Frost Weather Quotes

October extinguished itself in a rush of howling winds and driving rain and November arrived, cold as frozen iron, with hard frosts every morning and icy drafts that bit at exposed hands and faces.

A bank is a place where they lend you an umbrella in fair weather and ask for it back when it begins to rain.

Winter teetered on the verge of succumbing to the returning sun, but today the breeze still preferred the touch of snowflakes

The fruition of the year had come and the night should have been fine with a moon in the sky and the crisp sharp promise of frost in the air, but it wasn't that way. It rained and little puddles of water shone under the street lamps on Main Street. In the woods in the darkness beyond the Fair Ground water dripped from the black trees.

She went to the window. A fine sheen of sugary frost covered everything in sight, and white smoke rose from chimneys in the valley below the resort town. The window opened to a rush of sharp early November air that would have the town in a flurry of activity, anticipating the tourists the colder weather always brought to the high mountains of North Carolina. She stuck her head out and took a deep breath. If she could eat the cold air, she would. She thought cold snaps were like cookies, like gingersnaps. In her mind they were made with white chocolate chunks and had a cool, brittle vanilla frosting. They melted like snow in her mouth, turning creamy and warm.

Dangerous girl, seductive as the weather! Shall I adore your snows and frosts together? In your relentless winter shall I feel A kiss more sharp than that of ice and steel?

Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flied in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by night fall were like soft teacakes with frostings of sweat and sweet talcum People moved slowly then. They ambled across the square, shuffled in and out of the stores around it, took their time about everything. A day was twenty-four hours long but seemed longer. There was no hurry, for there was nowhere to go, nothing to buy and no money to buy it with, noting to see outside the boundaries of Maycomb County. But it was a time of vague optimism for some of the people: Maycomb County had recently been told that it had nothing to fear but fear itself.

The wings and the golden weather and the tang of frost in the mornings made Laura want to go somewhere. She did not know where. She wanted only to go.

Happiness Makes Up in Height For What It Lacks in Length Oh, stormy stormy world, The days you were not swirled Around with mist and cloud, Or wrapped as in a shroud, And the sun’s brilliant ball Was not in part or all Obscured from mortal view— Were days so very few I can but wonder whence I get the lasting sense Of so much warmth and light. If my mistrust is right It may be altogether From one day’s perfect weather, When starting clear at dawn, The day swept clearly on To finish clear at eve. I verily believe My fair impression may Be all from that one day No shadow crossed but ours As through its blazing flowers We went from house to wood For change of solitude.

Like the lotus flower, business blooms in the mud, and in the dark of night. The lotus is an amazing creation of God, because for all of its beauty, it is the sum total of work performed in a mess. It is also a creation that has the ability to create seeds in its habitat for a very long time without help from human hands. The lotus has the ability to survive beyond the mercurial nature of weather (storms, frost). The lotus is one strong, powerful, and resilient flower that blossoms in a substance (mud) that none of us would want to touch.

Tree At My Window Tree at my window, window tree, My sash is lowered when night comes on; But let there never be curtain drawn Between you and me. Vague dream-head lifted out of the ground, And thing next most diffuse to cloud, Not all your light tongues talking aloud Could be profound. But tree, I have seen you taken and tossed, And if you have seen me when I slept, You have seen me when I was taken and swept And all but lost. That day she put our heads together, Fate had her imagination about her, Your head so much concerned with outer, Mine with inner, weather.

The next day the weather was blown out, with whitecaps frosting the entire channel across to Lanai and the coconut palms whipping overhead like epileptic dust mops.

Jack Frost hibernates from March to November, dreaming snowflake designs to share in December. With glittering breath, snowstorms, and blue blizzards, lakes made of crystal, he’s an icy wizard! People assume winter will be harsh, cold, and cruel and that Jack must be a wicked, cold-weather ghoul. But he’s truly an artist, known as Bringer of Ice, and although his heart is cold, he’s really quite nice.

IT wanted little more than a fortnight to Christmas; but the weather showed no signs yet of the frost and snow, conventionally associated with the coming season. The atmosphere was unnaturally warm, and the old year was dying feebly in sapping rain and enervating mist.

I think the measure of advancement depends on where you are stood and from what distance you look. A thousand years ago, we farmed the fields, built towns and defended our land with swords and spears. It is little different now, save for the number of people we have to protect. We still kill with a sharp edge or point of metal, blood runs red still, sons ride off to war and parents grieve. If you look at the Empire in its whole, then it is peaceful. If you look closely, you will see the small wars, the bandits and rebellions. Look more closely still and you’ll see the petty crimes, the struggle to survive, the rich bleeding the poor. Even the soil can turn against its farmers, yielding few crops. Or the weather, a late frost killing the early crops. There is strife and conflict everywhere in the Empire. Everywhere you find men, you find conflict.

