Amusement Ride Quotes

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your body is not a temple, it's an amusement park. Enjoy the ride.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
Bill Hicks
Fang: “Let them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. We’ll come back out when they’re all gone, done playing their games of world domination." Max: “That’s a great plan. Of course, by then we won’t be able to go outside because we’ll get fried by the lack of the ozone layer. We’ll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there won’t be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” Fang: “So maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.” Max: "I HATE YOU!!!" Fang: "NO YOU DOOOOOON'T!!" Voice: "You two are crazy about each other.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
Bill Hicks
I thought you might need a ride.' 'The headmaster's office called me a car.' He shrugged, indifferent but amused. 'And here I am in a submarine.
Ally Carter (Heist Society (Heist Society, #1))
Red Riding Hood ran from her wolf," he told her with an edge of amusement. "Red Riding Hood didn´t know what the hell she was missing
Lora Leigh (Jacob's Faith (Breeds, #9; Wolf Breeds, #3))
Not only did I seduce him, but I tied him up and rode him like he was my own personal amusement park ride.
Elle Kennedy (The Score (Off-Campus, #3))
Asher was a vampire. How much more dangerous could he be with a gun? But I couldn't do it. "Let me test my understanding. Is Asher going to ride in the car with us to the meeting?" I must to give you directions," Asher said. Then lean against the Jeep." He frowned at me in an amused, condescending sort of way. Excuse me?" I don't care if you're the second coming of the Antichrist, you can't sit behind me in my own car until I know you're not carrying a weapon." Asher smiled briliantly at both of us, flashing fang. ...I could rip you into pieces with my bare hands, and you're worried I have a gun?" He chuckled, a low, skin-prickling sound. "That is so very cute.
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
Like I said before, your body is not a temple, it's an amusement park. Enjoy the ride.
Anthony Bourdain
Compressing her lips together, she gave Mark a baleful glance, eyes flashing pure malice. If he wanted his lips anywhere near hers he’d better be prepared to do battle. ‘Now that’s what I’m talking about,’ said Mark, as the corner of his lip began to twitch in amusement.
C.P. Mandara (The Riding School (Pony Tales, #1))
Far more disturbing than any spook house at an amusement park is a ride through the old hometown if you've been away for years.
Jonathan Carroll (The Marriage of Sticks (Crane's View, #2))
I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse
Lise McClendon
BDSM is like visiting a kinky Amusement Park. Once you pay the entry fee, you hop on an erotic roller coaster of deviant self-discovery. Although I have the threat of pain before me, I’m not even close to wanting to get off of this ride. It’s such a fucking thrill. Or is that a thrilling fuck? Whatever. Either way, it’s as hot as hell.
Nikki Sex (Kink (Fate #2))
Books are fun, Nicholas, he says, they're like amusement parks for readers. Yeah, well, maybe they would be fun if I got to pick the rides sometimes, you answer
Kwame Alexander (Booked (The Crossover, #2))
The life of an "out-of-control" addict often resembles an amusement ride.
Asa Don Brown
You're certainly chipper this morning." "Damn straight. Chipper's my middle name. I'm going out to spread joy and laughter to all of mankind." "What a nice change of pace." There was amusement riding along with the Irish in his voice. "Perhaps you'll start now by going down with me to see Summerset off." She grimaced. "That might spoil my appetite." Testing, she polished off the pancakes. "No, no, it doesn't. I can do that. I can go down and wave bye-bye." Brow lifted, he gave her hair a quick tug. "Nicely." "I won't do the happy dance until he's out of sight. Three weeks.
J.D. Robb (Portrait in Death (In Death, #16))
Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble
Michael Buckley (Sisters Grimm Books 1, 2, and 3 Three-Pack (The Sisters Grimm, #1-3))
Pick someplace that you could actually get to without building a spaceship.” Six asks I think it over for a moment. “I don’t know. Disney World?” Six and Sarah both exchange a look and then start laughing. “Disney World?” exclaims Six. “You’re so cheesy, John.” “No, it’s sweet,” says Sarah, patting my hand. “It’s the most magical place on Earth.” “You know, I’ve never actually been on a roller coaster. Henri wasn’t down with the whole amusement-park thing. I used to see the commercials and I always wanted to go.” “That’s so sad!” exclaims Sarah. “We’re definitely going to get you to Disney World. Or at least on a roller coaster. They’re amazing.” Six snaps her fingers. “What’s that one ride? It’s supposed to be like a rocket ship?” “Space Mountain,” answers Sarah. “Yeah,” replies Six, and then hesitates as if she’s worried she’s about to divulge too much. “I actually remember looking that up online when I was little. I insisted to Katarina that it had something to do with us.” The thought of a young Six investigating Disney World is priceless. The three of us share a laugh. “Aliens,” mutters Sarah jokingly. “You need to get out more.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
But all that's hugely unlikely -- with the exception of mosquito bites and sunburn. And yet even experienced travelers are still afraid. "What everyone forgets -- even me -- is the people who actually live here. In places like Central America, I mean. Southeast Asia. India. Africa. Millions, even billions, of people, who live out their whole lives in these places -- the places so many people like us fear. Think about it: they ride chicken buses to work every day. Their clothes are always damp. Their whole lives, they never escape the dust and the heat. But they deal with all these discomforts. They have to. "So why can't travelers? If we've got the means to get here, we owe it to the country we're visiting not to treat it like an amusement park, sanitized for our comfort. It's insulting to the people who live here. People just trying to have the best lives they can, with the hands they've been dealt.
Kirsten Hubbard (Wanderlove)
Max." Fang let go of my hand. "Right now, it's really all about—us." He swooped down to the right in a big semicircle, ending facing me. Slowly we climbed upward, until we were almost vertical, flying straight up to the sun. While carefully synchronizing our wings—they almost touched—Fang leaned in, gently put one hand behind my neck, and kissed me. It was just about as close to heaven as I'll ever get, I guess. I closed my eyes, lost in the feeling of flying and kissing and being with the one person in the world I completely, utterly trusted. When we finally broke apart, we looked down at the others, who were way far below us now. Angel was shading her eyes, looking up at us with a big smile. She was sitting on a dolphin's back, and I hoped soon someone would explain to the dolphin that he shouldn't let Angel take advantage of his good nature. Still looking up at us, Angel gave us a big thumbs-up. "She approves," Fang said with a hint of amusement. "Jeez," I wondered aloud. "Is that a good thing or a bad thing?
James Patterson (Max (Maximum Ride, #5))
The second thing which made speechless--a state my dad would have found amusing--was the fact Mr. Hunky gave me a masculine grin--a naughty one which made me cream my panties--and said in a velvety baritone, “Run along, sweetheart. I’ve got this.” Me, one of Hell’s most successful bounty hunters, dismissed with a smile and a wave of his hand. His treatment made me want to tear his pants off and ride him like a cowgirl--I mean, he’d called me sweetheart, how hot was that?--while at the same time making me see red. I’m gonna wipe the smirk off his face. Then I’m gonna kiss him. Then..
Eve Langlais (Last Minion Standing)
Once Dad took us to an amusement park in Oregon. Before I ever manifested. I plummeted twenty stories on a drop ride. Totally helpless to gravity. Unable to fly, to save myself ... I feel that same helpless terror now. Because nothing I say will divert Mom off her present course. Nothing will make her realize what she's doing to me. I'm falling. And this time nothing will save me. No mechanical device will work its wonder and jerk me back at the last minute. But she does realize, a small voice whispers through me. That's why she's doing it. That's why she brought you here. She wants me to hit ground.
Sophie Jordan (Firelight (Firelight, #1))
But where will this mania for entertainment end? What will people do when they get tired of television? When they get tired of movies? We already know the answer—they go into participatory activities: sports, theme parks, amusement rides, roller coasters. Structured fun, planned thrills. And what will they do when they tire of theme parks and planned thrills? Sooner or later, the artifice becomes too noticeable. They begin to realize that an amusement park is really a kind of jail, in which you pay to be an inmate. ‘This artifice will drive them to seek authenticity. Authenticity will be the buzzword of the twenty-first century. And what is authentic? Anything that is not devised and structured to make a profit. Anything that is not controlled by corporations. Anything that exists for its own sake and assumes its own shape. But of course, nothing in the modern world is allowed to assume its own shape. The modern world is the corporate equivalent of a formal garden, where everything is planted and arranged for effect. Where nothing is untouched, where nothing is authentic.
Michael Crichton (Timeline)
Harriet was silent. She suddenly saw Wimsey in a new light. She knew him to be intelligent, clean, courteous, wealthy, well-read, amusing and enamoured, but he had not so far produced in her that crushing sense of utter inferiority which leads to prostration and hero-worship. But she now realised that there was, after all, something god-like about him. He could control a horse.
Dorothy L. Sayers (Have His Carcase (Lord Peter Wimsey, #7))
I forbid you from frequenting taverns, public houses, or other establishments of vice.” She snorted in amusement. “Establishments of vice? That’s a rather puritanical view of things, isn’t it? I assure you, I was quite safe.” “You were with Ralston!” he said, as though she were simpleminded. “He was perfectly respectable,” she said, the words coming out before she remembered that the carriage ride home was anything but respectable. “Imagine—my sister and the Marquess of Ralston together. And he turns out to be the respectable one,” Benedick said wryly, sending heat flaring on Callie’s cheeks, but not for the reason he thought. “No more taverns.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
The universe is a gigantic amusement park in which we can have a ride or two.
