Shiny Girl Quotes

We've searched our database for all the quotes and captions related to Shiny Girl. Here they are! All 181 of them:

I like smooth shiny girls, hardboiled and loaded with sin.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
There's always that seventh-grade girl who looks like she's 25. And you're like, How do you do it? How do you do it, Sarah Jaxheimer?Why is your hair always so shiny?!
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
She's easy to lead around, a shiny present here, a pretty compliment there, and you have true love and a popped cherry sacrificed to the god of deception and hormones. Young girls are so ridiculous--so predictably easy.
Kristin Cast (Chosen (House of Night, #3))
If you’ve never been close to death, life probably seems pretty solid. The truth is, it can be destroyed in an instant, like a photograph. One moment your world is slick and shiny. But then the Universe crumples everything into a ball. And even if you don’t get crushed, if you fight to straighten things out, your life will never be the same again.
Paula Stokes (Girl Against the Universe)
It’s like how I notice some girls have big boobs or shiny hair or knobby knees. Those things are okay to say. But the word fat, the one that best describes me, makes lips frown and cheeks lose their color.
Julie Murphy (Dumplin' (Dumplin', #1))
I said maybe I was too sad for the job: didn’t they want a more upbeat personality in their girls? But Mordis smiled with his shiny black-ant eyes and said, as if he was patting me: “Ren. Ren. Everyone’s too sad for everything.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
She could see the name Fukamachi on a shiny name-plate by the door of the house, but it was a name that meant nothing to Kazuko. And at that moment, in her heart, she began to dream of meeting someone. Someone special who would one day walk into her life. Someone she would instantly feel she had known for years. Someone who would feel the same about her.
Yasutaka Tsutsui (The Girl Who Leapt Through Time)
Bookstores were my kind of place. All those shiny books, lightly touched by only a couple of people. Each one held a different world, a different life to disappear into.
Aileen Erin (Becoming Alpha (Alpha Girl, #1))
The New Coach. Did she look at us that first week and see past the glossed hair and shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else?
Megan Abbott (Dare Me)
When he'd been younger and first starting to feel the urge to rut with females - and before he'd grown up to the point where many of the opposite sex found him irresistible - he'd tried to court girls by bringing them meat and shiny things. It turned out he'd scared them. "Most women and girls," Dmitri had told him, "don't know what to do when a man drops a hunk of raw meat in their hands.
Nalini Singh (Archangel's Enigma (Guild Hunter, #8))
Friends were like Pokémon cards, right? I could just keep collecting them until one was a shiny Charizard?
Laura Steven (The Society For Soulless Girls)
Paul liked to pick out the secretly cool people, people too cool to flash their coolness. The cool people were not always or even usually the same as the shiny people. Often someone shiny was too conventionally good-looking to be cool but they were still compelling, in terms of sheer wattage. Paul knew he wasn't good-looking enough to be shiny, but he could be cool in certain contexts. Cool was relational and conceptual; cool took work, cool was a meritocracy which, with all its flaws, he still preferred to the aristocracy of genetics.
Andrea Lawlor (Paul Takes the Form of a Mortal Girl)
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
Love is like this small room where a child brings you to show you all their treasures. First the child shows you all the new toys that are bright and shiny and top of the line. But then she shows you all the stuff that has ended up at the bottom of the trunk. There are dolls with eyes that wobble, hair that is falling out of their heads, and dirt behind their ears. Their fingertips have been chewed off by dogs and they have been drawn on with ballpoint pen. It has been so long since they have been held or anyone has told them that they are lovely. They lie at the bottom of the toy chest, hidden and ashamed. You are either going to be disgusted by them, or you are going to be so filled with love for them that your heart almost breaks. I took his hand in mine.
Heather O'Neill (The Girl Who Was Saturday Night)
Ty didn't think Middleton was a great girl. He thought Middleton was a pain in the ass. Waltzing around with her shiny hair and long legs and her throaty voice, being cuter than a fistful of buttons. Where did she get off?
Eve Dangerfield (Act Your Age (Act Your Age #1))
I spotted a shiny item on the ground, and like all girls, squirrels, and toddlers, I made a move to grab it.
Shayne Silvers (Grimm (The Nate Temple Series, #3))
But she looked powerful. She wore the sun like a shiny pin on the side of her hair.
Lilian Li (House of Koi)
She’s a nice girl. Not my type.” “You don’t like them nice?” He had another cigarette going. The smoke was being fanned away from his face by his hand. “I like smooth shiny girls, hardboiled and loaded with sin.” “They take you to the cleaners,” Randall said indifferently.
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
The colonists, the aid workers, the NGOs -- they're all in a single progression: paternalistic foreigners, assuming they are better and brighter, offering shiny, destabilizing, dependence producing gifts. How can one accept anything from so-called rescuers when their predecessors helped your people destroy one another?
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
It’s so easy, the madwoman wanted to tell them. Just go mad. Madness and magic are linked, after all. Or I think they are. Every day the world shuffles and bends. Every day I find something shiny in the rubble. Shiny paper. Shiny truth. Shiny magic. Shiny, shiny, shiny.
Kelly Barnhill (The Girl Who Drank the Moon)
Only grown-ups would say boots were for keeping feet dry. Anyone in kindergarten knew that a girl should wear shiny red or white boots on the first rainy day, not to keep her feet dry, but to show off. That’s what boots were for – showing off, wading, splashing, stamping.
Beverly Cleary (Ramona the Pest (Ramona, #2))
You looked so beautiful- your hair spread out around your head against the linoleum. Though your think brown curls had thinned since you'd started losing weight, they still fell in soft waves. You reminded me of a mermaid, your skin all shiny, your lips so full compared to the harshness of your angular cheekbones and pointed chin.
Steph Bowe (Girl Saves Boy)
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
I couldn’t bear to be talked about. Some girls are shiny-sharp enough to not be damaged, but I didn’t think I would be.
Kirsty Eagar (Night Beach)
Go on, my dear," urges the snake. "Take one. Hear it? 'Pluck me,' it's saying. That big, shiny red one. 'Pluck me, pluck me now and pluck me hard.' You know you want to." "But God," quotes Eve, putting out feelers for an agent provacateur, clever girl, "expressly forbids us to eat the fruit from the Tree of Knowledge." "Ah yessssss, God ... But God gave us life, did He not? And God gave us desire, did He not? And God gave us taste, did He not? And who else but God made the damned apples in the first place? So what else is life for but to tassste the fruit we desire?" Eve folds her arms schoolgirlishly. "God expressly forbade it. Adam said." The snake grins through his fangs, admiring Eve's playacting. "God is a nice enough chap in His way. I daresay He means well. But between you and The Tree of Knowledge, He is terribly insecure." "Insecure? He made the entire bloody universe! He's omnipotent." "Exactly! Almost neurotic, isn't it? All this worshiping, morning, noon, and night. It's 'Oh Praise Him, Oh Praise Him, Oh Praise the Everlassssting Lord.' I don't call that omnipotent. I call it pathetic. Most independent authorities agree that God has never sufficiently credited the work of virtual particles in the creation of the universssse. He raises you and Adam on this diet of myths while all the really interesting information is locked up in these juicy apples. Seven days? Give me a break.
David Mitchell (Ghostwritten)
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
The word fat makes people uncomfortable. But when you see me, the first thing you notice is my body. And my body is fat. It’s like how I notice some girls have big boobs or shiny hair or knobby knees. Those things are okay to say. But the word fat, the one that best describes me, makes lips frown and cheeks lose their color. But that’s me. I’m fat. It’s not a cuss word. It’s not an insult. At least it’s not when I say it. So I always figure why not get it out of the way?
Julie Murphy (Dumplin' (Dumplin', #1))
It’s easy for me to get lost in the shiny lacquer of childhood memories. There’s a familiar pull—a feeling of regret or longing—the indescribable need to be back in that house. In my mind, we don’t age. We’re three scrubby-haired girls.
Kayla Maiuri (Mother in the Dark)
As Tuck reverses out of the driveway, my gaze rests on Garrett’s black Jeep, all shiny in its parking space while its owner spends the night with the coolest girl on the planet and— And enough. This obsession with Hannah Wells is really starting to mess with my head. I need to get laid. ASAP. Tucker is noticeably quiet during the drive to Omega Phi. He might also be frowning, but it’s hard to tell considering someone shaved off all of Hugh Jackman’s body hair and pasted it on Tuck’s face.
Elle Kennedy (The Mistake (Off-Campus, #2))
Did she look at us that first week and see past the glossed hair and the shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else? Could she see past all of that to something else, something quivering and real, something poised to be transformed, turned out, made? See that she could make us, stick her hands in our glitter-gritted insides and build us into magnificent teen gladiators?
Megan Abbott
All the people are in a hurry--and sometimes they look pale under those lights, then the girls' dresses look like they're not paid off yet and the men can't really afford the wine--is nobody really happy? Now it's all getting dark. Where is my shiny Berlin?
Irmgard Keun (The Artificial Silk Girl)
Everyone looks so excited for the first day of school, hugging each other hello and wearing bright, shiny new outfits that practically glow in fog.
Paige McKenzie (The Haunting of Sunshine Girl (The Haunting of Sunshine Girl #1))
Hannah pulls the hair elastic from her ponytail and flicks the rubber band to the asphalt. She never breaks her stride, but she slides her fingers through her shiny strands and tousles them into something slightly less smooth and tame. It's not the beautiful, tangled mess it usually is. But it's close.
Ashley Herring Blake (Girl Made of Stars)
Do you remember how the sun, set On the occasion, we last conversed? First, it hid behind some lousy clouds As I was uttering my dying words Then, out it came with a shiny glare As I grasped the truth of your beauty ‘Twas nothing but my own reflection To my surprise and curiosity. Now the sun’s told our tale to this town And I heard how it had made you smile So if the thought of me drew a smile Then, I have mastered true lover’s guile
Zubair Ahsan
There were silhouettes of girls holding hands on a couple of the covers, and on one - a shiny, hardback American edition - two girls kissing. I shook my head at the audacity of my sister, at my own embarrassment, at the sheer perfection of both her timing and her gift. From Tipping the Velvet to Cameron Post, an entire library of girls like me.
Moïra Fowley-Doyle (All the Bad Apples)
When I think of my wife, I always think of her head. The shape of it, to begin with. The very first time I saw her, it was the back of the head I saw, and there was something lovely about it, the angles of it. Like a shiny, hard corn kernel or a riverbed fossil. She had what the Victorians would call a finely shaped head. You could imagine the skull quite easily. I’d know her head anywhere.
Gillian Flynn (Gone Girl)
…she is in the girl Matrix trying to catch invisible slow mo bullets those of us outside the Matrix can’t see. You can always tell when a woman is with the wrong man because she has so much to say about the fact that nothing is happening. When a woman finds the right person, on the other hand, they just disappear for six months and then they resurface, eyes shiny and usually about six pounds heavier.
Caitlin Moran (How to Be a Woman)
I wasn’t relaxed. I was wearing the green dress. I’d put it on when I came in from seeing Butter, because I knew it would please Susan, and it did. She brushed my hair and let it hang loose, tying my new green ribbon around my head. “That’s an Alice ribbon,” she said. “The girl in your book, Alice, she wears her hair like that.” I felt like an imposter. It was worse than when I tried to talk like Maggie. Here I was, looking like Maggie. Looking like a shiny bright girl with hair ribbons. Looking like a girl with a family that loved her.
Kimberly Brubaker Bradley (The War That Saved My Life (The War That Saved My Life, #1))
The bus stops right in front of our house and takes me day to day, week to week, and month to month of the same girls saying the same things. But at the end of March, as I stand on the stage, accepting my award for receiving 100 percent in every class for the whole month, I catch a glimpse of myself in the certificate's shiny gold stamp and finger my baby hair back away from my face. I know I'm not going to get stuck on the bus with those girls. I'm going to travel places too far for them to see, miles and miles outside of being black, past the snap of their fingers with the complementary 'Baby, boom,' 'Baby, pop,' or 'Baby, please,' past anything they say about me until I can feel them so far behind that I can look back and see stupid little girls, still occasionally talking their smack, pushing me on.
Liara Tamani (Calling My Name)
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
Jack Kerouac (Maggie Cassidy)
The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.
