Shifting From One Place To Another Quotes

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Wordlessly, she slipped off her shoes. Gently, she placed a palm on the floor, shifted to stand, but that was when Macey felt another hand pressing down on hers.Hard. Too Hard. "Just what do you think you're doing ?" Hale hissed in her ear. His fingers burned into her skin. And Macey knew if she was going to take out the gunman, she was first going to have to neutralize the boy beside her. "Why don't you let me go and I'll show you," she said with only a modicum of flirt in her voice. "Why don't you put your fancy shoes back on and sit there like a good little girl?" "First of all, I'm good at a lot of things. Taking orders from bored billionaires isn't one of them. Second of all, he's alone, and I can take him," Macey said. "No!" Hale said. "You don't know anything about this guy." "I know he's left handed and has an old injury to his right knee---probably a torn ACL at some point but the details don't matter. And the way he keeps his finger purposefully away from the safety of that gun means he's never fired it. And he doesn't want to." "You're kinda scary.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
It is only through silent awareness that our physical and mental nature can change. This change is completely spontaneous. If we make an effort to change we do no more than shift our attention from one level, from one thing, to another. We remain in a vicious circle. This only transfers energy from one point to another. It still leaves us oscillating between suffering and pleasure, each leading inevitably back to the other. Only living stillness, stillness without someone trying to be still, is capable of undoing the conditioning our biologoical, emotional and psychological nature has undergone. There is no controller, no selector, no personality making choices. In choiceless living the situation is given the freedom to unfold. You do not grasp one aspect over another for there is nobody to grasp. When you understand something and live it without being stuck to the formulation, what you have understood dissolves in your openness. In this silence change takes place of its own accord, the problem is resolved and duality ends. You are left in your glory where no one has understood and nothing has been understood.
Jean Klein (I Am)
Inflection points are moments when major shifts from one stage to another take place. They can be seen in social movements, technological innovations, and business transitions. Regardless of context, one cannot merely continue the same behavior after an inflection point.
Roger Spitz (The Definitive Guide to Thriving on Disruption: Volume IV - Disruption as a Springboard to Value Creation)
To the everlasting credit of the people of District 12, not one person claps. Not even the ones holding betting slips, the ones who are usually beyond caring. Possibly because they know me from the Hob, or knew my father, or have encountered Prim, who no one can help loving. So instead of acknowledging applause, I stand there unmoving while they take part in the boldest from of dissent they can manage. Silence. Which says we do not agree. We do not condone. All of this is wrong. Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me. But a shift has occurred since I stepped up to take Prim's place, and now it seems I have become someone precious. At first one, then another, then almost every member of the crowd touches the three middle fingers of their left hand to their lips and holds it out to me. It is an old and rarely used gesture of our district, occasionally seen at funerals. It means thanks, it means admiration, it means good-bye to someone you love.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You must build up your life action by action, and be content if each one achieves its goal as far as possible—and no one can keep you from this. But there will be some external obstacle! Perhaps, but no obstacle to acting with justice, self-control, and wisdom. But what if some other area of my action is thwarted? Well, gladly accept the obstacle for what it is and shift your attention to what is given, and another action will immediately take its place, one that better fits the life you are building.” —MARCUS AURELIUS, MEDITATIONS, 8.32
Ryan Holiday (The Daily Stoic: THE PHENOMENAL WORLDWIDE BESTSELLER: 3 MILLION COPIES SOLD)
Leadership in its essence is the capacity to shift the inner place from which we operate. Once they understand how, leaders can build the capacity of their systems to operate differently and to release themselves from the exterior determination of the outer circle. As long as we are mired in the viewpoint of the outer two circles, we are trapped in a victim mind-set (“the system is doing something to me”). As soon as we shift to the viewpoint of the inner two circles, we see how we can make a difference and how we can shape the future differently. Facilitating the movement from one (victim) mind-set to another (we can shape our future) is what leaders get paid for.
C. Otto Scharmer (Theory U: Learning from the Future as It Emerges)
David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss.
Rebecca Solnit (A Field Guide to Getting Lost)
I was standing on the shifting ground of midlife, having come upon that time in life when one is summoned to an inner transformation, to a crossing over from one identity to another. When change-winds swirl through our lives, especially at midlife, they often call us to undertake a new passage of the spiritual journey: that of confronting the lost and counterfeit places within us and releasing our deeper, innermost self—our true self. They call us to come home to ourselves, to become who we really are.
Sue Monk Kidd (When the Heart Waits: Spiritual Direction for Life's Sacred Questions (Plus))
The party was like many another. Conversation began desultorily, gathered a swift but feeble energy, and trailed irrelevantly into other conversations; laughter was quick and nervous, and it burst like tiny explosives in a continuous but unrelated barrage all over the room; and the members of the party flowed casually from one place to another, as if quietly occupying shifting positions of strategy.
John Williams (Stoner)
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
Fear, hydra-headed fear, which is rampant in all of us, is a hang-over from lower forms of life. We are straddling two worlds, the one from which we have emerged and the one towards which we are heading. This is the deepest meaning of the word human, that we are a link, a bridge, a promise. It is in us that the life process is being carried to fulfillment. We have a tremendous responsibility, and it is the gravity of that which awakens our fears. We know that if we do not move forward, if we do not realize our potential being, we shall relapse, sputter out, and drag the world down with us. We carry Heaven and Hell within us; we are the cosmogonic builders. We have choice—and all creation is our range. For some it a terrifying prospect. It would be better, think they, if Heaven were above and Hell below—anywhere outside, but not within. But that comfort has been knocked from under us. There are no places to go to, either for reward or punishment. The place is always here and now, in your own person and according to your own fancy. The world is exactly what you picture it to be, always, every instant. It is impossible to shift the scenery about and pretend that you will enjoy another, a different act. The setting is permanent, changing with the mind and heart, not according to the dictates of an invisible stage director. You are the author, director and actor all in one: the drama is always going to be your own life, not some one else’s. A beautiful, terrible, ineluctable drama, like a suit made of your own skin. Would you want it otherwise? Could you invent a better drama?
Henry Miller (Sexus (The Rosy Crucifixion, #1))
As I train myself to cast off words, as I learn to erase word-thoughts, I begin to feel a new world rising up around me, The old world of houses, rooms, trees and streets shimmers, wavers and tears away, revealing another universe as startling as fire. We are shut off from the fullness of things. Words hide the world. They blur together elements that exist apart, or they break elements into pieces bind up the world, contract it into hard little pellets of perception. But the unbound world, the world behind the world – how fluid it is, how lovely and dangerous. At rare moments of clarity, I succeed in breaking through. Then I see. I see a place where nothing is known, because nothing is shaped in advance by words. There, nothing is hidden from me. There, every object presents itself entirely, with all its being. It's as if, looking at a house, you were able to see all four sides and both roof slopes. But then, there's no “house,” no “object,” no form that stops at a boundary, only a stream of manifold, precise, and nameless sensations, shifting into one another, pullulating, a fullness, a flow. Stripped of words, untamed, the universe pours in on me from every direction. I become what I see. I am earth, I am air. I am all. My eyes are suns. My hair streams among the galaxies.
Steven Millhauser (Dangerous Laughter)
All transitions involve leaving a consolidated self behind before any new self can take its place. At the 4-5 shift this means abandoning - or somehow operating without reliance upon - the form, the group, standard, or convention. For some this leads to feelings of being 'beyond good and evil,' which phenomenologically amounts to looking at that beyondness from the view of the old self, and thus involves strong feelings of evil. Ethical relativism - the belief that there is no (nonarbitrary) basis for considering one thing more right than another - is, on the one hand, the father of tolerance; it stands against the condemning judgment; but it must also stand against the affirming judgment, and so is vulnerable to cynicism. Every transition involves to some extent the killing off of the old self.
Robert Kegan (The Evolving Self: Problem and Process in Human Development)
Do you tend to focus on your mistakes and shortcomings? Maybe you can shift your emphasis from one true place (“I have a lot of flaws and made a lot of mistakes today”) to another true place (“I have a lot of flaws and made a lot of mistakes, and I’m also worthy, and will try again tomorrow”).
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (Teatro Grottesco)
CHAPTER XXVI.—A new Prince in a City or Province of which he has taken Possession, ought to make Everything new. Whosoever becomes prince of a city or State, more especially if his position be so insecure that he cannot resort to constitutional government either in the form of a republic or a monarchy, will find that the best way to preserve his princedom is to renew the whole institutions of that State; that is to say, to create new magistracies with new names, confer new powers, and employ new men, and like David when he became king, exalt the humble and depress the great, "filling the hungry with good things, and sending the rich empty away." Moreover, he must pull down existing towns and rebuild them, removing their inhabitants from one place to another; and, in short, leave nothing in the country as he found it; so that there shall be neither rank, nor condition, nor honour, nor wealth which its possessor can refer to any but to him. And he must take example from Philip of Macedon, the father of Alexander, who by means such as these, from being a petty prince became monarch of all Greece; and of whom it was written that he shifted men from province to province as a shepherd moves his flocks from one pasture to another. These indeed are most cruel expedients, contrary not merely to every Christian, but to every civilized rule of conduct, and such as every man should shun, choosing rather to lead a private life than to be a king on terms so hurtful to mankind. But he who will not keep to the fair path of virtue, must to maintain himself enter this path of evil. Men, however, not knowing how to be wholly good or wholly bad, choose for themselves certain middle ways, which of all others are the most pernicious, as shall be shown by an instance in the following Chapter.
Niccolò Machiavelli (Discourses on the First Decade of Titus Livius)
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer. Tell me how you’re feeling? She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged. Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong. Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her. She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane. She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his. Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him. Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one. He kissed her again. And again. Why is that? You started this.
Christine Feehan (Samurai Game (GhostWalkers, #10))
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
In my mind’s eye I saw my soul group again and felt their deep caring and love. Concentrating on the feeling, I was able to shake off the blanketing anxiety and to amplify my energy in increments until finally I began to open up inside. Immediately the environment shifted to lighter shades of gray and the town disappeared. As my energy increased, I was able to image Wil’s face, and instantly he was beside me. “Are you okay?” he asked, turning to embrace me. His expression showed immense relief. “Those illusions were strong, and you willed yourself right into them.” “I know. I couldn’t think, couldn’t remember what to do.” “You were gone a long time; all we could do was send you energy.” “Who do you mean by we?” “All these souls.” Wil’s hand gestured outwardly. When I looked fully, I could see hundreds of souls stretching as far as I could see. Some were looking directly at us, but most appeared to be focused in another direction. I looked to see where they were staring, following their gaze to several large swirls of energy far in the distance. When I concentrated my focus, I realized that one of the swirls was in fact the town from which I had just escaped. “What are those places?” I asked Wil. “Mental constructions,” he replied, “set up by souls who in life lived very restrictive control dramas and could not wake up after death. Many thousands of them exist out there.
James Redfield (The Tenth Insight: Holding the Vision (Celestine Prophecy #2))
One question I feel compelled to ask; Before they agreed to marry, did all the Cynster females behave as irrationally as Heather is?" He glanced briefly up, but Richard didn't look up from the lure he was tying off as he unperturably replied, "Prickly at the best of times, then 'have-at-you' the instant you set a foot, nay, a toe, wrong?" "Exactly." "Then yes." Richard straightened, tipping his head as he examined his lure. "It seems to be a family failing, even when they're not Cynster-born." Breckenridge humphed. He was carefully placing the fresh hook into his clamp when Richard continued, "There seems to be this prevailing wisdom, not just over marrying for love, but what that actually equates to. They seem to all have it firmly in their heads that without some cast-iron assurance, preferably in the form of an open declaration from us, then no matter the reality of any love, that love won't be solid and strong." Unwinding the vise to release his completed lure, Richard grimaced. "It's almost as if they think that unless we state our feelings out aloud, we won't know what they-our feelings-are." He snorted. "As if we somehow might not notice that our lives have suddenly shifted to revolve solely about them and their well-being." Breckenridge grunted in masculine agreement. "Sadly," Richard said, selecting another hook, "it appears futile to expect them to go against the familial grain.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
But all this, all this shift and change, thought Bellamy, is part of the vast lie which surrounds me and wherein I move from one fantasy to another. I wanted to escape to solitude and darkness in a holy place, but the dark is just the old dark of meaninglessness and falsehood, which separates me from my friends and from the real world where people love and help each other.
Iris Murdoch (The Green Knight)
Language could be used as an instrument of control, a way of establishing hierarchies that suggest one set of people is better or more special than another. Through language, one automatically identifies one's place within a social and cultural hierarchy and we all carry with us illogical attitudes about the bearers of particular language, based on our own cultural background and continued exposure to local political ideals.
David Crow (Left to Right: The Cultural Shift from Words to Pictures)
Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.
David Foster Wallace (The Pale King)
Love is the antidote to fear. Fear causes you to shrink and withhold; love opens you up. Do you tend to focus on your mistakes and shortcomings? Maybe you can shift your emphasis from one true place (“I have a lot of flaws and made a lot of mistakes today”) to another true place (“I have a lot of flaws and made a lot of mistakes, and I’m also worthy, and will try again tomorrow”). Maybe you’ll start giving that second true place more airtime.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
Unhappiness and dissatisfaction with life are common themes in the American culture today. Folks sometimes mistake my meaning when I say, “You have the freedom of choice and the ability to create your best life”, because they all too often rush to drop everything that is weighing them down. They quit the job, ditch the unhappy marriage, cut out negative friends and family, get out of Dodge, etc. I do not advocate such hastiness; in fact, I believe that rash decision-making leads to more problems further down the road. Another unsatisfying job manifests; another unhappy relationship results. These people want a new environment, yet the same negative energy always seems to occupy it. This is because transformation is all about the internal shift, not the external. Any blame placed on outside sources for our unhappiness will forever perpetuate that unhappiness. Pointing the finger is giving away your power of choice and the ability to create our best life. We choose: “That person is making me unhappy” vs. “I make myself happy.” When you are in unhappy times of lack and feelings of separation – great! Sit there and be with it. Find ways to be content with little. Find ways to be happy with your Self. As we reflect on the lives of mystics past and present, it is not the things they possess or the relationships they share that bring them enlightenment – their light is within. The same light can bring us unwavering happiness (joy). Love, Peace, Joy – these three things all come from within and have an unwavering flame – life source – that is not dependent on the conditions of the outside world. This knowing is the power and wisdom that the mystics teach us that we are all capable of achieving. When I say, “You have the freedom of choice and the ability to create your best life”, I am not referring to external conditions; I am referring to the choice you have to look inward and discover the ability to transform the lead of the soul into gold. Transformation is an inner journey of the soul. Why? Because, as we mentioned above, wherever we go, ourselves go with us. Thus, quitting the job, dumping relationships, etc. will not make us happy because we have forgotten the key factor that makes or breaks our happiness: ourselves. When we find, create, and maintain peace, joy, and love within ourselves, we then gain the ability to embrace the external world with the same emotions, perspective, and vibration. This ability is a form of enlightenment. It is the modern man’s enlightenment that transforms an unsatisfying life into one of fulfillment.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (The Nightmare Factory)
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him. “How does one court a woman in Japan? Do I need your brothers’ permission?” She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair. He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his life. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard. Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right. Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well. Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Christine Feehan (Samurai Game (GhostWalkers, #10))
There is yet another reason why peer-oriented kids are insatiable. In order to reach the turning point, a child must not only be fulfilled, but this fulfillment must sink in. It has to register somehow in the child's brain that the longing for closeness and connectedness is being met. This registration is not cognitive or even conscious, but deeply emotional. It is emotion that moves the child and shifts the energy from one developmental agenda to another, from attachment to individuation. The problem is that, for fulfillment to sink in, the child must be able to feel deeply and vulnerably — an experience most peer-oriented kids will be defended against. Peer-oriented children cannot permit themselves to feel their vulnerability. It may seem strange that feelings of fulfillment would require openness to feelings of vulnerability. There is no hurt or pain in fulfillment — quite the opposite. Yet there is an underlying emotional logic to this phenomenon. For the child to feel full he must first feel empty, to feel helped the child must first feel in need of help, to feel complete he must have felt incomplete. To experience the joy of reunion one must first experience the ache of loss, to be comforted one must first have felt hurt. Satiation may be a very pleasant experience, but the prerequisite is to be able to feel vulnerability. When a child loses the ability to feel her attachment voids, the child also loses the ability to feel nurtured and fulfilled. One of the first things I check for in my assessment of children is the existence of feelings of missing and loss. It is indicative of emotional health for children to be able to sense what is missing and to know what the emptiness is about. As soon as they are able to articulate, they should be able to say things like “I miss daddy,” “It hurt me that grandma didn't notice me,” “It didn't seem like you were interested in my story,” “I don't think so and so likes me.” Many children today are too defended, too emotionally closed, to experience such vulnerable emotions. Children are affected by what is missing whether they feel it or not, but only when they can feel and know what is missing can they be released from their pursuit of attachment. Parents of such children are not able to take them to the turning point or bring them to a place of rest. If a child becomes defended against vulnerability as a result of peer orientation, he is made insatiable in relation to the parents as well. That is the tragedy of peer orientation — it renders our love and affection so useless and unfulfilling. For children who are insatiable, nothing is ever enough. No matter what one does, how much one tries to make things work, how much attention and approval is given, the turning point is never reached. For parents this is extremely discouraging and exhausting. Nothing is as satisfying to a parent as the sense of being the source of fulfillment for a child. Millions of parents are cheated of such an experience because their children are either looking elsewhere for nurturance or are too defended against vulnerability to be capable of satiation. Insatiability keeps our children stuck in first gear developmentally, stuck in immaturity, unable to transcend basic instincts. They are thwarted from ever finding rest and remain ever dependent on someone or something outside themselves for satisfaction. Neither the discipline imposed by parents nor the love felt by them can cure this condition. The only hope is to bring children back into the attachment fold where they belong and then soften them up to where our love can actually penetrate and nurture.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Wild animals enjoying one another and taking pleasure in their world is so immediate and so real, yet this reality is utterly absent from textbooks and academic papers about animals and ecology. There is a truth revealed here, absurd in its simplicity. This insight is not that science is wrong or bad. On the contrary: science, done well, deepens our intimacy with the world. But there is a danger in an exclusively scientific way of thinking. The forest is turned into a diagram; animals become mere mechanisms; nature's workings become clever graphs. Today's conviviality of squirrels seems a refutation of such narrowness. Nature is not a machine. These animals feel. They are alive; they are our cousins, with the shared experience kinship implies. And they appear to enjoy the sun, a phenomenon that occurs nowhere in the curriculum of modern biology. Sadly, modern science is too often unable or unwilling to visualize or feel what others experience. Certainly science's "objective" gambit can be helpful in understanding parts of nature and in freeing us from some cultural preconceptions. Our modern scientific taste for dispassion when analyzing animal behaviour formed in reaction to the Victorian naturalists and their predecessors who saw all nature as an allegory confirming their cultural values. But a gambit is just an opening move, not a coherent vision of the whole game. Science's objectivity sheds some assumptions but takes on others that, dressed up in academic rigor, can produce hubris and callousness about the world. The danger comes when we confuse the limited scope of our scientific methods with the true scope of the world. It may be useful or expedient to describe nature as a flow diagram or an animal as a machine, but such utility should not be confused with a confirmation that our limited assumptions reflect the shape of the world. Not coincidentally, the hubris of narrowly applied science serves the needs of the industrial economy. Machines are bought, sold, and discarded; joyful cousins are not. Two days ago, on Christmas Eve, the U.S. Forest Service opened to commercial logging three hundred thousand acres of old growth in the Tongass National Forest, more than a billion square-meter mandalas. Arrows moved on a flowchart, graphs of quantified timber shifted. Modern forest science integrated seamlessly with global commodity markets—language and values needed no translation. Scientific models and metaphors of machines are helpful but limited. They cannot tell us all that we need to know. What lies beyond the theories we impose on nature? This year I have tried to put down scientific tools and to listen: to come to nature without a hypothesis, without a scheme for data extraction, without a lesson plan to convey answers to students, without machines or probes. I have glimpsed how rich science is but simultaneously how limited in scope and in spirit. It is unfortunate that the practice of listening generally has no place in the formal training of scientists. In this absence science needlessly fails. We are poorer for this, and possibly more hurtful. What Christmas Eve gifts might a listening culture give its forests? What was the insight that brushed past me as the squirrels basked? It was not to turn away from science. My experience of animals is richer for knowing their stories, and science is a powerful way to deepen this understanding. Rather, I realized that all stories are partly wrapped in fiction—the fiction of simplifying assumptions, of cultural myopia and of storytellers' pride. I learned to revel in the stories but not to mistake them for the bright, ineffable nature of the world.
