Shelter In Place Quotes

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The animal merely makes a bed, which he warms with his body in a sheltered place; but man, having discovered fire, boxes up some air in a spacious apartment, and warms that, instead of robbing himself, makes that his bed, in which he can move about divested of more cumbrous clothing, maintain a kind of summer in the midst of winter, and by means of windows even admit the light and with a lamp lengthen out the day.
Henry David Thoreau
You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 1: 1931-1934)
Home wasn't a set house, or a single town on a map. It was wherever the people who loved you were, whenever you were together. Not a place, but a moment, and then another, building on each other like bricks to create a solid shelter that you take with you for your entire life, wherever you may go.
Sarah Dessen (What Happened to Goodbye)
People always think that happiness is a faraway thing," thought Francie, "something complicated and hard to get. Yet, what little things can make it up; a place of shelter when it rains - a cup of strong hot coffee when you're blue; for a man, a cigarette for contentment; a book to read when you're alone - just to be with someone you love. Those things make happiness.
Betty Smith (A Tree Grows in Brooklyn)
Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler belonging no more to one place than to the next, moves slowly over periods of years, from one part of the earth to another. Indeed, he would have found it difficult to tell, among the many places he had lived, precisely where it was he had felt most at home.
Paul Bowles (The Sheltering Sky)
I was not sure where I was going, and I could not see what I would do when I got [there]. But you saw further and clearer than I, and you opened the seas before my ship, whose track led me across the waters to a place I had never dreamed of, and which you were even then preparing to be my rescue and my shelter and my home.
Thomas Merton (The Seven Storey Mountain)
It's a blessing Madame Gamache and I had at our wedding. It was read at the end of the ceremony. Now you will feel no rain For each of you will be shelter for the other Now you will feel no cold For each of you will be warmth for the other Now there is no loneliness for you Now there is no more loneliness. Now you are two persons, but there is one life before you. Go now to your dwelling place To enter into the days of your togetherness. And may your days be good and long upon this earth. (Apache Blessing)
Louise Penny (Bury Your Dead (Chief Inspector Armand Gamache, #6))
your voice is a place i want to take shelter in, a place that makes me feel safe and soft.
Zaeema J. Hussain (The Sky Is Purple)
What if I say I can't bear to lose you?" A smile tugged at her lips. "I'd say you're a liar. That claims like that belong to romantic ninnies." She raised her hand and let her fingertips trace the line of his beautiful jaw. He closed his eyes. "We would go on, you and I. If I couldn't be queen, you would find a way to win this battle and save this country. You would make a sheltering place for my people. You would march an bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.' Grantaire was on his feet. The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard. He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras. 'Two at one shot,' he said. And, turning toward Enjolras gently, he said to him, 'Will you permit it?' Enjolras shook his hand with a smile. The smile had not finished before the report was heard. Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted. Grantaire, struck down, collapsed at his feet.
Victor Hugo (Les Misérables)
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
How can I keep my soul in me, so that it doesn’t touch your soul? How can I raise it high enough, past you, to other things? I would like to shelter it, among remote lost objects, in some dark and silent place that doesn’t resonate when your depths resound. Yet everything that touches us, me and you, takes us together like a violin’s bow, which draws one voice out of two separate strings. Upon what instrument are we two spanned? And what musician holds us in his hand? Oh sweetest song. - Love Song
Rainer Maria Rilke (Ahead of All Parting: The Selected Poetry and Prose)
Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.
Gaston Bachelard (The Poetics of Space)
people always think that happiness is a far away thing, something complicated and hard to get. yet, little things can make it up; a place of shelter when it rains - a cup of strong hot coffee when you're blue; for a man, a cigarette for contentment; a book to read when you're alone - just to be with someone you love. those little things make happiness.
Betty Smith (A Tree Grows in Brooklyn)
Sometimes I feel like a tree on a hill, at the place where all the wind blows and the hail hits the tree the hardest. All the people I love are down the side aways, sheltered under a great rock, and I am out of the fold, standing alone in the sun and the snow. I feel like I am not part of the rest somehow, although they welcome me and are kind. I see my family as they sit together and it is like theyh ave a certain way between them that is beyond me. I wonder if other folks ever feel included yet alone.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
We are all looking for a place in life, somewhere we fit. It’s not a place that changes who we are or what we do – perhaps it shapes us, makes us better, makes us more - but mostly it shelters us with a sense of peace, a sense that whatever we do, whoever we are, we’re not alone in it. I was lucky enough to find that place, when I was sixteen years old.
Samantha Young (Into the Deep (Into the Deep, #1))
Whenever he was en route from one place to another, he was able to look at his life with a little more objectivity than usual. it was often on trpis that he thought most clearly, and made the decisions that he could not reach when he was stationary.
Paul Bowles (The Sheltering Sky)
If we wish to fight, the enemy can be forced to an engagement even though he be sheltered behind a high rampart and a deep ditch. All we need do is attack some other place that he will be obliged to relieve.
Sun Tzu (The Art of War)
I feel ugly” I said and you looked at me as if I spoke a different language. There are things you will never understand and if there were words to describe the rapture that takes place in my head from time to time I would put my hand in front of your eyes to protect you from all the ugliness in the world. I kept my eyes on the streetlights outside the window and you kissed every inch of my body as if you could kiss the pain away.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Perhaps love is like a resting place, a shelter from the storm. It exists to give you comfort, it is there to keep you warm, and in those times of trouble when you are most alone, the memory of love will bring you home.
John Denver (Take Me Home: An Autobiography)
You would make a sheltering place for my people. You would march and bleed and crack terrible jokes until you had done all you said you would. I suppose that's why I love you.' 'All Saints, say it again.' 'I will not.' 'You must.' 'I'm the queen. I must do nothing but please myself.' 'Would it please to kiss me?' It would. And she did.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
More sheltering is rarely an antidote for too much in the first place.