Sting (Broken Music: A Memoir)
Well it seems to me that there are books that tell stories, and then there are books that tell truths...," I began. "Go on," she said "The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy ending and all that. Like Sense and Sensibility or Persuasion. But the second kind, they show you life more like it is. Like in Huckleberry Finn where Huck's pa is a no-good drunk and Jim suffers so. The first kind makes you cheerful and contented, but the second kind shakes you up." "People like happy ending, Mattie. They don't want to be shaken up." "I guess not, ma'am. It's just that there are no Captain Wentworths, are there? But there are plenty of Pap Finns. And things go well for Anne Elliot in the end, but they don't go well for most people." My voice trembled as I spoke, as it did whenever I was angry. "I feel let down sometimes. The people in the books-the heroes- they're always so...heroic. And I try to be, but..." "...you're not," Lou said, licking deviled ham off her fingers. "...no, I'm not. People in books are good and noble and unselfish, and people aren't that way... and I feel, well... hornswoggled sometimes. By Jane Austen and Charles Dickens and Louisa May Alcott. Why do writers make things sugary when life isn't that way?" I asked too loudly. "Why don't they tell the truth? Why don't they tell how a pigpen looks after the sow's eaten her children? Or how it is for a girl when her baby won't come out? Or that cancer has a smell to it? All those books, Miss Wilcox," I said, pointing at a pile of them," and I bet not one of them will tell you what cancer smells like. I can, though. It stinks. Like meat gone bad and dirty clothes and bog water all mixed together. Why doesn't anyone tell you that?" No one spoke for a few seconds. I could hear the clock ticking and the sound of my own breathing. Then Lou quietly said, "Cripes, Mattie. You oughtn't to talk like that." I realized then that Miss Wilcox had stopped smiling. Her eyes were fixed om me, and I was certain she'd decided I was morbid and dispiriting like Miss Parrish had said and that I should leave then and there. "I'm sorry, Miss Wilcox," I said, looking at the floor. "I don't mean to be coarse. I just... I don't know why I should care what happens to people in a drawing room in London or Paris or anywhere else when no one in those places cares what happens to people in Eagle Bay." Miss Wilcox's eyes were still fixed on me, only now they were shiny. Like they were the day I got my letter from Barnard. "Make them care, Mattie," she said softly. "And don't you ever be sorry.
Jennifer Donnelly (A Northern Light)
Green sadness is sadness dressed for graduation, it is the sadness of June, of shiny toasters as they come out of their boxes, the table laid before a party, the smell of new strawberries and dripping roasts about to be devoured; it is the sadness of the unperceived and therefore never felt and seldom expressed, except on occasion by polka dancers and little girls who, in imitation of their grandmothers, decide who shall have their bunny when they die. Green sadness weighs no more than an unused handkerchief, it is the funeral silence of bones beneath the green carpet of evenly cut grass upon which the bride and groom walk in joy.
Mary Ruefle
None of us really cheer for glory, prizes, tourneys. None of us, maybe, know why we do it at all, except it is like a rampart against the routine and groaning afflictions of the school day. You wear that jacket, like so much armor, game days, the flipping skirts. Who could touch you? Nobody could.   My question is this: The New Coach. Did she look at us that first week and see past the glossed hair and shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else? Could she see past all of that to something else, something quivering and real, something poised to be transformed, turned out, made? See that she could make us, stick her hands in our glitter-gritted insides and build us into magnificent teen gladiators?
Megan Abbott (Dare Me)
She just...lets it happen. You don't grow up with my mother and not know all about power over men. How to get it. How to use it. How to keep it. And now she hasn't even lost it, she's given it to him on a silver platter because of love, and I'm reeling, because it's such a con. Most of the time, we're this shiny little Stepford family veneer to hide the criminal game. But it's like there's a net around the house, and every day, he hauls it tighter. I tell myself, at first, that she doesn't bend; she'll find a way to break him. But then.. She doesn't bend. She doesn't find a way to break him. She just keeps breaking. And then she does something that breaks me.
Tess Sharpe (The Girls I've Been)
If we believed that the eyes of such a girl were nothing but shiny little disks of mica, we would not be eager to enter her life and link it to our own.
Marcel Proust (In the Shadow of Young Girls in Flower)
He brings you gifts to cover his own ass. He gives you a shiny trinket and you forget that he's a couple hours late and smells of perfume. Wise up girl
Jane Emery (Four Degrees: Searching for Mr. Right (Erotica for Women with Explicit Sex Book 1))
So, unfortunately, my girl glimmers like nothing more than a deceitful, shiny obstacle to Gage.
Brandy Hynes (Burning Ivy (KORT, #1))
Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. I have known so many sick women all my life. Women with chronic pain, with ever-gestating diseases. Women with conditions. Men, sure, they have bone snaps, they have backaches, they have a surgery or two, yank out a tonsil, insert a shiny plastic hip. Women get consumed.
Gillian Flynn
Nova straightened, expecting a stranger—that Callum guy Tina had mentioned—but her polite expression fizzled when her eyes landed on a pale, scrawny girl with a bob of shiny black hair.
Marissa Meyer (Archenemies (Renegades #2))
Right now is the shiny happy part that everyone loves. It’s why so many people get married after barely knowing each other. It’s also why they get divorced when they do know each other.” She laughs, and I lean back, mulling that over. I don’t remember the ‘honeymoon’ phase being this damn good in the past. “I’m overanalyzing this,” I say on a sigh. “It’s your nature. It’s what makes you good at this job. But I’m telling you, right now the girl could fart out toxic waste that had you pulling on a mask, and you’d think it was cute. It’s part of the phase.
S.T. Abby (The Risk (Mindf*ck, #1))
My dream is a femme-presenting woman who can take charge, dominate me, slap me, objectify me, turn me into a little shiny object to be adored then punished. Forever a little girl in trouble.
Anna Dorn (Perfume & Pain)
Did we win?” “I’m here, aren’t I?” He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane. “I don’t want to die.” “I’ll do my best to make other arrangements for you.” She closed her eyes. “Keep talking, Wraith. Don’t slip away from me.” “But it’s what I do best.” He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.” She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes. One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life. “I can help you,” she said now. “Help me with what?” She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more. “Talk to me, Wraith.” “You came back for me.” “I protect my investments.” Investments. “I’m glad I’m bleeding all over your shirt.” “I’ll put it on your tab.” Now she remembered. He owed her an apology. “Say you’re sorry.” “For what?” “Just say it.” She didn’t hear his reply.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I have no problem with being fabulous. My problem comes when you won't allow yourself to be an ordinary woman with a decent apartment and an okay job. When only the mom is allowed to be boring—because her life is so rich with meaning. When I carefully choreographed the story of how amazing I was, I was acting like one of those helicopter parents—you know, the ones who refuse to admit that their Jackson might suck at math or Stella might not be the world's greatest violinist. 'You are special! You are special!' they cry to their children, hoping this will boost their confidence. But the real message is one of panic: You must be special. Ordinary is not okay. When I walked into a party projecting the Shiny Girl—she of the lighthearted flings and glitzy job—I was essentially doing the same thing.
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
Besides, I'm not a mirror girl. I have Frankie and Sadie to tell me if I have lettuce in my teeth. I don't have shiny lip gloss to check. I don't do anything that necessitates Visine. Still, sometimes I'll come out of a stall or look up from washing my hands and catch sight of myself: a small, startled person behind a curtain of dark hair who looks away quickly, as if embarrassed by being caught staring.
Melissa Jensen (The Fine Art of Truth or Dare)
Mira Levenson. Aged twelve. Looks, long dark shiny hair, dark brown eyes (almost black), brown skin. Beautiful. Favorite colour, copper orange, I think. Personality, clever, bright, serious, shy, funny without realizing it, holds back her thoughts, mystery girl, arty. What I've noticed: she's stronger than she thinks she is; she doesn't speak much ay school. What I know: she's got a loud laugh (when she lets it out). Her best friend is Millie Lockhart. She doesn't need Millie as much as she thinks she does. Her grandmother is dying and she loves her. She started talking in Pat Print's class. I know she doesn't know how much I think of her, how much I miss her if she's not around. What I think she thinks about me is that I'm a bit of a joker, but I'm deadly serious. Deer...apple...green...sea... See you on Friday! Love Jidé
Sita Brahmachari (Artichoke Hearts)
George moved from one group of people he didn’t know to another, trying to get out of the draught. The girls didn’t seem to notice it. They were Sydney girls, with short skirts and long, bare arms. Recently, George had gone to an opening at a gallery in the company of a visiting lecturer from Berlin. The artist was fashionable, and the gallery’s three rooms were packed. Over dinner, the German woman expressed mild astonishment at the number of sex workers who had attended the opening. ‘Is this typical in Australia?’ she asked. George had to explain that she had misunderstood the significance of shouty make-up, tiny, shiny dresses and jewels so large they looked fake.
Michelle de Kretser (The Life to Come)
Some car had hit it after all, because it hadn’t had the courage to honor its own correct instinct. And I began to cry because I had this thought about people, that they do this all the time, deny the wise voice inside them telling them the right thing to do because it is different. I remembered once seeing a tea party some little girls had set up outside, mismatched china, decorations of a plucked pansy blossom and a seashell and a shiny penny and a small circle of red berries and a fern, pressed wetly into the wooden table, the damp outline around it a beautiful bonus. They didn’t consult the Martha Stewart guide for entertainment and gulp a martini before their guests arrived. They pulled ideas from their hearts and minds about the things that gave them pleasure, and they laid out an offering with loving intent. It was a small Garden of Eden, the occupants making something out of what they saw was theirs. Out of what they truly saw.
Elizabeth Berg (The Pull of the Moon)
I pushed her shiny blond hair away from her face and leaned down, our faces only inches apart. She inhaled softly, our lips so close I could feel her breath and the scent of her skin, like honeysuckle in springtime. She smelled like sweet tea and old books, like she had always been here. I pulled my fingers through her hair and held it at the back of her neck. Her skin was soft and warm, like a Mortal girl's. There was no electric current, no shocks. We could kiss for as long as we wanted. If we had a fight, there wouldn't be a flood or a hurricane, or even a storm. I wouldn't find her on the ceiling of her bedroom. No windows would shatter. No exams would catch fire. Liv held up her face to be kissed. She wanted me.
Kami Garcia
I felt that first awareness that there’s a whole set of species whose sounds and calls you’ve never heard—the wonder of realizing that people are growing up with an entirely different sensory experience from yours. This whole country seemed so shiny to me.
Carrie Brownstein (Hunger Makes Me a Modern Girl)
You're thirty-four or thirty-five, gainfully employed, never been married. You think maybe you'll settle down one day, perhaps when you're forty, but for now, you work hard at your job, so you want to play hard, too. You tend to skew more toward dating women in their mid-twenties, because women in their early twenties seem just a little too young and women in their thirties frustrate you with the way they all want to talk about marriage and kids by the third date. You'll go out with a girl a few times, you'll have a lot of fun together, and when she starts pushing for something more serious, you'll move on to something else, wondering why it is that women can't be content to just 'date' without needing a commitment. And why would you want to commit to one person right now? For men as attractive as you, this city is one big candy store, filled with so many shiny treats, you couldn't possibly choose just one. So instead, you run around with your obviously healthy ego, sampling as many of the goods as you can get your hands on--simply because you can.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
Hardcore groups were singing songs about Ronald Reagan. I wasn't interested in this and preferred to sing about the darkness shimmering beneath the shiny quilt of American pop culture. I suppose you could say that Sonic Youth was always trying to defy people's expectations.
Kim Gordon (Girl in a Band)
But what sent his face clear down off his skull and broke him in two, though, was he said when he saw the Pam-shiny empty biscuit pan on top of the stove and the plastic rind of the peanut butter’s safety-seal wrap on top of the wastebasket’s tall pile. The little locket-picture in the back of his head swelled and became a sharp-focused scene of his wife and little girl and little unborn child eating what he now could see they must have eaten, last night and this morning, while he was out ingesting their groceries and rent. This was his cliff-edge, his personal intersection of choice, standing there loose-faced in the kitchen, running his finger around a shiny pan with not one little crumb of biscuit left in it. He sat down on the kitchen tile with his scary eyes shut tight but still seeing his little girl’s face. They’d ate some charity peanut butter on biscuits washed down with tapwater and a grimace.
David Foster Wallace (Infinite Jest)
Devin, stay back! I've got this!" Heath says as he struggles to break free. I wave the pearl necklace higher. "It's a nice, sparkly necklace," I say. "So which do you want? Shiny jewelry or a smelly prince?" The harpy drops Heath to the floor and grabs the jewelry. Heath looks up at me in surprise. "You're welcome," I say...
Jen Calonita
What is it' Pippa asked gently. I opened my eyes but didn’t lift my head, and I peered at the table where the two upside-down shiny girls were laughing so hard at something the boy had said, and he was stamping green splodges of paint around the knife he had drawn. ‘They have so much time.’ 'So..?' ‘I don’t.' Pippa couldn’t meet my eye. 'I'm not saying that to make you feel bad,' I said, ‘I just want you to understand what I’m feeling. I have an urgency to have fun.' ‘You have an urgency to have fun?’ 'Yes. I have to have fun. It’s urgent.' ‘Okay,' she said eventually, ‘what can I do to make it better?' ‘You know when I came in here when I wasn’t supposed to?” 'Yes...' 'When I met those old people.' ‘The over-eighties group, yes...’ ‘I met Margot.’ 'Yes...' ‘I want you to move me into her art group. The over-eighties one.’ ‘But Lenni, that is the class for people in their eighties and over,' Pippa said. ‘Yes. | understand that.' ‘So it wouldn’t really make sense to put you in that group.' 'Why?' ‘Because you’re not eighty!' But apart from that? That's just the way we've decided to do it, so that classes can be suited to people’s interests and abilities.’ Well, I think that’s ageist.’ I waited. She was wavering, I could tell. 'I promise I'll be good.' Pippa smiled. 'I'll see what I can do.