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.

These apples have hung in the wind and frost and rain till they have absorbed the qualities of the weather or season, and thus are highly seasoned, and they pierce and sting and permeate us with their spirit.

Farther out, the waves will be mouthing icecakes— A poor month for park-sleepers and lovers. Even our shadows are blue with cold. We wanted to see the sun come up And are met, instead, by this iceribbed ship, Bearded and blown, an albatross of frost, Relic of tough weather, every winch and stay Encased in a glassy pellicle. The

It’s a dark night, sang the kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and, below, all is mire and clay; and there’s only one relief in all the sad and murky air; and I don’t know that it is one, for it’s nothing but a glare; of deep and angry crimson, where the sun and wind together; set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there’s hoar–frost on the finger–post, and thaw upon the track; and the ice it isn’t water, and the water isn’t free; and you couldn’t say that anything is what it ought to be; but he’s coming, coming, coming!—

Spilt, glistering milk of moonlight on the frost-crisped grass; on such a night, in moony, metamorphic weather, they say you might easily find him, if you had been foolish enough to venture out late, scuttling along by the churchyard wall with half a juicy torso slung across his back. The white light scours the fields and scours them again until everything gleams and he will leave paw-prints in the hoar-frost when he runs howling round the graves at night in his lupine fiestas.

Seven...eight...nine... Some in the crowd shuffled for positions where they could have a better view. By now it was close to four o'clock, and the sun was setting slightly in the west. What that morning had been close to zero weather was now in the mid-forties. The dueling field, which had been sparkling with the morning frost was now dry.

So chalk up one plus for Nordic weather: It helped you get where you were going a whole lot faster.

Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.

His father had frost in his beard in cold weather and in hot weather he sweated very much. He liked to work in the sun on the farm because he did not have to and he loved manual work, which Nick did not.

A Blackberry Winter by Stewart Stafford Pond ice beneath the hawthorn tree, Reeds grasping from the frigid sculpture, Freezing fog clinging to land and foliage, Nature hindered but still in amelioration. Horses in crunching frosted footsteps march, To break the water trough's thick glaze, And drink thirstily in raw, jagged gulps, Until the thaw smoothes itself upon milder days. A swan slips and skates on the icicled river, Hoarfrost-encrusted rocks a guard of honour, The Anatidae ascension, maladroit but effective, Sure to pluck better days from its plumed reign. © Stewart Stafford, 2022. All rights reserved.

Pattern recognition is so basic that the brain's pattern detection modules and its reward circuitry became inextricably linked. Whenever we successfully detect a pattern-or think we detect a pattern-the neurotransmitters responsible for sensations of pleasure squirt through our brains. If a pattern has repeated often enough and successfully enough in the past, the neurotransmitter release occurs in response to the mere presence of suggestive cues, long before the expected outcome of that pattern actually occurs. Like the study participants who reported seeing regular sequences in random stimuli, we will use alomst any pretext to get our pattern recognition kicks. Pattern recognition is the most primitive form of analogical reasoning, part of the neural circuitry for metaphor. Monkeys, rodents, and birds recognize patterns, too. What distinguishes humans from other species, though, is that we have elevated pattern recognition to an art. "To understand," the philosopher Isaiah Berlin observed, "is to perceive patterns." Metaphor, however, is not the mere detection of patterns; it is the creation of patterns, too. When Robert Frost wrote, "A bank is a place where they lend you an umbrella in fair weather and ask for it back when it begins to rain" his brain created a pattern connecting umbrellas to banks, a pattern retraced every time someone else reads this sentence. Frost believed passionately that an understanding of metaphor was essential not just to survival in university literature courses but also to survival in daily life.

Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.

As they entered November, the weather turned very cold. The mountains around the school became icy gray and the lake like chilled steel. Every morning the ground was covered in frost. Hagrid could be seen from the upstairs windows defrosting broomsticks on the Quidditch field, bundled up in a long moleskin overcoat, rabbit fur gloves, and enormous beaverskin boots. The Quidditch season had begun. On Saturday, Harry would be playing in his first match after weeks of training: Gryffindor versus Slytherin. If Gryffindor won, they would move up into second place in the House Championship. Hardly anyone had seen Harry play because Wood had decided that, as their secret weapon, Harry should be kept, well, secret. But the news that he was playing Seeker had leaked out somehow, and Harry didn’t know which was worse — people telling him he’d be brilliant or people telling him they’d be running around underneath him holding a mattress. It was really lucky that Harry now had Hermione as a friend. He didn’t know how he’d have gotten through all his homework without her, what with all the last-minute Quidditch practice Wood was making them do. She had also lent him Quidditch Through the Ages, which turned out to be a very interesting read.

