Illustrated Man Ray Bradbury Quotes

We're all fools," said Clemens, "all the time. It's just we're a different kind each day. We think, I'm not a fool today. I've learned my lesson. I was a fool yesterday but not this morning. Then tomorrow we find out that, yes, we were a fool today too. I think the only way we can grow and get on in this world is to accept the fact we're not perfect and live accordingly.

Long before you knew what death was you were wishing it on someone else.

From the outer edge of his life, looking back, there was only one remorse, and that was only that he wished to go on living.

I'd like to know what a place is like when I'm not there. I'd like to be sure.

Love will fly if held too lightly, love will die if held too tightly.

I shall remain on Mars and read a book.

There were only the great diamonds and sapphires and emerald mists and velvet inks of space, with God's voice mingling among the crystal fires.

I've always figured it that you die each day and each day is a box, you see, all numbered and neat; but never go back and lift the lids, because you've died a couple of thousand times in your life, and that's a lot of corpses, each dead a different way, each with a worse expression. Each of those days is a different you, somebody you don't know or understand or want to understand.

Mother wasn't afraid of the sky in the day so much, but it was the night stars that she wanted to turn off, and sometimes I could almost see her reaching for a switch in her mind, but never finding it.

Wouldn’t it be fine if we could prove things with our mind, and know for certain that things are always in their place. I’d like to know what a place is like when I’m not there. I’d like to be sure.

The rain continued. It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains.

Too much of anything isn't good for anyone.

My tunes and numbers are here. They have filled my years, the years when I refused to die. And in order to do that I wrote, I wrote, I wrote, at noon or 3:00 A.M. So as not to be dead.

We haven't been too bad, have we?" "No, nor enormously good. I suppose that's the trouble - we haven't been much of anything except us, while a big part of the world was busy being lots of awful things.

It was summer and moonlight and we had lemonade to drink, and we held the cold glasses in our hands, and Dad read the stereo-newspapers inserted into the special hat you put on your head and which turned the microscopic page in front of the magnifying lens if you blinked three times in succession.

To be asleep is to be dead. It is like death. So we dance, we dance so as not to be dead. We do not want that.

Memories, as my father once said, are porcupines. To hell with them! Stay away from them! They make you unhappy. They ruin your work. They make you cry

They'll fry you, bleach you, change you! Crack you, flake you away until you're nothing but a husband, a working man, the one with the money who pays so they can come sit in there devouring their evil chocalates! Do you think you could control them?

There were differences between memories and dreams. He had only dreams of things he had wanted to do, while Lespere had memories of things done and accomplished.

She wanted to get at the hate of them all, to pry at it and work at it until she found a little chink, and then pull out a pebble or a stone or a brick and then a part of the wall, and, once started, the whole edifice might roar down and be done away with.

The quality of death, like that of life, must be of an infinite variety, and if one has already died once, then what was there to look for in dying for good and all, as he was now?

The form does not matter. Content is everything.

And he listened to me. That was the thing he did, as if he was trying to fill himself up with all the sound he could hear. He listened to the wind and the falling ocean and my voice, always with rapt attention, a concentration that almost excluded physical bodies themselves and kept only the sounds.

War is a bad thing, but peace can be a living horror

Maybe I don’t have enough to do. Maybe I have time to think too much. Why don’t we shut the whole house off for a few days and take a vacation?

He had felt a braveness which he had thought to be the genuine thing, and now he knew that it had been nothing but shock and the objectivity possible in shock.

It wasn't going places. It was being between...Mostly it was space. So much space. I liked the idea of nothing on top, nothing on the bottom, and a lot of nothing in between, and me in the middle of the nothing.

Thus with the wisest of you all; you are ever unfixed.

The odors of perfume were fanned out on the summer air by the whirling vents of the grottoes where the women hid like undersea creatures, under electric cones, their hair curled into wild whorls and peaks, their eyes shrewd and glassy, animal and sly, their mouths painted a neon red.

