Shelf Me Quotes

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I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C. S. Lewis.
C.S. Lewis (The Lion, the Witch and the Wardrobe)
Wait," I said as Noah slipped a book from a shelf and headed toward the door. "Where are you going?" "To read?" But I don't want you to. "But I need to go home," I said, my eyes meeting his. "My parents are going to kill me." "Taken care of. You're at Sophie's house." I loved Sophie. "So I'm...staying here?" "Daniel's covering for you." I loved Daniel. "Where's Katie?" I asked, trying to sound casual. "Eliza's house." I loved Eliza. "And your parents?" I asked. "Some charity thing." I loved charity. "So why are you going to read when I'm right here?
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?” Sam let go of my hands to get his wallet and took out some bills. “Six years.” I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species. Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age." Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be. I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.” The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Why do I read? I just can't help myself. I read to learn and to grow, to laugh and to be motivated. I read to understand things I've never been exposed to. I read when I'm crabby, when I've just said monumentally dumb things to the people I love. I read for strength to help me when I feel broken, discouraged, and afraid. I read when I'm angry at the whole world. I read when everything is going right. I read to find hope. I read because I'm made up not just of skin and bones, of sights, feelings, and a deep need for chocolate, but I'm also made up of words. Words describe my thoughts and what's hidden in my heart. Words are alive--when I've found a story that I love, I read it again and again, like playing a favorite song over and over. Reading isn't passive--I enter the story with the characters, breathe their air, feel their frustrations, scream at them to stop when they're about to do something stupid, cry with them, laugh with them. Reading for me, is spending time with a friend. A book is a friend. You can never have too many.
Gary Paulsen (Shelf Life: Stories by the Book)
Hair is gray and the firers are burning. So many dreams on the shelf. You say I wanted you to be proud of me. I always wanted that myself.
Tori Amos
It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale.
Annie Dillard (Pilgrim at Tinker Creek)
I took my time, running my fingers along the spines of books, stopping to pull a title from the shelf and inspect it. A sense of well-being flowed through me as I circled the ground floor. It was better than meditation or a new pair of shoes- or even chocolate. My life was a disaster, but there were still books. Lots and lots of books. A refuge. A solace. Each one offering the possibility of a new beginning.
Beth Pattillo (Jane Austen Ruined My Life)
I am standing like shoe polish on an overstocked shelf hoping that one day someone will pick me to make things better.
Buddy Wakefield (Live for a Living)
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
Elizabeth Gilbert (Eat, Pray, Love)
I was raised in a world where I had thousands of friends, each one waiting for me on a shelf every day.
Elise Kova (Earth's End (Air Awakens, #3))
I like to think that when I fall, A rain-drop in Death's shoreless sea, This shelf of books along the wall, Beside my bed, will mourn for me.
Robert W. Service (Ballads of a Bohemian)
Lydia, five years old, standing on tiptoe to watch vinegar and baking soda foam in the sink. Lydia tugging a heavy book from the shelf, saying, "Show me again, show me another." Lydia, touching the stethoscope, ever so gently, to her mother’s heart. Tears blur Marilyn’s sight. It had not been science that Lydia had loved
Celeste Ng (Everything I Never Told You)
It was the fact that she was in every piece, in every corner, on every shelf. She was everywhere, reminding me how much in love with her I was.
Fisher Amelie (Callum & Harper (Sleepless, #1))
I learned to make things not matter, to put a seal on my hopes and place them on a high shelf, out of reach. And by telling myself that there was nothing inside those hopes anyway, I avoided the wounds of deep disappointment. The pain was no worse than the quick sting of a booster shot. And yet thinking about this makes me ache again. How is it that as a child I knew I should have been loved more? Is everyone born with a bottomless emotional resevoir?
Amy Tan (The Hundred Secret Senses)
Since I was trying so hard to make books lead my life, I didn’t want to read them and then just put them back on the shelf and say, “good book,” as if I was patting a good dog. I wanted books to change me, and I wanted to write books that would change others.
Jack Gantos (Hole in My Life)
...It also taught me that while cruelty can be fun for a few moments, compassion has a much longer shelf life.
Doreen Orion (Queen of the Road: The True Tale of 47 States, 22,000 Miles, 200 Shoes, 2 Cats, 1 Poodle, a Husband, and a Bus with a Will of Its Own)
You do not know me, but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow, and I am causing mayhem in this store. [...] There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened.
Katherine Applegate (The Diversion (Animorphs, #49))
I have a shelf of comfort books, which I read when the world closes in on me or something untoward happens.
Anne McCaffrey
she eyes me like a book she wants to tear off a shelf,
Lancali. (I Fell in Love with Hope)
Demon. Gremlin. Poltergeist. Ghost. Phantom. Spirit. Shadow. Ghoul. Devil. People are afraid of them, so they relegate their existence to stories, volumes of books that can be closed and put on the shelf or left behind at a bed and breakfast; they clench their eyes shut, so they will see no evil. But trust me when I tell you that the zebra is real. Somewhere, the zebra is dancing.
Garth Stein (The Art of Racing in the Rain)
He snatched the book from me and replaced it hastily on its shelf, muttering that if one brick was removed the whole library was liable to collapse.
F. Scott Fitzgerald (The Great Gatsby)
In sum, do not insult me with the beheadings, finger choppings or the lung-deflations you plan for my works. I need my head to shake or nod, my hand to wave or make into a fist, my lungs to shout or whisper with. I will not go gently onto a shelf, degutted, to become a non-book. All you umpires, back to the bleachers. Referees, hit the showers. It's my game. I pitch, I hit, I catch. I run the bases. At sunset I've won or lost. At sunrise, I'm out again, giving it the old try. And no one can help me. Not even you.
Ray Bradbury (Fahrenheit 451)
There's a girl with brown eyes who reminds me of the first book I ever loved. When I look at her, I feel like there might be another universe in her. I imagine her on a shelf too high for me to reach, or peeking out of someone else's backpack, or at the end of a long wait at the library. I know there are other books that are easier to get my hands on, but none are half as good as her. Every part of her seems to have a purpose, a specific meaning, an exact reason for being how and what and where it is.
Casey McQuiston (I Kissed Shara Wheeler)
She told me later that she had made a kind of note of me in her mind, as, scanning the shelf for a particular book, one will sometimes have one's attention caught by another, take it down, glance at the title page and saying "I must read that, too, when I've the time," replace it and continue the search.