Stefan Emunds (A Modern Crash Course in Spirituality)
I am amused when goody-goodies proclaim, from the safety of their armchairs, that children are naturally prejudice-free, that they only learn to "hate" from listening to bigoted adults. Nonsense. Tolerance is a learned trait, like riding a bike or playing the piano. Those of us who actually live among children, who see them in their natural environment, know the truth: Left to their own devices, children will gang up on and abuse anyone who is even slightly different from the norm.
Josh Lieb (I Am a Genius of Unspeakable Evil and I Want to Be Your Class President)
Anyone can ride a bike," Jack said. "Even an elf." The corner of his mouth went up in amusement. "She can ramble through the grove, her natural habitat, and visit her animal subjects.
Marta Acosta (Dark Companion)
Go ahead and eat while I take a shower. I left a pen and paper on the table. Your homework for today is to write down all the things you'd do if there were no consequences." "Why should I do that?" she asked belligerently. "Because I said so and I'm the boss." (...) After my shower, I found Gianna sitting on the couch with an amused, self-satisifed look on her face. I sauntered over to the dining room table to read her list. 1. Punch Caleb in the face. 2. Steal Caleb's car and go for a joy ride, which may involve crashing into a brick wall. 3. Find a way to get Caleb expelled from my school, so he'll have to live somewhere else. I glanced up at Gianna to take in the smug grin on her face. "What?" she asked innocently.
April Brookshire (Beware of Bad Boy (Beware of Bad Boy, #1))
I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it. Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime. I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.
Osamu Dazai (No Longer Human)
It's difficult to spend time in any carnival or amusement park and not realize that a repressed fear of death may be the one emotion that is constant in the human heart even if, most of the time, it is confined to the unconscious as we go about our business. Thrill rides offer us a chance to acknowledge our ever-present dread, to release the tension that arises from repression of it, and to subtly delude ourselves with the illusion of invulnerability that surviving the Big Drop can provide.
Dean Koontz (Saint Odd (Odd Thomas, #7))
You know, having a panic attack feels like you're collapsing, like your organs are rebelling against you, and that you'd throw them up. It's like you're on a swing ride in an amusement park. At first, you're there waiting for things to happen, and for gravity to mess up with you. After a while of waiting, it starts working, and slowly you're reaching a frightening height. And it's not like you have phobia, but you certainly feel things as your chest starts tightening, you think it’d explode. Then, it's swinging and you just want to scream or jump or whatever, but you can't do that. You're tied and scared and there is no way you'd reach a solid ground.
Nesrine BENAHMED (Metanoia: Different shades of life)
Dear Dad: After twenty-two years in the amusement park, this roller coaster isn’t fun any more, so I’m getting off the ride. Roger
Roger Kahn (Into My Own: The Remarkable People and Events that Shaped a Life)
Yo mama is so fat… when she goes to an amusement park, people try to ride her!
Johnny B. Laughing (Yo Mama Jokes Bible: 350+ Funny & Hilarious Yo Mama Jokes)
In a dog’s life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us. We could have bought a small yacht with what we spent on our dog and all the things he destroyed. Then again, how many yachts wait by the door all day for your return? How many live for the moment they can climb in your lap or ride down the hill with you on a toboggan, licking your face?
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Their fond Uncle Martin looked anything but gratified, but managed to control his feelings until he found himself out of earshot of his sister. He then declared that if Louisa imagined that he meant to waste his time in amusing her children she would find herself very much mistaken. ‘Good God, Martin, are you mad?’ demanded Gervase. ‘You will take those brats for rides as soon as they have swallowed their breakfasts, if Theo and I have to tie you to the saddle! Did you not hear Louisa say that she could not tear them from us until they had been granted this indulgence?
Georgette Heyer (The Quiet Gentleman)
You're going to have to hold on harder than that." Amusement lanced his tone, and I rolled my eyes. "And scoot up, or the moment this Ducati moves, you're going to fly right off the back of it." "Sounds like if that happens, it's your fault," I retorted, but flattened my hands against his sides. "And if I get any closer, I'm going to be riding your back like a book bag." "That's a sentence I never thought I'd hear." His voice crackled through the microphone. "You're welcome.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love.
Bill Hicks
What kind of world have we built when it is more acceptable to ask for sex than a cuddle session? … Have we so stripped our sexuality of inherent value that it becomes the sacrificial lamb on the altar of connection, because everything else is too precious to risk? I'm the first one to say that my body is an amusement park, and I like to have fun with it – and let other people ride it – but there is still a divinity in it. It is no less precious than our fears, our smiles, our hopes, our tears. And this goes not just for women, but for all people. I've known men and dominants who felt they could be vulnerable only during sex, and so they would ask for that instead of talking about what was bothering them, or even simply as a distraction from their own thoughts and troubles.
Kacie Cunningham (Conquer Me: Girl-To-Girl Wisdom About Fulfilling Your Submissive Desires)
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door. I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
Mary Gaitskill
Life is like an amusement park. You don't go to an amusement park to become a better person. You go to an amusement park to ride the rides.
Samantha Standish (You're Equal: The antidote to hierarchy and narcissism. An elucidation of the mechanics of equality.)
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book. The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship. But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do. But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.
Philip Pullman
He settled himself with assurance behind the wheel and I climbed in beside him. As he turned the car away from the cathedral, and so out on to Rue Voltaire, he continued to enthuse in schoolboy fashion, murmuring, "Magnificent, excellent!" under his breath, obviously enjoying every moment of what soon turned out to be, from my own rather cautious standard, a hair-raising ride. When we had jumped one set of lights, and sent an old man, leaping for his life, and forced a large Buick driven by an infuriated American into the side of the street, he proceeded to circle the town in order, so he explained to try the car's pace. "You know," he said, "it amuses me enormously to use other people's possessions. It is one of life's great pleasures." I closed my eyes as we took another corner like a bob-sleigh.
Daphne du Maurier (The Scapegoat)
Instead of violent wars there could be violent video games. Instead of heroic feats, there could be thrilling amusement park rides. Instead of serious thought, there could be intrigues of all sorts as if in a soap opera. It is a world where people spend their lives amusing themselves to death.
Peter Thiel
We are the water in the river of civilization, and those fellow citizens who desire attention, who ride the boats on the river and wave to admiring crowds along the shore…well, they interest us less than they amuse us. We don’t envy them their prominence. We embrace our anonymity and the quiet that comes with it.
Dean Koontz (Odd Hours (Odd Thomas, #4))
The following afternoon the two arrived at the carnival grounds. They mingled with the crowd, enjoying the various amusements. Finally Ned bought tickets for the roller coaster. As the car dashed madly down each incline, Nancy held her breath and clung to Ned. He enjoyed this so much that he suggested a second ride.
Carolyn Keene (The Clue in the Jewel Box (Nancy Drew, #20))
my fingers penetrated your bushy hair, pulled it up in tufts, squeezed the tension out of your head, to your quiet, grateful groans. I untied the Gordian knots in your shoulders with juniper oil, pummelled your back with my fists, knuckle each vertebrae down to your coccyx, knead your hard buttocks, rub oil into your legs, bathe your tired feet, squeeze them until your tingles shoot up my arm, I chew each toe in turn until it is softened, bite into your soles like a joint of pork, you cannot help but giggle, sir, I turn you over, with my palms, rotate your temples, trace the curves on your face, touching yet not, three fingers inside your mouth, let you suckle, baby, from belly to breast, I massage your chest in concentric circles, pinch your nipples, nibble gently, set my belly-dancer tongue on to them, take your hands, my love, tie them above your head, with your belt, I sit astride my steed, take the reins, my flexible muscles holding you in, flexing like strong fists, tighten and release, teasing you, taming you, your eyes are shut, you have died and gone to Olympus, smiling, I slap it off, so hard my hand hurts, your eyes shoot open like a dead man dying, I slap you again, you feign amusement, your eyes suggest so this is slap and tickle? I take your riding crop, fold it, lash your chest. ‘Take that!’ I hiss. ‘How dare you humour me. Who’s the boss now?
Bernardine Evaristo (The Emperor's Babe)
Workampers run the rides at amusement parks from Dollywood in Tennessee to Adventureland in Iowa, Darien Lake in New York, and Story Land in New Hampshire. (“Workampers not only get to meet and work with new people from around the world, but also get to experience the pure joy of children’s dreams coming true every day!” promises a Story Land recruitment
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Across the intersection he could see the crumbling blue-green facade of the Palace Amusements building, the grinning ten-foot-high face on its north wall smiling out on empty streets and vacant lots. The arcade entrances were covered with plywood; broken neon tubing hung from the walls. He thought of the hours he had spent there as a kid, playing pinball, firing the real .22s in the shooting gallery, riding the bumper cars. It hurt to look at it now.
