“
I told him your loins were clearly burning, and he should man up and make a move."
"You did not!"
"I did. And if he doesn't, then I suggest you jump his bones."
...
I finally register what he's wearing. It's a handsome skinny black suit with a shiny sheen. The pants are too short - on purpose, of course - exposing his usual pointy shoes and a pair of blue socks that match my dress exactly.
And I totally want to jump him.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
You know,” she said dreamily, passing over his question, “you’re not nearly as handsome as Lord St.Vincent.”
“There’s a surprise,” he said dryly.
“But for some reason,” she continued, “I never want to kiss him the way I do you.” It was a good thing that she had closed her eyes, for if she had seen his expression, she might not have continued. “There is something about you that makes me feel terribly wicked. You make me want to do shocking things. Maybe it’s because you’re so proper. Your necktie is never crooked, and your shoes are always shiny. And your shirts are so starchy. Sometimes when I look at you, I want to tear off all your buttons. Or set your trousers on fire.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Perfectionism may look good in his shiny shoes, but he's a bit of an asshole and no one invites him to their pool parties
”
”
Ze Frank
“
Oh, both my shoes are shiny new,
And pristine is my hat
My dress is 1922…
My life is all like that.
”
”
Dorothy Parker
“
I think perfectionism is just fear in fancy shoes and a mink coat, pretending to be elegant when actually it's just terrified. Because underneath that shiny veneer, perfectionism is nothing more that a deep existential angst the says, again and again, 'I am not good enough and I will never be good enough.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
By now you know: I come from another planet. But I will never say to you, "Take me to your leaders." Even I--unused to your ways though I am--would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them.
Instead I will say, "Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths."
These are worth it. These are what I have come for.
”
”
Margaret Atwood (Good Bones)
“
Little fussy Otto, in his red-lined black opera cloak with pockets for all his gear, his shiny black shoes, his carefully cut widow's peak and, not least, his ridiculous accent that grew thicker or thinner depending on who he was talking to, did not look like a threat. He looked funny, a joke, a music-hall vampire. It had never previously occurred to Vimes that, just possibly, the joke was on other people.
”
”
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
“
This, you see, is the danger of children: they are ambushes, each and every one of them. A person may look at someone else's child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They do not even really see the love, not really. It can be easy, when looking at children from the outside, the believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the lofty shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own.
It can be easy, in the end, to forget that children are people, and that people will do what people will do, the consequences be damned.
”
”
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
“
Sabrina turned back to the house and saw the horrible truth- a pair of legs was sticking out from beneath it and they were wearing a pari of shiny silver shoes with a remarkable red tint to them. She suddenly realized they hadn't just entered a story. They had entered one of the most famous stories ever told.
"Daphne, I don't think we're in Ferryport Landing anymore.
”
”
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
“
There is something about you that makes me feel terribly wicked. You make me want to do shocking things. Maybe it's because you're so proper. Your necktie is never crooked, and your shoes are always shiny. And your shirts are so starchy. Sometimes when I look at you, I want to tear off all your buttons. Or set your trousers on fire. I've so often wondered-are you ticklish, my lord?
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Her home was so...shiny. She was shiny too, her skin, her hair, her shoes, her teeth. I hadn't even realized before; I am matte, dull and scuffed.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
I'm throwing out this bottle rocket."
"No, wait!" Dan said, reaching for it. "It hasn't been set off yet. Don't waste it, Amy. And we don't have company coming—we have Ian Kabra coming. And I know you want to totally impress him and take him to the movies and stare dreamily into his eyes—"
"I do not," Amy said, too quickly.
"Oh, Ian," Dan said, pressing his lightsaber to his chest and batting his eyes. "Tell me again about your shiny, shiny shoes.
”
”
Clifford Riley (Crushed (The 39 Clues: Rapid Fire, #4))
“
Fare-fucking-well, Miss Alice.” He pauses before turning away, shiny shoes scuffing against the filthy stone floor beneath our feet. “Try not to die before we meet again?
”
”
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
“
You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
”
”
Nina LaCour (We Are Okay)
“
By now you must have guessed: I come from another planet. But I will never say to you, Take me to your leaders. Even I - unused to your ways though I am - would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them.
Instead I will say, Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths.
These are worth it. These are what I have come for.
”
”
Margaret Atwood (Good Bones and Simple Murders)
“
Fluttershyes are like regular shyes, only shinier, and, apparently - also shyer. Whenever petted - they don't flutter, but run away instead.
”
”
Will Advise (Nothing is here...)
“
It’s just embarrassing. I kind of hate to tell you all this. I’d rather you remember me the way I was when we were young.”
“Manic and relentless?”
Shiloh kicked him in the ankle. She wasn’t wearing shoes. “Shiny and full of potential!
”
”
Rainbow Rowell (Slow Dance)
“
And then one Thursday night they found him
Dead- with his wishes piled around him,
And they counted the lot and found that not
A single one was missing.
All shiny and new - here, take a few
And think of Lester as you do.
In a world of apples and kisses and shoes
He wasted his wishes on wishing.
”
”
Shel Silverstein (Where the Sidewalk Ends)
“
he’s kneeling. Kneeling in front of Ash the same way I would—between his outstretched legs, caged in by the shiny black dress shoes planted on the floor. Kneeling in
”
”
Sierra Simone (American Queen (New Camelot Trilogy, #1))
“
That wearing shiny shoes with bows on and rolling your eyes at other kids is not a sign of maturity, but a sign that you've missed a whole set of steps on the road to maturity.
”
”
Lisa Jewell (Then She Was Gone)
“
Lady Sarah gazes at Henry’s shiny shoes, her face heartbroken. “Do you ever think . . . that perhaps you should be with—”
“Do not even think of finishing that fucking sentence,” Henry warns.
“Why not?” She lifts her chin. “It’s the truth.”
“The truth?” Henry mocks. “The truth is I wouldn’t even be here if it weren’t for you. I don’t know where I’d be or what I’d be doing, but I know it wouldn’t be pretty."
“He’s right, you know, Sarah.” Prince Nicholas steps over to them. “Before you, Henry was an unmitigated disaster. Reckless, spoiled, self-destructive—”
“Thank you, Nicholas,” Henry says. “I think she gets the picture.”
Nicholas smacks his brother on the back and grins cheekily. “Happy to help.”
Henry slips his hands into his pockets, rocking on his heels, telling Sarah, “I could say the same thing, you know. You don’t think I know you’d be better off with someone whose everyday life doesn’t send you reeling into a panic attack?”
Sarah shakes her head. “No, that’s not true. I could never be better off with anyone else. I would never want to be. You’re mine, Henry, and I’m keeping you.
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
I wore a black suit and a white shirt, a black tie and black shoes, all polished and shiny: clothes that normally would make me feel uncomfortable, as if I were in a stolen uniform, or pretending to be an adult. Today they gave me comfort of a kind. I was wearing the right clothes for a hard day.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
My father is on the roof. This is how I remember him sometimes. Well-dressed in a dark suit and shiny, slippery shoes, he is looking left, looking right, looking as far as his eyes will travel. Then, looking down, he sees me, and just as he begins to fall he smiles, and winks. All the way down he's looking at me–smiling, mysterious, mythic, an unknown quantity: my dad.