Evelyn Waugh (Brideshead Revisited)
The library is a whispering post. You don't need to take a book off a shelf to know there is a voice inside that is waiting to speak to you, and behind that was someone who truly believed that if he or she spoke, someone would listen. It was that affirmation that always amazed me. Even the oddest, most peculiar book was written with that kind of courage -- the writer's belief that someone would find his or her book important to read. I was struck by how precious and foolish and brave that belief is, and how necessary, and how full of hope it is to collect these books and manuscripts and preserve them. It declares that stories matter, and so does every effort to create something that connects us to one another, and to our past, and to what is still to come.
Susan Orlean (The Library Book)
Go," she whispered. "Go. Show them you spell your name W-O-M-A-N.
Maya Angelou (Mom & Me & Mom)
There’s a long pause. But it’s not a bad pause, because Mik is looking at me like I’m the treasure from the high shelf that someone’s just taken down and put into his hands. I find I don’t mind being looked at like this. I don’t mind it at all.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale. So many things have been shown so to me on these banks, so much light has illumined me by reflection here where the water comes down, that I can hardly believe that this grace never flags, that the pouring from ever-renewable sources is endless, impartial, and free.
Annie Dillard (Pilgrim at Tinker Creek)
Your mom isn’t going to let me step foot inside this place. I’ve seen the gun she keeps on the top shelf of the pantry.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
[Greens] don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked 'Liberty.' They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.
Georgia Scott (American Girl: Memories That Made Me)
I finally tracked down Derek. He was alone in the library, thumbing through a book. "Found you." I said on a sigh of relief. He turned. His lips curved in a quarter smile, gaze softening in a way that did something to my insides, made me pull up short, momentarily forgetting why I was there. "I-Is Simon around?" He blinked, then turned back to the shelf. "He's upstairs. He's really pissed about Andrew so that's probably that safest place for him until we're ready to go, or he'll say something to him we don't want said. You need him?" "Actually, m-maybe I should show you first." He glanced over his shoulder, frowning. "We found something." " Oh." He paused, like he was mentally shifting gears, then nodded and followed me out.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I used to collect snow globes when I was younger. They lined a shelf in my bedroom, and sometimes I would shake them up, one after the other, then sit on my bed and watch as the flurries and the glitter swirled around inside the glass. Eventually, the contents inside the globe would begin to settle. All would grow still, and then the globes on my shelf would return to their quiet, peaceful states. I liked them because they reminded me of life. How sometimes, it feels like someone is shaking the world around you, and things are flying at you from every direction, but if you wait long enough, everything will start to calm. I liked that feeling of knowing that the storm inside always eventually settles.
Colleen Hoover (Regretting You)
A Book “Now” - said a good book unto me - “Open my pages and you shall see Jewels of wisdom and treasures fine, Gold and silver in every line, And you may claim them if you but will Open my pages and take your fill. “Open my pages and run them o’er, Take what you choose of my golden store. Be you greedy, I shall not care - All that you seize I shall gladly spare; There is never a lock on my treasure doors, Come - here are my jewels, make them yours! “I am just a book on your mantel shelf, But I can be part of your living self; If only you’ll travel my pages through, Then I will travel the world with you. As two wines blended make better wine, Blend your mind with these truths of mine. “I’ll make you fitter to talk with men, I’ll touch with silver the lines you pen, I’ll lead you nearer the truth you seek, I’ll strengthen you when your faith grows weak - This place on your shelf is a prison cell, Let me come into your mind to dwell!
Edgar A. Guest (Collected Verse)
Dali blinked at me. "Would you mind making coffee while you're dancing? I smell it on the bottom shelf, either first or second jar on the left." I opened the first jar and looked inside. Coffee. The label said BORAX. "What's up with the labels?" Dali shrugged. "You're in the house of a cat whose job is to spy. He thinks he's clever. I'd be careful with the silverware drawer. There might be a bomb in it.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
ON THE RETURN OF A BOOK LENT TO A FRIEND I GIVE humble and hearty thanks for the safe return of this book which having endured the perils of my friend's bookcase, and the bookcases of my friend's friends, now returns to me in reasonably good condition. I GIVE humble and hearty thanks that my friend did not see fit to give this book to his infant as a plaything, nor use it as an ash-tray for his burning cigar, nor as a teething-ring for his mastiff. WHEN I lent this book I deemed it as lost: I was resigned to the bitterness of the long parting: I never thought to look upon its pages again. BUT NOW that my book is come back to me, I rejoice and am exceeding glad! Bring hither the fatted morocco and let us rebind the volume and set it on the shelf of honour: for this my book was lent, and is returned again. PRESENTLY, therefore, I may return some of the books that I myself have borrowed.
Christopher Morley (The Haunted Bookshop (Parnassus, #2))
Everything will be destroyed no matter how hard we work to create it. The idea terrifies me. I want tiny permanents. I want gigantic permanents! I want what I think and who I am captured in an anthology of indulgence I can comfortingly tuck into a shelf in some labyrinthine library.
Marina Keegan (The Opposite of Loneliness: Essays and Stories)
I pinch the sentence's butt with my other hand and tug it from my skin like a leech, smack it back on the page and clamp the book shut. Part of it's hanging out, and it waves jerkily at me with what appears to be blatant hostility. I stick the book back on the upside-down shelf over my head, pissed off sentence first, counting on the gluey base to hold it in. All I need is a badly mangled, irate sentence stalking me.
Karen Marie Moning (Iced (Fever, #6))
If thou could'st empty all thyself of self, like to a shell dishabited, then might He find thee on the ocean shelf, and say "This is not dead," and fill thee with Himself instead. But thou art all replete with very thou and hast such shrewd activity, that when He comes He says, "This is enow unto itself-'twere better let it be, it is so small and full, there is no room for Me.
Thomas Edward Brown (The Complete Poems of T.E. Brown)
...But the heart is not a computer that can be upgraded so quickly and easily with the latest version of love. Love cannot be sealed hermetically inside a tight box like any other on the store shelf; even though the word itself is in public domain, its quality is not. Love cannot promise a full customer satisfaction garanteed or a whole lifetime of dreams shared refunded, with no questions asked. Love cannot be agreed to in terms and conditions as quickly as the "Next" button being clicked. These unspoken terms and conditions grow and develop over time until it gets very messy, and no one remembers how such a mess of accusation and anger was able to overshadow their pure ecstasy of love, the spark between two people turning on a new operation system of togetherness for the first time. Love is always beta; never a golden master. If love were a computer, constant bug reports and subsequent fixes are the name of the game, and there are many unexplained breakdowns. The heart is too stubborn for explanations and too impatient for forgiveness, and there is usually no one at the tech support line. Forgive me stan, if I've crashed so often. It's just to hard to boot up to a whole new future without you. I am an empty monitor in search of a "hello.
