Shelter Me Quotes

We've searched our database for all the quotes and captions related to Shelter Me. Here they are! All 100 of them:

You say you love rain, but you use an umbrella to walk under it. You say you love sun, but you seek shelter when it is shining. You say you love wind, but when it comes you close your windows. So that's why I'm scared when you say you love me.
Bob Marley
Let me not pray to be sheltered from dangers, but to be fearless in facing them. Let me not beg for the stilling of my pain, but for the heart to conquer it.
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
I stepped out of the shelter of my savior’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I could feel the warmth of his presence as if a soft blanket had been wrapped around my soul, around my heart. It held me and protected me. It sheltered me and I knew I wasn’t alone anymore.
Colleen Houck
(Sebastian) "See, there you go. You're always looking at me like that." "Like what?" "Like I burn down animal shelters for fun and light my cigarettes with orphans.
Cassandra Clare
You shall be my roots and I will be your shade, though the sun burns my leaves. You shall quench my thirst and I will feed you fruit, though time takes my seed. And when I'm lost and can tell nothing of this earth you will give me hope. And my voice you will always hear. And my hand you will always have. For I will shelter you. And I will comfort you. And even when we are nothing left, not even in death, I will remember you.
Mark Z. Danielewski (House of Leaves)
Mo Nighean donn," he whispered," mo chridhe. My brown lass, my heart." Come to me. Cover me. Shelter me. a bhean, heal me. Burn with me, as I burn for you.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
You are the foundation that helps me stand. You are my walls and my roof. My shelter. You are my home.” His lashes swept up, the amber of his eyes churning wildly. “As you are mine, Poppy.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
In the dark I rest, unready for the light which dawns day after day, eager to be shared. Black silk, shelter me. I need more of the night before I open eyes and heart to illumination. I must still grow in the dark like a root not ready, not ready at all.
Denise Levertov
He’d protect me and shelter me forever. But I was beginning to realize that being sheltered came at a price.
Claudia Gray (Stargazer (Evernight, #2))
He was there. Like always, holding me up when I couldn’t’ stand and letting me go when he knew I needed him to. He was more than just a shelter. Aiden was my other half, my equal.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
A lot of shelter dogs are mutts like me.
Barack Obama
The darkling gently folded me in his arms. He pressed a kiss to the top of my hair 'I will strip away all that you know, all that you love, until you have no shelter but mine
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
The heart doesn't care how long you may have with someone." Kieran looked over at me, his eyes sheltered. "It just cares that you have the person for as long as you can.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
Kahlan guide me. Kahlan teach me. Kahlan protect me. In your light I thrive. In your mercy I am sheltered. In your wisdom I am humbled. I live only to love you. My life is yours.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
You are beautiful, but you are empty. One could not die for you. To be sure, an ordinary passerby would think that my rose looked just like you --- the rose that belongs to me. But in herself alone she is more important than all the hundreds of you other roses: because it is she that I have watered; because it is she that I have put under the glass globe; because it is she that I have sheltered behind the screen; because it is for her that I have killed the caterpillars; because it is she that I have listened to, when she grumbled, or bloated, or even sometimes when she said nothing. Because she is my rose.
Antoine de Saint-Exupéry (The Little Prince)
Sometimes the clouds weren't weightless. Sometimes their bellies got dark and full. It was life. It happened. It didn't mean it wasn't scary, or that I wasn't still afraid, but now I knew that as long as I was standing under it with Braden beside me when those clouds broke, I'd be alright. We'd get rained on together. Knowing Braden he'd have a big ass umbrela to shelter us from the worst of it. That there was an uncertain future I could handle.
Samantha Young (On Dublin Street (On Dublin Street, #1))
You are the foundation that helps me stand. You are my walls and my roof. My shelter. You are my home.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
I have to spring a cat out of Rumelt Animal Shelter. Think of it as a prison break." It does the trick. He laughs. "Whose cat?" "My cat. What do you think? That I break out the cats of strangers?" "Let me guess, she was framed. She's innocent.
Holly Black (White Cat (Curse Workers, #1))
I was not sure where I was going, and I could not see what I would do when I got [there]. But you saw further and clearer than I, and you opened the seas before my ship, whose track led me across the waters to a place I had never dreamed of, and which you were even then preparing to be my rescue and my shelter and my home.
Thomas Merton (The Seven Storey Mountain)
your voice is a place i want to take shelter in, a place that makes me feel safe and soft.
Zaeema J. Hussain (The Sky Is Purple)
I will strip away all that you know, all that you love.... Until you have no shelter but me
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
If you were an atheist, Birbal," the Emperor challenged his first minister, "what would you say to the true believers of all the great religions of the world?" Birbal was a devout Brahmin from Trivikrampur, but he answered unhesitatingly, "I would say to them that in my opinion they were all atheists as well; I merely believe in one god less than each of them." "How so?" the Emperor asked. "All true believers have good reasons for disbelieving in every god except their own," said Birbal. "And so it is they who, between them, give me all the reasons for believing in none." -- From "The Shelter of the World
Salman Rushdie (The Enchantress of Florence)
Lady of the silver moon Enchantress of the night Protect me and mine within this circle fairly cast. Earth Mother, mother of the sleeping earth, Keep safe all who gather here Within the protective shelter of your arms. By the earth that is Her body, By the air that is Her breath, By the fire that is Her bright spirit, And by the living waters of Her womb, Our circle is cast, None shall come to harm here, From any forces, On any level. As we will, So shall it be done. As we will, So mote it be.