Friendships fail some years, blight twists the leaves and the crop is bitter. Frost bites or sudden fire devours: but the root lies sound and waits for better weather or a storm of sleet to scour the branches. Then we shall see another spring: a flare of green flame and flowers burning to fruit along the boughs.

It was morning again and the air was light and sweet. Silver hoarfrost cloaked golden leaves, and cobwebs were wreathed upon dewy grass and shrubs. There was a hint of snow on distant hills on the moor-side of this place, and to both sides of the slim river that moved between the harvested fields bloomed winter flowers.

The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons.

The blue pieces are rare,” he says, examining it and then pressing it into my hand. “This is a good piece. Some people call them mermaid’s tears. Do you want to hear the story?” I nod as I inspect the smooth glass in my palm—it looks like a gem, a tear of frosted sapphire. “The story goes that a mermaid watched as a storm threatened to wreck the ship of the man she loved,” Ted says. His voice is hypnotic, I love listening to him. I sink my head back onto his shoulder as he speaks and he runs a hand across my hair, my whole body alert to his touch. “She was forbidden by Neptune from intervening in the weather, but she calmed the sea and tamed the waves to save her love from certain death. For her disobedience, she was banished to the ocean floor, never to surface again. Her tears wash up on the shore as glass, a reminder of true love.

Daylight would have shown a wilderness weathered and blowzy, a wanton that had lived her summer too fast and too greedily. It would have shown the white birches pale and shivering in a sudden ague, and here and there an ash or a sumac burning red, like a hectic spot, where the first frosts already had set the marks of their galloping consumption on the cheek of the forest, giving warning of the time when the white plague of the winter would make a massacre of all this present glory and turn the trees to naked skeletons and stretch a bony bare cadaver on every steeper hillside to bleach there until the snows covered things up. But now the kindly nighttime had all signs and threats of approaching death, so that each shriveled speckled leaf, as revealed and traced in the waning light, seemed flawless — a perfect part of a perfect tapestry.

But for the Count, his philosophical leanings had always been essentially meteorological. Specifically, he believed in the inevitable influence of clement and inclement weathers. He believed in the influence of early frosts and lingering summers, of ominous clouds and delicate rains, of fog and sunshine and snowfall. And he believed, most especially, in the reshaping of destinies by the slightest change in the thermometer.

Maycomb was an old town, but it was a tired old town when I first knew it. In rainy weather the streets turned to red slop; grass grew on the sidewalks, the courthouse sagged in the square. Somehow, it was hotter then: a black dog suffered on a summer’s day; bony mules hitched to Hoover carts flicked flies in the sweltering shade of the live oaks on the square. Men’s stiff collars wilted by nine in the morning. Ladies bathed before noon, after their three-o’clock naps, and by nightfall were like soft teacakes with frostings of sweat and sweet talcum.

Another gust whips through, and Addie folds herself against it, eyes blurring. She shuffles sideways, onto a narrow street, just to escape the violent wind, and the sudden quiet, the breezeless peace, of the alley is like down, soft and warm. Her knees fold. She slumps into a corner against a set of steps, and watches her fingers turn blue, thinks she can see frost spreading over her skin, and marvels quietly, sleepily, at her own transformation. Her breath fogs the air in front of her, each exhale briefly blotting out the world beyond until the gray city fades to white, to white, to white. Strange, how it seems to linger now, a little more with every breath, as if she's fogging up a pane of glass. She wonders how many breaths until the world is hidden. Erased, like her. Perhaps it is her vision blurring. She does not care. She is tired. She is so tired. Addie cannot stay awake, and why should she try? Sleep is such a mercy. Perhaps she will wake again in the spring, like the princess in one of her father's stories, and find herself lying in the grassy bank along the Sarthe, Estele nudging her with a worn shoe and teasing her for dreaming again.

growing up we always had a pack of dogs, usually four held in prestige among many familiars them and a few cats we let indoors though we loved every bird, mouse, tadpole, crayfish froze in a spring frost we grew more conscious of weather wide skies read power lines hum dove coos the leaves turnt dirt melt change on the breeze creaks and rain the gravel trucks of spring full by slow then empties in summer barrelling too fast past our hillbilly stake mother threw potatoes later hard to explain to the police who got called in from a county over drove out to say, "ma'am, you can't throw potatoes at trucks" then all polite as we stood with our pack and stuck to our guns

Meanwhile, the cake had cooled and Grace started to spread the chocolate frosting. “Suppose you two go into the living room and wait,” she suggested. “I’ll bring in the cake and tea.” Nancy followed Allison to the adjoining room. Although it was comfortable, the room did not contain much furniture. The floor had been painted and was scantily covered with handmade rag rugs. With the exception of an old-fashioned sofa, an inexpensive table, a few straight-backed chairs and an old oil stove which furnished heat in cold weather, there was little else in the room. However, dainty white curtains covered the windows, and Nancy realized that although the Hoovers were poor, they had tried hard to make their home attractive.

