Concrete Cutting Quotes

Man cuts out for himself a manageable world: he throws himself into action uncritically, unthinkingly. He accepts the cultural programming that turns his nose where he is supposed to look; he doesn’t bite the world off in one piece as a giant would, but in small manageable pieces, as a beaver does. He uses all kinds of techniques, which we call the “character defenses”: he learns not to expose himself, not to stand out; he learns to embed himself in other-power, both of concrete persons and of things and cultural commands; the result is that he comes to exist in the imagined infallibility of the world around him. He doesn’t have to have fears when his feet are solidly mired and his life mapped out in a ready-made maze. All he has to do is to plunge ahead in a compulsive style of drivenness in the “ways of the world.

Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces. Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web. It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept... ..I have danced with the spider. I have cut a caper with the dancing mad god.

A ten-day old baby, whose only experience of life is being take way from their mother, loaded into a truck and driven to a slaughterhouse, is left in the cold overnight on a concrete floor before their throat is cut, all so we can pour their mother's milk over our cornflakes.

I've never had a boy in here," Martin said in a serious voice. "I've never touched another man, as a matter of fact. . . .except for my father. That was my duty." Blomkvist's temples were pounding. He could not put his weight on his feet without being strangled. He tried to use his fingers to get a grip on the concrete wall behind him, but there was nothing to hold onto. "It's time," Martin Vanger said. He put a hand on the strap and pulled down. Blomkvist instantly felt the noose cut into his neck. "I've always wondered how a man tastes." He increased the pressure on the noose and leaned forward to kiss Blomkvist on the lips at the same time that a cold voice cut through the room. "Hey you fucking creep, in this shithole I've got a monopoly on that one.

What’s the reach on these ear buds?” Zane asked. He refused to slow down, and for once Nick was glad for the man’s stubbornness. “You got to be in a mile range of the hand unit,” Digger answered. “If Ty’s got his unit on him, we should be able to hear him and he should be able to hear us.” “So we can’t hear him, that means he dropped his radio?” Owen asked. “Or his ear bud. Or he went into the drink. Or he’s underground. Or he’s behind lots of concrete. Or somewhere the signal’s getting jacked.” “Digger!” “What? They ain’t military grade. Damn.

We have stopped natural selection from purifying the species because deep in our heart of hearts, we are all terrified that we won't make the cut.

For the first time, they were actually discussing their future in concrete terms. They’d both known, on some level, that they intended to spend the rest of their lives together.

Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.

[A] life full of goals and end-points is like trying to abate one's hunger by eating merely the two precise ends of a banana. The concrete reality of the banana is, on the contrary, all that lies between the two ends, the journey as it were[.] Furthermore, when the time and space between destinations are cut out, all destinations tend to become ever more similar.

Once, we built structures entirely from the most durable substances we knew: granite block, for instance. The results are still around today to admire, but we don’t often emulate them, because quarrying, cutting, transporting, and fitting stone require a patience we no longer possess. No one since the likes of Antoni Gaudí, who began Barcelona’s yet-unfinished Sagrada Familia basilica in 1880, contemplates investing in construction that our great-great-grandchildren’s grandchildren will complete 250 years hence. Nor, absent the availability of a few thousand slaves, is it cheap, especially compared to another Roman innovation: concrete.

Because emotional abuse is impossible to prove, we often have an incredibly difficult time describing or putting into words what exactly has happened to us that is so bad. We know things were not or are not normal, but we don’t know why. Emotional abuse moves quickly. Just as we’re about to put our finger on it, it seems to slip away. Without a clear set of concrete, provable terms, many of us question if our abuse or neglect was real. Did it really happen? Or are we just making it up? We reason that if we were truly abused, our abuse should be easy to explain.

The city had grown, implacably, spreading its concrete and alloy fingers wider every day over the dark and feral country. Nothing could stop it. Mountains were stamped flat. Rivers were dammed off or drained or put elsewhere. The marshes were filled. The animals shot from the trees and then the trees cut down. And the big gray machines moved forward, gobbling up the jungle with their iron teeth, chewing it clean of its life and all its living things. Until it was no more. Leveled, smoothed as a highway is smoothed, its centuries choked beneath millions and millions of tons of hardened stone. The birth of a city... It had become the death of a world.

In addition to being a life-sustaining and sanity-maintaining way of managing inner states, cutting is a primitive yet powerful form of communication for people unable to adequately verbalize their feelings. Self-mutilation provides concrete expression for the pain they feel inside—a language written on the body, through blood, wounds, and scars.

THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre.

He thought. He wrote. He read. He ran and drank milk and concrete. He was cut into two. He bled. He died.

One learns from the sea how little one needs, not how much. These were our islands now, islands cut off from the world of concrete and steel, from freeways and television

her nipples were hard enough to cut through concrete. Her waist didn’t carry as many curves

It has generally been assumed that fairy tales were first created for children and are largely the domain of children. But nothing could be further from the truth. From the very beginning, thousands of years ago, when tales were told to create communal bonds in face of the inexplicable forces of nature, to the present, when fairy tales are written and told to provide hope in a world seemingly on the brink of catastrophe, mature men and women have been the creators and cultivators of the fairy tale tradition. When introduced to fairy tales, children welcome them mainly because they nurture their great desire for change and independence. On the whole, the literary fairy tale has become an established genre within a process of Western civilization that cuts across all ages. Even though numerous critics and shamans have mystified and misinterpreted the fairy tale because of their spiritual quest for universal archetypes or their need to save the world through therapy, both the oral and the literary forms of the fairy tale are grounded in history: they emanate from specific struggles to humanize bestial and barbaric forces, which have terrorized our minds and communities in concrete ways, threatening to destroy free will and human compassion. The fairy tale sets out to conquer this concrete terror through metaphors.

Those cries can be heard through the thickest walls. They can cut through concrete and skin and reach deep into the dark parts of a lost boy’s soul. They are cries that change the course of a life, that trample innocence and snuff out goodness.

I’m saying that if you want to be happy, eradicate your attachment; cut your concrete concepts. The way to cut them is not troublesome—just change your attitude; switch your attitude, that’s all. It’s not really a big deal! It’s really skillful, reasonable. The way Buddhism explains this is reasonable. It’s not something in which you have to super-believe. I’m not saying you have to try to be a superwoman or superman. It’s reasonable and logical. Simply changing your attitude eliminates your concrete concepts.

The Los Angeles River is small, but mean. People who don't know the truth of it make fun of our river; all they see is a tortured trickle that snakes along a concrete gutter like some junkie's vein. They don't know that we put the river in concrete to save ourselves; they don't know that the river is small because it's sleeping, and that every year and sometimes more it wakes. Before we put the river in that silly trough centered on a concrete plain at the bottom of those concrete walls, it flashed to life with the rain to wash away trees and houses and bridges, and cut its banks to breed new channels almost as if it was looking for people to kill. It found what it looked for too many times. Now, when it wakes, the river climbs those concrete walls so high that wet claws rake the freeways and bridges as it tries to pull down a passing car or someone caught out in the storm. Chain-link fences and barbed wire spine along the top of the walls to keep out people, but the walls keep in the river. The concrete is a prison. The prison works, most of the time.

By making concrete, defined plans, you are actually being abstract, because you are making these plans for a self that is abstract: a future self that you imagine based on who you think you are now, even though you, the world, and your circumstances will change. You cut yourself off from the real, messy complexities that are the basis from which you can develop as a human being. You eliminate your ability to grow as a person because you are limiting that growth to what is in the best interests of the person you happen to be right now, and not the person you will become.

Nearby a wide, brackish river froths, bubbling around rock. Tall, slender saw palmettos make lonely islands of rubble and root. On a steep slope, a single wall of a five-story concrete building stands. It looks like a castle cut from construction paper, flat instead of three-dimensional.

Eulogy: He thought. He wrote. He read. He ran and drank milk. A boy made of milk and concrete. He was cut in two. He bled and died. A stranger smart enough to steal a child and lock a door took the boy's life. The man cut him in half, then chewed him up. Blood and rubble. Even though the boy was dead, he dreamed up a girl with skin and hair of light taking care of him, holding his hand, He dreamed the girl gave him a kiss, and he wondered if the kiss would send him back to the world. It didn't. It kept him under. He sleeps in the box with the girl made from light. We have to forget him so we can take him with us.

Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy. The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it. The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty. The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark. The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose. Los Hierros was crap.

Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre.

They wanted you to grow up into some helpless combination of old person and infant. They wanted you to have a house and a family and a refrigerator and a TV, and not know how any of it worked. They wanted you to spend your life working on something that was never concrete, never anything you could see or hold in your hands, and if you didn't do that they wanted to put you in jail. Cutting down forests, poisoning the earth - it was a country driven by stupid, blind impulse. It was a country where nobody knew where their food came from or where their garbage went, they just flushed the bowl, kept eating it and throwing it away, building bombs and computers, cars and TVs, sending people off to Vietnam so they could set it on fire. It was a country that had turned against everyone he knew, cast them out like garbage, and all they could do was smile to themselves at all they'd learned and wait patiently for the fires to start here at home.

There is one myth about writers that I have always felt was particularly pernicious and untruthful—the myth of the "lonely writer," the myth that writing is a lonely occupation, involving much suffering because, supposedly, the writer exists in a state of sensitivity which cuts him off, or raises him above, or casts him below the community around him. This is a common cliché, a hangover probably from the romantic period and the idea of the artist as a Sufferer and a Rebel. Probably any of the arts that are not performed in a chorus-line are going to come in for a certain amount of romanticizing, but it seems to me particularly bad to do this to writers and especially fiction writers, because fiction writers engage in the homeliest, and most concrete, and most unromanticizable of all arts. I suppose there have been enough genuinely lonely suffering novelists to make this seem a reasonable myth, but there is every reason to suppose that such cases are the result of less admirable qualities in these writers, qualities which have nothing to do with the vocation of writing itself.

He tans into burning while the opening fanfare to "Peaches en Regalia" flows over him, the bugle call for a hippie army that marched at the peak of the American parabola, that moment when physics held its breath to allow levitation, a small reward before the descent. The hippies knew it then, Maggot Boy Johnson thinks; they couldn't build it into words but they could feel it; a floating in the stomach as history shifted direction. They stopped, hey, what's that sound, and knew that the spiny skyscrapers reflected in the river, the chasms of concrete, the wide streets and sidewalks, the power lines cutting into the hills and mountains above missile silos, the highways drawing lines across the blank plains under enormous skies, the pupil of God's eye, would be the ruins that their grandchildren wandered among, the reminders that once there was always water in the faucet, there was electricity all the time, and America was prying off the shackles of its past. The vision opened up to them and winked out again, and those it blinded staggered through their lives unable to see anything else, while the rest of them wondered if they had only dreamed it.