Madelyn Alt (A Charmed Death (A Bewitching Mystery, #2))
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.' Grantaire was on his feet. The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard. He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras. 'Two at one shot,' he said. And, turning toward Enjolras gently, he said to him, 'Will you permit it?' Enjolras shook his hand with a smile. The smile had not finished before the report was heard. Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted. Grantaire, struck down, collapsed at his feet.
Victor Hugo (Les Misérables)
He rakes his fingers through his hair, looking agitated. “Look, I’m sure I could find you a nice little bomb shelter somewhere with two years worth of supplies.” “I’m guessing those are all taken.” “And I’m guessing someone would happily give one up for you, especially if I asked nicely.” He gives me a dry smile. “You could take a little vacation from all this and come out after things settle down. Hole up, wait it out, be safe.” “You’d better be careful. You might be mistaken for someone who’s worried about me.” He shakes his head. “I’m just worried someone might recognize my sword in your hands. If I squirrel you away for a couple of years, then maybe I can save myself the embarrassment
Susan Ee (World After (Penryn & the End of Days, #2))
i want a love that doesn't break one that gives me water when i am consumed by fire one that offers me shelter when i am lose one that helps me see that the hero i am looking for is me
Yung Pueblo (Inward)
People I didn't know formed a circle around me, sheltering me from view. They escorted me safely back to our jurta, undetected. They didn't ask for anything. They were happy to help someone, to succeed at something, even if they weren't to benefit. We'd been trying to touch the sky from the bottom of the ocean. I realized that if we boosted one another, maybe we'd get a little closer.
Ruta Sepetys (Between Shades of Gray)
I think it's obvious if you're wanted here or not." "Daemon," hissed Dee, her cheeks red. She turned to me, tears in her eyes. "He's not being serious." "Are you being serious, Daemon?" Ash turned in his lap, head cocked to the side. My heart was already pounding in my chest when his eyes met mine. His were sheltered. "Actually I was being serious." He leaned over the table, staring up at me through thick lashes. "You're not wanted here." Dee spoke again, but I was beyond hearing. My face felt like it was on fire. People around us were starting to stare. One of the Thompson boys was smirking while the other looked as though he wanted to crawl underneath the table for me. The rest of the kids at the table were staring at their plates. One of them snickered. I'd never been more humiliated in my life.
Jennifer L. Armentrout (Obsidian (Lux, #1))
How can I keep my soul in me, so that it doesn’t touch your soul? How can I raise it high enough, past you, to other things? I would like to shelter it, among remote lost objects, in some dark and silent place that doesn’t resonate when your depths resound. Yet everything that touches us, me and you, takes us together like a violin’s bow, which draws one voice out of two separate strings. Upon what instrument are we two spanned? And what musician holds us in his hand? Oh sweetest song. - Love Song
Rainer Maria Rilke (Ahead of All Parting: The Selected Poetry and Prose)
Thank you for finding her for me,” my saviour said to them, smooth and polished. “Enjoy the Rite.” There was enough of a bite beneath his last words that the faeries stiffened. Without further comment, they scuttled back to the bonfires. I stepped out of the shelter of my saviour’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He gave me an inscrutable look that said maybe he would and maybe he wouldn't. Mister was a cat, and cats generally considered it the obligation of the universe to provide shelter, sustenance, and amusement as required. I think Mister considered it beneath his dignity to plan for the future.
Jim Butcher (Turn Coat (The Dresden Files, #11))
Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.
Gaston Bachelard (The Poetics of Space)
Home for me is not where I am. Home for me is a physical structure where the girl whom I love is sheltered and protected from the incoming storms of life. Home for me is not where I am safe, but where she is safe. Home for me is not where she exists, but where she lives. She is my home.
Juansen Dizon (Confessions of a Wallflower)
Andy once clipped a magazine article about how black dogs are always the last to be adopted at shelters and, therefore, more likely to be put down. Which is totally Dog Racism, if you ask me.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
Each evening, I ached for the shelter of my tent, for the smallest sense that something was shielding me from the entire rest of the world, keeping me safe not from danger, but from vastness itself. I loved the dim, clammy dark of my tent, the cozy familiarity of the way I arranged my few belongings all around me each night.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the tree the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like theyh ave a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
Jebediah has given up on you, but I never will. I can offer you the security you desire. If you'll but be mine, your heart will forever be sheltered in my care. Yes, we will quarrel incessantly and fight for dominance. And yes, there will be ravishes of passion, but there will also be gentle lulls. That is who we are together. You'll never need fear that your love is not reciprocated. For although you've made me feel things I am not equipped for... I cannot stop feeling them.
