Realization Wallpaper Quotes

There's a terrible stillness. I notice a small tear in the wallpaper above her shoulder. I notice finger marks grimed on the light switch. Somewhere down in the house, a door opens and shuts. As Zoey turns to face me, I realize that life is made up of a series of moments, each one a journey to the end.

Women. No offense. But she doesn't even realize what she just said. These are her accomplishments. Challenges she's lived through. Shithead was just standing along for the ride. In the background. Like wallpaper. You can change the color of the walls anytime, and it might look different, but the room's still the same.

This is the part of anguish grey curtains blue & wallpapers yellow. This is the part where I learn to lose you & try to gain me back. This is a part where the end is my start!

When you're a child you long to be an adult and decide everything for yourself, but when you're an adult you realize that's the worst part of it. That you have to have opinions all the time, you have to decide which party to vote for and what wallpaper you like and what your sexual preferences are and which flavour yoghurt best reflects your personality. You have to make choices and be chosen by others, every second, the whole time.

When you’re a child you long to be an adult and decide everything for yourself, but when you’re an adult you realize that’s the worst part of it. That you have to have opinions all the time, you have to decide which party to vote for and what wallpaper you like and what your sexual preferences are and which flavor yogurt best reflects your personality. You have to make choices and be chosen by others, every second, the whole time.

You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things." "Oh,it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want." He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that. Not that that/i> would be so bad. But I like Toph,and St. Clair has a girlfriend. And even if the situation were different, Mer still has dibs. I'd never do that to her after how nice she was my first day.And my second. And every other day this week. Besides,he's just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are filled with beautiful guys, right? Guys with grooming regimens and proper haircuts and stylish coats.Not that I've seen anyone even remotely as good-looking as Monsieur Etienne St.Clair.But still. He turns his face away from mine. Is it my imagination or does he look embarrassed? But why would he be embarrassed? I'm the one with the idiotic mouth. "Is that your boyfriend?" He points to my laptop's wallpaper, a photo of my coworkers and me goofing around. It was taken before the midnight release of the lastest fantasy-novel-to-film adaptation. Most of us were dressed like elves or wizards. "The one with his eyes closed?" "WHAT?" He thinks I'd date a guy like Hercules Hercules is an assistant manager. He's ten years older than me and,yes, that's his real name. And even though he's sweet and knows more about Japanese horror films than anyone,he also has a ponytail. A ponytail. "Anna,I'm kidding.This one. Sideburns." He points to Toph,the reason I love the picture so much.Our heads are turned into each other, and we're wearing secret smiles,as if sharing a private joke. "Oh.Uh...no.Not really.I mean, Toph was my almost-boyfriend.I moved away before..." I trail off, uncomfortable. "Before much could happen.

Yeah,” I agreed, “the author just immediately tries to write down as many emotions as possible. Initially, I thought that the method of writing was ineffective, but eventually, I realized how the structure potently manifested her passion for her own thoughts about mental illness and the restrictions of herself and the woman in the yellow wallpaper. First off, the experience-oriented writing was relevant to the conveyance of the author’s ideas, because since the writing was, well, about experiences, the issues the author was addressing appeared to be more based on the reality of society, not a hypothetical model of it, and the issues really were based on the reality of society, since some of the events in the book were actually based on events in the author’s life. Also, the spontaneity and honesty of the writing was an effective choice of the author. I observed that the narrator’s silence in the presence of her husband and her spontaneous and expressive writing were juxtaposed, which emphasized the restrictions the narrator was put in and also her progressive views on mental health and her ability to stay true to herself. Also, this way of writing exemplifies that the narrator had to hold in so much thought because of her restrictions. She wrote without hesitation! In other words, her spontaneous writing and the lack of thematic structure in her writing showed her ability to stay true to her own beliefs.