”
”
Daniel Wallace (Big Fish)
“
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years.
In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne.
That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
”
”
Sting (Broken Music: A Memoir)
“
A thin, polished woman walks in. She sticks out immediately in her expensive looking navy dress, shiny bag and shoes that probably cost more than I make in a month. My breath leaves me when I see that her arm is draped around a younger version of herself. That hair, it's pulled back way too tight now, but I'd run my hands through it a thousand times before. That face, now in layer of makeup that makes her look older than I remember, I'd held it in my calloused hands and kissed those lips goodbye over a year ago. She said she'd never see me again and I learned to accept that. She destroyed me, and I'd moved on.
No. Not her. She's not from here anymore. I don't know who that person is anymore.
”
”
Jolene Perry (My Heart for Yours (Crawford, #1))
“
This, you see, is the true danger of children: they are ambushes, each and every one of them. A person may look at someone else’s child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They
”
”
Seanan McGuire (Every Heart a Doorway (Wayward Children, #1))
“
Then I dried myself in my soft bathrobe, shaved very carefully, put on fresh underwear and a shirt, a perfectly pressed gray suit, shiny shoes, my nicest tie and in this way, drawing on all the best things I had available, I started to feel the courage to move forward. It was a way of fooling myself, of course, but it worked : you can judge a book by its cover.
”
”
Michael F. Moore (Quiet Chaos)
“
Miss Chauvenet." Morgan willed himself to speak his tongue near to tied.
He was unable to take his gaze from her. She looked as fresh as springtime, her dark hair hanging in a braid beyond her hips, her eyes wide with surprise. Then her gaze moved over him, and he knew a moment of utter mortification.
She's thinkin' you look like a peacock, laddie.
With lace cuffs, silk stockings and drawers, and shoes with shiny brass buckles, he did look like a bloody peacock or, worse, like somoene that whoreson Wentworth would invite to his supper table.
-Morgan
”
”
Pamela Clare (Untamed (MacKinnon's Rangers, #2))
“
I think most of us moms think it’s wrong to do nice things for ourselves, thinking we’re someone who should always be humble. Maybe God wants to bless our socks off and let us know it’s more than okay to get a manicure and a massage in the same year! We need to stop feeling bad when God wants us to feel cherished, pampered, and special. If a shiny purse or a pair of high heel shoes puts a spring in your step, work those heels girl! God created you to rock it! You still got it and show your kids and family that “Mommy’s Still the Hot Chick”! Maybe it will inspire your husband to get out of his sweat pants from 1987 and take you out in public to a restaurant that has menus you can’t color on!
”
”
Kerri Pomarolli (Moms' Night Out and Other Things I Miss: Devotions To Help You Survive)
“
ONE QUIET AFTERNOON when the other Grisha had ventured out of Os Alta, Genya convinced me to sneak into the Grand Palace, and we spent hours looking through the clothes and shoes in the Queen’s dressing room. Genya insisted that I try on a pale pink silk gown studded with riverpearls, and when she laced me up in it and stuck me in front of one of the giant golden mirrors, I had to look twice. I’d learned to avoid mirrors. They never seemed to show me what I wanted to see. But the girl standing next to Genya in the glass was a stranger. She had rosy cheeks and shiny hair and … a shape. I could have stared at her for hours. I suddenly wished good old Mikhael could see me. “Sticks” indeed, I thought smugly. Genya
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
I think perfectionism is just a high-end, haute couture version of fear. I think perfectionism is just fear in fancy shoes and a mink coat, pretending to be elegant when actually it’s just terrified. Because underneath that shiny veneer, perfectionism is nothing more than a deep existential angst that says, again and again, “I am not good enough and I will never be good enough.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time.
“Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore.
And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes.
It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic.
Memories might keep him alive. But they might kill me.»
”
”
Lisa Schroeder (I Heart You, You Haunt Me)
“
I stopped by the super for the new key, climbed to my apartment, and studied my new lock. Big, metal, and shiny. Not a scratch on it. Even the key itself had a bizarre groove carved into it, which made the whole setup supposedly completely burglar proof. Pick that, Your Majesty.
I unlocked the door, stepped inside, and shut it behind me. I kicked my shoes off, wincing at the hint of ache in my stomach. It would take a long time before it healed completely. At least I no longer bled.
Tension fled from me. Tomorrow I would worry about Hugh d’Ambray and Andrea and Roland, but now I was simply happy. Aaahh. Home. My place, my smells, my familiar rug under my feet, my kitchen, my Curran in the kitchen chair . . . Wait a damn minute.
“You!” I looked at the lock; I looked at him. So much for the burglar-proof door.
He calmly finished writing something on a piece of paper, got up, and came toward me. My heart shot into overdrive. Little golden sparks laughed in his gray eyes. He handed me the piece of paper and smiled. “Can’t wait.”
I just stared like an idiot.
He inhaled my scent, opened the door, and left. I looked at the paper.
I’ll be busy for the next eight weeks, so let’s set this for November 15th.
Menu.
I want lamb or venison steak. Baked potatoes with honey butter. Corn on the cob. Rolls. And apple pie, like the one you made before. I really liked it. I want it with ice cream.
You owe me one naked dinner, but I’m not a complete beast, so you can wear a bra and panties if you so wish. The blue ones with the bow will do.
Curran.
Beast Lord of Atlanta.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
I didn’t know what to say; he was right; but all I wanted to do was sneak out into the night and disappear somewhere, and go and find out what everybody was doing all over the country. The other cop, Sledge, was tall, muscular, with a black-haired crew-cut and a nervous twitch in his neck—like a boxer who’s always punching one fist into another. He rigged himself out like a Texas Ranger of old. He wore a revolver down low, with ammunition belt, and carried a small quirt of some kind, and pieces of leather hanging everywhere, like a walking torture chamber: shiny shoes, low-hanging jacket, cocky hat, everything but boots. He was always showing me holds—reaching down under my crotch and lifting me up nimbly. In point of strength I could have thrown him clear to the ceiling with the same hold, and I knew it well; but I never let him know for fear he’d want a wrestling match.
”
”
Jack Kerouac (On the Road)
“
I can see it in your eyes. If it weren’t for this I would have stopped trying long ago, to communicate with you in this halfway language which is so difficult for both of us, which exhausts the throat and fills the mouth with sand; if it weren’t for this I would have gone away, gone back. It’s this knowledge of death, which we share, where we overlap. Death is our common ground. Together, on it, we can walk forward.
By now you must have guessed: I come from another planet. But I will never say to you, take me to your leaders. Even I – unused to your ways though I am – would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them.
Instead I will say, take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths.
These are worth it. These are what I have come for.
”
”
Margaret Atwood (Good Bones and Simple Murders)
“
[THE DAILY BREATH]
Do you remember the first day of school, when your mom and dad gave you the new uniform, the shiny shoes and a little lunch box with fresh food made that morning?
