Ship Of Magic Quotes

We've searched our database for all the quotes and captions related to Ship Of Magic. Here they are! All 200 of them:

Love and loss,” he said, “are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
Waves are the voices of tides. Tides are life," murmured Niko. "They bring new food for shore creatures, and take ships out to sea. They are the ocean's pulse, and our own heartbeat.
Tamora Pierce (Sandry's Book (Circle of Magic, #1))
All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
Nathan Reese Maher
And then the door burst open. Alucard stood in the doorway, soaking wet, as if he'd just been dumped in the sea, or the sea had been dumped over him. "Stop fucking with the ship.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
How do you know when the Sarows is coming? (Is coming is coming is coming aboard) When the wind dies away but still sings in your ears, (In your ears in your head in your blood in your bones.) When the current goes still but the ship, it drifts along, (Drifts on drifts away drifts alone.) When the moon and the stars all hide from the dark, (For the dark is not empty at all at all.) (For the dark is not empty at all.) How do you know when the Sarows is coming? (Is coming is coming is coming aboard) Why you don't and you don't and you won't see it coming, (You won't see it coming at all.)
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
For the weakest has but to try his strength to find it, and then he shall be strong.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
One must plan for the future and anticipate the future without fearing the future.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Do we not each dream of dreams? Do we not dance on the notes of lost memories? Then are we not each dreamers of tomorrow and yesterday, since dreams play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?
Nathan Reese Maher
No,” he muttered, running a hand through his copper hair. “No. No. There are dozens.” “Kell?” she asked, moving to touch his arm. He shook her off. “Dozens of ships, Lila! And you had to climb aboard his.” “I’m sorry,” she shot back, bristling, “I was under the impression that I was free to do as I pleased.” “To be fair,” added Alucard, “I think she was planning to steal it and slit my throat.” “Then why didn’t you?” snarled Kell, spinning on her. “You’re always so eager to slash and stab, why couldn’t you have stabbed him?
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Call me crazy, but there is something terribly wrong with this city.
Nathan Reese Maher
Somehow," she said coldly, "you have confused profitable and not profitable for right and wrong. I, however, have not.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I can’t help but ask, “Do you know where you are?” She turns to me with a foreboding glare. “Do you?
Nathan Reese Maher
Hearthstone snapped his fingers for attention. I'm glad too, he signed. He patted the bag of runes at his belt. Stupid cages were magic-proof. Blitzen was crying a lot. "I was not," Blitzen protested, signing along. "You were." I was not, Hearthstone said. You were. At that point, the ASL conversation deteriorated into the two of them poking each other in the chest.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
What you are born to be, you will be, whether it be priest or sailor. So step up and be it. Let them do nothing to you. Be the one who shapes yourself. Be who you are, and eventually all will have to recognize who you are, whether they are willing to admit it or not.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Many will rant and rave against the garment fate has woven for them, but they pick it up and don it all the same, and most wear it to the end of their days. You... you would rather go naked into the storm.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
There is a stillness between us, a period of restlessness that ties my stomach in a hangman’s noose. It is this same lack in noise that lives, there! in the darkness of the grave, how it frightens me beyond all things.
Nathan Reese Maher
The boy and the girl had once dreamed of ships, long ago, before they'd ever seen the True Sea. They were the vessels of stories, magic ships with masts hewn from sweet cedar and sails spun by maidens from thread of pure gold. Their crews were white mice who sang songs and scrubbed the decks with their pink tails.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
When you borrow trouble against what might be, you neglect the moment you have now to enjoy. The man who worries about what will next be happening to him loses this moment in dread of the next, and poisons the next with pre-judgment.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
As long as you believe it is impossible, you close your mind to understanding it.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
We are sand and rock and water and sky, anchors on ships and sails in the wind. We are a journey to a destination that shifts every time we dream or fall or keep or weep. We are stars with flaws that still sparkle and shine. We always strive, always want, always have more questions than answers, but there are moments like these, full of magic and contentment, when souls get a glimpse of the divine and quite simply, lose their breath.
Leylah Attar (The Paper Swan)
As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it.
Mitch Albom (The Magic Strings of Frankie Presto)
It is the nature of humans that we tend to pass our pain along. As if we could get rid of it by inflicting an equal hurt on someone else.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Only my pain is more silent than my anger.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Did Bach ever eat pancakes at midnight?
Nathan Reese Maher
Alec was absolutely sure that in the bright chaos of his long, strange life, Magnus had stayed kind.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
All right,” she said. She got to her feet and crossed to his desk, where her knife still sat atop the maps. She thought of the way he’d plucked it out of her grip. “But I want a favor in return.” “Funny, I thought the favor was allowing you to remain on my ship, despite the fact you’re a liar, a thief, and a murderer. But please, do go on.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Refuse the anxiety. When you borrow trouble against what might be, you neglect the moment you have now to enjoy. The man who worries about what will next be happening to him loses this moment in dread of the next, and poisons the next with pre-judgment.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
And yet ... But what if ... I want to do something impossible. Something astounding and unheard of. I want to scrub the moss off the Space Shuttle and fly Julie to the moon and colonise it, or float a capsized cruise ship to some distant island where no one will protest us, or just harness the magic that brings me into the brains of the Living and use it to bring Julie into mine, because it's warm in here, it's quiet and lovely, and in here we aren't an absurd juxtaposition, we are perfect.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel the mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Tieren curled a finger around his beard. “Love and loss,” he said, “are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
History doesn’t start with a tall building and a card with your name written on it, but jokes do. I think someone is taking us for suckers and is playing a mean game.
Nathan Reese Maher
IT WON’T HURT, said Death. If words had weight, a single sentence from Death would have anchored a ship.
Terry Pratchett (The Color of Magic (Discworld, #1))
Whether I could defeat Loki in a flyting...that remained to be seen, and I had the feeling that no matter how magical the mead was, my success would depend on me. Alas, me was my least favorite person to depend on.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Lila Bard knew in her bones that she was meant to be a pirate. All she needed was a working ship.
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
But I suppose if you're friends of Magnus's ..." He went completely still. His runes faded. Then he leaped out of my hand and flew towards Annabeth, his blade twitching as if he was stiffing the air. "Where is she? Where are you hiding the babe?" Annabeth backed towards the rail. "Whoa, there, sword. Personal space?" "Jack, behave," Alex said. "What are you doing?" "She's around here somewhere," Jack insisted. He flew to Percy. "Aha! What's in your pocket, sea boy?" "Excuse me?" Percy looked a bit nervous about the magical sword hovering at his waistline. Alex lowered his Ray-Bans. "Okay, now I'm curious. What do you have in your pocket, Percy? Enquiring swords want to know." Percy pulled a plain-looking ballpoint pen from his jeans. "You mean this?" "BAM!" Jack said. "Who is this vision of loveliness?" "Jack," I said. "It's a pen." "No, it's not! Show me! Show me!" "Uh ... sure." Percy uncapped the pen. Immediately it transformed into a three-foot-long sword with a leaf-shaped blade of glowing bronze.. Compared to Jack, the weapon looked delicate, almost petite, but from the way Percy wielded it I had no doubt he'd be able to hold his own on the battlefields of Valhalla with that thing. Jack turned his point towards me, his runes flashing burgundy. "See Magnus? I told you it wasn't stupid to carry a sword disguised as a pen!" "Jack, I never said that!" I protested. "You did.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
There’s a famous Russian proverb about this type of behavior. One day, a poor villager happens upon a magic talking fish that is ready to grant him a single wish. Overjoyed, the villager weighs his options: “Maybe a castle? Or even better—a thousand bars of gold? Why not a ship to sail the world?” As the villager is about to make his decision, the fish interrupts him to say that there is one important caveat: whatever the villager gets, his neighbor will receive two of the same. Without skipping a beat, the villager says, “In that case, please poke one of my eyes out.
Bill Browder (Red Notice: A True Story of High Finance, Murder, and One Man’s Fight for Justice)
Percy's ears turned as pink as Alex's jeans. "Anyway, maybe we've been looking at this all wrong. I've been tying to teach you sea skills. But the most important thing is to use whatever you've got to hand - your team, your wits, the enemy's own magical stuff." "And there's no way to plan for that," I said. "Exactly!" Percy said. "My work here is done!" Annabeth frowned. "Percy, you're saying the best plan is no plan. As a child of Athena, I can't really endorse that.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
For myself, hand on heart, those things never bothered me. It is one of the graces of married life that for some magical reason we always look the same to each other. Even our friends never seem to grow old. What a boon that is, and never suspected by me when I was young. But I suppose, otherwise, what would we do? There has never been a person in an old people’s home that hasn’t looked around dubiously at the other inhabitants. They are the old ones, they are the club that no one wants to join. But we are never old to ourselves. That is because at close of day the ship we sail in is the soul, not the body.
Sebastian Barry (The Secret Scripture (McNulty Family))
The man who worries about what will next be happening to him loses this moment in dread of the next, and poisons the next with pre-judgement.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
She leaves my side and heads deeper into the apartment singing, “—if the spirit tries to hide, its temple far away… a copper for those they ask, a diamond for those who stay.
Nathan Reese Maher
Long or short, if you worry about every step of a journey, you will divide it endlessly into pieces, any one of which may defeat you. Look only to the end.
Robin Hobb (The Complete Liveship Traders Trilogy: Ship of Magic, The Mad Ship, Ship of Destiny)
Hey ! Mr Tambourine Man, play a song for me I'm not sleepy and there is no place I'm going to Hey ! Mr Tambourine Man, play a song for me In the jingle jangle morning I'll come followin' you. Take me on a trip upon your magic swirlin' ship My senses have been stripped, my hands can't feel to grip My toes too numb to step, wait only for my boot heels To be wanderin' I'm ready to go anywhere, I'm ready for to fade Into my own parade, cast your dancing spell my way I promise to go under it.
Bob Dylan
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we'd make round trips. We swung on vines like Tarzan, and flashed Zorro's keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book's for the boys.
Robert McCammon
Jack," I said, "why don't you go check on Sam?" Maybe you can advise her on getting through those doors. OR you could sing to her. I know she'd love that." "Yeah? Cool!" Jack zoomed off to serenade Sam, which meant Sam would want to hit me later, except it was Ramadan so she had to be nice to me. Wow, I was a bad person. At the doors, Jack was trying to help by suggesting songs he could sing to inspire new ideas for getting inside: 'Knockin'on Heaven's Door', 'I Got the Keys' or 'Break on Through (to the Other Side)'. "How about none of the above?" Sam said. "'None of the Above' ..." Jack mused. "Is that by Stevie Wonder?" "How's it going guys?" I asked. I didn't know if it was physically possible to strangle a magic sword, but I didn't want to see Sam try.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Oh the glamour of youth! Oh the fire of it, more dazzling than the flames of the burning ship, throwing a magic light on the wide earth, leaping audaciously to the sky, presently to be quenched by time, more cruel, more pitiless, more bitter than the sea—and like the flames of the burning ship surrounded by an impenetrable night.