Wallace Stroby (The Barbed-Wire Kiss: A Novel (Harry Rane Novels Book 1))
Well,I appreciate the offer, Senator, but I'll drive myself.See you over the canapes." "Then, I'll ride with you," he said amiably. "We don't want to put any more carbon monoxide in the air than necessary. Shall I put that in the car for you?" Shelby took a firmer grip on the box as her hold in other areas started to slip. It was the damn serious smile and those thoughtful eyes,she decided. They made a woman feel as though she were the only one he'd ever looked at in quite that way. "Alan," she began,a bit amused by his persistance. "What is this?" "This..." He leaned over and captured her mouth with his, lingering until her fingers threatened to dig holes in the stif cardboard she held. "Is what our ancestors would have called a siege," he finished softly. "And MacGregors are notoriously successful at laying siege." Her breath shuddered out to merge with his. "You don't do badly at hand-to-hand combat either." He chuckled and would have kissed her again if she hadn't managed to step back. "All right." Shelby thrust the box into his arms, considering it a strategic move. "We'll carpool.I don't want to be condemned as an air-polluter.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
And there won’t be any TV or cable because all the people will be dead!” I was on a roll now. “So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” I was practically frothing at the mouth. Fang looked at me. “So maybe we should sign you up for a weaving class. Get a jump on all those plant fibers.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride #3))
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look." "She barely caught me." "Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans. "Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private." "Shut up.God, Brian, you said it was nothing." "It's not much." His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up." He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them." "You could have a cracked rib. You need an X ray." "I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again. "Stand still,and don't be a baby." "A minute ago it was don't be macho, now it's don't be a baby. What do you want?" "For you to behave sensibly." "It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens." "I'm sure that's terribly amusing.One of the men can drive you to the emergency room" "No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it." She spotted another, riding high on his hip,and gave that a poke. This time he groaned. "Keeley,you're torturing me here." "Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?" It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?" His throat hurt. "You make my head swim. And you know it." "Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would." "You pick a fine time to tell me when there's people everywhere, and your father one of them.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
My mother died of breast cancer that metastasized throughout her body, including her brain. Toward the end, as her mind became increasingly effected, I began to feel as though I were on a Tilt-a-Whirl—that now-old-fashioned amusement park ride in which each rider stands upright in a little niche on a large disk, the whole of which rotates until someone throws up. It seemed as though I shared the ride with a great many people from my mother’s life, while she stood in the center and spoke to whomever was opposite her when the ride stopped. Sometimes she would begin a sentence addressing me, and end it addressing her prom date, or someone else I couldn’t see.
Scott Robinson (The Dark Hills)
May I give you a ride?” Of all people. “What are you doing here?” AJ shrugged. “Thought you might want to treat me to supper.” “Why would I want to do that?” “It’s your turn.” She almost smiled. Almost. But his expression told her she hadn’t hid her amusement soon enough. “I’m mad at you.” She meant to sound mad, but somehow the words came out pouty, almost flirtatious. “What did I do now?” His tone made it clear he wasn’t taking her supposed anger very seriously. “The gravel.” “Oh.” He drew out the syllable and tapped his fingers on the steering wheel. “I told you not to.” His eyes, dark pools beneath the bill of his cap, looked mischievously into hers. “But I bet you’re glad I did.” He
Johnnie Alexander (Where She Belongs (Misty Willow #1))
Some thoughts, possessing a frightening kind of self-awareness, knew to hide deep beneath others, riding unseen the same currents, where they could grow unchallenged, unexposed by any horrified recognition. One could always sense them, of course, but that was not the same as slashing through all the obfuscation, revealing them bared to the harsh light and so seeing them wither into dust. The mind ran its own shell-game, ever amused at its own sleight of hand misdirection – in truth, this was how one tended to live, from moment to moment, with the endless exchange of denials and deference and quick winks in the mirror, even as inner proclamations and avowals thundered with false willpower and posturing conviction.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
It's one of the things Cam and I discussed last evening- he said it's characteristic of Hathaway women, this need for demonstrations of affection." Amused and fascinated, Poppy made a face. "What else did he say?" Harry's mood altered with quicksilver speed. He threw her a dazzling grin. "He compared it to working with Arabian horses... they're responsive, quick, but they need their freedom. You never master an Arabian... you become its companion." He paused. "At least, I think that's what he said. I was half dead from exhaustion, and we were drinking brandy." "That sounds like Cam." Poppy raised her gaze heavenward. "And after dispensing this advice, he sent you to me, the horse." Harry stopped and pulled her against him, nudging her braid aside to kiss her neck. "Yes," he whispered. "And what a nice ride it was.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
If I knew you were going to die, I'd make your last moment on earth last forever. I'd take you to the Eiffel Tower in Paris and make sure that you have the most romantic dinner your life. I'd fill your room with hundreds of wild sunflowers, so that even in death, you may carry the scent of something beautiful. If you were to die I'd make sure to drag you through an amusement park and ride all the crazy rides with you, eat all that ice cream with you, win all those stuffed animals for you. If you were to die, I’d beat up every single person in the world who has ever hurt you. I’d protect you with my life. I’ll protect you with everything I own, everything I have, everything I can give. If I knew you were going to die, I’d cut out my own heart for you. I’d cut it out so you could have it. So that you could live. Because I sure as hell can't live without you.
Anonymous
When asked if he had a special feeling for books, critic-turned-filmmaker Francois Truffaut answered, "No. I love them and films equally, but how I love them!" As an example, Truffaut gave the example that his feeling of love for "Citizen Kane" (USA, 1941) "is expressed in that scene in 'The 400 Blows' where Antoine lights a candle before the picture of Balzac.' My book lights candles for m any of the great authors of this world: Chinua Achebe (Nigeria), Angela Carter (UK), Saratchandra Chattopadhyay (India), Janet Frame (New Zealand), Yu Hua (China), Stieg Larsson (Sweden), Clarice Lispector (Brazil), Mario Vargas Llosa (Peru), Naguib Mifouz (Egypt), Murasaki Shikibu (Japan), and Alice Walker (USA) - to name but a few. Furthermore, graphic novels, manga, musicals, television, webisodes and even amusement park rides like 'Pirates of the Caribbean' can inspire work in adaptation. Let's be open to learning from them all. ("Great Adaptations: Screenwriting and Global Storytelling," 2)
Alexis Krasilovsky (Great Adaptations: Screenwriting and Global Storytelling)
Their ride back to Ealing was quiet. She avoided looking at him, while he couldn’t seem to stop looking at her. He tried to engage her in conversation, but the tart-tongued angel was in hiding, and he didn’t know how to get her back. Even Freddy must have realized that something had changed, for he kept his inane chatter to a minimum. By the time they reached Halstead Hall, Oliver’s nerves were on edge. He was relieved that he could excuse himself to go work in his study on the ledgers he’d ignored last night, but he didn’t get very far. Even after an hour of turning pages and noting transactions, he kept hearing Maria’s sighs of pleasure, kept seeing her teasing smile as she said, “Would you offer to ravish me?” Damned right he would. A knock came at the door, jerking him from his disturbing reverie. As he glanced at the clock, shocked to discover that two hours had passed, Jarret entered and strolled over to the desk. “Amazing,” the scapegrace said. “When the servant said you were in here working, I thought surely I’d misheard him.” “Very amusing.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
She was still standing there several moments later when Ian walked in to invite her to ride with him. “Still trying to find your answer, sweetheart?” he asked with a sympathetic grin, mistaking the cause of her wary stare. “No, I found mine,” she said, her voice unintentionally accusing as she thrust both pieces of paper toward him. “What I would like to know,” she continued, unable to tear her gaze from him, “is how it happens to be the same answer you arrived at in a matter of moments.” His grin faded, and he shoved his hands into his pockets, ignoring the papers in her outthrust hand. His expression carefully impassive, he said, “That answer is a little more difficult than the one I wrote down for you-“ “You can do this-calculate all those figures in your mind? In moments?” He nodded curtly, and when Elizabeth continued to stare at him warily, as if he was a being of unknown origin, his face hardened. In a clipped, cool voice he said, “I would appreciate it if you would stop staring at me as if I’m a freak.” Elizabeth’s mouth dropped open at his tone and his words. “I’m not.” “Yes,” he said implacably. “You are. Which is why I haven’t told you before this.” Embarrassed regret surged through her at the understandable conclusion he’d drawn from her reaction. Recovering her composure, she started around the desk toward him. “What you saw on my face was wonder and awe, no matter how it must have seemed.” “The last thing I want from you is ‘awe,’” he said tightly, and Elizabeth belatedly realized that, while he didn’t care what anyone else thought of him, her reaction to all this was obviously terribly important to him. Rapidly concluding that he’d evidently had some experience with other people’s reaction to what must surely be a form of genius-and which struck them as “freakish”-she bit her lip, trying to decide what to say. When nothing came to mind, she simply let love guide her and reacted without artifice. Leaning back against the desk, she sent him an amused, sidelong smile and said, “I gather you can calculate almost as rapidly as you can read?” His response was short and chilly. “Not quite.” “I see,” she continued lightly. “I would guess there are close to ten thousand books in your library here. Have you read them all?” “No.” She nodded thoughtfully, but her eyes danced with admiring laughter as she continued, “Well, you’ve been quite busy the past few weeks-dancing attendance on me. No doubt that’s kept you from finishing the last thousand or two.” His face softened as she asked merrily, “Are you planning to read them all?” With relief, she saw the answering smile tugging at his lips. “I thought I’d attend to that next week,” he replied with sham gravity. “A worthy endeavor,” she agreed. “I hope you won’t start without me. I’d like to watch.” Ian’s shout of laughter was cut short as he snatched her into his arms and buried his face in her fragrant hair, his hands clenching her to him as if he could absorb her sweetness into himself. “Do you have any other extraordinary skills I ought to know about, my lord?” she whispered, holding him as tightly as he was holding her. The laugher in his voice was replaced by tender solemnity. “I’m rather good,” he whispered, “at loving you.