A.G. Howard (Ensnared (Splintered, #3))
Perhaps he could still weave together the broken threads of his life. And yet, I wanted him here now. I needed him here. In the darkness, if I sat very still, I could almost feel his presence by me, quite near, but not too near. Didn't I promise to keep you safe, he would say softly. I have never broken a promise. Don't look so worried, Jenny. And yet, he would be careful. Careful not to move too close. Careful not to frighten me. Waiting still. I am your shelter. Don't be afraid.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
I wanted to get me a full pack complete with everything necessary to sleep, shelter, eat, cook, in fact a regular kitchen and bedroom right on my back, and go off somewhere and find perfect solitude and look into the perfect emptiness of my mind and be completely neutral from any and all ideas. I intended to pray, too, as my only activity, pray for all living creatures; I saw it was the only decent activity left in the world. To be in some riverbottom somewhere, or in a desert, or in mountains, or in some hut in Mexico, or shack in Adirondack, and rest and be kind, and do nothing else, practice what the Chinese call "do-nothing".
Jack Kerouac (The Dharma Bums)
If I dropped a tear upon your hand, may it wither it up! If I spoke a gentle word in your hearing, may it deafen you! If I touched you with my lips, may the touch be poison to you! A curse upon this roof that gave me shelter! Sorrow and shame upon your head! Ruin upon all belonging to you!
Charles Dickens (Dombey and Son)
And Annie showed me how ailanthus trees grow under subway and sewer gratings, stretching toward the sun, making shelter in the summer, she said, laughing, for the small dragons that live under the streets.
Nancy Garden (Annie on My Mind)
I believe in the sun even when it is not shining And I believe in love, even when there’s no one there. And I believe in God, even when He is silent. I believe through any trial, there is always a way But sometimes in this suffering and hopeless despair My heart cries for shelter, to know someone’s there But a voice rises within me, saying hold on my child, I’ll give you strength, I’ll give you hope. Just stay a little while. I believe in the sun even when it is not shining And I believe in love even when there’s no one there But I believe in God even when he is silent I believe through any trial there is always a way. May there someday be sunshine May there someday be happiness May there someday be love May there someday be peace….
Unknown (written during WW2, on the wall of a cellar, by a Jew in the Cologne concentration camp)
I assert most unhesitatingly, that the religion of the south is a mere covering for the most horrid crimes, - a justifier of the most appalling barbarity, - a sanctifier of the most hateful frauds, - and a dark shelter under, which the darkest, foulest, grossest, and most infernal deeds of the slaveholders find the strongest protection. Were I to be again reduced to the chains of slavery, next to enslavement, I should regard being the slave of a religious master the greatest calamity that could befall me. For of all slaveholders with whom I have ever met, religious slaveholders are the worst. I have ever found them the meanest and basest, the most cruel and cowardly, of all others.
Frederick Douglass (Narrative of the Life of Frederick Douglass)
In all my close friendships, words are the bricks I use to build bridges. To know someone I need to hear her, and to feel known, I need to be heard by her. The process of knowing and loving another person happens for me through conversation. I reveal something to help my friend understand me, she responds in a way that assures me she values my revelation, and then she adds something to help me understand her. This back-and-forth is repeated again and again as we go deeper into each other's hearts, minds, pasts, and dreams. Eventually, a friendship is built - a solid, sheltering structure that exists in the space between us - a space outside of ourselves that we can climb deep into. There is her, there is me, and then there is our friendship - this bridge we've built together.
Glennon Doyle Melton (Love Warrior)
A moth was a caterpillar, once, but it no longer is a caterpillar. It cannot break itself back down, cannot metamorphose in reverse. To try to eat leaves again would mean starvation. Crawling back into the husk would provide no shelter. It is a paradox -- the impossibility of reclaiming that which lies behind, housed within a form comprised entirely of the repurposed pieces of that same past. We exist where we begin, yet to remain there is death... I could not have predicted each version of me that I shifted into, but through my history, one constant has always remained true: change itself... I did not know who she was, the one waiting for me to start moving toward her. I was curious about her, all the same. I was eager to meet her.
Becky Chambers (To Be Taught, If Fortunate)
I wish I knew why she never told me any of this. Maybe she thought I wouldn't be able to handle it, that I was too sheltered or too innocent or something. If she had told me why she cut herself all the time, or that it was the pills that made her act so spaced out, or that she was even on pills, or even saw doctors, or any of it, I would have done my best to help her. I'm not saying I'm a superhero. I'm not saying I would have just swooped down and saved her. I'm just saying the only reason everything was a waste was that she made it a waste. That whole time, back when I was just a normal kid in high school, living out my normal life, I really thought everything mattered.
Nina LaCour (Hold Still)
I thought that my voyage had come to its end at the last limit of my power, that the path before me was closed, that provisions were exhausted, and the time come to take shelter in a silent obscurity, but I find that thy will knows no end in me, and when old words die out on the tongue, new melodies break forth from the heart, and where the old tracks are lost, new country is revealed with its wonders.