Ginn Hale (Lord of the White Hell, Book 1 (Lord of the White Hell, #1))
The very quality of your life, whether you love it or hate it, is based upon how thankful you are toward God. It is one's attitude that determines whether life unfolds into a place of blessedness or wretchedness. Indeed, looking at the same rose bush, some people complain that the roses have thorns while others rejoice that some thorns come with roses. It all depends on your perspective. This is the only life you will have before you enter eternity. If you want to find joy, you must first find thankfulness. Indeed, the one who is thankful for even a little enjoys much. But the unappreciative soul is always miserable, always complaining. He lives outside the shelter of the Most High God. Perhaps the worst enemy we have is not the devil but our own tongue. James tells us, "The tongue is set among our members as that which . . . sets on fire the course of our life" (James 3:6). He goes on to say this fire is ignited by hell. Consider: with our own words we can enter the spirit of heaven or the agonies of hell! It is hell with its punishments, torments and misery that controls the life of the grumbler and complainer! Paul expands this thought in 1 Corinthians 10:10, where he reminds us of the Jews who "grumble[d] . . . and were destroyed by the destroyer." The fact is, every time we open up to grumbling and complaining, the quality of our life is reduced proportionally -- a destroyer is bringing our life to ruin! People often ask me, "What is the ruling demon over our church or city?" They expect me to answer with the ancient Aramaic or Phoenician name of a fallen angel. What I usually tell them is a lot more practical: one of the most pervasive evil influences over our nation is ingratitude! Do not minimize the strength and cunning of this enemy! Paul said that the Jews who grumbled and complained during their difficult circumstances were "destroyed by the destroyer." Who was this destroyer? If you insist on discerning an ancient world ruler, one of the most powerful spirits mentioned in the Bible is Abaddon, whose Greek name is Apollyon. It means "destroyer" (Rev. 9:11). Paul said the Jews were destroyed by this spirit. In other words, when we are complaining or unthankful, we open the door to the destroyer, Abaddon, the demon king over the abyss of hell! In the Presence of God Multitudes in our nation have become specialists in the "science of misery." They are experts -- moral accountants who can, in a moment, tally all the wrongs society has ever done to them or their group. I have never talked with one of these people who was happy, blessed or content about anything. They expect an imperfect world to treat them perfectly. Truly, there are people in this wounded country of ours who need special attention. However, most of us simply need to repent of ingratitude, for it is ingratitude itself that is keeping wounds alive! We simply need to forgive the wrongs of the past and become thankful for what we have in the present. The moment we become grateful, we actually begin to ascend spiritually into the presence of God. The psalmist wrote, "Serve the Lord with gladness; come before Him with joyful singing. . . . Enter His gates with thanksgiving and His courts with praise. Give thanks to Him, bless His name. For the Lord is good; His lovingkindness is everlasting and His faithfulness to all generations" (Psalm 100:2, 4-5). It does not matter what your circumstances are; the instant you begin to thank God, even though your situation has not changed, you begin to change. The key that unlocks the gates of heaven is a thankful heart. Entrance into the courts of God comes as you simply begin to praise the Lord.
Francis Frangipane
Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, the will butting its blunt head against the world's wall, suchlike, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say shocking, realisation. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have ever truly ever wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky's indifferent gaze and the air's harsh damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
John Banville (The Sea)
He had lived alone most of his life. He was used to places that were empty. He knew the real shelter of a home was inside yourself.
Michael Connelly (Angels Flight (Harry Bosch, #6; Harry Bosch Universe, #8))
MOST OF THE writers and artists I know were made for sheltering in place. The world asks us to engage, and for the most part we can, but given the choice, we’d rather stay home.
Ann Patchett (These Precious Days: Essays)
Because you were foolish enough to love one place, now you are homeless, an orphan in succession of shelters.
Louise Glück (Poems, 1962-2012)
Two of the top rules—Try Not to Hurt Anybody, and Have the Balls to Say What You Think—often clashed, but the results blended with her Be An Asshole When Necessary rule, so it worked for her.
Nora Roberts (Shelter in Place)
In political activity . . . men sail a boundless and bottomless sea; there is neither harbour for shelter nor floor for anchorage, neither starting-place nor appointed destination. The enterprise is to keep afloat on an even keel; the sea is both friend and enemy, and the seamanship consists in using the resources of a traditional manner of behaviour in order to make a friend of every hostile occasion.
Michael Oakeshott (Rationalism in Politics and other essays)
He did not think of himself as a tourist; he was a traveler. The difference is partly one of time, he would explain. Whereas the tourist generally hurries back home at the end of a few weeks or months, the traveler, belonging no more to one place than to the next, moves slowly, over periods of years, from one part of the earth to another.
Paul Bowles (The Sheltering Sky)
The awesome silence of the place crept up on her. The spruce and pines, all still laden with snow, spread their limbs in a frozen ballet, breathing a ghostly incense from dark, arid chapels sheltered by their branches.
Graham Joyce (The Silent Land)
He says you don't often find angels in places like happy homes and rich people's backyard parties. He says that angels flock to places like hospitals and homelss shelters and jails, because those people realize they need help. And do they are able to believe in strange phenomena. Funny how the world is backward. The really comfortable people don't always see much supernaturally, and to the ones who have to struggle, it's, like, breathing in their faces. The first are last... and the last are first.
Carol Plum-Ucci (What Happened to Lani Garver)
I think there is in the heart of a man a place made for wonder. It sleeps inside, awaiting fulfillment. All one’s life, one gathers treasures to fill it. Sometimes they are tiny glistening jewels: a flower blooming in the shelter of a fallen tree, the arch of a small child’s brow combined with the curve of her cheek. Sometimes, however, a trove falls into your hands all at once, as if some greedy pirate’s chest spilled before an unsuspecting beholder. Such were the dragons on the wing.
Robin Hobb (The Mad Ship (Liveship Traders, #2))
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath. There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily. Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides. I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection. Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back. I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Lord, if I thought you were listening, I'd pray for this above all: that any church set up in your name should remain poor, and powerless, and modest. That it should wield no authority except that of love. That it should never cast anyone out. That it should own no property and make no laws. That it should not condemn, but only forgive. That it should be not like a palace with marble walls and polished floors, and guards standing at the door, but like a tree with its roots deep in the soil, that shelters every kind of bird and beast and gives blossom in the spring and shade in the hot sun and fruit in the season, and in time gives up its good sound wood for the carpenter; but that sheds many thousands of seeds so that new trees can grow in its place. Does the tree say to the sparrow, 'Get out, you don't belong here?' Does the tree say to the hungry man, 'This fruit is not for you?' Does the tree test the loyalty of the beasts before it allows them into the shade?