Joseph Conrad (Youth, a Narrative)
She put her hand on her chest. “I have magic yet. If you will set the clock working again, then I must be still. I have read quite as many stories as you, September. More, no doubt. And I know a secret you do not: I am not the villain. I am no dark lord. I am the princess in this tale. I am the maiden, with her kingdom stolen away. And how may a princess remain safe and protected through centuries, no matter who may assail her? She sleeps. For a hundred years, for a thousand. Until her enemies have all perished and the sun rises over her perfect, innocent face once more.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
You see, the future is a kind of stew, a soup, a vichyssoise of the present and the past. That's how you get the future: You mix up everything you did today with everything you did yesterday and all the days before and everything everyone you ever met did and anyone they ever met, too. And salt and lizard and pearl and umbrellas and typewriters and a lot of other things I'm not at liberty to tell you, because I took vows, and a witch's vows have teeth. Magic is funny like that. It's not a linear thinker. The point is if you mash it all up together and you have a big enough pot and you're very good at witchcraft, you can wind up with a cauldron full of tomorrow.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I sleep like an old woman now, she thought to herself. In fits and starts. It isn’t sleeping and it isn’t waking and it isn’t rest.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
But that is not true for all folk. Some folk are meant to argue with fate. And win.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Shouldn’t she stay on the boat?” The cat’s ear twitched, and Lila felt that whatever pleasant inclinations the cat was forming toward her, she’d just lost them. “Don’t be ridiculous,” said Alucard. “The ship’s no place for a cat.” Lila was about to point out that the cat had been aboard the ship as long as she had when he added, “I believe in keeping my valuables with me.” Lila perked up. Were cats so precious here? Or rare? She hadn’t ever seen another one, but in the little time she was ashore, she hadn’t exactly been looking. “Oh yeah?” “I don’t like that look,” Alucard said, twisting chest and cat away. “What look?” asked Lila innocently. “The look that says Esa might conveniently go missing if I tell you what she’s worth.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Pick someplace that you could actually get to without building a spaceship.” Six asks I think it over for a moment. “I don’t know. Disney World?” Six and Sarah both exchange a look and then start laughing. “Disney World?” exclaims Six. “You’re so cheesy, John.” “No, it’s sweet,” says Sarah, patting my hand. “It’s the most magical place on Earth.” “You know, I’ve never actually been on a roller coaster. Henri wasn’t down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.” “That’s so sad!” exclaims Sarah. “We’re definitely going to get you to Disney World. Or at least on a roller coaster. They’re amazing.” Six snaps her fingers. “What’s that one ride? It’s supposed to be like a rocket ship?” “Space Mountain,” answers Sarah. “Yeah,” replies Six, and then hesitates as if she’s worried she’s about to divulge too much. “I actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.” The thought of a young Six investigating Disney World is priceless. The three of us share a laugh. “Aliens,” mutters Sarah jokingly. “You need to get out more.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
His beard was nonexistent, except for a carefully trimmed goatee that met his mustache on both sides of his mouth. The overall effect was decidedly villainous. He needed a black horse and a barbarian horde to lead. That or a crew of cutthroats, a ship with blood-red sails, and some knucklehead heroine to lust after. “Look, I’ve had a bad day. How about you just walk away from my Jeep?” The volhv smiled wider, flashing even white teeth. If he started stroking his beard, I’d have to kill him on principle.“He raised his hand to his goatee. That does it. “Yeah. And what’s with the beard and the horse mane? You look like Rent-a-Villain.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
There was always something to be learned from any experience, no matter how horrendous. As long as a man kept sight of that, his spirit could prevail against anything. It was only when one gave in and believed the universe to be nothing more than a chaotic collection of unfortunate or cruel events that one’s spirit could be crushed.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
She had her eyes on one ship in particular, had been watching, coveting, all day. It was a gorgeous vessel, its hull and masts carved from dark wood and trimmed in silver, its sails shifting from midnight blue to black, depending on the light. A name ran along its hull—Saren Noche—and she would later learn that it meant Night Spire. For now she only knew that she wanted it. But she couldn’t simply storm a fully manned craft and claim it as her own. She was good, but she wasn’t that good. And then there was the grim fact that Lila didn’t technically know how to sail.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Something that’s bothered me for a while now is the current profligacy in YA culture of Team Boy 1 vs Team Boy 2 fangirling. [...] Despite the fact that I have no objection to shipping, this particular species of team-choosing troubled me, though I had difficulty understanding why. Then I saw it applied to Suzanne Collins’s The Hunger Games trilogy – Team Peeta vs Team Gale – and all of a sudden it hit me that anyone who thought romance and love-triangles were the main event in that series had utterly missed the point. Sure, those elements are present in the story, but they aren’t anywhere near being the bones of it, because The Hunger Games, more than anything else, is about war, survival, politics, propaganda and power. Seeing such a strong, raw narrative reduced to a single vapid argument – which boy is cuter? – made me physically angry. So, look. People read different books for different reasons. The thing I love about a story are not necessarily the things you love, and vice versa. But riddle me this: are the readers of these series really so excited, so thrilled by the prospect of choosing! between! two! different! boys! that they have to boil entire narratives down to a binary equation based on male physical perfection and, if we’re very lucky, chivalrous behaviour? While feminism most certainly champions the right of women to chose their own partners, it also supports them to choose things besides men, or to postpone the question of partnership in favour of other pursuits – knowledge, for instance. Adventure. Careers. Wild dancing. Fun. Friendship. Travel. Glorious mayhem. And while, as a woman now happily entering her fourth year of marriage, I’d be the last person on Earth to suggest that male companionship is inimical to any of those things, what’s starting to bother me is the comparative dearth of YA stories which aren’t, in some way, shape or form, focussed on Girls Getting Boyfriends, and particularly Hot Immortal Or Magical Boyfriends Whom They Will Love For All Eternity. Blog post: Love Team Freezer
Foz Meadows
The magic of the creative process is that there is no magic. Start where you are. Don't stop.
Seth Godin (The Practice: Shipping Creative Work)
That no man can truly imagine being happy and that's why happiness isn't for sale here.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
That most ancient of magics, the binding of a man by the use of his name, gripped him.
Robin Hobb (Mad Ship (Liveship Traders, #2))
An armchair is always an armchair, to the modern child, never a ship, never a desert island. The pattern on the wall are patterns; not characters whose faces change at dusk... The trouble is, the children have no imagination. They are sweet, and have carefree, honest eyes; but they have not any magic in their day. The magic has all gone...
Daphne du Maurier (The Parasites)
I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek.
Nathan Reese Maher
In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?
Thomas Pynchon (The Crying of Lot 49)
Tell me this," I said. "My world. It's not like the one I read about in the oldest books. When they talk about magic, about ghosts, it's as if they are fairy-tales to frighten children. And yet I have seen the dead walk, seen a boy bring fire with just a thought." Fexler frowned as if considering how to explain. "Think of reality as a ship whose course is set, whose wheel is locked in place by universal constants. Our greatest achievement, and downfall, was to turn that wheel, just a fraction. The role of the observer was always important—we discovered that. If a tree falls in the wood and no one hears it, then it is both standing and not standing. The cat is both alive and dead." "Who mentioned a fecking cat?
Mark Lawrence (King of Thorns (Broken Empire, #2))
EVERYONE JOINS A BAND IN THIS LIFE. You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him. As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it. And, as is usually the fate with bands, most of them will break up—through distance, differences, divorce, or death.
Mitch Albom (The Magic Strings of Frankie Presto)
Naphta loathed the bourgeois state and its love of security. He found occasion to express this loathing one autumn afternoon when, as they were walking along the main street, it suddenly began to rain and, as if on command, there was an umbrella over every head. That was a symbol of cowardice and vulgar effeminacy, the end product of civilization. An incident like the sinking of the Titanic was atavistic, true, but its effect was most refreshing, it was the handwriting on the wall. Afterward, of course, came the hue and cry for more security in shipping. How pitiful, but such weak-willed humanitarianism squared very nicely with the wolfish cruelty and villainy of slaughter on the economic battlefield known as the bourgeois state. War, war ! He was all for it – the universal lust for war seemed quite honorable in comparison.
Thomas Mann (The Magic Mountain)
What is that?" Something bobbed on the surface, a piece of driftwood. And then another. And another. The boards floated past in broken shards, the edges burned. An unpleasant chill went through Alucard. The Ghost was sailing through the remains of a ship. "That," said Alucard, "is the work of Sea Serpents." Lila's eyes widened. "Please tell me you're talking about mercenaries and not giant ship-eating snakes." Alucard raised a brow. "Giant ship-eating snakes? Really?" "What?" she challenged. "How am I supposed to know where to draw the line in this world?" "You can draw it well before giant ship-eating snakes...
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
It was a terrible division, to feel such need for someone, and yet angry that need existed.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
For man can triumph over man, and weapon over weapon; against the gods we can pit sacrifice, and against witchcraft, contrary magic; but against bad luck no man has anything to oppose.
Frans G. Bengtsson (The Long Ships (New York Review Books Classics))
if something made a man feel bad then he must determine what about it troubled him, and eliminate that. Simply to suffer the discomforts of guilt did not indicate a man had improved himself, only that he suspected he harbored a fault.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I rouse Emily to our guests, as she finishes off our fifteenth snowman by setting the head atop its torso. She stands limp at my direction, pointing out the coming shadows and I cannot help but hear a muffled sigh as she decapitates her latest creation with a single push of her hand.
Nathan Reese Maher
Love and loss, are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.
V.E. Schwab
That’s a stupid name! Whirly-gig is much better, I think. Who in their right mind would point at this thing and say, ‘I’m going to fly in my Model-A1’. People would much rather say, ‘Get in my whirly-gig’. And that’s what you should name it.
Nathan Reese Maher
I can see that you go through life athwart it. You see the flow of events, you are able to tell how you could most easily fit yourself into it. But you dare to oppose it. And why? Simply because you look at it and say, 'this fate does not suit me. I will not allow it to befall me.'" Amber shook her head, but her small smile made it an affirmation. "I have always admired people who can do that. So few do. Many, of course, will rant and rave against the garment fate has woven for them, but they pick it up and on it all the same, and most wear it to the end of their days. You... you would rather go naked into the storm.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
This was what it took for you to find your manhood?” “It was never lost,” he said flatly. “You simply couldn’t recognize it, because I wasn’t you. I wasn’t big and harsh. I was me.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Kyle saw them as a double-pronged problem: the ship that would not heed his wishes because of a boy that would not be what his father commanded him to be.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
It was not that these emotions were unworthy or inappropriate; it was simply that they were wasted upon the man.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
What you are born to be, you will be, whether it be priest or sailor. So step up and be it. Let them do nothing to you. Be the one who shapes yourself.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
You and I, we are like buds grafted onto a tree. We can grow true to ourselves, but only so much as our roots will allow us
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I don't think I can stand it much longer,” he warned her. “Something will have to give way. And I fear it will be me… I've just been living from day to day. Waiting for something or someone else to change the situation… I think I need to make a real decision. I believe I need to take action on my own.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
What you must remember is that the magic itself is neither good nor bad, no more so than this ship might be used for right or wrong. It might be used by a fisherman to feed a village, for example. Or, the same vessel might be sailed by pirates to murder and pillage...the lumber, rope, nails, cotton, and everything that goes into it-is created by the True One. Humans decide how it is to be put together and how it is used.