Judith McNaught (Almost Heaven (Sequels, #3))
And now the wolf commanded and the man obeyed. At the word of command the man sank on his knees, let his tongue loll out and tore his clothes off with his filed teeth. He went on two feet or all-fours just as the wolf ordered him, played the human being, lay for dead, let the wolf ride on his back and carried the whip after him. With the aptness of a dog he submitted gladly to every humiliation and perversion of his nature. A lovely girl came on to the stage and went up to the tamed man. She stroked his chin and rubbed her cheek against his; but he remained on all fours, remained a beast. He shook his head and began to show his teeth at the charming creature—so menacingly and wolfishly at last, that she ran away. Chocolate was put before him, but with a contemptuous sniff he thrust it from him with his snout. Finally the white lamb and the fat mottled rabbit were brought on again and the docile man gave his last turn and played the wolf most amusingly. He seized the shrieking creatures in his fingers and teeth, tore them limb from limb, grinningly chewed the living flesh and rapturously drank their warm blood while his eyes closed in a dreamy delight.
Hermann Hesse (Steppenwolf)
In fact, I had amused myself on the ride to the smithy by imagining an aerial view of the village as a representation of a skeletal forearm and hand; the High Street was the radius, along which lay the shops and businesses and the residences of the more well-to-do. St. Margaret’s Lane was the ulna, a narrower street running parallel with the High, tenanted by smithy, tannery, and the less genteel artisans and businesses. The village square (which, like all village squares I had ever seen, was not square at all, but roughly oblong) formed the carpals and metacarpals of the hand, while the several lanes of cottages made up the phalangeal joints of the fingers. The Duncans’ house stood on the square, as behooved the residence of the procurator fiscal. This was a matter of convenience as well as status; the square could be used for those judicial matters which, by reason of public interest or legal necessity, overflowed the narrow confines of Arthur Duncan’s study. And it was, as Dougal explained, convenient to the pillory, a homely wooden contraption that stood on a small stone plinth in the center of the square, adjacent to the wooden stake used—with thrifty economy of purpose—as whipping post, maypole, flagstaff and horse tether, depending upon requirements.
Diana Gabaldon (Outlander (Outlander, #1))
Madam, you can’t be more desperate than I.” He wound his arms around her and grunted. “The evidence is drooling on your stomach. I have not lost this erection for five days. Doral looks at me and winces. You have obliterated my dignity in front of my staff. I have become a laughingstock, a by-word for ‘pussy-whipped male’. Every time I walk into a room, the conversation dies. I entered the mess hall, yesterday—530 officers and enlisted men. Silence, Fleur. Dead silence.” She sniffed. By the gods, this must be a unique experience for him. I’m certain he has never been the butt of the joke before. “I don’t think you appreciate the torture and humiliation you inflict. Do you know how uncomfortable it is to ride a horse when I’m like this? Do you know how disconcerting it is to discuss cavalry deployment with Major Truillo while I’m sporting a cockstand to rival a stud horse? I couldn't get the man to look me in the face. Worse, he thought I reacted to him.” She nuzzled her face into Ari’s chest and tried to contain her amusement. Her imagination supplied the picture of the very handsome, very homosexual, very short Major Truillo standing with covetous eyes riveted to Ari’s substantial erection, all the while discussing the dry topic of cavalry placement. “For half an hour all I saw was the top of his head.” He paused for a moment then threw out, “He has a bald spot.
Patricia A. Knight (Hers to Command (Verdantia, #1))
Ranulf stared blankly into the campfire, trying to ignore Lily. "White horses always look dirty," Lily told the young smitten soldier sitting beside her. "That's why I refuse to ride them.Brown ones may be just as filthy,but at least I cannot see the dirt. Black ones less so,but I have found that in general dark horses suit me better." "You just think you look better on them," Edythe protested before succumbing to several seconds of coughing. Bronwyn studied her redheaded sister for a moment.Tyr put another blanket around Edythe's shoulders and eventually the coughs quieted. Turning her attention to Ranulf,Bronwyn promised him softly, "You'll have to ignore them." Ranulf grimaced and sent a reproving look to his youngest sister-in-law. It,just like the others he had sent Lily throughout the day,changed nothing. "I just find it hard to reconcile the child I hear now with the woman who appeared after your death. With you gone,she had to grow up.Now that you are back..." Bronwyn snuggled up against his side with a sigh. "I admit I encourage it.Life will force Lily to grow up soon enough and I am glad it was not my death that thrust it upon her. In the meantime,you ignore her prattle and I'll just be amused it," she advised before planting a gentle kiss on his arm. Ranulf,with his free hand, raked his fingers through his short hair. How had he gotten into this predicament? But it took only one look at the huddled form next to him to remember exactly how. Bronwyn. He had wanted to make her happy. After thinking her lost to him forever, he would have promised her anything, even the moon.
Michele Sinclair (The Christmas Knight)
Kenilworth, Mountainside, Scotch Plains, Dunellen... they themselves seemed far from Jersey: names out of Waverley novels, promising vistas of castles, highland waterfalls, and meadows dotted with flocks of grazing sheep. But the signboards lied, the books had lied, the Times had lied; the land here was one vast and charmless suburb, and as the bus passed through it, speeding west across the state, Freirs saw before him only the flat grey monotony of highway, broken from time to time by gas stations, roadhouses, and shopping malls that stretched away like deserts. The bus was warm, and the ride was beginning to give him a headache. He could feel the backs of his thighs sweating through his chinos. Easing himself farther into the seat, he pushed up his glasses and rubbed his eyes. The scenery disappointed him, yet it was still an improvement over what they'd just come through. Back there, on the fringes of the city, every work of man seemed to have been given over to the automobile, in an endless line of showrooms and repair shops for mufflers, fenders, carburetors, ignitions, tires, brakes. Now at last he could make out hills in the distance and extended zones of green, though here and there the nearness of some larger town or development meant a length of highway lined by construction, billboards touting banks or amusement parks, and drive-in theaters, themselves immense blank billboards, their signs proclaiming horror movies, "family pictures," soft-core porn. A speedway announced that next Wednesday was ladies' night. Food stands offered pizzaburgers, chicken in the basket, fish 'n' chips.
T.E.D. Klein (The Ceremonies)
My roommate has a gerbil,” Ryan said, grinning. “The little guy got loose and crapped all over my bed. It’s just been a crazy day.” Nodding at his silly story, I heard a familiar voice. “That’s fucking fascinating,” Judd said from behind me. “Then, what happened?” Judd was stalking me apparently. He pulled a chair to the table. “What are we having for dinner?” “Who are you exactly?” Ryan asked. “Tawny’s man. I don’t do names or handshakes, so save it, kid.” When Ryan looked at me for help, I shook my head. “I have no control over him. If I did, he wouldn’t be here.” “Oh, don’t be like that,” Judd said, caressing the back of my hair. “I like that sweater on you. Very autumn. Looks good with your eyes.” “Please, go away.” “I can’t. I’m your ride tonight.” “Should I leave?” Ryan asked. Judd glanced at my date. “Just catch onto that, did you?” Ryan stood up. “See you around, Tawny.” “Can’t you stay and ignore him?” Judd’s eyes narrowed. “No, he can’t.” “We can still talk,” I said, praying Ryan would stay. “He might leave if we treat him like static in the background.” Ryan considered staying until Judd’s amused expression faded. “She’s not fucking you, if that’s what you’re holding out for. In fact, you ain’t even getting a goodnight kiss. Well, unless you want that to be the last thing your lips ever do before I rip them off your face.” “I’m going to leave,” Ryan said, giving me a tight smile. “See you around.” “If you see her,” Judd growled, “you just keep on walking.” Nodding, Ryan hurried away, leaving me alone with Judd who switched into the seat across from me. “Alone at last.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
Minutes later, as they lay tangled together, dazed in the aftermath of their loving, Callie began to chuckle silently against Gabriel's side. Lifting his head to find her grinning a wide, silly grin, he drawled, "What is it that has you so amused, lovely?" "I was simply thinking"- she stopped to catch her breath from the laughter and started again- "I was merely thinking that if that is what riding astride is like, the female population is missing out on one of life's finer experiences." The last word was lost as she dissolved once more onto giggles. He caught her against him in a fierce hug and sighed, unable to keep himself from smiling up at the ceiling as he said, "You know, Empress, men do not appreciate laughter at this particular moment. It's devastating to the self-confidence." Her head snapped up and she took in his amused countenance. "Oh, my apologies, good sir," she teased. "I would hate to damage such a fragile ego as that of the Marquess of Ralston." With a playful growl, he pinned her to the mattress. "Minx. You shall pay for that." And he began to kiss down the side of her neck, nibbling across her collarbone until she sighed with pleasure. "If this is how I must pay for it, my lord, you may guarantee I shall tease you a great deal in the coming months." "More than months, I hope," he drawled, distracted by her lovely white breasts. "Years. Decades even." "Decades," she repeated, awestruck. My God. He's going to be my husband. "Mmm-hmm," he murmured against her skin before pulling away from her. "Which is why, despite how very difficult it shall be for me to leave you warm and lush in your bed, I shall console myself with the fact that, very soon, I shan't have to do so ever again.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Meanwhile, Trucker and I, through all of this, had been renting that cottage together, on a country estate six miles outside of Bristol. We were paying a tiny rent, as the place was so rundown, with no heating or modern conveniences. But I loved it. The cottage overlooked a huge green valley on one side and had beautiful woodland on the other. We had friends around most nights, held live music parties, and burned wood from the dilapidated shed as heating for the solid-fuel stove. Our newly found army pay was spent on a bar tab in the local pub. We were probably the tenants from hell, as we let the garden fall into disrepair, and burned our way steadily through the wood of the various rotting sheds in the garden. But heh, the landlord was a miserable old sod with a terrible reputation, anyway! When the grass got too long we tried trimming it--but broke both our string trimmers. Instead we torched the garden. This worked a little too well, and we narrowly avoided burning down the whole cottage as the fire spread wildly. What was great about the place was that we could get in and out of Bristol on our 100 cc motorbikes, riding almost all the way on little footpaths through the woods--without ever having to go on any roads. I remember one night, after a fun evening out in town, Trucker and I were riding our motorbikes back home. My exhaust started to malfunction--glowing red, then white hot--before letting out one massive backfire and grinding to a halt. We found some old fence wire in the dark and Trucker towed me all the way home, both of us crying with laughter. From then on my bike would only start by rolling it down the farm track that ran down the steep valley next to our house. If the motorbike hadn’t jump-started by the bottom I would have to push the damn thing two hundred yards up the hill and try again. It was ridiculous, but kept me fit--and Trucker amused. Fun days.
