Shed Base Quotes

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She'd wear shades of lipstick you'd expect to see around the base of a penis.
Chuck Palahniuk (Invisible Monsters)
When was the last time she'd actually had a relationship based on reality, instead of some completely invented fantasy she'd written in her head? In her stupid, silly, romantic head.
Harriet Evans (A Hopeless Romantic)
You're killing me here, Ash. Good, she said. She'd bend a few rules, but they both knew she wasn't going to push him beyond where he chose to go. Love wasn't to be based on trickery. But reminding him what he's refusing isn't trickery.
Melissa Marr (Darkest Mercy (Wicked Lovely, #5))
I’d learned from my mother that when someone gives you a subjective compliment—meaning one that can’t be disproven and is based on opinion—but that you find to be completely false, rather than argue, it’s much better to just say thank you, or I appreciate that and strive to be that compliment. Fools fight compliments, she’d said, and sometimes other people see you better than you can see yourself.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
She’d come to the hospital. In his clothes. Did she realize tears were spilling down her cheeks and she was shaking, head to toe? No, she didn’t. Based on her flirty shoulder shrugs and attempts to wink, she thought she was playing it cool, and it made his chest burn. This girl. He’d be keeping her. There was no way around it.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
For a moment she was convinced she was still dreaming. That she’d fallen asleep while reading one of JR Ward’s Brotherhood of The Black Dagger romances and had inserted herself into a dream based on the book. Any moment now he was going to start growling Mine Mine Mine and let loose with some spicy bonding scent. Or flash a massive set of fangs.
Trish McCallan (Forged in Fire (Red-Hot SEALs, #1))
Dani was starting to realize she'd treated the opinion of everyone who'd ever left her as an irrefutable truth: Danika Brown is not worthy of love. The trouble was, building a conclusion based on irrelevant or unreliable sources never worked. And when it came to Dani's worthiness, the only source she should really value was herself.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
The trees they passed repeated on and on into the woods. None was remarkable when compared to the next, but each was individual in some small regard: the number of limbs, the girth of trunk, the circumference of shed leaves encircling the base. No more than minor peculiarities, but minor particularities were what transformed two eyes, a nose, and a mouth into a face.
Anthony Marra (A Constellation of Vital Phenomena)
As far as food is concerned, the great extravagance is not caviar or truffles, but beef, pork and poultry. Some 38 percent of the world's grain crop is now fed to animals, as well as large quantities of soybeans. There are three times as many domestic animals on this planet as there are human beings. The combined weight of the world's 1.28 billion cattle alone exceeds that of the human population. While we look darkly at the number of babies being born in poorer parts of the world, we ignore the over-population of farm animals, to which we ourselves contribute...[t]hat, however, is only part of the damage done by the animals we deliberately breed. The energy intensive factory farming methods of the industrialised nations are responsible for the consumption of huge amounts of fossil fuels. Chemical fertilizers, used to grow the feed crops for cattle in feedlots and pigs and chickens kept indoors in sheds, produce nitrous oxide, another greenhouse gas. Then there is the loss of forests. Everywhere, forest-dwellers, both human and non-human, can be pushed out. Since 1960, 25 percent of the forests of Central America have been cleared for cattle. Once cleared, the poor soils will support grazing for a few years; then the graziers must move on. Shrub takes over the abandoned pasture, but the forest does not return. When the forests are cleared so the cattle can graze, billions of tons of carbon dioxide are released into the atmosphere. Finally, the world's cattle are thought to produce about 20 percent of the methane released into the atmosphere, and methane traps twenty-five times as much heat from the sun as carbon dioxide. Factory farm manure also produces methane because, unlike manured dropped naturally in the fields, it dies not decompose in the presence of oxygen. All of this amounts to a compelling reason...for a plant based diet.
Peter Singer (Practical Ethics)
It pained me to think something so inane, but that morning, as she’d subjected me to an endless T-Swift playlist, I realized that Liz was a fucking Taylor Swift song. She was. Vibey and romantic, but with the uncanny ability to reach inside of you and grab your heart with her absolute specificity. Liz Buxbaum wasn’t just a redhead; no, she was a girl whose hair was the color of the late September maple leaves that fluttered on the home base tree in her front yard. And Liz Buxbaum didn’t just wear a sweater, for God’s sake. No, she wore an apple green cardigan that smelled like Chanel No.5 and the front seat of your car, where she’d left it for a week. She said it reminded her of the way the rain sounded on the roof the first time you kissed her.