When I hit the atmosphere, I’ll burn like a meteor. “I wonder,” he said, “if anyone’ll see me?” The small boy on a country road looked up and screamed. “Look, Mom, look! A falling star!” The blazing white star fell down the sky of dusk in Illinois. “Make a wish,” said his mother. “Make a wish.

I was never young. Whoever I was then is dead. That's more of your quills. I don't want a hide full, thanks. I have always figured that you die each day and and each day is a is a box, you see, all numbered and neat; but never go back and lift the lids, because you have died a couple thousand times in your life, and that's a lot of corpses, each dead a different way, each with a worse expression. Each of those days is a different you, somebody you don't know or understand or want to understand.

They were all alone. Their voices had died like echoes of the words of God spoken and vibrating in the shared deep.

Because sometimes the Church seems like those posed circus tableaus where the curtain lifts and men, white, zinc-oxide, talcum-powder statues, freeze to represent abstract Beauty. Very wonderful. But I hope there will always be room for me to dart about among the statues, don't you, Father Stone?

The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn't it? For you cannot love someone unless you put up with him, can you? And you cannot put up with someone constantly unless you can laugh at him. Isn’t that true?

Siempre pensé que uno muere todos los días, y que los días son como cajones. En cada uno de esos días hay un yo diferente. Alguien a quien no conoces, o no comprendes, o no quieres comprender

My waiter friend, Laurent, working at the Brasserie Champs du Mars near the Eiffel Tower, one night while serving me Une Grande Beer, explained his life. “I work from ten to twelve hours, sometimes fourteen,” he says, “and then at midnight I go dancing, dancing, dancing until four or five in the morning and go to bed and sleep until ten and then up, up and to work by eleven and another ten or twelve or sometimes fifteen hours of work.” “How can you do that?” I ask. “Easily,” he says. “To be asleep is to be dead. It is like death. So we dance, we dance so as not to be dead. We do not want that.” “How old are you?” I ask, at last. “Twenty-three,” he says. “Ah,” I say and take his elbow gently. “Ah. Twenty-three, is it?” “Twenty-three,” he says, smiling. “And you?” “Seventy-six,” I say. “And I do not want to be dead, either. But I am not twenty-three. How can I answer? What do I do?” “Yes,” says Laurent, still smiling and innocent, “what do you do at three in the morning?” “Write,” I say, at last. “Write!” Laurent says, astonished. “Write?” “So as not to be dead,” I say. “Like you.” “Me?” “Yes,” I say, smiling now, myself. “At three in the morning, I write, I write, I write!

Nothing ever likes to die--not even a room. (p.23 --> The Veldt)

All the time he had been talking his hands had wandered over the Illustrations, as if to adjust their frames, to brush away dust- the motions of a connoisseur, an art patron.

But what is shape? Only a cup for the blazing soul that God provides us all.

Did all dying people feel this way, as if they had never lived?

We theorize about what goes on in the brain, but it is mostly undiscovered country. A writer’s work is to coax the stuff out and see how it plays. Surprise, as I have often said, is everything.

There were differences between memories and dreams. He had only dreams of things he had wanted to do, while Lespere had memories of things done and accomplished. And this knowledge began to pull Hollis apart, with a slow, quivering precision.

Somewhere on the Earth tonight, my Tylla, there is a Man with a Lever, which, when he pulls it, Will Save The World. The man is now unemployed. His switch gathers dust. He himself plays pinochle.

Don’t ask for everything on your platter,” she said. “Be satisfied with a wrinkled pea, for there’s another world we’re all going to that’s better than this one.” “I know that world,” he said. “It’s peaceful,” she said. “Yes.” “There’s quiet,” she said. “Yes.” “There’s milk and honey flowing.” “Why, yes,” he said. “And everybody’s laughing.” “I can see it now,” he said. “A better world,” she said. “Far better,” he said. “Yes, Mars is a great planet.

The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn't it? For you cannot love someone unless you can put up with him, can you?

In most cases I don’t even know the metaphors lay waiting to be printed off my retina.

¿En qué punto del espacio nos encontramos en este momento?

I miss that in the city you can walk outside your front door and there’s people all around you. And they don’t know a thing about you.You could be anyone.