The mystery of your relationship with our Heavenly Father is mirrored in your relationship with your children.
For the first 5-6 years of your life, you never asked nor worried about your school uniform, the shoes you will wear or the lunch box for the first day of school. Probably you didn't even know you needed them before school started and you did get them.
Your parents knew you needed them, and when the moment arrived, you received them. You didn't get them before or after, but when the moment of need arrived.
You might understand now what our Heavenly Father meant when He said: "I will answer them before they even call to me. While they are still talking about their needs, I will go ahead and answer their prayers." Jesus reaffirmed this message when He said: "Your Father knows you need all these even before you even ask Him."
Do not worry about the future. There is perfect peace in this moment.
Do not worry.
Today only remember and trust your Heavenly parent, the One who breathed life into your body and spirit. He will give you all you need. When the moment arrives.
”
”
Dragos Bratasanu
“
Why, what are your shoes done with?' said the Gryphon. 'I mean, what makes them so shiny?' Alice looked down at them, and considered a little before she gave her answer. 'They're done with blacking, I believe.' 'Boots and shoes under the sea,' the Gryphon went on in a deep voice, 'are done with a whiting. Now you know.' 'And what are they made of?' Alice asked in a tone of great curiosity. 'Soles and eels, of course,' the Gryphon replied rather impatiently: 'any shrimp could have told you that.' 'If I'd been the whiting,' said Alice, whose thoughts were still running on the song, 'I'd have said to the porpoise, "Keep back, please: we don't want you with us!
”
”
Lewis Carroll (Alice's Adventures in Wonderland)
“
What’s this?” He pulled out a folder filled with shiny silver discs. “A whole television show with your name on it! Should we put the lights down low and watch?”
Merlin pursed his lips. “Quite fun, in places, that one. I do like the dragon. But, well, they had a tendency to make it seem as if Arthur and Merlin could be love interests, only to pull out at the last possible second.”
Val quirked an eyebrow, a double entendre no doubt simmering behind that smirk. When he spoke, it was more frustration than amusement. Ugh, why would anyone do that?”
“It was called queerbaiting, Merlin said, the word like a stone in his shoe. “And sadly it was common in that age.”
Val made a disgusted face and a retching sound to go with it. Merlin had to agree.
”
”
Cori McCarthy & Amy Rose Capetta (Sword in the Stars (Once & Future, #2))
“
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
”
”
Edward Abbey
“
Then I pushed my way through and saw a young woman climb down, no more than my age, only she was as pale as a flour bag, with rosebud lips pressed tight together, and two spots of rouge high on her cheeks. She stared at the rabble, her eyes narrowing. She weren't afeard of us, no not one whit. She lifted her chin and said in a throaty London drawl, 'Mr Pars. Fetch him at once.' Like magic the scene changed: three or four fellows legged it indoors and those staying behind hung back a bit, fidgeting before this girl that might have dropped from the moon for all we'd ever seen such a being in our yard. What drew my eye was her apricot-colored gown that shone like a diamond. I drank in all her marks of fashion: the peachy ribbon holding the little dog she clutched to her bosom, her powdered curls, but most of all it was her shoes I fixed on. They were made of shiny silver stuff, and in spite of the prettiest heels you ever saw, were already squelched in Mawton mud. It were a crime to ruin those shoes, but there were no denying it, she'd landed in a right old pigsty.
”
”
Martine Bailey (An Appetite for Violets)
“
You go through life thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
”
”
Nina LaCour (We Are Okay)
“
Poppy Pink is a unicorn, but not just any unicorn. She is a member of the Pinkerton Manor family of unicorns.
She was indeed a vision as she stepped from her transport.
Poppy Pink is pink all over, but her mane and tail are the purest white and so soft and silky. Her hooves are silver and look like dancing shoes, and they match her sparkling, silver, spiralled horn.
'Oh Poppy,' gasped Oona. 'You look beautiful.'
'I know I do Oona. I suppose you don't look too bad either… for a dragon.'
Poppy Pink was a snob, and there wasn't anyone, unicorn or dragon, who was better than her. Well, she was a third generation Pinkerton Manor unicorn, and Pinkerton Manor was only the biggest Manor House in the county.
How could anyone possibly be better?
Poppy Pink looked down at her feet. They were very muddy.
'Ugh, look at my beautiful, shiny, hooves Oona,' whined Poppy Pink. 'We don't have mud at Pinkerton Manor, even when it rains.'
Poor Oona Orange-Blackspot looked downhearted. 'So sorry Poppy. I wish it hadn't rained for your visit.'
'So do I,' sniffed Poppy Pink. 'I find this weather very tiresome. It never rains enough to cause mud at Pinkerton Manor.
”
”
Ann Perry (The Dragon Sanctuary)
“
Valentine for Ernest Mann"
You can’t order a poem like you order a taco.
Walk up to the counter, say, “I’ll take two”
and expect it to be handed back to you
on a shiny plate.
Still, I like your spirit.
Anyone who says, “Here’s my address,
write me a poem,” deserves something in reply.
So I’ll tell a secret instead:
poems hide. In the bottoms of our shoes,
they are sleeping. They are the shadows
drifting across our ceilings the moment
before we wake up. What we have to do
is live in a way that lets us find them.
Once I knew a man who gave his wife
two skunks for a valentine.
He couldn’t understand why she was crying.
“I thought they had such beautiful eyes.”
And he was serious. He was a serious man
who lived in a serious way. Nothing was ugly
just because the world said so. He really
liked those skunks. So, he re-invented them
as valentines and they became beautiful.
At least, to him. And the poems that had been hiding
in the eyes of skunks for centuries
crawled out and curled up at his feet.
Maybe if we re-invent whatever our lives give us
we find poems. Check your garage, the off sock
in your drawer, the person you almost like, but not quite.
”
”
Naomi Shihab Nye (Red Suitcase (American Poets Continuum))
“
YOU GO THROUGH LIFE thinking there’s so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish Breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don’t want to forget. You need your bedspread, white with black diamonds. You need your pillow—it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The watercolor sunset hanging above your bed. The dozens and dozens of shells in glass jars. The cab was waiting outside the station. The airport, I said, but no sound came out. “The airport,” I said, and we pulled away. You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.
”
”
Nina LaCour (We Are Okay)
“
I was headed into the final fitting of my leg. I’d gone through the test socket phase and my leg was finally ready. I was so excited! I walked into the physical therapy lab and shouted, “Man, I cannot wait to put this leg on and walk!”
My physical therapist, Bob, and the prosthetist exchanged nervous glances. My right leg was still pretty weak and by all normal standards, I should not be able to walk right away. But then, of course, I never like to be like everyone else. They had me wheel over to the parallel bars to attach my new leg.
“We’re just going to have you stand for now,” said Bob.
“Nah, I’m walking.” I offered up my best shit-eating grin.
“Let’s just see how it feels,” Bob replied with some firmness.
I stood up and said, “I feel good. I feel really good.”