Raymond Luczak
If thou could'st empty all thyself of self Like to a shell dishabited Then might He find thee on the ocean shelf And say This is not dead and fill thee with Himself instead. But thou art all replete with very thou And hast such shrewd activity That when He comes He says This is enow Unto itself - 'twere better let it be It is so small and full there is no room for me.
Madeleine L'Engle (A Ring of Endless Light (Austin Family Chronicles, #4))
Married pixy, I told myself, forcing my eyes back to the shelf of ceramic animals. Fifty-four kids. Beautiful wife, sweet as sugar, who would kill me in my sleep while apologizing for it.
Kim Harrison (A Fistful of Charms (The Hollows, #4))
There is a logic [to my reading], but I can't define it. I like reading impulsively. I collect books, I have a lot of them, but most of them I have not read yet. I'll read them when they call me from the shelf.
Aleksandar Hemon
A dozen candles burned themselves to death on the shelf before me. Each of my breaths made them tremble. To them, I was a behemoth, to frighten and destroy. And yet, if I strayed too close, they could destroy me. My invisible breath, the pulses of life that flowed in and out, could end them freely, while my fingers could not do the same without being repaid in pain.’” “‘I understood in a moment of stillness,’” Litima read. “‘Those candle flames were like the lives of men. So fragile. So deadly. Left alone, they lit and warmed. Let run rampant, they would destroy the very things they were meant to illuminate. Embryonic bonfires, each bearing a seed of destruction so potent it could tumble cities and dash kings to their knees. In later years, my mind would return to that calm, silent evening, when I had stared at rows of living lights. And I would understand. To be given loyalty is to be infused like a gemstone, to be granted the frightful license to destroy not only one’s self, but all within one’s care.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Doctor Doctor what is wrong with me This supermarket life is getting long What is the heart life of a colour TV What is the shelf life of a teenage queen
Roger Waters
My Papa's Waltz: The whiskey on your breath Could make a small boy dizzy; But I hung on like death: Such waltzing was not easy. We romped until the pans Slid from the kitchen shelf; My mother's countenance Could not unfrown itself. The hand that held my wrist Was battered on one knuckle; At every step you missed My right ear scraped a buckle. You beat time on my head With a palm caked hard by dirt, Then waltzed me off to bed Still clinging to your shirt.
Theodore Roethke
Life does not seem to present itself to me for my convenience, to box itself up nicely so I can write about it with wisdom and a point to make before putting it on a shelf somewhere.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
There’s an empty shelf here with your name and dates?” “There is. And it was beginning to sound nice. But then I got called in to this meeting. An induction ceremony. Some crazy old man and his granddaughter.” He stands, guides me up beside him. “And I don’t regret it. Now, go home.
V.E. Schwab (The Archived (The Archived, #1))
Kiss me a question, ask me again with your eyes and I’ll answer with my fingers, trailing reasons down your spine. There’s a theory behind your knees and a postulate in that sweet spot on your neck, and I’ll respond to your query with a smooch and a holler, roll you up against the sink and wash your hair, make love til the plates fall off the shelf.
Lou Beach
Sex struck me as a seafood with the shortest imaginable shelf life needing to be peeled and eaten the moment the urge ripened.
Alissa Nutting (Tampa)
I love the writers of my thousand books. It pleases me to think how astonished old Homer, whoever he was, would be to find his epics on the shelf of such an unimaginable being as myself, in the middle of an unrumored continent. I love the large minority of the writers on my shelves who have struggled with words and thoughts and, by my lights, have lost the struggle. All together they are my community, the creators of the very idea of books, poetry, and extended narratives, and of the amazing human conversation that has taken place across the millennia, through weal and woe, over the heads of interest and utility.
Marilynne Robinson (When I Was a Child I Read Books)
Virtue," he said. "The real thing. It's not some kind of cuddly teddy bear you can keep on the shelf until you need a hug. It's dangerous, which is why it makes people so nervous. Virtue has its own agenda, and believe me, it's not always yours. The word itself means strength, power. And when it gets loose, you'd better watch out." Something bad might happen..." Impossible. But possibly something painful" -A Wizard Alone by Diane Duane
Diane Duane (A Wizard Alone (Young Wizards, #6))
Edward thought about everything that had happened to him in his short life. What kind of adventures would you have if you were in the world for a century? The old doll said, “I wonder who will come for me this time. Someone will come. Someone always comes. Who will it be?” “I don’t care if anyone comes for me,” said Edward. “But that’s dreadful,” said the old doll. “There’s no point in going on if you feel that way. No point at all. You must be filled with expectancy. You must be awash in hope. You must wonder who will love you, whom you will love next.” “I am done with being loved,” Edward told her. “I’m done with loving. It’s too painful.” “Pish,” said the old doll. “Where is your courage?” “Somewhere else, I guess,” said Edward. “You disappoint me,” she said. “You disappoint me greatly. If you have no intention of loving or being loved, then the whole journey is pointless. You might as well leap from this shelf right now and let yourself shatter into a million pieces. Get it over with. Get it all over with now.” “I would leap if I was able,” said Edward. “Shall I push you?” said the old doll
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
Shut up. You don't have to buy a pair of shoes just because you tried them on. They may look great sitting on the shelf, but that doesn't mean they won't feel like medieval torture devices on your feet once you wear them around for a few days. It's the same thing with me." (Lisa)
Cherrie Lynn (Unleashed (Ross Siblings, #1))
Allons! the road is before us! It is safe—I have tried it—my own feet have tried it well—be not detain’d! Let the paper remain on the desk unwritten, and the book on the shelf unopen’d! Let the tools remain in the workshop! let the money remain unearn’d! Let the school stand! mind not the cry of the teacher! Let the preacher preach in his pulpit! let the lawyer plead in the court, and the judge expound the law. Camerado, I give you my hand! I give you my love more precious than money, I give you myself before preaching or law; Will you give me yourself? will you come travel with me? Shall we stick by each other as long as we live?