David George Haskell (The Forest Unseen: A Year’s Watch in Nature)
He needs to be talked to." "This is funny, but I know how to talk, too." Brian swore under his breath. "He prefers singing." "Excuse me?" "I said,he prefers singing." "Oh." Keeley tucked her tongue in her cheek. "Any particular tune? Wait, let me guess. Finnegan's Wake?" Brian''s steely-eyed stare had her laughing until she had to lean weakly against the gelding.The horse responded by twisting his head and trying to sniff her pockets for apples. "It's a quick tune," Brian said coolly, "and he likes hearing his name." "I know the chorus." Gamely Keeley struggled to swallow another giggle. "But I'm not sure I know all the words.There are several verses as I recall." "Do the best you can," he muttered and strode off.His lips twitched as he heard her launch into the song about the Dubliner who had a tippling way. When he reached Betty's box, he shook his head. "I should've known. If there's not a Grant one place, there's a Grant in another until you're tripping over them." Travis gave Betty a last pat on the shoulder. "Is that Keeley I hear singing?" "She's being sarcastic, but as long as the job's done. She's dug in her heels about grooming Finnegan." "She comes by it naturally.The hard head as well as the skill." "Never had so many owners breathing down my neck.We don't need them, do we, darling?" Brian laid his hands on Beetty's cheek, and she shook her head, then nibbled his hair. "Damn horse has a crush on you." "She may be your lady, sir, but she's my own true love.Aren't you beautiful, my heart?" He stroked, sliding into the Gaelic that had Betty's ears pricked and her body shifting restlessly. "She likes being excited before a race," Brian murmured. "What do you call it-pumped up like your American football players.Which is a sport that eludes me altogether as they're gathered into circles discussing things most of the time instead of getting on with it." "I heard you won the pool on last Monday nights game," Travis commented. "Betting's the only thing about your football I do understand." Brian gathered her reins. "I'll walk her around a bit before we take her down. She likes to parade.You and your missus will want to stay close to the winner's circle." Travis grinned at him. "We'll be watching from the rail." "Let's go show off." Brian led Betty out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Birds were made by transformation: growing feathers instead of hair, they came from harmless but light-witted men, who studied the heavens but imagined in their simplicity that the surest evidence in these matters comes through the eye. Land animals came from men who had no use for philosophy and paid no heed to the heavens because they had lost the use of the circuits in the head and followed the guidance of those parts of the soul that are in the breast. By reason of these practices they let their forelimbs and heads be drawn down to the earth by natural affinity and there supported, and their heads were lengthened out and took any sort of shape into which their circles were crushed together through inactivity. On this account their kind was born with four feet or many, heaven giving to the more witless the greater number of points to support, that they might be all the more drawn earthward. The most senseless, whose whole bodies were stretched at length upon the earth, since they had no further need of feet, the gods made footless, crawling over the ground. The fourth sort, that live in water, came from the most foolish and stupid of all. The gods who remolded their form thought these unworthy any more to breathe the pure air, because their souls were polluted with every sort of transgression; and, in place of breathing the fine and clean air, they thrust them down to inhale the muddy water of the depths. Hence, came fishes and shellfish and all that lives in the water: in penalty for the last extreme of folly they are assigned the last and lowest habitation. These are the principles on which, now, as then all creatures change one into another, shifting their place with the loss or gain of understanding or folly.
Plato (Timaeus)
Thank you for coming with me.” She knew it was no small thing. Dom was Monarch of Iona now, the leader of an enclave shattered by war and betrayal. He should have been at home with his people, helping them restore what was nearly lost forever. Instead, he looked grimly down a sand dune, his clothes poorly suited to the climate, his appearance sticking sticking out of the desert like the sorest of thumbs. While so many things had changed, Dom’s ability to look out of place never did. He even wore his usual cloak, a twin to the one he lost months ago. The gray green had become a comfort like nothing else, just like the silhouette of his familiar form. He loomed always, never far from her side. It was enough to make Sorasa’s eyes sting, and turn her face to hide in her hood for a long moment. Dom paid it no notice, letting her recover. Instead, he fished an apple from his saddlebags and took a noisy bite. “I saved the realm,” he said, shrugging. The least I can do is try to see some of it.” Sorasa was used to Elder manners by now. Their distant ways, their inability to understand subtle hints. The side of her mouth raised against her hood, and she turned back to face him, smirking. “Thank you for coming with me,” she said again. “Oh,” he answered, shifting to look at her. The green of his eyes danced, bright against the desert. “Where else would I go?” Then he passed the rest of the apple over to her. She finished the rest without a thought. His hand lingered, though, scarred knuckles on a tattooed arm. She did not push him away. Instead, Sorasa leaned, so that her shoulder brushed his own, putting some of her weight on him. “Am I still a waste of arsenic?” he said, his eyes never moving from her face. Sorasa stopped short, blinking in confusion. “What?” “When we first met.” His own smirk unfurled. “You called me a waste of arsenic.” In a tavern in Byllskos, after I dumped poison in his cup, and watched him drink it all. Sorasa laughed at the memory, her voice echoing over the empty dunes. In that moment, she thought Domacridhan was her death, another assassin sent to kill her. Now she knew he was the opposite entirely. Slowly, she raised her arm and he did not flinch. It felt strange still, terrifying and thrilling in equal measure. His cheek was cool under under her hand, his scars familiar against her palm. Elders were less affected by the desert heat, a fact that Sorasa used to her full advantage. “No,” she answered, pulling his face down to her own. “I would waste all the arsenic in the world on you.” “Is that a compliment, Amhara?” Dom muttered against her lips. No, she tried to reply. On the golden sand, their shadows met, grain by grain, until there was no space left at all.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
One has but to consider the phenomenon of fashion, which has never been satisfactorily explained. Fashion is the despair of sociology and aesthetics: a prodigious contagion of forms in which chain reactions struggle for supremacy over the logic of distinctions. The pleasure of fashion is undeniably cultural in origin, but does it not stem even more clearly from a flaring, unmediated consensus generated by the interplay of signs? Moreover, fashions fade away like epidemics once they have ravaged the imagination, once the virus has run its course. The price to be paid in terms of waste is always exorbitant, yet everyone consents. The marvellous in our societies resides in this ultra-rapid circulation of signs at a surface level (as opposed to the ultra-slow circulation of meanings). We love being contaminated by this process, and not having to think about it. This is a viral onslaught as noxious as the plague, yet no moral sociology, no philosophical reason, will ever extirpate it. Fashion is an irreducible phenomenon because it partakes of a crazy, viral, mediationless form of communication which operates so fast for the sole reason that it never passes via the mediation of meaning. Anything that bypasses mediation is a source of pleasure. In seduction there is a movement from the one to the other which does not pass via the same. (In cloning, it is the opposite: the movement is from the same to the same without passage via the other; and cloning holds great fascination for us.) In metamorphosis, the shift is from one form to another without passing via meaning. In poetry, from one sign to another without passing via the reference. The collapsing of distances, of intervening spaces, always produces a kind of intoxication. What does speed itself mean to us if not the fact of going from one place to another without traversing time, from one moment to another without passing via duration and movement? Speed is marvellous: time alone is wearisome.
Jean Baudrillard
When a man is asleep, he has in a circle round him the chain of the hours, the sequence of the years, the order of the heavenly host. Instinctively, when he awakes, he looks to these, and in an instant reads off his own position on the earth’s surface and the amount of time that has elapsed during his slumbers; but this ordered procession is apt to grow confused, and to break its ranks. Suppose that, towards, morning, after a night of insomnia, sleep descends upon him while he is reading, in quite a different position from that in which he normally goes to sleep, he has only to lift his arm to arrest the sun and turn it back in its course, and, at the moment of waking, he will have no idea of the time, but will conclude that he has just gone to bed. Or suppose that he gets drowsy in some even more abnormal position; sitting in an armchair, say, after dinner: then the world will go hurtling out of orbit, the magic chair will carry him at full speed through time and space, and when he opens his eyes again he will imagine that he went to sleep months earlier in another place. But for me it was enough if, in my own bed, my sleep was so heavy as completely to relax my consciousness; for then I lost all sense of the place in which I had gone to sleep, and when I awoke in the middle of the night, not knowing where I was, I could not even be sure at first who I was; I had only the most rudimentary sense of existence, such as may lurk and flicker in the depths of an animal's consciousness; I was more destitute than the cave-dweller; but then the memory - not yet of the place in which I was, but of various other places where I had lived and might now very possibly be - would come like a rope let down from heaven to draw me up out of the abyss of not-being, from which I could never have escaped by myself: in a flash I would traverse centuries of civilisation, and out of a blurred glimpse of oil-lamps, then of shirts with turned-down collars, would gradually piece together the original components of my ego. Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves and not anything else, by the immobility of our conception of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything revolved around me through the darkness: things, places, years. My body, still too heavy with sleep to move, would endeavour to construe from the pattern of its tiredness the position of its various limbs, in order to deduce therefrom the direction of the wall, the location of the furniture, to piece together and give a name to the house in which it lay. Its memory, the composite memory of its ribs, its knees, its shoulder-blades, offered it a whole series of rooms in which it had at one time or another slept, while the unseen walls, shifting and adapting themselves to the shape of each successive room that it remembered, whirled round it in the dark.
Marcel Proust (Swann's Way)
Remember everything and do not miss a detail of how she receives you: if her color changes as you give her my message; if she becomes agitated or troubled when she hears my name; if she moves about on her pillows, if you happen to find her in the richly furnished antechamber of her rank; if she is standing, look at her to see if she shifts from one foot to another; if she repeats her answer two or three times; if she changes from gentle to severe, from harsh to loving; if she raises her hand to her hair to smooth it, although it is not disarranged; finally, my friend, observe all her actions and movements, because if you relate them to me just as they occurred, I shall interpret what she keeps hidden in the secret places of her heart in response to the fact of my love; for you must know, Sancho, if you do not know it already, that with lovers, the external actions and movements, revealed only when the topic of their love arises, are reliable messengers bringing the news of what transpires deep within their souls.
Miguel de Cervantes Saavedra (Don Quixote)
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off." It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair. "You're spilling the coffee," he muttered, then stuck his hands in his pockets. "Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up." "Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea." Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place." "Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you." Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold." "Damned inconvenient," he muttered. "You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you." "Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here." "You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room. "Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled." "It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-" "I don't." "Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Also as in natural settings, in workplaces without well-defined processes, energy minimization becomes prioritized. This is fundamental human nature: if there’s no structure surrounding how hard efforts are coordinated, we default to our instinct to not expend any more energy than is necessary. Most of us are guilty of acting on this instinct when given a chance. An email arrives that informally represents a new responsibility for you to manage; because there’s no formal process in place to assign the work or track its progress, you seek instead the easiest way to get the responsibility off your plate—even if just temporarily—so you send a quick reply asking for an ambiguous clarification. Thus unfolds a game of obligation hot potato, as messages bounce around, each temporarily shifting responsibility from one inbox to another, until a deadline or irate boss finally stops the music, leading to a last-minute scramble to churn out a barely acceptable result. This, too, is obviously a terribly inefficient way to get work done.
Cal Newport (A World Without Email: Reimagining Work in an Age of Communication Overload)
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
Meghan Quinn (The Lineup)
She saw Daniel hovering over her in his simple peasant's clothes...but then, a moment later, he was bare-chested, with long blond hair...and suddenly he wore a knight's helmet, whose visor he lifted to kiss her lips...but before he did,he shifted into his present self, the Daniel she'd left in her parents' backyard in Thunderbolt when she stepped through into time. This was the Daniel, she realized, she'd been looking for all along. She reached for him,she called his name, but then he changed again. And again. She saw more Daniels than she'd ever thought possible,each one more gorgeous than the last.They folded into each other like a vast accordion, each image of him tilting and altering in the light of the sky behind him.The cut of his nose,the line of his jawbone, the tone of his skin,the shape of his lips, all whirled in and out of focus,morphing all the time. Everything changed except his eyes. His violet eyes always stayed the same. They haunted her,hiding something terrible,something she didn't understand. Something she didn't want to understand. Fear? In the visions,the terror in Daniel's eyes was so intense Luce actually wanted to look away from their beauty. What could someone as powerful as Daniel fear? There was only one thing: Luce's dying. She was experiencing a montage of her death over and over and over again. This was what Daniel's eyes looked like, throughout time,just before her life went up in flames. She had seen this fear in him before.She hated it because it always meant their time was over.She saw it now in every one of his faces. The fear flashed from infinite times and places. Suddenly,she knew there was more: He wasn't afraid for her,not because she was walking into the darkness of another death.He didn't fear that it might cause her pain. Daniel was afraid of her. "Lu Xin!" his voice cried out to her from the battlefield. She could see him through the haze of visions.He was the only thing coming in clearly-because everything else around her was lit up startingly white.Everything inside her was,too.Was her love of Daniel burning her up? Was it her own passion,not his,that destroyed her every time? "No!" His hand reached out for hers. But it was too late.
