Comma Outside Quotes

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I was the type who looked at discussions of What Is Truth only with a view toward correcting the manuscript. If you were to quote "I am that I am," for example, I thought that the fundamental problem was where to put the comma, inside the quotation marks or outside.
Umberto Eco (Foucault’s Pendulum)
Nexus I wrote stubbornly into the evening. At the window, a giant praying mantis rubbed his monkey wrench head against the glass, begging vacantly with pale eyes; and the commas leapt at me like worms or miniature scythes blackened with age. the praying mantis screeched louder, his ragged jaws opening into formlessness. I walked outside; the grass hissed at my heels. Up ahead in the lapping darkness he wobbled, magnified and absurdly green, a brontosaurus, a poet.
Rita Dove
Words want to be sampled, relished, remembered; they need breathing space in the shape of commas, colons, semi-colons and full stops. Words are individual. They are content to string along together in sentences and paragraphs, but remain mavericks, outsiders beyond the crowd, the mob, the gang. A long novel begins with the first word.
Chloe Thurlow (Katie in Love)
In the United States, periods and commas go inside the quotation mark. In Britain, they go outside the quotation mark. Squiggly said, “No.” (United States) Squiggly said, “No”. (Britain)   “No,” said Squiggly. (United States) “No”, said Squiggly. (Britain)
Mignon Fogarty (Grammar Girl's Punctuation 911: Your Guide to Writing it Right (Quick & Dirty Tips))
Guts,” never much of a word outside the hunting season, was a favorite noun in literary prose. People were said to have or to lack them, to perceive beauty and make moral distinctions in no other place. “Gut-busting” and “gut-wrenching” were accolades. “Nerve-shattering,” “eye-popping,” “bone-crunching”—the responsive critic was a crushed, impaled, electrocuted man. “Searing” was lukewarm. Anything merely spraining or tooth-extracting would have been only a minor masterpiece. “Literally,” in every single case, meant figuratively; that is, not literally. This film will literally grab you by the throat. This book will literally knock you out of your chair… Sometimes the assault mode took the form of peremptory orders. See it. Read it. Go at once…Many sentences carried with them their own congratulations, Suffice it to say…or, The only word for it is…Whether it really sufficed to say, or whether there was, in fact, another word, the sentence, bowing and applauding to itself, ignored…There existed also an economical device, the inverted-comma sneer—the “plot,” or his “work,” or even “brave.” A word in quotation marks carried a somehow unarguable derision, like “so-called” or “alleged…” “He has suffered enough” meant if we investigate this matter any further, it will turn out our friends are in it, too… Murders, generally, were called brutal and senseless slayings, to distinguish them from all other murders; nouns thus became glued to adjectives, in series, which gave an appearance of shoring them up… Intelligent people, caught at anything, denied it. Faced with evidence of having denied it falsely, people said they had not done it and had not lied about it, and didn’t remember it, but if they had done it or lied about it, they would have done it and misspoken themselves about it in an interest so much higher as to alter the nature of doing and lying altogether. It was in the interest of absolutely nobody to get to the bottom of anything whatever. People were no longer “caught” in the old sense on which most people could agree. Induction, detection, the very thrillers everyone was reading were obsolete. The jig was never up. In every city, at the same time, therapists earned their living by saying, “You’re being too hard on yourself.
Renata Adler (Speedboat)
I was the type who looked at discussions of What Is Truth only with a view toward correcting the manuscript. If you were to quote “I am that I am,” for example, I thought that the fundamental problem was where to put the comma, inside the quotation marks or outside.
Umberto Eco (Foucault's Pendulum)
Money, Mississippi, looks exactly like it sounds. Named in that persistent Southern tradition of irony and with the attendant tradition of nescience, the name becomes slightly sad, a marker of self-conscious ignorance that might as well be embraced because, let’s face it, it isn’t going away. Just outside Money, there was what might have loosely been considered a suburb, perhaps even called a neighborhood, a not-so-small collection of vinyl-sided, split-level ranch and shotgun houses called, unofficially, Small Change. In one of the dying grass backyards, around the fraying edges of an empty aboveground pool, one adorned with faded mermaids, a small family gathering was happening. The gathering was neither festive nor special, but usual. It was the home of Wheat Bryant and his wife, Charlene. Wheat was between jobs, was constantly, ever, always between jobs. Charlene was always quick to point out that the word between usually suggested something at either end, two somethings, or destinations, and that Wheat had held only one job in his whole life, so he wasn’t between anything. Charlene worked as a receptionist at the Money Tractor Exchange J. Edgar Price Proprietor (the official business name, no commas), for both sales and service, though the business had not exchanged many tractors of late, or even repaired many. Times were hard in and around the town of Money. Charlene always wore a yellow halter top the same color as her dyed and poofed hair, and she did this because it made Wheat angry. Wheat chain-drank cans of Falstaff beer and chain-smoked Virginia Slims cigarettes, claiming to be one of those feminists because he did, telling his children that the drinks were necessary to keep his big belly properly inflated, and the smokes were important to his bowel regularity.
Percival Everett (The Trees)