Walt Whitman (Leaves of Grass)
Do you see this glass?” he asked. “I love this glass. It holds the water admirably. When the sun shines on it, it reflects the light beautifully. When I tap it, it has a lovely ring. Yet for me, this glass is already broken. When the wind knocks it over or my elbow knocks it off the shelf and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every minute with it is precious.
Frank Ostaseski (The Five Invitations: Discovering What Death Can Teach Us About Living Fully)
Words are alive--when I've found a story that I love, I read it again and again, like playing a favorite song over and over. Reading isn't passive--I enter the story with the characters, breathe their air, feel their frustrations, scream at them to stop when they're about to do something stupid, cry with them, laugh with them. Reading for me, is spending time with a friend. A book is a friend. You can never have too many.
Gary Paulsen (Shelf Life: Stories by the Book)
Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.
Haruki Murakami (South of the Border, West of the Sun)
I followed her into the library. The pale light from our chamber below dissipated in the room, but I could still make out – my heart leapt at the sight – row after row, shelf above shelf, floor to ceiling, a city of books. Speck turned to me and asked, Now, what shall we read first?
Keith Donohue
I Need a Good Book I need a good story. I need a good book. The kind that explodes Off the shelf. I need some good writing, Alive and exciting, To contemplate all by myself. I need a good novel, I need a good read. I probably need Two or three. I need a good tale Of love and betrayal Or perhaps an adventure at sea. I need a good saga. I need a good yarn. A momentous and mightily Or slight one. But with thousands and thousands And thousands of books, I need someone to tell me The right one. -John Lithgow
John Lithgow
It has always been my experience that, whatever groupings I choose for my books, the space in which I plan to lodge them necessarily reshapes my choice and, more important, in no time proves too small for them and forces me to change my arrangement. In a library, no empty shelf remains empty for long. Like Nature, libraries abhor a vacuum, and the problem of space is inherent in the very nature of any collection of books.
Alberto Manguel (The Library at Night)
There’s no point in going on if you feel that way. No point at all. You must be filled with expectancy. You must be awash in hope. You must wonder who will love you, whom you will love next.” “I am done with being loved,” Edward told her. “I’m done with loving. It’s too painful.” “Pish,” said the old doll. “Where is your courage?” “Somewhere else, I guess,” said Edward. “You disappoint me,” she said. “You disappoint me greatly. If you have no intention of loving or being loved, then the whole journey is pointless. You might as well leap from this shelf right now and let yourself shatter into a million pieces. Get it over with. Get it all over with now.
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
The house smells like an Italian restaurant when I walk through the door. I turn to Logan, who shoots me a WTF look, and I shrug as if to say fuck if I know, because I honestly don’t know. I bend down to unlace my scuffed black boots, then follow the mouthwatering aroma to the kitchen. When I reach the doorway, I blink like I’ve just stumbled upon a desert mirage. Hannah’s sexy ass greets my eyes. She’s angled over the oven door, wearing Tuck’s pink oven mitts as she pulls a steaming pan of lasagna off the middle shelf. At the sound of my footsteps, she glances over her shoulder and smiles. “Oh, hey. Perfect timing.
Elle Kennedy (The Deal (Off-Campus, #1))
Ah." Ax nodded. "She does not understand how menacing we are." He tapped her on the shoulder. "You do not know me," he said, "but I am a juvenile delinquent. I do not trust authority figures, I probably will not graduate from high school, and statistics say my present rowdiness and vandalism will likely lead to more serious crimes. I am a dangerous fellow and I am causing mayhem in this store." He reached behind her and pulled three jars of baby food from the top shelf. Shoved them behind a box of macaroni. Shuffled the Chess Whizzed in front of the Marshmallow Fluff. Tossed a bag of lady's shavers onto a bag of hamburger buns. "There. I have now shamelessly destroyed the symmetry of this shelf, undoing hours of labor by underpaid store employees. If you could see me, you would be frightened." "If she could see you, she'd have you committed," Marco muttered.
Katherine Applegate (The Diversion (Animorphs, #49))
I look at the books on my library shelves. They certainly seem dormant. But what if the characters are quietly rearranging themselves? What if Emma Woodhouse doesn’t learn from her mistakes? What if Tom Jones descends into a sodden life of poaching and outlawry? What if Eve resists Satan, remembering God’s injunction and Adam’s loving advice? I imagine all the characters bustling to get back into their places as they feel me taking the book down from the shelf. “Hurry,” they say, “he’ll expect to find us exactly where he left us, never mind how much his life has changed in the meantime.
Verlyn Klinkenborg
A book about books is like a poem about poetry: Books are knowledge, paid for, all. Readers - horses in a stall. Stallions should always run. Lest they stale become, in turn. Running waters are most clear. In some books, you disappear – lose yourself, and track of time. How I wish that one was mine... Mine, to have, to write, to read... Mine, just like a flying steed. Mine, forever, - to improve. Would I then, of me, approve? I would not, I can't... myself. I'm but dust, swept off a shelf. Fly, can I, just 'til I'm settled, down, beside my flower, petalled.
Will Advise (Nothing is here...)
What bothers me today is the lack of, well, I guess you'd call it authentic experience. So much is a sham. So much is artificial, synthetic, watered-down, and standardized. You know, less than half a century ago there were sixty-three varieties of lettuce in California alone. Today, there are four. And they are not the four best lettuces, either; not the most tasty or nutritious. They are the hybrid lettuces with built-in shelf life, the ones that have a safe, clean, consistent look in the supermarket. It's that way with so many things. We're even standardizing people, their goals, their ideas. The sham is everywhere.
Tom Robbins (Jitterbug Perfume)
I houseclean my books every spring and throw out those I’m never going to read again likeI throw out clothes I’m never going to wear again. It shocks everybody. My friends are peculiar about books. They read all the best sellers, they get through them as fast as possible,I think they skip a lot. And they NEVER read anything a second time so they don’t remember a word of it a year later. But they are profoundly shocked to see me drop a book in the wastebasket or give it away. The way they look at it, you buy a book, you read it, you put it on the shelf, you never open it again for the rest of your life but YOU DON’T THROW IT OUT! NOT IF IT HAS A HARD COVER ON IT! Why not?I personally can’t think of anything less sacrosanct than a bad book or even a mediocre book.