Lauren Kate (Passion (Fallen, #3))
By then we lived in a small town an hour outside of Minneapolis in a series of apartment complexes with deceptively upscale names: Mill Pond and Barbary Knoll, Tree Loft and Lake Grace Manor. She had one job, then another. She waited tables at a place called the Norseman and then a place called Infinity, where her uniform was a black T-shirt that said GO FOR IT in rainbow glitter across her chest. She worked the day shift at a factory that manufactured plastic containers capable of holding highly corrosive chemicals and brought the rejects home. Trays and boxes that had been cracked or clipped or misaligned in the machine. We made them into toys—beds for our dolls, ramps for our cars. She worked and worked and worked, and still we were poor. We received government cheese and powdered milk, food stamps and medical assistance cards, and free presents from do-gooders at Christmastime. We played tag and red light green light and charades by the apartment mailboxes that you could open only with a key, waiting for checks to arrive. “We aren’t poor,” my mother said, again and again. “Because we’re rich in love.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Matthews quietly stood by the closed door, watching the patient. Her dramatic eyes darted back and forth as they stared through nothingness, lost in thought. His gaze shifted to her blazing locks, which elegantly fell upon her bare shoulders. Her skin was a pure porcelain that reminded him of his mother’s doll collection. Bridget’s petite frame and angelic complexion were stunning, and in another world, Matthews would have allowed himself to fall for her at first sight. He imagined seeing her in a bookstore with a specialty coffee in one hand and Nietzsche’s Beyond Good and Evil in another. She would push her frames up her nose with her index finger before flipping the page and sipping her latte. Matthews, free of his work uniform, would sit in a chair across from her with his copy of The Metamorphosis. The young man would steal glances at her from behind his novel as he worked up the courage to speak to her. She would smile coyly when she caught him peeking, and when they finally made eye contact, he would strike up a conversation. Then he would take her to dinner, and everything else would fall into place.
Emmie White (Captive)
Will you never forgive me for what I did so long ago, Jane?” The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer. With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.” Her breath turned to ice in her throat. “That’s the problem. You still really believe that.” His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both. “It’s gone very quiet in there.” It was the duke’s voice, remarkably clear, sounding as if it came from right outside the door. “Perhaps we should knock first.” Oh no! As Jane frantically set her gown to rights, she heard Lisette say, “Don’t you dare bother them, Max. I’m sure everything’s fine. Let’s come back later.” With panic growing in her belly, Jane glanced around for her tucker. Wordlessly, Dom plucked it from the back of a chair and handed it to her. Without meeting his gaze, she pinned it into her bodice, hoping to hide the tiny holes where Dom had unwittingly ripped it free of its pins. “Besides,” drawled Tristan, “it’s not as if Dom will seduce her or anything. That’s not his vice.” Sweet Lord, were they all right outside the door? “I’m not worried about that,” Max answered. “Miss Vernon isn’t the sort to let him seduce her.” As Jane tensed, Dom hissed under his breath, “Do the blasted idiots not realize we can hear them?” “Apparently not.” Dom furtively adjusted his trousers, which seemed to be rather…oddly protruding just now. Ohhh. Right. This was one time she wished Nancy hadn’t been so forthcoming about what happened to a man’s body when he was aroused. So that, not his pistol, had been the odd bulge digging into her. Definitely not a pistol. Her cheeks positively flamed. Faith, how could she even face his family after this and not give away what she and Dom had been doing? Mortified, she hurried to the looking glass to fix her hair. While she stuffed tendrils back into place and repinned drooping curls, Dom came up behind her to meet her gaze in the mirror. “Before we let them in, I want an answer to my question about Blakeborough.” Curse the stubborn man. How could she tell Dom she was so pathetic that she hadn’t even managed to find another man to love in all the years they’d spent apart? That she’d been foolish enough to wait around for Dom all this time, when he’d happily gone on living his life without her? Her pride couldn’t endure having him know that. To her relief, Tristan said, “Well, whatever they’re up to, we have to get moving.” A knock sounded at the door. “Dom? Jane? Are you done talking?” She met Dom’s gaze with a certain defiance, and he arched one eyebrow in question. So she took matters into her own hands and strode for the door. Caught off guard, Dom swore behind her and snatched up his greatcoat just as she opened the door and said, “Please come in. We’re quite finished.” In more ways than one. Their companions trooped in, casting her and Dom wary glances. Jane looked over to see Dom holding his greatcoat looped over his arm as if to shield the front of him. That brought the blushes back to her cheeks. She caught Lisette furtively watching her, and she cursed herself for wearing her emotions on her sleeve. Better shift her attention elsewhere before Lisette guessed just how shameless she’d been.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
There are pieces to the puzzle missing,' Camas said. He was tugging his hair; his eyes glowed eerily in the red light from a stained-glass lamp. 'And pieces that don't yet fit. What, for instance, precipitates the shift from city to shadow city? Is it sorcery? Has it to do with the precarious state of affairs in the House of Greve? The powerless heir, the bastard who cannot act? What secrets are hidden within the secret palace? What is there to gain by anticipating and surviving the shift? Domina Pearl believes that it is possible, if one can remain aware during the transformation, to amass enormous knowledge and power. To rule the shadow city when it emerges, since no one else will remember the previous city, and who ruled then. All will be accepted as it is revealed. All of which is why I am so eager to speak with you. You live in Ombria's past, its ghosts and memories. How far back do you remember? Were you alive before the previous shift? How many transformations have there been? Many? One? None at all? How old are you?' The illusion of Faey inclined her head gracefully; Camas continued without listening for answers. Faey spoke then, her voice sliding within, beneath his words. 'What do you expect to gain form what you call the transformation?' Camas interrupted his own sentence with a word. 'Enlightenment. And the power that comes with an unbroken memory of the history of the city. Domina Pearl's knowledge of sorcery may not survive the transformation if she herself is not aware of the shift. I want to stay alive, be aware of the shift form city to shadow, and I will ally myself and my abilities to anyone powerful enough to maintain the integrity of existence, knowledge, memory and experience through the transformation.' 'Such as Domina Pearl?' the sorceress suggested. She kept her voice light, careless, but her eyes were very dark. 'Domina Pearl,' Camas agreed. 'Or you. Or perhaps even Ducon. He is another puzzle piece, I think. He is drawn to the hidden palace, and to the odd, unnoticed places in Ombria where the boundaries are visible between the city and its shadow. He draws them constantly.' 'So you would pledge your loyalty to him or betray him, depending on the moment?' 'Or her. Or you,' Camas answered, nodding briskly. Mag stared at him with wonder. 'Exactly. Depending on the moment.
Patricia A. McKillip (Ombria in Shadow)
I'm sorry.' It was those two words that shattered me. Shattered me in a way I didn't know I could still be broken, a rending of every tether and leash. Stay with the High Lord. The Suriel's last warning. Stay... and live to see everything righted. A lie. A lie, as Rhys had lied to me. Stay with the High Lord. Stay. For there... the torn scraps of the mating bond. Floating on a phantom wind inside me. I grasped at them- tugged at them, as if he'd answer. Stay. Stay, stay, stay. I clung to those scraps and remnants, clawing at the voice that lurked beyond. Stay. I looked up at Tarquin, lip curling back from my teeth. Looked at Helion. And Thesan. And Beon and Kallias, Viviane weeping at his side. And I snarkled, 'Bring him back.' Blank faces. I screamed at them, 'BRING HIM BACK.' Nothing. 'You did it for me,' I said, breathing hard. 'Now do it for him.' 'You were human,' Helion said carefully. 'It is not the same-' 'I don't care. Do it.' When they didn't move, I rallied the dregs of my power, readying to rip into their minds and force them, not caring what rules or laws it broke. I wouldn't care, only if- Tarquin stepped forward. He slowly extended his hand toward me. 'For what he gave,' Tarquin said quietly. 'Today and for many years before.' And as the seed of light appeared in his palm... I began crying again. Watched it drop onto Rhys's bare throat and vanish onto the skin beneath, an echo of light flaring once. Helion stepped forward. That kernel of light in his hand flickered as it fell onto Rhys's skin. Then Kallias. And Thesan. Until only Beron stood there. Mor drew her sword and laid it on his throat. He jerked, having not seen her move. 'I do not mind making one more kill today,' she said. Beron gave her a withering glare, but shoved off the sword and strode forward. He practically chucked that fleck of light onto Rhys. I didn't care about that, either. I didn't know the spell, the power it came from. But I was High Lady. I held out my palm. Willing the spark of life to appear. Nothing happened. I took a steadying breath, remembering how it had looked. 'Tell me how,' I growled to no one. Thesan coughed and stepped forward. Explaining the core of power and on and on and I didn't care, but I listened, until- There. Small as a sunflower seed, it appeared in my palm. A bit of me- my life. I laid it gently on Rhys's blood-crusted throat. And I realised, just as he appeared, what was missing. Tamlin stood there, summoned by either the death of a fellow High Lord or one of the others around me. He was splattered in mud and gore, his new bandolier of knives mostly empty. He studied Rhys, lifeless before me. Studied all of us- the palms still out. There was no kindness on his face. No mercy. 'Please,' was all I said to him. Then Tamlin glanced between us- me and my mate. His face did not change. 'Please,' I wept. 'I will- I will give you anything-' Something shifted in his eyes at that. But not kindness. No emotion at all. I laid my head on Rhysand's chest, listening for any kind of heartbeat through that armour. 'Anything,' I breathed to no one in particular. 'Anything.' Steps scuffed on the rocky ground. I braced myself for another set of hands trying to pull me away, and dug my fingers in harder. The steps remained behind me for long enough that I looked. Tamlin stood there. Staring down at me. Those green eyes swimming with some emotion I couldn't place. 'Be happy, Feyre,' he said quietly. And dropped that final kernel of light onto Rhysand.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones. I am looking forward to it. Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane. “I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.” “What, you don’t think I can handle it?” I say, a little defensive. “Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.” “I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.” “Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.” “I can tell you it will involve a lot of this,” I say, and I press my lips to his. His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent. I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming. “I love you,” I say. “I love you, too,” he says. “I’ll see you soon.” He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears. It’s time to be with my brother now.
Veronica Roth (Allegiant (Divergent, #3))
Along similar lines, Stephen Mitchell points out that we need to pay close attention to what we mean when we assert that we “know” another person. There are obviously many different ways of knowing someone, some utilitarian, others desire-driven, some superficial, others intensely intuitive, and there is little reason to assume that any one version of our image of the other—what we believe we know about the other—is the accurate one. In effect, the fact that the other can be viewed from various perspectives at once forces us to regard the other as a multifaceted and ever-shifting entity who is no less complicated, no less dependent on context and setting, than we are ourselves. Most important, it asks us to recognize that the other does not possess transparent knowledge of itself either—that what we deem uncanny or unknowable about the other is often experienced as such by the other as well. From this viewpoint, the idea that we could ever know the other in any certain fashion is a curiously arrogant assumption. And it is also peculiar in the sense that it is often precisely the other’s mysterious opacity that elicits our desire—that makes the other of interest to us—in the first place. Why, then, are we so devoted to solving the other’s secret?
Mari Ruti (A World of Fragile Things: Psychoanalysis and the Art of Living (Psychoanalysis and Culture))
For many people, money is an index of how successful one is. And so they fear competition and attach themselves to their shadows. Such path drives one towards materialism rather than spiritualism. So what’s the difference between such individuals and those that work in the hope of quitting their job? Well, the main difference is that materialist people separate the two realities in the hope they can earn money from the work they love and then quit the work they don’t like. And by creating such division they remain there, in the middle, trapped. They think that by following what they love to do, step by step, they’ll be guided towards the right direction. But if their thoughts were clear, they would know they’re diving themselves and perpetuating their fate, rather than solving it. They neglect the mental barriers stopping them from achieving their goal. And anyone is responsible for determining the result that one holds in his thoughts. In other words, if you had not made such division in the first place, and instead accepted the lack of duality, you would achieve your result much faster. That is why almost all entrepreneurs rather work hard and be poor when starting a business than waiting for the right time to quit their job. There’s not such thing as the right time, or a shift from one reality unto another, because you create both things, your fortune and your unfortunate, and you own your luck and results, all the time. Whatever you believe in present time, perpetuates that same present time.
Robin Sacredfire
Naomi: im cooking lol Naomi: if its bad we can order in Naomi: what time you home ? She has attached a picture: his small green casserole dish on one of the hotplates. Disorientated feeling, as though his centre of gravity disturbed, walls shifting: like passing out, he thinks. As if he will pass out there and then, and at the thought, remembering, he sits down on a kitchen chair. The little green dish on the stovetop, what time you home. Christ, he thinks, what is he doing, what on earth. In the bath the other night, murmuring in her ear, I want you to be happy. Was he lying then: and why, for what, for what possible reason. Strong sudden impulse he feels to begin praying, already mouthing the silent words, and then frightened by himself he stops. To pray for what: forgiveness, guidance. From whom: God he barely believes in, sentimental Jesus commanding us to love one another. In over his head, fathoms over, and something has to be done. How capable he has been of holding in his mind with no apparent struggle such contradictory beliefs and feelings. The false true lover, the cynical idealist, the atheist at his prayers. Everything lethally intermixed, everything breaching its boundaries, nothing staying in its right place. She, the other, himself. Even Christine, Ivan, this married girlfriend of his. Their father: from beyond the grave. Conceptual collapse of one thing into another, all things into one. No. To answer first the simple question of where to sleep tonight. Marry me. I love you. What time you home.
Sally Rooney (Intermezzo)
When Bush and Clinton were talking in 1984, Bush told Clinton ‘when the American people become disillusioned with Republicans leading them into the New World Order, you, as a Democrat, will be put into place.’ I expect that Clinton will be our next President based on that conversation I heard.” “This is serious information!” Billy looked up from his work. “Its no wonder the Feds are worried about your revealing what you know.” “There are a lot of people who know what I know7,” I assured him. “And even more are waking up to reality fast. People with Intelligence operating on a Need-to-Know are gaining insight into a bigger picture with the truth that is emerging. They gain one more piece of the puzzle and the Big Picture suddenly comes into focus. When it does, their paradigms shift. Mark and I are also aware of numerous scientists waking up to the reality of a New World Order agenda who are furious that they’ve been mislead and used. These people are uniting with strength, and the New World Order elite will need to play their hold card and switch political parties. Watch and see. Clinton will appear to ‘defeat’ Bush according to plan, while Bush continues business as usual from behind the scenes of the New World Order.” “Who do you think will follow Clinton?” “A compliant, sleeping public mesmerized by his Oxford learned charisma.” Billy looked up from his work again to clarify his question. “I mean into the Presidency.” “Hillary?” I smiled half-heartedly. “Seriously, she is brighter than Bill, and is even more corrupt. Knowing her, she’d probably rather work behind the scenes, although she may be used as another appearance of ‘change’ since she’s a woman. That’s just speculation based on how these criminals operate. They want to keep their power all in the family. I did see Bush, Jr. being conditioned, and trained for the role of President at the Mount Shasta, California military programming compound in 19868. He’s not very bright, though, so I don’t know how they could possibly prop him up…
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
I don’t know why you’re making such a big deal about me wearing the engagement ring,” Shay said to Michael from behind the wheel of his Range Rover. Before he had a chance to respond, she shifted from reverse to drive and shot out of the parking lot. Straight into oncoming traffic. “Shay, watch out for . . . ” He trailed off, his heart in his throat as she expertly avoided being creamed by another speeding SUV. With his hand still gripping the door and his foot pressed on the floor as if he could somehow miraculously slow the vehicle down, Michael said, “Obviously the ring is a big deal to you or you wouldn’t be trying to kill me.” “Being aggressive will save you. Being cautious, that’s what’ll kill you.” “No doubt you’ll live to be a hundred and ten, then.” He relaxed when the speedometer needle inched down toward a more reasonable speed. “I’m taking it that your life lesson only refers to driving; otherwise you would’ve been applauding my efforts at the club.” She glanced at him, a smile tipping up the corner of her mouth. “So, you actually choked on purpose to cozy up to Costello’s hired henchman and disrupted the dancer’s performance so the bouncers would haul you to Kozack’s office?” He ignored everything else but the part that would get him an answer to his earlier question. “I choked because you took my breath away, and—” She laughed. “Either you’re easily impressed or you don’t get out to many strip clubs. Kozack was going to fire me even before he found me in his office.” “Neither is true, but you didn’t let me finish. As incredible as you looked doing what you were doing on that pole, I choked because I saw the engagement ring on the chain around your neck.” He leaned across the console and slid his hand beneath her leather jacket. Her skin was like satin, and he could smell her warm, floral scent. The temptation to press his face to the tender spot between her shoulder and neck almost overwhelmed him. It was one of his favorite places to kiss her. One of her favorite places to be kissed.