Rabindranath Tagore
There are always those perfect times with the people we love, those moments of joy and equality that sustain us later on...These moments are the foundation upon which we build the house that will shelter us into our final years, so that when love calls out, "How far would you go for me?" you can look it in the eye and say truthfully, "Farther than you would ever have thought was possible.
Ann Patchett (This is the Story of a Happy Marriage)
I can’t control the rest of the world, but give me a stack of wood and some tools, and I can shelter you in storm.
Lisa Kessler (Devoted to Destiny (Muse Chronicles, #5))
When I'm with you, I feel exposed. Naked. When I'm naked with you, I feel clothed. Sheltered.
Kamand Kojouri
She sheltered her colors in the dark, where others were blind to see; I caught a glimpse of her lastly when she gave me a chance, before disappearing into the day. There was beauty locked in her that unfolded like an umbrella's claw, her true self that desired compassion, trust, protection and the potential to soar. But I missed to late, that what I wasn't looking for, when she left her reasons in the rain.
Anthony Liccione
I love weather. I'm a connoisseur of weather. Wherever my travels take me, the first thing I do is turn on the weather channel and see what's going on, what's coming. I like to know about regional weather patterns, how storms are created in different altitudes, what kinds of clouds are forming or dissipating or blowing through, where the winds are coming from, where they've been. That's not a passion everybody shares, I know, but I don't believe there are any people on earth who, properly sheltered, don't feel the peace inside a summer rain and the cleansing it brings, the renewal of the earth in its aftermath.
Johnny Cash (Cash)
All right, asshole. You want to wallow, wallow. It’s no sweat off my balls if you crawl inside a bottle and pickle yourself solid. I’ve got other things to think about now. But let me remind you of something a good friend once said to me when I was being eaten alive by feelings I didn’t understand. ‘Even when my marriage was bad, it was good.’ I had no real idea what you meant that night, but now I do and I’m grateful to the gods I can finally believe in that I took a chance on something that almost killed me. The life I have now…no, the woman I have now is worth every rotten moment of my worthless existence that led me to her door, and I would relive it all to have one kiss from her lips. You’re the one who told me that the right woman was a shelter from the storm. (Nykyrian to Syn)
Sherrilyn Kenyon (Born of Fire (The League: Nemesis Rising, #2))
Science! true daughter of Old Time thou art! Who alterest all things with thy peering eyes. Why preyest thou thus upon the poet's heart, Vulture, whose wings are dull realities? How should he love thee? or how deem thee wise? Who wouldst not leave him in his wandering To seek for treasure in the jewelled skies, Albeit he soared with an undaunted wing? Hast thou not dragged Diana from her car? And driven the Hamadryad from the wood To seek a shelter in some happier star? Hast thou not torn the Naiad from her flood, The Elfin from the green grass, and from me The summer dream beneath the tamarind tree?
Edgar Allan Poe
In all my life, I have only had one haven that sheltered me from my hell. One woman whose smile made me fly even after I’d hit the ground so hard that I didn’t think I could ever stand again. There is nothing in this universe that could destroy me, except you, Zarya. You have taken a monster and made him human. My wounded soul was healed because of your smile. So long as I live and even beyond this life, I am and will always be ever yours.
Sherrilyn Kenyon (Born of Silence (The League, #5))
Perhaps love is like a resting place, a shelter from the storm. It exists to give you comfort, it is there to keep you warm, and in those times of trouble when you are most alone, the memory of love will bring you home.
John Denver (Take Me Home: An Autobiography)
You would make a sheltering place for my people. You would march and bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.' 'All Saints, say it again.' 'I will not.' 'You must.' 'I'm the queen. I must do nothing but please myself.' 'Would it please to kiss me?' It would. And she did.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
The little prince went away, to look again at the roses. "You are not at all like my rose," he said. "As yet you are nothing. No one has tamed you, and you have tamed no one. You are like my fox when I first knew him. He was only a fox like a hundred thousand other foxes. But I have made him my friend, and now he is unique in all the world." And the roses were very much embarassed. "You are beautiful, but you are empty," he went on. "One could not die for you. To be sure, an ordinary passerby would think that my rose looked just like you--the rose that belongs to me. But in herself alone she is more important than all the hundreds of you other roses: because it is she that I have watered; because it is she that I have put under the glass globe; because it is she that I have sheltered behind the screen; because it is for her that I have killed the caterpillars (except the two or three that we saved to become butterflies); because it is she that I have listened to, when she grumbled, or boasted, or ever sometimes when she said nothing. Because she is my rose.
Antoine de Saint-Exupéry (The Little Prince)
The act of writing, it seems to me, makes up a shelter, allows space to what would otherwise be hidden, crossed out, mutilated. Sometimes writing can work toward a reparation, making a sheltering space for the mind. Yet it feeds off ruptures, tears in what might otherwise seem a seamless, oppressive fabric.