Bob relented and they let me try to walk. They put a belt around me so that Bob could hold on to me as I walked the parallel bars. Most guys can use the parallel bars for support. I only have one arm so that only helped me so much. Good thing I didn’t really need them. I started walking without faltering right away.
“Yeah, this feels good. I feel good. You can back up,” I told them.
They backed up and I started walking by myself, holding on with one hand. Then, feeling bolder, I lifted my hand off the bar. I took a step. And then another step. I was walking without any help. I walked up and down those parallel bars the very first day I put on my leg.
I did all this with an audience. Dad and Uncle Johnny were right there with me, watching and cheering me on. They were so excited. Uncle Johnny snapped a picture and sent it to my mom back home in Alabama. And as any proud mom would do, she sent that picture to everyone she knew. That picture went the pre-viral version of viral! It was a triumphant snapshot. I was walking again. And not only that, I was wearing those shiny new New Balance shoes the nice ladies had given me. As the picture made the rounds through my mom’s friends and friends of her friends and friends of friends of friends, somehow it ended up with people at New Balance. They reached out to my mom to ask what sizes of shoe Colston and I wore. She told them and then soon after that, Colston and I had matching sneakers.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
He was going to kiss her. She was going to let him. Falco’s face blurred in the darkness as he closed the distance between them.
And then…it wasn’t Falco she was about to kiss. It was Luca. She lunged backward in her seat, causing the gondola to lurch to one side.
Falco’s eyes snapped open. “What happened?”
Cass had no idea what to say. “I--I thought I saw something,” she stammered out.
Falco glanced around, as if reaffirming that it would be impossible to see anything in the blackness under the bridge. “A vampire?” His voice was thick with sarcasm.
Cass looked away. “Forget it. You wouldn’t understand.”
“Oh. I think I understand.” Falco turned slowly away from Cass. He dragged his fingers across the shiny black wood as he moved toward the back of the boat. “Forgive me, Signorina. I didn’t mean to overstep my station.”
“No. I--it’s not that,” Cass said. Her heart was trembling in her chest.
Falco didn’t answer. He vaulted over the side of the boat and headed for the steps leading up to the bridge. Cass followed him, struggling to lift her skirts over the gondola’s edge. She fumbled her way up the uneven steps, feeling the dampness of the stones seeping through the bottom of her suede shoes. Falco stood in the middle of the bridge, his forearms resting on the railing. He stared down at the water so intently that Cass thought maybe it was his turn to see murderers and poisonous serpents beneath the surface.
But no, Falco didn’t deal in superstition.
Cass cleared her throat. Her chest felt as though there was a giant fist around it, squeezing. “Lately I always think I’m doing the wrong thing.”
Falco nodded, keeping his eyes locked on the water. His jaw was tight. “You should stop thinking so much. Do what feels right.
”
”
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
“
fact, if there was a fire in their house, and Mum could only save either a sparkly gold tap-shoe once worn by Flavio Flavioli (the shiny, tanned dancer and heartbreaker from Italy who appeared on every series of the hit TV show) or her only child, Ben thought she would probably go for the shoe.
”
”
David Walliams (Gangsta Granny)
“
So he put on the fanciest things in his closet: a stiff and itchy white shirt; a black necktie bound noose-tight; black slacks that popped with static electricity when he moved; a shiny pair of dress shoes that he shoehorned himself into, so granite-hard that they removed a layer of skin on his heel He wondered why adults felt they needed to be at their most uncomfortable for their most cherished events.
”
”
Nathan Hill (The Nix)
“
Jillian had charged into the bathroom on seven, but she just shot straight to ten. Her nature may be reserved, but she didn’t take shit off anybody. “Don’t patronize me. And don’t you dare come down here and judge us!” She pointed her finger directly at AJ. “We’re the ones doing the heavy lifting, so people like you can come along at the very end and ride along on our coattails. You can act tough all you want, but it’s just an act, AJ. You, with your expensive suits and shiny shoes,” she sneered. “You wouldn’t survive one minute out there on those streets. You’re weak.” Before she realized what was about to happen, AJ seized her by the shoulders and threw her against the wall. Pinning her with her own body, she pressed her index finger over Jillian’s lips. “That’s enough.” Those glittering green eyes warned Jillian not to say another word. The impact had completely knocked the breath out of her. AJ pressed her body tighter into hers, preventing Jillian from taking a replenishing breath, so she breathed short shallow breaths through her nose. Her heart pounded. What was happening? She wasn’t in control of the situation, and oddly enough, for once she didn’t want to be. She had just been manhandled, yet she had no desire to fight back. Instead, she wanted to hook her leg around AJ’s waist and draw her closer to where AJ’s heat seared her core.
”
”
Kat Evans (The Domme Tamer)
“
But meditation does not bring me peace. I’ve tried it maybe a dozen times before, and it always goes the same way: I try to clear my head. I close my eyes and try to think about nothing. I want to make my brain a blank slate, but images keep popping up: an idea for a story I should follow up on, the laundry I haven’t done, the shoes I should take to a cobbler. I think about something simple and pure and basic: a block of fresh, soft, white tofu. For twenty seconds, I succeed, imagining a white cube, jiggly and shiny in my mind. Mmm, tofu. What should I eat for dinner? Wait, damn it! Okay, fine. I’ll focus on my breathing instead. In. Out. In. Out. In. Was I able to breathe in as much as I should? Why did it feel like I couldn’t get enough air into my lungs? Why did I feel like I was wheezing? Was I wheezing? Is there something wrong with my lungs? Do I have lung cancer? I
”
”
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
“
Mr. Jones entered wearing his spotless black trench coat, the shiny black shoes, and the ridiculous hat that made him look like a figure from an 1880s London police sketch.
”
”
Alistair Cross (Dream Reaper: Angels & Demons)
“
Meanwhile, Mabel waited outside the Prince of Wales Hotel on Lord Street. She'd perched her bony bottom on the pointed-top wall that ran alongside it, opposite the barbershop. She could smell the sweet, crisp freshness that came with springtime as the sun had finally managed to fight its way through the cloud cover. Unfortunately, though, it seemed that no matter where in this town she went, memories of her father haunted her. As she sat on the wall, her feet turned inwards and, with a dull numbness growing in her tailbone, she closed her eyes. In her mind, she opened them again to find that she was at least ten years younger. Her feet dangled off the edge of the wall in scuffed indigo leather shoes, with a shiny brass buckle glinting in the light from the oil street lamps. The sky was a moody blue, signalling the end of the day and the start of the night. Her father stood beside her, a thick cigarette held between his chapped lips and his hands in his pockets. His friends from work surrounded her, all laughing and chatting. She could see her father speaking, though all she could hear was a muted grumble. Even in her imagination, she couldn't quite picture how he spoke. The only sounds she could place were the short groans he'd make as he stood up from his chair or the wheeze that followed his laughter. With the sad realisation that she had lost all memory of her father's voice, she opened her eyes once more.