Debbie Mason (Driftwood Cove (Harmony Harbor #5))
Following feeling, relying on liking or wanting, we are not free. The freedom to "do as we like" is not freedom of choice because we are ruled by the powerful property of feeling; we cannot choose apart from liking and disliking. Likes and dislikes may be articulated in the form of sophisticated-sounding opinions, but the decision is made for us by feeling. The Western world places a high value on personal feelings and opinions: Each individual "has a right" to an opinion. But rarely do we question how we have arrived at our opinion. Upon examination, we may discover that opinions tend to stem from convenience, familiarity, and selfishness–what feels good or what is pleasing or comfortable to us. Upon this basis, we act, and receive the consequences of our action. Even if we compile a large number of such opinions, there is no guarantee that we will develop a wise perspective as a ground for action. Often this process only creates a mass of confusion, for opinions of one individual tend to conflict with the opinions of another. If there appears to be agreement, we tend to assume this agreement will remain stable. But agreement only means that the needs of the individuals involved are temporarily similar, and when those needs shift, agreement will evaporate. To make certain decisions, we rely on logic or scientific findings, which are supposedly free from personal opinion but are still weighted with the opinions of a particular culture. This style of knowing is founded on particular distinctions and ignores other possibilities. The evidence is clear that the scope of modern scientific knowledge is limited, for this knowledge is not yet able to predict and control the side-effects resulting from its own use. Its solutions in turn create more problems, reinforcing the circular patterns of samsara. Only understanding that penetrates to the root causes of problems can break this circularity. Until we explore the depths of consciousness, we cannot resolve the fundamental questions that face human beings.
Dharma Publishing (Ways of Enlightenment (Buddhism for the West))
I'm sorry this trip has been so difficult." "It could be worse.We could be enduring Father Morrell's celebration of the Eucharist." Bronwyn's jaw dropped and she turned in his arms to see if Ranulf was serious. He was. Ranulf framed her face in his hands and placed a soft kiss on her lips. He then stepped aside and pulled his tunic over his head. Seeing her still stunned, sea blue eyes follow his movements, he said, "Don't look at me that way. The aggravating priest confronted me when you were packing, telling me that I was damning all of our souls by taking you away on such an auspicious day." Bronwyn bit her bottom lip to keep from laughing. "Father Morrell's just concerned. He believes that all should be given Holy Communion at least once a year and-" "He has chosen the last Sunday of the Twelfthtide to be that day. I understand. But just as I told him, I've missed so many of what he considers critical celebrations in my lifetime, another won't matter. And since you've attended almost every one, forgoing one or two this year is just as trivial." Bronwyn took a deep breath, exhaled, and followed his lead, freeing the restraints of her bliaut. "I've married a heathen." Helping her pull the thick material over her head, Ranulf agreed, "I think that is exactly what Father Morrell concluded as well." Free from the bulky winter garment, Bronwyn felt a surge of arousal and twisted around to kiss him full on the lips. "Then maybe I'll just have to reform you." "Sounds tempting," Ranulf murmured against her lips, "but what if it is I who corrupt you?" he asked as he slowly edged her shift up over her hips, breast, and then head. Bronwyn smiled and twined her arms around his neck.She felt no awkwardness for her lack of clothing.She had nothing to hide from this man.He thought her perfect. "You've already tried." "And it's working.Just who is seducing whom, angel?" "Oh,I am definitely seducing you, my lord." Tomorrow she would ask him about his reasons for their impromptu journey south. She suddenly had other plans.
Michele Sinclair (The Christmas Knight)
There were years when I went to the movies almost every day, sometimes even twice a day, and they were the years between 1936 and the war, around the time of my adolescence. Those were years in which cinema was my world. It’s been said many times before that cinema is a form of escape, it’s a stock phrase intended to be a condemnation, and cinema certainly served that purpose for me back then. It satisfied a need for disorientation, for shifting my attention to another place, and I believe it’s a need that corresponds to a primary function of integration in the world, an essential phase in any kind of development. Of course there are other more substantial and personal ways of creating a different space for yourself: cinema was the easiest method and it was within reach, but it was also the one that instantly carried me farthest away. I went to the cinema in the afternoon, secretly fleeing from home, or using study with a classmate as an excuse, because my parents left me very little freedom during the months when school was in session. The urge to hide inside the cinema as soon as it opened at two in the afternoon was the proof of true passion. Attending the first screening had a number of advantages: the half-empty theater, it was like I had it all to myself, would allow me to stretch out in the middle of the third row with my legs on the back of the seat in front of me; the hope of returning home without anyone finding out about my escape, in order to receive permission to go out once again later on (and maybe see another film); a light daze for the rest of the afternoon, detrimental to studying but advantageous for daydreaming. And in addition to these explanations that were unmentionable for various reasons, there was another more serious one: entering right when it opened guaranteed the rare privilege of seeing the movie from the beginning and not from a random moment toward the middle or the end, because that was what usually happened when I got to the cinema later in the afternoon or toward the evening.
Italo Calvino (Making a Film)
He held the dipper out to Jake. When Jake reached for it, Tick-Tock pulled it back. "First, cully, tell me what you know about dipolar computers and transitive circuits," he said coldly. "What..." Jake looked toward the ventilator grille, but the golden eyes were still gone. He was beginning to think he had imagined them after all. He shifted his gaze back to the Tick-Tock Man, understanding one thing clearly: he wasn't going to get any water. He had been stupid to even dream he might. "What are dipolar computers?" The Tick-Tock Man's face contorted with rage; he threw the remainder of the watter into Jake's bruised, puffy face. "DON'T YOU PLAY IT LIGHT WITH ME!" he shrieked. He stripped off the Seiko watch and shook it in front of Jake. "WHEN I ASKED YOU IF THIS RAN ON A DIPOLAR CIRCUIT, YOU SAID IT DIDN'T! SO DON'T TELL ME YOU DON'T KNOW WHAT I'M TLAKING ABOUT WHEN YOU ALREADY MADE IT CLEAR THAT YOU DO!" "But...but..." Jake couldn't go on. His head was whirling with fear and confusion. He was aware, in some far-off fashion, that he was licking as much water as he could off his lips. "THERE'S A THOUSAND OF THOSE EVER-FUCKING DIPOLAR COMPUTERS RIGHT UNDER THE EVER-FUCKING CITY, MAYBE A HUNDRED THOUSAND, AND THE ONLY ONE THAT STILL WORKS DON'T DO A THING EXCEPT PLAY WATCH ME AND RUN THOSE DRUMS! I WANT THOSE COMPUTERS! I WANT THEM WORKING FOR ME!" The Tick-Tock Man bolted forward on his throne, seized Jake, shook him back and forth, and then threw him to the floor. Jake struck one of the lamps, knocking it over, and the bulb blew with a hollow coughing sound. Tilly gave a little shriek and stepped backward, her eyes wide and frightened. Copperhead and Brandon looked at each other uneasily. Tick-Tock leaned forward, elbows on his thighs, and screamed into Jake's face: "I WANT THEM AND I MEAN TO HAVE THEM!" Silence fell in the room, broken only by the soft whoosh of warm air pouring from the ventilators. Then the twisted rage on the Tick-Tock Man's face disappeared so suddenly it might never have existed at all. It was replaced by another charming smile. He leaned further forward and helped Jake to his feet. "Sorry. I get thinking about the potential of this place and sometimes I get carried away. Please accept my apology, cully." He picked up the overturned dipper and threw it at Tilly. "Fill this up, you useless bitch! What's the matter with you?" He turned his attention back to Jake, still smiling his TV game-show host smile. "All right; you've had your little joke and I've had mine. Now tell me everything you know about dipolar computers and transitive circuits. Then you can have a drink.
Stephen King (The Waste Lands (The Dark Tower, #3))
It really is location, location, location. If you’re going to live with peace of heart and with hope and courage, you have to know your place in the work of God. There are two markers of that work that really do locate you, tell you what God is doing, and inform you as to how you should live right here, right now. As I have said before, you live between the “already” and the “not yet.” First, it is vital for you and me to always remember that we live in the “already” of complete forgiveness. Forgiveness is not a “hope it will be” thing. It’s an “accomplished and done” thing. You do not have to hope that you will be forgiven. You do not have to be concerned that the process of forgiveness will somehow fail. Why? Because your complete and final forgiveness was accomplished on the cross of Jesus Christ. The perfect sacrifice of the completely righteous Lamb fully satisfied the holy requirements of God and left you righteous and without penalty in his sight. So you never have to worry that you will be so bad that God will reject you. You never have to hide your sin. You never have to do things to win God’s favor. You never have to cower in shame. You never have to rationalize, excuse, defend, or shift the blame. You never have to pretend that you are better than you are. You never have to present arguments for your righteousness. You never have to fear being known or exposed. You never have to compare the size of your sin to the size of another’s. You never have to parade your righteousness so it can be seen by others. You never have to wonder if God’s going to get exhausted with how often you mess up. All of these are acts of gospel irrationality because you have been completely forgiven. On the other end, it is essential to understand the “not yet” of your final repair. Yes, you have been fully forgiven, but you have not yet been completely rebuilt into all that grace will make you. Sin still remains, the war for your heart still rages, the world around you is still broken, spiritual danger still lurks, and you have not yet been fully re-formed into the image of the Lord Jesus Christ. The cross of Jesus guarantees that all of these broken things will be fixed, but they are not fixed yet. So as I bask in the complete forgiveness that I have been given and enjoy freedom from the anxiety that I will not measure up, I cannot live unwisely. One danger (sin) still lives inside me and another (temptation) still lurks outside me, so I am still a person in daily and desperate need of grace. Forgiveness is complete. Final restoration is yet to come. Knowing you live in between the two is the key to a restful and wise Christian life. For further study and encouragement: 2 Peter 3:1
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
The Monk in the Kitchen I ORDER is a lovely thing; On disarray it lays its wing, Teaching simplicity to sing. It has a meek and lowly grace, Quiet as a nun's face. Lo—I will have thee in this place! Tranquil well of deep delight, All things that shine through thee appear As stones through water, sweetly clear. Thou clarity, That with angelic charity Revealest beauty where thou art, Spread thyself like a clean pool. Then all the things that in thee are, Shall seem more spiritual and fair, Reflection from serener air— Sunken shapes of many a star In the high heavens set afar. II Ye stolid, homely, visible things, Above you all brood glorious wings Of your deep entities, set high, Like slow moons in a hidden sky. But you, their likenesses, are spent Upon another element. Truly ye are but seemings— The shadowy cast-oft gleamings Of bright solidities. Ye seem Soft as water, vague as dream; Image, cast in a shifting stream. III What are ye? I know not. Brazen pan and iron pot, Yellow brick and gray flag-stone That my feet have trod upon— Ye seem to me Vessels of bright mystery. For ye do bear a shape, and so Though ye were made by man, I know An inner Spirit also made, And ye his breathings have obeyed. IV Shape, the strong and awful Spirit, Laid his ancient hand on you. He waste chaos doth inherit; He can alter and subdue. Verily, he doth lift up Matter, like a sacred cup. Into deep substance he reached, and lo Where ye were not, ye were; and so Out of useless nothing, ye Groaned and laughed and came to be. And I use you, as I can, Wonderful uses, made for man, Iron pot and brazen pan. V What are ye? I know not; Nor what I really do When I move and govern you. There is no small work unto God. He required of us greatness; Of his least creature A high angelic nature, Stature superb and bright completeness. He sets to us no humble duty. Each act that he would have us do Is haloed round with strangest beauty; Terrific deeds and cosmic tasks Of his plainest child he asks. When I polish the brazen pan I hear a creature laugh afar In the gardens of a star, And from his burning presence run Flaming wheels of many a sun. Whoever makes a thing more bright, He is an angel of all light. When I cleanse this earthen floor My spirit leaps to see Bright garments trailing over it, A cleanness made by me. Purger of all men's thoughts and ways, With labor do I sound Thy praise, My work is done for Thee. Whoever makes a thing more bright, He is an angel of all light. Therefore let me spread abroad The beautiful cleanness of my God. VI One time in the cool of dawn Angels came and worked with me. The air was soft with many a wing. They laughed amid my solitude And cast bright looks on everything. Sweetly of me did they ask That they might do my common task And all were beautiful—but one With garments whiter than the sun Had such a face Of deep, remembered grace; That when I saw I cried—"Thou art The great Blood-Brother of my heart. Where have I seen thee?"—And he said, "When we are dancing round God's throne, How often thou art there. Beauties from thy hands have flown Like white doves wheeling in mid air. Nay—thy soul remembers not? Work on, and cleanse thy iron pot.
Anna Hempstead Branch
Think about it,” Obama said to us on the flight over. “The Republican Party is the only major party in the world that doesn’t even acknowledge that climate change is happening.” He was leaning over the seats where Susan and I sat. We chuckled. “Even the National Front believes in climate change,” I said, referring to the far-right party in France. “No, think about it,” he said. “That’s where it all began. Once you convince yourself that something like that isn’t true, then…” His voice trailed off, and he walked out of the room. For six years, Obama had been working to build what would become the Paris agreement, piece by piece. Because Congress wouldn’t act, he had to promote clean energy, and regulate fuel efficiency and emissions through executive action. With dozens of other nations, he made climate change an issue in our bilateral relationship, helping design their commitments. At international conferences, U.S. diplomats filled in the details of a framework. Since the breakthrough with China, and throughout 2015, things had been falling into place. When we got to Paris, the main holdout was India. We were scheduled to meet with India’s prime minister, Narendra Modi. Obama and a group of us waited outside the meeting room, when the Indian delegation showed up in advance of Modi. By all accounts, the Indian negotiators had been the most difficult. Obama asked to talk to them, and for the next twenty minutes, he stood in a hallway having an animated argument with two Indian men. I stood off to the side, glancing at my BlackBerry, while he went on about solar power. One guy from our climate team came over to me. “I can’t believe he’s doing this,” he whispered. “These guys are impossible.” “Are you kidding?” I said. “It’s an argument about science. He loves this.” Modi came around the corner with a look of concern on his face, wondering what his negotiators were arguing with Obama about. We moved into the meeting room, and a dynamic became clear. Modi’s team, which represented the institutional perspective of the Indian government, did not want to do what is necessary to reach an agreement. Modi, who had ambitions to be a transformative leader of India, and a person of global stature, was torn. This is one reason why we had done the deal with China; if India was alone, it was going to be hard for Modi to stay out. For nearly an hour, Modi kept underscoring the fact that he had three hundred million people with no electricity, and coal was the cheapest way to grow the Indian economy; he cared about the environment, but he had to worry about a lot of people mired in poverty. Obama went through arguments about a solar initiative we were building, the market shifts that would lower the price of clean energy. But he still hadn’t addressed a lingering sense of unfairness, the fact that nations like the United States had developed with coal, and were now demanding that India avoid doing the same thing. “Look,” Obama finally said, “I get that it’s unfair. I’m African American.” Modi smiled knowingly and looked down at his hands. He looked genuinely pained. “I know what it’s like to be in a system that’s unfair,” he went on. “I know what it’s like to start behind and to be asked to do more, to act like the injustice didn’t happen. But I can’t let that shape my choices, and neither should you.” I’d never heard him talk to another leader in quite that way. Modi seemed to appreciate it. He looked up and nodded.
Ben Rhodes (The World As It Is: A Memoir of the Obama White House)
them.” “Well, since we’re waiting on a fresh warlock, you have time then, right?” “I mean, yeah, I guess so, but—” “That’s alright, I won’t force you to go. I know you have a lot on your mind, but just consider it, okay?” I nodded. “Yes, sir.” We cleaned up the field some more. After a while, I asked, “Hey, where’s Lukester and Cindy? I don’t see them anywhere.” “If they are not here, then they must be at the hospital helping the wounded,” said Adrian. “Okay, I think I’ll head over there, then.” “Sure, Steve. Adrian and I will continue cleaning up here,” said the mayor. Adrian turned to look at the mayor. It looked like he wanted to say something, but he held his tongue. “Alright, see you guys later.” I turned and walked away. Adrian and the mayor waved at me, then they continued picking up weapons. As I walked away, I suddenly remembered that I wanted to ask the mayor something about the mining operation. So, I busted a U-turn and walked toward the mayor. Adrian and the mayor were both busily working and had their backs facing me. “I don’t want him spiraling into depression over the Bob and horse thing, so make sure you keep him busy,” I overheard the mayor say. “Yes, sir,” replied Adrian. “There was a time when he fell into depression and he just lay in bed for days. I don’t want the same thing happening again.” Adrian nodded. “I’ll have plenty for him to do in the coming days, and with the party coming up, I plan to have all sorts of activities to distract him.” “Yes, sir.” “Good, please help me clean up for another five minutes, then go join Steve.” “As you wish.” They were clearly talking about me, and I didn’t want to interrupt them. So, I quietly spun 180 degrees and made my way to the hospital. As I walked, I thought, Wow… the mayor is really concerned about my state of mind. I had no idea… I reached the hospital and found a bunch of patient-filled beds outside. The place was completely packed, so packed that they had to treat patients outdoors. Cindy caught my eye as she frantically ran about from patient to patient. “Cindy!” I yelled. She gasped and turned around. “Steve, shhh…” she whispered. “Some of the patients are sleeping. “Oh, sorry…” She walked over to me. “How are you? Feeling good? Any injuries?” “Hm… now that you mentioned it, I’m surprised that I don’t have any injuries.”  Cindy beamed a huge smile. “I had a splash potion of regeneration in my personal chest at home. I used it on you while you slept.” “You did? No wonder.” “That was my last one. I was saving it for a special situation, and I guess saving a friend from pain is a pretty good reason to use it.” “Aw… thank you so much, Cindy.” “You’re welcome, Steve. So, are you here to help today?” “Help?” “Yeah, help with the wounded?” “Uh, um, sure. Yeah, I can help, but actually, I wanted to speak with you about something.” “Oh? What’s up?” “Well…” I explained to Cindy about what happened. “Oh, no… so she wouldn’t change Paul right away?” asked the potioneer. I shook my head. “I begged her, but she absolutely refused.” “Aw…” “So, I was wondering if you could give it a try?” “You want me to ask her to change Paul into a warlock?” “Yeah, could you do that for me? As a favor?” “Well, of course I’d be willing to, but what about Paul? Is he okay with this plan?” Cindy asked. “I think Paul will be way easier to convince once Wanda is on board.” Cindy nodded. “You’re right. Okay, my shift here doesn’t end for another few hours. I’ll head over to Wanda’s afterward.” “Yass!