Derek Donais (MetalMagic: Talisman)
Sometimes when I can't sleep and I'm trying to think good thoughts, I imagine the magical place between worlds, the place in the flash where Elian's ship disappears before to reappears again. In that split second maybe time slows down, and he can see all the invisible places. And maybe, sometimes, he sees them.
Robin Roe (A List of Cages)
i believe in living. i believe in the spectrum of Beta days and Gamma people. i believe in sunshine. In windmills and waterfalls, tricycles and rocking chairs; And i believe that seeds grow into sprouts. And sprouts grow into trees. i believe in the magic of the hands. And in the wisdom of the eyes. i believe in rain and tears. And in the blood of infinity. i believe in life. And i have seen the death parade march through the torso of the earth, sculpting mud bodies in its path i have seen the destruction of the daylight and seen bloodthirsty maggots prayed to and saluted i have seen the kind become the blind and the blind become the bind in one easy lesson. i have walked on cut grass. i have eaten crow and blunder bread and breathed the stench of indifference i have been locked by the lawless. Handcuffed by the haters. Gagged by the greedy. And, if i know anything at all, it's that a wall is just a wall and nothing more at all. It can be broken down. i believe in living i believe in birth. i believe in the sweat of love and in the fire of truth. And i believe that a lost ship, steered by tired, seasick sailors, can still be guided home to port.
Assata Shakur (Assata: An Autobiography)
These items make up my existence. The library tells my story, the mastodon my mistakes, the ship my discoveries and my abilities to make old things new without magic, and the whale...my limitations, I suppose.
Lisa McMann (Island of Silence (Unwanteds, #2))
Wearily, he swung the glasses over to the left again. Slowly, he tracked across the horizon. He reached the dead center of the bay. The glasses stopped moving. Pluskat tensed, stared hard. Through the scattering, thinning mist the horizon was magically filling with ships—ships of every size and description, ships that casually maneuvered back and forth as though they had been there for hours. There appeared to be thousands of them. It was a ghostly armada that somehow had appeared from nowhere. Pluskat stared in frozen disbelief, speechless, moved as he had never been before in his life. At that moment the world of the good soldier Pluskat began falling apart. He says in those first few moments he knew, calmly and surely, that “this was the end for Germany.
Cornelius Ryan (The Longest Day: The Classic Epic of D-Day)
Nowhere else than upon the sea do the days, weeks and months fall away quicker into the past. They seem to be left astern as easily as the light air-bubbles in the swirls of the ship’s wake, and vanish into a great silence in which your ship moves on with a sort of magical effect.
Joseph Conrad (The Mirror of the Sea)
No, the Arctic does not yield its secret for the price of a ship's ticket. You must live through the long night, the storms, and the destruction of human pride. You must have gazed on the deadness of all things to grasps their livingness. In the return of light, in the magic of the ice, in the life-rhythm of the animals observed in the wilderness, in the natural laws of all being, revealed here in their completeness, lies the secret of the Arctic and the overpowering beauty of its lands.
Christiane Ritter (A Woman in the Polar Night)
The sail unfurled on its own. The oars unlocked, pushed into the water and began to row by themselves. We sailed under starry skies, the waves calm and glittering, no land to be seen in any direction. "The ship ... is self-driving." I noted. Next to me, Njord popped into existence, looking no worse for being caught in the collapse of Aegir's hall. He chuckled. "Well, yes, Magnus, of course the ship is self-driving. Were you trying to row it the old-fashioned way?" I ignored my friends glaring at me. "Um, maybe." "All you have to do is will the ship to take you where you want to go," Njord told me. "Nothing else is required." I thought about all that time I'd spent with Percy Jackson learning bowlines and mizzenmasts, only to find out that the Viking gods had invented Google-boats. I bet the ship would even magically assist me if I needed to fall off the mast.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
When the mainstay of one's world is taken away, it's only natural to cling to all the rest, to try desperately to keep things as close to the way they were as one can." He shook his head sorrowfully. "But no one can ever go back to yesterday.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
She’d looked so beautiful standing there, gazing out to sea. Crimson had once told him a tale about Sirens, magical creatures that lived on an island. Their songs lured mariners to their destruction – their ships were destroyed by the rocks surrounding the island. And even knowing that death awaited them, they couldn’t resist the lure of the Sirens’ song.
Jade Parker (To Catch a Pirate)
Pain and perfection. It was the only path to redemption he knew.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Take all self-determination from a man’s life, and all that is left for him to do is complain.
Robin Hobb (The Complete Liveship Traders Trilogy: Ship of Magic, The Mad Ship, Ship of Destiny)
He was stupid, stupid, stupid, and his only hope of surviving was in not letting anyone else know how stupid he was.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
In the space of a handful of nights, her whole concept of what a ship was underwent a sea-change.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
She’d worried, after Asterin and Vesta had left them aboard the ship they’d sailed here, that she might have made a mistake in choosing to travel with three immortal males. That she’d be trampled underfoot. But Gavriel had been kind from the start, making sure Elide ate enough and had blankets on frigid nights, teaching her to ride the horses they’d spent precious coin to purchase because Elide wouldn’t stand a chance of keeping up with them on foot, ankle or no. And for the times when they had to lead their horses over rough terrain, Gavriel had even braced her leg with his magic, his power a warm summer breeze against her skin.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
He knew clearly enough that his imagination was growing traitor to him, and yet at times it seemed the ship he sailed in, his fellow-passengers, the sailors, the wide sea, were all part of a filmy phantasmagoria that hung, scarcely veiling it, between him and a horrible real world. Then the Porroh man, thrusting his diabolical face through that curtain, was the one real and undeniable thing. At that he would get up and touch things, taste something, gnaw something, burn his hand with a match, or run a needle into himself. ("Pollock And The Porrah Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
As it turned out, Microsoft wasn’t able to get Windows 1.0 ready for shipping until the fall of 1985. Even then, it was a shoddy product. It lacked the elegance of the Macintosh interface, and it had tiled windows rather than the magical clipping of overlapping windows that Bill Atkinson had devised. Reviewers ridiculed it and consumers spurned it. Nevertheless, as is often the case with Microsoft products, persistence eventually made Windows better and then dominant.
Walter Isaacson (Steve Jobs)
Much insight into himself could have been gained from contemplation of these things, but Wintrow reined his mind away from it. Perhaps he did not want to know himself quite that well." p. 543
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Gankis lifted an arm to point at the distant shale cliffs. "And in the face of it there were thousands of little holes, little what-you-call-'ems..." "Alcoves," Kennit supplied in an almost dreamy voice. "I call them alcoves, Gankis. As would you, if you could speak your own mother tongue.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
How do you know when the Sarows is coming?" hummed Lila as she made her way down the ship's narrow hall, fingertips skimming either wall for balance. Right about the, Alucard's warning about Jasta was coming back in full force. "Never challenge that one to a drinking contest. Or a sword fight. Or anything else you might lose. Because you will." The boat rocked beneath her fee. Or maybe she was the one rocking. Hell. Lila was slight, but not short of practice, and even so, she'd never had so much trouble holding her liquor. When she got to her room, she found Kell hunched over the Inheritor, examining the markings on its side. "Hello, handsome," she said, bracing herself in the doorway. Kell looked up, a smile halfway to his lips before it fell away. "You're drunk," he said, giver her a long, appraising look. "And you're not wearing any shoes." "Your powers of observation are astonishing." Lila looked down at her bare feet. "I lost them." "How do you lose shoes?" Lila crinkled her brow. "I bet them. I lost." Kell rose. "To who?" A tiny hiccup. "Jasta." Kell sighed. "Stay here." He slipped past her into the hall, a hand alighting on her waist and then, too soon, the touch was gone. Lila make her way to the bed and collapsed onto it, scooping up the discarded Inheritor and holding it up to the light. The spindle at the cylinder's base was sharp enough to cut, and she turned the device carefully between her fingers, squinting to make out the words wrapped around it. Rosin, read one side. Cason, read the other. Lila frowned, mouthing the words as Kell reappeared in the doorway. "Give-- and Take," he translated, tossing her the boots. She sat up too fast, winced. "How did you manage that?" "I simply explained that she couldn't have them-- they wouldn't have fit-- and then I gave her mine." Lila looked down at Kell's bare feet, and burst into laughter.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
Words deserted Wintrow. He stared at his father and floundered through thoughts, trying to find some common ground where he could begin reasoning with him. He could not. Despite the blood bond between them, this man was a stranger, and his beliefs were so utterly different from all Wintrow had embraced that he felt no hope of reaching him.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
It was not that she was a better-tempered person, she decided detachedly. It was that her anger had learned a terrible patience. What good was wasting words on a petty and tyrannical second mate? He was a little yapping dog. She was a tigress. One did not waste snarls on such a creature. One waited until one could snap his spine with a single blow.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Althea had never known that misery could achieve perfection. Only now, as she sat staring at her emptied glass, did she grasp how completely wrong her world had become. Things had been bad before, things had been flawed, but it was only today that she had made one stupid decision after another until everything was as completely wrong as it could possibly be.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I feel you are woven of the same strand as I, that we are but extensions of a segmented life, and that together we complete one another. I feel a joy in your presence, because I feel my own life wax greater when we are close to one another.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Perhaps men are a trick Sa played on this world. ‘All other things I shall make vast and beautiful and true to themselves,’ perhaps he said. ‘Men alone shall be capable of being petty and vicious and self-destructive. And for my cruelest trick of all, I shall put among them men capable of seeing these things in themselves.’ Do you suppose that is what Sa did?
Robin Hobb (Ship of Magic (Liveship Traders, #1))
When I was younger, it was like life was a beautiful gift, wrapped in exquisite paper and adorned with ribbons. And I loved it, even though all I knew of it was the outside of the package. But in the last year or so, I’ve finally started to see there is something even better inside the package. I’m learning to see past the fancy wrappings, to the heart of things.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Shandy looked ahead. Blackbeard, apparently willing to get the explanation later, had picked up his oars and was rowing again. 'May I presume to suggest,' yelled Shandy giddily to Davies, 'that we preoceed the hell out of here with all due haste.' Davies pushed a stray lock of hair back from his forehead and sat down on the rower's thwart. 'My dear fellow consider it done.