Bear Grylls (Mud, Sweat and Tears)
This is from Elizabeth,” it said. “She has sold Havenhurst.” A pang of guilt and shock sent Ian to his feet as he read the rest of the note: “I am to tell you that this is payment in full, plus appropriate interest, for the emeralds she sold, which, she feels, rightfully belonged to you.” Swallowing audibly, Ian picked up the bank draft and the small scrap of paper with it. On it Elizabeth herself had shown her calculation of the interest due him for the exact number of days since she’d sold the gems, until the date of her bank draft a week ago. His eyes ached with unshed tears while his shoulders began to rock with silent laughter-Elizabeth had paid him half a percent less than the usual interest rate. Thirty minutes later Ian presented himself to Jordan’s butler and asked to see Alexandra. She walked into the room with accusation and ire shooting from her blue eyes as she said scornfully, “I wondered if that note would bring you here. Do you have any notion how much Havenhurst means-meant-to her?” “I’ll get it back for her,” he promised with a somber smile. “Where is she?” Alexandra’s mouth fell open at the tenderness in his eyes and voice. “Where is she?” he repeated with calm determination. “I cannot tell you,” Alex said with a twinge of regret. “You know I cannot. I gave my word.” “Would it have the slightest effect,” Ian countered smoothly, “if I were to ask Jordan to exert his husbandly influence to persuade you to tell me anyway?” “I’m afraid not,” Alexandra assured him. She expected him to challenge that; instead a reluctant smile drifted across his handsome face. When he spoke, his voice was gentle. “You’re very like Elizabeth. You remind me of her.” Still slightly mistrustful of his apparent change of heart, Alex said primly, “I deem that a great compliment, my lord.” To her utter disbelief, Ian Thornton reached out and chucked her under the chin. “I meant it as one,” he informed her with a grin. Turning, Ian started for the door, then stopped at the sight of Jordan, who was lounging in the doorway, an amused, knowing smile on his face. “If you’d keep track of your own wife, Ian, you would not have to search for similarities in mine.” When their unexpected guest had left, Jordan asked Alex, “Are you going to send Elizabeth a message to let her know he’s coming for her?” Alex started to nod, then she hesitated. “I-I don’t think so. I’ll tell her that he asked where she is, which is all he really did.” “He’ll go to her as soon as he figures it out.” “Perhaps.” “You still don’t trust him, do you?” Jordan said with a surprised smile. “I do after this last visit-to a certain extent-but not with Elizabeth’s heart. He’s hurt her terribly, and I won’t give her false hopes and, in doing so, help him hurt her again.” Reaching out, Jordan chucked her under the chin as his cousin had done, then he pulled her into his arms. “She’s hurt him, too, you know.” “Perhaps,” Alex admitted reluctantly. Jordan smiled against her hair. “You were more forgiving when I trampled your heart, my love,” he teased. “That’s because I loved you,” she replied as she laid her cheek against his chest, her arms stealing around his waist. “And will you love my cousin just a little if he makes amends to Elizabeth?” “I might find it in my heart,” she admitted, “if he gets Havenhurst back for her.” “It’ll cost him a fortune if he tries,” Jordan chuckled. “Do you know who bought it?” “No, do you?” He nodded. “Philip Demarcus.” She giggled against his chest. “Isn’t he that dreadful man who told the prince he’d have to pay to ride in his new yacht up the Thames?” “The very same.” “Do you suppose Mr. Demarcus cheated Elizabeth?” “Not our Elizabeth,” Jordan laughed. “But I wouldn’t like to be in Ian’s place if Demarcus realizes the place has sentimental value to Ian. The price will soar.
Judith McNaught (Almost Heaven (Sequels, #3))
Jack’s eyes glinted with humor. “Do we have to start with that?” “What else would we start with?” “Couldn’t you ask me something like, ‘How did your morning go?’ or ‘What’s your idea of the perfect day?’” “I already know what your idea of the perfect day is.” He arched a brow as if that surprised him. “You do? Let’s hear it.” I was going to say something flip and funny. But as I stared at him, I considered the question seriously. “Hmmn. I think you’d be at a cottage at the beach . . .” “My perfect day includes a woman,” he volunteered. “Okay. There’s a girlfriend. Very low-maintenance.” “I don’t know any low-maintenance women.” “That’s why you like this one so much. And the cottage is rustic, by the way. No cable, no wireless, and you’ve both turned off your cell phones. The two of you take a morning walk along the beach, maybe go for a swim. And you pick up a few pieces of seaglass to put in a jar. Later, you both ride bikes into the town, and you head for the outfitters shop to buy some fishing stuff . . . some kind of bait—” “Flies, not bait,” Jack said, his gaze not moving from mine. “Lefty’s Deceivers.” “For what kind of fish?” “Redfish.” “Great. So then you go fishing—” “The girlfriend, too?” he asked. “No, she stays behind and reads.” “She doesn’t like to fish?” “No, but she thinks it’s fine that you do, and she says it’s healthy for you to have separate interests.” I paused. “She packed a really big sandwich and a couple of beers for you.” “I like this woman.” “You go out in your boat, and you bring home a nice catch and throw it on the grill. You and the woman have dinner. You sit with your feet up, and you talk. Sometimes you stop to listen to the sounds of the tide coming in. After that, the two of you go on the beach with a bottle of wine, and sit on a blanket to watch the sunset.” I finished and looked at him expectantly. “How was that?” I had thought Jack would be amused, but he stared at me with disconcerting seriousness. “Great.” And then he was quiet, staring at me as if he were trying to figure out some sleight-of-hand trick.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Like A Rolling Stone" Once upon a time you dressed so fine You threw the bums a dime in your prime, didn't you? People'd call, say, "Beware doll, you're bound to fall" You thought they were all kiddin' you You used to laugh about Everybody that was hangin' out Now you don't talk so loud Now you don't seem so proud About having to be scrounging for your next meal How does it feel? How does it feel To be without a home Like a complete unknown Like a rolling stone? You've gone to the finest school all right, Miss Lonely But you know you only used to get juiced in it And nobody's ever taught you how to live out on the street And now you're gonna have to get used to it You said you'd never compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And say do you want to make a deal? How does it feel? How does it feel To be on your own With no direction home A complete unknown Like a rolling stone? You never turned around to see the frowns on the jugglers and the clowns When they all did tricks for you You never understood that it ain't no good You shouldn't let other people get your kicks for you You used to ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat Ain't it hard when you discover that He really wasn't where it's at After he took from you everything he could steal How does it feel? How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Princess on the steeple and all the pretty people They're all drinkin', thinkin' that they got it made Exchanging all precious gifts But you'd better take your diamond ring, you'd better pawn it babe You used to be so amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you ain't got nothing, you got nothing to lose You're invisible now, you got no secrets to conceal How does it feel How does it feel To be on your own With no direction home Like a complete unknown Like a rolling stone? Bob Dylan, Highway 61 Revisited (1965)
Bob Dylan (Highway 61 Revisited)
Rowan coughed and spluttered on his gulp of beer. “I’ve never played with my pussy,” he said with an amused glint in his eye.” Her cheeks heated at his dirty language, but the tingles running under her skin made her aware of her reaction to being alone in the hotel room with Rowan, sitting on the big bed and playing silly games. “I’ve never touched a woman’s breasts beside my own.” “I’ve never given a blow job.” “I’ve never received a blow job,” she said, tilting the mini wine bottle to her mouth and realizing it was empty. “I’ve never played I never with a woman I love before,” he said, setting his beer can on the nightstand with a clink. “I’ve never kissed a man in a hotel room before.” She pressed forward onto her hands and knees to reach and kiss him. Their lips lingered for a long moment before she leaned back and waited for his next I never. “I’ve never removed a woman’s shirt in a hotel room.” Now it was his turn to lean forward and tug her sweater up over her head. She thought long and hard about her next words, knowing he would act on whatever she said. “I’ve never ordered a man to take off his shirt in a hotel room,” she said finally and watched happily as he removed his long sleeve navy cotton T–shirt. She’d never tire of seeing his smooth skin over hard pectorals. A narrow line of hair trailed down the center of his belly disappearing into jeans. She’d licked her way along that line yesterday and licked her lips now in anticipation of tasting him again. “I’ve never kissed a woman’s nipples in a hotel room,” he said. In a flash, her bra was flying through the air to land in a pile on the carpet in front of the window, and Rowan’s mouth was on her breasts. Sensation spiraled through her as she shuddered and her arousal built. She’d been on edge since their heated kisses in the car in the parking lot, and it didn’t take much for Rowan’s tongue to turn her into a shuddering, needy wanton. “I think this game has turned from I Never into Truth or Dare,” she said, clasping Rowan’s head to her chest. He pulled away from his decadent kisses to look her in the face. “Let’s do it. Dare me, Jill.” The look in his eye told her she might’ve taken on more than she could handle. Though she’d been an active participant in their lovemaking up to now, Rowan had taken the lead and guided her. She had the power here. The question was what to do with it. “I dare you to”—she licked her lips thoughtfully—“I dare you to get naked and lie on your back. Eyes closed,” she added. When all was as she wanted, she leaned over him and planted a kiss on his lips. Then she kissed her way down his body, stopping at all the best spots. His chin, where his unshaven beard scratched at her skin. His pectorals, one nipple, then another. His belly button. “You’re ticklish,” she observed. “Yeah.” Then she made her way lower to his erection, lying over his belly pointing at the chin. She freaking loved his body and how it reacted to her every touch. Being alone with him in the hotel room was even better. Here there were no echoes of footsteps in the hallway, no clock ticking signaling the end of their hour together, no narrow bed forcing them to get creative in their positions. They had a king–size bed and a whole night to explore. Kneeling at the side, she took him in her mouth, eliciting a moan. His musky taste filled her mouth, and she lovingly used her tongue to drive him wild. His hand found the crease of her jeans between her legs and explored her while she used her mouth on him. She parted her legs, giving him better access, and it was all she could do to concentrate on giving him pleasure when he was making her feel so good. She wanted to straddle him so bad. The temptation to stop the foreplay and ride this thing to completion was great, but she held off. “Are you ready for me?” Rowan asked. “You want my cock in you?” His eyes remained closed, and a smile lingered on his face.