Steve the Noob (Diary of Steve the Noob 28 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
One of his hands tangled in my hair, tugging it to tip my chin back and eliciting another moan of pleasure from my lips. He swallowed it up, his tongue sinking into my mouth and making my heart find a rhythm it had never beat to before. He kissed me like he wasn't allowed to kiss me, but if he didn't he'd die. I tangled myself around him with equal desire, the well of magic in my body spilling over and flooding my veins. A profound and unknown energy hummed within me, drawing to the edges of my skin. Orion seemed to sense it too as the hairs raised along my arms and static energy crackled everywhere our flesh met. I was entirely lost to the deepest and most carnal desire I'd ever felt. His hand found the slit in my dress and his fingers trailed onto my bare leg, making me gasp in response. Fire surged down my spine only to bounce back up again as he gripped my thigh and squeezed. With so little clothes parting us, I felt every inch of his arousal pressing between my legs and I started to wonder how far this kiss was going to go. My fingers slid into the verge of his hair as I ground against him and my thoughts scattered again. He released a rumbling growl filled with nothing but need and his hand shifted between us, roaming deeper beneath my dress until he found the top of my panties. I nearly lost my mind as his fingers brushed the sensitive flesh there and skimmed the line of my underwear. My back arched as I tried to bring his hand closer to fulfil the promise of ecstasy I knew he could bring me. Instead, he pulled his hand free and placed it on my hip with a heavy breath. It took everything I had, but with his fingers firmly away from the area of my body which was trying to run the show, I could think a little clearer. He pulled back almost the same moment I did and I swallowed hard as I felt the lasting sensations of that kiss everywhere. My mouth tingled and my cheeks stung from the scrape of his stubble. My thigh muscles throbbed where they were still locked tightly around his waist and my heart seemed to bleed from the loss of contact with his mouth. We remained breathless and silent, staring at each other like the reality waiting above us wasn't about to rip us apart. But I knew as well as he did, this was a one time only thing. Now I just had to convince my body of that. I unwound my legs from him, bracing my hands on his shoulders as I dropped down. He steadied me for a moment then the air between us changed. His eyes darkened and he didn't need to speak to let me know what he was thinking. A vow hung solidly around us. This won't happen ever again. He opened his mouth to speak but I spoke before he could, not wanting to be commanded into eternal silence. I already knew what would happen the second we left this magical place behind, I didn't need to be told. “Let's go.” “We can stay a little longer...if you want.” His expression was that of a wounded man but I knew whatever pain lay in his body, would never be mine to heal. I shook my head, lifting my chin to gaze up at the surface of the pool. “No, I think we should go back to reality now.” The longer I stay, the harder it will be to leave. “Are you angry with me for bringing you here?” he asked and I was compelled to look down, falling into the intensity of his eyes as a strained line formed on his brow. “No.” He reached out to skate his fingers across the line of my jaw, feather light. “You know how it has to be.” I nodded, leaning away from his touch which felt like forcing two magnets apart. “I know.” What happens at the bottom of the pool, stays at the bottom of the pool. “Come on then, Blue.” He held out his hand. I took a shuddering breath, placing my hand in his. “I think it might be best if you don't call me that anymore.” I tugged at a lock of wet hair. “It's not blue anyway.” (DARCY)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
If we examine Lee first upon the art at which he surpassed, we find a curiously dispassionate understanding not just of the technique, but of the place of war in the life of civilized man. Napoleon too was a philosopher of battle, but his utterances are marred by cynicism. Those of Lee have always the saving grace of affirmation. Let us mount with the general the heights above Fredericksburg and hear from him one of the most searching observations ever made. It is contained in a brief remark, so innocent-seeming, yet so disturbing, expressed as he gazed upon the field of slain on that December day. "It is well this is terrible; otherwise we should grow fond of it." What is the meaning? It is richer than a Delphic saying. Here is a poignant confession of mankind’s historic ambivalence toward the institution of war, its moral revulsion against the immense destructiveness, accompanied by a fascination with the “greatest of all games.” As long as people relish the idea of domination, there will be those who love this game. It is fatuous to say, as is being said now, that all men want peace. Men want peace part of the time, and part of the time they want war. Or, if we may shift to the single individual, part of him wants peace and another part wants war, and it is upon the resolution of this inner struggle that our prospect of general peace depends, as MacArthur so wisely observed upon the decks of the Missouri. The cliches of modern thought have virtually obscured this commonplace of human psychology, and world peace programs take into account everything but this tragic flaw in the natural man—the temptation to appeal to physical superiority. There is no political structure which knaves cannot defeat, and subtle analyses of the psyche may prove of more avail than schemes for world parliament. In contrast with the empty formulations of propagandists, Lee’s saying suggests the concrete wisdom of a parable.
Richard M. Weaver (The Southern Essays of Richard M. Weaver)
One would think he was going to have his throat cut," said the Controller, as the door closed. "Whereas, if he had the smallest sense, he'd understand that his punishment is really a reward. He's being sent to an island. That's to say, he's being sent to a place where he'll meet the most interesting set of men and women to be found anywhere in the world. All the people who, for one reason or another, have got too self-consciously individual to fit into community-life. All the people who aren't satisfied with orthodoxy, who've got independent ideas of their own. Every one, in a word, who's any one. I almost envy you, Mr. Watson." Helmholtz laughed. "Then why aren't you on an island yourself?" "Because, finally, I preferred this," the Controller answered. "I was given the choice: to be sent to an island, where I could have got on with my pure science, or to be taken on to the Controllers' Council with the prospect of succeeding in due course to an actual Controllership. I chose this and let the science go." After a little silence, "Sometimes," he added, "I rather regret the science. Happiness is a hard master–particularly other people's happiness. A much harder master, if one isn't conditioned to accept it unquestioningly, than truth." He sighed, fell silent again, then continued in a brisker tone, "Well, duty's duty. One can't consult one's own preference. I'm interested in truth, I like science. But truth's a menace, science is a public danger. As dangerous as it's been beneficent. It has given us the stablest equilibrium in history. China's was hopelessly insecure by comparison; even the primitive matriarchies weren't steadier than we are. Thanks, l repeat, to science. But we can't allow science to undo its own good work. That's why we so carefully limit the scope of its researches–that's why I almost got sent to an island. We don't allow it to deal with any but the most immediate problems of the moment. All other enquiries are most sedulously discouraged. It's curious," he went on after a little pause, "to read what people in the time of Our Ford used to write about scientific progress. They seemed to have imagined that it could be allowed to go on indefinitely, regardless of everything else. Knowledge was the highest good, truth the supreme value; all the rest was secondary and subordinate. True, ideas were beginning to change even then. Our Ford himself did a great deal to shift the emphasis from truth and beauty to comfort and happiness. Mass production demanded the shift. Universal happiness keeps the wheels steadily turning; truth and beauty can't. And, of course, whenever the masses seized political power, then it was happiness rather than truth and beauty that mattered. Still, in spite of everything, unrestricted scientific research was still permitted. People still went on talking about truth and beauty as though they were the sovereign goods. Right up to the time of the Nine Years' War. That made them change their tune all right. What's the point of truth or beauty or knowledge when the anthrax bombs are popping all around you? That was when science first began to be controlled–after the Nine Years' War. People were ready to have even their appetites controlled then. Anything for a quiet life. We've gone on controlling ever since. It hasn't been very good for truth, of course. But it's been very good for happiness. One can't have something for nothing. Happiness has got to be paid for. You're paying for it, Mr. Watson–paying because you happen to be too much interested in beauty. I was too much interested in truth; I paid too.
Aldous Huxley (Brave New World)
She has a point,” Caleb’s voice came from the shadows behind the massive Dragon who was taking all of my attention and I turned my head to find him, Seth and Max all watching this exchange with interest. That would explain the stars not smiting us or whatever other bullshit they might want to do. Though I was guessing I should really stop touching him…not that I did. “You did this to…help him?” Darius asked like he couldn’t understand why the fuck I’d do that and I narrowed my eyes at him. “I’m only an asshole like, ninety percent of the time,” I said, rolling my eyes at him. “The other ten percent I’m a fucking saint. So yes, I did it to help him. Turns out I only hold two members of your family in low regard.” “You pushed my brother out of a fucking window,” he growled. “I would have caught him with my air magic if I had to. Besides, this way Daddy Acrux can’t try and claim he was in on it. It’s a genius plan and you know it. Plus, your mom told me to post it so I don’t have to explain myself to you.” “Mother?” Darius scoffed. “She hardly notices anything beyond appearances. The last thing she’d encourage is a scandal like this. She-” “That’s not true, she loves you, she just…” I trailed off as the deal I’d made with Catalina stayed my tongue. I’d sworn not to tell a soul about the way I’d freed herfrom Lionel’s Dark Coercion and I wasn’t going to take even more punishment from the stars by breaking my word. “Just what?” Darius demanded. Phoenix fire burned hot beneath my skin and my palms twitched against his chest as a thought occurred to me. One I really should have considered before now if I hadn’t been so caught up with studying, the shadows, cheer practice and just plain old pining away for this monster before me to think of it. “Do you trust me?” I asked, my fingers shifting on his skin just enough to draw his attention. “Why?” “I want to try something. Something I did for your mother. But you’ll have to stay still while I do it.” Darius looked at me for a long moment and a faint tremor in the ground beneath my feet let me know that the stars had realised just how close we were to one another. Even with company they didn’t like us to touch each other, though it seemed to take them a lot longer to notice if we were. Darius exhaled angrily but his eyes shifted back as he managed to rein in some of his temper, their deep brown colour ringed with black once again. “I trust you,” he growled and the other Heirs muttered something behind him, but I didn’t care to hear it because there had been a sincerity in his words which reached out and touched my soul. He meant it. For whatever reason, despite everything we’d been through, he was still able to put his trust in me. I offered him the hint of a smile as my Phoenix fire reared up to the surface of my skin before I guided it into his flesh where I touched him. His muscles tightened beneath my hands, his eyes widening as he looked at me but he didn’t pull back, waiting as the liquid fire tore beneath his skin and sought out any signs of Lionel placing restrictions on his soul. ... “You…” Darius lifted me into his arms, staring at me with wide eyes like he didn’t even have words to explain what I’d just done for him. ,,, “She…I think she…but I don’t understand how-” “Phoenix fire burns through bullshit,” I supplied. “I just released him from every Dark Coercion spell Lionel has ever placed on him.” The Heirs all turned to stare at me like I’d just told them an alien named Clive lived up my butt and I sighed as I leaned my head back against Caleb’s shoulder. I felt like I’d just gone ten rounds in the ring against a Dragon with toothache. My eyes were hooded already and I was pretty sure that if we stood here much longer I’d fall asleep. “Thank you, Roxy,” Darius breathed and the look he was giving me made my heart do a weird squeezing kind of thing as I bit down on my bottom lip. (Tory POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
It’s experience that has value, not possessions. We desire possessions because we think they’ll make us happier, but extensive research shows that once our basic survival needs are met, increased possessions don’t boost happiness levels. Meditation gives us the option of going straight to happiness and skipping the intermediate step of possessions. Acquiring them takes a lot of work and time, and all that effort can take us out of flow. We can spend a 40-year career amassing the possessions and money that we believe will give us happiness in retirement. Skipping the amassing stage and going straight to bliss gives us the end goal at the beginning. We win the gold medal before the contest even begins. Play doesn’t happen in an imaginary future in which our lives are perfect. Play happens now. We can become billionaires of happy experiences, the bank vaults of our minds overflowing with joy. That’s the only currency that counts. We’ve then acquired the end state without going through the intermediate state of getting stuff. We’ve loaded the dice, so that any and every roll produces bliss. Why not live like that every day? DEEPENING PRACTICES Here are practices you can do this week to integrate the information in this chapter into your life: Releasing the Suffering Self: That’s the theme of this chapter’s companion meditation. Use the link below to listen to this free 15-minute meditation each morning. Play the “Name Your Demon” Game: Give the selfing part of yourself a funny personal name, or ask it what its name is and write down the answer. One woman christened hers “Sticky.” Another, “Yuggo.” This exercise separates you from identification with the demon, and reminds you that you’re in control. Make the Subject-Object Shift: Whenever you find your mind wandering during meditation, simply thank your DMN by name (e.g., “Thanks, Yuggo!”) and then move your attention back to Focus. Mindfulness App: As a way of becoming mindful, enroll in the Harvard wandering mind study by using the link below to download the smartphone app. Time in Nature: Spend time in nature at least three times this week. Write those times in your calendar now, and treat them as seriously as you’d treat a doctor’s appointment. This exercise in self-care is a way of centering your mind and nurturing yourself. Journaling: In your new personal journal, write down the insights you have this week. Notice the way your mind works in meditation, and describe it in your journal. Just a few words are enough, like, “Had a hard time getting to a good place this morning. Lots of mind wandering, but I settled down in 15 minutes.
Dawson Church (Bliss Brain: The Neuroscience of Remodeling Your Brain for Resilience, Creativity, and Joy)
With respect to space and time, books are like a wall of resistance against a world that demands everything we have to give. Reading a book allows you to travel through space and time to other places, to see the world from other perspectives and walk in another’s shoes for a bit. Stories create possibilities for our limited vantages to be cracked open, affording new views and different experiences. Reading forces us to slow down. In the fast paced world we live, time is accelerating and we feel we have less of it. Our focus shifts second by second. We flip through our friends’ updates on Facebook or Instagram, quickly to get the story. We get impatient when a song or a movie takes too long to download. We read on our devices, take a pause and check our email, check our texts. Our concentration is spent in bursts and the sense of chaos builds. And we are in a time of chaos. Each one of us can feel it. The pressure and the speed often feel relentless.
Thatcher Wine (For the Love of Books: Designing and Curating a Home Library)
All factors of production operate in concrete specific ways to produce use values. Tropical soils grow mangoes. Carpenters work wood. Precision lathes fashion metal tools. But in capitalist economies the essential object is not production of use values for consumption. It is production of goods as value objects for the abstract social goal of value augmentation or profit making. Capitalist value augmentation, in other words, requires a factor of production that has both a concrete specific and abstract general aspect. That factor of production is human labor power. Only it can be shifted from one concrete specific form of production to another: Or, alternatively, rendered indifferent to production of specific use values in favor of producing any good as a vehicle for value augmentation. Labor power cannot be rendered indifferent to production of specific use values unless it is “freed” from access to its means of livelihood and extra-economic social relations confining it to task and/or place. Capital, in other words, requires the conversion of the direct producers into a proletarian class. This is its sine qua non.
Richard Westra (Unleashing Usury: How Finance Opened the Door for Capitalism Then Swallowed It Whole)
In Robert Noyce’s office there hung a black-and-white photo that showed a jovial crew of young scientists offering a champagne toast to the smiling William Shockley. The picture was taken on November 1, 1956, a few hours after the news of Shockley’s Nobel Prize had reached Palo Alto. By the time that happy picture was taken, however, Shockley Semiconductor Laboratories was a chaotic and thoroughly unhappy place. For all his technical expertise, Shockley had proven to be an inexpert manager. He was continually shifting his researchers from one job to another; he couldn’t seem to make up his mind what, if anything, the company was trying to produce. “There was a group that worked for Shockley that was pretty unhappy,” Noyce recalled many years later. “And that group went to Beckman and said, hey, this isn’t working. . . . About that time, Shockley got his Nobel Prize. And Beckman was sort of between the devil and the deep blue sea. He couldn’t fire Shockley, who had just gotten this great international honor, but he had to change the management or else everyone else would leave.” In the end, Beckman stuck with Shockley—and paid a huge price. Confused and frustrated, eight of the young scientists, including Noyce, Moore, and Hoerni, decided to look for another place to work. That first group—Shockley called them “the traitorous eight”—turned out to be pioneers, for they established a pattern that has been followed time and again in Silicon Valley ever since. They decided to offer themselves as a team to whichever employer made the best offer. Word of this unusual proposal reached an investment banker in New York, who offered a counterproposal: Instead of working for somebody else, the eight scientists should start their own firm. The banker knew of an investor who would provide the backing—the Fairchild Camera and Instrument Corporation, which had been looking hard for an entrée to the transistor business. A deal was struck. Each of the eight young scientists put up $500 in earnest money, the corporate angel put up all the rest, and early in 1957 the Fairchild Semiconductor Corporation opened for business, a mile or so down the road from Shockley’s operation.