The winter of 1789 was the hardest within living memory. No one, not even the old people of the district, had ever known anything like it. The cold weather set in early, and, coming on top of a bad harvest, led to great distress among the tenant farmers and the peasants. We were hard hit at the foundry too, for conditions on the road became impossible, what with frost and ice, and then snow; and we were unable to deliver our goods to Paris and the other big cities. This meant that we were left with unsold merchandise on our hands, and little prospect of getting rid of it in the spring, for in the meantime the traders in Paris would be buying elsewhere—if, that is, they ordered at all. There was a general drop in demand for luxury commodities at this time, owing to the unrest throughout the country.

Only one thing can save us. We have to increase our mastery of the world. All this damage has come about through our conquest of the world, but we have to go on conquering it until our rule is absolute. Then, when we’re in complete control, everything will be fine. We’ll have fusion power. No pollution. We’ll turn the rain on and off. We’ll grow a bushel of wheat in a square centimeter. We’ll turn the oceans into farms. We’ll control the weather—no more hurricanes, no more tornadoes, no more droughts, no more untimely frosts. We’ll make the clouds release their water over the land instead of dumping it uselessly into the oceans. All the life processes of this planet will be where they belong—where the gods meant them to be—in our hands. And we’ll manipulate them the way a programmer manipulates a computer.

and here instead’s another version of what was happening that morning, as if from a novel in which sophia is the kind of character she’d choose to be, prefer to be, a character in a much more classic sort of story, perfectly honed and comforting, about how sombre yet bright the major-symphony of winter is and how beautiful everything looks under a high frost, how every grassblade is enhanced and silvered into individual beauty by it, how even the dull tarmac of the roads, the paving under our feet, shines when the weather’s been cold enough and how something at the heart of us, at the heart of all our cold and frozen states, melts when we encounter a time of peace on earth, goodwill to all men; a story in which there’s no room for severed heads; a work in which sophia’s perfectly honed minor-symphony modesty and narrative decorum complement the story she’s in with the right kind of quiet wisdom-from-experience ageing-female status, making it a story that’s thoughtful, dignified, conventional in structure thank god, the kind of quality literary fiction where the slow drift of snow across the landscape is merciful, has a perfect muffling decorum of its own, snow falling to whiten, soften, blur and prettify even further a landscape where there are no heads divided from bodies hanging around in the air or anywhere, either new ones, from new atrocities or murders or terrorisms, or old ones, left over from old historic atrocities and murders and terrorisms and bequeathed to the future as if in old french revolution baskets, their wickerwork brown with the old dried blood, placed on the doorsteps of the neat and central-heating-interactive houses of now with notes tied to the handles saying please look after this head thank you, well, no, thank you, thank you very much:

The severe frost last February destroyed many branches as well as young trees that had already been full of sap as a result of the warm weather. In addition to this punishment by God, there is another one, namely, an unbelievable number of caterpillar-type worms which do very great damage to our wheat, barley, and oats. They also eat down to the ground the Indian corn sprouts and whatever young plants we have in our gardens. It would be even worse except for the birds, particularly the starlings, which fly over the fields in large numbers and eat the worms. . . . Last month the unusually large number of worms threatened to ruin our crops completely, but it pleased God (for, according to the Second Book of Chronicles 7:13, He commands the locusts to devour the land and, according to Verse 14, He promises to heal it) that a large number of starlings and other small birds came to the fields and gradually ate all the worms. Thanks be to God for His merciful regime!