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
The generosity of the Earth allows us to feed all mankind; we know enough about ecology to keep the Earth a healthy place; there is enough room on the Earth, and there are enough materials, so that everybody can have adequate shelter; we are quite competent enough to produce sufficient supplies of necessities so that no one need live in misery.
Ernst F. Schumacher (A Guide for the Perplexed)
Moderation, honey, in all things but love and chocolate. That's my motto.
Barbara Bretton (A Soft Place to Fall (Shelter Rock Cove, #1))
Inside each of us are memories, fantasies and desires for home - a shelter waiting to be built, a place of peace to be revisited.
Louisa Thomsen Brits (The Book of Hygge: The Danish Art of Living Well)
Architecture is about the understanding of the world and turning it into a more meaningful and humane place. -Juhani Pallasmaa
Louisa Thomsen Brits (The Book of Hygge: The Danish Art of Living Well)
Love’s the glue. Use it right, it can fix most anything.
Nora Roberts (Shelter in Place)
everyone knows that while we have to go on, we can never, should never, forget.
Nora Roberts (Shelter in Place)
Home is... not a place but a moment, and then another, building on each other like bricks to create a solid shelter that you take with you for your entire life, wherever you may go.
Sarah Dessen (What Happened to Goodbye)
It's always about them. They're only thinking about themselves. They never think about the kid being born. No one gives a damn how that child is going to feel. Isn't that crazy? Once they've had a baby, most parents would do anything to shelter them from any form of pain or suffering. But here it is, the only way to actually keep your child from ever knowing pain. Don't have them in the first place.
Mieko Kawakami (Breasts and Eggs)
I know, deep down, I am made of strong stuff. Rebuilt with it, at least, the way we all are over the years, with age and experience. Skin thickening, heart softening, patched up double in the places prone to breaking. A sum of all the things that have hurt us, scared us, sheltered, and delighted us.
Lia Louis (Dear Emmie Blue)
Jared,” I whispered. I held his hand, and then placed the ring around the tip of his finger. “I choose you as my best friend, and my love for life. I promise you my deepest love, my fullest devotion, my most tender care…through the pressures of the present and the uncertainties of the future, I promise to be faithful to you. It wasn’t until just now that I recognize that this wasn’t coincidence, or a battle. We were always meant for each other. Our love is heaven sent, and I promise to honor that forever and always. From this day forward, you won’t walk alone. My heart will be your shelter and my arms will be your home.
Jamie McGuire (Eden (Providence, #3))
The same three tasks recur across cultures and epochs: to shelter what is precious, to yield what is valuable, and to dispose of what is harmful. Shelter (memories, precious matter, messages, fragile lives). Yield (information, wealth, metaphors, minerals, visions). Dispose (waste, trauma, poison, secrets). Into the underland we have long placed that which we fear and wish to lose, and that which we love and wish to save.
Robert Macfarlane (Underland: A Deep Time Journey)
The window was all sky without colour. The house had lost its shelter. It was night before roads were made, or houses. It was the night that dwellers in caves had watched from some high place among rocks. Then the curtain rose. They spoke.
Virginia Woolf (Between the Acts)
Children, Landon said, are good at getting lost, because "the key in survival is knowing you're lost": they don't stray far, they curl up in some sheltered place at night, they know they need help.
Rebecca Solnit (A Field Guide to Getting Lost)
If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!
Samuel Rutherford
health, social life, job, house, partners, finances; leisure use, leisure amount; working time, education, income, children; food, water, shelter, clothing, sex, health care; mobility; physical safety, social safety, job security, savings account, insurance, disability protection, family leave, vacation; place tenure, a commons; access to wilderness, mountains, ocean; peace, political stability, political input, political satisfaction; air, water, esteem; status, recognition; home, community, neighbors, civil society, sports, the arts; longevity treatments, gender choice; the opportunity to become more what you are that's all you need
Kim Stanley Robinson (2312)
Because you were foolish enough to love one place, now you are homeless, an orphan in a succession of shelters. You did not prepare yourself sufficiently. Before your eyes, two people were becoming old; I could have told you two deaths were coming. There has never been a parent kept alive by a child’s love. Now, of course, it’s too late – you were trapped in the romance of fidelity. You kept going back, clinging to two people you hardly recognized after what they’d endured. If once you could have saved yourself, now that time’s past: you were obstinate, pathetically blind to change. Now you have nothing: for you, home is a cemetery. I’ve seen you press your face against the granite markers – you are the lichen, trying to grow there. But you will not grow, you will not let yourself obliterate anything.
Louise Glück (The Triumph of Achilles)
At Bramasole, the first secret spot that draws me outside is a stump and board bench on a high terrace overlooking the lake and valley. Before I sit down, I must bang the board against a tree to knock off all the ants. Then I'm happy. With a stunted oak tree for shelter and a never-ending view, I am hidden. No one knows where I am. The nine-year-old's thrill of the hideout under the hydrangea comes back: My mother is calling me and I am not answering.
Frances Mayes (Bringing Tuscany Home: Sensuous Style From the Heart of Italy)
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.” I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
The cosmic perspective comes from the frontiers of science, yet it is not solely the provenance of the scientist. It belongs to everyone. The cosmic perspective is humble. The cosmic perspective is spiritual, even redemptive, but not religious. The cosmic perspective enables us to grasp, in the same thought, the large and the small. The cosmic perspective opens our minds to extraordinary ideas but does not leave them so open that our brains spill out, making us susceptible to believing anything we're told. The cosmic perspective opens our eyes to the universe, not as a benevolent cradle designed to nurture life but as a cold, lonely, hazardous place, forcing us to reassess the value of all humans to one another. The cosmic perspective shows Earth to be a mote. But it's a precious mote and, for the moment, it's the only home we have. The cosmic perspective finds beauty in the images of planets, moons, stars, and nebulae, but also celebrates the laws of physics that shape them. The cosmic perspective enables us to see beyond our circumstances, allowing us to transcend the primal search for food, shelter, and a mate. The cosmic perspective reminds us that in space, where there is no air, a flag will not wave, an indication that perhaps flag-waving and space exploration do not mix. The cosmic perspective not only embraces our genetic kinship with all life on Earth but also values our chemical kinship with any yet-to-be discovered life in the universe, as well as our atomic kinship with the universe itself.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
Imagine a place where time is counted by ticks and tocks, but space is measured in sunset Imagine a place where each turn takes you home. Imagine a place where the tang of pine Meets the salt of sea where adventure finds a waiting heart Imagine a place where words shelter you ideas uphold you,and thought lead you to the secret inside the labyrinth ... Imagine a place where castle and cloud Shift from square to square and the world lies in the winner's hand Imagine a place where the sigh of waves spill from your suitcase and drift into your dreams Imagine....here
Sarah L. Thomson (Imagine a Place)
play has become too domesticated and regimented while playgrounds themselves have become more and more barren. May today are devoid of vegetation with which to form nests, shelters, wands, dolls, or other playthings...These concerns are best explored in a heterogeneous habitat, where several secret niches are harbored, the kinds that can no longer be found on prefabricated metal and plastic jungle gym.