”
”
Ida O'Flynn (The Distressing Case of a Young Married Woman)
“
But I see differently. I think perfectionism is just a high-end, haute couture version of fear. I think perfectionism is just fear of fancy shoes and mink coat, pretending to be elegant when actually it's just terrified. Because underneath that shiny veneer, perfectionism is nothing more than a deep existential angst that says, again and again, "I am not good enough and I will never be good enough
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
But Biju went to Jackson Heights, and from a store like a hangar he bought: a TV and VCR, a camera, sunglasses, baseball caps that said "NYC" and "Yankees" and "I Like My Beer Cold and My Women Hot," a digital two-time clock and radio and cassette player, waterproof watches, calculators, an electric razor, a toaster oven, a winter coat, nylon sweaters, polyester-cotton-blend shirts, a polyurethane quilt, a rain jacket, a folding umbrella, suede shoes, a leather wallet, a Japanese-made heater, a set of sharp knives, a hot water bottle, Fixodent, saffron, cashews and raisins, aftershave, T-shirts with "I love NY" and "Born in the USA" picked out in shiny stones, whiskey, and, after a moment of hesitation, a bottle of perfume called Windsong . . . who was that for? He didn’t yet know her face.
”
”
Kiran Desai (The Inheritance of Loss)
“
But the man with the shiny shoes was very brave,” continued Zoe. “He told the men they couldn’t have the land and he made them go away.” Over in the sea otters’ enclosure the sound of splashing quietened, and Zoe could see Nina, Alex and Sasha floating on their backs in the moonlight. Teddy yawned and gave a quiet little growl. “The tigers were so happy that the man with the shiny shoes had saved them they made him their king,” said Zoe. She couldn’t help grinning as she thought of Mr Pinch being king of the tigers. “They gave him a shiny golden crown and a long velvet cloak. And they called him King Pinch.” Zoe waited for Teddy to tell her some more of his thoughts, but the little tiger was silent. She looked over to his enclosure and saw him curled in a ball, fast asleep! Zoe tiptoed over to Bertie’s enclosure. The little elephant was fast asleep too. And so were the monkeys, and the sea otters.
”
”
Amelia Cobb (The Talkative Tiger (Zoe's Rescue Zoo, #21))
“
Standing beside her was a man I can only describe as a generic fed, with a gray suit and white shirt and shiny black shoes. They were both facing my sister, Sergeant Deborah, and another man I didn’t know. He was blond, about six feet tall, muscular, and absurdly good-looking in a rugged, masculine way, as if God had taken Brad Pitt and decided to make him really handsome.
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
DILEMMA: You thought it would be romantic to take your date hiking off the beaten path. It didn’t occur to you that your path was unbeaten because of the abundant poison ivy bushes beyond the “Do Not Enter” sign until you were red and itchy all over. SOLUTION: Spray or slather old-fashioned white shoe polish on the problem areas and you’ll feel its soothing effect in no time. Plus, you’ll be shiny and white like a pair of new kicks.
”
”
Lisa Katayama (Urawaza: Secret Everyday Tips and Tricks from Japan)
“
You know,” she said dreamily, passing over his question, “you’re not nearly as handsome as Lord St. Vincent.”
“There’s a surprise,” he said dryly.
“But for some reason,” she continued, “I never want to kiss him the way I do you.” It was a good thing that she had closed her eyes, for if she had seen his expression, she might not have continued. “There is something about you that makes me feel terribly wicked. You make me want to do shocking things. Maybe it’s because you’re so proper. Your necktie is never crooked, and your shoes are always shiny. And your shirts are so starchy. Sometimes when I look at you, I want to tear off all your buttons. Or set your trousers on fire.” She giggled helplessly. “I’ve so often wondered— are you ticklish, my lord?”
“No,” Marcus rasped, his heart pounding beneath his starched shirt. Acute lust caused his flesh to burgeon heavily, his body eager to plunder the slender female form that was spread before him. His beleaguered sense of honor protested that he was not the kind of man who would take an inebriated woman to bed. She was helpless. She was a virgin. He would never forgive himself if he took advantage of her in this condition—
“It worked!” Lillian held up her hand and waved it victoriously. “My finger’s out.” Her lips curved in a sultry grin. “Why are you frowning?” Heaving herself to a sitting position, she caught at his shoulders for support. “That little crinkle you get between your brows… it makes me want to…” Her voice trailed away as she stared at his forehead.
“What?” Marcus whispered, his self-control nearly annihilated.
Still clinging to the support of his shoulders, Lillian rose to her knees. “To do this.” Her lips pressed between his brows.
Marcus closed his eyes and gave a faint, desperate groan. He wanted her.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
rubber-soled shoes squeaking on the shiny Marmoleum.
”
”
Jojo Moyes (After You (Me Before You, #2))
“
he first time I ever laid eyes on you, you were jogging with your friend, Hilary,” he murmured. I lowered my gaze back to the tiny shoe and smiled.
“The first time I ever had the pleasure of hearing your voice,” he titled his head in thought, “you ended up tripping and needed bandaged.”
His finger brushed over the tiny silver Band-Aid. Tears began pooling in my eyes. His gift was unlike anything I ever expected. I wasn’t sure what to think or even feel in that moment.
“The first time I knew you were more than a pretty face,” he smiled, his thumb caressing my cheek for the briefest moment, “you brought Oliver and me muffins.” His voice cracked and I bit my bottom lip as he touched upon the tiny muffin.
The burn of a stray tear as it slipped down my cheek pulled my gaze to my lap. Quickly, I wiped it away.
Next, he held up the miniature swimming pool in his hand and I laughed, looking up at him.
“This one speaks for itself, sweetheart.” His smile widened into a broad grin. “It was a night I’ll never forget…and one I wouldn’t mind experiencing again next summer.”
My head shot down, heat creeping up my cheeks. I shook my head, chuckling.
“This,” he held up a music note, “is for the first time we danced.” He lowered the bracelet and looked me in the eyes. “I wanted you that night, Cassandra. More than I’ve ever wanted any woman. But I’m thankful every day that you wouldn’t let me have my way.” He sighed. “We wouldn’t be here today if I had slept with you then.”
He looked back down, frowning. “I can’t image you not being here today.”
My heart swelled helping me find my voice.
“The pumpkin patch,” I said, running my fingers over the shiny jack-o-lantern.
“Yes, the first day I realized I wanted nothing more than to protect you. From your ex, from anyone that could hurt you.”
I smiled, his words soothing every part of my soul.
“The carnival.” I smiled, remembering our day together. The charm was of a Ferris wheel and the only one that was gold.
Logan took my hand and clasped the bracelet around my wrist. He looked up at me, my hand still in his.
“The first day I knew Oliver was falling in love with you.
”
”
Angela Graham (Inevitable (Harmony, #1))
“
Myron didn’t step back. He didn’t make a fist, but man, he wanted to. Despite the rushed call from his wife, Chick wore a shiny silk suit with a tie so perfectly knotted it looked fake. His shoes had an almost supernatural shine, like they were somehow more than new, and his hair was black with just the right amount of gray, slicked back and a little too long. His skin had the waxy glow of a recent facial or some sort of high-end cosmetics, and the word “manscaped” was encompassed in every move Chick made. Brooke
”
”
Harlan Coben (Home (Myron Bolitar, #11))
“
He owned one pair of shiny black shoes that he resoled every two years for twenty years.