T.R. Reid (The Chip: How Two Americans Invented the Microchip and Launched a Revolution)
Finding the Competitive Levers When there’s a battle between two networks, there are competitive levers that shift users from one into the other—what are they? The best place to focus in the rideshare market was the hard side of the network: drivers. More drivers meant that prices would be lower, attracting valuable high-frequency riders that often comparison shop for fares. Attract more riders, and it more efficiently fills the time of drivers, and vice versa. There was a double benefit to moving drivers from a competitor’s network to yours—it would push their network into surging prices while yours would lower in price. Uber’s competitive levers would combine financial incentives—paying up for more sign-ups, more hours—with product improvements to improve Acquisition, Engagement, and Economic forces. Drawing in more drivers through product improvements is straightforward—the better the experience of picking up riders and routing the car to their destination, the more the app would be used. Building a better product is one of the classic levers in the tech industry, but Uber focused much of its effort on targeted bonuses for drivers. Why bonuses? Because for drivers, that was their primary motivation for using the app, and improving their earnings would make them sticky. But these bonuses weren’t just any bonuses—they were targeted at quickly flipping over the most valuable drivers in the networks of Uber’s rivals, targeting so-called dual apping drivers that were active on multiple networks. They were given large, special bonuses that compelled them to stick to Uber, and every hour they drove was an hour that the other networks couldn’t utilize. There was a sophisticated effort to tag drivers as dual appers. Some of these efforts were just manual—Uber employees who took trips would just ask if the drivers drove for other services, and they could mark them manually in a special UI within the app. There were also behavioral signals when drivers were running two apps—they would often pause their Uber session for a few minutes while they drove for another company, then unpause it. On Android, there were direct APIs that could tell if someone was running Uber and Lyft at the same time. Eventually a large number of these signals were fed into a machine learning model where each driver would receive a score based on how likely they were to be a dual apper. It didn’t have to be perfect, just good enough to aid the targeting.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
MIT physicist Seth Lloyd supports the idea of other worldly portals in his book Programming the Universe. Quantum mechanics has proven that an electron is not only allowed to be in two places at once—it is required to be. Certain particles not only spin in two directions at the same time, but have to do so.21 At really high speeds, atoms require more information to describe their movements, and therefore they have more entropy.22 However, an observer affects the outcome of whatever he or she is observing. As explained in the book The Orb Project, the effect of the observer on the quantum field causes reality to reorganize according to the observation. This means that a newly observed reality descends through the frequency levels below the quantum, becoming dense in material reality.23 The nonobserved information becomes “lost” if it doesn’t qualify as “real” or desirable to the observer. It is not eliminated; instead, the not-selected potential slips into a pocket of “elsewhere.” Conceivably, we can get it back. As Lloyd explains, we can access lost data by “flipping a qubit,” a code phrase that means we can apply a magnetic field to force energy to shift from one state to another.24 We have established that the subtle layer is atop the physical and that the etheric layer of subtle energies is magnetic in nature. Could it be that the information we cannot find—perhaps, the data that could make a sick person well—is lingering a plane above us? We’ve one more law to face: the third law of thermodynamics. Experiments with absolute zero provide a new perspective on it, one that coaxes an understanding of subtle energy. Absolute zero is the point at which particles have minimum energy, called zero-point energy. Researchers including Dr. Hal Puthoff have identified this zero-point energy with zero-point field, a mesh of light that encompasses all of reality. (This field is further explained in Part III.) This field of light is a vacuum state, but it is not empty; rather, it is a sea of electromagnetic energy, and possibly, virtual particles—ideas that can become real. Conceivably, energy should stand completely still at absolute zero, which would mean that information would become permanently imprisoned. Research on zero-point energy, however, reveals that nearing zero-point, atomic motion stops, but energy continues. This means that “lost information” is not really lost. Even when frozen, it continues to “vibrate” in the background. The pertinent questions are these: How do we “read” this background information? How do we apply it? These queries are similar to those we might ask about “hidden” information. How do we access suppressed but desirable data? The answers lie in learning about subtle structures, for these dwell at the interfaces between the concrete and the higher planes. Operate within the subtle structures, and you can shift a negative reality to a positive one, without losing energy in the process.
Cyndi Dale (The Subtle Body: An Encyclopedia of Your Energetic Anatomy)
The mind of an individual experiences sensations. The individual identifies certain sensations and starts to recognize iterative sequences of sensations with the property that if one of these sensations occurs the others are expected to occur also, in a specific order. Such sequences are called causal sequences. The individual will try to use his knowledge of causal sequences to obtain certain desired sensations by producing a sensation that precedes the desired sensation in a previously experienced, causal sequence. This shift from end to means is called “cunning act” by Brouwer. Certain complexes of sensations are independent of the order in time, and their dependence on the individual is small or nil. These complexes are called things, e.g. external objects, human beings. The whole of things is called the external world of the individual. The relation of the individual with other individuals (which are again sensation complexes, i.e. things) is described by identification of causal sequences, observed by the individual, of itself and of other individuals. This identification justifies the term “acts of other individuals”. It is observed by the individual that causal acts (i.e. cunning acts based on knowledge of causal sequences) of itself and other individuals are highly dependent. Hence the need for cooperative causal acts arises. This is where scientific thinking, as an economical way to deal with large groups of these causal acts, is introduced. Scientific thinking as such is based on mathematics. The genesis of mathematics takes place at the creation of two-ities. Brouwer construes the two-ity from a move of time, which is a concept defined with respect to the individual. Namely: a move of time takes place when one sensation gives way to another. Both sensations are retained in their proper order and constitute a two-ity. The individual abstracts all quality of this two-ity and uses it as the basic ingredient for iterative processes. These iterative procedures can create predeterminately or more or less freely infinite proceeding sequences of mathematical entities previously produced.
Abraham Adolf Fraenkel (Foundations of Set Theory (Volume 67) (Studies in Logic and the Foundations of Mathematics, Volume 67))
As I observe the passage of time, I find an increasing appreciation for the concept of departure from this realm, not from a place of sorrow, but rather from an evolving sense of disconnection from a civilization that appears to be loosening its hold on intellect and decorum. The vernacular and idioms humans employ are shifting, less focused on the conveyance of ideas and more on the provocation of reaction or disdain. It is perplexing to witness linguistic constructs, across various tongues like Spanish, being repurposed not for their original intent but as subtle derogations. My aversion has always been towards the trivialization of language through vulgarity or derision masquerading as cleverness, particularly when it belittles or scoffs. Once, I entertained notions of altering the societal fabric, aspiring to refine the dialogue, yet now I grasp the insight in transforming one's own essence instead. Perhaps the ultimate retreat lies not in relocating to another dimension but in transcending to a higher state of consciousness, where the cacophony of this world becomes merely a faint murmur.
Yvonne Padmos
In mid-1986, Letterman got an unexpected call from Dave Tebet, the Carson Productions executive who worked with “Late Night.” Tebet said that he and Henry Bushkin, Johnny Carson’s extremely powerful attorney, business partner, and author of his 2013 tell-all, wanted to meet with Letterman—by himself, totally confidentially. Letterman was stunned when he heard what they had come to propose: They were offering him the “Tonight ” show; they wanted him to take Johnny Carson’s job. Bushkin, in his role as head of Carson Productions, said that the company intended to maintain ownership of the “Tonight ” show after Johnny stepped down, and now was the time to line up Letterman to slip into Johnny’s chair. The details were vague, and to Letterman they sounded deliberately so. He said he was flattered, he listened politely, but his radar was signaling a warning. Neither man told Letterman how or when this ascension would be accomplished, a problem that started sounding even worse when Bushkin advised Letterman that no one at NBC or anywhere else knew of the plan yet—not even Carson. Letterman, already nervous, now started to feel as if he were getting close to a fire he didn’t want to be in the same campground with. They asked Letterman not to tell anyone, not even his management. They would get back to him. The more Letterman thought about it, the more it sounded like a palace coup. His immediate instinct was to stay out of this, because there was going to be warfare of some sort. He feared Carson would interpret this maneuver as plotting and he guessed what might happen next: Johnny’s best friend Bushkin wouldn’t take the fall. Nor would his old crony, Tebet. It would be the punk who got blamed for engineering this. Letterman broke his promise and called Peter Lassally, Carson’s producer. Lassally was shocked by what he heard. He suspected that Bushkin was involved in all sorts of machinations that never benefited Carson. He thought about telling Johnny, but other attempts to alert the star to questionable activities by Bushkin had been harshly rebuffed. Lassally decided to see what developed and advised Dave to keep Bushkin and Tebet at a distance. Letterman had a couple of more phone calls from Bushkin and Tebet about the deal; they discussed it with Ron Ellberger, the Indianapolis attorney that Letterman still employed. Tebet blamed the lawyer for muddying up the deal, and eventually said that Carson knew of the plan and had approved of the idea of lining up Letterman for the future. But Tebet was lying; Carson had never heard a word about it, and when he did—long after the approach had taken place and Bushkin and Tebet were both long gone—Carson exploded with rage at the thought that this plotting had gone on behind his back. He knew exactly what he would have done if he had learned of it at the time: He would have fired Bushkin and Tebet before another day elapsed. Letterman had guessed right in steering clear of the coup. When he learned that Carson hadn’t known what was going on, Letterman was deeply thankful for his cautious instincts. When the offer from Bushkin melted away, Letterman tried not to give it any second thoughts. Only for the briefest time did he think that he might have walked away from an offer to host the “Tonight” show. The next time, it would not be nearly so easy to take.
Bill Carter (The Late Shift: Letterman, Leno & the Network Battle for the Night)
Finally, every society develops a system of aesthetic standards that get manifested in everything from decorative art, music, and dance to the architecture and planning of buildings and communities. There are many different ways we could examine artistic systems. One way of thinking about it is to observe the degree to which a society's aesthetics reflect clear lines and solid boundaries versus fluid ones. Many Western cultures favor clean, tight boundaries whereas many Eastern cultures prefer more fluid, indiscriminate lines. In most Western homes, kitchen drawers are organized so that forks are with forks and knives are with knives. The walls of a room are usually uniform in color, and when a creative shift in color does occur, it usually happens at a corner or along a straight line midway down the wall. Pictures are framed with straight edges, molding covers up seams in the wall, and lawns are edged to form a clear line between the sidewalk and the lawn. Why? Because we view life in terms of classifications, categories, and taxonomies. And cleanliness itself is largely defined by the degree of order that exists. It has little to do with sanitation and far more to do with whether things appear to be in their proper place. Maintaining boundaries is essential in the Western world; otherwise categories begin to disintegrate and chaos sets in.13 Most Americans want dandelion-free lawns and roads with clear lanes prescribing where to drive and where not to drive. Men wear ties to cover the adjoining fabric on the shirts that they put on before going to the symphony, where they listen to classical music based on a scale with seven notes and five half steps. Each note has a fixed pitch, defined in terms of the lengths of the sound waves it produces.14 A good performance occurs when the musicians hit the notes precisely. In contrast, many Eastern cultures have little concern in everyday life for sharp boundaries and uniform categories. Different colors of paint may be used at various places on the same wall. And the paint may well “spill” over onto the window glass and ceiling. Meals are a fascinating array of ingredients where food is best enjoyed when mixed together on your plate. Roads and driving patterns are flexible. The lanes ebb and flow as needed depending on the volume of traffic. In a place like Cambodia or Nigeria, the road space is available for whichever direction a vehicle needs it most, whatever the time of day. And people often meander along the road in their vehicles the same way they walk along a path. There are many other ways aesthetics between one place and another could be contrasted. But the important point is some basic understanding of how cultures differ within the realm of aesthetics. Soak in the local art of a place and chalk it up to informing your strategy for international business.
David Livermore (Leading with Cultural Intelligence: The New Secret to Success)
Kerry shifted her attention from Hardy to the rest of the still-milling crowd and tried to ignore the murmurs that included Cooper’s nickname for her and speculations on there being yet another McCrae family wedding. She needed to put an end to that before it even started. She clapped her hands, drawing everyone’s attention to her, then strode to the bar and hoisted herself right up on it, straight to her feet. She was no weakling herself. “Okay, listen up, everyone.” The noise abruptly wound down again, though not to the complete silence of before. “I’d like you to meet Cooper Jax, from Cameroo Downs cattle station, Northern Territory, Australia.” Heads swiveled and Cooper smiled, nodded several times, shifting his gaze around the room as he did, easily meeting everyone’s avidly curious gazes. But when that gaze went back to Kerry, despite the smile creasing his handsome face, the look in his eyes was anything but casual. Kerry ignored that. Or tried to. She shifted her attention back to the crowd. “I worked the Jax family’s station for close to a year, just before coming home for Logan’s wedding.” Blueberry Cove was small enough that everyone knew who Logan McCrae was. Not only due to his police chief status but, as it happened, the McCraes were also a founding family of the Cove. There wasn’t much the general populace didn’t know about the entire history of her family, past and present. “Long time for you,” came a voice from somewhere in the crowd. Kerry recognized the scratchy voice; Stokey Parker. A Rusty Puffin regular and one of Fergus’s cronies. “Heard tell you don’t stick in one place too long. Guess we know now what the draw was Down Under.” A chuckle went up in the crowd, and Kerry knew this wasn’t going as she’d planned. Not that she’d had much of a plan. “Thanks, Stokey. Australia is a beautiful country. I loved it there.” That much was sincere. All the same, she carefully kept from looking anywhere near Cooper’s direction. “But I’m home in the Cove now.” She expanded her gaze to encompass the full crowd again. “I appreciate that you’re all entertained by this…little surprise.” She swallowed hard and looked at Cooper as she added, “But there’s not going to be another McCrae wedding.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
To paraphrase the very quotable Silicon Valley venture capitalist Marc Andreessen, in the future there will be two types of jobs: people who tell computers what to do, and people who are told by computers what to do. Wall Street was merely the first inkling. The next place where this shift would be seen at whopping scale in terms of both money and technology (though I didn’t realize at the time) was in Internet advertising. And after that, it would hit transportation (Uber), hostelry (Airbnb), food delivery (Instacart), and so on. To take the theory further, computation would no longer fill some hard gap in a human workflow process, such as the calculators used by accountants. Humans would fill the hard gaps in a purely computer workflow process, like Uber’s drivers. But we’re getting ahead of ourselves. There’s an additional lesson here. This shift from humans to computers took place predominantly on the equity side of things. The debt side of the financial world, for various reasons, still traded in what amounted to open-outcry markets with humans talking to one another, whether through phones or instant messaging systems. It was capitalism at the speed a tongue can wag or hands can type. This was mostly because a company’s debt is complex and multifarious, and entities like General Motors have hundreds if not thousands of different types of debt floating around the world’s trading floors. Briefly, they are not what economists call “fungible,” meaning interchangeable the way quarter-inch screws or bottle caps are.
Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)
Benefits of Using Frosted Film Tint The 1st step, clear the glass on which the movie is to be applied to. By removing an dried [paint spots and washing it with soapy water that's clean. It is because the any filth will give the glass an unpleasant look. Nonetheless, a point to note is to not use any kind of window cleansing spray as it'll harm the film. Place the film on a flat ground and then peel it back on itself. You will then have to spray the glass with dish washing answer as well as your fingers to enable you to slide the film perfectly in place. Carefully choose the movie by its corners and with the sticky facet going through the glass and punctiliously place it not permitting it to wrinkle or crease. Wrap a chunk of material on a bank card and use it to carefully smooth down the movie from the middle shifting in the direction of its edges. Then wipe the excess water since if left there may make the laminate transfer.If there is any extra movie, trim it down with a sharp object. After you're executed and there are still bubbles beneath the film, use a hair drier to push them out. If they persist fastidiously prick them and press again the film. Today, many individuals are overwhelmed when it comes to selecting the ideal window tinting as a result of they do come in useful. One has the choice of choosing various tints and their types. Individuals do select to install window tints as a result of they've advantages which you may not get if your home lacks it. In most family, the well-known tints in use are the frosted tints. They're greatest suited to residing and bed rooms. Window tints are design in another way depending on the place they're to be put in that's the reason you need the assistance of Window Frosting Service professionals to assist you in making sound resolution. The very best Window Frosting Sydney thing about window frosting is that they don't possess the inconveniences usually associated with traditional window coverings. Furthermore, as it is not reliant on obstructing the pure passage of light for creating privateness, you are free to have an area that, inspite of being airy and light, might be your own private chamber. Nonetheless, you should also concentrate on the fact that you might be provided minimal safety against UV rays by the sort of window tint.