Don’t ever be a Rocket Man.” I stopped. “I mean it,” he said. “Because when you’re out there you want to be here, and when you’re here you want to be out there. Don’t start that.

Ya no existe el cohete. Nunca existió. Ni la gente. No hay nadie en todo el universo. Nunca hubo nadie. Ni planetas. Ni estrellas". Eso decía. Y luego algo acerca de sus pies y sus piernas y sus manos: "No mas manos", decía. "Ya no tengo manos. Nunca las tuve. Ni cuerpo. Nunca lo tuve. Ni boca. Ni cara. Ni cabeza. Nada. Solamente espacio. Solamente el abismo".

Not about mean old nasty Mars, I tell you, mister! It’s your type that is going to boil for years, and suffer and break out in black pimples and be tortured——” “I must admit Earth isn’t very nice. You’ve described it beautifully.

Not about mean old nasty Mars, I tell you, mister! It’s your type that is going to boil for years, and suffer and break out in black pimples and be tortured——” “I must admit Earth isn’t very nice. You’ve described it beautifully.

When life is over it is like a flicker of bright film, an instant on the screen, all of its prejudices and passions condensed and illumined for an instant on space, and before you could cry out, “There was a happy day, there a bad one, there an evil face, there a good one,” the film burned to a cinder, the screen went dark.

Love will fly if held too lightly, love will die if held too tightly.’ I just want her to relax her grip a little bit.

I'll burn, he thought, and be scattered in ashes all over the continental lands. I'll be put to use. Just a little bit, but ashes are ashes and they'll add to the land.

You could hear the voices murmuring small and muted from the crowds that inhabited his body".

Oh, death in space was most humorous.

And he listened to me. That was the thing he did, as if he was trying to fill himself up with all the sound he could hear.

It’s the rich who have dreams and rockets!

The colors burned in three dimensions. They were windows looking in upon a fiery reality.

Death loves death, not life. Dying people love to know that others die with them. It is a comfort to learn you are not alone in the kiln, in the grave.

He paused and tried to feel into himself to see what was really there.

My tunes and numbers are here. They have filled my years, the years when I refused to die. And in order to do that I wrote, I wrote, I wrote, at noon or 3:00 A.M. So as not to be dead.

We haven't been too bad, have we?' 'No, nor enormously good. I suppose that's the trouble--we haven't been very much of anything except us, while a big part of the world was busy being lots of quite awful things.

And we lived in a world that was evil. A world that was like a great black ship pulling away from the shore of sanity and civilization, roaring its black horn in the night, taking two billion people with it, whether they wanted to go or not, to death, to fall over the edge of the earth and the sea into radioactive flame and madness.

Here you lie in the tremendous web. Others are about you, but they are whole—whole hearts and bodies. But all of you that lives is back there walking the desolate seas in evening winds. This thing here, this cold clay thing, is already dead.

A regrettable situation,” said Bierce, smiling, “for the Yuletide merchants who, toward the last there, as I recall, were beginning to put up holly and sing Noel the day before Halloween. With any luck at all this year they might have started on Labor Day!

And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition? Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast? No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career. There was only one thing sure. Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension: By the pricking of my thumbs, Something wicked this way comes. So vague yet so immense. He did not want to live with it. Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life. At the window he looked out and thought Jim, Will, are you coming? will you get here? Waiting, his flesh took paleness from his bones.

There were fireworks the very first night, things that you should be afraid of perhaps, for they might remind you of other more horrible things, but these were beautiful, rockets that ascended into the ancient soft air of Mexico and shook the stars apart in blue and white fragments.

She wanted to get at the hate of them all, to pry at it and work at it until she found a little chink, and then pull out a pebble or a stone or a brick and then a part of the wall, and, once started, the whole edifice might roar down and be done away with. —RAY BRADBURY, THE ILLUSTRATED MAN

All he really knew was that if he stayed here he would soon be the property of things that buzzed and snorted and hissed, that gave off fumes or stenches. In six months, he would be the owner of a large pink, trained ulcer, a blood pressure of algebraic dimensions, a myopia this side of blindness, and nightmares as deep as oceans and infested with improbable lengths of dream intestines through which he must violently force his way each night.