Tim Powers (On Stranger Tides)
Sometimes I feel I am two people, reaching after two different lives. Or rather, joined to you, I am a different person from who I am when we are apart. When we are together, I lose … something. I don’t know what to call it. My ability to be only myself.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I’ve just been living from day to day. Waiting for something or someone else to change the situation.” His eyes studied her face, looking for a reaction to his next words. “I think I need to make a real decision. I believe I need to take action on my own.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Well, isn't that what all the world says of Bingtown? That if a man can imagine a thing, he can find it for sale here?" "And you've heard the rejoinder to that, haven't you? That no man can truly imagine being happy, and that's why happiness isn't for sale here.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
But these things that had happened, and these feelings he now experienced were not faults to be conquered. He could not deny the feelings, nor should he try to change them. “Accept and grow,” he reminded himself, and felt the pain ease. Wintrow went to pack a change of clothes.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Wintrow,” he chided softly. “Refuse the anxiety. When you borrow trouble against what might be, you neglect the moment you have now to enjoy. The man who worries about what will next be happening to him loses this moment in dread of the next, and poisons the next with pre-judgment.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
However, many a pirate has tried to make his name on the High Seas by searching for famous, long-lost treasures. These include the fabled wreck of the good ship Petunia, the infamous magic stash of the Enchantress of the Northlands, and, of course, the toothbrush collection of Blackjaw Hawkins.
Caroline Carlson (Magic Marks the Spot (The Very Nearly Honorable League of Pirates, #1))
We are tomorrow's past. Even now we slip away like those pictures painted on the moving dials of antique clocks - a ship, a cottage, sun and moon, a nosegay. The dial turns, the ship rides up and sinks again, the yellow painted sun has set, and we, that were the new thing, gather magic as we go. The whirr of the spinning wheels has ceased in our parlours, and we hear no more the treadles of the loom, the swift, silken noise of the flung shuttle, the intermittent thud of the batten. But the imagination hears them, and theirs is the melody of romance." ~ from Mary Webb's introduction to her novel Precious Bane.
Mary Webb
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Herman Melville (Moby-Dick or, The Whale)
So what are they, then,” asked Lila, “these Sea Serpents?” “Swords for hire. They sink their own ships right before they attack.” “As a distraction?” asked Lila. He shook his head. “A message. That they won’t be needing them anymore, that once they’re done killing everyone aboard and dumping the bodies in the sea, they’ll take their victims’ boat instead and sail away.” “Huh,” said Lila. “Exactly.” “Seems like a waste of a perfectly good ship.” He rolled his eyes. “Only you would mourn the vessel instead of the sailors.” “Well,” she said matter-of-factly, “the ship certainly didn’t do anything wrong. The people might have deserved it.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
At the moment of deciding not to argue further, he had given up all emotional investment in the situation. He had withdrawn his anma into himself as he had been taught to do, divesting it of his anger and offense as he did so. It was not that these emotions were unworthy or inappropriate; it was simply that they were wasted upon the man. He swept his mind clean of reactions to the filthy blanket. By the time he reached the foredeck, he had regained not just calmness, but wholeness.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
It seems to me that women would make much better sailors,” Miss Ophelia interjected, setting aside her cup of rosehip tea. “You men are susceptible to all sorts of magical mischief, from mermaids to sirens to rusalki to whatever else has a female form and a nice voice. I have never heard of a woman wrecking a ship over some singing seahorse!
Diana Parparita (Doctor Edmund Huntsfee's Perilous Expedition into the Heart of the Flood Plains)
Lila had an idea. It was a very stupid idea. But a stupid idea was better than no idea, at least in theory. So she dragged the words into shape and delivered them with her sharpest smile. “Nas,” she said, slowly. “An to eran gast.” No. I am your best thief. She held the captain’s gaze when she said it, her chin high and proud. The others grumbled and growled, but to her they didn’t matter, didn’t exist. The world narrowed to Lila and the captain of the ship. His smile was almost imperceptible. The barest quirk of his lips.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
One held on to what comforts one had, even if they had sharp edges.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Like any other mad relative, he was kept in obscurity, spoken of in whispers if spoken of at all.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Her purposeful-ness had wallowed down into despair. Then she had lost even that. Now she survived from day to day, and thought of little more than that.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
And then the door burst open. Alucard stood in the doorway, soaking wet, as if he’d just been dumped in the sea, or the sea had been dumped over him. “Stop fucking with the ship.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
And somehow by not speaking out on his own behalf, he made it impossible for anyone else to object.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
He sailed through work like the Flying Dutchman. The ship was moving, but nobody was at the helm.
Scott Meyer (Off to Be the Wizard (Magic 2.0, #1))
This story, with the magic and the fire swords and the crouching woman and the planet-sized ship—it was happening right now.
Griffin McElroy (Star Wars: From a Certain Point of View (From a Certain Point of View, #1))
Perhaps the only thing about him that had been remarkable was that he had been given a chance.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Amber?” he said pleadingly. His voice went high on her name and broke, as it sometimes did when he was afraid. “Are you taking my beads away?
Robin Hobb (Ship of Magic (Liveship Traders, #1))
She’d rather liked the rotting ship. But it wasn’t hers. No, hers would be much better.
Victoria Schwab (A Darker Shade of Magic (Darker Shade of Magic, #1))
Was not that truly the greatest benefit of wealth, that it allowed one to treat family and friends to what they deserved?
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I have always been more curious than wise. Yet any wisdom I have ever gained has come to me from my curiosity. So I have never learned to turn away from it.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
That little knife of knowing stabbed into her at every step.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Butterflies were like alcohol. The heat of a good wine in a burnt orange butterfly. The cool swallow of rare ship-bought vodka in clear, white and blue beauties.
Leone Ross (Popisho)
It’s all a trick,’ he observed. ‘All a rotten trick men play on themselves. They get together and they create this beautiful thing and then they stand back and say, “See, we have souls and insight and holiness and joy. We put it all in this building so we don’t have to bother with it in our everyday lives. We can live as stupidly and brutally as we wish, and stamp down any inclination to spirituality or mysticism that we see in our neighbours or ourselves. Having set it in stone, we don’t have to bother with it any more.” It’s a trick men play on themselves. Just one more way we cheat ourselves.
Robin Hobb (The Complete Liveship Traders Trilogy: Ship of Magic, The Mad Ship, Ship of Destiny)
I am Delilah Bard, she thought as the ropes cut into her skin. I am a thief and a pirate and a traveler. I have set foot in three different worlds, and lived. I have shed the blood of royals and held magic in my hands. And a ship full of men cannot do what I can. I don’t need any of you. I am one of a damned kind. Feeling suitably empowered, she set her back to the ship, and gazed out at the sprawling night ahead.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
She closed her eyes and let go of consciousness. But sleep betrayed her. As weary as she was, oblivion would not come to her. She tried to relax, but could not remember how to loosen the muscles in her lined brow.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I gave a magic wand to Amanda Rinderle of Tuckerman & Co., maker of probably the world's most sustainable dress shirts. If she could use it, I asked, to change one thing in order to help create an economy of better but less, what would that one thing be?...she would make prices tell the whole truth. Right now, prices reflect demand for goods and services and the costs of producing them: materials, energy, manufacturing, shipping. Mostly excluded are the consequences of production and consumption, from pollution to soil erosion to carbon emissions to habitat loss and onward to the human health effects of all these, the incredible destruction wrought by wildfires, floods and storms in the age of climate chaos, the burden of two billion tonnes of garbage each year, and the incalculable moral injury of driving million-year-old species into extinction.
J.B. MacKinnon (The Day the World Stops Shopping: How Ending Consumerism Saves the Environment and Ourselves)
Like everyone else at the Anchorage, except maybe for Natalie, Jonah had developed the blinders that allowed him to dance on. That prevented him from seeing the gradual decline of everyone around him; that allowed him to pretend that they weren't all heading for the same tragic end. The band played on as the ship sank beneath them. Distracted by the magic of music, they would keep dancing until the waves closed over their heads.
Cinda Williams Chima (The Sorcerer Heir (The Heir Chronicles, #5))
Maulkin abruptly heaved himself out of his wallow with a wild thrash that left the atmosphere hanging thick with particles. Shreds of his shed skin floated with the sand and muck like the dangling remnants of dreams when one awakes.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Do you really want to go to the Black Sea?" "Yes," Curran said. I nodded. "We do." Saying things like We think this is a trap and We would rather cut off our left foot than go would endanger our ship acquisition and our badass image.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Forgiving the Day. Even the youngest child could do this; all it required was looking back over the day and dismissing the day’s pains as a thing that were past while choosing to remember as gains lessons learned or moments of insight.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
We ran like young wild furies, where angels feared to tread. The woods were dark and deep. Before us demons fled. We checked Coke bottle bottoms to see how far was far. Our worlds of magic wonder were never reached by car. We loved our dogs like brothers, our bikes like rocket ships. We were going to the stars, to Mars we’d make round trips. We swung on vines like Tarzan, and flashed Zorro’s keen blade. We were James Bond in his Aston, we were Hercules unchained. We looked upon the future and we saw a distant land, where our folks were always ageless, and time was shifting sand. We filled up life with living, with grins, scabbed knees, and noise. In glass I see an older man, but this book’s for the boys.
Robert McCammon (Boy's Life)
To the Nameless Saints who soothe the winds and still the restless sea... Lenos turned his grandmother's talisman between his hands as he prayed. I beg protection for this vessel-- A sound shuddered through the ship, followed by a swell of cursing. Lenos looked up as Lila got to her feet, steam rising from her hands. -- and those who sail aboard it. I beg kind waters and clear skies as we make our way-- "If you break my ship, I will kill you all," shouted Jasta. His fingers tightened around the pendant. -- our way into danger and darkness. "Damned Antari," muttered Alucard, storming up the steps to the landing where Lenos stood, elbows on the rail. The captain slumped down against a crate and produced a flask. "This is why I drink." Lenos pressed on. I beg this as a humble servant, with faith in the vast world, in all its power. He straightened, tucking the necklace back under his collar. "Did I interrupt?" asked Alucard. Lenos looked from the singe marks on the deck to Jasta bellowing from the wheel as the ship tepped suddenly sideways under the force of whatever magic the three Antari were working, and at last to the man who sat drinking on the floor. "Not really,
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
Once, Brit had been amazed that Steve Jobs would allow a product to ship with such an obvious aesthetic flaw, but in time, she realized that Steve Jobs didn’t consider anything that would cause a customer to want to buy a newer computer a flaw.
Scott Meyer (Out of Spite, Out of Mind (Magic 2.0 #5))
And then I knew that I would see the East first as commander of a small boat. I thought it fine; and the fidelity to the old ship was fine. We should see the last of her. Oh the glamour of youth! Oh the fire of it, more dazzling than the flames of the burning ship, throwing a magic light on the wide earth, leaping audaciously to the sky, presently to be quenched by time, more cruel, more pitiless, more bitter than the sea—and like the flames of the burning ship surrounded by an impenetrable night.