Meena Alexander (The Shock of Arrival: Reflections on Postcolonial Experience)
Honestly, Edward." I felt a thrill go through me as I said his name, and I hated it. "I can't keep up with you. I thought you didn't want to be my friend." "I said it would be better if we weren't friends, not that I didn't want to be." "Oh, thanks, now that's all cleared up." Heavy sarcasm. I realized I had stopped walking again. We were under the shelter of the cafeteria roof now, so I could more easily look at his face. Which certainly didn't help my clarity of thought. "It would be more . . . prudent for you not to be my friend," he explained. "But I'm tired of trying to stay away from you, Bella." His eyes were gloriously intense as he uttered that last sentence, his voice smoldering. I couldn't remember how to breathe.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective. This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God. Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell! It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin! People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude! Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell! In the Presence of God Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly. Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present. The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote, "Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5). It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.
Francis Frangipane
Loneliness is painful. But suffering is not wrong in and of itself. It's part of the human experience, and in a way brings us closer to all people.
Juliette Fay (Shelter Me)
Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, the will butting its blunt head against the world's wall, suchlike, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say shocking, realisation. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have ever truly ever wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky's indifferent gaze and the air's harsh damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
John Banville (The Sea)
He was meant to be your shield,” she murmured. “Your shelter. You were never meant to be his.” Rhy shook his head, exasperated. “Kell isn’t the only one you fail to understand. My bond with him didn’t start with this curse. You wanted him to kill for me, die for me, protect me at all costs. Well, Mother, you got your wish. You simply failed to realize that that kind of love, that bond, it goes both ways. I would kill for him, and I would die for him, and I will protect him however I am able, from Faro and Vesk, from White London, and Black London, and from you.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
I WALK IN / I SEE YOU / I WATCH YOU / I SCAN YOU / I WAIT FOR YOU / I TICKLE YOU / I TEASE YOU / I SEARCH YOU / I BREATHE YOU / I TALK / I SMILE / I TOUCH YOUR HAIR / YOU ARE THE ONE / YOU ARE THE ONE WHO DID THIS TO ME / YOU ARE MY OWN / I SHOW YOU / I FEEL YOU / I ASK YOU / I DON’T ASK / I DON’T WAIT / I WON’T ASK YOU / I CAN’T TELL YOU / I LIE / I AM CRYING HARD / THERE WAS BLOOD / NO ONE TOLD ME / NO ONE KNEW / MY MOTHER KNOWS / I FORGET YOUR NAME / I DON’T THINK / I BURY MY HEAD / I BURY YOUR HEAD / I BURY YOU / MY FEVER / MY SKIN / I CANNOT BREATHE / I CANNOT EAT / I CANNOT WALK / I AM LOSING TIME / I AM LOSING TIME / I AM LOSING GROUND / I CANNOT STAND IT / I CRY / I CRY OUT / I BITE / I BITE YOUR LIP / I BREATHE YOUR BREATH / I PULSE / I PRAY / I PRAY ALOUD / I SMELL YOU ON MY SKIN / I SAY THE WORD / I SAY YOUR NAME / I COVER YOU / I SHELTER YOU / I RUN FROM YOU / I SLEEP BESIDE YOU / I SMELL YOU ON MY CLOTHES / I KEEP YOUR CLOTHES
Jenny Holzer
Despite my shaking shoulders, Lou held me tightly. Tears streamed down her own cheeks. I crushed her against me, breath shuddering—each gasp painful, burning—as I buried my face in the crook of her neck. As I finally, finally allowed the grief to win. To consume me. In great, heaving sobs, it burst forth—a torrent of hurt and bitterness, of shame and regret—and I choked on it, helpless to stop its wrath. Helpless to do anything but cling to Lou. My friend. My shelter. My home.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
A beautiful and binding morning The world outside begins to breathe See clouds arriving without warning I need you here to shelter me. If I could make these moments endless If I could stop the winds of change If we just keep our eyes wide open Then everything would stay the same And I know that only time will tell me how We'll carry on without each other So keep me awake for every moment Give us more time to be this way We can't stay like this forever But I can have you next to me today
Josh Groban (Josh Groban - Awake Piano, Vocal and Guitar Chords)
Let me not pray to be sheltered from dangers but to be fearless in facing them. Let me not beg for the stilling of my pain but for the heart to conquer it. Let me not look for allies in life's battlefield but to my own strength. Let me not crave in anxious fear to be saved but hope for the patience to win my freedom. Grant that I may not be a coward, feeling your mercy in my success alone; But let me find the grasp of your hand in my failure.
Rabindranath Tagore
What can I give you? I--" "You give me everything.
Charlotte Stein (Sheltered (Deeper Than Desire, #2))
Children get food shelter pocket money longholidays and love, all of it apparently free gratis, and most of the little fools think it's a sort of compensation for having been born. 'There are no strings on me!' They sang; but I, pinnoccio, saw the strings. Parents are impelled by the profit motive - nothing more, nothing less. For their attentions, they expected, from me, the immense dividend of greatness.