Summary of Rule #4 The core idea of this book is simple: To construct work you love, you must first build career capital by mastering rare and valuable skills, and then cash in this capital for the type of traits that define compelling careers. Mission is one of those traits. In the first chapter of this rule, I reinforced the idea that this trait, like all desirable career traits, really does require career capital—you can’t skip straight into a great mission without first building mastery in your field. Drawing from the terminology of Steven Johnson, I argued that the best ideas for missions are found in the adjacent possible—the region just beyond the current cutting edge. To encounter these ideas, therefore, you must first get to that cutting edge, which in turn requires expertise. To try to devise a mission when you’re new to a field and lacking any career capital is a venture bound for failure. Once you identify a general mission, however, you’re still left with the task of launching specific projects that make it succeed. An effective strategy for accomplishing this task is to try small steps that generate concrete feedback—little bets—and then use this feedback, be it good or bad, to help figure out what to try next. This systematic exploration can help you uncover an exceptional way forward that you might have never otherwise noticed. The little-bets strategy, I discovered as my research into mission continued, is not the only way to make a mission a success. It also helps to adopt the mindset of a marketer. This led to the strategy that I dubbed the law of remarkability. This law says that for a project to transform a mission into a success, it should be remarkable in two ways. First, it must literally compel people to remark about it. Second, it must be launched in a venue conducive to such remarking. In sum, mission is one of the most important traits you can acquire with your career capital. But adding this trait to your working life is not simple. Once you have the capital to identify a good mission, you must still work to make it succeed. By using little bets and the law of remarkability, you greatly increase your chances of finding ways to transform your mission from a compelling idea into a compelling career.

The rise of loneliness as a health hazard tracks with the entrenchment of values and practices that supersede any notion of "individual choices." The dynamics include reduced social programs, less available "common" spaces such as public libraries, cuts in services for the vulnerable and the elderly, stress, poverty, and the inexorable monopolization of economic life that shreds local communities. By way of illustration, let's take a familiar scenario: Walmart or some other megastore decides to open one of its facilities in a municipality. Developers are happy, politicians welcome the new investment, and consumers are pleased at finding a wide variety of goods at lower prices. But what are the social impacts? Locally owned and operated small businesses cannot compete with the marketing behemoth and must close. People lose their jobs or must find new work for lower pay. Neighborhoods are stripped of the familiar hardware store, pharmacy, butcher, baker, candlestick maker. People no longer walk to their local establishment, where they meet and greet one another and familiar merchants they have known, but drive, each isolated in their car, to a windowless, aesthetically bereft warehouse, miles away from home. They might not even leave home at all — why bother, when you can order online? No wonder international surveys show a rise in loneliness. The percentage of Americans identifying themselves as lonely has doubled from 20 to 40 percent since the 1980s, the New York Times reported in 2016. Alarmed by the health ravages, Britain has even found it necessary to appoint a minister of loneliness. Describing the systemic founts of loneliness, the U.S. surgeon general Vivek Murthy wrote: "Our twenty-first-century world demands that we focus on pursuits that seem to be in constant competition for our time, attention, energy, and commitment. Many of these pursuits are themselves competitions. We compete for jobs and status. We compete over possessions, money, and reputations. We strive to stay afloat and to get ahead. Meanwhile, the relationships we prize often get neglected in the chase." It is easy to miss the point that what Dr. Murthy calls "our twenty-first-century world" is no abstract entity, but the concrete manifestation of a particular socioeconomic system, a distinct worldview, and a way of life.

In confession occurs the break-through to the Cross. The root of all sin is pride, superbia. I want to be my own law, I have a right to my self, my hatred and my desires, my life and my death. The mind and flesh of man are set on fire by pride; for it is precisely in his wickedness that man wants to be as God. Confession in the presence of a brother is the profoundest kind of humiliation. It hurts, it cuts a man down, it is a dreadful blow to pride. To stand there before a brother as a sinner is an ignominy that is almost unbearable. In the confession of concrete sins the old man dies a painful, shameful death before the eyes of a brother. Because this humiliation is so hard we continually scheme to evade confessing to a brother. Our eyes are so blinded that they no longer see the promise and the glory in such abasement.

Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff. His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath­ tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.

You have got to be—” Her sentence is cut short when the elevator makes an abrupt stop, jostling both of us into the walls of the small carrier. “Huh, would you look at that?” I glance around the small room, wondering what’s wrong. “No, no, no,” Dottie says over and over again, as she rushes to the panel and presses the emergency button. When nothing happens, she presses all the other buttons. “That’s intelligent,” I say, arms crossed and observing her from behind. “Confuse the damn thing so it has no idea what to do.” She doesn’t answer, but instead pulls her phone out from her purse and starts holding it up in the air, searching for a signal. “It’s cute that you think raising the phone higher will grant you service. We’re in a metal box surrounded by concrete, sweetheart. I never get reception in here.” “Damn it,” she mutters, stuffing her phone back in her purse. “Looks like you’re stuck here with me until someone figures out the elevator broke, so it’s best you get comfortable.” I sit on the floor and then pat my lap. “You can sit right here.” “I’d rather lick the elevator floor.” “There’s a disgusting visual. Suit yourself.” I get comfortable and start rifling through my bag of food. Thank God I grabbed dinner before this, because I’m starving, and if I was stuck in this elevator with no food, I’d be a raging bastard, bashing his head against the metal door from pure hunger. Low blood sugar does crazy things to me. I bring the term hangry to a new level. There’s only— “Why are you smiling like that?” I look up at her. “Smiling like what? I’m just being normal.” “No, you’re smiling like you’re having a conversation inside your head and you think you’re funny.” How would she know that? “Well, I am funny.” I pop open my to-go box filled to the brim with a Philly cheesesteak sandwich and tons of fries. Staring at it, I say, “Oh yes, come to papa.

Body parts really don’t like to be cut, stabbed or hacked into sections, and they express their anger by leaking all over the fuck. Jesus, we’re, like, seventy percent water or something? And you learn that’s so fucking true when you go to a fresh scene. Pools of it. Drips of it. Speckles of it. Then you got the stained clothes, rugs, bedsheets, walls, flooring—or if it’s outside, the ground cover, the concrete, the asphalt. And then there’s the smell. Blood, sweat, urine, other shit. That juicy bouquet will get in your sinuses and stay there for hours afterward.” He shook his head again. “The older cases . . . the smell is worse than the mess. Water deaths, with the bloating, are just ugly—and if that gas that’s built up gets out? The stench will knock you on your ass. And I don’t know, I wasn’t too crazy for the burn deaths either. I mean, you’d think we’d realize we’re not different than any other mammal—cooked meat is cooked meat, period. But I’ve never seen a grown man puke up his coffee and donuts over a medium rare T-bone.

Daydreamer" Victory may lay in the fog Silent seas Howling dogs You and and me Cut from a different cloth Concrete love Oh let me tell ya Im gunna take this one step further Lets explore don’t stick to what you know We’re gunna take this one step further I’ve found the truth The stars are you CHORUS: Daydreamer Running in the dark Skiing in the fields Oh lets get lost Buy a ticket to mars Oh show me the way And i’m sure i’ll stay We’re blossom leaves No camouflage Let colours bleed for us all to see Hey your coming with me Whether you like it or not 1 2 3 Im gunna take this one step further Lets explore don’t stick to what you know We’re gunna take this one step further I’ve found the truth The stars are you CHORUS: Daydreamer Running in the dark Skiing in the fields Oh lets get lost Buy a ticket to mars Oh show me the way And i’m sure i’ll stay What you running for Running for What you running for CHORUS: Daydreamer Running in the dark Skiing in the fields Oh lets get lost Buy a ticket to mars Oh show me the way And i’m sure i’ll stay

Well, I think people should be able to live in a society where they can exercise these kinds of internal drives and develop their capacities freely instead of being forced into the narrow range of options that are available to most people in the world now. And by that, I mean not only options that are objectively available, but also options that are subjectively available―like, how are people allowed to think, how are they able to think? Remember, there are all kinds of ways of thinking that are cut off from us in our society―not because we're incapable of them, but because various blockages have been developed and imposed to prevent people from thinking in those ways. That's what indoctrination is about in the first place, in fact―and I don't mean somebody giving you lectures: sitcoms on television, sports that you watch, every aspect of the culture implicitly involves an expression of what a "proper" life and a "proper" set of values are, and that's all indoctrination. So I think what has to happen is, other options have to be opened up to people―both subjectively, and in fact concretely: meaning you can do something about them without great suffering. And that's one of the main purposes of socialism, I think: to reach a point where people have the opportunity to decide freely for themselves what their needs are, and not just have the "choices" forced on them by some arbitrary system of power.

If the symbolic father is often lurking behind the boss--which is why one speaks of 'paternalism' in various kinds of enterprises--there also often is, in a most concrete fashion, a boss or hierarchic superior behind the real father. In the unconscious, paternal functions are inseparable from the socio-professional and cultural involvements which sustain them. Behind the mother, whether real or symbolic, a certain type of feminine condition exists, in a socially defined imaginary context. Must I point out that children do not grow up cut off from the world, even within the family womb? The family is permeable to environmental forces and exterior influences. Collective infrastructures, like the media and advertising, never cease to interfere with the most intimate levels of subjective life. The unconscious is not something that exists by itself to be gotten hold of through intimate discourse. In fact, it is only a rhizome of machinic interactions, a link to power systems and power relations that surround us. As such, unconscious processes cannot be analyzed in terms of specific content or structural syntax, but rather in terms of enunciation, of collective enunciative arrangements, which, by definition, correspond neither to biological individuals nor to structural paradigms... The customary psychoanalytical family-based reductions of the unconscious are not 'errors.' They correspond to a particular kind of collective enunciative arrangement. In relation to unconscious formation, they proceed from the particular micropolitics of capitalistic societal organization. An overly diversified, overly creative machinic unconscious would exceed the limits of 'good behavior' within the relations of production founded upon social exploitation and segregation. This is why our societies grant a special position to those who specialize in recentering the unconscious onto the individuated subject, onto partially reified objects, where methods of containment prevent its expansion beyond dominant realities and significations. The impact of the scientific aspirations of techniques like psychoanalysis and family therapy should be considered as a gigantic industry for the normalization, adaption and organized division of the socius. The workings of the social division of labor, the assignment of individuals to particular productive tasks, no longer depend solely on means of direct coercion, or capitalistic systems of semiotization (the monetary remuneration based on profit, etc.). They depend just as fundamentally on techniques modeling the unconscious through social infrastructures, the mass media, and different psychological and behavioral devices...Even the outcome of the class struggle of the oppressed--the fact that they constantly risk being sucked into relations of domination--appears to be linked to such a perspective.