I quickly shifted my gaze to the wallpaper, where it skimmed across the bright flowers and mischievous rabbits and landed on one of the bees in the print. I swear I saw its wings flutter. I reached out to touch it only to realize the bee was warm under my fingertip. "Do you like the wallpaper?" Cora Bee asked. "Some people think it's too busy, too colorful, too much." I turned to face Cora Bee. "It's not any of that. It's perfect." Though her eyes were tired, haunted, she smiled. "I think you'll fit in around here just fine, Emme." And I smiled, too, because I knew she wasn't lying.

I’m slowly coming to realize that there’s no yellow brick road to utopia. Utopia isn’t a destination. It’s the journey. It’s the everyday moments and an environment you carry within you. It’s heaven on earth in your heart stretching its vines into the real world. That’s the reality of (earthly) utopia. Sure, life is long and winding with detours and delays, but ask anyone who’s a little further ahead and they’ll tell you this: Reality is always far better than the beachfront wallpaper utopia promised.

PEER CRUELTY Every morning you leave your cramped apartment in Manhattan’s East Village to go to your laboratory at the Rockefeller University in the East Sixties. You return in the late evening, and people in your social network ask you if you had a good day, just to be polite. At the laboratory, people are more tactful. Of course you did not have a good day; you found nothing. You are not a watch repairman. Your finding nothing is very valuable, since it is part of the process of discovery—hey, you know where not to look. Other researchers, knowing your results, would avoid trying your special experiment, provided a journal is thoughtful enough to consider your “found nothing” as information and publish it. Meanwhile your brother-in-law is a salesman for a Wall Street firm, and keeps getting large commissions—large and steady commissions. “He is doing very well,” you hear, particularly from your father-in-law, with a small pensive nanosecond of silence after the utterance—which makes you realize that he just made a comparison. It was involuntary, but he made one. Holidays can be terrible. You run into your brother-in-law at family reunions and, invariably, detect unmistakable signs of frustration on the part of your wife, who, briefly, fears that she married a loser, before remembering the logic of your profession. But she has to fight her first impulse. Her sister will not stop talking about their renovations, their new wallpaper. Your wife will be a little

Five years ago, I decided to eliminate my reactive behavior to irritations, but at first none of my tricks worked. I placed philosophical and inspirational quotes on my iPhone wallpaper or wrote in my journal, but the proverbs always lost their effectiveness over time. Then, one day, I told one of my clients who blamed her husband for everything to take 100 percent responsibility for her part in their interactions. “This way,” I said, “you will be free of trying to control him, and you will be able to find constructive solutions in your relationship.” When she left, I realized that the same advice could help me as well. Taking 100 percent personal responsibility would help me to stop blaming or complaining and achieve a sense of flow. It would also give me the clarity in any conversation to locate the right words to help a person to accept a hard choice.

The sun had lit up the top row of leadlight windows, and the family home, polished to within an inch of its life, was sparkling like a bejeweled old dame dressed for her annual opera outing. A great swelling wave of affection came suddenly upon Alice. For as long as she could remember, she'd been aware that the house and the gardens of Loeanneth lived and breathed for her in a way they didn't for her sisters. While London was a lure to Deborah, Alice was never happier, never quite as much herself, as she was here; sitting on the edge of the stream, toes dangling in the slow current; lying in bed before the dawn, listening to the busy family of swifts who'd built their nest above her window; winding her way around the lake, notebook always tucked beneath her arm. She had been seven years old when she realized that one day she would grow up and that grown-ups didn't, in the usual order of things, continue to live in their parents' home. She'd felt a great chasm of existential dread open up inside her then, and had taken to engraving her name whenever and wherever she could- in the hard English oak of the morning-room window frames, in the filmy grouting between the gunroom tiles, on the Strawberry Thief wallpaper in the entrance hall- as if by such small acts she might somehow tie herself to the place in a tangible and enduring way.