Gary Paul Nabhan (The Geography of Childhood: Why Children Need Wild Places (Concord Library))
His familiar husky voice sent a wave of wistfulness through me. A thousand memories spun in my head, tangling together- a rocky beach strewn with driftwood trees, a garage made of plastic sheds, warm sodas in a paper bag, a tiny room with one too-small shabby loveseat. The laughter in his deep-set black eyes, the feverish heat of his big hand around mine, the flash of his white teeth against his dark skin, his face stretching into the wide smile that had always been like a key to a secret door where only kindred spirits could enter. It felt sort of like homesickness, this longing for the place and person who had sheltered me through my darkest night.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Is there such a thing as public good? That's all I'm asking. I mean, is your good the same as my good? I doubt that seriously. So, if we do not agree on a common sense of good, then how can there be any larger public good? What about some homeless person who sleeps on a heat grating down the street from that sculpture? Does he feel the public good when he stares up at this excessive interplay of metallic shapes? More likely he interprets this art through the way its form and function are relevant to his life, making this piece fairly useless. Such a lost soul's aesthetic viewpoint is overriden by the terms of his subsistence. Maybe he feels frustrated and hopeless that a behemoth made almost entirely of metal contains no surfaces large enough that he could use as shelter from rain or snow. Seeing the abstract metaphors, analogies, and conclusions that they invoke, or just laughing at the artist's pretense or the corrupt visions, which are particularly rife as this century comes to an end, requires taking your bank account for granted. That's a fine luxury for those with places to sleep and clothes that are clean.
Jim Carroll (The Petting Zoo)
It was such places as this, such moments that he loved above all else in life; she knew that, and she also knew that he loved them more if she could be there to experience them with him. And although he was aware that the very silences and emptinesses that touched his soul terrified her, he could not bear to be reminded of that. It was as if always he held the fresh hope that she, too, would be touched in the same way as he by solitude and the proximity to infinite things.
Paul Bowles (The Sheltering Sky)
Thérèse (of Lisieux) told her sister, Celine, who was upset with her own faults, "If you are willing to bear serenely the trial of being displeasing to yourself, then you will be a pleasant place of shelter for Jesus." If you observe yourself, you will see how hard it is to be "displeasing" to yourself, and that this is the initial emotional snag that sends you into terribly bad moods without even realizing the origins of these moods. So to resolve this common problem, both Francis and Thérèse teach you to let go of the very need to "think well of yourself" to begin with! That is your ego talking, not God, they would say. Only those who have surrendered their foundational egocentricity can do this, of course. Psychiatrist and writer Scott Peck once told me that Thérèse's quote was "sheer religious genius" because it made the usual posturing of religion well-nigh impossible.
Richard Rohr (Eager to Love: The Alternative Way of Francis of Assisi)
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
Even viewed conservatively, trees are worth far more than they cost to plant and maintain. The U.S. Forest Service's Center for Urban Forest Research found a ten-degree difference between the cool of a shaded park in Tucson and the open Sonoran desert. A tree planted in the right place, the center estimates, reduces the demand for air conditioning and can save 100 kilowatt hours in annual electrical use, about 2 to 8 percent of total use. Strategically planted trees can also shelter homes from wind, and in cold weather they can reduce heating fuel costs by 10 to 12 percent. A million strategically planted trees, the center figures, can save $10 million in energy costs. And trees increase property values, as much as 1 percent for each mature tree. These savings are offset somewhat by the cost of planting and maintaining trees, but on balance, if we had to pay for the services that trees provide, we couldn't afford them. Because trees offer their services in silence, and for free, we take them for granted.
Jim Robbins (The Man Who Planted Trees: Lost Groves, Champion Trees, and an Urgent Plan to Save the Planet)
Even though still young, I did not know what it was to experience the clear-cut feeling of platonic love. Was this a misfortune? But what meaning could ordinary misfortune have for me? The vague uneasiness surrounding my sexual feelings had practically made the carnal world an obsession with me. my curiosity was actually purely intellectual, but I became skillful at convincing myself that it was carnal desire incarnate. What is more, I mastered the art of delusion until I could regard myself as a truly lewd-minded person. As a result I assumed the stylish airs of an adult, of a man of the world. I affected the attitude of being completely tired of women. Thus it was that I first became obsessed with the idea of the kiss. Actually the action called a kiss represented nothing more for me than some place where my spirit could seek shelter. I can say so now. But at that time, in order to delude myself that this desire was animal passion. I had to undertake an elaborate disguise of mu true self. The unconscious feeling of guilt resulting from this false pretense atubbornly insisted that I play a conscious and false role.
Yukio Mishima (Confessions of a Mask)
Relegated, as he was, to one corner, and sheltered behind the billiard-table, the soldiers whose eyes were fixed on Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat his order: "Take aim!" when all at once, they heard a strong voice shout beside them: "Long live the Republic! I'm one of them." Grantaire had risen. The immense gleam of the whole combat which he had missed, and in which he had had no part, appeared in the brilliant glance of the transfigured drunken man. He repeated: "Long live the Republic!" crossed the room with a firm stride and placed himself in front of the guns beside Enjolras. "Finish both of us at one blow," said he. And turning gently to Enjolras, he said to him: "Do you permit it?" Enjolras pressed his hand with a smile. This smile was not ended when the report resounded. Enjolras, pierced by eight bullets, remained leaning against the wall, as though the balls had nailed him there. Only, his head was bowed. Grantaire fell at his feet, as though struck by a thunderbolt.