Mal’s calm, the surety he seemed to carry in his steps. “Do you think it’s out there?” I asked one afternoon when we’d taken shelter in a dense cluster of pines to wait out a storm. “Hard to say. Right now, I could just be tracking a big hawk. I’m going on my gut as much as anything, and that always makes me nervous.” “You don’t seem nervous. You seem completely at ease.” I could hear the irritation in my voice. Mal glanced at me. “It helps that no one’s threatening to cut you open.” I said nothing. The thought of the Darkling’s knife was almost comforting—a simple fear, concrete, manageable. He squinted out at the rain. “And it’s something else, something the Darkling said in the chapel. He thought he needed me to find the firebird. As much as I hate to admit it, that’s why I know I can do it now, because he was so sure.” I understood. The Darkling’s faith in me had been an intoxicating thing. I wanted that certainty, the knowledge that everything would be dealt with, that someone was in control. Sergei had run to the Darkling looking for that reassurance. I just want to feel safe again. “When the time comes,” Mal asked, “can you bring the firebird down?” Yes. I was done with hesitation. It wasn’t just that we’d run out of options, or that so much was riding on the firebird’s power. I’d simply grown ruthless enough or selfish enough to take another creature’s life. But I missed the girl who had shown the stag mercy, who had been strong enough to turn away from the lure of power, who had believed in something more. Another casualty of this war. “It still doesn’t seem real to me,” I said.

There's no doubt, sir, that for you the truth is too tiring. Just look at yourself! The entire length of you is cut out of tissue paper, yellow tissue paper, like a silhouette, and when you walk one ought to hear you rustle. So one shouldn't get annoyed at your attitude or opinion, for you can't help bending to whatever draft happens to be in the room.' "'I don't understand that. True, several people are standing about here in this room. They lay their arms on the backs of chairs or they lean against the piano or they raise a glass tentatively to their mouths or they walk timidly into the next room, and having knocked their right shoulders against a cupboard in the dark, they stand breathing by the open window and think: There's Venus, the evening star. Yet here I am, among them. If there is a connection, I don't understand it. But I don't even know if there is a connection. — And you see, dear Fräulein, of all these people who behave so irresolutely, so absurdly as a result of their confusion, I alone seem worthy of hearing the truth about myself. And to make this truth more palatable you put it in a mocking way so that something concrete remains, like the outer walls of a house whose interior has been gutted. The eye is hardly obstructed; by day the clouds and sky can be seen through the great window holes, and by night the stars. But the clouds are often hewn out of gray stones, and the stars form unnatural constellations. — How would it be if in return I were to tell you that one day everyone wanting to live will look like me — cut out of tissue paper, like silhouettes, as you pointed out — and when they walk they will be heard to rustle? Not that they will be any different from what they are now, but that is what they will look like. Even you, dear Fräulein —

To begin with, it has nothing to do with archaism, with the salvaging of obsolete words and turns of speech, or with the setting-up of a "standard English" which must never be departed from. On the contrary, it is especially concerned with the scrapping of every word or idiom which has outworn its usefulness. It has nothing to do with correct grammar and syntax, which are of no importance so long as one makes one's meaning clear, or with the avoidance of Americanisms, or with having what is called "good prose style." On the other hand it is not concerned with fake simplicity and the attempt to make written English colloquial. Nor does it even imply in every case preferring the Saxon word to the Latin one, though it does imply using the fewest and shortest words that will cover one's meaning. What is above all needed is to let the meaning choose the word, and not the other way about. In prose the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures or sensations. Afterwards one can choose--not simply accept--the phrases that will best cover the meaning, and then switch round and decide what impression one's words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally.

I flip the lock back in place and turn, hitting a concrete wall of a man. “What’s he made of? Concrete and sex?” I whisper into the phone like the man in front of me can’t hear me. “Good, he’s already there,” I hear Elle say as my eyes travel up and up an endless span of chest. Up, up, up, until my eyes finally land on a hard face with a clenched jaw. He’s hot in that oh-my-God-he-could-crush-me way. Wait, is that hot? “Listen here, Hulk. You can take your incredible body and vacate my home. I won’t be needing your services.” “I’m standing in the middle of your apartment, and you didn't so much as scream. This is despite you knowing someone has been stalking you. I could have been that someone. Fuck. I could be that someone.” I snort and roll my eyes. “Yeah right, Hulk-man.” I pat him on the chest before resting my hand there. I start to rub. I only meant to do a quick pat, but now I can’t seem to remove my hand. I like the feel of him. I don’t think I’ve ever liked the feel of a man before. I don’t think I’ve ever had the urge to touch one before. “You think I couldn’t hurt you?” He grabs my wrist, pulling it away from his chest. The action makes me frown. Oh, I know he could hurt me, but someone like him would never stalk me. That just didn’t add up to me. If anything, I’d end up stalking him. “Oh, I’m sure you could Hulk smash me.” Now that I’m not touching him, I bring my other hand up to his chest and continue doing what I was doing before, but he just grabs that wrist, too. “Then why aren’t you worried?” His words are hard and laced with anger. So unlike the soft hold he has on my wrist. I could easily pull away with one good tug. Maybe. “Someone like you wouldn’t stalk me.In fact, I don’t see anyone stalking me. There has to be a mi...” His mouth hits mine, cutting off my words. He gives a little tug on my wrist, and I fall into him, gasping when I feel his erection press into me. He takes the opening and pushes his tongue into my mouth. I let my eyes close as he devours me. My body feels like I’m buzzing. I push further into him, wanting to be closer. I deepen the kiss. He goes to pull back, but I wrap my hands around his neck, not even noticing that I’m eye level with him and that my feet are no longer on the floor as I pull him back to me. I move against him, needing the friction. His cock is settled against my core, and I move my hips against him, taking what I want. What I need. Everything else is forgotten, my mind just shuts off. He growls into my mouth, and I swear the sound vibrates through my whole body and goes straight to where I need it. My body explodes. A moan falls from my lips as I finally pull them from his. I let my head drop back and enjoy the sensations rocking through my whole body. I feel like I’m floating. When I finally come back down, I realize I kind of am. My legs are wrapped around his waist and I’ve somehow ended up with my back to a wall. I feel his tongue come out and lick my neck, making my body jerk. “I wanna do that again,” I say lazily. I think I could do that over and over again. “Your place isn’t secure. Come to mine and I’ll do it over and over again.” “Mmkay,” is all I say. I’d probably go anywhere he asked me at the moment. “Holy shit.” I roll my head to the side and see my sister standing in the doorway. A man stands beside her with a shocked looked on his face, mirroring Elle’s expression. I’m guessing that’s her guard. “I’m keeping this one,” I say, locking my arms around him, not wanting to do a trade. “Fuck,” Hart says, placing me on the floor. I regretfully let my arms fall from around his neck. He steps in front of me, blocking my view of my sister and the other man. “I don’t think you should be her guard, Hart,” I hear the other man say. His words make my heart drop. “I’m moving in with him,” I retort, popping my head out from behind him. Elle giggles.

We paused to breathe and I slid my arms around his neck and held his face the way I'd wanted to for so long. My fingers weaved into his wind-blown hair and tugged the back of his head, pulling his lips toward mine once more. There would be time for breathing later. "I love you," I whispered when our lips finally parted. "The biggest lie I ever told was telling you I didn't. And if I ever claim you're not romantic, please remind me of the time we were 1.200 feet in the air in December and I needed to fan myself." I saw a smile overtake his eyes and felt it overtake his mouth. "I mean, seriously, Will," I said, my breath still coming back to me. He pulled away, which was the last thing I wanted, and laughed. "But I'm also just a boy, standing in front of a girl..." I threw my head back in joyous laughter. "You don't have to ask me to love you, Whitaker. It's done." "Actually..." He kissed my hand and lowered onto one knee. "I was going to say "asking her to marry him." The hand that wasn't linked with mine was holding a beautiful emerald cut diamond ring. "Sorry there's not a box," he said with a wink. My breath caught in my throat. "But, how did you...why do you..." "Sorry, but Kevin's on my team. I claimed him pretty early. And he understands, in a way you still don't seem to, that not even Willie Mays and Hank Aaron could provide me with the motivation that you could. Besides, McCaffrey, even I'm not stupid enough to fall for that ridiculous plan you hatched." His smile grew wider and he kissed my hand once more. "But I just like that you try." I Ieaned down to kiss him. Tears flooded my cheeks, but still I said nothing. "You're killing me here. And frankly, I'm not sure how long my knee can stay on this cold concrete." He smiled and asked, "Will you marry me or not?" I sniffed. "Have you asked my father's permission?" I began laughing as he jumped up to face me. "Oh, you think that's funny, do you?" "Too soon?" He captured my mouth once again, and I threw my arms around his neck before pulling away from his kiss, just long enough to whisper, "My answer is yes." I smiled against his lips and added, "I really thought you'd never ask.

Permanent Revolution THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre. Today, the earth’s continents are home to billions of Sapiens. If you took all these people and put them on a large set of scales, their combined mass would be about 300 million tons. If you then took all our domesticated farmyard animals – cows, pigs, sheep and chickens – and placed them on an even larger set of scales, their mass would amount to about 700 million tons. In contrast, the combined mass of all surviving large wild animals – from porcupines and penguins to elephants and whales – is less than 100 million tons. Our children’s books, our iconography and our TV screens are still full of giraffes, wolves and chimpanzees, but the real world has very few of them left. There are about 80,000 giraffes in the world, compared to 1.5 billion cattle; only 200,000 wolves, compared to 400 million domesticated dogs; only 250,000 chimpanzees – in contrast to billions of humans. Humankind really has taken over the world.1 Ecological degradation is not the same as resource scarcity. As we saw in the previous chapter, the resources available to humankind are constantly increasing, and are likely to continue to do so. That’s why doomsday prophesies of resource scarcity are probably misplaced. In contrast, the fear of ecological degradation is only too well founded. The future may see Sapiens gaining control of a cornucopia of new materials and energy sources, while simultaneously destroying what remains of the natural habitat and driving most other species to extinction. In fact, ecological turmoil might endanger the survival of Homo sapiens itself. Global warming, rising oceans and widespread pollution could make the earth less hospitable to our kind, and the future might consequently see a spiralling race between human power and human-induced natural disasters. As humans use their power to counter the forces of nature and subjugate the ecosystem to their needs and whims, they might cause more and more unanticipated and dangerous side effects. These are likely to be controllable only by even more drastic manipulations of the ecosystem, which would result in even worse chaos. Many call this process ‘the destruction of nature’. But it’s not really destruction, it’s change. Nature cannot be destroyed. Sixty-five million years ago, an asteroid wiped out the dinosaurs, but in so doing opened the way forward for mammals. Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid. Still, the rumours of our own extinction are premature. Since the Industrial Revolution, the world’s human population has burgeoned as never before. In 1700 the world was home to some 700 million humans. In 1800 there were 950 million of us. By 1900 we almost doubled our numbers to 1.6 billion. And by 2000 that quadrupled to 6 billion. Today there are just shy of 7 billion Sapiens.