Lynn Painter (Wes & Liz’s College Road Trip (Better than the Movies, #1.7))
I've been sitting here now, and do you know what I was saying to myself? If I did not believe in life, if I were to lose faith in the woman I love, if I were to lose faith in the order of things, even if I were to become convinced, on the contrary, that everything is a disorderly, damned, and perhaps devilish chaos, if I were struck even by all the horrors of human disillusionment--still I would want to live, and as long as I have bent to this cup, I will not tear myself from it until I've drunk it all. However, by the age of thirty, I will probably drop the cup, even if I haven't emptied it, and walk away...I don't know where. But until my thirtieth year, I know this for certain, my youth will overcome everything--all disillusionment, all aversion to live. I've asked myself many times: is there such despair in the world as could overcome this wild and perhaps indecent thirst for life in me, and have decided that apparently there is not--that is, once again, until my thirtieth year, after which I myself shall want no more, so it seems to me. Some snotty-nosed, consumptive moralists, poets especially, often call this thirst for life base. True, it's a feature of the Karamazovs, to some extent, this thirst for life despite all; it must be sitting in you too; but why is it base? There is still an awful lot of centripetal force on our planet, Alyosha. I want to live, and I do live, even if it be against logic. Though I do not believe in the order of things, still the sticky little leaves that come out in the spring are dear to me, the blue sky is dear to me, some people are dear to me, whom one loves sometimes, would you believe it, without even knowing why; some human deeds are dear to me, which one has perhaps long ceased believing in, but still honors with one's heart, out of old habit...I want to go to Europe, Alyosha, I'll go straight from here. Of course I know that I will only be going to a graveyard, but to the most, the most previous graveyard, that's the thing! The precious dead lie there, each stone over them speaks of such ardent past life, of such passionate faith in their deeds, their truth, their struggle, and their science, that I--this I know beforehand--will fall to the ground and kiss those stones and weep over them--being wholeheartedly convinced, at the same time, that it has all long been a graveyard and nothing more. And I will not weep from despair, but simply because I will be happy in my shed tears. I will be drunk with my own tenderness. Sticky spring leaves, the blue sky--I love them, that's all! Such things you love not with your mind, not with logic, but with your insides, your guts, you love your first young strength...
Fyodor Dostoevsky (The Brothers Karamazov)
... if sin had a taste she’d found it.
Megan Mitcham (Enemy Mine (Base Branch, #1))
The working of miracles is old and out-dated; to teach the people is too laborious; to interpret scripture is to invade the prerogative of the schoolmen; to pray is too idle; to shed tears is cowardly and unmanly; to fast is too mean and sordid; to be easy and familiar is beneath the grandeur of him, who, without being sued to and intreated, will scarce give princes the honour of kissing his toe; finally, to die for religion is too self-denying; and to be crucified as their Lord of Life, is base and ignominious.
Erasmus
She'd learned since rescuing it a couple of days ago that this particular cat was not like most others; it lacked all grace and spatial awareness, as evident by its current path of evacuation. Streaking off in the direction of the bedroom, it managed to hit the sofa, the base of a standing lamp, and the door frame before making good its escape. Chloe had decided that this nervous clumsiness marked the two of them as a fated pair.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
When Mary Shelley took a local legend based on truth and crafted fiction from it, she'd made Victor a tragic figure and killed him off. He understood her dramatic purpose for giving him a death scene, but he loathed her for portraying him as tragic and a failure. Her judgement of his work was arrogant. What else of consequence did she ever write? And of the two, who was dead - and who was not?
Dean Koontz (Prodigal Son (Dean Koontz's Frankenstein, #1))
When Mary Shelley took a local legend based on truth and crafted fiction from it, she’d made Victor a tragic figure and killed him off. He understood her dramatic purpose for giving him a death scene, but he loathed her for portraying him as tragic and as a failure.