Oh, it started very small. In 1959 and ’60 it was a grain of sand. They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressures; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves.

It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. It came by the pound and the ton, it hacked at the jungle and cut the trees like scissors and shaved the grass and tunneled the soil and molted the bushes. It shrank men’s hands into the hands of wrinkled apes; it rained a solid glassy rain, and it never stopped.

They walked over to the body, thinking that perhaps they could still save the man’s life. They couldn’t believe that there wasn’t some way to help the man. It was the natural act of men who have not accepted death until they have touched it and turned it over and made plans to bury it or leave it there for the jungle to bury in an hour of quick growth.

Trẻ con như thảm chùi chân, thỉnh thoảng phải bị dẫm lên.

Memories, as my father once said, are porcupines. To hell with them! Stay away from them. They make you unhappy. They ruin your work. They make you cry.

How do you know why you do anything in this life?

Write so as not to be dead

Y para eso escribo, escribo, escribo, al mediodía o a las tres de la madrugada. Para no estar muerto.

Quando algo acaba, é como se nunca tivesse acontecido. Onde é que a tua vida é melhor do que a minha? O presente é que conta. É melhor? É?

automaticity.

You don't know what it is. Every time I'm out there I think, 'If I ever get back to Earth I'll stay there; I'll never go out again.' But I go out, and I guess I'll always go out.

Nothing, nothing of it left to hate--not an empty brass gun shell, or a twisted hemp, or a tree, or even a hill of it to hate.

[...] quando sono a Boston, New York non esiste. Quando sono a New York, Boston non esiste. [...] L'unica realtà, in questo momento, siamo tu, io e la nave spaziale. E l'unica certezza che ho sono io.

And now the great loose brain was disintegrating. The components of the brain which had worked so beautifully and efficiently in the skull case of the rocket ship firing through space were dying one by one; the meaning of their life together was falling apart. And as a body dies when the brain ceases functioning, so the spirit of the ship and their long time together and what they meant to one another was dying.

Hepimiz aptalız," dedi Clemens, "hem de her zaman. Sadece her gün farklı türden aptalız. Sanıyoruz ki bugün aptal değiliz, dersimizi aldık. Dün aptaldım ama bu sabah değilim. Ertesi gün anlıyoruz ki, evet, o gün de aptaldık...

Later in the morning Saul tried to die. He lay on the sand and told his heart to stop. It continued beating. He imagined himself leaping from a cliff or cutting his wrists, but laughed to himself—he knew he lacked the nerve for either act.

“Father Peregrine, won’t you ever be serious?” “Not until the good Lord is. Oh, don’t look so terribly shocked, please. The Lord is not serious. In fact, it is a little hard to know just what else He is except loving. And love has to do with humor, doesn’t it? For you cannot love someone unless you put up with him, can you? And you cannot put up with someone constantly unless you can laugh at him. Isn’t that true? And certainly we are ridiculous little animals wallowing in the fudge bowl, and God must love us all the more because we appeal to His humor.” "I never thought of God as humorous," said Father Stone. "The Creator of the platypus, the camel, the ostrich, and man?" Oh, come now!" Father Peregrine laughed. Ray Bradbury, The Illustrated Man

I can see it. I have a good memory.” “It’s not the same, you fool,” said Hitchcock suddenly. There was a touch of anger in his voice. “I mean see it. I’ve always been that way. When I’m in Boston, New York is dead. When I’m in New York, Boston is dead. When I don’t see a man for a day, he’s dead. When he comes walking down the street, my God, it’s a resurrection. I do a dance, almost, I’m so glad to see him. I used to, anyway. I don’t dance anymore. I just look. And when the man walks off, he’s dead again.

São as regras do jogo." "Quero alterá-las. Não seria bom se conseguissemos provara existência das coisas com a nossa mente, tendo a certeza de que estavam sempre nos seus lugares? Gostaria de saber como é um sítio quando não estou lá. Gostaria de ter a certeza.