Joseph Conrad (Youth)
A moment of panic washed over her. There was so little time, it might even now be too late to shape them. Look at her own daughters. Keffria, who only wanted someone to tell her what to do, and Althea, who only desired that she do her own will always." p. 429
Robin Hobb (Ship of Magic (Liveship Traders, #1))
For more than a millennium the eastern Mediterranean seaboard called Syria Libanensis, or Mount Lebanon, had been able to accommodate at least a dozen different sects, ethnicities, and beliefs—it worked like magic. The place resembled major cities of the eastern Mediterranean (called the Levant) more than it did the other parts in the interior of the Near East (it was easier to move by ship than by land through the mountainous terrain). The Levantine cities were mercantile in nature; people dealt with one another according to a clear protocol, preserving a peace conducive to commerce, and they socialized quite a bit across communities. This millennium of peace was interrupted only by small occasional friction within Moslem and Christian communities, rarely between Christians and Moslems.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable (Incerto, #2))
While we took the children off to Disneyland. A visit to this magical kingdom should be a compulsory part of being an American---who else on earth would put so much ingenuity into simply having fun? The rides were fabulous: a real life pirate ship with real life pirates; a roller coaster that tppk you inside the Matterhorn (that was my favourite); and the Haunted House, with its flickering lights and a moving floor. By the end of the day, our feet were aching and our voices were hoarse, but it was well worth it. We all had a tremendous time !
Sallyann J. Murphey (The Metcalfe Family Album: The Unforgettable Saga of an American Family)
A ship there is and she sails the sea, She’s loaded deep as deep can be, But not so deep as the love I’m in I know not if I sink or swim. The water is wide, I cannot get o’er it And neither have I wings to fly Give me a boat that will carry two And both shall row, my Love and I.
Alice Hoffman (Magic Lessons (Practical Magic #0.1))
But it would have been a surprise, not only to Katherine herself, if some magic watch could have taken count of the moments spent in an entirely different occupation from her ostensible one.Sitting with faded papers before her, she took part in a series of scenes such as the taming of wild ponies upon the American prairies, or the conduct of a vast ship in a hurricane round a black promontory of rock, or in others more peaceful, but marked by her complete emancipation from her present surroundings and, needless to say, her surprising ability in her new vocation.
Virginia Woolf (Night and Day)
Back when he had first come to the monastery, they had given him a very simple ritual called Forgiving the Day. Even the youngest child could do this; all it required was looking back over the day and dismissing the day’s pains as a thing that were past while choosing to remember as gains lessons learned or moments of insight. As initiates grew in the ways of Sa, it was expected they would grow more sophisticated in this exercise, learning to balance the day, taking responsibility for their own actions and learning from them without indulging in either guilt or regrets." p. 240
Robin Hobb (Ship of Magic (Liveship Traders, #1))
A true priest of Sa had little use for guilt. It but obscured; if something made a man feel bad then he must determine what about it troubled him, and eliminate that. Simply to suffer the discomforts of guilt did not indicate a man had improved himself, only that he suspected he harbored a fault.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Take me on a trip upon your magic swirling ship My senses have been stripped My hands can't feel to grip My toes too numb to step Wait only for my boot heels to be wandering I'm ready to go anywhere, I'm ready for to fade Into my own parade Cast your dancing spell my way, I promise to go under it.
Bob Dylan
I am Delilah Bard, she thought as the ropes cut into her skin. I am a thief and a pirate and a traveler. I have set foot in three different worlds, and lived. I have shed the blood of royals and held magic in my hands. And a ship full of men cannot do what I can. I don’t need any of you. I am one of a damned kind.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
I am Delilah Bard , she thought as the ropes cut into her skin. l am a thief and a pirate and a traveler. I have set foot in three different worlds, and lived. I have shed the blood of royals and held magic in my hands. And a ship full of men cannot do what I can. I don’t need any of you. I am one of a damned kind.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
Life is magical, there are always mysteries you won’t understand, like the one that happened today. I guess that’s what makes it exciting, the fact that you never know what to expect on this journey. No matter how dim the lights of life look, it can always get brighter. That’s why I’m going to keep on going. Who knows? Maybe my life will magically turn back to the way it used to be. Or maybe it’ll turn out even better. But I can’t find any of that out unless I am strong. Strong I will be, looking on the bright side whenever possible, sailing my ship through the waters, no matter how stormy they will be. I will be brave. Always.
Chloe Gadsby-Jones (Almost Always)
I belong to myself. Always. Eternally. Without question. My own safe house. My own sheltered harbor. I am my own solid ground. I am the lighthouse beacon. I call the ships safely home from sea. I am the North Star and the compass. I am my own port in the wildest storm. I am the spell caster and the spell breaker. I am a witch of alchemy and transformation. I am the pages in the grimoire of knowledge, I am the source of all the magic ever known. I am the kiss that wakes us all from slumber. I am the white horse knight in shining armor. I am my own happily ever after fairytale godmother. I am my own rest stop on the longest journey of living. The final destination on every treasure map I will ever need. I am my own primary relationship, my own till death do us part. I am my own center and saving grace, my own best-kept secret. I am the lineage of wisdom itself, the home of my own belonging. I am my own. And my own. And always my own.
Jeanette LeBlanc
It pleased him to shock her with the news he had another friend. Sometimes it irritated him that they expected him to be so pleased to see them, as if they were the only people he knew. Though they were, they should not have been so confident of it, as if it were impossible a wreck such as he might have made other friends.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
He brought too much change, too fast, with no real understanding of what he was changing, or why it would be bad. He never consulted any of us about it. Suddenly, it was all his own will and what he thought was best. I do not keep him in ignorance, Malta. His ignorance is a fortress he has built himself and defended savagely.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
As you might expect, the geographical location of the capital of Fairyland is fickle and has a rather short temper. I'm afraid the whole thing moves around according to the needs of narrative.' September put her persimmon down in the long grass. 'What in the world does that mean?' 'I ... I SUSPECT it means that if we ACT like the kind of folk who would find a Fairy city whilst on various adventures involving tricksters, magical shoes, and hooliganism, it will come to us.' September blinked. 'Is that how things are done here?' 'Isn't that how they're done in your world?' September thought for a long moment. She thought of how children who acted politely were often treated as good and trustworthy, even if they pulled your hair and made fun of your name when grownups weren't around. She thought of how her father acted like a soldier, strict and plain and organized -- and how the army came for him. She thought of how her mother acted strong and happy even when she was sad, and so no one offered to help her, to make casseroles or watch September after school or come over for gin rummy and tea. And she thought of how she had acted just like a child in a story about Fairyland, discontent and complaining, and how the Green Wind had come for her, too. 'I suppose that is how things are done in my world. It's hard to see it, though, on the other side.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Once a person had realized death, if they could turn aside from pain they immediately turned toward wonder and Sa. It took both steps, Wintrow knew that. If a person had not accepted death as a reality, the touch could be refused. Some accepted death and the touch, but could not let go of their pain. They clung to it as a final vestige of life.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
His father and his sister had both deliberately attempted to wound him, and he had let them succeed. But those things that had happened, and these feelings he now experienced, were not faults to be conquered. He could not deny the feelings, nor should he try to change them. “Accept and grow,” he (WIntrow) reminded himself, and felt the pain ease.” p. 107
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
Alma came to admire sailors. She could not imagine how they endured such long periods of time away from the comforts of land. How did they not go mad? The ocean both stunned and disturbed her. Nothing had ever put more of an impression upon her being. It seemed to her the very distillation of matter, the very masterpiece of mysteries. One night they sailed through a diamond field of liquid phosphorescence. The ship churned up strange molecules of green and purple light as it moved, until it appeared that the Elliot was dragging a long glowing veil behind herself, wide across the sea. It was so beautiful that Alma wondered how the men did not throw themselves into the water, drawn down to their deaths by this intoxicating magic.
Elizabeth Gilbert (The Signature of All Things)
Cook was a captain of the powder-days When captains, you might have said, if you had been Fixed by their glittering stare, half-down the side, Or gaping at them up companionways, Were more like warlocks than a humble man— And men were humble then who gazed at them, Poor horn-eyed sailors, bullied by devils' fists Of wind or water, or the want of both, Childlike and trusting, filled with eager trust— Cook was a captain of the sailing days When sea-captains were kings like this, Those captains drove their ships By their own blood, no laws of schoolbook steam, Till yards were sprung, and masts went overboard— Daemons in periwigs, doling magic out, Who read fair alphabets in stars Where humbler men found but a mess of sparks, Who steered their crews by mysteries And strange, half-dreadful sortilege with books, Used medicines that only gods could know The sense of, but sailors drank In simple faith. That was the captain Cook was when he came to the Coral Sea And chose a passage into the dark. Men who ride broomsticks with a mesmerist Mock the typhoon. So, too, it was with Cook.
Kenneth Slessor
Over two days, the remaining superheroic population of the Earth had heeded the call--by ship, teleport, magical portal, elemental transduction...the H-Man, Pangolin the Protector, Glass Tambourine, Omega-Mur, Hammer and Sickle, Jackdaw, the Infinite Wisdom, Doctor Mandragora, Czar and Tzar and Star, Kalamari Karl, Lightening Dancer, Doctor Chlorophyll, Jack Viking, Monomaniac, the Gin Fairy, the Holy Ghanta, the Bandolier, the Nuclear Atom, the Mysterious Flame, Moonstalker, Cataclysm and Inferno, the Skyguard II, Your Imaginary Pal, Dark Storm, the Hate Witch, Psychofire, Rabid, Riot, Fox and Hound, Hydrolad, Captain Fuji, Captain Cape Town, Captain Australia, Captain...Jeannie lost count, one uniform and one costume blurring into another.
Adam Christopher (Seven Wonders (Angry Robot))
A Feegle Glossary, adjusted for those of a delicate disposition Bigjobs: Human beings. Blethers: Rubbish, nonsense. Carlin: Old woman. Cludgie: The privy. Crivens!: A general exclamation that can mean anything from “My goodness!” to “I’ve just lost my temper and there is going to be trouble.” Dree your/my/his/her weird: Face the fate that is in store for you/me/him/her. Geas: A very important obligation, backed up by tradition and magic. Not a bird. Eldritch: Weird, strange. Sometimes means oblong, too, for some reason. Hag: A witch of any age. Hagging/Haggling: Anything a witch does. Hiddlins: Secrets. Mudlin: Useless person. Pished: I am assured that this means “tired.” Scunner: A generally unpleasant person. Scuggan: A really unpleasant person. Ships: Wooly things that eat grass and go baa. Easily confused with the other kind. Spavie: See Mudlin. Special Sheep Liniment: Probably moonshine whisky, I am very sorry to say. No one knows what it’d do to sheep, but it is said that a drop of it is good for shepherds on a cold winter’s night and for Feegles at any time at all. Do not try to make this at home. Waily: A general cry of despair.