Marianne Cronin (The One Hundred Years of Lenni and Margot)
I think most of us moms think it’s wrong to do nice things for ourselves, thinking we’re someone who should always be humble. Maybe God wants to bless our socks off and let us know it’s more than okay to get a manicure and a massage in the same year! We need to stop feeling bad when God wants us to feel cherished, pampered, and special. If a shiny purse or a pair of high heel shoes puts a spring in your step, work those heels girl! God created you to rock it! You still got it and show your kids and family that “Mommy’s Still the Hot Chick”! Maybe it will inspire your husband to get out of his sweat pants from 1987 and take you out in public to a restaurant that has menus you can’t color on!
Kerri Pomarolli (Moms' Night Out and Other Things I Miss: Devotions To Help You Survive)
ONE QUIET AFTERNOON when the other Grisha had ventured out of Os Alta, Genya convinced me to sneak into the Grand Palace, and we spent hours looking through the clothes and shoes in the Queen’s dressing room. Genya insisted that I try on a pale pink silk gown studded with riverpearls, and when she laced me up in it and stuck me in front of one of the giant golden mirrors, I had to look twice. I’d learned to avoid mirrors. They never seemed to show me what I wanted to see. But the girl standing next to Genya in the glass was a stranger. She had rosy cheeks and shiny hair and … a shape. I could have stared at her for hours. I suddenly wished good old Mikhael could see me. “Sticks” indeed, I thought smugly. Genya
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Looking back on that conversation, Rina asked herself if what he had said was true, She had been shiny once as a young girl, when they'd first met, as one if before decisions are made and opportunities are lost. She would never be that way again, but then Sato had never really believe in her shine, had he? He had seen through it from the very beginning, through her to the woman waiting, the fighter beneath.
Stephanie Scott (What's Left of Me Is Yours)
Popularity doesn’t mean people like you. It means people know you have power and it’s not worth confronting you in a conflict. It’s like having shiny armor that gives you protection to do what you want—plus some girls (especially the ones who like shiny things) think you’re hot. Of course, what armor also does is hide your weaknesses. Before you realize it, you’re so dependent on it that you feel like you always have to wear it.
Rosalind Wiseman (The Guide: Managing Douchebags, Recruiting Wingmen, and Attracting Who You Want (Survival))
All That You Have Is Your Soul Oh my mama told me 'Cause she say she learned the hard way Say she wanna spare the children She say don't give or sell your soul away 'Cause all that you have is your soul Don't be tempted by the shiny apple Don't you eat of a bitter fruit Hunger only for a taste of justice Hunger only for a world of truth 'Cause all that you have is your soul I was a pretty young girl once I had dreams I had high hopes I married a man he stole my heart away He gave his love but what a high price I paid And all that you have is your soul Why was I such a young fool Thought I'd make history Making babies was the best I could do Thought I'd made something that could be mine forever Found out the hard way one can't possess another And all that you have is your soul I thought thought that I could find a way To beat the system To make a deal and have no debts to pay I'd take it all take it all I'd run away Me for myself first class and first rate But all that you have is your soul Here I am waiting for a better day A second chance A little luck to come my way A hope to dream a hope that I can sleep again And wake in the world with a clear conscience and clean hands 'Cause all that you have is your soul All that you have All that you have All that you have Is your soul
Tracy Chapman
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When this all started, when the US of A got into this war and the Supreme Court decided what the hell, let's send women to, everyone wondered what effect it would have. Could women fight my girl Rio has a shiny Silver Star, A fistful of Purple Hearts, and a notched M1 that say yes. Could the men fight alongside women, or would the simple creatures be too distracted by feminine curves? Well, I won't spend a long night in a hole with Luther gear, who has never been a gentleman but he is a good soldier and he never made a pass at me. Possibly he was distracted by the artillery garage coming down on our heads. Possibly was that I hadn't showered in ... God only knows how long you have to ask my fleas. We were not a man and a woman in that hole we were too scared little babies screaming and cursing and so we could be grateful for the warmth of our own piss running down our legs. It was not a romantic evening.
Michael Grant (Purple Hearts (Front Lines, #3))
The word fat makes people uncomfortable. But when you see me, the first thing you notice is my body. And my body is fat. It's like how I notice some girls have big boobs or shiny hair or knobby knees. Those things are okay to say. But the word fat, the one that best describes me, makes lips frown and cheeks lose their color. But that's me. I'm fat. It's not a cuss word. It's not an insult. At least it's not when I say it. So I always figure why not get it out of the way?
Julie Murphy (Dumplin' (Dumplin', #1))
The word fat makes people uncomfortable. But when you see me, the first thing you notice is my body. And my body is fat. It's like how I notice some girls have big boobs or shiny hair or knobby knees. Those things are okay to say. But the word fat, the one that best describes me, makes lips frown and cheeks lose their colour. But that's me, I'm fat. It's not a cuss word. It's not an insult. At least it's not when I say it. So I always figure why not get it out of the way?
Julie Murphy (Dumplin' (Dumplin', #1))
Hah! Avocados,’ he said, brightening. ‘How I love them. Cheer up, my little avocado,’ he said to me pinching my hand. ‘You know, these American girls are just like avocados. What do you think, am I right, Max? Who ever even heard of an avocado sixty years ago? Yes, that’s what we’re growing nowadays’. His avocado arrived and he looked at t lovingly. ‘The typical American girl,’ he said, addressing it. ‘ A hard center with the tender meat all wrapped up in a shiny casting.’ He began to eating it. ‘How I love them’ he murmured greedily. ‘So green - so eternally green.
Elaine Dundy
know this girl at all, but her struggle for composure and her love for her brother were obvious. It made Leni feel strangely connected to her, as if they had this one important thing in common. “I’m glad he has you. He’s … struggling now, aren’t you, Mattie?” Aly’s voice broke. “But he’ll be fine. I hope.” Leni saw suddenly how hope could break you, how it was a shiny lure for the unwary. What happened to you if you hoped too hard for the best and got the worst? Was it better not to hope at all, to prepare? Wasn’t that what her father’s lesson always was? Prepare for the worst.
Kristin Hannah (The Great Alone)
Those girls have nothing on the March sisters,” Silas says, leaning in so close that I can feel his breath on my shoulder. A strange shiny feeling ripples through me and I wheel toward him, accidently ramming my shopping basket into Silas’s side. A few Ace bandages toppled to the floor and the girls looked up from their polish dilemma to snicker at me. Nice one, Rosie. I can feel the blush starting as I duck to grab the bandages, and when my hand brushes against Silas’s leg, the heat spreads down my neck. Calm down. It’s just Silas. I rise and force a smile that I hope doesn’t look as goofy as I suspect.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Once inside the confectioners, she was spellbound by sugared fruits hung in garlands and glass bottles sparkling with morsels of sugar. While Loveday spoke to the shop girl, Biddy trailed the shelves slowly, looking inside the glass jars, mouthing the words on the Bill of Fare. 'Look Mr Loveday, "Macaroons- As Made In Paris"', she sighed, staring at a heap of biscuits made in every color from blue to shiny gold. Carefully he ordered his goods from the jars of herbs behind the counter. First, there was Mr Pars' packet of coltsfoot that he smoked to ease his chest. Then a bag of comfrey tea for his mistress's stomach. Finally, boxes of the usual violet pastilles. Biddy came up behind him while the girl tied the parcel with ribbon. 'Begging your pardon, miss. Is it right you're selling that Royal Ice Cream?' The girl shrugged. 'That's what it says on the board if you can read it.' 'Aye, I've been studying it all right. I've only ever read of ices before. So I'll have a try of it.' When the girl reappeared Biddy sniffed at the glass bowl, and then cautiously licked the ice cream from the tiny spoon. 'Why, it is orange flowers.' She looked happy enough to burst. 'And something else, some fragrant nut- do you put pistachio in it too?
Martine Bailey (An Appetite for Violets)
But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.
Emma Chase (Royally Matched (Royally, #2))
What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily. “I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer. “I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience. The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush. “Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing. He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards. I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.
Erica Chilson (Jaded (Mistress & Master of Restraint, #5))
Then, halfway down the little lane, I stood still, as the soft flutter of a childhood memory brushed my heart: I had just recognized, from the indentations of the shiny leaves overhanging the threshold, a hawthorn bush, which since the end of spring, alas, had been bare of all blossom. A fragrance of forgotten months of Mary and long-lost Sunday afternoons, beliefs, and fallacies surrounded me. I wished I could grasp it as it passed. Andrée, seeing me pause, showed her charming gift of insight by letting me commune for a moment with the leaves of the little tree: I asked after its blossom, hawthorn flowers like blithe young girls, a little silly, flirtatious, and faithful.
Marcel Proust (In the Shadow of Young Girls in Flower)
His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
To the Dead My concerns belong to the living. I see hear touch weigh myself on a street scale I dodge a blue tram In July I wipe the sweat off a shiny forehead I drink raspberry soda I am tired I am bored I write poems I think about death I buy pretzels and fuzzy peaches that look like baby mice I read Marx I don’t understand Bergson I go out dancing with a redhead and we laugh about the A-bomb the red circle of lips a long golden straw my girl in a green blouse drinks the moon from the sky a waiter carries foamy beer around lights glisten on the eyelashes of evening the memory of you covered my anxiety with a hand. These are my concerns. I live and nothing is as alien to me as you my dead Friend.
Tadeusz Różewicz (Sobbing Superpower: Selected Poems)
We didn’t talk any more about Boris’s love interest, at least not that day, but then a few days later when I came out of math I saw him looming over this girl by the lockers. While Boris wasn’t especially tall for his age, the girl was tiny, despite how much older than us she seemed: flat-chested, scrawny-hipped, with high cheekbones and a shiny forehead and a sharp, shiny, triangle-shaped face. Pierced nose. Black tank top. Chipped black fingernail polish; streaked orange-and-black hair; flat, bright, chlorine-blue eyes, outlined hard, in black pencil. Definitely she was cute – hot, even; but the glance she slid over me was anxiety-provoking, something about her of a bitchy fast-food clerk or maybe a mean babysitter.
Donna Tartt (The Goldfinch)
It was dusk when Ian returned, and the house seemed unnaturally quiet. His uncle was sitting near the fire, watching him with an odd expression on his face that was half anger, half speculation. Against his will Ian glanced about the room, expecting to see Elizabeth’s shiny golden hair and entrancing face. When he didn’t, he put his gun back on the rack above the fireplace and casually asked, “Where is everyone?” “If you mean Jake,” the vicar said, angered yet more by the way Ian deliberately avoided asking about Elizabeth, “he took a bottle of ale with him to the stable and said he was planning to drink it until the last two days were washed from his memory.” “They’re back, then?” “Jake is back,” the vicar corrected as Ian walked over to the table and poured some Madeira into a glass. “The servingwomen will arrive in the morn. Elizabeth and Miss Throckmorton-Jones are gone, however.” Thinking Duncan meant they’d gone for a walk, Ian flicked a glance toward the front door. “Where have they gone at this hour?” “Back to England.” The glass in Ian’s hand froze halfway to his lips. “Why?” he snapped. “Because Miss Cameron’s uncle has accepted an offer for her hand.” The vicar watched in angry satisfaction as Ian tossed down half the contents of his glass as if he wanted to wash away the bitterness of the news. When he spoke his voice was laced with cold sarcasm. “Who’s the lucky bridegroom?” “Sir Francis Belhaven, I believe.” Ian’s lips twisted with excruciating distaste. “You don’t admire him, I gather?” Ian shrugged. “Belhaven is an old lecher whose sexual tastes reportedly run to the bizarre. He’s also three times her age.” “That’s a pity,” the vicar said, trying unsuccessfully to keep his voice blank as he leaned back in his chair and propped his long legs upon the footstool in front of him. “Because that beautiful, innocent child will have no choice but to wed that old…lecher. If she doesn’t, her uncle will withdraw his financial support, and she’ll lose that home she loves so much. He’s perfectly satisfied with Belhaven, since he possesses the prerequisites of title and wealth, which I gather are his only prerequisites. That lovely girl will have to wed that old man; she has no way to avoid it.” “That’s absurd,” Ian snapped, draining his glass. “Elizabeth Cameron was considered the biggest success of her season two years ago. It was pubic knowledge she’d had more than a dozen offers. If that’s all he cares about, he can choose from dozens of others.” Duncan’s voice was laced with uncharacteristic sarcasm. “That was before she encountered you at some party or other. Since then it’s been public knowledge that she’s used goods.” “What the hell is that supposed to mean?” “You tell me, Ian,” the vicar bit out. “I only have the story in two parts from Miss Throckmorton-Jones. The first time she spoke she was under the influence of laudanum. Today she was under the influence of what I can only describe as the most formidable temper I’ve ever seen. However, while I may not have the complete story, I certainly have the gist of it, and if half what I’ve heard is true, then it’s obvious that you are completely without either a heart or a conscience! My own heart breaks when I imagine Elizabeth enduring what she has for nearly two years. When I think of how forgiving of you she has been-“ “What did the woman tell you?” Ian interrupted shortly, turning and walking over to the window.