Dean Koontz (Prodigal Son (Dean Koontz's Frankenstein, #1))
She’d gone on the attack against a better-liked rival whose platform more closely mirrored the values of the party’s base, creating a boomerang effect on her personal standing. Perhaps
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
Using a fetching face to make men do as you wish is no different from a man using muscle to force a woman to his will, she’d said. Both are base, and both will fail a person as they age.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
How do you know when the Sarows is coming?" hummed Lila as she made her way down the ship's narrow hall, fingertips skimming either wall for balance. Right about the, Alucard's warning about Jasta was coming back in full force. "Never challenge that one to a drinking contest. Or a sword fight. Or anything else you might lose. Because you will." The boat rocked beneath her fee. Or maybe she was the one rocking. Hell. Lila was slight, but not short of practice, and even so, she'd never had so much trouble holding her liquor. When she got to her room, she found Kell hunched over the Inheritor, examining the markings on its side. "Hello, handsome," she said, bracing herself in the doorway. Kell looked up, a smile halfway to his lips before it fell away. "You're drunk," he said, giver her a long, appraising look. "And you're not wearing any shoes." "Your powers of observation are astonishing." Lila looked down at her bare feet. "I lost them." "How do you lose shoes?" Lila crinkled her brow. "I bet them. I lost." Kell rose. "To who?" A tiny hiccup. "Jasta." Kell sighed. "Stay here." He slipped past her into the hall, a hand alighting on her waist and then, too soon, the touch was gone. Lila make her way to the bed and collapsed onto it, scooping up the discarded Inheritor and holding it up to the light. The spindle at the cylinder's base was sharp enough to cut, and she turned the device carefully between her fingers, squinting to make out the words wrapped around it. Rosin, read one side. Cason, read the other. Lila frowned, mouthing the words as Kell reappeared in the doorway. "Give-- and Take," he translated, tossing her the boots. She sat up too fast, winced. "How did you manage that?" "I simply explained that she couldn't have them-- they wouldn't have fit-- and then I gave her mine." Lila looked down at Kell's bare feet, and burst into laughter.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
You never had sex in a car.” “Yes, I have. You get ideas at least half the time whenever we’re in the back of one of your limos.” “Not the same at all. That’s a grown-up venue, a limo is. It’s sophisticated sex. And here we are, crammed together in the front seat of a police issue, and the lieutenant is both aroused and mildly embarrassed.” “I am not. Either.” But her pulse jumped, and her breath hitched when his thumbs brushed over the thin cotton covering her breasts. “This is ridiculous. We’re adults, we’re married. The steering wheel is jammed into the base of my spine.” “The first two are irrelevant, the last is part of the buzz. Music on, program five. Skyroof open.” She narrowed her eyes at him. “It’s not going to work. It’s uncomfortable and it’s stupid. And I have to work in this vehicle.” “I can make you come in ten seconds.” She actually smirked at him. “Ten,” she said, “nine, eight, seven, six, five . . . oh shit.” She’d underestimated his quick hands, his skilled fingers. He had her trousers unhooked, had her wet and throbbing. And over.
J.D. Robb (Salvation in Death (In Death, #27))
When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope
John Keats (The Complete Poems)
She didn't realize she was staring at him until he turned to stare back. The air around them suddenly changed. She was so close she could smell him, a hint of cologne, and she could see the perspiration collected in the indentation at the base of his throat. His eyes went to her lips. Something warm and desperate filled her body. She'd never felt anything like it. It felt like the entire universe would cease to exist if something didn't happen right then.
Sarah Addison Allen (The Girl Who Chased the Moon)
At one edge of the base, pressed between the fenceline and the sea, shimmered the pale archways and columns, the madrone and wind-shaped cypresses of the clifftop campus of College of the Surf. Against the somber military blankness at its back, here was a lively beachhead of drugs, sex, and rock and roll, the strains of subversive music day and night, accompanied by tambourines and harmonicas, reaching like fog through the fence, up the dry gulches and past the sentinel antennas, the white dishes and masts, the steel equipment sheds, finding the ears of sentries attentuated but ominous, like hostile-native sounds in a movie about white men fighting savage tribes.
Thomas Pynchon (Vineland)
She’d zoned out, assuming first-gen was a politically correct term for race-based affirmative action.
Tracy Dobmeier (Girls with Bright Futures)
I know,' said Erin, and described how she'd lately felt depressed in a new and scary way, which Paul also had felt lately and described as a sadness-based fear, immune to tone and interpretation, as if not meant for humans - more visceral than sadness, but unlike fear because it decreased heart rate and impaired the senses, causing everything to seem 'darker.