Helene Hanff (84, Charing Cross Road)
He walked over to Isaac and grabbed him by the shoulders. “Dude, pillows don’t break. Try something that breaks.” Isaac reached for a basketball trophy from the shelf above the bed and then held it over his head as if waiting for permission. “Yes,” Augustus said. “Yes!” The trophy smashed against the floor, the plastic basketball player’s arm splintering off, still grasping its ball. Isaac stomped on the trophy. “Yes!” Augustus said. “Get it!” And then back to me, “I’ve been looking for a way to tell my father that I actually sort of hate basketball, and I think we’ve found it.
John Green (The Fault in Our Stars)
I am done with being loved, Edward told her. I'm done with loving. It's too painful. Pish. said the old doll. Where is your courage? Somewhere else. I guess, said Edward. You disappoint me, she said. You disappoint me greatly. If you have no intention of loving or being loved, then the whole journey is pointless. You might as well leap from this shelf right now and let yourself shatter into a million pieces. Get it over with. Get it all over with now.
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
In my living room there are two large bookcases, each one eight feet tall, and they have about five hundred books between them. If I step up to a shelf and look at the books one by one, I can remember something about each. As a historian once said, some stare at me reproachfully, grumbling that I have never read them. One may remind me vaguely of a time when I was interested in romantic novels. An old college text will elicit a pang of unhappiness about studying. Each book has its character, and even books I know very well also have this kind of wordless flavor. Now if I step back from the shelf and look quickly across both bookcases I speed up that same process a hundredfold. Impressions wash across my awareness. But each book still looks back in its own way, answering the rude brevity of my gaze, calling faintly to me out of the corner of my eye. At that speed many books remain wrapped in the shadows of my awareness--I know I have looked past them and I know they are there, but I refuse to call them to mind.
James Elkins (The Object Stares Back: On the Nature of Seeing)
The faint aroma of gum and calico that hangs about a library is as the fragrance of incense to me. I think the most beautiful sight is the gilt-edged backs of a row of books on a shelf. The alley between two well-stocked shelves in a hall fills me with the same delight as passing through a silent avenue of trees. The colour of a binding-cloth and its smooth texture gives me the same pleasure as touching a flower on its stalk. A good library hall has an atmosphere which elates. I have seen one or two University Libraries that have the same atmosphere as a chapel, with large windows, great trees outside, and glass doors sliding on noiseless hinges.
R.K. Narayan
I keep collecting books I know I'll never, never read; My wife and daughter tell me so, And yet I never heed. "Please make me," says some wistful tome, "A wee bit of yourself." And so I take my treasure home, And tuck it in a shelf. And now my very shelves complain; They jam and over-spill. They say: "Why don't you ease our strain?" "Some day," I say, "I will." So book by book they plead and sigh; I pick and dip and scan; Then put them back, distressed that I Am such a busy man. Now, there's my Boswell and my Sterne, my Gibbon and Defoe; To savor Swift I'll never learn, Montaigne I may not know. On Bacon I will never sup, For Shakespeare I've no time; Because I'm busy making up These jingly bits of rhyme. Chekov is caviar to me, While Stendhal makes me snore; Poor Proust is not my cup of tea, And Balzac is a bore. I have their books, I love their names, And yet alas! they head, With Lawrence, Joyce and Henry James, My Roster of Unread. I think it would be very well If I commit a crime, And get put in a prison cell And not allowed to rhyme; Yet given all these worthy books According to my need, I now caress with loving looks, But never, never read." (from, Book Lover)
Robert W. Service
Lindon watched the mug as though committing it to memory might help him somehow. “Pardon, but I couldn’t transport the mug directly from the shelf to the table without my authority.” “I can,” Eithan said, rolling up his sleeves. “Let me show you.” His smile dropped and his eyes sharpened. He held out his hands, focusing his will. Then he grabbed the mug, lifted it, and placed it on the other end of the table. “Behold!” he cried. “I have transported the cup!
Will Wight (Bloodline (Cradle, #9))
Japan Today I pass the time reading a favorite haiku, saying the few words over and over. It feels like eating the same small, perfect grape again and again. I walk through the house reciting it and leave its letters falling through the air of every room. I stand by the big silence of the piano and say it. I say it in front of a painting of the sea. I tap out its rhythm on an empty shelf. I listen to myself saying it, then I say it without listening, then I hear it without saying it. And when the dog looks up at me, I kneel down on the floor and whisper it into each of his long white ears. It’s the one about the one-ton temple bell with the moth sleeping on its surface, and every time I say it, I feel the excruciating pressure of the moth on the surface of the iron bell. When I say it at the window, the bell is the world and I am the moth resting there. When I say it into the mirror, I am the heavy bell and the moth is life with its papery wings. And later, when I say it to you in the dark, you are the bell, and I am the tongue of the bell, ringing you, and the moth has flown from its line and moves like a hinge in the air above our bed.
Billy Collins (Picnic, Lightning)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
Sour Milk You can't make it turn sweet again. Once it was an innocent color like the flowers of wild strawberries, and its texture was simple would pass through a clean cheesecloth, its taste was fresh. And now with nothing more guilty that the passage of time to chide it with, the same substance has turned sour and lumpy. The sour milk makes interesting & delicious doughs, can be carried to a further state of bacterial action to create new foods, can in its own right be considered complicated and more interesting in texture to one who studies it closely, like a map of the world. But to most of us: it is spoiled. Sour. We throw it out, down the drain-not in the backyard- careful not to spill any because the smell is strong. A good cook would be shocked with the waste. But we do not live in a world of good cooks. I am the milk. Time passes. You cannot make it turn sweet again. I sit guiltily on the refrigerator shelf trembling with hope for a cook who dreams of waffles, biscuits, dumplings and other delicious breads fearing the modern housewife who will lift me off the shelf and with one deft twist of a wrist... you know the rest. You are the milk. When it is your turn remember, there is nothing more than the passage of time we can chide you with.
Diane Wakoski (Emerald Ice: Selected Poems 1962-1987)
Suddenly he smiled, and the sadness was vanquished by whisky heat. “Aye, Jessica, I like you. And I’m not just stuck with you. You fit me here, woman.” He thumped his chest with his fist. Then he shook her hand from his forearm and pushed off with the cart again. Jessi watched him move down the aisle, all sleek animal muscle and dark grace. Wow. He wasn’t a man of many words, but when he used them, he certainly used the right ones. You fit me here. You are the exception to everything. Crimeny. It was how she’d always thought a relationship should be. People should fit each other: some days like sexy, strappy high-heeled shoes, other days like comfortable loafers—but always a good fit. And if you cared about someone, they should be the exception to everything; the number-one priority, the one who came before all others. He was halfway down the aisle from her now, plucking a can from the shelf—her primal hunter/gatherer procuring food by modern means, she thought, with a soft snort of amusement.
