and point out the excellent tea-garden at the bottom, showing you the steps carved into the cliff and reminding you to be a bit careful because the hand-rails are a trifle shaky as you go down; they haven't got the approval yet to put a new one in. I never liked A. A. Milne, even when I was very young. There is an element of conspiratorial persuasion in his tone that a suspicious child can detect early in life. Let's all be cosy, it seems to say (children's books are, after all, often written by conservative adults anxious to maintain an unreal attitude to childhood); let's forget about our troubles and go to sleep. At which I would find myself stirring to a sitting position in my little bed and responding with uncivilized bad taste.
Michael Moorcock (Epic Pooh)