Judith McNaught (Almost Heaven (Sequels, #3))
Well, well, do we have a new girl?’ I looked up to see three girls standing behind Tak. The one in the middle was tall and slim with bronzed skin and long shiny black hair and she had that air about her that the popular girls at school back home did. I was instantly wary. Those girls had never been nice to me. ‘Don’t be shy, what’s your name?’ the girl on her left said. Curly red hair framed her perfect face and she put her hands on her ample, curvy hips, waiting for me to answer. ‘Pandora,’ I said quietly. ‘I’m Arketa,’ said the slim girl. ‘And this is Filis and Kiko.’ The red-head, Kiko, cocked her head and gave me an over-the-top smile. ‘We’re Aphrodite descendants.’ That explained why they were so attractive, I thought. ‘You know, you’re not pretty enough to hang out with us but you’re better than these losers,’ Filis said. She was shorter than the other two, with rich brown hair and an exotic looking face with full pouty lips.
Eliza Raine (Olympus Academy: The Complete Collection)
How it must break His heart when we walk around so desperate for a love He waits to give us each and every day. Imagine a little girl running with a cup in her hand sloshing out all it contains. She thinks what will refill her is just ahead. Just a little farther. She presses on with sheer determination and clenched teeth and an empty cup clutched tight. She keeps running toward an agenda He never set and one that will never satisfy. She sees Him and holds out her cup. But she catches only a few drops as she runs by Him, because she didn’t stop long enough to be filled up. Empty can’t be tempered with mere drops. The tragic truth is what will fill her—what will fill us—isn’t the accomplishment or the next relationship just ahead. That shiny thing is actually a vacuum that sucks us in and sucks us dry … but never has the ability to refill. I should know, because that’s where I was. There’s no kind of empty quite like this empty: where your hands are full but inside you’re nothing but an exhausted shell.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
Cheat wore a Valorian jacket Kestrel was sure she had seen on the governor the night before. He sat at the right hand of the empty head of the dining table, but stood when Kestrel and Arin entered. He approached. His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said. “Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap. He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!” “You said I should pour. You didn’t say I should stop.” Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Then I pushed my way through and saw a young woman climb down, no more than my age, only she was as pale as a flour bag, with rosebud lips pressed tight together, and two spots of rouge high on her cheeks. She stared at the rabble, her eyes narrowing. She weren't afeard of us, no not one whit. She lifted her chin and said in a throaty London drawl, 'Mr Pars. Fetch him at once.' Like magic the scene changed: three or four fellows legged it indoors and those staying behind hung back a bit, fidgeting before this girl that might have dropped from the moon for all we'd ever seen such a being in our yard. What drew my eye was her apricot-colored gown that shone like a diamond. I drank in all her marks of fashion: the peachy ribbon holding the little dog she clutched to her bosom, her powdered curls, but most of all it was her shoes I fixed on. They were made of shiny silver stuff, and in spite of the prettiest heels you ever saw, were already squelched in Mawton mud. It were a crime to ruin those shoes, but there were no denying it, she'd landed in a right old pigsty.
Martine Bailey (An Appetite for Violets)
His eyes fell instead on the girl next to Krum. His jaw dropped. It was Hermione. But she didn’t look like Hermione at all. She had done something with her hair; it was no longer bushy but sleek and shiny, and twisted up into an elegant knot at the back of her head. She was wearing robes made of a floaty, periwinkle-blue material, and she was holding herself differently, somehow — or maybe it was merely the absence of the twenty or so books she usually had slung over her back. She was also smiling — rather nervously, it was true — but the reduction in the size of her front teeth was more noticeable than ever; Harry couldn’t understand how he hadn’t spotted it before. “Hi, Harry!” she said. “Hi, Parvati!” Parvati was gazing at Hermione in unflattering disbelief. She wasn’t the only one either; when the doors to the Great Hall opened, Krum’s fan club from the library stalked past, throwing Hermione looks of deepest loathing. Pansy Parkinson gaped at her as she walked by with Malfoy, and even he didn’t seem to be able to find an insult to throw at her. Ron, however, walked right past Hermione without looking at her.
J.K. Rowling (Harry Potter: The Complete Collection (Harry Potter, #1-7))
His gaze was locked on the young woman approaching beside Lady Withram. Short, no more than five feet, with a pretty face, shiny, long, wavy midnight hair and more curves than his shield. He noted all that in an instant, his eyes traveling with appreciation over each asset before settling on her eyes. They were a color he’d never seen before in eyes, a combination of pale blue and green, almost teal with a darker rim circling the unusual irises. They were absolutely beautiful . . . and presently brimming with anxiety and fear. Before he’d even realized he was going to do it, Ross found himself moving around the table to approach the girl. Taking her hand in his, he placed it on his arm and peered solemnly down into her unusual eyes before announcing, “Well worth the wait.” He was pleased to see some of her fear dissipate. Just a little, but it was something. She blushed too, ducking her head as if unused to and embarrassed by such a compliment . . . and her fingers were trembling where they rested on his arm. She did not strike him as a light-skirt, nor was she sour faced or ugly, but she had the finest eyes he’d ever seen, and he wanted to see more of them, so Ross turned and escorted her to the table. He didn’t miss the audible sighs of relief from her parents at their backs. Nor did he miss Gilly’s muttered, “Bloody hell. He’s done fer now.” Judging
Lynsay Sands (An English Bride In Scotland (Highland Brides, #1))
Do you know how to play?” I asked. Hannah gave me one of her vexed looks. “Goodness, Andrew, if it weren’t for me you wouldn’t know the first thing about marbles. Your brain is a regular sieve these days.” I tapped my forehead to remind her I’d been sick. She looked so contrite I felt guilty. “Will you teach me all over again?” Hannah poured her marbles onto the quilt and sighed. Without raising her eyes, she said, “Girls my age are supposed to be ladies, but sometimes I get mighty tired of trying to be what I’m not.” Cradling an aggie almost as shiny as Andrew’s red bull’s-eye, she cocked her head, studied her targets, and shot. The aggie hit a glass marble and sent it spinning off the bed. Hannah grinned and tried again. When all the marbles except the aggie were scattered on the floor, Hannah seized my chin and tipped my face up to hers. Looking me in the eye, she said, “If you promise not to tell a soul, I’ll give you as many lessons as you want. No matter what Papa thinks, I’d rather play marbles than be a lady, and that’s the truth.” “Ringer,” I said sleepily. “Do you know how to play ringer?” Hannah ruffled my hair. “You must be pulling my leg, Andrew. That’s what we always play. It’s your favorite game.” I yawned. “Starting tomorrow, we’ll practice every day till I get even better than I used to be.” “When I’m finished with you, you’ll be the all-time marble champion of Missouri.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
St. Lawrence River May 1705 Temperature 48 degrees The dancing began. Along with ancient percussion instruments that crackled and rattled, rasped and banged, the St. Francis Indians had French bells, whose clear chimes rang, and even a bugle, whose notes trumpeted across the river and over the trees. “Mercy Carter!” exclaimed an English voice. “Joanna Kellogg! This is wonderful! I am so glad to see you!” An English boy flung his arms around the girls, embracing them joyfully, whirling them in circles. Half his head was plucked and shiny bald, while long dark hair hung loose and tangled from the other half. His skin was very tan and his eyes twinkling black. He wore no shirt, jacket or cape: he was Indian enough to ignore the cold that had settled in once the sun went down. “Ebenezer Sheldon,” cried Mercy. “I haven’t seen you since the march.” He had been one of the first to receive an Indian name, when the snow thawed and the prisoners had had to wade through slush up to their ankles. Tannhahorens had changed Mercy’s moccasins now and then, hanging the wet pair on his shoulder to dry. But Ebenezer’s feet had frozen and he had lost some of his toes. He hadn’t complained; in fact, he had not mentioned it. When his master discovered the injury, Ebenezer was surrounded by Indians who admired his silence. The name Frozen Leg was an honor. In English, the name sounded crippled. But in an Indian tongue, it sounded strong. The boys in Deerfield who were not named John had been named Ebenezer. That wouldn’t happen in an Indian village. Each person must have a name exactly right for him; something that happened or that was; that reflected or appeared.
Caroline B. Cooney (The Ransom of Mercy Carter)
Merry Christmas.” he says quietly, pulling something from his back pocket. I frown in confusion then smile in delight when I see what it is. It’s a shiny, sharp trowel with a holly green handle. It’s stolen from the gardens for sure. It is the single greatest gift I’ve ever received. “It’s so pretty.” I whisper happily, turning it over to test its edge. “I promised you something shiny.” “And you delivered.” I press my finger against the tip then pull it back quickly. “It’s sharp.” “Why else have it, right? Keep it with you when you can. If something goes down while I’m gone I want to know you have it.” I nod my head as I slip it into my back pocket. The handle sticks up but the point is hidden. When I look up at Vin my heart skips. His eyes are sharp, intense. “Come with me.” he commands quietly. “No.” I reply immediately. I was waiting for this. From the moment he woke me up, the second I saw his eyes, I knew. And just as quickly as I recognized it, I knew what my answer would be. He shakes his head in disbelief. “You know I’m not coming back here. Not for you, not for anyone.” “Maybe not, but if I go with you then you definitely won’t.” “It’s not going to work, Joss.” he tells me seriously. “The Hive won’t bite. They don’t want to rock the boat with the Colonies and the pot isn’t sweet enough to convince them to try. They’ll pass and everyone here is going to either stay here forever or die in a revolt.” “Nats included.” I remind him coolly. “She’s a big girl. She knows how it really is. She can yell at me all she wants, but she knows just as well as I do that no one will come here to help.” “Especially if you don’t ask.” “What the hell do you want from me?” he whispers fiercely. “You want me to go out there and rally the troops, bring them back here riding on a tall white horse and save the day? I’m no hero. I never have been. It’s how I’ve stayed alive.” “It’s also a great way to stay alone. And if you do this, if you go and pretend we don’t exist, then I’ll pretend I never knew you. Nats will too, I’m sure. You’ll be nothing to no one and won’t that make life easier for you? So go on and go, you coward, and don’t ever look back because there’s nothing to look back on. You were never even here far as I’m concerned.” I turn to leave him standing there in the cold beside the words I wrote to Ryan, words that have gone unnoticed and feel like nothing in the night. I’m spun around roughly and pinned against Vin’s chest. His breath is coming even and hard, sharp inhales and exhales that burst against my face leaving my skin freezing in their absence. “Don’t turn your back on me.” he growls. I can see the enforcer in him now. The hard ass who lived on the outside by the skin of his teeth and grit under his knuckles. It’s something I understand, something I can respect. Something I can relate to. I lean closer, no longer being pulled but rather pushing against him until our faces almost touch. “No, don’t you turn your back on me. On us.” I whisper harshly, pushing at him aggressively. He lets me go and I stumble back from him. “I’m no hero.” he repeats. “How do you know until you’ve tried?” * * * “You’ll come back for us, Vin.” I whisper in his ear. “I know you will.” I know no such thing, but I want it to be true and I can tell he does too so I tell him that it is. I lie to us both and I hope it makes it real. Vin nods his head beside mine and buries his face in my shoulder. I do the same. We stand huddled together against the cold and the uncertainty of everything tomorrow will bring.