Tao Lin (Taipei)
Using a fetching face to make men do as you wish is no different from a man using muscle to force a woman to his will, she’d said. Both are base, and both will fail a person as they age. No,
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
We startled awake, alarmed by her shouting, jumping to our feet, drawing swords, looking for imminent danger. Jeb was saying it was a false alarm, that there was nothing wrong, but Lia had somehow gotten to her feet on her own, her eyes wild, telling us we had to leave. A relieved breath hissed between my teeth and I lowered my sword. She’d only had a nightmare. I stepped toward her. “Lia, it was just a bad dream. Let me help you lie back down.” She hobbled backward, determined, sweat glistening on her face, and her arm stretched out to keep me at a distance. “No! Get ready. We leave this morning.” “Look at you,” I said. "You’re tottering like a drunk. You can’t ride.” “I can and I will." “What’s your hurry, Your Highness?” Sven asked. She looked from me to my men. Their feet were firmly planted. They weren’t going anywhere based on her wild-eyed demands. Had she spiked another fever? Her expression sobered. “Please, Rafe, you have to trust me on this.” “What did you see?” I asked. “It’s not what I saw but what I heard— Aster’s voice telling me not to tarry.” “Didn’t she say that to you a dozen times?” “At least,” she answered, but her stance remained determined. All this rush over don’t tarry? Ever since I had gathered her into my arms on that riverbank, I had been looking over my shoulder for danger. I knew it was there. But I had to weigh that uncertainty against the benefits of healing too. I looked away, trying to think. I wasn’t sure if I was making the right decision or not, but I turned back to my men. “Pack up.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
There is a dark side to religious devotion that is too often ignored or denied. As a means of motivating people to be cruel or inhumane -- as a means of inciting evil, to borrow the vocabulary of the devout -- there may be no more potent force than religion. When the subject of religiously inspired bloodshed comes up, many Americans immediately think of Islamic fundamentalism, which is to be expected in the wake of the September 11 attacks on New York and Washington. But men have been committing heinous acts in the name of God ever since mankind began believing in deities, and extremists exist within all religions. Muhammad is not the only prophet whose words have been used to sanction barbarism; history has not lacked for Christians, Jews, Hindus, Sikhs, and even Buddhists who have been motivated by scripture to butcher innocents. Plenty of these religious extremists have been homegrown, corn-fed Americans. Faith-based violence was present long before Osama bin Laden, and it ill be with us long after his demise. Religious zealots like bin Laden, David Koresh, Jim Jones, Shoko Asahara, and Dan Lafferty are common to every age, just as zealots of other stripes are. In any human endeavor, some fraction of its practitioners will be motivated to pursue that activity with such concentrated focus and unalloyed passion that it will consume them utterly. One has to look no further than individuals who feel compelled to devote their lives to becoming concert pianists, say, or climbing Mount Everest. For some, the province of the extreme holds an allure that's irresistible. And a certain percentage of such fanatics will inevitably fixate on the matters of the spirit. The zealot may be outwardly motivated by the anticipation of a great reward at the other end -- wealth, fame, eternal salvation -- but the real recompense is probably the obsession itself. This is no less true for the religious fanatic than for the fanatical pianist or fanatical mountain climber. As a result of his (or her) infatuation, existence overflows with purpose. Ambiguity vanishes from the fanatic's worldview; a narcissistic sense of self-assurance displaces all doubt. A delicious rage quickens his pulse, fueled by the sins and shortcomings of lesser mortals, who are soiling the world wherever he looks. His perspective narrows until the last remnants of proportion are shed from his life. Through immoderation, he experiences something akin to rapture. Although the far territory of the extreme can exert an intoxicating pull on susceptible individuals of all bents, extremism seems to be especially prevalent among those inclined by temperament or upbringing toward religious pursuits. Faith is the very antithesis of reason, injudiciousness a crucial component of spiritual devotion. And when religious fanaticism supplants ratiocination, all bets are suddenly off. Anything can happen. Absolutely anything. Common sense is no match for the voice of God...
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
Using a fetching face to make men buy you something is no different from a man using muscle to force someone to do the same, she’d said. Both methods are base, and both will fail a person as they age.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
We are rarely conscious of all these things that are killing our faith because they become so enshrined in our belief system. And when we enter into an unexpected process of shedding off those things that we have grown comfortable with... Well, that moment feels like a crisis. It feels like our faith is falling apart. It feels like everything has gone wrong. But I'm convinced it's not a crisis at all, but the birth of a true faith.
Benjamin L. Corey (Unafraid: Moving Beyond Fear-Based Faith)
I’m an old man trying to give a young daughter advice, and it’s like a monkey trying to teach table manners to a bear. A drunk driver took my son’s life seventeen years ago and my wife has never been the same since. I’ve always seen the question of abortion in terms of Fred. I seem to be helpless to see it any other way, just as helpless as you were to stop your giggles when they came on you at that poetry reading, Frannie. Your mother would argue against it for all the standard reasons. Morality, she’d say. A morality that goes back two thousand years. The right to life. All our Western morality is based on that idea. I’ve read the philosophers. I range up and down them like a housewife with a dividend check in the Sears and Roebuck store. Your mother sticks with the Reader’s Digest, but it’s me that ends up arguing from feeling and her from the codes of morality. I just see Fred. He was destroyed inside. There was no chance for him. These right-to-life biddies hold up their pictures of babies drowned in salt, and arms and legs scraped out onto a steel table, so what? The end of a life is never pretty. I just see Fred, lying in that bed for seven days, everything that was ruined pasted over with bandages. Life is cheap, abortion makes it cheaper. I read more than she does, but she is the one who ends up making more sense on this one. What we do and what we think… those things are so often based on arbitrary judgments when they are right. I can’t get over that. It’s like a block in my throat, how all true logic seems to proceed from irrationality. From faith. I’m not making much sense, am I?