How delicious! Layer upon layer of exquisitely delicate sweetness blooms in the mouth like the unfurling petals of a flower! And it's different from the cake Sarge presented in one very distinct way!" ?! The flavors explode not like a bomb but a firecracker! What a silky-smooth, mild sweetness! "How were you able to create such a uniquely beautiful flavor?" "See, for the cake, I used Colza oil, flour, baking powder... and a secret ingredient... Mashed Japanese mountain yam! That gave the batter some mild sweetness along with a thick creaminess. Simply mashing it instead of pureeing it gave the cake's texture some soft body as well. Then there're the two different frostings I used! The white cream I made by blending into a smooth paste banana, avocado, soy milk, rice syrup and some puffed rice I found at the convenience store. I used this for the filling. *Rice syrup, also called rice malt, is a sweetener made by transforming the starch in rice into sugars. A centuries-old condiment, it's known for being gentle on the stomach. * I made the dark cream I used to frost the cake by adding cocoa powder to the white cream." "I see. How astonishing. This cake uses no dairy or added sugar. Instead, it combines and maximizes the natural sweetness of its ingredients to create a light and wonderfully delicious cake!" "What?!" "He didn't put in any sugar at all?!" "But why go to all that time and effort?!" "For the people patiently waiting to eat it, of course. This cake was made especially for these people and for this season. When it's hot and humid out... even if it's a Christmas Cake, I figured you'd all prefer one that's lighter and softer instead of something rich and heavy. I mean, that's the kind of cake I'd want in this weather.

Man’s destiny was to conquer and rule the world, and this is what he’s done — almost. He hasn’t quite made it, and it looks as though this may be his undoing. The problem is that man’s conquest of the world has itself devastated the world. And in spite of all the mastery we’ve attained, we don’t have enough mastery to stop devastating the world — or to repair the devastation we’ve already wrought. We’ve poured our poisons into the world as though it were a bottomless pit — and we go on pouring our poisons into the world. We’ve gobbled up irreplaceable resources as though they could never run out — and we go on gobbling them up. It’s hard to imagine how the world could survive another century of this abuse, but nobody’s really doing anything about it. It’s a problem our children will have to solve, or their children. Only one thing can save us. We have to increase our mastery of the world. All this damage has come about through our conquest of the world, but we have to go on conquering it until our rule is absolute. Then, when we’re in complete control, everything will be fine. We’ll have fusion power. No pollution. We’ll turn the rain on and off. We’ll grow a bushel of wheat in a square centimeter. We’ll turn the oceans into farms. We’ll control the weather — no more hurricanes, no more tornadoes, no more droughts, no more untimely frosts. We’ll make the clouds release their water over the land instead of dumping it uselessly into the oceans. All the life processes of this planet will be where they belong—where the gods meant them to be—in our hands. And we’ll manipulate them the way a programmer manipulates a computer. And that’s where it stands right now. We have to carry the conquest forward. And carrying it forward is either going to destroy the world or turn it into a paradise — into the paradise it was meant to be under human rule. And if we manage to do this — if we finally manage to make ourselves the absolute rulers of the world — then nothing can stop us. Then we move into the Star Trek era. Man moves out into space to conquer and rule the entire universe. And that may be the ultimate destiny of man: to conquer and rule the entire universe. That’s how wonderful man is.

When the economy is good and everyone is making money, banks and other lenders can be surprisingly loose about demanding adequate valuation of the assets they're basing their loan amounts on. But when times get bad, it's just like Robert Frost once said: "A bank is a place where they lend you an umbrella in fair weather and ask for it back when it begins to rain.

Washington, D.C. is so confusing in the spring. The days grow increasingly hot and humid, but the nights hold on to winter for as long as possible. On some days the grass is still frosted over in the mornings, stiff and crunchy, even if it wilts before the first class starts. If you are not careful you get caught in the weather's nostalgia and at night, a windbreaker or a sweater isn't enough.

It is a passing strange, George said. In the summer, I complained about the heat. I remember it was unbearable, but the memory no longer seems truly real. With the white ground and frost in the air, I convince myself I would give anything to sweat once more - and if I did, I do not doubt I would yearn to return to this cold. Man is a fickle creature, Richard.

At length, one evening towards the end of March, the mental clearness of Orange somewhat revived, and he felt himself compelled to get up and put on his clothes. The nurse, thinking that the patient was resting quietly, and fearing the shine of the lamp might distress him, had turned it low and gone away for a little: so it was without interruption, although reeling from giddiness, and scorched with fever, that Rupert groped about till he found some garments, and his evening suit. Clad in these, and throwing a cloak over his shoulders, he went downstairs. Those whom he met, that recognized him, looked at him wonderingly and with a vague dread; but he appeared to have his understanding as well as they, and so he passed through the hall without being stopped; and going into the bar, he called for brandy. The bar-tender, to whom he was known, exclaimed in astonishment; but he got no reply from Orange, who, pouring himself out a large quantity of the fiery liquor found it colder than the coldest iced water in his burning frame. When he had taken the brandy, he went into the street. It was a bleak seasonable night, and a bitter frost-rain was falling: but Orange went through it, as if the bitter weather was a not unwelcome coolness, although he shuddered in an ague-fit. As he stood on the corner of Twenty-third Street, his cloak thrown open, the sleet sowing down on his shirt, and the slush which covered his ankles soaking through his thin shoes, a member of his club came by and spoke to him. "Why, good God! Orange, you don't mean to say you're out on a night like this! You must be much better--eh?" he broke off, for Orange had given him a grey look, with eyes in which there was no speculation; and the man hurried away scared and rather aghast. "These poet chaps are always queer fishes," he muttered uneasily, as he turned into the Fifth Avenue Hotel. Of the events of terror and horror which happened on that awful night, when a human soul was paying the price of an astonishing violation of the order of the universe, no man shall ever tell. Blurred, hideous, and enormous visions of dives, of hells where the worst scum of the town consorted, of a man who spat on him, of a woman who struck him across the face with her umbrella, calling him the foulest of names--visions such as these, and more hateful than these, presented themselves to Orange, when he found himself, at three o'clock in the morning, standing under a lamp-post in that strange district of New York called "The Village." ("The Bargain Of Rupert Orange")