There were very few things to do in Toms River, New Jersey, however it was the closest thing resembling civilization near the school. When I wasn’t being restricted to the campus, for one infraction or another, that’s where I would go. Toms River was two and a half miles west of the school. Making the round trip was a five-mile walk, but it was worth it, just to get away. To get there I walked down Prospect Avenue, and then cut corners to Bayside Avenue. In the winter, the frozen snow and ice made the walk cold and miserable. There was always a wind blowing off the river, but I would trudge on relentlessly. The wet slush soaked through my shoes, ruining a shine I had worked on for hours. My feet became wet and frozen, but I pressed on regardless. Eventually I would reach Route 166, which was narrow and only had two lanes; still it was the only north-south highway along the coast at the time. I then crossed the concrete bridge that had a year engraved on it, indicating that it was built as a WPA project during the Great Depression. On the west side of the road was the Toms River Diner. It was classic in appearance and was a warm haven, where I could thaw out. Thelma, the waitress, was always friendly and one of the sexiest women I ever knew. She laughed at my silliness, knew just how much cleavage to show, and moved and turned like a fashion model. There was always “Country Music” playing, especially that of Hank Williams who was Thelma’s favorite. Hey, Good Lookin’, Your Cheatin’ Heart, and I’m So Lonesome I Could Cry were all songs he had written and that she sang along with. Thelma knew that I could not keep my eyes off of her, and she enjoyed playing the part, letting me look far down the unbuttoned section of her waitress uniform, while pouring me another cup of coffee. The way she looked over her shoulder, throwing aside her hair while asking what else I wanted, would send shivers down my back and feelings into my loins that set me on fire. Just this alone was worth the five-mile round trip. During warmer weather, the walk was more pleasant, but the constant wind off the Atlantic Ocean and the river, never let up.

Maybe he needs to cut ties entirely, let her chaos loose, free that beast in her and let her be devoured.

Comfort and consistent tactile experiences help the baby develop a sense of its body as a safe and consistent boundary. If the baby is not held and comforted, or is frequently dropped, or handled roughly, or neglected or abused—painful, disruptive experiences British pediatrician and psychoanalyst Donald Winnicott called impingements—the child will not grow to feel like a whole entity, sheltered and contained by her skin. The failure to master this first important developmental task makes it difficult to differentiate between self and others, inner and outer, thought and action, fantasy and reality. Later, the child or adult may use cutting to work out these conflicts in a concrete, literal way on the body, reverting back to the most primitive means of psychic organization the knows to test her own reality.

Self-injury may allow abuse survivors to reclaim their bodies in the same way refusing to eat gives anorexics a feeling of control. They may want to make their bodies unattractive so the abuser will no longer desire them. The wounds may also serve as a badge of proof, a concrete marker to punish an abusing parent—and make the other parent, who may not have abused the child but failed to protect her, take notice. In that sense, the cuts and bruises are a symbolic cry for help or a manifesto of resistance, even if inflicted long after the actual abuse. "It's a reliance on a much more primitive system of communication, like saying 'I've been torn open, intruded upon, broken into' in a very literal way," says Michael Wagner. Through this "body language" of blood and scars, they can communicate much more directly and forcefully than they can speak in words.

The church smelled of sage and urine. Beer cans and magazines dotted the concrete floor, filthy from the sand blown through the broken walls, and faded by time. Pike guessed the urine smell was left by animals. The man with the lank hair was standing beside a lean man with the intelligent eyes of a businessman and a mouth cut into a permanent frown. A cordovan briefcase sat on the ground by the door. Pike wondered which owned the briefcase and which was the girl’s father. He positioned himself away from the windows. Bud nodded toward the man with the lank hair. “Joe, this is Conner Barkley. Mr. Barkley, Joe Pike.” Barkley squeezed out an uncomfortable smile.

Physical Invasion The normative principle I am suggesting for the law is simply this: No action should be considered illicit or illegal unless it invades, or aggresses against, the person or just property of another. Only invasive actions should be declared illegal, and combated with the full power of the law. The invasion must be concrete and physical. There are degrees of seriousness of such invasion, and hence, different proper degrees of restitution or punishment. "Burglary," simple invasion of property for purposes of theft, is less serious than "robbery," where armed force is likely to be used against the victim. Here, however, we are not concerned with the questions of degrees of invasion or punishment, but simply with invasion per se. If no man may invade another person's "just" property, what is our criterion of justice to be? There is no space here to elaborate on a theory of justice in property titles. Suffice it to say that the basic axiom of libertarian political theory holds that every man is a selfowner, having absolute jurisdiction over his own body. In effect, this means that no one else may justly invade, or aggress against, another's person. It follows then that each person justly owns whatever previously unowned resources he appropriates or "mixes his labor with." From these twin axioms — self-ownership and "homesteading" — stem the justification for the entire system of property rights titles in a free-market society. This system establishes the right of every man to his own person, the right of donation, of bequest (and, concomitantly, the right to receive the bequest or inheritance), and the right of contractual exchange of property titles. Legal and political theory have committed much mischief by failing to pinpoint physical invasion as the only human action that should be illegal and that justifies the use of physical violence to combat it. The vague concept of "harm" is substituted for the precise one of physical violence. Consider the following two examples. Jim is courting Susan and is just about to win her hand in marriage, when suddenly Bob appears on the scene and wins her away. Surely Bob has done great "harm" to Jim. Once a nonphysical-invasion sense of harm is adopted, almost any outlaw act might be justified. Should Jim be able to "enjoin" Bob's very existence? Similarly, A is a successful seller of razor blades. But then B comes along and sells a better blade, teflon-coated to prevent shaving cuts. The value of A's property is greatly affected. Should he be able to collect damages from B, or, better yet, to enjoin B's sale of a better blade? The correct answer is not that consumers would be hurt if they were forced to buy the inferior blade, although that is surely the case. Rather, no one has the right to legally prevent or retaliate against "harms" to his property unless it is an act of physical invasion. Everyone has the right to have the physical integrity of his property inviolate; no one has the right to protect the value of his property, for that value is purely the reflection of what people are willing to pay for it. That willingness solely depends on how they decide to use their money. No one can have a right to someone else's money, unless that other person had previously contracted to transfer it to him. "Legal and political theory have committed much mischief by failing to pinpoint physical invasion as the only human action that should be illegal and that justifies the use of physical violence to combat it.

if there really is no way you can win, you never say it out loud. You assess why, change strategy, adjust tactics, and keep fighting and pushing till either you’ve gotten a better outcome or you’ve died. Either way, you never quit when your country needs you to succeed. As Team 5 was shutting down the workup and loading up its gear, our task unit’s leadership flew to Ramadi to do what we call a predeployment site survey. Lieutenant Commander Thomas went, and so did both of our platoon officers in charge. It was quite an adventure. They were shot at every day. They were hit by IEDs. When they came home, Lieutenant Commander Thomas got us together in the briefing room and laid out the details. The general reaction from the team was, “Get ready, kids. This is gonna be one hell of a ride.” I remember sitting around the team room talking about it. Morgan had a big smile on his face. Elliott Miller, too, all 240 pounds of him, looked happy. Even Mr. Fantastic seemed at peace and relaxed, in that sober, senior chief way. We turned over in our minds the hard realities of the city. Only a couple weeks from now we would be calling Ramadi home. For six or seven months we’d be living in a hornet’s nest, picking up where Team 3 had left off. It was time for us to roll. In late September, Al Qaeda’s barbaric way of dealing with the local population was stirring some of Iraq’s Sunni tribal leaders to come over to our side. (Stuff like punishing cigarette smokers by cutting off their fingers—can you blame locals for wanting those crazies gone?) Standing up for their own people posed a serious risk, but it was easier to justify when you had five thousand American military personnel backing you up. That’ll boost your courage, for sure. We were putting that vise grip on that city, infiltrating it, and setting up shop, block by block, house by house, inch by inch. On September 29, a Team 3 platoon set out on foot from a combat outpost named Eagle’s Nest on the final operation of their six-month deployment. Located in the dangerous Ma’laab district, it wasn’t much more than a perimeter of concrete walls and concertina wire bundling up a block of residential homes. COP Eagle’s

And plus, to take a short cut and to judge someone based on PRESUMPTION, instead of concrete facts, is epistemologically flawed! She believes that Timothy could still be an enemy, and that presumption is valid–I mean, I do admit that it is not impossible for Timothy to pretend to support tolerance and Just-ification, or for Timothy to support Just-ification only for the tolerance of Capacianists but not for the tolerance of Reformists, or for Timothy to do other dreaded things that can be conceived by human creativity, but although it is perfectly human to make presumptions (I mean, scientists make hypotheses before collecting the data), she should not limit her beliefs to the presumption, just like how scientists shouldn’t limit their beliefs to the hypothesis. She needs the concrete facts the same way scientists need the data to see the truth!