Salman Rushdie (Midnight’s Children)
But for me, dinner at a fine restaurant was the ultimate luxury. It was the very height of civilization. For what was civilization but the intellect's ascendancy out of the doldrums of necessity (shelter, sustenance and survival) into the ether of the finely superfluous (poetry, handbags and haute cuisine)? So removed from daily life was the whole experience that when all was rotten to the core, a fine dinner could revive the spirits. If and when I had twenty dollars left to my name, I was going to invest it right here in an elegant hour that couldn't be hocked.
Amor Towles (Rules of Civility)
I am not blind, nor deaf. I know you all believe me weak, frightened, feeble. Your father knew me better. Oberyn was ever the viper. Deadly, dangerous, unpredictable. No man dared tread on him. I was the grass. Pleasant, complaisant, sweet-smelling, swaying with every breeze. Who fears to walk upon the grass? But it is the grass that hides the viper from his enemies and shelters him until he strikes.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
I vow that from this day forward you shall not walk alone. My strength is your protection, my heart is your shelter, and my arms are your home. I shall serve you in all those ways that you require. I pledge to you my living and my dying, each equally in your care. Yours is the name I whisper at the close of each day and the eyes into which I smile each morning. I give you all that is mine to give. My heart and my soul I pledge to you. You are my Chosen One, you are my mate, and you are bound to me for eternity.
Dana Marie Bell (Noble Blood (The Gray Court, #2))
Buying her shit only pissed her off, and trust me, I’d had my people filling her wardrobe with designer shoes and dresses. She gave them all away to the homeless shelter down the street like they weren’t worth a dime. In fact, there’s a crazy homeless woman in downtown Boston walking around in a Stella McCartney suit and a pair of Jimmy Choo’s, yelling at traffic lights that she was the real Messiah. Yeah.
L.J. Shen (Sparrow (Boston Belles, #0.5))
I feel ugly” I said and you looked at me as if I spoke a different language. There are things you will never understand and if there were words to describe the rapture that takes place in my head from time to time I would put my hand in front of your eyes to protect you from all the ugliness in the world. I kept my eyes on the streetlights outside the window and you kissed every inch of my body as if you could kiss the pain away.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
I bury my face in my hands. And then Ryan does such a nice thing. He wraps his arm around my shoulders and pulls me in against him. I can feel his body heat through his cotton T-shirt, and directly in front of me are the worn, faded knees of his jeans. But most of all, I can smell him. And he smells sandy-warm, like a beach. No one can see my face in there protected by his chest. Which is good because I can’t stop crying. I mean, I’m really going for the world record in terms of an inappropriate public breakdown. But it doesn’t matter, it just doesn’t matter. I’m sheltered.
Kirsty Eagar (Raw Blue)
What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!
Edmond Rostand (Cyrano de Bergerac)
When I was a young man and very well thought of, I couldn't ask aught that the ladies denied. I nibbled their hearts like a handful of raisins, And I never spoke love but I knew that I lied. But I said to myself, 'Ah, they none of them know The secret I shelter and savor and save I wait for the one who will see through my seeming, And I'll know when I love by the way I behave.' The years drifted over like clouds in the heavens; The ladies went by me like snow on the wind. I charmed and I cheated, deceived and dissembled, And I sinned, and I sinned, and I sinned, and I sinned. But I said to myself, 'Ah, they none of them see There's part of me pure as the whisk of a wave. My lady is late but she'll find I've been faithful, And I'll know when I love by the way I behave.' At last came a lady both knowing and tender, Saying, 'you're not at all what they take you to be.' I betrayed her before she had quite finished speaking, And she swallowed cold poison and jumped in the sea. And I say to myself when there's time for a word, As I gracefully grow more debauched and depraved, 'Ah, love may be strong, but a habit is stronger And I knew when I loved by the way I behaved.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath. There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily. Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides. I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection. Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back. I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
The necropolis has never seemed a city of death to me; I know its purple roses (which other people think so hideous) shelter hundreds of small animals and birds. The executions I have seen performed and have performed myself so often are no more than a trade, a butchery of human beings who are for the most part less innocent and less valuable than cattle. When I think of my own death, or the death of someone who has been kind to me, or even of the death of the sun, the image that comes to my mind is that of the nenuphar, with its glossy, pale leaves and azure flower. Under flower and leaves are black roots as fine and strong as hair, reaching down into the dark waters.
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun, #1))
You see, we were able to give you something, something which even now no one will ever take from you, and we were able to do that principally by sheltering you. Hailsham would not have been Hailsham if we hadn’t. Very well, sometimes that meant we kept things from you, lied to you. Yes, in many ways we fooled you, I suppose you could even call it that. But we sheltered you during those years, and we gave you your childhoods. Lucy was well-meaning enough. But if she’d have her way, your happiness at Hailsham would have been shattered. Look at you both now! I’m so proud to see you both. You built your lives on what we gave you. You wouldn’t be who you are today if we’d not protected you. You wouldn’t have become absorbed in your lessons, you wouldn’t have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? You would have told us it was all pointless, and how could we have argued with you? So she had to go.