Stephen King (The Stand)
[The Christian story] amounts to a refusal to affirm life. In the biblical tradition we have inherited, life is corrupt, and every natural impulse is sinful unless it has been circumcised or baptized. The serpent was the one who brought sin into the wold. And the woman was the one who handed the apple to man. This identification of the woman with sin, of the serpent with sin, and thus of life with sin, is the twist the has been given to the whole story in the biblical myth and doctrine of the Fall.... I don't know of it [the idea of woman as sinner...in other mythologies] elsewhere. The closest thing to it would be perhaps Pandora with Pandora's box, but that's not sin, that's just trouble. The idea in the biblical tradition of the all is that nature as we know it is corrupt, sex in itself is corrupt, and the female as the epitome of sex is a corrupter. Why was the knowledge of good and evil forbidden to Adam and Eve? Without that knowledge, we'd all be a bunch of babies still Eden, without any participation in life. Woman brings life into the world. Eve is the mother o this temporal wold. Formerly you had a dreamtime paradise there in the Garden of Eden – no time, no birth, no death – no life. The serpent, who dies and is resurrected, shedding its skin and renewing its life, is the lord of the central tree, where time and eternity come together. He is the primary god, actually, in the Garden of Eden. Yahweh, the one who walks there in the cool of the evening, is just a visitor. The Garden is the serpent's place. It is an old, old story. We have Sumerian seals from as early as 3500 B.C. showing the serpent and the tree and the goddess, with the goddess giving the fruit of life to a visiting male. The old mythology of he goddess is right there.... There is actually a historical explanation [of the change of this image of the serpent and the snake in Genesis] based on the coming of the Hebrews into Canaan. The principal divinity of the people of Canaan was the Goddess and associated with the Goddess is the serpent. This is the symbol of the mystery of life. The male-god-oriented groups rejected it. In other words, there is a historical rejection of the Mother Goddess implied in the story of the Garden of Eden. Moyers: It does seem that this story has done women a great disservice by casting Eve as responsible for the Fall. Why...? Campbell: They represent life. Man doesn't enter life except by woman, and so it is woman who brings us into this wold of pairs of opposites and suffering.... Male and female is one opposition. Another opposition is the human and God. Good and evil is a third opposition. The primary oppositions are the sexual and that between human beings and God. Then comes the idea of good and evil in the world. And so Adm and Eve have thrown themselves out of the Garden of Timeless Unity, you might say, just by that act of recognizing duality. To move out into the world, you have to act in terms of pairs of opposites.
Joseph Campbell (The Power of Myth)
She often made choices based on her heart rather than her desire to get ahead. From what she’d figured out, opportunities went to the ruthless, and she could never seem to act in a way that put her best interests first. Not if it meant stepping on someone else.
Susan Mallery (Kiss Me (Fool's Gold, #17))
In some ways she represented the version of myself I envisaged when I imagined myself free from all my flaws; a person who was loved unconditionally. That was, of course, an image I’d built based on a foundation of assumptions. It was not the whole truth. I’d held Emily up as this idea of perfection, and yet, she’d also been rejected and hurt. That was evidence enough for me to conclude that none of this was personal. There was nothing, no carving of the self, no removal of perceived flaws, that would truly protect me from rejection.
Amy Taylor (Search History)
No follower of Christ knew the shape of the earth. For many centuries this great Peasant of Palestine has been worshiped as God. Millions and millions have given their lives to his service. The wealth of the world was lavished on his shrines. His name carried consolation to the diseased and dying. His name dispelled the darkness of death, and filled the dungeon with light. His name gave courage to the martyr, and in the midst of fire, with shriveling lips the sufferer uttered it again and again. The outcasts, the deserted, the fallen, felt that Christ was their friend, felt that he knew their sorrows and pitied their sufferings. All this is true, and if it were all, how beautiful, how touching, how glorious it would be. But it is not all. There is another side. In his name millions and millions of men and women have been imprisoned, tortured and killed. In his name millions and millions have been enslaved. In his name the thinkers, the investigators, have been branded as criminals, and his followers have shed the blood of the wisest and best. In his name the progress of many nations was stayed for a thousand years. In his gospel was found the dogma of eternal pain, and his words added an infinite horror to death. His gospel filled the world with hatred and revenge; made intellectual honesty a crime; made happiness here the road to hell, denounced love as base and bestial, canonized credulity, crowned bigotry and destroyed the liberty of man. It would have been far better had the New Testament never been written – far better had the theological Christ never lived. Had the writers of the Testament been regarded as uninspired, had Christ been thought of only as a man, had the good been accepted and the absurd, the impossible, and the revengeful thrown away, mankind would have escaped the wars, the tortures, the scaffolds, the dungeons, the agony and tears, the crimes and sorrows of a thousand years.