Victor Hugo
The restlessness in the human heart will never be finally stilled by any person, project, or place. The longing is eternal. This is what constantly qualifies and enlarges our circles of belonging. There is a constant and vital tension between longing and belonging. Without the shelter of belonging, our longings would lack direction, focus, and context; they would be aimless and haunted, constantly tugging the heart in a myriad of opposing directions. Without belonging, our longing would be demented. As memory gathers and anchors time, so does belonging shelter longing. Belonging without longing would be empty and dead, a cold frame around emptiness. One often notices this in relationships where the longing has died; they have become arrangements, and there is no longer any shared or vital presence. When longing dies, creativity ceases. The arduous task of being a human is to balance longing and belonging so that they work with and against each other to ensure that all the potential and gifts that sleep in the clay of the heart may be awakened and realized in this one life.
John O'Donohue (Eternal Echoes: Celtic Reflections on Our Yearning to Belong)
Going about one's native land one is inclined to take many things for granted, roads and buildings, roofs, windows and doorways, the walls that shelter strangers, the house one has never entered, trees which are like other trees, pavements which are no more than cobblestones. But when we are distant from them we find that those things have become dear to us, a street, trees and roofs, blank walls, doors and windows; we have entered those houses without knowing it, we have left something of our heart in the very stonework. Those places we no longer see, perhaps will never see again but still remember, have acquired and aching charm; they return to us with the melancholy of ghosts, a hallowed vision and as it were the true face of France. We love and evoke them such as they were; and such as to us they still are, we cling to them and will not have them altered, for the face of our country is our mother's face.
Victor Hugo (Les Misérables)
The villages were lighting up, constellations that greeted each other across the dusk. And, at the touch of his finger, his flying-lights flashed back a greeting to them. The earth grew spangled with light signals as each house lit its star, searching the vastness of the night as a lighthouse sweeps the sea. Now every place that sheltered human life was sparkling. And it rejoiced him to enter into this one night with a measured slowness, as into an anchorage.
Antoine de Saint-Exupéry (Night Flight)
All over again I understood how important, how irreplaceable, Sumire was to me. In her own special way she’d kept me tethered to the world. As I talked to her and read her stories, my mind quietly expanded, and I could see things I’d never seen before. Without even trying, we grew close. Like a pair of young lovers undressing in front of each other, Sumire and I had exposed our hearts to one another, an experience I’d never have with anyone else, anywhere. We cherished what we had together, though we never put into words how very precious it was. Of course it hurt that we could never love each other in a physical way. We would have been far happier if we had. But that was like the tides, the change of seasons—something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn’t going to last for ever. We were bound to reach a dead end. That was painfully clear. I loved Sumire more than anyone else and wanted her more than anything in the world. And I couldn’t just shelve those feelings, for there was nothing to take their place. I dreamed that someday there’d be a sudden, major transformation. Even if the chances of it coming true were slim, I could dream about it, couldn’t I? But I knew it would never come true.
Haruki Murakami (Sputnik Sweetheart)
Hygge is a quality of presence and an experience of togetherness. It is a feeling of being warm, safe, comforted and sheltered. Hygge is an experience of selfhood and communion with people and places that anchors and affirms us, gives us courage and consolation. To hygge is to invite intimacy and connection. It's a feeling of engagement and relatedness, of belonging to the moment and to each other. Hygge is a sense of abundance and contentment. Hygge is about being not having.
Louisa Thomsen Brits (The Book of Hygge: The Danish Art of Living Well)
And right then, I come the closest I think I ever will to understanding why Knight left. He left because the world is not made to accommodate people like him. He was never happy in his youth -- not in high school, not with a job, not being around other people. It made him feel constantly nervous. There was no place for him, and instead of suffering further, he escaped. It wasn't so much a protest as a quest; he was like a refugee from the human race. The forest offered him shelter (p 182)
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
It was too familiar to Cody. He placed his arms around his wife trying somehow to shelter her from the reality she was facing. There was another reason for his closeness; his desperation to show her he was not one of them, that the tribes of cruel men did not recognize him as one of their own, and to show his wife that his promise to create a safe place for her was a promise she need not fear would be broken. In the innermost part of him, from the secret child that lives within all men, was a scared cry, “Please don’t think I’m bad too.” From the other innermost part of him, the secret animal that prowls in some men was a raging wolf ready to kill. The battle line within the man had been drawn. The boundaries of faith rose up around the rage, warning the soul against righteous anger morphing to blood lust.
Lee Goff (A Wrath Like Thunder (Thunder Trilogy, #2))
The purchaser draws boundaries, fences himself in, and says, “This is mine; each one by himself, each one for himself.” Here, then, is a piece of land upon which, henceforth, no one has a right to step, save the proprietor and his friends; which can benefit nobody, save the proprietor and his servants. Let these sales multiply, and soon the people — who have been neither able nor willing to sell, and who have received none of the proceeds of the sale — will have nowhere to rest, no place of shelter, no ground to till. They will die of hunger at the proprietor’s door, on the edge of that property which was their birthright; and the proprietor, watching them die, will exclaim, “So perish idlers and vagrants!
Pierre-Joseph Proudhon (What Is Property?)
I feel more strongly with every recurring year that our country has no tradition which does it so much honour and which it should guard so jealously as that of its hospitality. It is a tradition that is unique as far as my experience goes (and I have visited not a few places abroad) among the modern nations. Some would say, perhaps, that with us it is rather a failing than anything to be boasted of. But granted even that, it is, to my mind, a princely failing, and one that I trust will long be cultivated among us. Of one thing, at least, I am sure. As long as this one roof shelters the good ladies aforesaid- and I wish from my heart it may do so for many and many a long year to come- the tradition of genuine warm-hearted courteous Irish hospitality, which our forefathers have handed down to us and which we must hand down to our descendants, is still alive among us.
James Joyce (The Dead)
Fine, I’ll pick ‘Sleeping Beauty,’” he decided. “Interesting selection,” Alex said, intrigued. “What do you suppose the moral of that story is?” “Don’t piss off your neighbors, I guess,” Conner said. Alex grunted disapprovingly. “Be serious, Conner! That is not the moral of ‘Sleeping Beauty,’” she reprimanded. “Sure it is,” Conner explained. “If the king and queen had just invited that crazy enchantress to their daughter’s party in the first place, none of that stuff ever would have happened.” “They couldn’t have stopped it from happening,” said Alex. “That enchantress was evil and probably would have cursed the baby princess anyway. ‘Sleeping Beauty’ is about trying to prevent the unpreventable. Her parents tried protecting her and had all the spinning wheels in the kingdom destroyed. She was so sheltered, she didn’t even know what the danger was, and she still pricked her finger on the first spindle she ever saw.” Conner thought about this possibility and shook his head. He liked his version much better. “I disagree,” Conner told her. “I’ve seen how upset you get when people don’t invite you places, and you usually look like you would curse a baby, too.” Alex gave Conner a dirty look Mrs. Peters would have been proud of. “While there’s no such thing as a wrong interpretation, I have to say that is definitely a misread,” Alex said. “I’m just saying to be careful who you ignore,” Conner clarified. “I always thought Sleeping Beauty’s parents had it coming.” “Oh?