The fifth, in a rumpled plaid suit and plastic devil mask, plunked a ukulele. Even without the Satan-head mask, I realized Hawaii was a hell of a long way from Mexico, and I didn’t freeze, didn’t pause, just made a U-turn and cut back through the crowd. The last thing I saw was Ski Mask Guy’s neck twisting in my direction. I flew down the hall and then remembered that I was in the Commodore, and that the name of the Outfit-run hotel probably began with the third letter in the alphabet for a reason. I stepped around a corner and stared at a wall covered in flocked wallpaper. The pattern was end-to-end diamond shapes with small raised C’s in the middle. I pushed one, and then another, and another—I realized Ski Mask Guy would be rounding the corner any second—and pushed another, and one more, and then I thought screw it and took a fire extinguisher from the wall, listened for galumphing footsteps, and stepped out swinging. I nailed him at solar plexus level. He staggered backward groping at air, caught himself, and charged. I went low on the next shot, kneecapping him, and he squealed like a debutante. And then I was gone, down the hallway, pushing through the revolving door briefcase-first and sprinting for the Lincoln, yelling, “Al! Throw me the keys!” “Head’s up, Al!” he said, flipping them through the air. I snagged them, leaped in, and called out, “Thanks, Al!” “My pleasure! Watch your back, Al!” I roared from the curb, waved from the window, and hoped for more Als just like him

So when the two come into conflict in a child’s life, the outcome is well-nigh predetermined. If the choice is between “hiding my feelings, even from myself, and getting the basic care I need” and “being myself and going without,” I’m going to pick that first option every single time. Thus our real selves are leveraged bit by bit in a tragic transaction where we secure our physical or emotional survival by relinquishing who we are and how we feel. The fact that we don’t consciously choose such coping mechanisms makes them all the more tenacious. We cannot will them away when they no longer serve us precisely because we have no memory of them not being there, no notion of ourselves without them. Like wallpaper, they blend into the background; they are our “new normal,” our literal second nature, as distinct from our original or authentic nature. As these patterns get wired into our nervous system, the perceived need to be what the world demands becomes entangled with our sense of who we are and how to seek love. Inauthenticity is thereafter misidentified with survival because the two were synonymous during the formative years—or, at least, seemed so to our young selves. Here we see the perilous downside of our much-vaunted and wondrous capacity to adapt to diverse and challenging circumstances. After all, most adaptations are meant for specific situations, not as eternally applicable responses in every possible case. Here’s an analogy plucked from the headlines: At the time of this writing, freezing weather has enveloped Texas.[*] People are adapting by wearing extra clothing, heating their homes when power is available, wrapping themselves in warm blankets—all necessary strategies for surviving inclement winter conditions. Those same adaptations, meant to be temporary, would jeopardize health and life if not discarded by the time of summer’s blazing heat. The internal adaptations we make to our own personalities in order to survive adversity early in life carry the same risks as conditions shift, but we are far less wise to the danger. No matter how the weather changes, the protective gear, welded as it is onto the personality, never comes off. It is sobering to realize that many of the personality traits we have come to believe are us, and perhaps even take pride in, actually bear the scars of where we lost connection to ourselves, way back when.

and mouth and made her eyes feel roasted. She felt no fear, merely sat with her arms around her knees, her white, flannel nightgown tucked over her feet, and marveled at the fire’s power and beauty. She had never seen such color. It made every memory she had of this dismal room seem even more faded and dispirited. Then the heat battered at her again, and she realized she would die if she did nothing. So she reached out from within herself, and extinguished it. It vanished between one heartbeat and the next, leaving behind the cold ash and charred beams of a long-dead fire. Patches of wallpaper here and there lent a leprous look to the walls. She heard screaming from somewhere nearby; that, and the void left by the fire’s howl, filled her ears with a dull ringing sound. I believe

Then Harry realized that Ron had covered nearly every inch of the shabby wallpaper with posters of the same seven witches and wizards, all wearing bright orange robes, carrying broomsticks, and waving energetically. “Your Quidditch team?” said Harry. “The Chudley Cannons,” said Ron, pointing at the orange bedspread, which was emblazoned with two giant black C’s and a speeding cannonball. “Ninth in the league.