Robert G. Ingersoll
Tonight, her dress was designed to mimic the flower trellis in her mother's garden, where she'd saved Marisol's wedding. But no one looking at her would think about that. The base of Evangeline's bodice was nude silk, making her look as if she were wrapped in nothing but the crisscrossing cream-velvet ribbons that went to her hips. There, pastel flowers began to appear, growing denser until every inch of her lower skirts were covered in a brilliant clash of silk violets, jewelled peonies, tulle lilies, curling vines, and sprays of gold crawling paisleys.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
I finally made eye contact with the boy in the bed. He lay on his side, a tube in his nose and another in his vein. His cheeks were sunken, and his skin was ghostly pale. His hair might have been blond, but it was fading into a gray, making it hard to tell. The only part of this boy that held any life at all were his eyes, which brimmed with tears when he saw me. “Kahlen?” I sat still. These three people all called me by the same name, which sounded sort of like Katlyn and Ellen and made me believe that maybe they actually knew me. “Where did you go? Where have you been? I thought you were dead.” His chest worked overtime, trying to keep up with his mouth, spilling over with words. “Can you get her a pen? Please?” He lifted an arm weakly. It was all bone. “I just need to know.” “A pen?” I asked. Once again his eyes lit up. “You can talk?” I stared at this boy, at how he was overjoyed at one of the most basic things a person could do. “So it would seem.” I smiled. He flopped onto his back, laughing from his gut, and based on Julie’s tears, I was guessing she’d been waiting a long time for that to come back.
Kiera Cass (The Siren)
…deceitful!” she decided with a little bounce of fury that briefly ballooned the silk of her trousers. “There! You deceitful …” “Gillia…” “…misleading, dishonest, insincere…” “Those are all the same words, Gill—” “Ooh! Liar!” She’d managed to get her hands on a small pillow. He ducked just as it whizzed past him. In justice, however, it did strike the mosaic vase behind him on an engraved mahogany pedestal, and it tipped and spun on its base before landing in a shattered heap on the bare floor. “Now, look what you’ve done!” she accused tearfully and bolted from the room.
V.S. Carnes
It was technically true: she’d bombed school, every one of her professional dreams had died, none of her friends cared enough to hold her braids back while she threw up, and her last boyfriend had believed vaccines were a front for a government tracking system based around injectable microchips.
Talia Hibbert (Act Your Age, Eve Brown (The Brown Sisters, #3))
She winced at the rush of pain that shuddered through the base of her skull. “Holy balls, my head hurts.” “God, your mouth.” The way he said it almost sounded like a groan. “I think you like my mouth.” The instant the words were out she wished she could reel them back in. Oh yeah, clearly she had a concussion. Or freaking brain damage. To her surprise, his lips pulled up in the first honest to God smile she’d ever seen from him. It completely transformed his constantly gruff expression into something that should be considered illegal. “You wouldn’t be wrong about that,” he murmured. Wait…what?
Katie Reus (Dangerous Protector (Red Stone Security, #14))
She’d transferred for him, left her first station where she’d had friends. She’d hauled her sister along so she could keep the vow she’d made to Constance, too. She’d married him, lost her British citizenship for it, then had to pull family strings once again to be reposted when he was so she could follow him. When she’d fallen pregnant, she’d given up the work she loved—the work she’d based her worth on—and after she’d delivered, they’d been reposted again, and she’d lost daily contact with Constance…with anyone outside this house, really. She’d given everything, and he hadn’t protested because he loved her too much to let her go.
Rebecca Yarros (The Things We Leave Unfinished)
Yadi once caught her like that, chewing the cartilage of a chicken bone, the smooth ivory picked clean. It’s one of the memories Yadi liked to use when she told people why she’d become plant-based: her mother, standing over a plate that was not her own, addicted to meat to the point that she had reduced herself to scavenging
Elizabeth Acevedo (Family Lore)
My mother taught me to read hands at the same time she taught me to apply polish. Not by reading the lines of a palm, but the way she'd learned from her mother and her mother before her, by touch, decoding the curves of the hand without looking. Carlito never knew about our ability. Our mother never shared those things with him. She said there were some things that were meant to stay between mothers and daughters. It was by holding my brother's hands, once when I went to see him at the jail during the first days after his arrest, running my fingers over the rough swells at the base of his fingers, that I knew that even though Carlito was still screaming injustice, he was guilty and would never again walk free.
Patricia Engel (The Veins of the Ocean)
The Biology of Tribalism concerns pushes and pulls between populations, which primarily occur due to tradeoffs between inbreeding and outbreeding. Ethnocentrism and other tribalistic personality facets have evolved to influence mate choice and encourage “optimal outbreeding.” The book will explore these and other tribalistic political phenomena that impact the evolution of populations, including gender inequality, warfare, and genocide. The Biology of Family Conflict (Parent-Offspring Conflict) is the field of evolutionary theory that explains why the interests of the most closely related individuals do not always align, and thus why different family disciplinary strategies exist. The two opposed disciplinary models are based on egalitarian and hierarchical moralities. These conflicts are linked to the variation in people's tolerance of inequality. The Biology of Altruism and Self-Interest is the area of evolutionary theory that describes how and why people cooperate with and betray one another; this field sheds light on why some people perceive human nature so differently than others.