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
Over her years of caring for unwanted animals, Lady Penelope Campion had learned a few things. Dogs barked; rabbits hopped. Hedgehogs curled up into pincushions. Cats plopped in the middle of the drawing room carpet and licked themselves in indelicate places. Confused parrots flew out open windows and settled on ledges just out of reach. And Penny leaned over window sashes in her nightdress to rescue them- even if it meant risking her own neck. She couldn't change her nature, any more than the lost, lonely, wounded, and abandoned creatures filling her house could change theirs.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
. . .To go as a river . .had taken me a long while to understand. . . meant. . .flowing forward against obstacle . . .like the river, I had also gathered along the way all the tiny pieces connecting me to everything else, and doing this had delivered me here, with two fists of forest soil in my palms and a heart still learning to be unafraid of itself. I had been shaped by my kindred— my lost family and lost love; my found friendships, though few; my trees that kept on living and every tree that gave me shelter; every creature I met along the way, every raindrop and snowflake choosing my shoulder, and every breeze that shifted the air; every winding path beneath my feet, every place I laid my hands and head, and every creek like the one before me, rolling off the hillside, gaining strength in gravity, spinning through the next eddy, pushing around the next bend, taking and giving in quiet agreement with every living thing.
Shelley Read (Go as a River)
I didn't sleep all night, thinking. I thought about you, about those puppy eyes you give me, when you fake your sadness to make me smile-- and that upper lip of yours that brings life to all of my senses. I thought about your laughter when you get tickled, and that soft mellow place near your arm pit that I wish could be knit into a pillow for me to hug all night long. I thought about your stomach, your soft and sensitive stomach, scared like a baby kitten under the pouring rain. And I remembered the feeling of protection that comes washing over me when I get a glimpse of it, the feeling of covering it with the layers of my very own skin. I remembered your head when it rests on my heart, a rock sheltering itself on the verdure of infinity. I remembered your silky black hair, and how I never imagined that hair curls so thin could twirl, in the way they do, the rigid core of my existence.
Malak El Halabi
THE HYGGE MANIFESTO 1. ATMOSPHERE Turn down the lights. 2. PRESENCE Be here now. Turn off the phones. 3. PLEASURE Coffee, chocolate, cookies, cakes, candy. Gimme! Gimme! Gimme! 4. EQUALITY “We” over “me.” Share the tasks and the airtime. 5. GRATITUDE Take it in. This might be as good as it gets. 6. HARMONY It’s not a competition. We already like you. There is no need to brag about your achievements. 7. COMFORT Get comfy. Take a break. It’s all about relaxation. 8. TRUCE No drama. Let’s discuss politics another day. 9. TOGETHERNESS Build relationships and narratives. “Do you remember the time we . . . ?” 10. SHELTER This is your tribe. This is a place of peace and security.
Meik Wiking (The Little Book of Hygge: Danish Secrets to Happy Living)
A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter. And the camels galled, sore-footed, refractory, Lying down in the melting snow. There were times we regretted The summer palaces on slopes, the terraces, And the silken girls bringing sherbet. Then the camel men cursing and grumbling And running away, and wanting their liquor and women, And the night fires going out, and the lack of shelters, And the cities hostile and the towns unfriendly And the villages dirty and charging high prices: A hard time we had of it. At the end we preferred to travel all night, Sleeping in snatches, With the voices singing in our ears, saying That this was all folly. Then at dawn we came down to a temperate valley, Wet, below the snow line, smelling of vegetation; With a running stream and a water-mill beating the darkness, And three trees on the low sky, And an old white horse galloped away in the meadow. Then we came to a tavern with vine-leaves over the lintel, Six hands at an open door dicing for pieces of silver, And feet kicking the empty wine-skins, But there was no information, and so we continued And arrived at evening, not a moment too soon Finding the place; it was (you may say) satisfactory. All this was a long time ago, I remember, And I would do it again, but set down This set down This: were we led all that way for Birth or Death? There was a Birth, certainly, We had evidence and no doubt. I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death. We returned to our places, these Kingdoms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods. I should be glad of another death.
T.S. Eliot
Shame is so painful for children because it is inextricably linked to the fear of being unlovable. For young children who are still dependent on their parents for survival—for food, shelter, and safety—feeling unlovable is a threat to survival. It’s trauma. I’m convinced that the reason most of us revert back to feeling childlike and small when we’re in shame is because our brain stores our early shame experiences as trauma, and when it’s triggered we return to that place. We don’t have the neurobiological research yet to confirm this, but I’ve coded hundreds of interviews that follow this same pattern:
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
After Jericho's illness crippled him and his parents had abandoned him to the state, it was Will who'd stepped in as guardian. He had sheltered Jericho, fed and clothed him, and taught his ward what he could about running the museum and about Diviners. For that, Jericho supposed he owed him a debt. But Will hadn't given Jericho the parts that mattered most. He hadn't given himself. The two of them had never gone fishing in a cold stream early on a summer's day and shared their thoughts on love and life while they watched the sun draw the curling morning mist from the water. They'd never discussed how to find one's place in the world, never talked of fathers and sons, or what makes someone a man. No. He and Will spoke in newspaper articles about ghosts. They conversed through the careful curation of supernatural knickknacks. And Jericho couldn't help but feel cheated at how little he'd gotten when he'd needed so much more. Why was there so much silence between men?
Libba Bray (Lair of Dreams (The Diviners, #2))
You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.