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Literary Lipsticks by Elaine Equi The Best American Poetry Red Wheelbarrow I Have Eaten the Plums Poppies in October Pink Christmas Red Weather A Rose Is a Rose Jaffa Juice Watermelon Sugar Frost at Midnight

them reminded him of all he had experienced and learned during these weeks and this recollection was pleasant to him. For some days the weather had been calm and clear with slight frosts in the mornings—what is called an “old wives’ summer.” In the sunshine the air was warm, and that warmth was particularly pleasant with the invigorating freshness of the morning frost still in the air. On everything—far and near—lay the magic crystal glitter seen only at that time of autumn. The Sparrow Hills were visible in the distance, with the village, the church, and the large white house. The bare trees, the sand, the bricks and roofs of the houses, the green church spire, and the corners of the white house in the distance, all stood out in the transparent air in most delicate outline and with unnatural clearness. Near by could be seen the familiar ruins of a half-burned mansion occupied by the French, with lilac bushes still showing dark green beside the fence. And even that ruined and befouled house—which in dull weather was repulsively ugly—seemed quietly beautiful now, in the clear, motionless brilliance. A French corporal, with coat unbuttoned in a homely way, a skullcap on his head, and a short pipe in his mouth, came from behind a corner of the shed and approached Pierre with a friendly wink. “What sunshine, Monsieur Kiril!” (Their name for Pierre.) “Eh? Just like spring!” And the corporal leaned against the door and offered Pierre his pipe, though whenever he offered it Pierre always declined it. “To be on the march in such weather . . .” he began. Pierre inquired what was being said about leaving, and the corporal told him that nearly all the troops were starting and there ought to be an order about the prisoners that day. Sokolov, one of the soldiers in the shed with Pierre, was dying, and Pierre told the corporal that something should be done about him. The corporal replied that Pierre need not worry about that as they had an ambulance and a permanent hospital and arrangements would be made for the sick, and that in general everything that could happen had been foreseen by the authorities. “Besides, Monsieur Kiril, you have only to say a word to the captain, you know. He is a man who never forgets anything. Speak to the captain when he makes his round, he will do anything for you.” (The captain of whom the corporal spoke often had long chats with Pierre and showed him all sorts of favors.) “ ‘You see, St. Thomas,’ he said to me the other day. ‘Monsieur Kiril is a man of education, who speaks French. He

An early frost was in the air tonight. Wind whipped outside the cabin’s basement windows, the last tendrils of late summer disappearing as fall took root. The dismal turn of the weather was a match for Lou’s mood.

My garden grows in its own good time. Every plant has its season. Lettuce comes up early and must be picked or else it will bolt. Kale gets planted late in the season because it loves the cool weather of fall. Asparagus takes years to prosper, and strawberries can take up to two seasons to provide a harvest. Frost-sensitive crops like tomatoes, peppers, cucumbers, and zucchini love the sweltering, sultry heat of the depths of summer, when they propagate so passionately that the bees can barely keep up. Even though I know all of this, sometimes I can't wait to find out what's going to happen next.

Cathedral of Light by Stewart Stafford The wintry grey forest branches, Embrace freezing fog as build, Backlit by the pushy noon sun, Revealing a cathedral of light. An air frost of transient structure, Reprieve from a hangman's bloom, Naked limbs greeted the icy cover, The looming cape of ersatz foliage. Tongues of wind scatter the pop-up, Six sheep in a straight line saw it off, A still and sunny afternoon followed, Frozen matinee fades another day. © Stewart Stafford, 2023. All rights reserved.

There were so many things Astra would miss from the other three seasons: the first crocuses bursting through the still-cold soil, robins hopping around in the thawing snow, the sun beating down on her face at a Brewsters game, the air sticky but bearable because she knew it would end when the season shifted into fall, the noticeable change in August when the humidity evaporated and the night temperatures dropped, the inevitable morning in October when she woke up to the world iced in frost, like a giant baker had sprinkled everything with powdered sugar.