Avi Tuschman (Our Political Nature: The Evolutionary Origins of What Divides Us)
I’d learned from my mother that when someone gives you a subjective compliment—meaning one that can’t be disproven and is based on opinion—but that you find to be completely false, rather than argue, it’s much better to just say thank you, or I appreciate that and strive to be that compliment. Fools fight compliments, she’d said, and sometimes other people see you better than you can see yourself.
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
Do you think she's beautiful?" Agatha asked. "That...girl." She'd been on the brink of using a different word, Chilton could tell. He answered with a lack of propriety and a wealth of honesty, because both seemed to be what she needed: "Not as beautiful as you." For a moment, based on the fervency that held every one of Agatha's features absolutely quiet, he thought she might lean over and kiss him.
Nina de Gramont (The Christie Affair)
She could envision Jesus out on the stormy waves calling her to join him, and not to depend on the laws of nature. She’d just need to keep her focus on the Savior and move forward in these tossing waves. To keep looking down on the watery sprays trying to sink her would be her undoing. As her father understood and often repeated, she now saw the storm warning. “You win some, you lose some.” Could Jesus defy natural endings?
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
She could envision Jesus out on the stormy waves calling her to join him, and not be distracted by the laws of nature. She’d just need to keep her focus on the Savior and move forward in these tossing waves. To keep focusing on the watery sprays trying to sink her would be her undoing. As her father understood and often repeated, she now saw the storm warning. “You win some, you lose some.” Could Jesus defy natural consequences-gravity?
Lynn Byk (The Fearless Moral Inventory of Elsie Finch)
If you have tears, prepare to shed them now. You all do know this mantle: I remember The first time ever Caesar put it on; 'Twas on a summer's evening, in his tent, That day he overcame the Nervii: Look, in this place ran Cassius' dagger through: See what a rent the envious Casca made: Through this well-beloved Brutus stabb'd; And as he pluck'd his cursed steel away, Mark how the blood of Caesar follow'd it, As rushing out of doors, to be resolved If Brutus so unkindly knock'd, or no; For Brutus, as you know, was Caesar's angel: Judge, O you gods, how dearly Caesar loved him! This was the most unkindest cut of all; For when the noble Caesar saw him stab, Ingratitude, more strong than traitors' arms, Quite vanquishi'd him: then burst his mighty heart; And, in his mantle muffling up his face, Even at the base of Pompey's statua, Which all the while ran blood, great Caesar fell.
William Shakespeare (Julius Caesar)
Her mouth dry, her gaze ventured inevitably down, past the curls on his chest and belly, clear to where his rod thrust high and hard against the white of one bare thigh. Her recall was instantaneous- as if she'd ever forgotten. As if she ever could! With stark, unremitting clarity, she remembered precisely how it had felt to touch him there, her knuckles buried in the coarse nest of curls that thickened and surrounded the base of his erection.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
Wicked, to be sure.” He repeated the word as though tasting it, his gaze now following her finger's progress. “Perhaps you'd better punish me.” Good Lord, what next? “Punish you, indeed.” She advanced her finger just to the base of his erection and stopped. “Suppose I were to walk out of this room and leave you here alone until you remembered your decency. Would that be punishment enough?” He smiled as though he were teaching her chess and she'd just made a clever move. “Maybe.” His eyes came to her face, and wandered in leisurely, thorough fashion down her body and back to her still finger. “Or maybe you ought to touch yourself. Pleasure yourself, and force me to watch.” “Now I know beyond question that you've confused me with someone else.” Aplomb had company: his every shameless utterance was waking strange--or not so strange--sensations that spiraled from her core on out. “And I doubt you would take it as punishment, quite.” "Darling, I would take it as torture.” Again he twisted against his bonds, so much power at her mercy. “Because you'd taunt me with it, wouldn't you? You'd place yourself where I could nearly reach you. And you'd say things to inflame me, but never touch me at all. I'd have to lie here helpless, watching you give yourself what you won't take from me.” He sucked in a breath. “Start now, if you would.
Cecilia Grant (A Lady Awakened (Blackshear Family, #1))
But Omar makes it, not a sacrament, but a medicine. He feasts because life is not joyful; he revels because he is not glad. "Drink," he says, "for you know not whence you come nor why. Drink, for you know not when you go nor where. Drink, because the stars are cruel and the world as idle as a humming-top. Drink, because there is nothing worth trusting, nothing worth fighting for. Drink, because all things are lapsed in a base equality and an evil peace." So he stands offering us the cup in his hand. And at the high altar of Christianity stands another figure, in whose hand also is the cup of the vine. "Drink" he says "for the whole world is as red as this wine, with the crimson of the love and wrath of God. Drink, for the trumpets are blowing for battle and this is the stirrup-cup. Drink, for this my blood of the new testament that is shed for you. Drink, for I know of whence you come and why. Drink, for I know of when you go and where.
