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He had an invisible sword. Really?
He walked through the lobby, got into a full elevator, and no one stared. He passed a cleaning lady in the hallway outside his room, and all she said was,"Hello there."
He had an invisible sword. Really.
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Nils Johnson-Shelton (The Invisible Tower (Otherworld Chronicles, #1))
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Some things you remember. Some things you can't forget.
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Shelton Johnson (Gloryland)
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All you need to get to heaven is a good pair of boots.
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Shelton Johnson (Gloryland)
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Freedom. It stays in your head and won't bust out or slip away like tears.
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Shelton Johnson (Gloryland)
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He was a very tall, very thin creature that could only be described as a wood elf. His long, ponytailed hair was every color of autumn leaves; his skin was the hue of fresh-cut pine boards; and his eyes were the vibrant color of fresh spring foliage. He also wore blue jeans and brown loafers and a ragged t-shirt that read, "Choose your Weapon!" under which sat a line of Dungeons and Dragons dice of various shapes and denominations.
Kay could barely believe it. For one, where did he get that shirt? These Otherworld people LIVED Dungeons and Dragons--they played it too? For a second Kay thought she might be looking at the most ironic t-shirt and t-shirt wearer combination ever.
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Nils Johnson-Shelton (The Invisible Tower (Otherworld Chronicles, #1))
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1899, the 24th Mounted Infantry, an African American army regiment, was entrusted with the protection of Yosemite, Sequoia, and Kings Canyon National Parks in California. For a long time people forgot their presence in the parks’ history, until Shelton Johnson found a picture.
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Carolyn Finney (Black Faces, White Spaces: Reimagining the Relationship of African Americans to the Great Outdoors)
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which on top of everything else (knowing a wizard, being a genetically engineered king, owning the coolest sword ever) was also a new feeling.
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Nils Johnson-Shelton (The Invisible Tower (Otherworld Chronicles))
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Otherworld trouble.” They came to a stop. “Here’s Ellsworth. Right again.” “Roger that. What kind of stuff you seeing over there?” “Dragons, huge pigs, an elf, saber-toothed tigers, knights, a dude with the body of a man and the head of a wolf, that kind of thing.
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Nils Johnson-Shelton (The Invisible Tower (Otherworld Chronicles))
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Dylan remarked to biographer Robert Shelton, in 1978: “the myth of the starving artist is just that – a myth”.30 Genius can also be at the beck and call of the need for cold, hard cash. One thinks of Dostoyevsky producing the most extraordinary series of novels in order to settle debts, and of Charles Dickens’ mass-marketed outpouring of the most beautiful quality prose, at a time when it was valued by quantity, and paid by the wordage. As Samuel Johnson prosaically put it: “No man but a blockhead ever wrote, except for money.” Both Shakespeare and Dylan prove to be canny operators in the world of commerce. William Burroughs remembered meeting a young Dylan who described himself as having “a knack for writing lyrics” and that he “expected to make a lot of money”.
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Andrew Muir (Bob Dylan & William Shakespeare: The True Performing of It)
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Shelton Johnson may just be the best park ranger who ever lived.
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Conor Knighton (Leave Only Footprints: My Acadia-to-Zion Journey Through Every National Park)