The weather was expected to continue as sunny or overcast with occasional showers or dry spells, some wind and some no wind at all. It was possible that there might be a light frost in the morning, or it could turn in places to snow or fog, or into a spectacularly fine sunrise.

Night had fallen, and I was in the kitchen making a yummy peanut butter and jelly sandwich when I heard the doorbell. I jumped and my heart gave a little kick. This was so a horror-movie scene--bad weather, and a girl cut off from the outside world. Only killers didn’t usually ring the doorbell. Still, I opened a drawer and took out the meat cleaver Mom used for cutting chicken. The doorbell rang again and kept ringing. “All right already,” I muttered as I hurried down the hallway. I hesitated when I saw a large shadowy form behind the etched-glass window of the door. I’d turned on the porch light, and whoever was there blocked most of it. “Ashleigh!” The figure banged on the door and I nearly dropped the cleaver. Josh. My beating heart should have returned to a normal speed, but it didn’t. I wasn’t ready to face him yet. I jerked open the door. “What?” Covered in frost and snow, he edged past me. “Geez, it’s cold out there.” “And you just brought the cold inside.” I shut the door. “What are you doing here?” “My dad called and--what the hell is that?” He pointed to the cleaver. I angled my chin. “I was in the middle of cutting my peanut butter and jelly sandwich.” “With a meat cleaver?” “It’s quick and makes a perfectly straight cut.” He grinned. “Yeah, right. You’ve obviously watched too many movies. Who’d you think I was? Freddy Krueger?” “What are you doing here?” I repeated, not in the mood for his sarcasm or teasing. Plus I was feeling a little silly holding my weapon of choice.

Day by day as autumn tanned the valley around us, now with bright frost weather, now with rain carrying the first chill of winter, my father stayed in the dusk of his grief. That sandbagged mood, I understand now, can only have been a kind of battle fatigue-the senses blasted around in him by that morning of death and the thousands of inflicting minutes it was followed by.

As if the weather knew the calendar the last day of August broke with a hard killing frost. Where the sun fell the world spangled, autumn arriving in glacial brilliance, almost suggesting snow over the grass and low shrubbery. Where the sun has not yet struck it was ghostly, a pewter finish over the sagging grass and wilted goldenrod stems. The pods of milkweed were brittle and broke open to release their slight spherical webs of seed onto any straggle of breeze. Smoke streamed white straight up from chimney tops and mist obscured the lake, hanging in sheets of cold vapor that disintegrated slowly from the top down as the sun came over the hills. A third-quarter moon hung against the endless fathoms of a colbalt heaven, the moon a quartzite river stone.

Like the ancient trees surrounding us, your love will endure times of storm and serenity, weathering the fiercest winds of adversity, and enjoying the gentle breezes of peace. Your love will prevail through times of sun and frost, basking in our warmest, brightest days, and enduring the icy touches of our hardest nights. And your love will stand strong through drought and abundance, through parched summers and bountiful springs, growing deeper with each passing year.

I was out every day, and often all night, sleeping but little, studying the so-called wonders and common things ever on show, wading, climbing, sauntering among the blessed storms and calms, rejoicing in almost everything alike that I could see or hear: the glorious brightness of frosty mornings; the sunbeams pouring over the white domes and crags into the groves end waterfalls, kindling marvelous iris fires in the hoarfrost and spray; the great forests and mountains in their deep noon sleep; the good-night alpenglow; the stars; the solemn gazing moon, drawing the huge domes and headlands one by one glowing white out of the shadows hushed and breathless like an audience in awful enthusiasm, while the meadows at their feet sparkle with frost-stars like the sky; the sublime darkness of storm-nights, when all the lights are out; the clouds in whose depths the frail snow-flowers grow; the behavior and many voices of the different kinds of storms, trees, birds, waterfalls, and snow-avalanches in the ever-changing weather.

Perhaps the weather had some bearing on Jane’s curious sensations. The frost had ended and it was one of those days of almost piercingly sweet mildness which sometimes occur in the very beginning of winter.

If we are lucky, this good weather may yet extend into next month,” Mr Darcy observed. “We have not had a frost as yet.

There’s an excellent chance that breaking that globe opened a portal between the North Pole and Nocturne Falls. It’s very likely why your weather turned so sharply. The North Pole is spilling through.

Eli Colter certainly sounds like a fitting name for someone who writes Western fiction. The moniker evokes the image of a cowboy, muscular, with sunburned cheeks and strong features peeking out from beneath a weather-worn Stetson. But Eli Colter is a woman, of course, the pen name of May Eliza Frost, born and raised in Portland, Oregon.