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
My Dear Lucy, I wrote this story for you, but when I began it I had not realized that girls grow quicker than books. As a result you are already too old for fairy tales, and by the time it is printed and bound you will be older still. But some day you will be old enough to start reading fairy tales again. You can then take it down from some upper shelf, dust it, and tell me what you think of it. I shall probably be too deaf to hear, and too old to understand a word you say, but I shall still be your affectionate Godfather, C.S. Lewis.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Here's the thing: the act of reading changes your life, sometimes in large ways, sometimes in small ways, but every book you read asks you to move outside of yourself and your own experience to consider the lives of others. So I can't identify a particular book that altered my life, but I do know that the act of reading has pushed me to engage more deeply with the world (real and imagined), and I'm grateful for that.
Ethan Rutherford
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
What’s the good of that if I’m not on the House team?” said Malfoy, looking sulky and bad-tempered. “Harry Potter got a Nimbus Two Thousand last year. Special permission from Dumbledore so he could play for Gryffindor. He’s not even that good, it’s just because he’s famous … famous for having a stupid scar on his forehead. …” Malfoy bent down to examine a shelf full of skulls. “… everyone thinks he’s so smart, wonderful Potter with his scar and his broomstick —” “You have told me this at least a dozen times already,” said Mr. Malfoy, with a quelling look at his son.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
My uncle used to let me pretend they were bricks," Linden says, startling me. He eases a thick hardcover from the shelf, hefts it in either hand, and then places it back. "I like to build houses out of them. They never came out exactly like I'd planned, but that's good. It taught me that there are three versions of things: the one I see in my mind, and the one that carries onto the paper, and then what it ultimately becomes." For some reason I'm finding it difficult to meet his eyes. I nod at one of the lower shelves and say, "Maybe it's because in your mind you don't have to worry about building materials. So you're not as limited." "That's astute," he says. He pauses. "You've always been astute about things.
Lauren DeStefano (Sever (The Chemical Garden, #3))
Who said I was going to give it to you?” He smiled and took a step toward me. “Maybe I have secret love for Fitzwilliam Darcy. We do share a name. I also need to get a gift for someone who would love it.” “If I can’t have it, no one can.” I narrowed my eyes in mock threat. “Is that so?” “You’ll have to pry it from my cold, dead fingers.” I backed into the bookshelf behind me. “Maybe I just need to distract you long enough to steal it.” He put a hand on the shelf by my head. “And how do you plan on doing that?” I licked my lips. “I have a few ideas.” He moved his other hand, caging me in, and leaned down.
Nichole Chase (Suddenly Royal (The Royals, #1))
It's too hard to explain,' he said in a petulant mutter. 'If you want a new direction for your life,' she said, 'then for heaven's sake, just pick something out and do it. The world is your oyster, Colin. You're young, wealthy, and you're a *man*.' Penelope's voice turned bitter, resentful. 'You can do anything you want.' He scowled, which didn't surprise her. When people were convinced they had problems, the last thing they wanted to hear was a simple, straightforward solution. 'It's not that simple,' he said. 'It's exactly that simple.' ... She stood, smoothing out her skirts in an awkward, defensive gesture. 'Next time you want to complain about the trials and tribulations of universal adoration, try being an on-the-shelf spinster for a day. See how that feels and then let me know what you want to complain about.' And then, while Colin was still sprawled on the sofa, gaping at her as if she were some bizarre creature with three heads, twelve fingers, and a tail, she swept out of the room. It was, she thought as she descended the outer steps to Bruton Street, quite the most splendid exit of her existence.
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
If you want to pay respects, by the way, he's at the zoo." "At the zoo? As in the zoo?" "Joey liked to walk the zoo on free days. I didn't know where else to put him. I thought about leaving him on a shelf upstairs, with Flannery or Fante or Rimbaud. But I figured there were rules against leaving bodies in here." "Probably." "So I put his ashes in a duffel bag and snipped a tiny hole in the bottom and walked the length of the zoo. But I didn't make the hole big enough so there were these tiny pieces left over in the bag. I shook them into the grass. But then all the geese thought he was bread crumbs and started charging me. Horrifying, Lydia, the way they gobbled him up. A frenzy. Joey would've abhorred all the attention.
Matthew J. Sullivan (Midnight at the Bright Ideas Bookstore)
Ethan sidled next to me, a hand propped on the shelf. “Come here often?” he said. “Excuse me?” “I see you’re here in this”—he gestured at the shelves—“library all alone. You must be a student here?” He traced a fingertip down the hollow of my throat, lifting goose bumps on my arms. Since my mind hardly worked when he did things like that, it took a moment for his words to register. Was he initiating a bout of role-playing … about a library? “Ethan Sullivan,” I marveled. “You have a library fantasy.” He smiled slyly. “I have a doctoral-student-turned-vampire fantasy.
Chloe Neill (House Rules (Chicagoland Vampires, #7))
Reading Aloud to My Father I chose the book haphazard from the shelf, but with Nabokov's first sentence I knew it wasn't the thing to read to a dying man: The cradle rocks above an abyss, it began, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. The words disturbed both of us immediately, and I stopped. With music it was the same -- Chopin's Piano Concerto — he asked me to turn it off. He ceased eating, and drank little, while the tumors briskly appropriated what was left of him. But to return to the cradle rocking. I think Nabokov had it wrong. This is the abyss. That's why babies howl at birth, and why the dying so often reach for something only they can apprehend. At the end they don't want their hands to be under the covers, and if you should put your hand on theirs in a tentative gesture of solidarity, they'll pull the hand free; and you must honor that desire, and let them pull it free.