Tracey Ward
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
Just because I'm sun-shiny as fuck doesn't mean I'm an idiot
Laura Steven (The Society For Soulless Girls)
raincoat. Boots cost money, and Howie’s old boots are perfectly good. The soles are scarcely worn.” “The tops aren’t shiny,” Ramona told her mother. “And they’re brown boots. Brown boots are for boys.” “They keep your feet dry,” said Mrs. Quimby, “and that is what boots are for.” Ramona realized she looked sulky, but she could not help herself. Only grown-ups would say boots were for keeping feet dry. Anyone in kindergarten knew that a girl should wear shiny red or white boots on the first rainy day, not to keep her feet dry, but to show off. That’s what boots were for—showing off, wading, splashing, stamping. “Ramona,” said Mrs. Quimby sternly. “Get that look off your face this instant. Either you wear these boots or you stay
Beverly Cleary (Ramona the Pest (Ramona, #2))
of Ford pickups? And the poop those things must’ve dropped…Okay, I’ll stop.) Aphrodite kept getting distracted by sales at the mall, or cute guys, or the shiny jewelry and dresses that the mortal girls were wearing this season. Meanwhile, Psyche kept trudging along, searching for her husband in all the most remote shrines, temples, and LA Fitness Centers. By this point, her pregnant belly was starting to show. Her clothes were torn and muddy. Her shoes were falling apart. She was constantly hungry and thirsty, but she would not give up. One day she was roaming through the mountains of northern Greece when she
Rick Riordan (Percy Jackson's Greek Heroes)
The three shiny blond heads leaned toward the lamp flame. With steam and a bit of black smoke swirling, the image conjured a fairy-tale vision, with Rose Thorn's long tangled hair splayed across her back so voluminously it could have wrapped around all three of them. Together, these sisters were one creature with six arms and legs, animated by flame, not subject to the earth's gravity as much as to one another's.
Bonnie Jo Campbell (The Waters)
Little brown immigrant girl getting this big, shiny white chance in the city. Why couldn’t I just take my opportunity and like it?
Xóchitl González (Anita de Monte Laughs Last)
She was young, not so much older than me A career girl in a little soignée suit and hosiery Just recently engaged She'd leapt from the 86th-floor observation deck of the Empire State Building and crash-bam-slammed into the roof of a shiny black Cadillac Which now gathered her into its folds It looked like somebody popped open a ring box An expression of pure bliss gleaming on her face A nun's ecstasy, her first and final orgasm A perfect ending, handed to the world in white gloves.
Phoebe Eaton (Best Women's Monologues of 2019)
Well, since you’re so in the loop and seem to hear—or find out—everything, what am I supposed to wear tonight?” “Well, my personal belief is the shorter, the better,” he says with a smirk but then refocuses. “But so far, I’ve heard a few things. I’m not the best with descriptions, but I’ll do my best. Uh, one girl is wearing a short dress with a sweetheart neckline—not sure what that is. Another is doing a cocktail dress that’s black with shiny beads. Another is wearing something red and lacy. The girls behind me were debating jersey dresses. They say that they either make you look amazing or like a stuffed sausage. Though I’m not really sure why they would wear a sports jersey to the club.
Jillian Dodd (The Exchange (London Prep #1))
Silence fell and anger slid through my veins like poison. “Bryce is a piece of shit.” He lifted his eyes to mine. “You think so?” “Yeah, and from what I’ve seen of your magic tonight, you’re more powerful than you let on.” “You really believe that?” He batted his eyelashes at me like I’d just told him his dick was a girl magnet. “I’m just stating facts, don’t take it as a compliment.” His shiny little eyes said he did though, and I shook my head as I turned away from him to watch the street. One impossibly long minute to go. “The problem is, even when I do better, the stars always trip me up. I’m not gonna be free of this bad luck until long after my education is over. I won’t make it that far in life with this curse hanging over me. Especially not in a city like Alestria.” “Fuck the stars,” I muttered. “They don’t make your decisions. And if you don’t have confidence in yourself then no one else will. You think anyone’s been there cheering me on while I fought my way to the top of the Lunar Brotherhood? Ninety nine percent of people in life wanna see you fall. But you can thrive alone, Eugene. The strongest Fae do.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
People always think that Indonesia’s some third-world country where people live in shacks and bathe in the river. I guess in the rural parts of the country, it’s like that, but Jakarta is a huge city with ten million people. Ibu describes it as a place filled with skyscraper after skyscraper, luxury hotels and shiny nightclubs and trendy hipster cafes all bunched together in a never-ending metropolis. Compared to Jakarta, Draycott is nothing but a sleepy little town.
Jesse Q. Sutanto (The New Girl)
As the elevator descends, tears wet my mask and become so furious that it can't catch them all. Not angry or bitter ones. Little girl tears. Sad tears. Unexpected tears.
Sona Charaipotra (Shiny Broken Pieces (Tiny Pretty Things, #2))
He could see the girl's shiny blond hair up close, her soft cheeks, her fingers swimming over the keys. There, he was the girl's only audience. Just as she was his only pianist. Heiner awoke from his dream.
X .
I’ve never washed a girl’s hair. I’ve never spent long enough with one to even know about all the products they put in it. If Reed is the standard, there’s all sorts of crap that goes into her silky waves. Conditioner, mousse… something in a tiny bottle that she says makes it extra shiny. Who fucking knows. I’ll memorize them all, just in case she needs me to pick something up at the store.
Eva Simmons (Word to the Wise (Twisted Roses #4))
They sit in companionable silence watching a man in a shiny blue jumpsuit and a helmet hurtling down a near-vertical slope crouched on carbon planks, straightening out as the curve tips him up to shoot into the air. “Who comes up with this stuff?” Kirby says. She’s right, Dan thinks. The grace and absurdity of human endeavor.
Lauren Beukes (The Shining Girls)
I know what a nice girl Wendy is, her purehearted innocence bleeding from her pores like oil, shiny and impossible to look away from. Maybe that's why she calls to me the way she does - the pitch-black parts of my soul aching for her light.
Emily McIntire (Hooked (Never After, #1))
Remember, all you can do is be the light. Be that beautiful, shiny beacon ahead for your clients, team, or loved ones.
Melissa Ambrosini (Mastering Your Mean Girl: The No-BS Guide to Silencing Your Inner Critic and Becoming Wildly Wealthy, Fabulously Healthy, and Bursting with Love)
…you’re like a biker princess or rock goddess, wrapped in a fat ass, shiny Do Not Touch tape that only makes everyone wanna touch it more. You’re a little hood but still a Cali girl. They want to be you, imitate you, but they don’t know how. They have fancy clothes and cars and Daddy’s plastic, but no matter what they do or buy or who they pay, they can’t reach your level, and they know it. You’re this lethal ass combination of girl they never knew they wanted to be until now but couldn’t match if they tried.
Meagan Brandy (Boys of Brayshaw High (Brayshaw, #1))
With the sounds of Rock and Roll and Sherry’s intoxicating laugh moving you though every memory—you’re sure to be captivated by this one-­‐of-­‐a--kind, episodic memoir. Even Rock and Roll has Fairy Tales: The Flight of the Shiny Happy Sherry Fairy” by Sherry Carroll is a coming of age memoir that the features love, humor, Rock and Roll, and a woman in love with life. This woman is ballsy, and takes no-­‐prisoners when it comes to love and life. Sherry Fairy’s dreams have the unique ability to carry her to places that the average person wouldn't imagine—living vicariously through her life of mayhem, music, and madness is completely energizing and fun. It seems that the music, wind, and passion carry her to places that birth terrific stories for a memoir. And in this biographical account, you won’t have to “just wonder” about the things that happen when a big-­‐time rock star and a small town girl meet. Leaving you with the idea that dreams, no matter how ridiculous, are worth pursuing. Sherry is ridiculously,fun,smart,and sassy.Her memoir,overall,is funny,fast-­‐paced and episodic.
Penn Press
What did it look like?” “My watch? It was silver. Not expensive or anything. Just a regular watch.” “Shiny?” “I guess.” “Raccoons.” Determined not to say anything stupid for at least the next ten minutes, she considered his single-word statement. Raccoons? Okay. He probably hadn’t started a word-association game, so what did he mean? Going with the safest response, she cautiously repeated, “Raccoons?” “They like shiny things. Take off with them whenever they can.” “You’re saying a raccoon stole my watch?” “Probably.” She really wanted to point out that they couldn’t possibly tell time, but knew instinctively that was a bad idea. “Can I get it back?” “Sure. If you can find it.” Could she? She glanced around at the underbrush, the trees, the stream. “Is it safe for me to go exploring?” she asked. “You’re not likely to be attacked by raccoons, but you’ll probably get lost, fall down a ravine, break your leg and starve to death. But if the watch is that important to you, have at it.” She felt herself deflating. “You don’t like me much, do you?” she asked sadly. She half expected Zane to stalk away, but instead he exhaled and shook his head. “Sorry.” She blinked. “What?” “I said I’m sorry.” Had the earth stopped turning, or had the taciturn hunky cowboy standing in front of her just apologized? “I--you--” She paused for breath. “That’s okay. I guess it was a stupid question.” “No. It was a reasonable question under the circumstances.” He shoved his hands into his pockets. “I get a little sarcastic sometimes.” “Let’s call it a dry sense of humor.” He half nodded in acknowledgement. “You’ll never find them, and even if you did, your watch would probably be all broken up and rusty from them dunking it in the water. Don’t leave out anything they’ll take. Shiny jewelry, another watch.” “I don’t have another watch. Not with me.” “You need to know the time?” “Just when the meals are.” “Cookie rings a bell.” “Really? Just like in the movies?” “Yeah.” One corner of his mouth turned up as he spoke. It wasn’t exactly a smile, but it was close enough to get her breathing up to Mach 3. “Come on,” he said. “It’s nearly time for lunch.” He started back toward the camp. Phoebe followed him happily. “You think the raccoons could ever learn to tell time?” she asked. He glanced at her. “You’re kidding, right?” “Maybe I have a dry sense of humor, too.” “City girl.” He was probably insulting her, but the way he said the word made her feel almost tall and, if not blonde, then certainly highlighted. “I think Rocky likes me,” she confided. “I’m sure he does.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Brittany’s tongue snakes out to wet her perfect heart-shaped lips, which are now shiny and oh, so inviting. “Don’t tease me like that,” I groan, my lips inches from hers. Her books hit the carpet. Her eyes follow, but if I lose her attention, I may never get this moment back. My fingers move to her chin, gently urging her to look at me. She looks up at me with those vulnerable eyes. “What if it means something?” she asks. “What if it does?” “Promise me it won’t mean anything.” I lean my head back on the couch. “It won’t mean anythin’.” Aren’t I supposed to be the guy in this scenario, laying down the no-commitment rules? “And no tongue,” she adds. “Mi vida, if I kiss you, I guarantee there’s gonna be tongue.” She hesitates. “I promise it won’t mean anythin’,” I assure her again. I really don’t expect her to do it. I think she’s teasing me, testing to see how much I can take before I crack. But as her eyelids close and she leans closer, I realize it’s going to happen. This girl of my dreams, this girl who is more like me than anyone I’ve ever met, wants to kiss me. I take over control as soon as she tilts her head. Our lips touch for the briefest moment before I lace my fingers in her hair and keep kissing her soft and gentle. I cup her cheek in my palm, feeling her baby-soft skin against my rough fingers. My body urges me to take advantage of the situation, but my brain (the one inside my head) keeps me in check. A satisfied sigh escapes Brittany’s mouth, as if she’s content to stay in my arms forever. I brush the tip of my tongue against her lips, enticing her to open her mouth. She tentatively meets my tongue with her own. Our mouths and tongues mingle in a slow, erotic dance until the sound of the front door opening makes her jerk away.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Add a note The clouds have risen, out of my reach, but now I can see the stars and they wink down at me like they’re saying “You go, girl” and I tilt my head back and smile up at them, and I hope that from way up there my smile looks like a bright shiny star winking back at them.
Katherine Webber (Wing Jones)
The clouds have risen, out of my reach, but now I can see the stars and they wink down at me like they’re saying “You go, girl” and I tilt my head back and smile up at them, and I hope that from way up there my smile looks like a bright shiny star winking back at them.
Katherine Webber (Wing Jones)
It takes me about twenty seconds to forget about the staring faces and all that shiny, pulled-back hair and which of the girls on the bleachers may or may not be a better dancer than I am and the fact that I'm twice as big as anyone in this room. After that first thirty seconds, I disappear into the song. I become one with the music, one with the dance.