I turned to meteorology for comfort. I read weather maps, collected books on weather, attended launchings of weather balloons. I realized weather was something I’d been looking for all my life. It brought me a sense of peace and security I’d never experienced. Dew, frost and fog. Snow flurries. The jet stream. I believe there is a grandeur in the jet stream. I began to come out of my shell, talk to people in the street. ‘Nice day.’ ‘Looks like rain.’ ‘Hot enough for you?’ Everyone notices the weather. First thing on rising, you go to the window, look at the weather. You do it, I do it. I made a list of goals I hoped to achieve in meteorology. I took a correspondence course, got a degree to teach the subject in buildings with a legal occupancy of less than one hundred.

Our treasured and nostalgic picture of the village general store, the cracker-barrel store where an informed yeomanry gather to express opinions and formulate the national character, is very rapidly disappearing. People who once held family fortresses against wind and weather, against scourges of frost and drought and insect enemies, no cluster against the busy breast of the big town. (p 56)

You hoped to snuggle my skin through the abrupt winter breeze but the frost cleared before pursuit of your wishes Because you, unlike the weather first need to commit

Change should be slow,” Emlyn replied, glancing at him. “It should allow those who live through it to change alongside. That is the natural way of things. Trees change by the seasons, adapting to the weather, to the rain, sun and snow. Plants bloom, flower, and the bees come to carry pollen from one to another. A sudden, late frost will kill the plants and the bees lose their source of food, dying days later. On and on the ripples of that are felt throughout the land and forest. The Empire was, and still is, that frost.

Sometimes, I lean out my split-pane window that seems to be high off the ground, and I can hear the whistling wind stream through the leaves of the growth of trees, sometimes this reminds me about being in the garden and golden fields when my eyes are closed. But, when my eyes were open, I realized that it is just the wind rushing through the various hills and valleys of ‘The Land of Many Steeples.’ I do not know what it is… but there is just something about letting your hair blow in the breeze, which feels so amazing. I feel that it is just one of the amazing moments in time, which I have experienced. Oh, just the same can be said, about me standing in the rain, freely and naturally on a warm spring day, while I am filling the ground squish under my toes. Yes, likewise can be said for the winters when I come home from the hellhole, and see the fireplace with its warm glow, from outside the frost chilled arched windows of the tort section of the house that is part of the dwelling. ‘It is amazing also because I know that I will soon be warm and comfortable, and out of this uniform that labels me as one of them.’ In the wintertime, the snowdrifts, the pointed part of the roof along with the weathervane are covered in a blanket of white, ‘The Land of Many Steeples’ sparkles, and soft with an almost spooky light blue cast in the moonlight. The trees down the lane drip with ice like a crystal cave, but- yet we all carve a pathway down the road that leads to the hell and then back to the emptiness. Snow days are rare, but that does not matter to me either way because I cannot truly share it with anyone it seems, as you all know. So, would you be my friend if I asked you? Would you spend some time with me? Can I depend on you; I would be there for you! So, on any day in any weather condition, unless the fog is rising from the valley, I can see in the distance ‘The Land of Many Steeples’, a far cry from this country land, where the dwelling of lost and lonely dreams is upon. Then there are some days there are thunderstorms outside my window, and it takes me back to the past, like when I was in that dark room. I do not think anyone gets over their past, the past that haunts me, and a past that the tower uses against me. Yes, you can change your name. Change your hair, and change your style, but the words of slander will remain. The only thing I can do is find someone that does not care about what the words mean or say, or just plainly pray for it to all go away.

He was a force of nature. He could warm your soul like the sun and then bury you in ice the next second. He was more destructive than any other universal element or could ever be. It was his way, to be like a hurricane crashing upon the shores, or lightning splintering everything in its path. He was a force. But he was my force. And in the end, it didn’t matter, because he disappeared, just like the weather always does. Here for one brief moment and gone the next. His name was Jack and his love for me was like a flood, now frozen over.

The little fellow’s afraid of the falling snow. He never saw it before. It isn’t play   10 With the little fellow at all. He’s running away. He wouldn’t believe when his mother told him, ‘Sakes, It’s only weather.’ He thought she didn’t know!

Every morning I try to take in the skyscape, the upper and lower clouds, and the winds that are carrying them, as well as any dew, frost, mist, or other signs.

The heart-pumping, soul-filling brew of emotions that arise in the wake of a worn and weathered friendship are unparalleled. As Ralph Waldo Emerson said, “I do not wish to treat friendships daintily, but with roughest courage. When they are real, they are not glass threads or frost-work, but the solidest thing we know.