Jane Kenyon (Otherwise: New and Selected Poems)
When I look closely at dairy, I see the hurtful exploitation of specifically female bodies so that some people can enjoy sensual pleasures of consumption while others enjoy the psychological pleasure of collecting profits from the exertions of somebody else's body. Cows are forcibly impregnated, dispossessed of their children, and then painfully robbed of the milk produced by their bodies for those children. No wonder I didn't want to see my complicity! Most women don't consciously perceive the everyday violence against girls and women that permeates and structures our society. How much harder it is, then, to see the gendered violence against nonhuman animals behind the everyday items on the grocery store shelf. When we, as women, partake of that violence, we participate in sexism even as we enjoy the illusory benefits of speciesism. No wonder a glimpse of the sexist violence behind my breakfast cereal left me dizzy.
pattrice jones
Just that winter she had found herself saying to a young woman who worked with her at the tasting bar on Saturdays that between a man and a woman there was always one person who was stronger than the other one. 'That doesn't mean the weaker one doesn't love the stronger,' she'd pleaded. The girl looked at her blankly. But for my mother what mattered was that as she spoke, she had suddenly identified herself as the weaker one. This revelation sent her reeling. What had she thought all those years but the opposite? She pulled her chair as close to his head as she could and laid her face on the edge of his pillow to watch him breathing, to see the flutter of the eye beneath his eyelid when he dreamed. How could it be that you could love someone so far from home? She had put billboards and roads in between them, throwing roadblocks behind her and ripping off the rearview mirror, and thought that that would make him disappear? erase their life and children? It was so simple, as she watched him, as his regular breathing calmed her, that she did not even see it happening at first. She began to think of the rooms in our house and the hours that she had worked so hard to forget spent inside of them. Like fruit put up in jars and forgotten about, the sweetness seemed even more distilled as she returned. There on that shelf were all the dates and silliness of thier early love, the braid that began to form of their dreams, the solid root of a burgeoning family. The first solid evidence of it all. Me.
Alice Sebold
She slid a slim volume of poetry off the shelf and returned to her chair, swishing her rather unnattractive skirts before she sat down. Benedict frowned. He'd never really noticed before how ugly her dress was. Not as bad as the one Mrs. Cabtree had lent her, but certainly not anything designed to bring out the best in a woman. He ought to buy her a new dress. She would never accept it,of course, but maybe if her current garments were accidentally burned... "Mr. Bridgerton?" But how could he manage to burn her dress? She'd have to not be wearing it, and that posed a certain challenge in and of itself... "Are you even listening to me?" Sophie demanded. "Hmmm?" "You're not listening to me." "Sorry," he admitted. "My apologies. My mind got away from me. Please continue." She began anew, and in his attempt to show how much attention he was paying her, he focused his eyes on her lips, which proved to be a big mistake. Because suddenly those lips were all he could see, and he couldn't stop thinking about kissing her, and he knew- absolutely knew-that if one of them didn't leave the room in the next thirty seconds, he was going to do something for which he'd owe her a thousand apologies. Not that he didn't plan to seduce her. Just that he'd rather do it with a bit more finesse. "Oh, dear," he blurted out. Sophie gave him an odd look. He didn't blame her. He sounded like a complete idiot. He didn't think he'd uttered the phrase, "Oh,dear," in years. If ever. Hell,he sounded like his mother. "Is something wrong?" Sophie asked. "I just remembered something," he said, rather stupidly, in his opinion. She raised her brows in question. "Something that I'd forgotten," Benedict said. "The things one remembers," she said, looking exceedingly amused, "are most often things one had forgotten.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Pick one,” he says just as I reach the handle. “One what?” He nods toward the shelves. I run my hands over my face in frustration. “You drive me insane.” I move toward the shelf and look over his collection. I pause when I see a few familiar titles. “You have a whole romance section.” I giggle and pull a book from the shelf. When I open it, a receipt falls to the floor. Inspecting it, I see he’s just bought ten books and spent a few hundred dollars opting for some pricy hardcovers over paperbacks. “You just bought these?” Upon closer inspection, I see most of them are romance titles by my favorite indies. There’s also a few suspense and an older historical, all of them titles from a familiar list that I wrote on a bookmark in my bedroom. When he was in my house, he had to have snooped in my room while Sean was distracting me. “You looked through my stuff?” He keeps his eyes on his book. It’s a stupid question. And the answer is so obvious, but I can’t help myself. “You bought these for me?” Silence. And again, I’m floating off the ground as he continues to read, feigning indifference. But I know differently now, and it changes everything. Beneath that mask is a man who’s been paying attention, very close attention to me. He turns another page and pulls an empty pillow closer to his shoulder. He wants me to read, with him, in his bed. And what better way to pass a day in stormy weather than curling up with a gorgeous man and getting lost in the words.
Kate Stewart (Flock (The Ravenhood, #1))
He doesn’t like Emma and Rachel making plans together. Not because he thinks they’re being devious, but because he doesn’t like feeling left out. Not to mention that when Emma is making plans without him, they’re usually reckless. The only reason she’d keep a secret from him is if she was doing something he didn’t approve of, or didn’t want him to interfere with. After all, her motto is “Better to ask for forgiveness than permission.” Galen despises that motto. “I cleared out the sporting goods store this morning,” Rachel says. “I took what was on the shelf and made them cough up their stock in the back.” Galen tenses up. Emma laughs. “Don’t be jealous, Highness. Rachel still loves you more than she loves me.” “Aww! You guys are fighting over me?” Rachel says, pinching Galen’s cheek. “That’s so adorable.” “I’m not jealous,” he says, trying not to sound pouty. “I just don’t know why we would need life jackets.” “We don’t,” Emma says, wriggling around on his lap so she can face him. Secretly, he’s delighted. “But humans do. And if my job is keeping the humans safe, then I should be prepared, right?” But Galen is too distracted by the close proximity of her mouth to be bothered with the words coming out of it. She must recognize it, because she leans forward as if giving him a chance to make good on his craving. It’s all the invitation he needs. He captures her mouth with his. Life jackets, islands, and airports are forgotten. The only thing that exists is her lips on his, her body pressed into his. Suddenly the creaky office chair is transformed into their own little world. “Uh, I’m just going to get more wine,” Rachel says. He didn’t mean to make her uncomfortable enough to leave. Not good. The last thing we need is privacy and free rein to do as we please. He tries to end it, to pull away, but Emma won’t have it. And it’s difficult for him not to indulge her.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I think true love transcends tiem. The thunderbolt does not. Not if it strkes men the way you described." I start a sprint toward a glade where my favorite orange flowers grow. He catches up with me easily. "Most girls prefer flowers over trees." I brush my fingers on the petals."These flowers blossom quickly. They speak of passion, of beauty." I take a witheting flower that had dropped to the ground and fondle it between my fingers. "But flowers don't last. They wither easily and have limited growth. A tree might not speak of passion but sturdiness. Yet, it grows higher and lasts longer. Some of these trees were here before I was born and they'll be here once I'm gone." My heads falls back as I look at the highest tree. "Real love ought to be more like a tree and less like a flower. That's the kind of love my parents had. It wasn't as consuming as it was everlasting. And you see that tree over there? Now it's showing only green leaves, but in spring it's covered in flowers. Because as reliable as trees are, they can also speak of beauty and passion.