They were all unconscious worshippers of the State. Whether the State they worshipped was the Fascist State or the incarnation of quite another dream, they thought of it as something that transcended both its citizens and their lives. Whether it was tyrannical or paternalistic, dictatorial or democratic, it remained to them monolithic, centralized, and remote. This was why the political leaders and my peasants could never understand one another. The politicians oversimplified things, even while they clothed them in philosophical expressions. Their solutions were abstract and far removed from reality; they were schematic halfway measures, which were already out of date. Fifteen years of Fascism had erased the problem of the South from their minds and if now they thought of it again they saw it only as a part of some other difficulty, through the fictitious generalities of party and class and even race...All of them agreed that the State should be something about it, something concretely useful, and beneficent, and miraculous, and they were shocked when I told them that the State, as they conceived it, was the greatest obstacle to the accomplishment of anything...We can bridge the abyss only when we succeed in creating a government in which the peasants feel they have some share...Plans laid by a central government, however much good they may do, still leave two hostile Italys on either side of the abyss. The difficulties we were discussing, I explained to them, were far more complex than they realized...First of all, we are faced with two very different civilizations, neither of which can absorb the other...The second aspect of the trouble is economic, the dilemma of poverty. The land has been gradually impoverished: the forests have been cut down, the rivers have been reduced to mountain streams that often run dry, and livestock has become scarce. Instead of cultivating trees and pasture lands there has been an unfortunate attempt to raise wheat in soil that does not favor it. There is no capital, no industry, no savings, no schools; emigration is no longer possible, taxes are unduly heavy, and malaria is everywhere. All this is in large part due to the ill-advised intentions and efforts of the State, a State in which the peasants cannot feel they have a share, and which has brought them only poverty and deserts...We must make ourselves capable of inventing a new form of government, neither Fascist, nor Communist, nor even Liberal, for all three of these are forms of the religion of the State. We must rebuild the foundations of our concept of the State with the concept of the individual, which is its basis...The individual is not a separate unit, but a link, a meeting place of relationships of every kind...The name of this way out is autonomy. The State can only be a group of autonomies, an organic federation, The unit or cell through which the peasants can take part in the complex life of the nation must be the autonomous or self-governing rural community. This is the only form of government which can solve in our time the three interdependent aspects of the problem of the South; which can allow the co-existence of two different civilizations, without one lording it over the other or weighing the other down; which can furnish a good chance for escape from poverty...But the autonomy or self-government of the community cannot exist without the autonomy of the factory, the school, and the city, of every form of social life. This is what I learned from a year of life underground.

The daily lives of mothers around the world are different, but our hope is the same. All of us need to experience the concrete reality of a hope that is for every season and will never pass. Frustrated moms and desperate housewives have a problem that runs far deeper than our need for a break from the daily grind, though physical rest is a daily necessity. Denying that we have no-good, very bad days only works until the next no-good, very bad day comes around. Just cutting ourselves some slack on occasion isn't going to cut it in the long run. What we all need is to be rescued from our sin by the Son, who was cut off from the Father when he took our sin upon himself so that we could be bound to God by his grace forever. What we need to see is the light of the knowledge of the glory of God in the face of Jesus Christ shining into our heart (2 Cor. 4:6).

The cacophony of county jail is deafening: That's what hap- pens when you jam thousands of women into concrete rooms that were intended to house a population half our size. We sleep in bunk beds in the common areas, feet away from the tables where we play cards and read all day. We urinate in overwhelmed toilets that clog and overflow. We stand in lines for showers, meals, hair- cuts, telephones, meds. At all hours of the day and night, the con- crete echoes with screams and prayers and tears and laughter and curses. There is nothing to do here but wait. I mill around the common room in my canary-yellow prison suit, watching the hands of the clock in the cage on the wall slowly ticking away the minutes of the days. I wait for mealtime, though I have no interest in eating the gray slurry that slides around tray. I wait for the library cart to come around, so I can pick out the least offensive romance novel on offer. I wait for lights-out, so that I can lie in my upper bunk in the semi-dark, listening to the snores and whispers of my fellow inmates while I wait for sleep to come. my It hardly ever does. But mostly, I wait for someone to come help me.

DYSTOPIA Dark, early streets and high walls of empty houses a lonesome bird singing a hollow duet with its own echo - autumn feels like spring once you have lost everything and stand with nothing to hold onto at winter's edge - walkways glooming in buzzing orange neon light imitating fallen leaves, making the city's concrete jungle a forest - soon November is here, crawling along the pavement and dulling the grey of the ruins they call buildings - sudden flickering accompanied by loud buzzing: the lights went out while winter's edge cuts violently through the streets & building cracks - the bird stopped singing.

But this morning would be anything but quiet and routine. At 6:22—soon after I returned to my quarters/office, which I shared with Lt. Col. Harry Slacum, to review the daily schedule and reports—a massive explosion rocked our headquarters, followed by enormous shock waves. Shards of glass from blown-out windows, equipment, manuals, and papers flew across my office. Fortunately, we had put duct tape on all the windows for such an eventuality, but a large section of the sandbag wall, built on the outside ledge, was blasted away. The entry door to my office, which was on the far side away from the explosion, had been blown off its hinges, and the door frame was bent. The force of the blast had cracked the reinforced concrete foundation of my headquarters. Other than superficial cuts, neither Harry nor I was injured. With

In one of his rare interviews, Peter Mayer, Penguin’s chief executive, praised the bravery of everyone in the book trade who had defended his right to publish, but then told a bleak story about how strangers treated his family. He had received many death threats. Someone went to the trouble to cut themselves and send him a letter scrawled in blood. An anonymous telephone caller told Mayer that ‘not only would they kill me but that they would take my daughter and smash her head against a concrete wall’. Far from rallying to defend an innocent girl and her innocent father, the parents of her classmates demanded that the school expel her. What would happen, they asked, if the Iranian assassins went to the school and got the wrong girl? And Mayer thought, ‘You think my daughter is the right girl?

The greatest wealth and satisfaction of our desires lies not in clear-cutting forests, stripping the oceans, or spewing billions of tons of toxins into the atmosphere but within the forces of nature's wild movement and growth. Nature is the mother of all invention and many of humankind's greatest achievements have been made by copying nature. However, our copies have been rough. We haven't succeeded in mimicking nature's grace, efficiency-and most importantly-sustainability. We're coloring outside the lines and making a mess. Let's look again, using nature as our model as the earliest humans did, but aided by the tools of science. With nature, it's never too late. Nature is a survivor. Nature never gives up. She heals all wounds. Nature pushes up tiny little blades of grass through city concrete and asphalt and overgrows Mayan cities. She keeps putting out billions of seeds, spores, and baby spiders, growing mountains, evolving new species. She is always creating. It's not just okay to feel optimistic, it's natural, and essential. Combining our human intelligence with optimism is the best way we can give back to our earth. Right now, across the globe, we humans, the products of nature, have the skills and the technology to solve just about any problem we're facing, without sacrifice-if the will is there. There is a way, if we allow ourselves to be guided by nature's optimism and nature's wisdom. We can do it.

As Berlin writes, in his reproach to the historians Edward Gibbon and Arnold Toynbee, “nations” and “civilizations,” while they exist, are not as “concrete” as the individuals who embody them.6 Individuals not only count morally to a greater extent than groups, but the very existence of the former is not inherently problematic like that of the latter. Groups, civilizations, and other mass human assemblages are either artificially constructed to some degree or other (by nationalist ideologues, for example), or in any case are not so clear-cut as they seem, owing to the subtle and not-so-subtle influences upon them of other groups and civilizations over considerable stretches of time. And yet

their bin bags, boxes, and carriers on the sticky concrete around them, until the mountain rose high enough to meet the lip of each container. It was perfect. Dax nimbly scaled the mountain to the top of the nearest bin and began to scrabble at the peak. His sharp claws cut easily through a bulging plastic sack, causing a small eruption of potato peelings, baked beans, and two pink-spattered yoghurt pots. Underneath them, though—treasure! The

Standing there small among the boxes of Kandy Kakes that rose like brownish cartoon cliffs around him, he resembled the videos I'd seen of sea lions floating angelically among the kelp, black bodies filmed from below, their shapes cut out in bright sunlight, bodies mistakable for those of a human being. I felt the memory of a shadowy arm around me, a watcher again, sitting there on the couch with my boyfriend, watching the animals become prey. Somewhere there were giant whales feeding on creatures too small to see, pressing them against fronds of baleen with a tongue the size of a sedan. There were polar bears killing seals, tearing ovoid chunks from out of their smooth, round bellies. In the surrounding vastness of the warehouse, I heard something scratching against the concrete floor and knew there were rats here, scraping a thin film of nutrient from the dry packaged matter that surrounded them. Life was everywhere, inescapable, imperative.

Speaking of other guys, how does Lock feel about all this?” Olivia asked. “It seems to me that he’s always in the middle of you two—that can’t be easy for him.” “I don’t know.” Kat shook her head. “We didn’t talk on the trip back home at all. None of us. But…I’m pretty sure the two of them were fighting after our argument on Twin Moons.” “Really? How could you tell?” Liv looked interested. “I’d say Deep’s face was a pretty good indication. He looks like he slammed head-first into a concrete wall. And the knuckles on Lock’s right hand are all cut and bruised.” “A fist fight?” Liv shook her head. “Really? Because I was under the impression that Twin Kindred never strike each other—under any circumstances. I think it hurts them just as much to hit their twin as it does to be hit…like they share the pain they inflict or something like that. That’s what Baird told me, anyway.” “Well, I’d say they made an exception to the no-knuckle-sandwich-between-brothers rule,” Kat said dryly but she couldn’t help being troubled. “I guess…I guess they were fighting over me.” “Lock loves you, doesn’t he?” Sophie said sympathetically. Kat nodded. “And I could love him too if—” “If Deep wasn’t in the way,” Olivia finished for her. But Kat shook her head. “No, that’s not what I was going to say. I could love Lock—hell, I could love both of them if there was any chance of my love being returned.” “But what about having their emotions in your head all the time?” Sophie asked. “I thought you hated that.” Kat thought of the warm, happy feelings she’d gotten from both brothers just moments before they were captured by the natives. “It’s not so bad when they’re in a good mood. But Deep…” “Is never in a good mood,” both Liv and Sophie said. Kat nodded sadly.