Terry Pratchett (A Hat Full of Sky (Discworld, #32))
This desire for external approval and authority directly undermines your ability to trust yourself, because you’ve handed this trust over to an institution instead. Now, more and more of us are seeing that it’s a fraud. The institutions have no magical powers, as they’re regularly proved wrong in their ability to select, to mold, and to amplify human beings who care enough to make change happen.
Seth Godin (The Practice: Shipping Creative Work)
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Days after the elections of 2016, asha sent me a link to a talk by astrophysicist Neil deGrasse Tyson. We have to have hope, she says to me across 3,000 miles, she in Brooklyn, me in Los Angeles. We listen together as Dr. deGrasse Tyson explains that the very atoms and molecules in our bodies are traceable to the crucibles in the centers of stars that once upon a time exploded into gas clouds. And those gas clouds formed other stars and those stars possessed the divine-right mix of properties needed to create not only planets, including our own, but also people, including us, me and her. He is saying that not only are we in the universe, but that the universe is in us. He is saying that we, human beings, are literally made out of stardust. And I know when I hear Dr. deGrasse Tyson say this that he is telling the truth because I have seen it since I was a child, the magic, the stardust we are, in the lives of the people I come from. I watched it in the labor of my mother, a Jehovah's Witness and a woman who worked two and sometimes three jobs at a time, keeping other people's children, working the reception desks at gyms, telemarketing, doing anything and everything for 16 hours a day the whole of my childhood in the Van Nuys barrio where we lived. My mother, cocoa brown and smooth, disowned by her family for the children she had as a very young and unmarried woman. My mother, never giving up despite never making a living wage. I saw it in the thin, brown face of my father, a boy out of Cajun country, a wounded healer, whose addictions were borne of a world that did not love him and told him so not once but constantly. My father, who always came back, who never stopped trying to be a version of himself there were no mirrors for. And I knew it because I am the thirteenth-generation progeny of a people who survived the hulls of slave ships, survived the chains, the whips, the months laying in their own shit and piss. The human beings legislated as not human beings who watched their names, their languages, their Goddesses and Gods, the arc of their dances and beats of their songs, the majesty of their dreams, their very families snatched up and stolen, disassembled and discarded, and despite this built language and honored God and created movement and upheld love. What could they be but stardust, these people who refused to die, who refused to accept the idea that their lives did not matter, that their children's lives did not matter?
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
Sol Bloom, chief of the Midway, emerged from the fair a rich young man. He invested heavily in a company that bought perishable foods and shipped them in the latest refrigerated cars to far-off cities. It was a fine, forward-looking business. But the Pullman strike halted all train traffic through Chicago, and the perishable foods rotted in their traincars. He was ruined. He was still young, however, and still Bloom. He used his remaining funds to buy two expensive suits, on the theory that whatever he did next, he had to look convincing. “But one thing was quite clear. . . .” he wrote. “[B]eing broke didn’t disturb me in the least. I had started with nothing, and if I now found myself with nothing, I was at least even. Actually, I was much better than even: I had had a wonderful time.” Bloom went on to become a congressman and one of the crafters of the charter that founded the United Nations.
Erik Larson (The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America)
Brashen. It’s been a time.” “Over a year,” the man admitted easily. “Maybe two.” He came closer, and a moment later Paragon felt a warm human hand brush the point of his elbow. He unfolded his arms and reached down his right hand. He felt Brashen’s small hand attempt to grasp his own. “A year. A full turning of the seasons. That’s a long time for you folk, isn’t it?” “Oh, I don’t know.” The man sighed. “It was a lot longer when I was a kid. Now each passing year seems shorter than the one before.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
In my family Monahwee is known for his magic with horses. My Aunt Lois Harjo said he was gifted in the ability to travel on a horse. He could leave for a destination at the same time as everyone else, but arrive before anyone, a feat impossible in linear time. The world doesn't always happen in a linear manner. Nature is much more creative than that, especially when it comes to time and the manipulation of time and space. Europe has gifted us with inventions, books and the intricate mechanics of imposing structures on the earth, but there are other means to knowledge and the structuring of knowledge that have no context in the European mind. When the explorer Magellan traveled around the world by ship, he stopped at Tierra del Fuego. The indigenous people who resided there could not see the huge flags of his ships as they docked out in the natural harbor. They had not previously imagined such structures and could not see them. Conversely, neither could European explorers see the particular meaning of indigenous realities.
Joy Harjo (She Had Some Horses)
We'd need to leave fast. The biggest hurdle would be finding a ship. Passages across the Atlantic didn't always work out. The Black Sea wasn't easy to cross either. The ancient Greeks called it Pontos Axenos, the Hostile Sea. In our day and age, Greek myths were lifesaving required reading, and I'd read enough of them to know that the Black Sea wasn't a fun place. "Where on the Black Sea?" "Georgia." Colchis. Bodyguard detail in the land of the Golden Fleece, dragons, and witches, where the Argonauts had sailed and nearly died.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
A priest should not presume to judge unless he can judge as Sa does; with absolute justice and absolute mercy.’ ” Berandol shook his head. “I confess, I do not see how that is possible.” The boy’s eyes were already turned inward, with only the slightest line to his brow. “As long as you believe it is impossible, you close your mind to understanding it.” His voice seemed far away. “Unless, of course, that is what we are meant to discover. That as priests we cannot judge, for we have not the absolute mercy and absolute justice to do so. Perhaps we are only meant to forgive and give solace.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Back to ship, back to ship,” muttered the men. “I really think,” said Edmund, “they’re right. We can decide what to do with the three sleepers tomorrow. We daren’t eat the food and there’s no point in staying here for the night. The whole place smells of magic--and danger.” “I am entirely of King Edmund’s opinion,” said Reepicheep, “as far as concerns the ship’s company in general. But I myself will sit at this table till sunrise.” “Why on earth?” said Eustace. “Because,” said the Mouse, “this is a very great adventure, and no danger seems to me so great as that of knowing when I get back to Narnia that I left a mystery behind me through fear.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
All time, Father once told her, is relative: because of the speed the Argos travels, the ship clock kept by Sybil runs faster than clocks back on Earth. The chronometers that run inside every human cell that tell us it’s time to get drowsy, to make a baby, to grow old—all these clocks, Father said, can be altered by speed, software, or circumstance. Some dormant seeds, he said, like the ones in the drawers in Farm 4, can stop time for centuries, slowing their metabolisms to almost zero, sleeping away the seasons, until the right combination of moisture and temperature appears, and the right wavelength of sunlight penetrates the soil. Then, as though you spoke the magic words: they open.
Anthony Doerr (Cloud Cuckoo Land)
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Things were about to get ugly when a waterspout erupted off the port bow. Atop the column of spume sat an old man with fins instead of arms, and a fish tail instead of legs. “It’s Poseidon!” yelled Zetes. “It’s Oceanus!” said Atalanta. “It’s that guy from The Little Mermaid!” said Orpheus. The merman sighed and flapped his arm-fins. “Actually, I’m Glaucus. But don’t worry. No one ever gets that right.” The Argonauts muttered among themselves, trying to figure out who Glaucus was. “Oh my gods!” the ship’s prow said. “You people are embarrassing me! Glaucus was a fisherman who ate some magic herbs and became immortal. Now he’s like the Delphic Oracle of the sea!” “Ohhhh.” The crew all nodded like they knew what the prow was talking about.
Rick Riordan (Percy Jackson's Greek Heroes)
The night is beautiful," Amber said at last. "And we are beautiful in the night. There is a moon somewhere above us. It makes the fog gleam silver. Here and there, my eyes find bits of you. A row of silver droplets hung on a line stretched tight. Or the fog breaks for an instant, and the moon shines our way up the river. You move so smoothly and sweetly. Listen. There is water against your bow, purring like a cat, and the wind shushes us along. The river is so narrow here; it is as if we knife through the forest, parting trees to let us pass. The same wind that pushes us stirs the leaves of the trees. It has been so long since I last heard the wind in the trees and smelled earth smells. It is like being in a silver dream on a magic ship.
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
My ex-boyfriend was dramatic, adventurous, and selfish. At one time I thought I’d do anything to make him happy. I thought I might even love him, but I’d never told him that. He had me under his spell. That was before I found him sleeping with someone else. The three-year enchantment was broken after that. The magic lifted. Finding my boyfriend and a high school friend in bed together was horrific. Made me feel like I wasn’t good enough for him, and it took me a while to realize that wasn’t true. The aftermath of our breakup left me feeling utterly defeated, and my self-confidence plummeted to unimaginable depths—perhaps as low as the wreckage of a sunken ship or the depths of the Mariana Trench, which is known to be the deepest point in the ocean. It was that bad.
Kayla Cunningham
My ex-boyfriend was dramatic, adventurous, and selfish. At one time I thought I’d do anything to make him happy. I thought I might even love him, but I’d never told him that. He had me under his spell. That was before I found him sleeping with someone else. The three-year enchantment was broken after that. The magic lifted. Finding my boyfriend and a high school friend in bed together was horrific. Made me feel like I wasn’t good enough for him, and it took me a while to realize that wasn’t true. The aftermath of our breakup left me feeling utterly defeated, and my self-confidence plummeted to unimaginable depths—perhaps as low as the wreckage of a sunken ship or the depths of the Mariana Trench, which is known to be the deepest point in the ocean. It was that bad.
Kayla Cunningham
Summer gazed around more closely, looking less at the wreck of the ship and more at all the living things on or around or within it. Tiny shells clustered on the hull, each a living creature; the octopus that scuttled along, a liquid flurry of graceful motion; the amazing snail that crept toward her foot. There were small forests of soft, willowy plants that made home for crabs and squid and rays. Fish, big and small, alone or in schools, darted in and out, up and down, crossing between her and the sun above like flights of birds. In a single moment of awareness she realised that the dead ship was no longer dead. The machine that had failed to protect its human cargo now protected an entire universe of colourful, indescribably strange, stunningly creative, incredible life.