Mya Robarts
If you wish to examine me to determine the sex of the child, you may do so.” Her chin lifted. “But as you wish me to accept yourself, for your predatory nature, you must accept me as I am. My heart and soul may be Carpathian, but my mind is human. I will not be put on a shelf somewhere because you or my husband deems it necessary. Human women moved out of the dark ages a long time ago. My place is with Mikhail, and I must make my own decisions. If you feel the need to add your protection to Mikhail’s I will be most grateful.” There was a long silence, and the red glow faded slowly from the slashing silver eyes. Gregori shook his head slowly, with infinite weariness. This woman was so different from his kind. Reckless. Compassionate. Unaware of every taboo she broke. His hand went to her stomach, fingers splayed. He focused, aimed, sent himself out of his body. His breath caught in his throat, and his heart seemed to melt. Deliberately he moved to surround the tiny being, merging his light and will for a heartbeat of time. He was taking no chances. This was his lifemate; he would ensure it with every means at his disposal, from the blood bonding to mental sharing. No one was as powerful as he. This female child was his and his alone. He could hang on until she came of age. “We did it, didn’t we?” Raven said softly, bringing Gregori back to his body. “She’s a girl.” Gregori stepped away from Raven, holding on to his composure with his great strength of will.
Christine Feehan (Dark Desire (Dark, #2))
One thing he would tell me, though, he said, had to do with babies. Not that he was any kind of expert, but for a brief while, long ago, he had cared for his son, and that experience more than any other had taught him the importance of following your instincts. Tuning in to the situation with all your five senses, and your body, not your brain. A baby cries in the night, and you go to pick him up. Maybe he’s screaming so hard his face is the color of a radish, or he’s gasping for breath, he’s got himself so worked up. What are you going to do, take a book off the shelf, and read what some expert has to say? You lay your hand against his skin and just rub his back. Blow into his ear. Press that baby up against your own skin and walk outside with him, where the night air will surround him, and moonlight fall on his face. Whistle, maybe. Dance. Hum. Pray. Sometimes a cool breeze might be just what the doctor ordered. Sometimes a warm hand on the belly. Sometimes doing absolutely nothing is the best. You have to pay attention. Slow things way down. Tune out the rest of the world that really doesn’t matter. Feel what the moment calls for.
Joyce Maynard (Labor Day)
On a relatively unfrequented, stony beach there is a great rock which juts out over the sea. After a climb, an ascent from one jagged foothold to another, a natural shelf is reached where one person can stretch at length, and stare down into the tide rising and falling below, or beyond to the bay, where sails catch light, then shadow, then light, as they tack far out near the horizon. The sun has burned these rocks, and the great continuous ebb and flow of the tide has crumbled the boulders, battered them, worn them down to the smooth sun-scalded stones on the beach which rattle and shift underfoot as one walks over them. A serene sense of the slow inevitability of the gradual changes in the earth’s crust comes over me; a consuming love, not of a god, but of the clean unbroken sense that the rocks, which are nameless, the waves which are nameless, the ragged grass, which is nameless, are all defined momentarily through the consciousness of the being who observes them. With the sun burning into rock and flesh, and the wind ruffling grass and hair, there is an awareness that the blind immense unconscious impersonal and neutral forces will endure, and that the fragile, miraculously knit organism which interprets them, endows them with meaning, will move about for a little, then falter, fail, and decompose at last into the anonomous [sic] soil, voiceless, faceless, without identity. From this experience I emerged whole and clean, bitten to the bone by sun, washed pure by the icy sharpness of salt water, dried and bleached to the smooth tranquillity that comes from dwelling among primal things. From this experience also, a faith arises to carry back to a human world of small lusts and deceitful pettiness. A faith, naïve and child like perhaps, born as it is from the infinite simplicity of nature. It is a feeling that no matter what the ideas or conduct of others, there is a unique rightness and beauty to life which can be shared in openness, in wind and sunlight, with a fellow human being who believes in the same basic principles.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies." I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?" He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?" "Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances." "Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting." I closed my eyes. "What else would we do if we were regular teenagers?" "Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere." The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools." He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back." I chuckled. "You watch too many movies. Ooh, we could be lab partners!" "Isn't that kind of what we were in Defense?" "Yeah,but in a normal high school, there would be more science, less kicking each other in the face." "Nice." We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in. Which had probably been the point. Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?" He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you." "Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer." He grinned. "In that case, shut up, Mercer.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Her mental list of items she’d need from her apartment was growing. There were things a girl just couldn’t live without, so Keegan would have to get them when he retrieved Muffin. “I need another purse. Can you get me my Prada knockoff? It’s in my closet on the shelf. Pink. It’s pink. I got it from a vendor in Manhattan. Jeez he was a tough negotiator, but it was worth the haggling. It’s soooo cute.” Keegan sighed, raspy and long. “Okay.” “Oh! And my nail polish. I have two new bottles in the bathroom under the sink in one of those cute organizer baskets, you know? Like the ones you get at Bed Bath and Beyond? God, I love those. Anyway, I need Retro Red and Winsome Wisteria.” Another sigh followed, and then a nod of consent. “My moisturizer. I never go anywhere, not even overnight, without my moisturizer. Not that I ever really go anywhere, but anyway I need it, or my skin will dehydrate and it could just be ugly. Top left side of my medicine cabinet.” “Er, okay.” “My shoes. I can’t be without shoes. Let’s see. I need my tennis shoes and my white sandals, because I don’t think there’s much hope for these, wouldn’t you say?” Marty looked up at him and saw impatience written all over his face. “And my laptop. I can’t check on my clients without my laptop, and they need me. Plus, there’s that no-good bitch Linda Fisher. I have to watch that she’s not stealing my accounts. Do you have all of that?” He gave her that stern look again. The one that made her insides skedaddle around even if it was meant in reproach. “I’m going too far, huh?” His smile was crooked. “Just a smidge.
Dakota Cassidy (The Accidental Werewolf (Accidentally Paranormal #1))