Lynne Silver (Desperate Match (Coded for Love, #5))
If I knew you were going to die, I'd make your last moment on earth last forever. I'd take you to the Eiffel Tower in Paris and I'd make sure that you have the most romantic dinner your life. I'd fill your room with hundreds of wild sunflowers, so that even in death, you may carry the scent of something beautiful. If you were to die id make sure ill drag you through an amusement part and ride all the crazy rides with you, eat all that ice cream with you, win all those stuffed animals for you. If you were to die, I’d beat up every single person in the world who has ever hurt you. I’d protect you with my life. I’ll protect you with everything I own, everything I have, everything I can give. If I knew you were going to die, I’d cut out my own heart for you. I’d cut it out so you could have it. So that you could live. Because I sure as hell cant live without you.
Anonymous
I found the stack of letters on my desk when I got back. People really liked the idea of the trip; they found it romantic—and I think they were amused, learning where I was popping up from week to week—but I didn’t know that while it was happening. Aside from other cyclists I encountered on the road occasionally and the people I interviewed along the way, I pedaled along in pretty much total isolation
Bruce Weber (Life Is a Wheel: Memoirs of a Bike-Riding Obituarist)
There was talk of Sydney going to Girton, the women’s college at Cambridge, and she went to view the college, but for some unknown reason the idea was dropped. Only a handful of women attended university at the end of the nineteenth century; perhaps Sydney did not wish to be regarded as a ‘blue-stocking’. With her tall, slender figure, a cloud of light brown hair, generous sulky mouth, and large blue eyes she was pronounced beautiful, and she thoroughly enjoyed the experience of being a débutante: the dances and balls and parties, riding in the crowded Row with her father, which was ‘like an amusing party taking place every day’, and, especially, meeting new people.
Mary S. Lovell (The Sisters: The Saga of the Mitford Family)
That shower was more vivid and absorbing than gourmet meals, amusement park rides—even moments of sexual discovery.
Ronald D. Siegel (The Mindfulness Solution: Everyday Practices for Everyday Problems)
Beck sucked in his breath guiltily and held it. After a long moment, she smiled, amused, and gestured with her head for him to ride beside her. He let out his breath slowly, wondering where this sudden admiration of his friend’s physical appearance was coming from. As he considered the uncertainty of these new and stirring feelings, he was without a doubt very certain about one thing. If Kiernan knew, she would bash his skull in.
Valerie Zambito (An Oath of the Blood (Island Shifters, #1))
For much of the ride to Maingate, Jade thought about Agent Travers. He found her severity amusing, and once he got out on the highway, he actually laughed out loud. His laugh came in three descendent atonal notes. He didn’t laugh much, but when he did, it was always the same. Travers had a quick mouth and a caustic wit that rivaled his own. And clearly, she could get extremely pissed off in a hurry. A few times, Jade had seen her clamp down her teeth to hold her temper inside.
Gregg Andrew Hurwitz (The Tower)
Here I am!” Captain East was cantering his mount toward them. He rode beautifully, confidently. Molly’s family spent their summers in the country, and she used to say that the way a man rides a horse could give you a pretty good idea how he would do something else. Jane eyed Mr. Nobley on his mount, noted that he was a smooth, gentle rider. The surprise of thinking this while wearing a bonnet made Jane choke. Her breath snarled in her throat, and she laughed. Mr. Nobley’s eyes widened. “What’s funny? You often have some secret laugh, Miss Erstwhile.” “The way you have some secret displeasure?” “No, not displeasure,” he said, and she realized he was right. Sadness, or heartbreak, or grief that there was nothing to give him hope, perhaps. She was pretty sure now that he was Henry Jenkins, poor sop. Captain East reined in beside Jane. “Miss Heartwright had a headache and went inside. So sorry to neglect you, Miss Erstwhile. You must tell me what I missed.” “I’ve discovered that Miss Erstwhile is an artist,” Mr. Nobley said. “Is that so?” “It’s been years since I picked up a paintbrush.” She glared at Mr. Nobley, and zing, there was his smile again, brief, urgent. When his lips relaxed she wanted it to come back. “That is a shame,” said Captain East. That evening when Jane retired from the drawing room, she found a large package on her side table wrapped in brown paper. She ripped open the paper and out tumbled neat little tubes of oil paints and three paintbrushes. She saw now that an easel waited by the window with two small canvases. She felt very Jane Eyre as she smelled the paints and ticked her palm with the largest brush. Who was her benefactor? It could be Captain East. Maybe he still liked her best, even after his tete-a-tete with Miss Heartwright. It could happen. Even so, she found herself hoping it was Mr. Nobley. Instinct urged her to stomp on the hope. She ignored it. She was firmly in Austenland now, she reminded herself, where hoping was allowed. Did Austen herself feel this way? Was she hopeful? Jane wondered if the unmarried writer had lived inside Austenland with close to Jane’s own sensibility--amused, horrified, but in very real danger of being swept away. Ten days to go.
Shannon Hale (Austenland (Austenland, #1))
Two hours later, we pause along the road, in the midst of cornfields. Alex turns his horse away from me and stares toward the crops for a long silent moment, and all I can hear is the distant sound of a cow mooing. And then he turns his horse around and heads back in the direction we came from. “Are you supposed to…I don’t know…see anyone today?” He cocks his head to the side and smiles at me, like he knows he’s been caught, but like he doesn’t care. “Not entirely. There are days I simply want to ride and see the land that has been left to me. I fear I may never see it all.” “Oh.” We turn our horses and head back in the direction of Harksbury. I like the way he relaxes when we’re this far away from it all. I’m starting to realize where he gets his attitude. Why he’s so uptight. The world rests on his shoulders. But out here, it’s just us. A guy and a girl. Riding horses. Hanging out. “Thank you,” he says. Huh? “For what?” He twists his reins around in his hands for so long I think he hasn’t even heard me. It’s the first time I’ve ever seen him fidget. The only sound is the crunching of the horses’ shod hooves over compact dirt and loose rocks. “For being who you are,” he says. “You don’t accept anything as it is. Not if you don’t agree with it. You see things the way they should be and not the way they are…and it makes me want to do the same.” I just stare at him. Where’s Alex and who is this guy? “I’ve never met a girl who…challenges me as you do. I find I’m seeing things differently.” He exhales slowly. “I should not have raised my voice to you earlier. I am sorry.” I almost choke on my own spit. First a compliment and then an apology? And yet his apology is for yelling. Not kissing me. So what does that mean? He’s not sorry he kissed me? Something warm spreads through me and makes it impossible not to grin. Somehow, after all those confrontations, I earned his respect. By standing up for something. For someone. “Oh. Um, thanks,” I say. “Does this mean you think I might know a thing or two you don’t?” I smile at him and stare straight into his eyes. Is this flirting? “Perhaps,” he smiles back at me, his eyes sparkling with amusement. I wish this moment would last forever. But it can’t. He reaches down to run a hand over the glossy white coat of his horse with one of his doeskin-gloved hands. Say it. Just tell him you like him. He looks up at me, and I dart my eyes away and stare straight ahead. I like you. But I can’t do it. The words are caught somewhere at the back of my throat.