Katherine Applegate (Beach Blondes: June Dreams / July's Promise / August Magic (Summer, #1-3))
I wrote about a place called Alki Beach. When I had first crossed the bridge into West Seattle, I could see the city skyline over Puget Sound. I stood on a strip of purple-gray beach sand. A pier house sold hairy mussels and one-hour bike rentals. Copper and metal signs whipped against the wind. Old couples toted bouquets under wooden pergolas. Those singing and strolling on the beach eventually curved around the bend toward the northern arc and out of sight. I wanted to live here by its waters, read its signs, admire the wind as one admires an old friend. The skyscrapers across the water might be a bracelet across my wrist—the Ferris wheel, city stadium, ships in the harbor. I had never known that joy was a practice the way poetry was a practice. Somebody asked if they could
E.J. Koh (The Magical Language of Others)
I’m so afraid that the treasures I long to unpack for you, that have come to me in magic ships from enchanted islands, are only, to you, the old familiar red calico & beads of the clever trader, who had dealing in every latitude, & knows just what to carry in the hold to please the simple native—I’m so afraid of this, that often & often I stuff my shining treasure back into their box, lest I should see you smiling at them! Well! And if you do? It’s your loss, after all! And if you can’t come into the room without my feeling all over me a ripple of flame, & if, wherever you touch me, a heart beats under your touch, & if, when you hold me, & I don’t speak, it’s because all the words in me seem to have become throbbing pulses, & all my thoughts are a great gold blur—why should I be afraid of your smiling at me, when I can turn the beads & calico back into such beauty—?
Edith Wharton
From: The Crown of Telus She opened her eyes, saw the crown sitting on her bedside table, and wished that it was all a dream. The crown of Trist was nothing special. It had no gemstones, no gold or silver filigree; instead it was simple, a metal circlet with four points and some inlay around a scratched and dented band. “It’s a working man’s crown,” she remembered her father holding the symbol of power out to her when she younger. “See the inlay? Three moons, one for each of our gods, over an oak which represents the mighty forests of the north, a shock of wheat for the Plainsmen to the south, a ship for the Gheltes to the west, and a hashap flower for the spice in the east. Nothing more. We don’t need anymore.” Tears welled in her eyes. A working man’s crown. Nothing fancy or bejeweled, a symbol of the power that guides the land and cares for its people. This was going to be the first day she wore it as queen.
William Laws
Much later that night, as he meditated in forgiveness of the day, he wondered at himself. Had not he laughed at cruelty, had not his smile condoned the degradation of another human being? Where was Sa in that? Guilt washed over him. He forced it aside; a true priest of Sa had little use for guilt. It but obscured; if something made a man feel bad then he must determine what about it troubled him, and eliminate that. Simply to suffer the discomforts of guilt did not indicate a man had improved himself, only that he suspected he harbored a fault. He lay still in the darkness and pondered what had made him smile and why. And for the first time in many years, he wondered if his conscience was not too tender, if it had not become a barrier between him and his fellows. “That which separates is not of Sa,” he said softly to himself. But he fell asleep before he could remember the source for the quote, or even it if were from scripture at all. p. 313
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I’m not a coward.” He didn’t speak loud, but his voice carried. His father turned slowly to the challenging words. “I’m not a coward,” Wintrow repeated more slowly. “I’m not big. I don’t claim to be strong. But I’m neither a weakling nor a coward. I can accept pain. When it’s necessary.” A strange odd light had come into Kyle’s eyes. The beginnings of a smile hovered at the corners of his mouth. “You are a Haven,” he pointed out with a quiet pride. Wintrow met his gaze. There was neither defiance nor the will to injure but the words were clear. “I’m a Vestrit.” He looked down to the bloody handprint on Vivacia’s deck, to the severed forefinger that still rested there. “You’ve made me a Vestrit.” He smiled without joy or mirth. “What did my grandmother say to me? ‘Blood will tell.’ Yes.” He stooped to the deck and picked up his own severed finger. He considered it carefully for a moment, then held it out to his father. “This finger will never wear a priest’s signet,” he said. To some he might have sounded drunken, but to Vivacia his voice was broken with sorrow. “Will you take it, sir? As a token of your victory?” Captain Kyle’s fair face darkened with the blood of anger. Vivacia suspected he was close to hating his own flesh and blood at that moment. Wintrow stepped lightly toward him, a very strange light in his eyes. Vivacia tried to understand what was happening to the boy. Something was changing inside him, an uncoiling of strength was filling him. He met his father’s gaze squarely, yet his own voice was nothing of anger, nor even pain as he stepped forward boldly, to a place close enough to invite his father to strike him. Or embrace him. But Kyle Haven moved not at all. His stillness was a denial, of all the boy was, of all he did. Wintrow knew in that instant that he would never please his father, that his father had never even desired to be pleased by him. He had only wanted to master him. And now he would not.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
You speak like a Chalcedean,” Wintrow observed. “There, I am told, to be a woman I’d little better than to be a slave. I think it is born of their long acceptance of slavery there. If you can believe that another human can be your possession, it is but a step to saying your wife and daughter are also possessions, and relegate them to lives convenient to one’s own. But in Jamaillia and in Bingtown, we used to take pride in what our women could do. I have studied the histories. Consider Satrap Malowda, who reigned consortless for a score of years, and was responsible for the setting down of the Rights of Self and Property, the foundation of all our laws. For that matter, consider our religion. Sa, who we men worship as father of all, is still Sa when women call on her as mother of all. Only in Union is there Continuity. The very first precept of Sa says it all. It is only in the last few generations thaf wr have begun to separate the halves of our whole, and divide the—
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Stop it,” came Eustace’s voice, squeaky with fright and bad temper. “It’s some silly trick you two are playing. Stop it. I’ll tell Alberta--Ow!” The other two were much more accustomed to adventures, but, just exactly as Eustace Clarence said “Ow,” they both said “Ow” too. The reason was that a great cold, salt splash had broken right out of the frame and they were breathless from the smack of it, besides being wet through. “I’ll smash the rotten thing,” cried Eustace; and then several things happened at the same time. Eustace rushed toward the picture. Edmund, who knew something about magic, sprang after him, warning him to look out and not to be a fool. Lucy grabbed at him from the other side and was dragged forward. And by this time either they had grown much smaller or the picture had grown bigger. Eustace jumped to try to pull it off the wall and found himself standing on the frame; in front of him was not glass but real sea, and wind and waves rushing up to the frame as they might to a rock. He lost his head and clutched at the other two who had jumped up beside him. There was a second of struggling and shouting, and just as they thought they had got their balance a great blue roller surged up round them, swept them off their feet, and drew them down into the sea. Eustace’s despairing cry suddenly ended as the water got into his mouth. Lucy thanked her stars that she had worked hard at her swimming last summer term. It is true that she would have got on much better if she had used a slower stroke, and also that the water felt a great deal colder than it had looked while it was only a picture. Still, she kept her head and kicked her shoes off, as everyone ought to do who falls into deep water in their clothes. She even kept her mouth shut and her eyes open. They were still quite near the ship; she saw its green side towering high above them, and people looking at her from the deck. Then, as one might have expected, Eustace clutched at her in a panic and down they both went.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Then the bitterness came to darken his soul. So, too, had Cress seemed fair and bright, but it had still been a city of greedy, grasping, men. He turned his back on it and slid down to sit flat on the deck. “It’s all a trick,” he observed. “All a rotten trick men play on themselves. They get together and they create this beautiful thing and then they stand back and say, ‘See, we have souls and insight and holiness and joy. We put it all in this building so we don’t have to bother with it in our everyday lives. We can live as stupidly and brutally as we wish, and to stamp down any inclination to spirituality or mysticism that we see in our neighbors or ourselves. Having set it in stone, we don’t have to bother with it anymore.’ It’s a trick men play on themselves. Just one more way we cheat ourselves.” Vivacia spoke softly. If he had been standing, he might not have heard the words. But he was sitting, his palms flat against her deck, and so they rang through his soul. “Perhaps men are a trick Sa played on this world. ‘All other things I shall make vast and beautiful and true to themselves,’ perhaps he said. ‘Men alone shall be capable of being petty and vicious and self-destructive. And for my cruelest trick of all, I shall put among them men capable of seeing these things in themselves.’ Do you suppose that is what Sa did?” “That is blasphemy,” Wintrow said fervently. “Is it? Then how do you explain it? All the ugliness and viciousness that is the province of humanity, whence comes it?” “Not from Sa. From ignorance of Sa. From separation from Sa. Time and again I have seen children brought to the monastery, boys and girls with no hint as to why they are there. Angry and afraid, many of them, at being sent forth from their homes at such a tender age. Within weeks, they blossom, they open to Ada’s light and glory. In every single child, there is at least a spark of it. Not all stay; some are sent home, not all are suited to a life of service. But all of them are suited to being creations of light and thought and love. All of them.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
I’m very hungry, Sir Wulf,’ she whispered hopefully. ‘Is that soup?’ ‘Don’t you dare!’ breathed Goodbye. ‘It’s our spell, and you can’t have any.’ September brightened a little. This was what she had come for: witches and spells and wairwulves. ‘What sort of spell?’ All three looked at her as though she had asked what color a carrot is. ‘We’re witches,’ said Hello. Manythanks pointed meaningfully at his hat. ‘But witches do all kinds of spells—’ ‘That’s sorceresses,’ corrected Goodbye. ‘And magic—’ ‘That’s wizards,’ sighed Hello. ‘And they change people into things—’ ‘That’s thaumaturgists,’ huffed Manythanks. ‘And make people do things—’ ‘Enchantresses,’ sneered Goodbye. ‘And they do curses and hexes—’ ‘Stregas,’ hissed both sisters. ‘And change into owls and cats—’ ‘Brujas,’ growled Manythanks. ‘Well . . . what do witches do, then?’ September refused to feel foolish. It was hard enough for a human to get into Fairyland. True stories must be nearly impossible to get out. ‘We look into the future,’ grinned Goodbye. ‘And we help it along.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Although Keir would always prefer his island to anywhere else in the world, he had to admit this place had its own magic. There was a softness about the air and the sun, a trance of mist that made everything luminous. Lowering to his haunches, he ran his palm back and forth over the fine golden sand, so different from the caster-sugar grains of the beaches on Islay. At Merritt's quizzical glance, he dusted his hands and smiled crookedly. "'Tis quiet," he explained. "On the shore near my home, it sings." "The sand sings?" Merritt asked, perplexed. "Aye. When you move it with your foot or hand, or the wind blows over it, the sand makes a sound. Some say it's more like a squeak, or a whistle." "What makes it do that?" "'Tis pure quartz, and the grains are all the same size. A scientist could explain it. But I'd rather call it magic." "Do you believe in magic?" Keir stood and smiled into her upturned face. "No, but I like the wonderments of life. Like the ghost fire that shines on a ship's mast at storm's end, or the way a bird's instinct leads him to the wintering grounds each year. I enjoy such things better for no' understanding them." "Wonderments," Merritt repeated, seeming to relish the word.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Too much magic about here. The sooner we’re back on board the better.” “Depend upon it,” said Reepicheep, “it was from eating this food that these three lords came by a seven years’ sleep.” “I wouldn’t touch it to save my life,” said Drinian. “The light’s going uncommon quick,” said Rynelf. “Back to ship, back to ship,” muttered the men. “I really think,” said Edmund, “they’re right. We can decide what to do with the three sleepers tomorrow. We daren’t eat the food and there’s no point in staying here for the night. The whole place smells of magic--and danger.” “I am entirely of King Edmund’s opinion,” said Reepicheep, “as far as concerns the ship’s company in general. But I myself will sit at this table till sunrise.” “Why on earth?” said Eustace. “Because,” said the Mouse, “this is a very great adventure, and no danger seems to me so great as that of knowing when I get back to Narnia that I left a mystery behind me through fear.” “I’ll stay with you, Reep,” said Edmund. “And I too,” said Caspian. “And me,” said Lucy. And then Eustace volunteered also. This was very brave of him because never having read of such things or even heard of them till he joined the Dawn Treader made it worse for him than for the others.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