Is there a problem, ma’am?” Mitch slanted a glance in her direction. She stood military straight, vehemently shaking her head. “Everything’s fine, Officer.” “Sheriff. You sure about that?” Charlie said, sounding like a complete hard-ass. “Looked to me like you were being accosted.” “N-no—” Mitch cut her off. “Would you get the hell out of here?” “Mitch,” Maddie said, with a low hiss. Evidently in a devious mood, Charlie stalked forward, placing a hand menacingly over his baton. “What did you say?” “Fuck. Off.” Mitch fired each word like a bullet. “Mitch, please,” Maddie said, tone pleading. “Do I have to take you in?” Charlie’s attention shifted in Maddie’s direction and his mouth twisted into a smile that Mitch had seen him use on hundreds of women during their fifteen-year friendship. “I’ll be happy to look after her for you, Mitch.” A stab of something suspiciously close to possessiveness jabbed at his rib cage. Mitch shot Charlie a droll glare. “Over my dead body.” One black brow rose over his sunglasses. “That can be arranged.” “Please, don’t take him to jail,” Maddie said, sounding alarmed. Both Charlie’s and Mitch’s attention snapped to her. “Now, why would you be thinking that?” Charlie asked, in an amused voice. Maddie’s gaze darted back and forth. “He threatened you.” Mitch laughed and Charlie scoffed. “Honey, he’s nothing but a pesky little fly I’d have to bat away.” Comprehension dawned and her worried expression cleared. “Oh, I see. You know, you should tell someone this is some macho-guy act before you get rolling.” “And what fun would that be?” Charlie rocked back on his heels. Even with his eyes hidden behind the mirrored frames, it was damn clear he was scoping Maddie out from head to toe. Under his scrutiny, she started to fidget. She pressed closer to Mitch, almost as if by instinct, pleasing him immensely. “Don’t mind him, Princess.” He slid his arm around her waist, pulling her tighter against him. “He likes to abuse his power over unsuspecting women.” “Um,” Maddie said, fitting under the crook his arm as though she were made for him, which was odd considering he towered over her by a foot. “I bet it’s quite effective.” Charlie laughed. “Maddie Donovan, you’re everything I’ve heard and then some.” Maddie stiffened, pulling out of Mitch’s embrace and cocking her head to the side. “How do you know my name?” “Honey,” Charlie drawled, the endearment scraping a dull blade over Mitch’s nerves. “This is a small town. People don’t have anything else to do but talk. Give me time and I’ll know your whole life story.” That strawberry-stained mouth pulled into a frown, and two little lines formed between auburn brows. She studied the cracked concrete at her feet. Suddenly, she looked up, her cheeks flushing when she realized they were watching her. She smiled brightly. “Oh well, I guess this is what I get for making an entrance.” Charlie

Raised in privilege, Robert Moses was always cushioned from real life; from the age of nine, he slept in a custom-made bed and was served dinner prepared by the family’s cook on fine china. As Parks Commissioner, he swindled Long Island farmers and homeowners out of their land to build his parkways—essentially cattle chutes that skirted the properties of the rich, allowing those well-off enough to own a car to get to beaches disfigured by vast parking lots. He cut the city off from its waterfront with expressways built to the river’s edge, and the parks he built were covered with concrete rather than grass, leaving the city grayer, not greener, than it had been before. The ambient racism of the time hardly excuses his shocking contempt for minorities: of the 255 new playgrounds he built in the 1930s, only one was in Harlem. (Physically separated from the city by wrought-iron monkeys.) In the decade after the Second World War, he caused 320,000 people to be evicted from their homes; his cheap, sterile projects became vertical ghettos that fomented civic decay for decades. If some of his more insane schemes had been realized—a highway through the sixth floor of the Empire State Building, the Lower Manhattan Expressway through today’s SoHo, the Battery Bridge whose approaches would have eliminated Castle Clinton and Battery Park—New York as we know it would be nearly uninhabitable. There is a name for what Robert Moses was engaged in: class warfare, waged not with armored vehicles and napalm, but with bulldozers and concrete.

The normative principle I am suggesting for the law is simply this: No action should be considered illicit or illegal unless it invades, or aggresses against, the person or just property of another. Only invasive actions should be declared illegal, and combated with the full power of the law. The invasion must be concrete and physical. There are degrees of seriousness of such invasion, and hence, different proper degrees of restitution or punishment. "Burglary," simple invasion of property for purposes of theft, is less serious than "robbery," where armed force is likely to be used against the victim. Here, however, we are not concerned with the questions of degrees of invasion or punishment, but simply with invasion per se. If no man may invade another person's "just" property, what is our criterion of justice to be? There is no space here to elaborate on a theory of justice in property titles. Suffice it to say that the basic axiom of libertarian political theory holds that every man is a selfowner, having absolute jurisdiction over his own body. In effect, this means that no one else may justly invade, or aggress against, another's person. It follows then that each person justly owns whatever previously unowned resources he appropriates or "mixes his labor with." From these twin axioms — self-ownership and "homesteading" — stem the justification for the entire system of property rights titles in a free-market society. This system establishes the right of every man to his own person, the right of donation, of bequest (and, concomitantly, the right to receive the bequest or inheritance), and the right of contractual exchange of property titles. Legal and political theory have committed much mischief by failing to pinpoint physical invasion as the only human action that should be illegal and that justifies the use of physical violence to combat it. The vague concept of "harm" is substituted for the precise one of physical violence. Consider the following two examples. Jim is courting Susan and is just about to win her hand in marriage, when suddenly Bob appears on the scene and wins her away. Surely Bob has done great "harm" to Jim. Once a nonphysical-invasion sense of harm is adopted, almost any outlaw act might be justified. Should Jim be able to "enjoin" Bob's very existence? Similarly, A is a successful seller of razor blades. But then B comes along and sells a better blade, teflon-coated to prevent shaving cuts. The value of A's property is greatly affected. Should he be able to collect damages from B, or, better yet, to enjoin B's sale of a better blade? The correct answer is not that consumers would be hurt if they were forced to buy the inferior blade, although that is surely the case. Rather, no one has the right to legally prevent or retaliate against "harms" to his property unless it is an act of physical invasion. Everyone has the right to have the physical integrity of his property inviolate; no one has the right to protect the value of his property, for that value is purely the reflection of what people are willing to pay for it. That willingness solely depends on how they decide to use their money. No one can have a right to someone else's money, unless that other person had previously contracted to transfer it to him. Legal and political theory have committed much mischief by failing to pinpoint physical invasion as the only human action that should be illegal and that justifies the use of physical violence to combat it. (1/2)

You, too, can have your own little slice of paradise; all you have to do is destroy that paradise in the process. This kind of banal desire, and the greed that sold it, has been Florida’s true destruction. Developers pitted man versus nature, not as it had been before as a struggle for survival out in a harsh and remote wilderness, but as a struggle to uphold a false hierarchy of creation. Humans are more important than animals, they said. The soil is ours to scourge and conquer. Marketing has convinced us that trivial luxuries are more important than the natural world, as if we are not part of the natural world ourselves, as if our consumption is not a bid against our own interests, one in favor of concrete and routine against the unwieldy and awe-inspiring, monotony against biodiversity, pesticides against night music, the greed of a few against life itself on our planet. Dozens of species go extinct every day, with perhaps a million more under threat of extinction within our lifetime. Corporate greed tells us this doesn’t merit our attention. If you feel bad, cut back on your own, because it’s certainly not their fault. Such PR sleight of hand shifts the blame, feeds our guilt, inflames our anxiety, convinces us to consume more and more, until we give up caring, if we ever cared at all. Without thinking, we have become numb to the quiet collapse going on around us. Everything is connected. A species dying is a piece of our world dying. If the world dies, we die, too.

witnessed the boy who’d been stripped of a life of happiness that could’ve been his, get revenge on the evil that stole his innocence. I gritted my teeth alongside him as he carved layers of flesh from Bishop Caldwell’s arms and thighs, noting the disturbing sound of the strips of skin slapping and sticking against the cool concrete as they fell. Saint passed out on top of the table as the spurts of warm blood splattered across our faces like a badge of revengeful honor. The thrill of knowing no child would be violated so violently filled my heart as I watched Aero cut it off, the screams of torture echoing throughout my body before being muffled out by his own shriveled, bloodied dick. It was cruel. Most would consider it downright evil. But all I saw was the divine, heavenly justice of a man who deserved far worse than any pain we could inflict on this earth. I stood behind Aero, gripping his bloodied hand in mine as one life vanished and a new life was reborn.

To encounter these ideas, therefore, you must first get to that cutting edge, which in turn requires expertise. To try to devise a mission when you’re new to a field and lacking any career capital is a venture bound for failure. Once you identify a general mission, however, you’re still left with the task of launching specific projects that make it succeed. An effective strategy for accomplishing this task is to try small steps that generate concrete feedback—little bets—and then use this feedback, be it good or bad, to help figure out what to try next. This systematic exploration can help you uncover an exceptional way forward that you might have never otherwise noticed.

My trip home took me north along 101st Street up to 104th Avenue where I cut through a large open lot where the old railway used to run toward my neighborhood. From there I headed west along 105th, behind Grant MacEwan College and its concrete towers, until I got to my house, which was located in a neighborhood officially called Central MacDougall. However, over a series of years, it had been given a series of informal names based on the immigrants who lived there at the time. It had been called Little Saigon in the seventies and eighties because of the Southeast Asian boat people fleeing the Vietnam War and its aftermath. Those folks had moved, and in the past ten years or so they had been replaced by refugees fleeing African wars in Ethiopi, the Sudan, Somalia, and like. The new name was now Little Mogadishu or, more informally, Kush.

And then you ended up in Chechnya, I understand" Sergei continued. "And what, exactly, did you do there?" Jack inquired. "Exactly? We would surround the villages, call out the village elders and give them our ultimatum: if you don't give up your arms, we'll raze your village to the ground. At night, all men, including boys, would go away in to the mountains on the request of the village elders. By the time we rolled in, there were no more weapons or rebels. Only the elderly, women and children. And nobody could leave." "Why not?" "Because we blocked off the main road, that's why," Fedor said as if he was losing patience with Jack. "On approaching any house, I'd fire inside. If anyone jumped out, woman or child, I mowed them down. The guys behind me would torch the bodies with the flamethrowers to get rid of the evidence. We moved through the village, house by house, firing, throwing grenades into the basements, burning. At one train station we hung ten high school kids, and then six more students that were hiding inside a school. On the outskirts we found about a hundred and thirty people, women, children, old men, anyone who didn't run away. We locked them in a grain elevator, chained the door and then torched it. What we left behind were not ruins, just flat ground." "Are you saying that the Russian soldiers killed everyone in some village and nobody has heard of it?" Jack asked him incredulously. It was inconceivable that such a barbaric event could take place in today's world without CNN and BBC dissecting it under a microscope. "Not everyone was killed. Some of the villagers, the ones who survived, were transported to a filtration camp." "What's a filtration camp?" "You really don't' know anything, do you? Or are you pretending?" "Try me," Jack said. "There is this filtration camp in Osinovka. Each room houses twenty to twenty five prisoners, who sleep on the concrete floor. The guards line them up against the wall and practice karate kicks in the head or in the groin. One of our guys liked to put electricity to the bodies, to see them fry. It takes a long time to get used to that smell. If a prisoner tried to untie their hands, the sergeant would cut them off at the wrists. If a prisoner tried to take off the black blindfold, the sergeant would put out his eyes with his thumbs. He was a piece of work from Archangelsk, our sergeant. During one helicopter ride, he dropped three prisoners because he was bored." "But how is it possible that the world news did not report any of this?" Jack persisted in knowing. Fedor raised his eyebrows in a manner that made Jack feel foolish for asking such a question. "Simple. For the next forty-eight hours we didn't allow anyone to enter Samashki, not even the Red Cross. That gave us plenty of time. Our armored vehicles flattened their bones so that the relatives could not identify them later. Exactly what news are you talking about? Are you from this world or not?" Fedor's wolf-like stare made Jack very nervous.