Jennifer Niven (Holding Up the Universe)
Her face lit up in welcome as she saw me, and taking prompt, if cowardly, action in the face of emergency I smiled, waved and ducked out through a side door. As I hurried around the side of the building into a handy patch of deep shadow (Briar being a persistent sort of girl), I tripped over someone’s legs stretched across the path. I lurched forward, and a big hand grasped me firmly by the jersey and heaved me back upright. ‘Thank you,’ I said breathlessly. ‘Helen?’ Briar called, and I shrank back into the shadows beside the owner of the legs. ‘Avoiding someone?’ he asked. ‘Shh!’ I hissed, and he was obediently quiet. There was a short silence, happily unbroken by approaching footsteps, and I sighed with relief. ‘Not very sociable, are you?’ ‘You can hardly talk,’ I pointed out. ‘True,’ he said. ‘Who are you hiding from?’ ‘Everyone,’ he said morosely. ‘Fair enough. I’ll leave you to it.’ ‘Better give it a minute,’ he advised. ‘She might still be lying in wait.’ That was a good point, and I leant back against the brick wall beside him. ‘You don’t have to talk to me,’ I said. ‘Thank you.’ There was another silence, but it felt friendly rather than uncomfortable. There’s nothing like lurking together in the shadows for giving you a sense of comradeship. I looked sideways at the stranger and discovered that he was about twice as big as any normal person. He was at least a foot taller than me, and built like a tank. But he had a nice voice, so with any luck he was a gentle giant rather than the sort who would tear you limb from limb as soon as look at you. ‘So,’ asked the giant, ‘why are you hiding from this girl?’ ‘She’s the most boring person on the surface of the planet,’ I said. ‘That’s a big call. There’s some serious competition for that spot.’ ‘I may be exaggerating. But she’d definitely make the top fifty. Why did you come to a party to skulk around a corner?’ ‘I was dragged,’ he said. ‘Kicking and screaming.’ He turned his head to look at me, smiling. ‘Ah,’ I said wisely. ‘That’d be how you got the black eye.’ Even in the near-darkness it was a beauty – tight and shiny and purple. There was also a row of butterfly tapes holding together a split through his right eyebrow, and it occurred to me suddenly that chatting in dark corners to large unsociable strangers with black eyes probably wasn’t all that clever. ‘Nah,’ he said. ‘I collided with a big hairy Tongan knee.’ ‘That was careless.’ ‘It was, wasn’t it?’ I pushed myself off the wall to stand straight. ‘I’ll leave you in peace. Nice to meet you.’ ‘You too,’ he said, and held out a hand. ‘I’m Mark.’ I took it and we shook solemnly. ‘Helen.’ ‘What do you do when you’re not hiding from the most boring girl on the planet?’ he asked. ‘I’m a vet,’ I said. ‘What about you?’ ‘I play rugby.’ ‘Oh!’ That was a nice, legitimate reason for running into a Tongan knee – I had assumed it was the type of injury sustained during a pub fight.
Danielle Hawkins (Chocolate Cake for Breakfast)
matter of fact, it’s not the same building. Those units can only be accessed via the basement and the bingo hall on the end. We have nothing to do with them. I was trying to help you, that’s all.” Connor heard exactly what he needed. He turned away without apology and the reception girl tutted behind him. As soon as Connor was outside, he walked the length of the shady rear perimeter of the hotel. Before long he found a gate in the shiny new iron fence but the damn thing had been padlocked. He
Solomon Carter (The Final Trick (The Final Trick, #1))
snowflakes whirling. A nurse trod carefully over the white carpet, wrapped around in her winter cloak, which on special occasions, like Christmas, would reveal the shiny scarlet lining, when the nurses sang carols to the patients, walking the wards, by the light of their lanterns. A sight to see, Cora thought, but she hoped she would not still be in hospital then.
Sheila Newberry (The Gingerbread Girl)
Without it being said, I was treated as a kid with a bright future and Cassie, well, she wasn’t necessarily not going to have one, but her path would be different from mine. Without anybody saying so outright, I was being told that my path was the more valuable. I got that from my parents, and from Mr. Cartwright when he chose me for speech team, and from my teachers when they patted me on the back and gave me good grades, and from my grandmother, who, when she asked me about Cassie at Thanksgiving and I told her we’d been drifting apart, caressed my cheek with her shiny hand that smelled of rosewater and said, “It’s hard growing up, because each of us must follow our own star”—which was, of itself, pretty neutral, but then she added, “And some of us have brighter stars to follow than others, I’m afraid.
Claire Messud (The Burning Girl)
A shiny red BMW convertible pulled up to the front of the Academy and one of the cool girls with perfect hair was behind the wheel. It was her sixteenth birthday and the car was a gift from her parents. I stood there staring at her in shock. A brand-new car?
Monica Seles (Getting a Grip: On My Game, My Body, My Mind... My Self)
Knocking on the Ellises’ door ten minutes later with the pink horn and streamers in hand, I try to put on the I-am-a-cool-motherfucker pose. When Brittany opens the door wearing a baggy T-shirt and shorts, I’m floored. Her pale blue eyes open wide. “Alex, what are you doing here?” I hold out the horn and streamers. She snatches them from my hand. “I can’t believe you came here because of some prank.” “We’ve got some things to discuss. Besides pranks.” She swallows nervously. “I’m not feeling great, okay? Let’s just talk at school.” She tries to close the door. Shit, I can’t believe I’m going to do this like a stalker guy in the movies. I push open the door. ¡Que mierdaǃ “Alex, don’t.” “Let me in. For a minute. Please.” She shakes her head, those angelic curls swaying back and forth across her face. “My parents don’t like when I have people over.” “Are they home?” “No.” She sighs, then opens the door hesitantly. I step inside. The house is even bigger than it looks from the outside. The walls are painted bright white, reminding me of a hospital. I swear dust wouldn’t have the nerve to land on their floors or counters. The two-story foyer boasts a staircase that rivals the one I saw in The Sound of Music, which we were forced to watch in junior high, and the floor is as shiny as water. Brittany was right. I don’t belong here. It doesn’t matter, because even if I don’t belong in this place, she’s here and I want to be where she is. “Well, what did you want to talk about?” she asks. I wish her long, lean legs weren’t sticking out from her shorts. They’re a distraction. I look away from them, desperate to keep my wits. So what if she has sexy legs? So what if she has eyes as clear as glass marbles? So what if she can take a prank like a man and give it right back? Who am I kidding? I have no reason for being here other than the fact that I want to be near her. Screw the bet. I want to know how to make this girl laugh. I want to know what makes her cry. I want to know what it feels like to have her look at me as if I’m her knight in shining armor.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
BLAKE: You look beautiful tonight. Instead of bolting for my car like any sane person would have, I looked around until I found him. Well, running to my car wouldn’t have helped much; he was parked right next to it and leaning against the driver’s door of his shiny little Lexus. How did he know I was here? If he didn’t know I was here, what is he doing here at two in the morning? Oh my word, he’s been following me! No, that’s ridiculous; come on, Rachel, get a grip. He is not following you. Frick, I really need to stop thinking the world and everyone in it revolves around me. He just happened to be here and saw your car. That’s all. Right? Right. I took a few steps closer to the cars and took a deep breath as I dropped my phone back into my purse, trying to calm myself down. “Hi, Blake.” “I was starting to think you would never leave. I’ve been out here for hours.” Oh God, he has been waiting for me! Those words were creepy enough, but paired with the sexy, innocent smile they seemed even worse. I meant for my voice to sound strong and annoyed but it was barely a whisper. “Why are you following me?” “Following you? I’m not following you. Candice told me you were waiting for me to pick you up from the study group. Jesus, Rachel, you look like you’ve just seen a ghost; are you all right?” “Candice said what? No, I was definitely not waiting for you; I drove myself here. That should be obvious, since you’re parked next to my Jeep.” I didn’t know what was going on, but I wanted to get out of there and away from him. Now. “Yeah, but your car isn’t starting. Which is why I’m here.” He said every word slowly, like I was a child or something. “Don’t you remember, Rachel? You called her almost three hours ago, but she was busy, so you told her to call me. Are you feeling okay? Come on, get in the car. I’ll get you back to your room.” “I am not getting in your car, I’ll drive myself back!” With that I took the last few steps to my car, got in, locked the door, and put the key in the ignition. I turned it but nothing happened. There wasn’t even a click. What had happened to my car? I knew I hadn’t called Candice. And even then, if I’d wanted Blake to pick me up I would have called him myself. Someone tapped on the window and even though I knew who it was, I still jumped. “Come on, Rach, this is dumb. Just get in the car and I’ll take you back. I’ll get your car towed in a couple hours.” There was no point in trying to call someone else. It was two in the morning, everyone was asleep, and I definitely couldn’t walk back at this hour. I grimaced and opened the door. “That’s my girl. Come on, let’s go.” He helped me into his car, then got in beside me. This time he didn’t put his hand on my thigh. The
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Normal pleasures like this are reserved for girls without a shadow staring back at them in the mirror. But whether I deserve this or not, I don't care. It's too sweet to stop.
Ann Aguirre (The Queen of Bright and Shiny Things)
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Well, then either you wait for a week, or you chase him down. We’re past the days of having to get dolled up for men.” Gran rolls her sleeves up and flexes her shiny new nails. “Get dolled up for yourself and go after what you want.
Lily Kate (Birthday Girl (Minnesota Ice #3))
made, or how big of a house you lived in. The newness or shininess of your car wouldn’t matter. “That’s very true,” she said, her spirits rising. For reasons she couldn’t explain, a gust of energy suddenly poured through her body. She felt invigorated—renewed. Jumping to her feet, Kristen brushed the grass off the backside of her jeans. Everything now made total sense. She now knew what needed to be done. “It was nice talking with you, Helen. But I’m afraid I need to go. My girls will be home from school soon, and I always like to be there when they get off the bus.
David Heilwagen (Remember Last Summer)
Rosy cheeks gave Johanna a strangely youthful look this morning, he decided, his grin in full view. There was no way around it. The woman had bloomed during the past months. The somber female he’d married had, right before his very eyes, become a shiny-eyed girl. That
Carolyn Davidson (The Forever Man)
Getting Rid of the Mud We have a custom at weddings. Before you go to the wedding canopy, there is the veiling of the bride. At the veiling of the bride, I usually gather together all the blood relatives into a room, to ask them each to forgive each other, because it’s impossible to grow up in a family, with siblings and parents, without having some secret anger. And you don’t want people to have to go into the next phase of life with all this karmic load. So that is why bringing in those people is so important. That way they can forgive each other and really bless each other. It is a very powerful thing. On one occasion, a young girl was present while we were doing this forgiveness, and she wanted to know how to do it. I tell you, it was a wonderful thing that she asked this question. She really wanted to know how to do it. It was as if nobody had ever shown her how to do forgiving. So I said to her, “Could you imagine that you have a beautiful shiny white dress on, and here comes this big clump of mud and dirties it? You would want to clean it off, wouldn’t you?” “Oh, yes,” she said. “Could you imagine then, instead of the mud being on the outside on your dress, the mud is on your heart?” “Uh huh.” “And being angry with people and not forgiving them is like mud on your heart.” “I sure want to get rid of that,” she said. “OK, how are you going to go about doing that?” I suggested that she close her eyes, raise up her hands in her imagination, and draw down some golden light and let it flow over that mud on her heart until it was all washed away. In this way she really understood forgiving. Do you understand how important it is, just as with this child, to respond decently when somebody says, “You ought to …,” and starts giving you advice and you want to say, “I’ve been trying to do it myself. You don’t have to scold me—show me how to do it”? This is the issue in all spiritual direction work. Rabbi Zalman Schachter-Shalomi
Dov Peretz Elkins (Rosh Hashanah Readings: Inspiration, Information and Contemplation)
On July 29, 2011, a man in hospital scrubs was walking down the street at 2 p.m. Coming towards him were seven black students from Mastery Charter School in Philadelphia. Oprah gave the school $1 million. Not as a reward. The Oprah dollars came before the attacks so that the black children could have shiny new computers and nice uniforms, which they were wearing during the attack. As the man passed the students, they turned and pummeled him. It was all caught on tape from two surveillance cameras. Maybe we’ll see this on the Oprah Network.17
Colin Flaherty ('White Girl Bleed A Lot': The Return of Racial Violence to America and How the Media Ignore It)
Rylan!" Nadia and I turn our heads simultaneously towards the entrance to the living room as Tim Powers appears. "Yeah?" I yell across the room. That's when I notice the expression on Power' face. A mixture of awe, amazement, appreciation, and a bit of jealousy. "Your girlfriend's here," Tim informs me. He steps aside, and a goddess enters the room. It's been forever since I first had those dreams Ivy sent me with her in her disguise. But I still remember how she looks. Pale skin, long hair, bright-green eyes, and a model's figure. A perfect dream girl, who's now reality. Ivy smiles shyly as she steps into the room. Her skin is porcelain, unflawed and shiny. White-blind hair, straight and flowing, falls down her back and ends a little bit past her waist. She's not wearing her woven grass robe, but instead a dress mist likely altered from a piece of clothing from her clothes sack. It probably reached the floor at one point, with long sleeves, but the sleeves are gone and the skirt's been snipped away, leaving behind a green dress that shows off mile-long legs. But her face...all that pales in comparison to her face. Heart-shaped, with high cheekbones, an elegant nose, a well-shaped chin, and her lips—she's not covering them anymore—two shimmering, bright green pools I would be happy to drown in or go through. People believe the eyes are the window to your soul, and Ivy's soul is beautiful.
Colleen Boyd (Swamp Angel)
There's horror, lust and ecstasy on stage at the White Mouse The Behrenstrasse's Babel, and Berlin's (second) wildest house! There's love and pain a-plenty dressed in shiny leather boots But whips and chains and naked hips are nothing when you see With your own eyes, This fantasy... Oh oh, those Berliner Girls They'll take you to another world.