”
”
George Bishop (The Night of the Comet: A Novel)
“
My office is over here—”
He stopped. Frowned. Looked about. Had to backtrack to the kitchen in order to find the various parties.
Sola’s grandmother had her head in the Sub-Zero refrigerator, rather as if she were a gnome looking for a cool place in the summer.
“Madam?” Assail inquired.
She shut the door and moved on to the floor-to-ceiling cabinets. “There is nothing here. Nothing. What do you eat?”
“Ah . . .” Assail found himself looking at the cousins for aid. “Usually we take our meals in town.”
The scoffing sound certainly appeared like the old-lady equivalent of Fuck that.
“I need the staples.” She pivoted on her little shiny shoes and put her hands on her hips. “Who is taking me to supermarket.”
Not an inquiry. And as she stared up at the three of them, it appeared as though Ehric and his violent killer of a twin were as nonplussed as Assail was.
The evening had been planned out to the minute—and a trip to the local Hannaford was not on the list.
“You two are too thin,” she announced, flicking her hand in the direction of the twins. “You need to eat.”
Assail cleared his throat. “Madam, you have been brought here for your safety.”
He was not going to permit Benloise to up the stakes—and so he’d had to lock down potential collateral damage.
“Not to be a cook.”
“You have already refused the money. I no stay here for free. I earn my keep. That is the way it will be.”
Assail exhaled long and slow. Now he knew where Sola got her independent streak.
“Well?” she demanded. “I no drive. Who takes me.”
“Madam, would you not prefer to rest—”
“Your body rest when dead. Who.”
“We do have an hour,” Ehric hedged.
As Assail glared at the other vampire, the little old lady hitched her purse up on her forearm and nodded. “So he will take me.”
Assail met Sola’s grandmother’s gaze directly and dropped his tone a register just so that the line drawn would be respected. “I pay. Are we clear—you are not to spend a cent.”
She opened her mouth as if to argue, but she was headstrong—not foolish. “Then I do the darning.”
“Our clothes are in sufficient shape—”
Ehric cleared his throat. “Actually, I have a couple of loose buttons. And the Velcro strip on his flak jacket is—”
Assail looked over his shoulder and bared his fangs at the idiot—out of eyesight of Sola’s grandmother, of course. Remarshaling his expression, he turned back around and— Knew he’d lost.
The grandmother had one of those brows cocked, her dark eyes as steady as any foe’s he’d ever faced.
Assail shook his head. “I cannot believe I’m negotiating with you.”
“And you agree to terms.”
“Madam—”
“Then it is settled.”
Assail threw up his hands. “Fine. You have forty-five minutes. That is all.”
“We be back in thirty.” At that, she turned and headed for the door.
In her diminutive wake, the three vampires played ocular Ping-Pong.
“Go,” Assail gritted out. “Both of you.”
The cousins stalked for the garage door—but they didn’t make it.
Sola’s grandmother wheeled around and put her hands on her hips. “Where is your crucifix?”
Assail shook himself. “I beg your pardon?”
“Are you no Catholic?”
My dear sweet woman, we are not human, he thought.
“No, I fear not.”
Laser-beam eyes locked on him. Ehric. Ehric’s brother. “We change this. It is God’s will.”
And out she went, marching through the mudroom, ripping open the door, and disappearing into the garage.
As that heavy steel barrier closed automatically, all Assail could do was blink.
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
I see rather than hear a guy in a suit and tie knocking on my door. I wave him in, he opens the door and starts strolling toward my desk, he’s followed by two long haired, bearded, overweight, scruffy looking assholes both wearing glasses, short sleeved white shirts with their shirt breast pocket full of pens and little ruler looking things, complete with pocket protectors. He’s wearing a really cheap looking blue suit, that’s been worn shiny slick and had to be right out of the 50’s. The suit is adorned with a greasy looking; really wide tie that had more soup stains than Campbell’s. To complete his ensemble he’s chosen a pair of shit brown shoes that hadn’t seen polish since they were new, which had to be a long time ago. To top it all off, he’s sporting the most massive “Comb Over” on his head I’ve ever seen. On the left side of his head was a “Tuft” of very thin gray hair. He’d allowed this to grow until he could comb it all the way over the top of his bald head and down to his right ear. I couldn’t help but stare. Marines are first impression people and if you present a poor one, they generally will turn you off immediately.
”
”
W.R. Spicer (Sea Stories of a U.S. Marine Book 4 Harrier)
“
The topic Walking with Christ daily The object Shoes of all styles, sizes, and colors—the more bizarre, the better. You can find a wide selection for next to nothing at a thrift shop. Try to get at least these kinds: work boots, bedroom slippers, dress shoes, running shoes, a pair that is totally worn-out, a pair with holes in the soles. The lesson Show the shoes one pair at a time, explaining how they can help us consider where we are in our walk with Christ: Dress shoes I have a nice, shiny faith on the outside—but I only bring it out on Sundays and special occasions. Bedroom slippers I’ve made a commitment to Christ, but I’ve been pretty lazy in terms of trying to serve him.
”
”
Helen Musick (Everyday Object Lessons for Youth Groups: 45 Strange and Striking Ways to Get Your Point Across to Teenagers)
“
It was only outside in the sun and heat that she began to feel the weight of what she had done. Her feet were terribly hot and slipping in her shoes, and the sand worked its way in. With each step she fell more into herself, and her stomach roiled with the curdled truth of her betrayal. I can see you, she imagined God saying. The basket of eggs hit her hip and one shell cracked, freeing yolk and white into a slippery mess, which dripped through the wicker and landed in thick shiny drops on her skirt. *
”
”
Rae Meadows (I Will Send Rain)
“
So why do you think that?” Chase said. “That, you know, it’s not casual?” “Oh,” Vince said. “It’s just, you know. A little bit … baroque?” He waved one hand merrily, sending a small glob of garbage flying through the air and onto my shoe. “Oops,” he said. “Baroque,” Chase said thoughtfully. “Like what. You mean, um … what?” Vince kept smiling. Nothing Chase said, no matter how stupid, could put a dent in his bright and shiny armor. “Complicated,” Vince said. “Like, you know. He didn’t just want to kill her. He had to do stuff to her.” Chase nodded, and even in the shadows of the alley, I thought he turned a few shades paler. “What, um,” he said, and he swallowed. “What kind of stuff?” “Take a look,” Vince said. “It’s kind of hard to describe.