Jamaal May
The garden is the place I go for refuge and shelter, not the house. In the house are duties and annoyances, servants to exhort and admonish, furniture, and meals; but out there blessings crowd round me at every step -- it is there that I am sorry for the unkindness in me, for those selfish thoughts that are so much worse than they feel; it is there that all my sins and silliness are forgiven, there that I feel protected and at home, and every flower and weed is a friend and every tree a lover. When I have been vexed I run to them for comfort, and when I have been angry without just cause, it is there I find absolution. Did ever a woman have so many friends? And always the same, always ready to welcome me and fill me with cheerful thoughts. Happy children of a common Father, why should I, their own sister, be less content and joyous than they?
Elizabeth von Arnim
I was born in Nature's wide domain! The trees were all that sheltered my infant limbs, the blue heavens all that covered me. I am one of Nature's children. I have always admired her. She shall be my glory: her features, her robes, and the wreath about her brow, the seasons, her stately oaks, and the evergreen — her hair, ringlets over the earth — all contribute to my enduring love of her. And wherever I see her, emotions of pleasure roll in my breast, and swell and burst like waves on the shores of the ocean, in prayer and praise to Him who has placed me in her hand. It is thought great to be born in palaces, surrounded with wealth — but to be born in Nature's wide domain is greater still! I
Kent Nerburn (The Wisdom of the Native Americans: Including The Soul of an Indian and Other Writings of Ohiyesa and the Great Speeches of Red Jacket, Chief Joseph, and Chief Seattle)
Hold Fast Your Dreams Hold fast your dreams! Within your heart Keep one still, secret spot Where dreams may go, And, sheltered so, May thrive and grow Where doubt and fear are not. O keep a place apart, Within your heart, For little dreams to go! Think still of lovely things that are not true. Let wish and magic work at will in you. Be sometimes blind to sorrow. Make believe! Forget the calm that lies In disillusioned eyes. Though we all know that we must die, Yes you and I May walk like gods and be Even now at home in immortality. We see so many ugly things— Deceits and wrongs and quarrelings; We know, alast we know How quickly fade The color in the west, The bloom upon the flower, The bloom upon the breast And youth's blind hour. Yet keep within your heart A place apart Where little dreams may go, May thrive and grow. Hold fast—hold fast your dreams!
Louise Driscoll
The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter. [Anonymous, Kokinshuu 987: Where in all this world shall I call home? A temporary shelter is my home.] A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them. 'I needs must ask the lady far yonder," he said, as if to himself. [Anonymous, Kokinshuu 1007: I needs must ask the lady far yonder What flower it is off there that blooms so white.] An attendant came up, bowing deeply. "The white flowers far off yonder are known as 'evening faces," he said. "A very human sort of name--and what a shabby place they have picked to bloom in." It was as the man said. The neighborhood was a poor one, chiefly of small houses. Some were leaning precariously, and there were "evening faces" at the sagging eaves. A hapless sort of flower. Pick one off for me, will you?" The man went inside the raised gate and broke off a flower. A pretty little girl in long, unlined yellow trousers of raw silk came out through a sliding door that seemed too good for the surroundings. Beckoning to the man, she handed him a heavily scented white fan. Put it on this. It isn't much of a fan, but then it isn't much of a flower either.
Murasaki Shikibu (The Tale of Genji)
Life, authentic life, is supposed to be all struggle, unflagging action and affirmation, but when I look back I see that the greater part of my energies was always given over to the simple search for shelter, for comfort, for, yes, I admit it, for cosiness. This is a surprising, not to say a shocking, realization. Before, I saw myself as something of a buccaneer, facing all-comers with a cutlass in my teeth, but now I am compelled to acknowledge that this was a delusion. To be concealed, protected, guarded, that is all I have truly wanted, to burrow down into a place of womby warmth and cower there, hidden from the sky’s indifferent gaze and the harsh air’s damagings. That is why the past is just such a retreat for me, I go there eagerly, rubbing my hands and shaking off the cold present and the colder future. And yet, what existence, really, does it have, the past? After all, it is only what the present was, once, the present that is gone, no more than that. And yet.
John Banville (The Sea)
During World War II, a few years after Norma Jeane’s time in an orphanage, thousands of children were evacuated from the air raids and poor rations of London during the Blitz, and placed with volunteer families or group homes in the English countryside or even in other countries. It was only postwar studies comparing these children to others left behind that opened the eyes of many experts to the damage caused by emotional neglect. In spite of living in bombed-out ruins and constant fear of attack, the children who had been left with their mothers and families tended to fare better than those who had been evacuated to physical safety. Emotional security, continuity, a sense of being loved unconditionally for oneself—all those turn out to be as important to a child’s development as all but the most basic food and shelter.
Gloria Steinem (Marilyn: Norma Jeane)
Often we can get caught in our own struggles, our own small stories, that we forget our place in the larger story arc – the way that our actions, our choices, our achievements can and will blaze trails for that who come after us, so that they do not have to spend their time and energy re-fighting the same battles. For sure we walk a spiral path, but for generations of women the spirals were so tightly packed that it seemed they were going round in circles – let us blaze trails so that the path we walk takes in wider and wider sweeps of human experience. Trail blazing is what we do when we find ourselves in the wilderness, with no path to guide us but our own intuitive understanding of nature and our destination. At times we must walk through the night, guided only by the stars. We know when to sit and rest, to shelter from storms, when to gather water, and what on the trail will sustain us and what will do us harm. We are courageous and cautious in equal measure, but we are driven forward, not only by our own desire to reach our destination, but also by the desire to leave a viable way for others who follow. Trail blazing is an art-form. It is how we find paths through what before was wilderness. We push aside braches, or cut them back, we tramp down nettles and long grasses, ford rivers and streams, through the inner and outer landscapes.
Lucy H. Pearce (Burning Woman)
People,” Shai said, rising to fetch another seal, “by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we’re in control. “Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man’s influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person’s influence. “We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it’s about knowing why the serving lady was crying last night, or why a particular guard always loses at cards. Or why your employer hired you in the first place.” Gaotona
Brandon Sanderson (The Emperor's Soul)
am proud to belong to a religion which has taught the world both tolerance and universal acceptance. We believe not only in universal toleration, but we accept all religions as true. I am proud to belong to a nation which has sheltered the persecuted and the refugees of all religions and all nations of the earth. I am proud to tell you that we have gathered in our bosom the purest remnant of the Israelites, who came to southern India and took refuge with us in the very year in which their holy temple was shattered to pieces by Roman tyranny. I am proud to belong to the religion which has sheltered and is still fostering the remnant of the grand Zoroastrian nation. I remember having repeated a hymn from my earliest boyhood, which is every day repeated by millions of human beings: “As the different streams having their sources in different places all mingle their water in the sea, so, O Lord, the different paths which men take through different tendencies, various though they appear, crooked or straight, all lead to Thee.”. . . [T]he wonderful doctrine preached in the Gita [says]: “Whosoever comes to Me, through whatsoever form, I reach him; all men are struggling through paths which in the end lead to me.