Morgana Blackrose (Phoenyx: Flesh and Fire Erotic Memoirs of a Striptease Artist)
There's some girl bent over a large cooler located at the back of the bar. Her shiny dark hair cascades down her back, but I'm too focused on the way her perfect little ass looks in the skirt she's wearing to notice much else. She leans down even further and I feel myself lean with her as I notice her skirt rising higher...hoping to be rewarded with a glimpse of her cheeks. I look over and Ricardo bites his knuckle. “Fuck me that's hot.” Tyrone shakes his head and looks down. “My dick belongs to Shelby. This is Shelby's dick,” he chants to himself. Ricardo and I burst out laughing.
Ashley Jade (Blame It on the Pain)
Oi! Bad girl. Maybe I should have led with the fancy collar first.” From his other back pocket, he brought forth a pink nylon collar with rhinestones stitched all around. Ooh. Pretty, shiny. Resist the bling. She looked away, and he laughed.
Eve Langlais (Ostrich and the 'Roo (Furry United Coalition, #6))
horsey shampoo that made her coat look really shiny
Katrina Kahler (My First Pony (Diary of a Horse Mad Girl #1))
would not be intimidated by a couple who may or may not have been brother and sister in a past life. Or Thunderbirds. I couldn’t help notice that they were both gifted in the shiny face and generous eyebrow department.
Shari Low (Friday Night with the Girls)
I imagined scrubbing the dark mass into something fresh and shiny, and exhaled, letting it go.
Barbara O'Neal (The Lost Girls of Devon)
the bathroom down the hall, but she couldn’t bring herself to do it, not knowing whom she’d run into and when. Indoor plumbing seemed unnecessary anyway. Getting water from the well and using the outdoor toilet was easy enough. But that shower, now that was a thing of beauty! She took the brush from the cabinet and let loose her single braid, as thick and long as the grasses that stood by the river back home. She shook her head so that her black hair fell loose, then brushed it, slowly and carefully, treating it as if every inch held a story. One stroke and then another, until it was smooth and silky, like the pajamas she slept in. They were different from the ones she wore at home, which she had made for herself. The stitching was too regular, too perfect to have been made by a young woman’s hand. Obviously, they were made by machine, like everything in Kabul. When Sunny had presented the room to her, she had been particularly proud of the full-length mirror that was framed in a shiny dark wood and sat on its own four legs. But Yazmina thought of it as vanity and had turned it away once Sunny had departed. Today, though, she turned it to face her. She put her hands on her stomach, where the life inside was growing with each new day, and looked at herself. She pulled the sleeping gown over her head, removed her undergarments, and there was her body, which she was seeing naked, in full, for the first time in her life. She was slim, her legs long and lean, her right leg still red and scraped from knee to thigh where she had fallen on the pebbled road when she was pushed out of the car. Her arms were slender but muscled from daily chores, still bruised by the rough grip of strong hands. She looked at her breasts, which were larger than usual because of her condition, but nothing like the long, low ones of Halajan, the old busybody who lived next door to the café and had an opinion about everything. Yazmina thought that woman had been sent by God himself to test her patience. No, Yazmina’s breasts were still “as glowing and round as the midnight moon,” as Najam used to tell her. She saddened at the memory of her husband’s face, his kisses and his touch. She would never feel such sweetness again. But she was with his baby. She turned to the side to look at her belly and stroked it with her two hands. She took a deep breath as if the air would give her all she and her baby needed to thrive. This will be my baby, she thought, my Najam, or if a girl, Inshallah, God willing, Najama (for Yazmina was convinced it was a girl, perhaps because it was Najam’s wish to have many children—a son or two, of course, but also a daughter who had the same light in her eyes as Yazmina). Not only would the baby be named after her father, but she would be a star lighting up the night sky, as the name meant. Najam’s seed was part of her, and she would cherish it and die trying to protect it.
Deborah Rodriguez (The Little Coffee Shop of Kabul)
Breathe in suffering, breathe out peace. I took in the darkness, the heat of anger, my own and that in the world, and the sorrow, and the greed, and held it. I imagined scrubbing the dark mass into something fresh and shiny, and exhaled, letting it go. Whether it helped the world or not was unclear. It did, however, lighten my step.
Barbara O'Neal (The Lost Girls of Devon)
I spotted a shiny item on the ground, and like all girls, squirrels, and toddlers, I made a move to grab it. I picked up a pair of ancient looking amulets right below where the Grimms had imploded in the air.
Shayne Silvers (The Nate Temple Series, Box Set 1 (The Nate Temple Series, #0.5-3))
I would never really fit in, never really be one of them, that was what he was trying to say. Those girls from good families, those effortless girls. The ones who woke up with long blond shiny hair, pale, non-descript features, an aquiline nose that spoke of wealth and good breeding. Girls who did not have to work for their supper, who only had to look first to Daddy and then to their husband. I was different, marked out.
Christine Mangan (Tangerine)
Every inch of her is glowing. Her shiny mane of hair. Her glittering eyes. Her lips. Her dress. That fucking dress that somehow equally embodies innocence and sin. The dusty rose color says good girl, but the way it sparkles over her curves whispers sultry goddess.
S.J. Tilly (Mr. Sin (Sin, #1))
Filthy-minded old bastard,' he muttered viciously under his breath. No wonder the world such a rotten place, rotten and filthy and cheap and smelly. Where is that place they talk of and paint nice pictures of and described in all the homey magazines? Where is that place with the clean, white cottages surrounding the new, red brick church with the clean, white steeple, were the families all have two children, one boy and one girl, and a shiny new car in the garage and a dog and a cat and life is like living in the land of the happily-ever-after? Surely it must be around here someplace, someplace in America. Or is it just that it's not for me? Maybe I dealt myself out, but what about that young kid on Burnside who was in the army and found it wasn't enough so that he has to keep proving to everyone who comes in for a cup of coffee that he was fighting for his country like the button on his shirt says he did because the army didn't do anything about his face to make him look more American? And what about the poor niggers on Jackson Street who can't find anything better to do than spit on the sidewalk and show me the way to Tokyo? They're on the outside looking in, just like that kid and just like me and just like everybody else I’ve ever seen or known. Even Mr. Carrick. Why isn't he in? Why is he on the outside squandering his goodness on outcasts like me? Maybe the answer is that there is no in. Maybe the whole damn country is pushing and shoving and screaming to get into some place that doesn't exist, because they don't know that the outside could be the inside if only they would stop all this pushing and shoving and screaming, and they haven't got enough sense to realise that. That makes sense. I've got the answer all figured out, simple and neat, and sensible.
John Okada (No-No Boy (Classics of Asian American Literature))
And where would I be, that plain, quiet girl Leah was always dragging along? I’d be up at the front, where everyone could see me. I would stand at the altar above Leah’s shiny coffin and deliver the eulogy. I would tell the truth about Leah Greene. I would say she was my troubled friend. I would admit that I let her down. I would explain that, in many ways, we let each other down. But I would say that I forgive her. And while I spoke, I’d feel her watching and listening, trying to decide if she forgives me, too.
Jo Knowles (Lessons from a Dead Girl)
Guy walks up to a girl at a bar...asks to buy her a drink...ok...are you ready to do whatever it takes? I laughed during the movie Buffalo66...Tap Dancing with a pair of shiny shoes in Bowling all spares will never get you a hole in one at Golf.
Jonathan Roy Mckinney Gero EagleO2
There was a burly chap standing on the low platform, giving the spiel, in a pretty rough delivery. He had tight yellow curls, the colour of cheap lemonade but turning grey, and a big red face, with a splay nose, and very dark red lips. The ears didn’t seem exactly opposite one another. On the chap’s left a girl lay spread out facing us in an upright canvas chair, as faded and battered as everything else in the outfit. She was dressed up like a French chorus, in a tight and shiny black thing, cut low, and black fishnet stockings, and those shiny black shoes with super high heels that many men go for in such a big way. But the effect was not particularly sexy, all the same. The different bits of costume had all seen better days, like everything else, and the girl herself looked more sick than spicy.
Robert Aickman (Cold Hand in Mine: Strange Stories)
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little Golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
Many historians have studied the complexities of how European immigrants became American, but it's hard to ignore what they all had in common that other groups of immigrants did not—their white skin. European immigrants assimilated and gained power because whiteness was available to them. That's what made them American. That's what made grandiose myths. This country many times uses them as a shiny example of what immigrants should be, as a backdrop of everything we are not. But white became white by excluding others.
Julissa Arce (You Sound Like a White Girl: The Case for Rejecting Assimilation)
Little stones or shiny sweet wrappers were left in the garden or dropped near my feet. Paper clips and bobby pins, pieces of jewelry or rubbish, sometimes shells or rocks or bits of plastic. I kept each in a box that year by year had to grow bigger. Even when I forgot to feed the birds they brought me gifts. They were mine, and I theirs, and we loved each other. So it went for four years, every day without fail. Until I left not only my mother but my twelve kindred spirits, too. Sometimes I dream of them waiting in that tree for a girl who would never come, bringing gift after precious gift to lie unloved in the grass.
Charlotte McConaghy (Migrations)
You don’t…,” she started to say, but a lump was growing in her throat faster than she could squeeze the words out around it. “You don’t need me.” Another pause. Another flurry of static. Another painful thump against her heart. And then came a voice she’d only ever heard in her dreams. “I do,” said Marcellus. “I’ve always needed you. From the moment I first saw you in that morgue. With that giant ripped hood covering your face. With those impossible gray eyes staring back at me. Don’t you get it, Chatine? You’re the reason I’m here right now. Something happened to me that day. You happened to me. You changed everything. You woke me up. You made me see the world for what it really was. A miserable place that could turn innocent girls like you into criminals. A rain-soaked planet painted over with fake Sols and a shiny titan gloss. You pulled it all away from my eyes. And now that I’ve seen that world, I can’t stop seeing it. I can’t ignore it. I have to do whatever I can to change it. Not for me. My life was a dreamscape compared to yours. Compared to the lives of all of these people around me. I have to do it for them. For you.” Chatine felt her knees giving out. Felt her resolve giving up. She slid down onto the damp, rocky bluff, while the Secana Sea winds swirled and stabbed and buffeted against her coat. She sat with the radio clutched to her chest, Marcellus’s words pouring out of it. Pouring into her.
Jessica Brody (Suns Will Rise (System Divine, #3))
As Mom clicks and clucks and coos, I know that one of these shots will wind up in a gallery frame on the wall upstairs. Long after the continuing saga of Kate and Ben reaches its next chapter, I will find her in the hallway, gazing at the glass with shiny eyes and a full heart. These will be her fossils in bedrock, her coral clues to a bygone era. A strange lump forms in my throat as Mom gently tucks a strand of my loose updo behind my ear. I was once your little girl. Iowa was once an ocean.
Aaron Hartzler (What We Saw)
It was a gorgeous Minnesota Indian summer day for mid-October. The temperature was a balmy sixty-eight degrees with the fall colors in full bloom. Tori smiled as she pulled up to Braddock’s house to find a new and shiny, black dual cab Chevy Silverado parked in the newly paved driveway. The repainted back of the house no longer showed any remnants of the burn marks. All evidence of the explosion was gone. She parked her own Audi Q5 behind the new truck.
Roger Stelljes (Silenced Girls (Agent Tori Hunter, #1))
Or airport welcoming procedures... Dancing girls in grass skirts singing, 'A-wimbowe, a-wimbowe...' Dancing men singing, 'A-wimbowe, a-wimbowe...' Giant warrior with lion whiskers and shiny black make-up walks on all fours towards clapping German tourists, flexing his muscles and growling, 'A-wimbowe, a-wimbowe...' In the jungle...
Binyavanga Wainaina (The Granta Book of the African Short Story)
The madwoman discovered that it was possible for her to know things. Impossible things. The world, she knew in her madness, was littered with shiny bits and precious pieces. A man might drop a coin on the ground and never find it again, but a crow will find it in a flash. Knowledge, in its essence, was a glittering jewel - and the madwoman was a crow.
Kelly Barnhill (The Girl Who Drank the Moon)
He’s thinking this girl is strange because she’s like a vessel whose insides are bigger than her casing. Because she seems to live in a world very different from his own, where she invents magic to inject into it, to immerse herself in the extraordinary. They talk about her childhood, and he tells her about his own, the way he misses how shiny and mysterious things were when you were a kid.
Rachael Stephen (State of Flux)
He was accompanied by his occasional 'security assistant,' a man called Prawney, who was tall, bald, and African-American. These characteristics were practically mandatory at the security firm that employed Prawney. Many of its celebrity clients were white, and white celebrities always wanted big, shiny, black muscle. It was a status thing.