Flintoff
When antigenic shift occurs, strains crop up bearing a totally new hemagglutinin spike, and sometimes also a new neuraminidase molecule, that most people have never encountered. As a result the virus may evade the antibody repertoire carried by all populations around the globe and trigger a pandemic. In today’s jet-linked world, people can spread a dangerous new virus from one part of the earth to another in a day. Such a drastic metamorphosis cannot occur through simple genetic mutation. The best-studied process leading to antigenic shift involves the mixing of two viral strains in one host cell, so that the genes packaged in new viral particles (and their corresponding proteins) come partly from one strain and partly from the other. This reassortment can take place because the genome, or genetic complement, of the influenza virus consists of eight discrete strands of RNA (each of which codes for one or two proteins). These strands are easily mixed and matched when new influenza A particles form in a dually infected cell. For instance, some influenza viruses infect both people and pigs. If a pig were somehow invaded by a human virus and by a strain that typically infected only birds, the pig might end up producing a hybrid strain that was like the human virus in every way except for displaying, say, a hemagglutinin molecule from the bird virus.
Scientific American (The Influenza Threat: Pandemic in the Making)
For the elite of his day, and for the monetary elite today, the Hegelian dialectic provides tools for the manipulation of society. To move the public from point A to point B, one need only find a spokesperson for a certain argument and position him or her as an authority. That person represents Goalpost One. Another spokesperson is positioned on the other side of the argument, to represent Goalpost Two. Argument A and B can then be used to manipulate a given social discussion. If one wishes, for in stance, to promote Idea C, one merely needs to promote the arguments of Goalpost One (that tend to promote Idea C) more effectively than the arguments of Goalpost Two. This forces a slippage of Goalpost Two’s position. Thus both Goalpost One and Goalpost Two advance downfield toward Idea C. Eventually, Goalpost Two occupies Goalpost One’s original position. The “anti-C” argument now occupies the pro-C position. In this manner whole social conversations are shifted from, say, a debate over market freedom vs. socialism to a debate about the degree of socialism that is desirable. The Hegelian dialectic is a powerful technique for influencing the conversations of cultures and nations, especially if one already controls (owns) much of the important media in which the arguments take place. One can then, as the monetary elite characteristically do, emphasize one argument at the expense of the other, effectively shifting the positions of Goalposts One and Two.” - Daily Bell, Hegelian Dialectic
Vigilant Citizen (The Vigilant Citizen - Articles Compilation: Symbols Rule the World, Not Words nor Laws)
They sat in a sphere of quiet, save the sound of their breathing and the carriage’s creaks and sways. Outside, the coachman yelled his encouragement to the steeds moving them forward. The whole carriage cocooned them in a peculiar world with the heaven’s wool-thick mists pressing against the windows. Her hand didn’t stop rubbing his neck, but she shifted her leg, bending her knee to rest her leg on his thigh. Her patten slipped off, dropping to the floor with a thud. Cyrus’s head moved off the squab. “Are you undressing for my benefit?” His smile’s wicked curve played on her. From her stays to her drawers, everything was too tight, too much against her skin. Cyrus reached for her hand working his neck muscles. He brought it to his lips and kissed her knuckles thrice with slow adoration. “We don’t have to stop,” she said, her voice breathy and quick. “I’m sure you have more aches and pains.” Mid-kiss, he smiled against the back of her hand, his warm breath brushing her skin. “There are so many ways a man could go with that.” Humor lightened his voice. “But I’m sure you mean to provide tender care to my neck only.” She grinned at her unintended innuendo. This was the experience she craved—to flirt and tease, to kiss and touch. Cyrus put his lips to her wrist, marking her with hot kisses. A spangle of pleasure shot up her arm. “You would break down the meanest soul with your soft heart.” He set her hand on the blanket’s scratchy folds, his thumb caressing her wrist. “High praise, indeed, sir.” Tinseled sparks danced across her skin, not letting her recover from those gentle touches, his lips to her arm. He stroked a lone finger on her hand that rested between them. “And you don’t care one bit that I’m the son of a Midland swine farmer, do you?” Cyrus asked the unexpected question, but his voice conveyed confidence in her answer. Was her chivalrous brawler showing a hidden spot? She peered at him, wanting a better view of his shadowed features. How was she to decipher this latest turn? The carriage bumped and rocked, and the outside candle lantern swung another shaft of light inside. His quicksilver stare pinned her. “Miss Mayhew, have you ever wondered how a freehold farmer got to be in such a fine place?
Gina Conkle (The Lady Meets Her Match (Midnight Meetings, #2))
What the hell is your problem?!” Carter looked a little sheepish, “I’m just looking out for you Blaze.” “You’re being an asshole!” “Well!” His arms shot out to the side, “I don’t think he’s good for you.” I was getting freaking tired of people telling me who is and isn’t good for me. I crossed my arms over my chest, wishing I would have put my shirt back on. “And why is that Jason?” His eye flashed with hurt, he knew I only used his first name when I was mad at him, “Because of what he does. You heard him, he fights for a living Blaze. And he was having a hell of a time trying not to hit me and I just met him.” “Because you were being incredibly rude! And you’re right, you two had just met. If you would have given him five seconds you would have seen how amazing he is. Instead, you continued to push every button you could find, and why did you have to keep calling me your girl. I’m not your anything and you know that.” “You’re my best friend Blaze.” He said softly. “And I thought you were mine, but my best friend wouldn’t have treated anyone the way you just did, especially my boyfriend.” I turned to walk away but he grabbed my arm. “Blaze I’m sorry. Please don’t walk away from me, I’ll make this up to you I swear.” Yanking my arm from his loose hold, I stepped closer to his body, even though I was much shorter than him, he still backed up, “Do you have any idea how much you’ve embarrassed me?” I put my hands on his chest and shoved him back, “When I told them about you, all I did was gush over how awesome you were and how much I missed you. Then you show up and treat them this way?” I looked down trying to get ahold of my emotions that were all over the place. I was embarrassed, angry and sad for the loss of the Carter I knew. Huffing sadly, I glanced back up at him, “Go back to base Carter and please don’t call me anymore. You shouldn’t have come to California.” He grabbed my hand when I turned away and pulled me back to his chest, wrapping his arms around me. “I’m so sorry Harper. I was being stupid, I just – I don’t know. I guess I felt threatened by them, you’re my best friend, and they were all looking at me like they wanted to protect you from me. It pissed me off, and I shouldn’t have let it. I’m really sorry.” I sighed and put my arms around his waist, “Because they would protect me in a second. It’s just the same as it was on base, Carter. These guys are really protective of me and Bree. That’s why I’m so comfortable with them, it’s like I went from one family of a bunch of brothers, to another.” “But you barely know them.” “Carter,” I laughed lightly, “how long had I known you before you knocked out a guy from a different unit that said something about my chest?” He shifted his weight not wanting to answer, so I continued, “About two hours. It’s the same.” “It’s not Blaze. I want to be the one to protect you. I don’t want anyone else to do my job.” “Oh my God. What is it with you guys? I don’t need anyone protecting me and I’m not your responsibility.” “I know you don’t,” he pulled back a bit and looked at my face, “there’s just something about you that makes guys go crazy wanting to take care of you.” I
Molly McAdams (Taking Chances (Taking Chances, #1))
There was something in his manner of seduction, no show of desire at all; what he offered was a transaction, and again he showed no disappointment when reflexively and without hesitation I said no to him. It was the answer I had always given to such proposals (which are inevitable in the places I frequent), not out of any moral conviction but out of pride, a pride that had weakened in recent years, as I realized I was being shifted by the passage of time from one category of erotic object to another.
Garth Greenwell (What Belongs to You)
We’re shifting from one pattern, one societal creature, to another. And as long as we conceive of society, the world, and our place in it, from a distinctly modern perspective, we will have mounting dissonance until our ears bleed.
Hanzi Freinacht (Nordic Ideology: A Metamodern Guide to Politics, Book Two)
Activities to Develop the Proprioceptive System Lifting and Carrying Heavy Loads—Have the child pick up and carry soft-drink bottles to the picnic; laundry baskets upstairs; or grocery bags, filled with nonbreakables, into the house. He can also lug a box of books, a bucket of blocks, or a pail of water from one spot to another. Pushing and Pulling—Have the child push or drag grocery bags from door to kitchen. Let him push the stroller, vacuum, rake, shove heavy boxes, tow a friend on a sled, or pull a loaded wagon. Hard muscular work jazzes up the muscles. Hanging by the Arms—Mount a chinning bar in a doorway, or take your child to the park to hang from the monkey bars. When she suspends her weight from her hands, her stretching muscles send sensory messages to her brain. When she shifts from hand to hand as she travels underneath the monkey bars, she is developing upper-body strength. Hermit Crab—Place a large bag of rice or beans on the child’s back and let her move around with a heavy “shell” on her back. Joint Squeeze—Put one hand on the child’s forearm and the other on his upper arm; slowly press toward and away from his elbow. Repeat at his knee and shoulder. Press down on his head. Straighten and bend his fingers, wrists, elbows, knees, ankles, and toes. These extension and flexion techniques provide traction and compression to his joints and are effective when he’s stuck in tight spaces, such as church pews, movie theaters, cars, trains, and especially airplanes where the air pressure changes. Body Squeeze—Sit on the floor behind your child, straddling him with your legs. Put your arms around his knees, draw them toward his chest, and squeeze hard. Holding tight, rock him forward and back.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
The gelding had a broad back, making for a comfortable ride. Yedan rode at a canter. Ahead, the hills thickened with scrub, and beyond was a forest of white trees, branches like twisted bones, leaves so dark as to be almost black. Just before them and running the length of the wooded fringe rose dolmens of grey granite, their edges grooved and faces pitted with cup-shaped, ground-out depressions. Each stone was massive, twice the height of a grown man, and crowding the foot of each one that he could see were skulls. He slowed his mount, reined in a half-dozen paces from the nearest standing stone. Sat motionless, flies buzzing round the horse’s flickering ears, and studied those grisly offerings. Cold judgement was never short of pilgrims. Alas, true justice had no reason to respect secrets, as those close-fisted pilgrims had clearly discovered. A final and fatal revelation. Minute popping sounds in the air announced the approach of dread power, as the buzzing flies ignited in mid-flight, black bodies bursting like acorns in a fire. The horse shied slightly, muscles growing taut beneath Yedan, and then snorted in sudden fear. ‘Hold,’ Yedan murmured, his voice calming the beast. Those of the royal line among the Shake possessed ancient knowledge, memories thick as blood. Tales of ancient foes, sworn enemies of the uncertain Shore. More perhaps than most, the Shake rulers understood that a thing could be both one and the other, or indeed neither. Sides possessed undersides and even those terms were suspect. Language itself stuttered in the face of such complexities, such rampant subtleties of nature. In this place, however, the blended flavours of compassion were anathema to the powers that ruled. Yet the lone figure that strode out from the forest was so unexpected that Yedan Derryg grunted as if he had been punched in the chest. ‘This realm is not yours,’ he said, fighting to control his horse. ‘This land is consecrated for adjudication,’ the Forkrul Assail said. ‘I am named Repose. Give me your name, seeker, that I may know you—’ ‘Before delivering judgement upon me?’ The tall, ungainly creature, naked and weaponless, cocked his head. ‘You are not alone. You and your followers have brought discord to this land. Do not delay me—you cannot evade what hides within you. I shall be your truth.’ ‘I am Yedan Derryg.’ The Forkrul Assail frowned. ‘This yields me no ingress—why is that? How is it you block me, mortal?’ ‘I will give you that answer,’ Yedan replied, slipping down from the horse. He drew his sword. Repose stared at him. ‘Your defiance is useless.’ Yedan advanced on him. ‘Is it? But, how can you know for certain? My name yields you no purchase upon my soul. Why is that?’ ‘Explain this, mortal.’ ‘My name is meaningless. It is my title that holds my truth. My title, and my blood.’ The Forkrul Assail shifted his stance, lifting his hands. ‘One way or another, I will know you, mortal.’ ‘Yes, you will.’ Repose attacked, his hands a blur. But those deadly weapons cut empty air, as Yedan was suddenly behind the Forkrul Assail, sword chopping into the back of the creature’s elongated legs, the iron edge cutting between each leg’s two hinged knees, severing the buried tendons—Repose toppled forward, arms flailing. Yedan chopped down a second time, cutting off the Assail’s left arm. Blue, thin blood sprayed on to the ground. ‘I am Shake,’ Yedan said, raising his sword once more. ‘I am the Watch.’ The sudden hiss from Repose was shortlived, as Yedan’s sword took off the top of the Forkrul Assail’s head.
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
The care home is set back from the road. There are trees crowding out the whole front of the place. I stand outside on the pavement and wonder what I should do. There is a postman on the other side of the road, but other than that – no one. I inhale. Life has a strange rhythm. It takes a while to fully be aware of this. Decades. Centuries, even. It’s not a simple rhythm. But the rhythm is there. The tempo shifts and fluctuates; there are structures within structures, patterns within patterns. It’s baffling. Like when you first hear John Coltrane on the saxophone. But if you stick with it, the elements of familiarity become clear. The current rhythm is speeding up. I am approaching a crescendo. Everything is happening all at once. That is one of the patterns: when nothing is happening, nothing continues to happen, but after a while the lull becomes too much and the drums need to kick in. Something has to happen. Often that need comes from yourself. You make a phone call. tures within structures, patterns within patterns. It’s baffling. Like when you first hear John Coltrane on the saxophone. But if you stick with it, the elements of familiarity become clear. The current rhythm is speeding up. I am approaching a crescendo. Everything is happening all at once. That is one of the patterns: when nothing is happening, nothing continues to happen, but after a while the lull becomes too much and the drums need to kick in. Something has to happen. Often that need comes from yourself. You make a phone call. You say, ‘I can’t do this life any more, I need to change.’ And one thing happens that you are in control of. And then another happens which you have no say over. Newton’s third law of motion. Actions create reactions. When things start to happen, other things start to happen. But sometimes it seems there is no explanation as to why the things are happening – why all the buses are coming along at once – why life’s moments of luck and pain arrive in clusters. All we can do is observe the pattern, the rhythm, and then live it.
Matt Haig (How to Stop Time)
Is it really safe to invest in stocks? To answer that question, we would really first need to ask ourselves: what is safe after all? More so, what is safe in business? The answer would be “NOTHING”. Here it is – the stark reality: all businesses have their risks and as far as risks are concerned, the stock market is just another kind of business; that is it! All deep-rooted and unbeaten stock market will advise you on the affirmative. Yet the faint possibility remains that you, at the same time, will without doubt happen upon other stock market players who have done pathetically in the stock market. These traders, when their opinion is sought, will not leave a stone unturned in advising you to steer clear of the stock market. Mystified whose advice you should take? Fine, both are correct in their own points of view. To cross the threshold into well-paid stock market share trading in the marketplace of any place in the human race, it is to a great extent compulsory that you are geared up with the inclusive fluency of the sod above and beyond in receipt of rationalized with the up to date market shifts so that you prefer no less than probable stocks. In essence then can day businesses bear out valuable? If you are in a job in a different place and are unable to have a look at the trade area under conversation well again, it is advisable that you should not make your mind up on daylight trading. You will in point of fact happen upon other forms of trade which do not necessitate your day and night inspection. You in all probability will chew over those as well. Affecting the traders It would also be a reasonable word of warning to say publicly that the stock market affects different types of traders differently. There are cases in point of a lot of investors who have become cleaned out. Putting on next to nothing information and gambling into the share market perceiving others producing immense wealth possibly will provide evidence of being hazardous for you. You could wind up bringing up the rear to your richly deserved wealth and habitual failures will very soon plead your case before you to make your way out from the stock market panorama. Stage-managing and putting on unconditional awareness previous to putting money in will certainly twirl the bazaar in your prop up. Outline your objectives You will of course call for to outline your objectives and endeavor to come across the varied working expenditure alternatives in the stock market. At the beginning decide on fragile investments with the intention that even though you put on or incur fatalities, you will in next to no time gain knowledge of the ins and outs of the deal. Just the once you are contented, you can settle on volume funds. You in all probability will decide on each and every one of the three dealing preferences, specifically day business, short-term trading and enduring investment. At one fell swoop given your institution of resource of profits is exclusively the stock market; you will be able to broaden the horizons of your venture ambitions to a larger extent, for instance conjecture in mutual funds, money futures, product futures, and supplementary endeavor goods. You can accordingly keep up equilibrium of your ventures and disappointments if a few will by a hair's breadth inconvenience you. Seeking singular venture alternatives will additionally comply to you eloquent which one goes well with you the most excellent and you can in that case put in funds in capacity in the unwritten prospect. Make the best use of stock market It often comes to our notice that the stock market if used fine provides us with an exceptionally excellent occasion to put together loads of wealth and in addition utilize the stock market as our principal foundation of revenue. There are also the risks yet the faint possibility remains that risks are everywhere, in every trade.
sharetipsinfo
In this regard I saw a sudden surge of private outreach surrounding each family and each child in need. Waves of individuals began to form personal relationships, beginning with those who saw the family every day—merchants, teachers, police officers on the beat, ministers. This contact was then expanded by other volunteers working as “big brothers,” “big sisters,” and tutors—all guided by their inner intuitions to help, remembering their intention to make a difference with one family, one child. And all carrying the contagion of the Insights and the crucial message that no matter how tough the situation, or how entrenched the self-defeating habits, each of us can wake up to a memory of mission and purpose. As this contagion continued, incidents of violent crime began mysteriously to decrease across human culture; for, as we saw clearly, the roots of violence are always frustration and passion and fear scripts that dehumanize the victim, and a growing interaction with those carrying a higher awareness was now beginning to disrupt this mind-set. We saw a new consensus emerging toward crime that drew from both traditional and human-potential ideas. In the short run, there would be a need for new prisons and detention facilities, as the traditional truth was recognized that returning offenders to the community too soon, or leniently letting perpetrators go in order to give them another chance, reinforced the behavior. Yet, at the same time, we saw an integration of the Insights into the actual operation of these facilities, introducing a wave of private involvement with those incarcerated, shifting the crime culture and initiating the only rehabilitation that works: the contagion of remembering. Simultaneously, as increasingly more people awakened, I saw millions of individuals taking the time to intervene in conflict at every level of human culture—for we all were reaching a new understanding of what was at stake. In every situation where a husband or wife grew angry and lashed out at the other, or where addictive compulsions or a desperate need for approval led a youthful gang member to kill, or where people felt so restricted in their lives that they embezzled or defrauded or manipulated others for gain; in all these situations, there was someone perfectly placed to have prevented the violence but who had failed to act. Surrounding this potential hero were perhaps dozens of other friends and acquaintances who had likewise failed, because they didn’t convey the information and ideas that would have created the wider support system for the intervention to have taken place: In the past perhaps, this failure could have been rationalized, but no longer. Now the Tenth Insight was emerging and we knew that the people in our lives were probably souls with whom we had had long relationships over many lifetimes, and who were now counting on our help. So we are compelled to act, compelled to be courageous. None of us wants to have failure on our conscience, or have to bear a torturous Life Review in which we must watch the tragic consequences of our timidity.