Mandy Hubbard (Prada & Prejudice)
What's the matter with her?" he asked, worriedly. "She's hungry." He stiffened. "Oh." Perry, riding just ahead, turned and lifted an amused brow. Sir Hugh grinned. Charlotte's wails grew piercing. Lord Gareth cleared his throat. "I, uh ... suppose you'd better attend to things, then. We can stop here, and maybe you can take her off behind a tree or something..." Sir Hugh was downright snickering now. "I think I can manage right here, Lord Gareth," said Juliet. "Here?" "Why, yes."  She pulled the loose folds of her cloak up and around Charlotte, tugged down her bodice, and, behind the discreet veil, put the baby to her breast. Immediately, Charlotte quieted. No one could see, but nevertheless the Den of Debauchery members urged their horses into a trot and all but fled ahead. "I ... er ... don't know about this," Lord Gareth mumbled, deeply embarrassed. "You'll have to get used to it if you wish to be a father, my lord." "Yes, but ... I mean —  that is...." "She can't just sit down to a pork pie and a mug of ale," Juliet chided gently. She twisted around to look up at him. His handsome face was as pink as the dawn, and it went downright crimson as Charlotte began making very loud sucking noises. "God help me," Lord Gareth muttered, looking away. God
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
They sat in silence until the howl of a distant coyote made her shiver. "He sings for his mate," Cade reassured her. "Does he think the sound of his loneliness will attract her?" Lily asked wryly. "I'm sure it is the beauty of his song." His voice contained almost a hint of a chuckle. "I'm sure that's what he thinks." Her scoffing hid an undertone of bitterness, and Cade was silent for a while. "Men often hide their fears with actions," he finally said. By this time, the anger of the day had leeched out of her and into the cold stone. Wrapping her arms around her knees and resting her head upon them, Lily reluctantly gave his statement some thought. Cade had a way of saying things that made sense, even when she didn't want to admit it. "I suppose a man who wasn't afraid would be a fool. I just find it hard to imagine someone like you being afraid." Cade's low laugh wasn't amused. "Because of my size or because of my birth?" Lily considered this. "Both, I suppose. To me, Indians are like the wolves, fearless of anything. All I have seen or heard of them is the damage they have done. And your size makes you seem invulnerable, even though that is ridiculous. A bullet knows nothing of size. Perhaps it is your attitude. You look as if you scorn everything, even death." "I do not mean to give that impression. And warriors aren't fearless. As you say, only fools are without fear. They are just better at disguising their feelings. If Clark takes his band of men against the Indians as he threatens, he will find old men and women and children. Ride with him, and you will see their fear." Lily didn't ask how he knew of Ollie's plans. Half the ranch could have heard his shouting. Instead, she asked, "How do you know what he will find? Have you seen them?" "They are related to my father's tribe. Their fathers and sons were massacred by Comanches several years ago, and many others were lost in epidemics. They try to live by raising squash and corn and fishing from the river. They mean no harm. This land has been theirs for centuries. They do not understand the difference since the white man's coming." "I do not know how to stop Ollie," Lily murmured. Somehow she was disappointed that Cade had brought her out here to tell her this. He could have said as much in the morning in the middle of the yard. "I know how to stop him. Just tell me if you learn when he is to leave." "We don't need any more bloodshed." Lily rearranged her legs in preparation for rising. Cade caught her arm, and he was suddenly very near, hovering over her, his dark face dangerously near. "There will be no bloodshed." Perhaps
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
What Josie had found amusing, exciting and exotic as a girl, she now recognized as nothing more than the underpinnings of Linda's selfishness, arrogance and greed. Linda had burst into Josie's life again, and pulled her into this rollercoaster of a ride. She had been stronger than Josie that night. Now Josie had stepped out of the car and onto the platform. She could see the trajectory of that rollercoaster and knew where it had to stop.
Rebecca Forster (Hostile Witness (Witness Series, #1))
Lucien is throwing a ball next Friday in honor of Charles's homecoming, and he wants you to be there." "Wants?" Juliet drawled, "Demands is more like it." "It's his way of thanking you for all you've done for Charles," Nerissa added.  "He wants to give you a magical, Cinderella night-at-the-ball as his way of expressing his gratitude for saving Charles's life." "But — but I can't attend, I — I don't even know how to dance!" "Then you will learn," said Nerissa, blithely. "And . . . I don't know the correct things to say to people, or how to address them properly . . . or — or . . . anything!" "We will teach you." "And I can't afford fancy new clothes, let alone a ball gown!" "Ah, but I can, and I would be very offended if you do not accept them as a small token of my appreciation for saving my brother's life," intoned a smoothly urbane, aristocratic voice.  Gasping, Amy whirled to see the duke of Blackheath standing in the doorway, an amused little smile playing about his otherwise severe face. Amy sank in a curtsey.  "Your Grace!" "My dear girl.  Are you giving my sister trouble?" "No, but I really can't go to a ball, I'll look the fool and I've got no business being there anyhow and —" "Do you want to go to the ball?" "Well of course, it'll be magical, wondrous, but I'll feel like a chicken amongst a flock of peacocks!" The duke folded his arms and leaned negligently against the door jamb, his black eyes holding her captive.  "Do you remember the conversation we had last night . . . about helping Charles?" That soft, suave tone was enough to make Amy's heart still.  "Well yes, but I don't see how this has anything to do with him . . ." "Of course you don't.  And so I will tell you.   Nerissa wants a new gown for the ball.  As a lady's maid, you will want some new clothes.  And I —" he gave a silky smile — "I will want Charles to ride alongside your coach to provide safe escort to and from London."  He smiled, but the gesture was just a little bit sinister.  "It would benefit him greatly to feel . . . useful, don't you think?" And Amy, standing there feeling nervous and dry-mouthed and very, very intimidated indeed, suddenly understood.  By sending the girls off to London and asking Charles to go along as protection, Lucien was setting things up so that Charles would have opportunity to regain some of his feelings of self-worth. She only hoped he wasn't lining up a highwayman to rob them, as well! She returned the duke's smile, suddenly feeling like a co-conspirator instead of a scared ninny.  "Yes, your Grace.  I quite understand." "Good.  I knew that you would.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Just when I thought I couldn't fall any further for her, I found a new level. It was like an amusement-park ride, when there's been a bunch of drops that you were expecting and then there's suddenly another one, unanticipated and fresh and sweet. You feel your insides questioning you: what are you doing, and why have you left us behind? That was how fast I fell. That was how deep this went.
Kate Hattemer
That was just like a ride,” he said. “Did you see me going around in there? Like a fun house, right? Like an amusement park. I ride all those rides. I’m used to that sort of thing. I sit right up front.
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
Steve had tried to reach us after our Father’s Day phone call. There was no way I could have realized that, because I didn’t have any mobile phone reception at the cottage. He was back on Croc One and trying to get hold of us via satellite phone. I didn’t know. I wouldn’t be in range again until the next day. We enjoyed our dinner, built a huge fire, and snuggled down for the night. We didn’t hurry ourselves the next day. We meandered west, stopping at a raspberry farm and at the Honey Factory in Chudleigh. They featured a beehive behind glass, and we loved watching as the bees worked on their honeycomb. They never stopped to say, “I wonder what the meaning of life is.” They just kept building. The Honey Factory also featured a plethora of bee-themed products: bee gum boots, bee back massagers, bee umbrellas, and a bee trolley for the kids to ride on. Bindi sampled every single flavor of honey that they had. She bought a wristwatch with a bee on it. Robert picked out a backpack. “Robert,” I said, “that backpack is great. It has bees on it.” “It has one bee on it,” he said, correcting me. “Oh, okay, one bee,” I said, amused at my son’s seriousness. We spent the last hour of the morning at the Honey Factory. As we walked out the door, Bindi looked at her newly purchased watch and said, “It’s twelve o’clock.” We all stopped for a moment and considered that it was twelve o’clock. Then we got into the car and left.
Terri Irwin (Steve & Me)
... and, not even on purpose, I found myself tuning out. What I thought of was Conchita and me as freshmen, if teaching her to ride a bike behind the infirmary. How long ago that seemed, how far I felt from her now; I couldn't remember talking to her even once during our senior year. And, with graduation, we were about to cut loose from each other completely--the distance between us would be physical and definitive, and perhaps we'd never speak again. It seemed an impossible thought--so often find we all come together at Ault that I had begun to believe life contained reckonings rather than just fade-outs--and yet I also saw then that as more and more years passed, the time Conchita and I had known each other, the time I had known any of my classmates, would feel decreasingly significant; eventually, it would be only a backdrop to our real lives. At some cocktail party years into the future, in an incarnation of myself I could not yet fathom, I woukd, while rummaging for an anecdote, come up with one about a girl I'd known at boarding school whose mother took us out for lunch one day while the family bodyguard sat at the next table. In the telling, I would feel no pinch of longing or regret; I would feel nothing true, nothing at all, in fact, except the wish that my companions find me amusing.
Curtis Sittenfeld (Prep)
even if he were on all the drugs in the world, Hunter S. Thompson would not go down the Cannonball Loop.
Andy Mulvihill (Action Park: Fast Times, Wild Rides, and the Untold Story of America's Most Dangerous Amusement Park)
My friend Jon likes it when an airplane hits heavy turbulence. His insight is worth sharing. “The odds of a plane crashing from turbulence are essentially zero, so I sit and enjoy it. It’s like a ride at an amusement park.
Seth Godin (Linchpin: Are You Indispensable?)