”
”
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
“
Hudson Creek is a decaying strip of buildings on either side of the highway, clinging to the road like barnacles on a rotting pier. If this were an ecosystem, I’d say it was on the verge of collapse. FOR SALE signs litter stretches of property with dilapidated buildings that look like they haven’t had two-legged occupants in years. Occasionally I spot signs of life. Aluminum-sided trailers covered in faded paint with clothes dangling nearby on lines. Someone lives there, if this is what you can call living. I’ve seen plenty of poverty in my travels. Not all of it radiates despair. I’ve been to slums where the electricity falters at night, but the live music keeps going. I’ve visited shantytowns where a new pair of shoes is as rare as a Tesla, yet people wear homespun clothes as vibrant as any I’ve seen. Hudson Creek has none of that. There’s no new construction. No signs that the town is fighting for life. The only things not falling apart are the shiny new cars I occasionally spot in weed-infested driveways. These people have mixed-up priorities. Or do they? Would you invest in landscaping if you knew your property values were going to keep declining? Maybe it’s better to spend your money on an escape pod with leather seats and a Bluetooth system.
”
”
Andrew Mayne (The Naturalist (The Naturalist, #1))
“
of Ford pickups? And the poop those things must’ve dropped…Okay, I’ll stop.) Aphrodite kept getting distracted by sales at the mall, or cute guys, or the shiny jewelry and dresses that the mortal girls were wearing this season. Meanwhile, Psyche kept trudging along, searching for her husband in all the most remote shrines, temples, and LA Fitness Centers. By this point, her pregnant belly was starting to show. Her clothes were torn and muddy. Her shoes were falling apart. She was constantly hungry and thirsty, but she would not give up. One day she was roaming through the mountains of northern Greece when she
”
”
Rick Riordan (Percy Jackson's Greek Heroes)
“
GO TO THE STORE AND BRUSH YOUR TEETH,
JUMP IN THE POOL WITH A CHRISTMAS WREATH,
AND THAT’S THE WAY WE DO, THE PURPLE PICKLE POLKA!
DRINK SOME SOAP AND FLY A KITE,
HOLD YOUR BREATH WITH ALL YOUR MIGHT,
AND THAT’S THE WAY WE DO, THE PURPLE PICKLE POLKA!
JUMP ON THE CHAIR WITH SHINY SHOES,
GO TO THE BEACH AND LOOK FOR CLUES.
BLINK YOUR EYES, CUSTARD PIES, PASTURIZE, DRAGON FLIES,
AND THAT’S THE WAY WE DO THE PURPLE PICKLE POLKA!
HEY! THAT’S THE WAY WE DO THE PURPLE PICKLE POLKA!
”
”
Kent Redeker (LarryBoy and the Yodelnapper (Big Idea Books / LarryBoy Book 4))
“
his shoes and ran down onto the part of the sand where it’s all wet and shiny, waiting for another wave to come in. When it did, it splashed up onto
”
”
Catherine Ryan Hyde (Love in the Present Tense)
“
This, you see, is the true danger of children: they are ambushes, each and every one of them. A person may look at someone else's child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They do not even see the love, not really. It can be easy when looking at children from the outside, to believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the lofty shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own
”
”
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
“
Dressed all in Gucci black -- silk V-neck sweater, wool pinstripe pants, shiny leather dress shoes -- with his scarred eyebrow furrowed and his dark gaze as cold as the snow-covered ground outside, he shouldn't look sexy at all. But he does. God, he really, really does.
”
”
Tracy Wolff (Crave (Crave, #1))
“
My eyes trail the stranger’s body, noting the contrast between my dirty sneakers and his shiny dress shoes. His legs are thick, but his suit pants are perfectly tailored to fit his strong thighs. His crisp white shirt is practically see-through, showcasing his tatted skin, and when my gaze falls on the thin gold chain around his neck, I realize who I ran into. My body, thanks to the warmth flowing through me from the unexpected contact, knows too.
”
”
Liz Tomforde (Mile High (Windy City, #1))
“
Some mysteries aren’t worth the mental stress. Like why the Kieffer on the floor clearly had a deep, clean slit across his throat in addition to the gouge on his forehead. Or how this Kieffer was totally wearing a pair of shiny black dress shoes with the laces tied up. There was more to this story, but I certainly didn’t want to know it.
”
”
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
“
The desperation in their voices makes it clear that big money is at stake. Their expensive suits and shiny Italian shoes give this hallway its nickname: Gucci Gulch.
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Jeffrey Birnbaum (Showdown at Gucci Gulch)
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Guy walks up to a girl at a bar...asks to buy her a drink...ok...are you ready to do whatever it takes? I laughed during the movie Buffalo66...Tap Dancing with a pair of shiny shoes in Bowling all spares will never get you a hole in one at Golf.
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Jonathan Roy Mckinney Gero EagleO2
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There was a burly chap standing on the low platform, giving the spiel, in a pretty rough delivery. He had tight yellow curls, the colour of cheap lemonade but turning grey, and a big red face, with a splay nose, and very dark red lips. The ears didn’t seem exactly opposite one another.
On the chap’s left a girl lay spread out facing us in an upright canvas chair, as faded and battered as everything else in the outfit. She was dressed up like a French chorus, in a tight and shiny black thing, cut low, and black fishnet stockings, and those shiny black shoes with super high heels that many men go for in such a big way. But the effect was not particularly sexy, all the same. The different bits of costume had all seen better days, like everything else, and the girl herself looked more sick than spicy.
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Robert Aickman (Cold Hand in Mine: Strange Stories)
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Alton opened the door to his apartment and shielded his eyes. The normally dark room was filled with bright light. Peeking through his fingertips he eventually saw that the light was actually made out of many smaller lights. He stepped inside and rubbed his eyes. A short robot ran to greet him. “Welcome home, Alton!” the small robot chimed. “Yeah, yeah. What's with all the lights,” Alton said tiredly. “I have decorated for Christmas!” Alton kicked off his shoes and shuffled further into the apartment. Strings of lights had been hung everywhere. They wrapped around the walls and draped across the ceiling. Any surface not covered in lights had been dressed up with garlands made of a shiny plastic that reflected the lights. Everything seemed to give off light. “Why have you decorated for Christmas?” asked Alton. The robot's head clicked as it formed an answer. “Because that is what you do on Christmas. You decorate your house. Do you not like it?” To be honest, Alton did not like it. He did
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Uncle Amon (Christmas Stories for Kids)
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I drove fast and carefully while Sloan made calls. I scanned the road and went twenty over the speed limit on the freeway. I zipped around cars using my blinker and hand waves. When we got to the hospital, I dropped her off at the emergency room entrance and parked, then ran with her bag to meet her at the front desk.
“He’s in surgery,” she said tearfully when I jogged in through the automatic doors of the ER, my shoes squeaking on the white shiny floors.
I looked at the woman behind the check-in desk, like a robot gathering data. I could see everything. The age spots on her forehead, the gray wisps along her hairline. The sterile, white countertop and the shimmer in the petals of pink roses in a vase behind the desk. “Where can we wait? And can you inform the doctor that his family is here?”
We were sent to a private waiting area for the neurology department on the third floor. Brightly lit, plastic potted plants tucked in the corners of the room, serene blue walls, uniform gray tweed upholstered chairs, magazines and boxes of tissues on every end and coffee table.
Sloan scanned the room. Maybe it was the finality of it—the cessation of forward movement—but this was when she officially broke down. She buried her face in her hands and wept. “Why is this happening?”