It wasn’t until she had almost reached its lights that she heard another rider in the hills behind her. Ice slid down Kestrel’s spine. Fear, that the rider was Arin. Fear, at her sudden hope that it was. She pulled Javelin to a stop and swung to the ground. Better to go on foot through the narrow streets to the harbor. Stealth was more important now than speed. Beating hooves echoed in the hills. Closer. She hugged Javelin hard around the neck, then pushed him away while she still could bear to do it. She slapped his rump in an order to head home. Whether he’d go to her villa or Arin’s, she couldn’t say. But he left, and might draw the other rider after him if she was indeed being pursued. She slipped into the city shadows. And it was magic. It was as if the Herrani gods had turned on their own people. No one noticed Kestrel skulking along walls or heard her cracking the thin ice of a puddle. No late-night wanderer looked in her face and saw a Valorian. No one saw the general’s daughter. Kestrel made it to the harbor, down to the docks. Where Arin waited. His breath heaved white clouds into the air. His hair was black with sweat. It hadn’t mattered that Kestrel had been ahead of him on the horse path. Arin had been able to run openly through the city while she had crept through alleys. Their eyes met, and Kestrel felt utterly defenseless. But she had a weapon. He didn’t, not that she could see. Her hand instinctively fell to her knife’s jagged edge. Arin saw. Kestrel wasn’t sure what came first: his quick hurt, so plain and sharp, or her certainty--equally plain, equally sharp--that she could never draw a weapon on him. He straightened from his runner’s crouch. His expression changed. Until it did, Kestrel hadn’t perceived the desperate set of his mouth. She hadn’t recognized the wordless plea until it was gone, and his face aged with something sad. Resigned. Arin glanced away. When he looked back it was as if Kestrel were part of the pier beneath her feet. A sail stitched to a ship. A black current of water. As if she were not there at all. He turned away, walked into the illuminated house of the new Herrani harbormaster, and shut the door behind him. For a moment Kestrel couldn’t move. Then she ran for a fishing boat docked far enough from its fellows that she might cast off from shore unnoticed by an sailors on the other vessels. She leaped onto the deck and took rapid stock of the boat. The tiny cabin was bare of supplies. As she lifted the anchor and uncoiled the rope tethering the boat to its dock, she knew, even if she couldn’t see, that Arin was talking with the harbormaster, distracting him while Kestrel prepared to set sail.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She turned her head and stared at this sudden stranger in her bed. She wanted to deny that he had ever spoken such words, wanted to pretend that they did not reflect his feelings but had been said out of some kind of spite. Coldness welled up within her now. Spite words or true, did it not come to the same thing? All these years, she had been married to a fantasy, not a real person. She imagined a husband to herself, a tender, loving, laughing man who only stayed away so many months because he must, and she put Kyle’s face on her creation. Easy enough to ignore or excuse a few flaws or even a dozen when he made on of his brief stops at home. She had always been able to pretend he was tired, that the voyage had been both long and hard, that they were simply getting re-adjusted to one another. Despite all the things he had said and done in the weeks since her father’s death, she had continued to treat and react to him as if he were the man she had created in her mind. The truth was that he had never been the romantic figure her fancies had made him. He was just a man, like any other man. No. He was stupider than most. He was stupid enough to think she had to obey him. Even when she knew better, even when he was not around to oppose her. Realizing this was like opening her eyes to the sun’s rising. How had it never occurred to her before?
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Libertarianism used to have a robust left wing as well. Both disliked government. Both were driven by a fantastically nostalgic conviction that a country of three hundred million people at the turn of the twenty-first century could and should revert to something like its nineteenth-century self. Both had a familiar American magical-thinking fetish for gold—to return to gold as the foundation of U.S. currency because, they think, only gold is real. However, as the post-Reagan Republican mother ship maintained extreme and accelerating antigovernment fervor—acquiring escape velocity during the 2000s, leaving Earth orbit in the 2010s—libertarianism became a right-wing movement. (Also helpful was the fact that extreme economic libertarians included extremely rich people like the Koch brothers who could finance its spread.) Most Republicans are very selective, cherry-picking libertarians: let business do whatever it wants, but don’t spoil poor people with government handouts; let individuals have gun arsenals but not abortions or recreational drugs or marriage with whomever they wish; and don’t mention Ayn Rand’s atheism. It’s a political movement whose most widely read and influential texts are fiction. “I grew up reading Ayn Rand,” Speaker of the House Paul Ryan has said, “and it taught me quite a bit about who I am and what my value systems are, and what my beliefs are.
Kurt Andersen (Fantasyland: How America Went Haywire: A 500-Year History)
In A.D. 1223 an infant was born, clutching a jewel in her tiny fist. Her peasant father ran to the castle to bring back a priest, but by the time they returned to the hut, the jewel had disappeared. The priest declared that such would be the child's life: all good would slip through her fingers. The years passed, and the girl's beauty became celebrated. Knights and kings journeyed far to gaze into her eyes before leaving her on their crusades. Women and children made pilgrimages to look upon her angelic face. All who saw her felt blessed. But an ancient evil called the Atrox also saw her unearthly perfection and pursued her, offering her father great treasures if she would betroth it. The girl saw her father's poverty and agreed to the union, making only one request for herself--- that her beauty should last forever. The Atrox agreed, and she pledged her devotion for eternity. A Follower of the Atrox came to take the young woman to the underworld, but when he saw her beauty and grace, he fell desperately in love with her and she, too, with him. They tried to hide their love, but the Atrox saw through their deception. When the young woman stepped into the Cold Fire to receive immortality, instead of preserving her beauty for eternity, the flames consumed her flesh and bones, turning her into a wind spirit. The knight could not endure life without her. The force of his love drove him across the world, searching for a sorceress with the power to restore her human form. As he was crossing the sea, a storm broke out and sent his ship off course to the island of Aeaea, where Circe, an ancient enchantress, lived. Circe gave him a magic potion. With it, his beloved could possess any body she desired. Since then many young women have felt her presence and wondered afterward what made them act so wickedly, never understanding that for a brief time, the spirit of the wind had taken over their mind and soul.
Lynne Ewing (Possession (Daughters of the Moon, #8))
I raised two daughters,” Ronica pointed out gently. “I know how painful victory can be sometimes.” “Not over me,” Keffria said dully. There was self-loathing in her tone as she added, “I don’t think I ever gave you and Father a sleepless night. I was a model child, never challenging anything you told me, keeping all the rules, and earning the rewards of such virtue. Or so I thought.” “You were my easy daughter,” Ronica conceded. “Perhaps because of that, I under-valued you. Over-looked you.” She shook her head to herself. “But in those days, Althea worried me so that I seldom had a moment to think of what was going right…” Keffria exhaled sharply. “And you didn’t know the half of what she was doing! As her sister, I… but in all the years, it hasn’t changed. She still worries us, both of us. When she was a little girl, her willfulness and naughtiness always made her Papa’s favorite. And now that he has gone, she has disappeared, and so managed to capture your heart as well, simply by being absent.” “Keffria!” Ronica rebuked her for the heartless words. Her sister was missing, and all she could be was jealous of Ronica worrying about her? But after a moment, Ronica asked hesitantly, “You truly feel that I give no thoughts to you, simply because Althea is gone?” “You scarcely speak to me,” Keffria pointed out. “When I muddled the ledger books for what I had inherited, you simply took them back from me and did them yourself. You run the household as if I was not there. When Cerwin showed up on the doorstep today, you charged directly into battle, only sending Rache to tell me about it as an afterthought. Mother, were I to disappear as Althea has, I think the household would only run more smoothly. You are so capable of managing it all.” She paused and her voice was almost choked as she added, “You leave no room for me to matter.” She hastily lifted her mug and took a long sip of coffee. She stared deep into the fireplace. Ronica found herself wordless. She drank from her own mug. She knew she was making excuses when she said, “But I was always just waiting for you to take things over from me.” “And always so busy holding the reins that you had no time to teach me how. ‘Here, give me that, it’s easier if I just do it myself.’ How many times have you said that to me? Do you know how stupid and helpless it always made me feel?” The anger in her voice was very old.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
Boy Lost Picture a sunset in a small port town by the sea. Two teenaged boys sitting on the docks watching the ships as they fly across the water. One reaches out and takes the other’s hand. In this brush of skin for skin, a thousand unspoken promises erupt between them, and both are determined to keep them. This is what youth is. The sheer belief that you will be able to keep every promise you made to someone else. That you will be able to love someone into a forever when you do not even understand what forever means. An evening spent in the headiness of love, they go back to their respective homes. One boy helps his mother with cooking and cleaning and looking after his little sister. His father is a good man, a sailor who brings home with him meagre wages, but a heart full of love and a quicksilver tongue that tells stories of faraway lands to enthral them all. But this boy, despite his blessings, is not happy. He may have been blessed with a loving family, but that faraway look is made of unrest and wanderlust, something about him says fae, changeling, wearing the skin of a boy who was always destined to fly, to leave.   The other boy returns home to a father who drinks and a mother who works so hard that she is never there. He is the unwanted creature in this home, a beating waiting for him at every corner. His father’s temper is a beast so powerful that a boy made of paper bones barely held together cannot fight him. He hides in his room. He lives for a boy at sunset, hope made into a human being. Now picture this. This boy of paper bones alone at the docks the next sunset. And this boy alone on the docks again on a rainy day. And this boy alone on the docks every day after, waiting for someone who promised him forevers he never intended to keep. This boy becoming a man, a heart wounded so young in youth that it never quite healed right. Imagine him becoming a sailor, searching land after land for a boy he once loved, thinking he was hurt, or stolen, just needing to know what happened to him. Now see him finally finding out that the boy he loved in his boyhood ran away to a magical land where he never grew up. That without a second glance, he just forgot every promise of forever. Imagine his rage, that ancient pain turning to a terrible anger and escaping from the forgotten attic of his mangled heart. Think of what happens when immense love turns into immense hate. An anger so intense it cannot be controlled. What he would give up to avenge the boy he once was, paper-boned, standing on the docks, broken without a single person to love him, simply all alone. A hand is a small price to pay for a magical ship that will take him to Neverland, a place that lives on a star. Becoming a villain called Captain Hook is a small exchange to show Peter Pan that you cannot throw away love and think you will get away unscarred.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))