Because you won't truly understand what it is we work toward until you have discovered it for yourself." Liath began to protest, but Meriam raised a hand for silence. "It is all very well to protest that because you have seen a horse ridden, you know how to ride. But you don't know how to ride until you have yourself ridden. Isn't that true?" "I don't see-" "You don't see because you persist in thinking that the art of the mathematici is like a story, something you can understand equally well whether it is read to you or you read it yourself. But the art of the mathematici isn't a story, it is a skill, like riding a horse, or fighting, or administering an estate, something that takes time and effort to master. Would you set an apprentice weaver to weave the king's royal robes? Ask a novice to illuminate the Holy Verses? Trust your life to a pilot who had never before sailed through these shoals? You, of all people, must understand fully." "Why?" Then Liath laughed, having picked up the habit from Sanglant. "Never mind, Sister. I know what you will say. You will say that when I understand fully, then I will also understand why I must understand fully." "There lies the beginning of understanding." Was Meriam amused? It was hard to tell. She was too ancient to be easily read. Like all the magi, she held layers within layers in herself, none of which were readily peeled off. "Is that why you're here, to understand?" "Nay", she replied to quietly that a hundred misgivings congealed into a dreadful foreboding in Liath's heart, and the night no longer seemed to tame. "I am here to save my child and my child's children from what will come.
Kate Elliott (The Burning Stone (Crown of Stars, #3))
Getting comfortable again, I grab one of the magazines that I keep stuffed under my thin mattress. Flipping to the article the guard Paul told me about, I’m just getting to the part about how chandeliers are a necessity in creating an awesome she-shed, when two prison guards come running in. They take one look at my open cell door, the magic smoke still polluting the air, the unconscious male on the ground, and turn gaping looks at me. I give them a bright smile and point down at Scarface. “Hey, Paul. Could you clean that up for me? I think he wet himself.” Paul lowers his gun and pulls off his SWAT-style helmet. “Another one?” he asks, jerking his chin toward my uninvited cell guest. I shrug my shoulders and give him an apologetic smile. He shakes his head and nudges the unconscious jail-breaker with his boot. “Damn. We need to up our security. We aren’t used to so many supernaturals trying to break someone out of here,” he says, scratching the back of his neck as he frowns in thought. “Yeah, it’s very disruptive,” I tell him. He grunts in agreement. “Good thing your ride is here,” Paul mentions casually as my unwelcome cell guest groans loudly from the floor. I squeal and start clapping excitedly, which startles both guards. “Yes, finally!” I shoot up from my cot and thrust both arms out, ready for the required shackles whenever a prisoner is being transported. Paul releases an amused chuckle, and Terrence—the other guard in my cell right now—gives me some judgement-laced side-eye as I giggle and wait like a kid on Christmas morning for the cuffs to click into place. I’m finally going to be sentenced and booked into Nightmare Penitentiary. I can’t fucking wait.
Ivy Asher (Conveniently Convicted (Paranormal Prison))
Change happens no matter what.” The butler cleared his throat. “And by the time she tried to kiss you, the change had already occurred. At least for Miss Westforth.” Philbert looked wistful for a moment. Then… “If I may impart some hard-earned wisdom, sir?” Sebastian nodded, but kept his eyes out into the darkness of Lady Winterson’s snowy garden. “There is a kind of love that does not happen all at once. It happens in increments. In inches. It takes a lifetime to grow. And invariably, for the people falling, it is difficult to recognize, because they are so close to each other. They cannot see the changes as they occur.” But then Sebastian had gone away. For three years. And coming home, all the changes that had taken place without him smacked him in the face, leaving him bereft. “Also invariably, one person will discover their true feelings before the other,” the butler continued. “And that person has a choice to make. Either they can alter the rules and start playing a different game… or they can be tortured. Wait for years and years on mere hope.” He paused, as if the words stuck in his throat. “I admire your Miss Westforth for choosing the former. It is the path others have been too cowardly to take.” Those words hung in the air, falling lightly to the ground like the snow. Settling into truth. “I… no,” Sebastian found himself saying. “Susannah may have had a… a crush on me, and I am deeply fond of her. But she’s not in love with me. And… I’m not in love with her,” Sebastian denied, shaking his head. “I can’t be. It’s… it’s Susannah. My little Susie.” Philbert shrugged. “That very well may be. But then perhaps it is worthwhile asking, why does her dancing and laughing with other gentlemen upset you so much?” “Because…” Sebastian tried, defensive. “Because she’s Susannah.” My Susannah . The words flashed through his mind, unbidden. And it was true. She had always been his Susannah. His friend. When he was young, he should have been more keen to rabble around with the young men in the village, or go shooting with his father, or any other more masculine pursuit… but no. He had always wanted to seek out Susie. To go for a ride with her. To spend the day playing cards with her by the fire. And the way she looked at him had made him feel… golden. But it had been more than that. He’d liked to hear her laugh. To know what she found amusing. To be himself with her. But now… now other men were making her laugh. Discovering her smiles. She could become someone else’s Susannah. He may not know if he was in love. But he knew for certain he did not want that to happen. A flash of conviction raced through him. And it wouldn’t, if he had anything to say about the matter. “If
Anna Campbell (A Grosvenor Square Christmas)
My Susannah . The words flashed through his mind, unbidden. And it was true. She had always been his Susannah. His friend. When he was young, he should have been more keen to rabble around with the young men in the village, or go shooting with his father, or any other more masculine pursuit… but no. He had always wanted to seek out Susie. To go for a ride with her. To spend the day playing cards with her by the fire. And the way she looked at him had made him feel… golden. But it had been more than that. He’d liked to hear her laugh. To know what she found amusing. To be himself with her. But now… now other men were making her laugh. Discovering her smiles. She could become someone else’s Susannah. He may not know if he was in love. But he knew for certain he did not want that to happen. A
Anna Campbell (A Grosvenor Square Christmas)
So . . . what are your plans for your big three-oh?” I ask, switching the subject. “I was thinking of having it at that new amusement park that opened up. It’s supposed to be really good.” “As in rides and cotton candy?” “No, as in unicorns and cocaine.” “Ha, ha,” I mock
Kat T. Masen (Roomie Wars)
Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be pas thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the sense and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me,,,,
Thomas Pynchon (Gravity’s Rainbow)
Tonight she'll be with Jeremy, her lieutenant, but she wants to be with Roger. Except that, really, she doesn't. Does she? She can't remember being so confused. When she is with Roger it's all love, but at any distance- any at all, Jack- she finds that he depresses and even frightens her. Why? On top of him in the wild nights riding up and down his cock her axis, trying herself to stay rigid enough not to turn to cream taper-wax and fall away melting to the coverlet coming there's only room for Roger, Roger, oh love to the end of breath. But out of bed, walking talking, his bitterness, his darkness, run deeper than the War, the winter: he hates England so, hates "the System," gripes endlessly, says he'll emigrate when the War's over, stays inside his paper cynic's cave hating himself... and does she want to bring him out, really? Isn't it safer with Jeremy? She tried not to allow this question to often, but it's there. Three years with Jeremy. They might as well be married. Three years ought to count for something. Daily, small stitches and easings. She's worn old Beaver's bathrobes, brewed his tea and coffee, sought his eye across lorry-parks, day rooms and rainy mud fields when all the day's mean, dismal losses could be rescued in the one look- familiar, full of trust, in a season where the word is invoked for quaintness or a minor laugh. And to rip it all out? three years? for this erratic, self-centered- boy, really. Weepers, he supposed to be past thirty, he's years older than she. He ought to've learned something, surely? A man of experience? /// If the rockets don't get her there's still her lieutenant. Damned Beaver/Jeremy IS the War, he is every assertion the fucking War has ever made- that we are meant work and government, for austerity: and these shall take priority over love, dreams, the spirit, the senses and the second-class trivia that are found among the idle and mindless hours of the day... Damn them, they are wrong. They are insane. Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she did not make... Oh, he feels a raving fit coming on- how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskins to the armpits, all that is too easy, for his impoverishment and more worthy love. /// Jessica steps away from Roger to blow her nose. The sound is as familiar to him as a bird's song, ip-ip-ip-ip NGUNNGG as the hankerchief comes away..."Oh sooper dooper," she says, "think I'm catching a cold." You're catching the War. It's infecting you and I don't know how to keep it away. Oh, Jess. Jessica. Don't leave me....
Thomas Pynchon (Gravity’s Rainbow)
Baltsaros’s arm quickly came around Jon’s waist, and he was hauled up and pushed forwards onto hands and knees and entered again so that he could be fucked slowly from behind. Groaning softly, Jon fell thankfully into the shallow rhythm that the captain liked to use on him to make him cum from within. Tom sat back a moment just watching the two with an amused look on his face as his rough hand squeezed and pulled at his own cock. Then, with an impish grin, the muscular first mate pushed under Jon headfirst to continue using his mouth while Baltsaros’s thick cock thrust into the dark-haired young man. Jon let out a deep moan; it was a feverish, exquisite feeling, and he let himself ride on the wave of it, panting and moving his hips wantonly as both men worked at him. When he lowered himself to his elbows to rest against Tom’s hard stomach, he felt the first mate’s cock touch his lips. With a pulse of desire, he quickly opened his mouth and sucked softly at the head of it, working along the flared edge of the glans and dipping the tip of his tongue into the salty slit while Tom’s hand stroked the shaft, his hard fist bumping up against Jon’s wet lips. Beneath him, Tom let out a low moan and shifted his head back so that Jon’s cock slid more easily between his lips. A moment later, the first mate’s big hands came up to hold Jon’s waist as the three of them moved slowly together.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
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