Kazuo Ishiguro (Never Let Me Go)
My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and gray rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Ye, distant and soft, the night-breeze is blowing, Clouds there are none, and clear starts beam mild; God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to his bosom the poor orphan child. There is a thought that for strength should avail me; Thought both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child.
Charlotte Brontë (Jane Eyre)
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
But even I know that love doesn't steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as wells as longings. They're not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they'll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves what they need or want. Memories are poor for past failures. Childhoods shine through adult skin, helpfully or not. So do the laws of inheritance that bind a personality. The lovers don't know there's no free will. I haven't heard enough radio drama to know more than that, though pop songs have taught me that they don't feel in December what they felt in May, and that to have a womb may be incomprehensible to those who don't and that the reverse is also true.
Ian McEwan (Nutshell)
Careful!” I said. “Don’t twist like that, or your dressing will come off! What are you trying to do?” “Get my plaid loose to cover you,” he replied. “You’re shivering. But I canna do it one-handed. Can ye reach the clasp of my brooch for me?” With a good deal of tugging and awkward shifting, we got the plaid loosened. With a surprisingly dexterous swirl, he twirled the cloth out and let it settle, shawllike, around his shoulders. He then put the ends over my shoulders and tucked them neatly under the saddle edge, so that we were both warmly wrapped. “There!” he said. “We dinna want ye to freeze before we get there.” “Thank you,” I said, grateful for the shelter. “But where are we going?” I couldn’t see his face, behind and above me, but he paused a moment before answering. At last he laughed shortly. “Tell ye the truth, lassie, I don’t know. Reckon we’ll both find out when we get there, eh?
Diana Gabaldon (Outlander (Outlander, #1))
We now know that love is, in actuality, the pinnacle of evolution, the most compelling survival mechanism of the human species. Not because it induces us to mate and reproduce. We do manage to mate without love! But because love drives us to bond emotionally with a precious few others who offer us safe haven from the storms of life. Love is our bulwark, designed to provide emotional protection so we can cope with the ups and downs of existence. This drive to emotionally attach — to find someone to whom we can turn and say “Hold me tight” — is wired into our genes and our bodies. It is as basic to life, health, and happiness as the drives for food, shelter, or sex. We need emotional attachments with a few irreplaceable others to be physically and mentally healthy — to survive.
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
Jen shakes her head sadly and I can see her lower lip trembling, the tear that's starting to form in the corner of her eye. I can't touch her, kiss her, love her, or even, as it turns out, have a conversation that doesn't degenerate into angry reincriminations in the first three minutes. But I can still make her sad, and for now, I'll have to be satisfied with that. And it would be easier, so much easier, if she didn't insist on being so goddamned beautiful, so gym-toned and honey-haired and wide-eyed and vulnerable. Because even now, even after all that she's done to me, there's still something in her eyes that makes me want to shelter her at any cost, even though I know it's really me who needs the protection. It would be so much easier if she wasn't Jen. But she is, and where there was once the purest kind of love, there is now a snake pit of fury and resentment and a new dark and twisted love that hurts more than all the rest put together.
Jonathan Tropper (This is Where I Leave You)
You entered, Abrupt like “Take it!”, Mauling suede gloves, you tarried, And said: “You know,- I’m soon getting married.” Get married then. It’s all right, I can handle it. You see - I’m calm, of course! Like the pulse Of a corpse. Remember? You used to say: “Jack London, Money, Love and ardour,”-- I saw one thing only: You were La Gioconda, Which had to be stolen! And someone stole you. Again in love, I shall start gambling, With fire illuminating the arch of my eyebrows. And why not? Sometimes, the homeless ramblers Will seek to find shelter in a burnt down house! You’re mocking me? “You’ve fewer emeralds of madness than a beggar kopecks, there’s no disproving this!” But remember Pompeii came to end thus When somebody teased Vesuvius! Hey! Gentlemen! You care for Sacrilege, Crime And war. But have you seen The frightening terror Of my face When It’s Perfectly calm? And I feel- “I” Is too small to fit me. Someone inside me is getting smothered.
Vladimir Mayakovsky
You can deny it. But I have been with you, in every way that matters. As you have been with me. We’ve shared our thoughts and our food, bound each other’s wounds, slept close when the warmth of our bodies was all we had left to share. Your tears have fallen on my face, and my blood has been on your hands. You’ve carried me when I was dead, and I carried you when I did not even recognize you. You’ve breathed my breath for me, sheltered me inside your own body. So, yes, Fitz, in every way that matters, I’ve been with you. We’ve shared the stuff of our beings. Just as a captain does with her liveship. Just as a dragon does with his Elderling. We’ve been together in so many ways that we have mingled. So close have we been that when you made love to your Molly, she begat our child. Yours. Mine. Molly’s. A little Buck girl with a wild streak of White in her. “Oh, gods. Such
Robin Hobb (Fool's Quest (The Fitz and The Fool, #2))
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.” I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
. . .To go as a river . .had taken me a long while to understand. . . meant. . .flowing forward against obstacle . . .like the river, I had also gathered along the way all the tiny pieces connecting me to everything else, and doing this had delivered me here, with two fists of forest soil in my palms and a heart still learning to be unafraid of itself. I had been shaped by my kindred— my lost family and lost love; my found friendships, though few; my trees that kept on living and every tree that gave me shelter; every creature I met along the way, every raindrop and snowflake choosing my shoulder, and every breeze that shifted the air; every winding path beneath my feet, every place I laid my hands and head, and every creek like the one before me, rolling off the hillside, gaining strength in gravity, spinning through the next eddy, pushing around the next bend, taking and giving in quiet agreement with every living thing.