learns from the sea how little one needs, not how much. These were our islands now, islands cut off from the world of concrete and steel, from freeways and television

Any boy will tell you that this is glorious. Whoopee! you bet! Sailing along up there close to the clouds, with an engine full of power, magically harnessed, subject to the faintest pressure from the ball of your foot. The power of ninety horses—think of that! Suppose you had had ninety horses out there in front of you, forty-five pairs in a long line, galloping around the side of a mountain, wouldn’t that make your pulses jump? And this magic ribbon of concrete laid out for you, winding here and there, feeling its way upward with hardly a variation of grade, taking off the shoulder of a mountain, cutting straight through the apex of another, diving into the black belly of a third; twisting, turning, tilting inward on the outside curves, tilting outward on the inside curves, so that you were always balanced, always safe—and with a white-painted line marking the centre, so that you always knew exactly where you had a right to be—what magic had done all this?

In 2002, Israel began constructing a massive separation wall under the pretext of security. Palestinians call it the apartheid wall because it’s meant to separate Palestinians in the occupied West Bank from Israel “proper,” but also from occupied East Jerusalem and from the Israeli settlements built inside the West Bank. The wall is several hundred miles long and, in some areas, made of imposing concrete slabs that stand over fifteen feet tall. If that’s not egregious enough, the majority of the wall was not built along Israel’s internationally recognized pre-1967 boundary, but rather on Palestinian land inside the occupied West Bank. This means its path was deliberately planned to swallow up more of our land and cut right through our villages.

Everything about his life that wasn’t about being an elite badass was imploding. There seemed to be only one sane option: get the hell away from other human beings. Amundson took a leave of absence from work, bought an Airstream trailer, and leased a parcel of land in the mountains near Santa Cruz. For two months, he lived in the woods and rolled back the tape on the last fourteen years of his life as a SWAT team cop, Army reservist, DEA gunslinger, and husband. He wrote an after-action review of his marriage, Your Wife Is Not Your Sister, a self-critique so detailed and unstinting that it could have been subtitled Confessions of a Knuckle-Dragger. The book, lovingly dedicated to his ex-wife, is filled with recollections of moments when he thought he was justified but later realized his behavior was thoughtless, myopic, toxic. At the end of each chapter are concrete “Action Steps” to prevent fellow knuckle-draggers from repeating his mistakes. It’s been well received in the law enforcement community. At the end of his two-month woodland retreat, Amundson realized two things. The first was that it doesn’t matter how much of a firebreather you are if you can’t cut any slack to the important people in your life. The second was that all his macho law-and-order jobs had defined him, and if he wanted to stop being That Guy, he couldn’t work that kind of job.

And first of all that it was no one thing. That it was multicausal, with no particular beginning and no end. More a climate than an event, so not the way apocalypse stories liked to have a big event, after which everybody ran around with guns, looking like Burton and his posse, or else were eaten alive by something caused by the big event. Not like that. It was androgenic, he said, and she knew from Ciencia Loca and National Geographic that that meant because of people. Not that they’d known what they were doing, had meant to make problems, but they’d caused it anyway. And in fact the actual climate, the weather, caused by there being too much carbon, had been the driver for a lot of other things. How that got worse and never better, and was just expected to, ongoing. Because people in the past, clueless as to how that worked, had fucked it all up, then not been able to get it together to do anything about it, even after they knew, and now it was too late. So now, in her day, he said, they were headed into androgenic, systemic, multiplex, seriously bad shit, like she sort of already knew, figured everybody did, except for people who still said it wasn’t happening, and those people were mostly expecting the Second Coming anyway. She’d looked across the silver lawn, that Leon had cut with the push-mower whose cast-iron frame was held together with actual baling wire, to where moon shadows lay, past stunted boxwoods and the stump of a concrete birdbath they’d pretended was a dragon’s castle, while Wilf told her it killed 80 percent of every last person alive, over about forty years.

The outer stairs and walkway terraces were made of rotting wood. The cement walls had that unfinished, swirling look that could cut your hand if you leaned against it wrong. Small chunks of concrete lay on the ground. An unplugged Pepsi machine guarded the door like one of the Queen's guards.

I think of the self-proclaimed agrarian farmer and scholar Victor Davis Hanson who in his book Fields Without Dreams, wrote sneeringly but also with grief: 'They [city people] no longer care where or how they get their food, as long as it is firm, fresh, and cheap. They have no interest in preventing the urbanization of their farmland as long as parks, Little League fields and an occasional bike lane are left amid the concrete, stucco, and asphalt. They have no need of someone who they are not, who reminds them of their past and not their future. Their romanticism for the farmer is just that, an artificial and quite transient appreciation of his rough-cut visage against the horizon the stuff of a wine commercial, cigarette ad, or impromptu rock concert.' People in the cities don't see farmers clearly. The farmers are overlooked, and instead of being seen as recognizably real, the farmer is romanticized.

I followed their gaze to a plug of a woman, her head of salt-and-pepper hair shorn into the sort of crew cut they give to the mentally disabled, who had plopped down on the concrete irectly behind me.

We thought, and we still think, that communism is ambiguous and anticommunism even more so. We thought, and we still think, that a politics founded on anticommunism is in the long run a politics of war and in the short run a politics of regression, that there are many ways of not being communist, and that the problem has barely been taken up when one has said that one is not a communist...To say, as we did, that Marxism remains true as a critique or negation without being true as an action or positively was to place ourselves outside history, and particularly outside Marxism, was to justify it for reasons which are not its own, and, finally, was to organize equivocalness. In history, Marxist critique and Marxist action are a single movement. Not that the critique of the present derives as a corollary from perspectives of the future--Marxism is not a utopia--but because, on the contrary, communist action is in principle only the critique continued, carried to its final consequences, and because, finally, revolution is the critique in power. If one verifies that it does not keep the promises of the critique, one cannot conclude from that: let us keep the critique and forget the action. There must be something in the critique itself that germinates the defects in the action. We found this ferment in the Marxist idea of a critique historically embodied, of a class which is the suppression of itself, which, in its representatives, results in the conviction of being the universal in action, in the right to assert oneself without restriction, and in unverifiable violence...It is therefore quite impossible to cut communism in two, to say that it is right in what it negates and wrong in what it asserts: for its way of asserting is already concretely present in its way of negating; in its critique of capitalism there is already, as we have said, not a utopian representation of the future, but at least the absolute of a negation, or negation realized, the classless society called for by history. However things may appear from this perspective, the defects of capitalism remain defects; but the critique which denounces them must be freed from any compromise with an absolute of the negation which, in the long run, is germinating new oppressions...This Marxism which remains true whatever it does, which does without proofs and verifications, is not a philosophy of history--it is Kant in disguise, and it is Kant again that we ultimately find in the concept of revolution as absolute action...We would be happy if we could inspire a few--or many--to bear their freedom, not to exchange it at a loss; for it is not only their own thing, their secret, their pleasure, their salvation --it involves everyone else.

Theism and materialism, so indifferent when taken retrospectively, point, when we take them prospectively, to wholly different outlooks of experience. For, according to the theory of mechanical evolution, the laws of redistribution of matter and motion, tho they are certainly to thank for all the good hours which our organisms have ever yielded us and for all the ideals which our minds now frame, are yet fatally certain to undo their work again, and to redissolve everything that they have once evolved. You all know the picture of the last state of the universe which evolutionary science foresees. I cannot state it better than in Mr. Balfour's words: That is the sting of it, that in the vast driftings of the cosmic weather, tho many a jeweled shore appears, and many an enchanted cloud-bank floats away, long lingering ere it be dissolved—even as our world now lingers, for our joy-yet when these transient products are gone, nothing, absolutely NOTHING remains, of represent those particular qualities, those elements of preciousness which they may have enshrined. Dead and gone are they, gone utterly from the very sphere and room of being. Without an echo; without a memory; without an influence on aught that may come after, to make it care for similar ideals. This utter final wreck and tragedy is of the essence of scientific materialism as at present understood. The lower and not the higher forces are the eternal forces, or the last surviving forces within the only cycle of evolution which we can definitely see. Mr. Spencer believes this as much as anyone; so why should he argue with us as if we were making silly aesthetic objections to the 'grossness' of 'matter and motion,' the principles of his philosophy, when what really dismays us is the disconsolateness of its ulterior practical results? No the true objection to materialism is not positive but negative. It would be farcical at this day to make complaint of it for what it IS for 'grossness.' Grossness is what grossness DOES—we now know THAT. We make complaint of it, on the contrary, for what it is NOT—not a permanent warrant for our more ideal interests, not a fulfiller of our remotest hopes. The notion of God, on the other hand, however inferior it may be in clearness to those mathematical notions so current in mechanical philosophy, has at least this practical superiority over them, that it guarantees an ideal order that shall be permanently preserved. A world with a God in it to say the last word, may indeed burn up or freeze, but we then think of him as still mindful of the old ideals and sure to bring them elsewhere to fruition; so that, where he is, tragedy is only provisional and partial, and shipwreck and dissolution not the absolutely final things. This need of an eternal moral order is one of the deepest needs of our breast. And those poets, like Dante and Wordsworth, who live on the conviction of such an order, owe to that fact the extraordinary tonic and consoling power of their verse. Here then, in these different emotional and practical appeals, in these adjustments of our concrete attitudes of hope and expectation, and all the delicate consequences which their differences entail, lie the real meanings of materialism and spiritualism—not in hair-splitting abstractions about matter's inner essence, or about the metaphysical attributes of God. Materialism means simply the denial that the moral order is eternal, and the cutting off of ultimate hopes; spiritualism means the affirmation of an eternal moral order and the letting loose of hope. Surely here is an issue genuine enough, for anyone who feels it; and, as long as men are men, it will yield matter for a serious philosophic debate.