Carl Hiaasen (Razor Girl (Andrew Yancy, #2))
I have a sword,” the hero points out. “All he has is a tie.” The monster adjusts his shiny tie.
Jenna Katerin Moran (Jack o'Lantern Girl (Hitherby Dragons #1))
he could see that he had hidden behind his size and used it as an excuse so he didn’t have to compete in all the trials of adolescence. No need to summon up the courage to ask a girl out on a date, because which of the Margarets or Fionas with their long pale necks and shiny hair would want his warm clammy hands holding them on the dance floor? The other boys tried to outdo each other
Graham Norton (Holding)
Later, when we look back at ourselves, we marvel at our emptiness, our youth. The shiny surface. We forget the confused upheaval stirring deep within back then, a revolution that we stifled daily.
Kate Zambreno (Green Girl)
See! Told you!” Paige sings out, pointing up at a wooden tower, on top of which a lifeguard is lounging, smoking a cigarette, talking on his mobile phone, his skin tanned so dark he might be Indian, wearing nothing but a tiny, shiny pair of red Speedos. “But Paige, his swimsuit!” I object. Paige tosses her head. “Actually, Violet,” she says, “I think you’re being really sexist. Why should girls be able to wear bikinis if boys can’t wear Speedos? Boys like to tan too!” “My dad calls them budgie smugglers,” Kelly volunteers, and I snigger at this. So does Paige, when she figures it out.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
The real disease is that authorities prefer the banally evil Yates to the twenty-year-old gangbangers, the drug-addicted prostitutes. It’s like we’re back in an Old West settlement: with the prospectors, the robbers, the mountain men, the outlaws, the sheriff with his shiny badge, the judge far off in his courthouse. There are women at the brothel and the saloon, rumors of Indians hiding in the hills, but I’m not fooled. Even creekside with the earth folding itself into stark foothills, forest and mountain crags announcing the distance—even amid the anarchy, I know who’s in charge.
Alice Bolin (Dead Girls: Essays on Surviving American Culture)
If we believed that the eyes of such a girl were nothing but shiny little discs of mica, we would not be eager to enter her life and link it to our own. But we are well aware that whatever it is that shines in those reflective discs is not reducible to their material composition; that flitting about behind them are the black incognizable shadows of the ideas she forms about the people and places she knows – the paddocks at race-courses, the sandy paths along which she might have pedalled, drawing me after her, over hill and meadow, like a little Peri81 more seductive than the sprite from the Persian paradise – the dimness of the house into which she will disappear, her own impenetrable projects and the designs of others upon her; and what we are most aware of is that she herself lies behind them, with her desires, her likes and dislikes, the power of her inscrutable and inexhaustible will. I knew I could never possess the young cyclist, unless I could also possess what lay behind her eyes.
Marcel Proust
If we believed that the eyes of such a girl were nothing but shiny little discs of mica, we would not be eager to enter her life and link it to our own. But we are well aware that whatever it is that shines in those reflective discs is not reducible to their material composition; that flitting about behind them are the black incognizable shadows of the ideas she forms about the people and places she knows – the paddocks at race-courses, the sandy paths along which she might have pedalled, drawing me after her, over hill and meadow, like a little Peri more seductive than the sprite from the Persian paradise – the dimness of the house into which she will disappear, her own impenetrable projects and the designs of others upon her; and what we are most aware of is that she herself lies behind them, with her desires, her likes and dislikes, the power of her inscrutable and inexhaustible will. I knew I could never possess the young cyclist, unless I could also possess what lay behind her eyes.
Marcel Proust
a shiny metal sign nailed to the house, just to the side of the door. Her fingers traced the graven words, Lost Are Found. “What is this?” she asked Carpenter. “Mr. Wheatley’s work, at Joy’s request. A reminder to us all that God knows where Edmund is. A reminder to us all that we are to pray and not give up hope.” Tabitha stared at the sign with new understanding. Then she placed her hand on it and prayed aloud. “O Lord, we do not forget. We have asked you to bring Edmund home. Your eyes are upon the whole earth, and you see him, even right now. Father, we trust you to bring him back to us, for in you, the lost are found.” “Amen,” came Carpenter’s heartfelt response. When Tabitha opened her eyes, his palm was upon the sign, next to hers.
Vikki Kestell (Tabitha (Girls from the Mountain #1))
Why can't I act like a girl? I used to ask myself that question all the time. When the swimming teacher said, "Boys in this line; girls in the other," why did I want so badly to stand with those rowdy, pushy boys, even though my nonexistent six-year-old boobettes were already hidden behind shiny pink fabric, making it clear which line I was supposed to stand in? I wondered, even then, why I couldn't be a boy if I wanted to. I wasn't unhappy exactly; I was just puzzled. Why did everybody think I was a girl? And after that: Why was it such a big freaking deal what I looked like or acted like? I looked like myself. I acted like myself.
Ellen Wittlinger (Parrotfish)
Harry wiped the lenses of his glasses with his Trevor-free hand. A very pretty girl with long, shiny black hair was standing in the doorway smiling at him: Cho Chang, the Seeker on the Ravenclaw Quidditch team. “Oh . . . hi,” said Harry blankly. “Um . . .” said Cho. “Well . . . just thought I’d say hello . . . ’bye then.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Her onyx hair creates a shiny curtain, hiding part of her face, the ends cut blunt. She’s stunning in a serious, intelligent, upper-class New York kind of way, oozing elegance and grace from every angle.
Minka Kent (The Stillwater Girls)
Prologue On the Yellow Brick Road A mile above Oz, the Witch balanced on the wind’s forward edge, as if she were a green fleck of the land itself, flung up and sent wheeling away by the turbulent air. White and purple summer thunderheads mounded around her. Below, the Yellow Brick Road looped back on itself, like a relaxed noose. Though winter storms and the crowbars of agitators had torn up the road, still it led, relentlessly, to the Emerald City. The Witch could see the companions trudging along, maneuvering around the buckled sections, skirting trenches, skipping when the way was clear. They seemed oblivious of their fate. But it was not up to the Witch to enlighten them. She used the broom as a sort of balustrade, stepping down from the sky like one of her flying monkeys. She finished up on the topmost bough of a black willow tree. Beneath, hidden by the fronds, her prey had paused to take their rest. The Witch tucked her broom under her arm. Crablike and quiet, she scuttled down a little at a time, until she was a mere twenty feet above them. Wind moved the dangling tendrils of the tree. The Witch stared and listened. There were four of them. She could see a huge Cat of some sort—a Lion, was it?—and a shiny woodman. The Tin Woodman was picking nits out of the Lion’s mane, and the Lion was muttering and squirming from the aggravation. An animated Scarecrow lolled nearby, blowing dandelion heads into the wind. The girl was out of sight behind shifting curtains of the willow.
Gregory Maguire (Wicked: Everyone Deserves the Chance to Fly (Wicked Years, #1))
I am me. Every day. Not who I think others expect me to be, But the real, unedited, beauty-full, perfectly flawed version. I choose to think for myself. I speak my truth And wrestle with life’s tough questions over and over again. I daydream about a better world and strive to make it my reality. My purpose drives me And I give it the freedom to change and evolve. I breathe life to my dreams and to the dreams of others. I believe in magic. I look for it everywhere. I make an adventure of ordinary things. Create, imagine, reinvent, and get lost. I do things that inspire me. I defy the odds, raise my hand, sit at the table and lean in. I refuse to give up. I pursue my passion at all costs. I do things that terrify me. My head dances among the stars, and my feet remain on mother earth. I’m willing to ask the hard questions, to take chances, to love with my whole heart. My mistakes and failures make me stronger. I do not ascribe my worth to external validation, but to my character. I surround myself with phenomenal people, Especially ones who don’t always agree with me. I choose authenticity over perfection. I appreciate the small details that tend to go unnoticed by others. My worth is innate and immeasurable. I try to remind myself of that, daily. I exercise patience as often as possible, Stay vulnerable even when I want to close my heart And practice coexisting with things that make me uncomfortable. I set boundaries, work to honor them, And am willing to edit people out of my life who don’t. I walk more than a mile in other people’s shoes, And suspend judgment as long as humanly possible. I remember to laugh more, stress less, forgive often, and inject love everywhere I can. I do my best to relinquish every ounce of control because it’s futile. I throw my hands up, close my eyes, and Revel in life’s awesome and mysterious ride. My emotions are fleeting, they do not define me. My choices do, and I do my best to make good ones. I feed my body good, whole foods, But don’t punish myself for the occasional indulgence. I move my body every day. I stretch, challenge, and honor her. I rest when I need to. I don’t accept every invitation that comes my way. I practice saying “no.” Show myself kindness, compassion, and unconditional love. I am my best friend, I’m proud of me. I share my life’s lessons with others, even the not so shiny ones. I hold nothing back. Cry when I need to, But also recognize when I need to buck up. I remember to breathe and in that space, I find my calm among the chaos. I owe it to myself to be remarkable, so I am.
Alexis Jones (I Am That Girl: How to Speak Your Truth, Discover Your Purpose, and #bethatgirl)
The girl was probably blonde and pretty, like most of the local rich kids. She'd have the meticulous good grooming that passed for beauty: straight teeth, steam-cleaned skin, shiny hair.
Elaine Viets (Ice Blonde (Angela Richman, Death Investigator #3))
The shiny-eyed girl said it many ways so that the meaning might be conveyed from every angle—that he might comprehend their friendliness completely in this meeting between Indians abroad of different classes and languages, rich and poor, north and south, top caste bottom caste.
Kiran Desai (The Inheritance of Loss)
As I said before, when I first started here at Everdale, I tried my hardest to fit in with Montana and her friends. People referred to them as the Shinies because everything about them was pretty and attention-grabbing. I’d bent over backward trying to be their friend, and in return, Montana played vicious pranks on me. One morning she’d nabbed my clothes while I was taking a shower and locked me in the girls’ room, leaving me completely naked. She also lied to me about a school rule which landed me in early morning detention. If I didn’t do something to stop her, she was going to make my life miserable until our graduation day. If we were going to be spending three more long years together, I was going to have to nip her behavior in the bud. The plan was simple enough. Montana
Tiffany Nicole Smith (Glam and Gossip: The Ava G Chronicles Book Three)
The audience was composed of the lower stratum of white working people: hard-face, lantern-jawed, dull-eyed adult children, seeking like all humanity for something permanent in the eternal flux of life. The young girls in their cheap finery with circus makeup on their faces; the young men, aged before their time by child labor and a violent environment; the middle-aged folk with their shiny, shabby garb and beaten countenances; all ready and eager to be organized for any purpose except improvement of their intellects and standard of living.
George S. Schuyler (Black No More)
And Maysilee’s been too good for the rest of us from day one. Prissing around in her shiny shoes and nail polish, and never without some kind of ornament. How that girl loves jewelry.
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
I’d just pressed end call when a text came through. Josh: Salutations, sweet Valentine. I felt guilty as I responded. Me: Greetings. Josh: We’re swamped so I can’t call until break, but I wanted to send a quick hello, in case you fall asleep. Me: Right back atcha. Josh: Are you wearing your bracelet? Me: Nope—in bed. Josh: I remembered that you love shiny things and it reminded me of your smile. I didn’t particularly like shiny things—I wasn’t a bling girl—and how would a silver chain bracelet remind him of my smile, anyway? What—my smile in sixth grade, when I had a mouth full of braces and wore headgear when I slept?
Lynn Painter (The Do-Over)
I always used to think that publishers had to be devilish intelligent fellows, loaded down with the grey matter; but I’ve got their number now. All a publisher has to do is to write cheques at intervals, while a lot of deserving and industrious chappies rally round and do the real work. I know, because I’ve been one myself. I simply sat tight in the old apartment with a fountain-pen, and in due season a topping, shiny book came along. I happened to be down at Corky’s place when the first copies of The Children’s Book of American Birds bobbed up. Muriel Singer was there, and we were talking of things in general when there was a bang at the door and the parcel was delivered. It was certainly some book. It had a red cover with a fowl of some species on it, and underneath the girl’s name in gold letters. I opened a copy at random.
P.G. Wodehouse (Enter Jeeves: 15 Early Stories)
I’m Frankie Cullen,” she said, nodding at me, Dottie, and Viv. She was barely five feet, with wide-set light-brown eyes and shiny dark-brown curls peeking out from under her helmet, but there was a toughness about her despite her childlike size. She looked around, observing the scene without a trace of fear
Jane Healey (The Beantown Girls)
The audience was composed of the lower stratum of white working people: hard-faced, lantern-jawed, dull-eyed adult children, seeking like all humanity for something permanent in the eternal flux of life. The young girls in their cheap finery with circus makeup on their faces; the young men, aged before their time by child labor and a violent environment; the middle-aged folk with their shiny, shabby garb and beaten countenances; all ready and eager to be organized for any purpose except improvement of their intellects and standard of living.
George S. Schuyler (Black No More)