I wrapped her sweater around her and put her in a chair. “I don’t know, Sloan. Why does anything happen?”
I knew what things had to be done, what I had to do to make her comfortable. But I couldn’t feel any of the panic or grief that I saw in Sloan. I felt like I was watching a movie with the sound off. I could see what was happening, but I couldn’t connect to the characters.
We waited. And waited. And waited.
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Abby Jimenez
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Ruth smiled still more broadly. ‘Good,’ she said. ‘Won’t be a mo.’ She moved a shiny copper pan from the bench on to the stove and began to stir it. Addie stared down at her feet. Snow slid from her shoes on to the tiled floor and quickly melted there. She glanced up. Had Ruth noticed? She hadn’t. She was deep in conversation with Penny, over by the stove. Addie pulled at her wet laces, took off her trainers. She held them up for a moment. Where was she supposed to put them? Nobody had said. She pushed them out of sight, under her chair, clutched her damp coat collar closer round her neck. She looked around. It was the kind of kitchen you see in films, or in magazines at the doctor’s surgery. Big tiles on the floor, big wooden furniture, big dark beams across the ceiling. There was an enormous fridge
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Susanna Bailey (Snow Foal)
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She was so focused on the movie that she didn’t even notice the front door swing open and wasn’t aware of Dante’s presence until he spoke.
“What are you watching?” he asked from almost directly behind her, and she nearly jumped out of her skin.
“Crap,” she squeaked, lifting a hand to her chest. “You scared the stuffing out of me.”
“Stuffing?” He raised an eyebrow at her language, and she wrinkled her nose.
“I read somewhere that the baby can hear my voice. I don’t want him to pick up any bad language before he’s even born.”
“He can hear us?” Dante looked completely disconcerted by that bit of news, and after shrugging out of his jacket and neatly placing it on the chair, he sat down on the couch next to her. “Seriously?”
“Yep. Shocked the shi—sherbet out of me too.”
He grinned, the expression so infectious she found herself grinning back.
“How long do you think you’ll be able to keep that up?” he asked, his voice wobbling with laughter.
“I don’t know, but I’m going to try my damnedest not to . . .” She paused, frowned, and then her shoulders sank as she grasped what she’d said. “Shit.”
“Yeah, that’s what I thought,” he chuckled, toeing off his shiny shoes and propping his feet up on the table next to hers.
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Natasha Anders (A Ruthless Proposition)
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The woman had stunning, golden eyes with slit pupils, long, silky, purple hair, and tanned, golden-hued skin. She was wearing a frilly, purple Gothic Lolita style dress with the pattern of pink hearts on it, black and white striped stockings, and shiny, patent leather shoes. There was a thick, silver collar around the
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KuroKoneko Kamen (Handsome and the Yeti (Genderbent Fairytales Collection, Book 1) (Twisted Fairytales Collection))
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So, was that what it was like for you? When your dad left?” I hoped I wasn’t overstepping, but it felt easy to talk to him, out here in the quiet.
“Definitely.” Jude looked down at his shiny coffee-colored shoes. “At first, I was still pretending everything would go back to normal. But then, at last year’s Winter Formal, of all places, it hit me. I realized that, no matter what you do or say, you can’t change other people. That no matter how much you love or care about them, in the end, they are who they are. And if they don’t want what you want, you can’t change that.” Jude sighed and then looked up at the ceiling. “It was such a brutally depressing thought for me at the time. The puppy was born.”
As I studied Jude’s face, it softened and he turned his eyes to me. “Later, though, the same thought became kind of freeing. My dad made his choice and I could accept it or not. It helped me move on. I didn’t want things to go back to normal.”
“You didn’t?”
“My dad always wanted me to do the things he wanted to do.”
“That . . . sucks.”
“It did suck,” Jude said. “But it helped me realize I was better off without him.”
“So, once you did that, the puppy disappeared?”
Jude scrunched his mouth to the side. “I don’t think the puppy ever goes away. I think it just grows up. You know, you live with it for a while, and then you start training it and learning its ways, and eventually it doesn’t need you as much anymore. Maybe it becomes an outdoor dog. You still have to feed it and give it exercise and pet it sometimes, when it comes back. But if you do all that, it’ll let you live your life.
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Mariko Turk (The Other Side of Perfect)
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your shiny shoes perfectly polished, like seven kindly dwarves had neatly buffed them at dawn.
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Haruki Murakami (The City and Its Uncertain Walls)
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But what should we do, Vernon? Should we write back? Tell them we don’t want —” Harry could see Uncle Vernon’s shiny black shoes pacing up and down the kitchen. “No,” he said finally. “No, we’ll ignore it. If they don’t get an answer. . . . Yes, that’s best . . . we won’t do anything. . . .” “But —” “I’m not having one in the house, Petunia! Didn’t we swear when we took him in we’d stamp out that dangerous nonsense?
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J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
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I am me. Every day. Not who I think others expect me to be, But the real, unedited, beauty-full, perfectly flawed version. I choose to think for myself. I speak my truth And wrestle with life’s tough questions over and over again. I daydream about a better world and strive to make it my reality. My purpose drives me And I give it the freedom to change and evolve. I breathe life to my dreams and to the dreams of others. I believe in magic. I look for it everywhere. I make an adventure of ordinary things. Create, imagine, reinvent, and get lost. I do things that inspire me. I defy the odds, raise my hand, sit at the table and lean in. I refuse to give up. I pursue my passion at all costs. I do things that terrify me. My head dances among the stars, and my feet remain on mother earth. I’m willing to ask the hard questions, to take chances, to love with my whole heart. My mistakes and failures make me stronger. I do not ascribe my worth to external validation, but to my character. I surround myself with phenomenal people, Especially ones who don’t always agree with me. I choose authenticity over perfection. I appreciate the small details that tend to go unnoticed by others. My worth is innate and immeasurable. I try to remind myself of that, daily. I exercise patience as often as possible, Stay vulnerable even when I want to close my heart And practice coexisting with things that make me uncomfortable. I set boundaries, work to honor them, And am willing to edit people out of my life who don’t. I walk more than a mile in other people’s shoes, And suspend judgment as long as humanly possible. I remember to laugh more, stress less, forgive often, and inject love everywhere I can. I do my best to relinquish every ounce of control because it’s futile. I throw my hands up, close my eyes, and Revel in life’s awesome and mysterious ride. My emotions are fleeting, they do not define me. My choices do, and I do my best to make good ones. I feed my body good, whole foods, But don’t punish myself for the occasional indulgence. I move my body every day. I stretch, challenge, and honor her. I rest when I need to. I don’t accept every invitation that comes my way. I practice saying “no.” Show myself kindness, compassion, and unconditional love. I am my best friend, I’m proud of me. I share my life’s lessons with others, even the not so shiny ones. I hold nothing back. Cry when I need to, But also recognize when I need to buck up. I remember to breathe and in that space, I find my calm among the chaos. I owe it to myself to be remarkable, so I am.
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Alexis Jones (I Am That Girl: How to Speak Your Truth, Discover Your Purpose, and #bethatgirl)