Shashi Tharoor (India: From Midnight to the Millennium and Beyond)
Aye," the prince said. "I told the story to Ser Balon, but not all of it. As the children splashed in the pools, Daenerys watched from amongst the orange trees, and a realization came to her. She could not tell the highborn from the low. Naked, they were only children. All innocent, all vulnerable, all deserving of long life, love, protection. "There is your realm," she told her son and heir, "remember them, on everything you do." My own mother said those same words to me when I was old enough to leave the pools. It is an easy thing for a prince to call the spears, but in the end the children pay the price. For their sake, the wise prince will wage non war without good cause, nor any war he cannot hope to win. "I am not blind, nor deaf. I know that you all believe me weak, frightened, feeble. Your father knew me better. Oberyn was ever the viper. Deadly, dangerous, unpredictable. No man dared tread on him. I was the grass. Pleasant, complaisant, sweet-smelling, swaying with every breeze. Who fears to walk upon the grass? But it is the grass that hides the viper from his enemies and shelters him until he strikes. Your father and I worked more closely than you know...but now he is gone. The question is, can I trust his daughters to serve me in his place?
George R.R. Martin (A Dance with Dragons 1: Dreams and Dust (A Song of Ice and Fire, #5, Part 1 of 2))
I slip Anny's letter back into my despatch case: she has done what she could; I cannot reach the woman who took it in her hands, folded and put it in the envelope. Is it possible even to think of someone in the past? As long as we loved each other, we never allowed the meanest of our instants, the smallest grief, to be detached and forgotten, left behind. Sounds, smells, nuances of light, even the thoughts we never told each other; we carried them all away and they remained alive: even now they have the power to give us joy and pain. Not a memory: an implacable, torrid love, without shadow, without escape, without shelter. Three years rolled into one. That is why we parted: we did not have enough strength to bear this burden. And then, when Anny left me, all of a sudden, all at once, the three years crumbled into the past. I didn't even surfer, I felt emptied out. Then time began to flow again and the emptiness grew larger. Then, in Saigon when I decided to go back to France, all that was still left—strange faces, places, quays on the banks of long rivers—all was wiped out. Now my past is nothing more than an enormous vacuum. My present: this waitress in the black blouse dreaming near the counter, this man. It seems as though I have learned all I know of life in books.
Jean-Paul Sartre (Nausea)
There were some places, and streets, where he did not venture since he had learnt that others had claims there greater than his own - not the gangs of meths drinkers who lived in no place and no time, nor the growing number of the young who moved on restlessly across the face of the city, but vagrants like himself who, despite the name which the world has given them, had ceased to wander and now associated themselves with one territory or 'province' rather than another. All of them led solitary lives, hardly moving from their own warren of streets and buildings: it is not known whether they chose the area, or whether the area itself had callen them and taken them in, but they had become the guardian spirits (as it were) of each place. Ned now knew some of their names: Watercress Joe, who haunted the streets by St Mary Woolnoth, Black Sam who lived and slept beside the Commercial Road between Whitechapel and Limehouse, Harry the Goblin who was seen only by Spitalfields and Artillery Lane, Mad Frank who walked continually through the streets of Bloomsbury, Italian Audrey who was always to be found in the dockside area of Wapping (it was she who had visited Ned in his shelter many years before), and 'Alligator' who never moved from Greenwich.
Peter Ackroyd (Hawksmoor)
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
Meg Cabot (Underworld (Abandon, #2))
The three conditions without which healthy growth does not take place can be taken for granted in the matrix of the womb: nutrition, a physically secure environment and the unbroken relationship with a safe, ever-present maternal organism. The word matrix is derived from the Latin for “womb,” itself derived from the word for “mother.” The womb is mother, and in many respects the mother remains the womb, even following birth. In the womb environment, no action or reaction on the developing infant’s part is required for the provision of any of his needs. Life in the womb is surely the prototype of life in the Garden of Eden where nothing can possibly be lacking, nothing has to be worked for. If there is no consciousness — we have not yet eaten of the Tree of Knowledge — there is also no deprivation or anxiety. Except in conditions of extreme poverty unusual in the industrialized world, although not unknown, the nutritional needs and shelter requirements of infants are more or less satisfied. The third prime requirement, a secure, safe and not overly stressed emotional atmosphere, is the one most likely to be disrupted in Western societies. The human infant lacks the capacity to follow or cling to the parent soon after being born, and is neurologically and biochemically underdeveloped in many other ways. The first nine months or so of extrauterine life seem to have been intended by nature as the second part of gestation. The anthropologist Ashley Montagu has called this phase exterogestation, gestation outside the maternal body. During this period, the security of the womb must be provided by the parenting environment. To allow for the maturation of the brain and nervous system that in other species occurs in the uterus, the attachment that was until birth directly physical now needs to be continued on both physical and emotional levels. Physically and psychologically, the parenting environment must contain and hold the infant as securely as she was held in the womb. For the second nine months of gestation, nature does provide a near-substitute for the direct umbilical connection: breast-feeding. Apart from its irreplaceable nutritional value and the immune protection it gives the infant, breast-feeding serves as a transitional stage from unbroken physical attachment to complete separation from the mother’s body. Now outside the matrix of the womb, the infant is nevertheless held close to the warmth of the maternal body from which nourishment continues to flow. Breast-feeding also deepens the mother’s feeling of connectedness to the baby, enhancing the emotionally symbiotic bonding relationship. No doubt the decline of breast-feeding, particularly accelerated in North America, has contributed to the emotional insecurities so prevalent in industrialized countries. Even more than breast-feeding, healthy brain development requires emotional security and warmth in the infant’s environment. This security is more than the love and best possible intentions of the parents. It depends also on a less controllable variable: their freedom from stresses that can undermine their psychological equilibrium. A calm and consistent emotional milieu throughout infancy is an essential requirement for the wiring of the neurophysiological circuits of self-regulation. When interfered with, as it often is in our society, brain development is adversely affected.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)