Shelley Read (Go as a River)
The people at home,” I said. “A lot of them call me an apple.” Do they think you’re a fruit or something?” he asked. No, no,” I said. “They call me an apple because they think I’m red on the outside and white on the inside.” Ah, so they think you’re a traitor.” Yep.” Well, life is a constant struggle between being an individual and being a member of the community.” Can you believe there is a kid who talks like that? Like he’s already a college professor impressed with the sound of his own voice? Gordy,” I said. “I don’t understand what you’re trying to say to me.” Well, in the early days of humans, the community was our only protection against predators, and against starvation. We survived because we trusted one another.” So?” So, back in the day, weird people threatened the strength of the tribe. If you weren’t good for making food, shelter, or babies, then you were tossed out on your own.” But we’re not primitive like that anymore.” Oh, yes, we are. Weird people still get banished.” You mean weird people like me,” I said. And me,” Gordy said. All right, then,” I said. “So we have a tribe of two.” I had the sudden urge to hug Gordy, and he had the sudden urge to prevent me from hugging him. Don’t get sentimental,” he said. Yep, even the weird boys are afraid of their emotions.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
He reached out and gripped her upper arms. His fingers closed around something silky and he shook her slightly. “Unreasonable? Unreasonable? It’s the middle of the night and I’m standing in a room full of dogs, talking about a stupid movie!” “It’s not stupid. Why couldn’t you be more like Ralph Kramden from the Honeymooners? Sure, he was loud and obnoxious, but he saved the whole shelter of dogs when he found out they would be destroyed. Why can’t you be more human?” “The friggin Honeymooners, now? That’s it, I’ve had enough. You are going to pack up every one of those dogs and take them back to the shelter right now, or God help me, Alexa, I’ll get rid of them myself!” “I won’t do it.” “You will.” “Make me.” “Make you? Make you?” His fingers twisted around a wad of silky, satiny fabric as he fought for a shred of control. When the haze finally cleared his vision, Nick blinked and looked down. Then realized his wife was naked. Her lime-green robe had slid down over her shoulders and now gaped open. Her sash slipped unnoticed to the floor. He expected to catch a glimpse of some lacy negligee made to incite a man’s lust. He got much more. Jesus, she was perfect.
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn’t trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he’d been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill. I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class... “Stories aren’t real,” he told me shortly. “They don’t feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding ‘family’ in the nearest gang.” Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. “Write down the names of some books,” she said. “Maybe we’ll read them.” I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young lives. Stories that use the power of myth to speak truth to the human heart. Charles de Lint creates a magical world that’s not off in a distant Neverland but here and now and accessible, formed by the “magic” of friendship, art, community, and social activism. Although most of his books have not been published specifically for adolescents and young adults, nonetheless young readers find them and embrace them with particular passion. I’ve long lost count of the number of times I’ve heard people from troubled backgrounds say that books by Charles saved them in their youth, and kept them going. Recently I saw that parole officer again, and I asked after his work. “Gets harder every year,” he said. “Or maybe I’m just getting old.” He stopped me as I turned to go. “That writer? That Charles de Lint? My wife got me to read them books…. Sometimes I pass them to the kids.” “Do they like them?” I asked him curiously. “If I can get them to read, they do. I tell them: Stories are important.” And then he looked at me and smiled.
Terri Windling
Volume II, Chapter 4 "How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.
Mary Wollstonecraft Shelley (The Last Man)
All over again I understood how important, how irreplaceable, Sumire was to me. In her own special way she’d kept me tethered to the world. As I talked to her and read her stories, my mind quietly expanded, and I could see things I’d never seen before. Without even trying, we grew close. Like a pair of young lovers undressing in front of each other, Sumire and I had exposed our hearts to one another, an experience I’d never have with anyone else, anywhere. We cherished what we had together, though we never put into words how very precious it was. Of course it hurt that we could never love each other in a physical way. We would have been far happier if we had. But that was like the tides, the change of seasons—something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn’t going to last for ever. We were bound to reach a dead end. That was painfully clear. I loved Sumire more than anyone else and wanted her more than anything in the world. And I couldn’t just shelve those feelings, for there was nothing to take their place. I dreamed that someday there’d be a sudden, major transformation. Even if the chances of it coming true were slim, I could dream about it, couldn’t I? But I knew it would never come true.
Haruki Murakami (Sputnik Sweetheart)
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)