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It’s a well-known statistic that there are 800 burial sites around Chernobyl. He was expecting some sort of amazing engineering structures, but they were just ordinary pits. They were filled with trees from the ‘red forest’ that was cut down in a 150 hectare area around the reactor. In the first two days after the accident, pine trees turned red and then russet. There were thousands of tonnes of iron and steel, pipes, work clothes, concrete structures. He showed me an illustration from an English magazine, panoramic, from the air. Thousands of tractors, aircraft, fire engines and ambulances. The largest burial site was said to be next to the reactor. He wanted to photograph it now, ten years on, and had been promised a lot of money for the image. So there we were, being sent from one senior official to another. One said they needed a location from us, another that we needed a permit. We were just getting the run-around, until it dawned on me that this burial site did not exist. There no longer was a site in reality, only in reports. The machinery had long ago been looted and taken off to markets, to collective farms or people’s homes for spare parts. It was all gone. The Englishman could not understand that. He could not believe it. When I told him the truth, he simply could not believe it!

Did you join the Bureau to get as far from that case as possible?' Rainey said. 'I took this job to make a difference.' 'Honey.' The tries rang on the concrete. 'Course you did. We all did. You can say you love it. You're scared of it. You're proud. You're a badass bitch. Girl Scout with a twelve gauge. Reading psychopaths' minds is your superpower.' She cut a glance Caitlin's way. 'you can dig it.

I had a fast thought of I am just going to be posted here spread eagle for some poor person to find me. Surely, after, I am roadkill; yes, I felt as if I was going to be his canvas for his twisted artwork! I was running for my life barefoot. I could feel the stones cut me up as I was trying to outrun his car over and over, he was teasing me by speeding up and slowing down for miles, it was a sick game to him! Just flat-out terrifying to me! I even tried running into a wheat field, and he chased me with his car until I was trapped, and I got pinned up against a barbwire fence and he then floored it, and the wires ripped into my back and my butt, and legs. Oh, how it was a wonder I was not cut completely in half, or decapitated! I do not know why he stopped, he could have killed me then and there, no he wanted me to feel more pain. Oh, what he called his love! I ran! I dashed! I jogged! I sprinted until I could not run anymore and he was behind the wheel laughing his head off at me falling tripping to the concrete, and gravel, and then I had to get back up and run some more. He would run that reddish-orange Dodge Challenger with the black racing stripes; bumper right up on me until it touched my nude petite butt, as I was running, and I know there was nowhere to run but forwards down the road, all day until late evening and the nightfall. Besides, after I collapsed from exhaustion, he would scoop me up and throw me back into the car, and get his way once more, and I would be too tired to fight him off me.

Marcel tried to pass me to Jack, All the same, and all, I clung to him with locked, tenacious fingers. I could feel my dad yanking on my arm. ‘Cut it out, Dad,’ I said with more volume. I managed to drag my lids back to stare at Jack with bleary eyes. ‘Be mad at me.’ We were in front of my house. The front door was standing open. The cloud cover overhead was too thick to guess at a time of day. ‘You bet I will be,’ Jack promised. ‘Get inside.’ I- '‘Kay. Let me down,’ I sighed. Marcel set me on my feet. I could see that I was upright, All the same, and all, I couldn't feel my legs. I trudged forward anyway until the sidewalk swirled up toward my face. Marcel’s arms caught me before I hit the concrete. ‘Just let me get her upstairs, ‘Marcel said. ‘Then I'll leave.’ ‘No,’ I cried, panicking. I hadn't got my answers yet. He had to stay for at least that much, didn't he? ‘I won't be far, ‘Marcel promised, whispering so low in my ear that Jack didn't have a hope of hearing.

There were very few things to do in Toms River, New Jersey, however it was the closest thing resembling civilization near the school. When I wasn’t being restricted to the campus, for one infraction or another, that’s where I would go. Toms River was two and a half miles west of the school. Making the round trip was a five-mile walk, but it was worth it, just to get away. To get there I walked down Prospect Avenue, and then cut corners to Bayside Avenue. In the winter, the frozen snow and ice made the walk cold and miserable. There was always a wind blowing off the river, but I would trudge on relentlessly. The wet slush soaked through my shoes, ruining a shine I had worked on for hours. My feet became wet and frozen, but I pressed on regardless. Eventually I would reach Route 166, which was narrow and only had two lanes; still it was the only north-south highway along the coast at the time. I then crossed the concrete bridge that had a year engraved on it, indicating that it was built as a WPA project during the Great Depression. On the west side of the road was the Toms River Diner. It was classic in appearance and was a warm haven, where I could thaw out. Thelma, the waitress, was always friendly and one of the nicest women I ever knew….

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and you’re a good match.’ ‘You have a very precise memory.’ ‘It was yesterday.’ ‘I should have told you he keeps a mistress and ignores me.’ Reacher smiled. He said, ‘Good night, Mrs Mackenzie.’ She left him there, the same as the night before, alone in the dark, on the concrete bench, looking at the stars. At that moment a mile away, Stackley clicked off a phone call and parked his beat-up old pick-up truck in a lot behind an out-of-business retail enterprise three blocks from the centre of town. Earlier in his life he had favoured expensive haircuts, and one time when waiting in the salon he had read a magazine that said success in business depended entirely on ruthless control of costs. Thus wherever possible he slept in his truck. Hence the camper shell. A motel would take what he made on two pills. Why give it away? The old gal across the Snowy Range had bought a box of fentanyl patches, but he had given her one he had already opened, an hour before, very carefully, so he could skim out a patch all his own, for his pocket, for later. The old gal would never notice. If she did, she would assume she was too stoned to count right. A natural reaction. Addicts learned to blame themselves. The same the world over. He took scissors from his glove box, and he cut a quarter-inch strip off the patch, and he slipped it under his tongue. Sublingual, it was called. Another magazine in the same salon said it was the best method of all. Stackley couldn’t argue. At that moment sixty miles away, in the low hills west of town, Rose Sanderson was putting herself to bed. She had pulled down her hood, and taken off her silver track suit top. Under it was a T-shirt, which she took off, and a bra, likewise. She peeled the foil off her face. She used her toothbrush handle to scrape excess ointment off her skin. She buttered it back on the foil. With luck she might get one more day out of it. She ran her sink full of cool water. She took a breath, and held her face under the surface. Her record was four minutes. She came up and shook her head. Her

Those buildings which have been allowed to stand near the beaches have been incorporated in the defenses. Many attractive villas are still deceptively innocent and peaceful in appearance, but only the exteriors remain the same. The interiors have been converted into steel-and-concrete emplacements, and they have been armed with guns of varying sizes. Many of the houses have not been fortified so elaborately, but have been turned into effective positions for smaller guns and machine guns by the filling-in of doors and windows with brick or concrete. Passages have been cut through continuous rows of fortified houses so that the occupying troops may pass from one to another without being exposed to observation and fire from the beach.

Saudi Oger’s Saad Hariri, a dual citizen who also happened to be the prime minister of Lebanon, was struggling to keep the cash flowing too. The Oger business was poorly managed, so it had little cushion for a slowdown in payments. Saad desperately tried to win Mohammed bin Salman’s approval, building an extension to King Salman’s expansive seaside palace in Tangier for Mohammed. And when Mohammed suggested he’d like a more direct passageway in the Royal Court to access the foyer of his cousin Mohammed bin Nayef’s section, Saad himself stayed up through the night with workers to cut through marble and concrete to get the job done. Mohammed thanked him but clearly felt no exchange had taken place. Saad hadn’t won any goodwill.

Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.

All that barbed wire, concrete barriers, checkpoints. You shut the city down. You stopped it flowing—put it on life support. You stopped people getting around to do what they had to do. You cut the violence, sure, but you did it by killing the city.” “All right,” I said, “you’re so smart, how would you have done it?” And Steve pointed out what every police officer, paramedic, traffic engineer, and social worker knows, and what should have been obvious to me all along: a city is a living organism that flows and breathes, and any public safety solution that no longer lets it flow is no solution at all.

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It’’s very hard to know who is going to commit an act of violence. But... prevention does not require prediction. It does require, however, that we increase overall access to brain health interventions. ... A... tiered system is already working in some schools. At the tier-one level, everyone should have access to brain health screenings and first aid, to conflict resolution programs, and to suicide prevention education. Peer intervention programs teach kids to seek help from trained adults for friends they’re worried about without fear of repercussion. A second tier of attention is trained on kids going through a hard time—a student grieving a lost parent, one who has suffered teasing or bullying, or those in known high-risk populations. For instance, gay, lesbian, bisexual, and transgender kids are at disproportionate risk for bullying, so special efforts might be made to connect those kids to resources. The third level of intervention comes into play when a child has emerged as a particular concern. Perhaps he or she has an ongoing emotional disorder, has talked about suicide, or—as Dylan did— has turned in a paper with violent or disturbing subject matter. The student is then referred to a team of specially trained teachers and other professionals who will interview him or her, look at the student's social media and other evidence, and speak to friends, parents, local law enforcement, counselors, and teachers. The real beauty of these measures is not that they catch potential school shooters, but how effectively they help schools to identify teens struggling with all different kinds of issues: bullying, eating disorders, cutting, undiagnosed learning disorders, addiction, abuse at home, and partner violence — just to name a few. In rare cases, a team may discover that the student has made a concrete plan to hurt himself or others, at which point law enforcement may become involved. In the overwhelming majority of these cases, though, simply getting a kid help is enough.

The eighty-five cent dinner tasted like a discarded mailbag and was served to me by a waiter who looked as if he would slug me for a quarter, cut my throat for six bits, and bury me at sea in a barrel of concrete for a dollar and a half, plus sales tax.

Naturalism is not a homogeneous, clear-cut conception of art, always based on the same idea of nature, but changes with the times, concerned with a concrete task and confining its interpretation of life to particular phenomena. One professes a belief in naturalism, not because one consider a naturalistic representation more artistic a prior than a stylizing, but because one discovers a trait, a tendency in reality on which one would like to put more emphasis, which one would either to promote or fight against. Such a discovery is not itself the result of naturalistic observation, on the contrary, the interest in naturalism is the result of such a discovery. The 1830 generation begins its literary career with the recognition that the structure of society has completely changed; partly it accepts, partly opposes this change, but, in any case, it reacts to it in an extremely activism fashion and it naturalistic approach is derived from this activism. Naturalism is not aimed at reality as a whole, not at "nature" or "life" in general, but at social life in particular, that is, at that province of reality which has become specially important for this generation.