All my stories are cinematic. The Illustrated Man over at Warner Brothers a couple of years ago (1969) didn’t work because they didn’t read the short stories. I may be the most cinematic novelist in the country today. All of my short stories can be shot right off the page. Each paragraph is a shot.

They came to death by separate paths and, in all likelihood, if there were kinds of death, their kinds would be as different as night from day. The quality of death, like that of life, must be of an infinite variety, and if one has already died once, then what was there to look for in dying for good and all, as he was now?

Hollis looked to see, but saw nothing. There were only the great diamonds and sapphires and emerald mists and velvet inks of space, with God’s voice mingling among the crystal fires. There was a kind of wonder and imagination in the thought of Stone going off in the meteor swarm, out past Mars for years and coming in toward Earth every five years, passing in and out of the planet’s ken for the next million centuries, Stone and the Myrmidone cluster eternal and unending, shifting and shaping like the kaleidoscope colors when you were a child and held the long tube to the sun and gave it a twirl. “So long, Hollis.” Stone’s voice, very faint now. “So long.

We’re all fools,” said Clemens, “all the time. It’s just we’re a different kind each day. We think, I’m not a fool today. I’ve learned my lesson. I was a fool yesterday but not this morning. Then tomorrow we find out that, yes, we were a fool today too. I think the only way we can grow and get on in this world is to accept the fact we’re not perfect and live accordingly.

I’ve always figured it that you die each day and each day is a box, you see, all numbered and neat; but never go back and lift the lids, because you’ve died a couple of thousand times in your life, and that’s a lot of corpses, each dead a different way, each with a worse expression. Each of those days is a different you, somebody you don’t know or understand or want to understand.

O moral. Tem uma grande importância. Os terráqueos sabem que não podem fracassar. É uma certeza interior que têm como o sangue que lhes corre nas veias. Não podem fracassar. Repelirão todas as invasões, por mais bem organizadas que estas sejam. A juventude passada a ler tais histórias muniu-os de uma fé inigualável. E nós, marcianos? Nós não temos essa certeza. Sabemos que poderemos fracassar. O nosso moral é baixo, apesar de estrépito dos tambores e das trombetas.

You know what you talk like, mister?” she said. “A Communist! Yes, sir, that’s the kinda talk nobody stands for, by gosh. Nothing wrong with our little old system. We was good enough to let you Martians invade, and we never raised even our bitty finger, did we?” “That’s what I’ve been trying to understand,” said Ettil. “Why did you let us?” “Cause we’re bighearted, mister; that’s why! Just remember that, bighearted.” She walked off to look for someone else. (“The Concrete Mixer”)

I was never young. Whoever I was then is dead. That’s more of your quills. I don’t want a hide full, thanks. I’ve always figured it that you die each day and each day is a box, you see, all numbered and neat; but never go back and lift the lids, because you’ve died a couple of thousand times in your life, and that’s a lot of corpses, each dead a different way, each with a worse expression. Each of those days is a different you, somebody you don’t know or understand or want to understand.

But are we strong enough?” wondered Blackwood. “How strong is strong? They won’t be prepared for us, at least. They haven’t the imagination. Those clean young rocket men with their antiseptic bloomers and fish-bowl helmets, with their new religion. About their necks, on gold chains, scalpels. Upon their heads, a diadem of microscopes. In their holy fingers, steaming incense urns which in reality are only germicidal ovens for steaming out superstition. The names of Poe, Bierce, Hawthorne, Blackwood—blasphemy to their clean lips.

The What ifs ricocheted around in my head. In other words, the left side of my brain, if there is a left side, proposed. The right side of my brain, if there is a right side, disposed. No use proposing on the left if there is no one home on the right. I was lucky in my genetics. God, the Cosmos, the Life Force, what ever fits, gave me the right side as ball-catcher for anything the stuff from left field pitched over the plate. One half, the left, seems obvious. The other half, the right, stays mysterious, daring you to fetch it out in the light. The seance, which is to say the typewriter, computer, pen, pencil, and paper are there to catch the ghosts before they thin out in midair.