James Redfield (The Tenth Insight: Holding the Vision (Celestine Prophecy #2))
As we continued to watch, the scenes accelerated forward, and we could see individuals remembering their spiritual missions at increasingly younger ages. Here we could see the precise understanding that would soon embody the new spiritual world-view. Individuals would come of age and remember themselves as souls born from one dimension of existence into another. Although memory loss during the transition would be expected, recapturing pre-life memory would become an important early goal of education. As youths, our teachers would first guide us through the early experience of synchronicity; urge us to identify our intuitions to study certain subjects, to visit particular places, always looking for higher answers as to why we were pursuing these particular paths. As the full memory of the Insights emerged, we would find ourselves involved with certain groups, working on particular projects, bringing in our full vision of what we had wanted to do. And finally we would recover the underlying intention behind our lives. We would know that we came here to raise the vibratory level of this planet, to discover and protect the beauty and energy of its natural sites, and to ensure that all humans had access to these special locations, so that we could continue to increase our energy, ultimately instituting the Afterlife culture here in the physical. Such a worldview would especially shift the way we looked at other people. No longer would we see human beings merely in the racial dress or national origin of one particular lifetime. Instead, we would see others as brother or sister souls, engaged, like us, in a process of coming awake and of spiritualizing the planet. It would become known that the settling of certain souls into various geographical locations on the planet had occurred with great meaning. Each nation was, in fact, an enclave of specific spiritual information, shared and modeled by its citizens, information waiting to be learned and integrated. As I watched the future unfold, I could see that a world political unity, envisioned by so many, was finally being achieved— not by forcing all nations into subservience to one political body, but rather through a grassroots acknowledgment of our spiritual similarities while treasuring our local autonomy and cultural differences. As with individuals interacting in a group, each member of the family of nations was being recognized for this culture truth represented to the world at large. Before us, we saw Earth’s political struggles, so often violent, shifting into a war of words. As the tide of remembrance continued to sweep the planet, all humans began to understand that our destiny was to discuss and compare the perspectives of our relative religions and, while honoring the best of their individual doctrines at the personal level, ultimately to see that each religion supplemented the others and to integrate them into a synthesized global spirituality.
James Redfield (The Tenth Insight: Holding the Vision (Celestine Prophecy #2))
In this experiment you’re going to prove that your thoughts and feelings also create energy waves. Here’s what you do: Get two wire coat hangers, easy to obtain in most any closet. Untwist the neck of each hanger until you’ve got just two straight wires. These are your “Einstein wands.” Or rather they will be when you shape them into an L, about 12 inches long for the main part and 5 inches for the handle. Cut a plastic straw in half (you can score one free of charge at any McDonald’s), slide the handle that you just bent inside the straws (it’ll make your wands swing easily), and bend the bottom of the hanger to hold the straw in place. Now, pretend you’re a double-fisted, gun-slinging Matt Dillon from Gunsmoke with the wands held chest high and about ten inches from your body. They’ll flap all over the place at first (like I said, you’re an ongoing river of energy), so give them a few moments to settle down. Once they’ve stopped flapping, you’re ready to begin the experiment. With your eyes straight ahead, vividly recall some very unpleasant event from your past. Depending on the intensity of your emotion, the wands will either stay straight ahead (weak intensity) or will point inward, tip to tip. The wands are following the electromagnetic bands around your body, which have contracted as a result of the negative frequency generated by your unpleasant thought and emotions. Now make your frequencies turn positive by thinking about something loving or joyous. The wands will now expand outward as your energy field expands to your positive energy flow. Okay, now keep your eyes straight ahead, but focus your attention on an object to your far right or far left and watch your wands follow your thoughts. The more you play with this, the more adept you’ll become at feeling the vibrational shift as you change from one frequency to another.
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
Would that I knew what others ignore, Such as has not been repeated, To say it and have my heart answer me, To inform it of my distress. Shift to it the load on my back, The matters that afflict me. Relate to it of what I suffer And sigh “Ah" with relief! of meditate on what has happened, The events that occur throughout the land: Changes take place, it is not like last year, One year is more irksome than the other. The land breaks up, is destroyed. Becomes [a wasteland]. Order is cast out, Chaos is in the council hail ; The ways of the gods are violated, Their provisions neglected. The land is in turmoil. There is mourning everywhere; Towns, districts are grieving, All alike are burdened by wrongs. One turns one’s back on dignity. The lords of silence are disturbed; As dawn comes every day. The face recoils from events. I cry out about it, My limbs are weighed down, I grieve in my heart. It is hard to keep silent about it, Another heart would bend; But a heart strong in distress: It is a comrade to its lord. Had I a heart skilled in hardship, I would take my rest upon it. Weigh it down with words of grief. Lay on it my malady! He said to his heart: Come, my heart, I speak to you. Answer me my sayings! Unravel for me what goes on in the land, Why those who shone are overthrown. I meditate on what has happened: While trouble entered in today, And turmoil will not cease tomorrow, Everyone is mute about it. The whole land is in great distress, Nobody is free from erime; Hearts are greedy. He who gave orders takes orders, And the hearts of both submit. One wakes to it every day. And the hearts do not reject it. Yesterday's condition is like today’s None is wise enough to know it, None angry enough to cry out, One wakes to suffer each day. My malady is long and heavy. The sufferer lacks strength to save himself From that which overwhelms him. It is pain to be silent to what one hears, It is futile to answer the ignorant. To reject a speech makes enmity; The heart does not accept the truth, One cannot bear a statement of fact, A man loves only his own words. Everyone builds on crookedness, Right-speaking is abandoned. I spoke to you, my heart, answer you me, A heart addressed must not be silent, Lo, servant and master fare alike, There is much that weighs upon you!
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
If California is the future of the United States, Los Angeles may offer a lesson. In 1960, it was 72 percent white, but in just ten years that figure dropped to 59 percent, and by 2000 the city was only 33 percent white. During the 1980s, while every other racial group was gaining in numbers, Los Angeles County lost 330,000 whites, and a startling 570,000 during the 1990s. Where did they go? Beginning in the 1980s, California saw a major shift of whites from southern, immigrant-heavy regions to the white north. Many moved to Nevada County, which Mel Mouser, the police chief of the town of Grass Valley, called 'the largest concentration of Caucasians in the state of California.' In the 15 years ending in 1995, the county's population grew by no less than 65 percent and remained 93 percent white. The newcomers were looking for the kind of homogeneity they grew up with but had lost to immigrants. As Chief Mouser explained, the newcomers 'bring with them the common strain of thought: Don't let it be like where I came from.' Although Americans have learned to give non-racial reasons like 'crime' or 'bad schools' for leaving cities, many ex-Los Angelenos were candid about what drove them away. As one 1990s transplant explained, 'People come here for a timeout, to go some place where racial problems don't exist. [...] And when they find it here, they're pathetically grateful. They want to protect it.' Another explained: 'I'd look at my daughter's classroom and see two blondes. [...] It seemed like there was more of everything else but whites.
Jared Taylor (White Identity: Racial Consciousness in the 21st Century)
We were standing in a row at the counter, with Patsy in the middle, when she shifted slightly and whispered to [Detective] Gosage, “Will this help find who killed my baby?” He carefully replied, equally softly, “I hope so.” Patsy looked at her inked fingers and spoke again. “I didn’t kill my baby.” The [Ramsey] lawyer apparently did not hear her, but my head snapped around as if on a swivel. Colorado Revised Statute Procedure 41.1 spelled out that we couldn’t ask investigative questions during this evidence collection, but we could certainly listen if anything was said voluntarily, and the mother of the murder victim had blurted out something totally unexpected. I directed my comment to Gosage. “What did she just say?” Patsy Ramsey repeated, to me this time, “I didn’t kill my baby.” The lawyer lurched away from the wall, placed his hands on her shoulders, brought his face to within inches of her ear, and whispered emphatically. She didn’t say another word during the entire session, but what she had already said hung like thunder. I didn’t kill my baby. No one suggested that she had.
A. James Kolar (Foreign Faction: Who Really Kidnapped JonBenet?)
With the rise of the Internet, technology, smartphones, and social media, an interesting—and alarming—shift has taken place in the last two decades. As a society, rather than becoming more capable of human connection, we have become more and more isolated from one another. Yet it’s relationships that are absolutely critical and essential to driving both professional and personal success.
Jason Treu (Social Wealth: How to Build Extraordinary Relationships By Transforming the Way We Live, Love, Lead and Network)
Mistress Rafferty,” began the Sergeant in self-conscious formality of tone, “I am a much older man than the one we have just laid to rest, but I am sober, honest and mindful of the plight of those placed in the situation you find yourself facing. You must take another husband straightway, and there’s many’ll be lining up for the privilege. First, though, I wants to put a proposition before you. My age is forty-six, and I’m due for promotion again before too long passes. I drinks a spot of porter now and again, but no more than that. As a boy I was school-taught and I keeps my hand in by studying from books. I’m clean and tidy about the place, and mostly of a quiet disposition. As a sergeant I earns enough to be comfortable, and my quarters is shaded by trees so it don’t get too plaguey hot. I’ve watched you, Mistress Rafferty, and it seems to me you’re a hard-working girl with fingers that are nimble and a disposition that’s livelier than most. I wouldn’t ask nothing of you save housekeeping and a mite of companionship. In return, I offers you the quietness of my quarters, the use of my books, and a trusty protection. You can have a bed of your own behind a curtain, and the freedom to make the place suitable for a female to occupy.” He shifted from the stiff pose he had adopted and fingered his brown moustache nervously. “I’m a lonely sort of man, Mistress Rafferty, and I’d be a dutiful husband. Oh yes,” he added quickly, as if remembering something he had left out of the rehearsed speech, “I won’t fill the place with the smoke of my cigars to upset you, but step outside when I lights one.
Elizabeth Darrell (Forget the Glory)
India’s Best Highway Infrastructure: Cruising the Agra-Etawah Toll Road A Highway I Didn’t Expect to Fall in Love With I’ve always believed the best travel stories come from the roads less talked about. On a recent trip from Agra to Etawah, I wasn’t expecting anything special—just another highway, another drive. But the Agra-Etawah Toll Road proved me wrong. It wasn’t just good—it was exceptional. A perfect example of India’s Best Highway Infrastructure in action. Smooth As Silk – The Road Experience The moment I entered the toll road, I knew this would be different. My car glided effortlessly across the freshly laid tarmac. No potholes, no uneven patches—just seamless travel. I could maintain a steady speed for miles without constantly braking or dodging obstacles. It’s the kind of experience that makes you fall in love with road trips all over again. #India'sBestHighwayInfrastructure More Than Just a Highway – It’s a Complete Travel Experience What stood out most was how well this highway is planned for people, not just cars. There were food courts, well-maintained restrooms, and shaded sitting areas that didn’t feel like an afterthought. I stopped at one just to grab a chai and take in the peaceful surroundings. Even the toll booths were efficient and quick—no long queues, no honking chaos. You can tell this road was built by people who actually care. #ModernRoadMakers Safety You Can Feel Another thing I appreciated? The sense of safety. Highway patrols were visible, signages were clear, and there were emergency call boxes every few kilometers. Even when I was driving in the evening, I felt calm and confident. The lighting, lane markings, and traffic behavior were all spot-on. It’s rare to feel this level of comfort while driving alone, especially in India. This route truly earns its place among the top for India’s Best Highway Infrastructure. A Scenic Surprise What caught me off guard was the scenery. As I drove, the landscapes shifted from open fields to stretches of trees, and the sunset painted everything golden. It was so beautiful I pulled over just to take a few pictures—and just breathe. It reminded me that sometimes, the road itself is the destination. #BestHighwayInfrastructure Final Words: Drive It to Believe It The Agra-Etawah Toll Road might not be the most famous highway in India, but in my experience, it’s easily one of the best. If you’re planning a road trip in Uttar Pradesh, take this route—not just for convenience, but for the experience. For me, this drive wasn’t just a part of the journey. It was the journey. And now, every time I think of India’s Best Highway Infrastructure, this road is the first thing that comes to mind.
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She remembered the blunt, youthful voice speaking to her from beyond the transmission crackling with noise. He never did give her his name, but she did remember the Personal Mark on the damaged armor... A headless skeleton shouldering a shovel. Realizing she'd seen that same personal mark only a moment ago, she turned her eyes to Undertaker again. The same headless skeleton shouldering a shovel didn't quite return her gaze, because of its missing head, but it was there all the same. The Personal Mark of a reaper burying the dead. A reaper... ...It can't be. Shifting her attention back to Shin—to the Processor who piloted that Reginleif - she gawked at him, which only resulted in Shin averting his gaze. Shin obstinately refused to look Lena in the eye. And that made Lena sure of it, "It was you...?!" Shin's eyes darted around for a moment, as if looking for a way out...before he dropped his shoulders in resignation. "...Yes, it was." In contrast to Lena's eyes lighting up, Shin looked away awkwardly. "I'm sorry... for back then." “... I never once doubted that you would catch up to us, Colonel.” "Huh…?" “I never doubted that you’d reach our final destination. I worried that contacting you or coming to see you would make it seem like I didn’t believe you could do it on your own.” "You remembered." "Of course I did." Shin said it with his usual placid tone, as if it was nothing at all, but there were no other words in the world that could have made Lena happier. He’d remembered—he’d believed in her and that she would catch up to them someday. Lena bit her lip. If there was ever a time to say what needed to be said, it was now, and if she didn’t take the opportunity, she’d likely never be brave enough again. "Shin." She called his name firmly. Shin turned to face her, closing the door to his room. Lena gave a dry cough before continuing. "Can we…can we call each other by our names? In public places there are appearances to keep up, so that’s not acceptable, of course, but whenever we’re not…" "Major." The Eighty-Six had called her by her rank before as a sign of their reservations. To signify their relationship as the oppressor and the oppressed. One was a white pig sitting safely behind the wall, and the others were proud Eighty-Six fighting outside it. An invisible line had been drawn between them, marking the fact that they weren’t close enough to pretend to be friends by calling one another by their given names. But she was finally outside the wall, even if she didn’t stand beside them on the battlefield.
Asato Asato (86—EIGHTY-SIX, Vol. 4: Under Pressure)
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Elsewhere is a volcano, but it is one you walk into willingly. Elsewhere is a choice, and can only be a choice- you must care enough to bear the weight of the heaviness to which your heart is tethered. This is to say, you have agency in shifting your gaze from a once-home to a now- home. Elsewhere is for the middle children of diaspora, those who have definitely left but haven't exactly arrived. You have to let yourself be reminded that a part of you is rooted in another place; face what is missing, the empty crevices that once contained what you now lack-an old way of greeting, a pronunciation of your name that is at best an approximation of the real thing and say thank you, for it is because of this deficit that you know yourself. Elsewhere is a conscious choice to remain in the incomplete. Your Elsewhere is like no one else's, but it's the same in its fragile liminality. We live on a suspension bridge, and some days are windier than others.
Elamin Abdelmahmoud (Son of Elsewhere: A Memoir in Pieces)
The party was like many another. Conversation began desultorily, gathered a swift but feeble energy, and trailed irrelevantly into other conversations; laughter was quick and nervous, and it burst like tiny explosives in a continuous but unrelated barrage all over the room; and the members of the party flowed casually from one place to another, as if quietly occupying shifting positions of strategy.
John Williams (Stoner: A Novel)