G.K. Chesterton (Heretics)
Somehow she'd labeled those days a humiliation. She'd based her choices--her giant house, her daughters' schools, her constant attention to family life--on erecting a wall between her grim childhood and her bright future. But she was beginning to see that the camaraderie with her brother and sister, the yummy microwaved dinners, the way they'd crowd around the small TV to watch Family Feud, yelling out answers--in some ways, those days had been wonderful. She promised herself now: it will be okay.
Amanda Eyre Ward (The Jetsetters)
Jesus Christ also made wine, not a medicine, but a sacrament. But Omar makes it, not a sacrament, but a medicine. He feasts because life is not joyful; he revels because he is not glad. "Drink," he says, "for you know not whence you come nor why. Drink, for you know not when you go nor where. Drink, because the stars are cruel and the world as idle as a humming-top. Drink, because there is nothing worth trusting, nothing worth fighting for. Drink, because all things are lapsed in a base equality and an evil peace." So he stands offering us the cup in his hand. And at the high altar of Christianity stands another figure, in whose hand also is the cup of the vine. "Drink" he says "for the whole world is as red as this wine, with the crimson of the love and wrath of God. Drink, for the trumpets are blowing for battle and this is the stirrup-cup. Drink, for this my blood of the new testament that is shed for you. Drink, for I know of whence you come and why. Drink, for I know of when you go and where.
G.K. Chesterton (Heretics)
To be sure, power can express itself as violence or repression. But it is not based on force. Power need not exclude, prohibit or censor. Not does it stand opposed to freedom. Indeed, power can even use freedom to its own ends. Only in its negative form does power manifest itself as a violence that says "no’ by shattering the will and annulling freedom. Today, power is assuming increasingly permissive forms. In its permissivity - indeed, in its friendliness - power is shedding its negativity and presenting itself as freedom.
Byung-Chul Han (Psychopolitics: Neoliberalism and New Technologies of Power)
You’re a very smart dog,” she’d told him just yesterday, and he longed to agree, but the truth was, he still didn’t understand what “smart” meant. The word seemed to have as many definitions as there were species, and yet humans—with the exception of Elizabeth—seemed to only recognize “smart” if and when it played by their own rules. “Dolphins are smart,” they’d say. “But cows aren’t.” This seemed partly based on the fact that cows didn’t do tricks. In Six-Thirty’s view that made cows smarter, not dumber. But again, what did he know?
Bonnie Garmus (Lessons in Chemistry)
There were plenty of white males on campus with Bess, but they had never paid her any attention, and she had returned the favor. She’d never got a chance to marvel at how beautiful their creamy complexion was or how easy it could be to get lost in a bright green gaze. What the heck? This guy could have very well killed two people, set them on fire, and come to hurt her, and she was standing there in front of him coming to some silly realization that maybe she had missed out on a certain population of guys based on the color of their skin.
Inger Iversen (Running in the Dark (Running in the Dark, #1))
Other people used photographs as a way to keep close to the events of their lives; she had used them as a way to stand apart. She had never looked at the Kitchen Counter series and remembered the days before and after, the grocery shopping or the leftovers in the refrigerator, didn't look at the photographs of Ben's action figures or even the plateau of his baby back and think of which toys he'd preferred or when those faint dimples at the base of his spine had given way to the firmer flesh of childhood. She'd denatured parts of her own existence by printing and framing and freezing them.
Anna Quindlen (Still Life with Bread Crumbs)
A lot of her songs were to do with Blake, which did not escape Mark’s attention. She told Mark that writing songs about him was cathartic and that ‘Back to Black’ summed up what had happened when their relationship had ended: Blake had gone back to his ex and Amy to black, or drinking and hard times. It was some of her most inspired writing because, for better or worse, she’d lived it. Mark and Amy inspired each other musically, each bringing out fresh ideas in the other. One day they decided to take a quick stroll around the neighbourhood because Amy wanted to buy Alex Clare a present. On the way back Amy began telling Mark about being with Blake, then not being with Blake and being with Alex instead. She told him about the time at my house after she’d been in hospital when everyone had been going on at her about her drinking. ‘You know they tried to make me go to rehab, and I told them, no, no, no.’ ‘That’s quite gimmicky,’ Mark replied. ‘It sounds hooky. You should go back to the studio and we should turn that into a song.’ Of course, Amy had written that line in one of her books ages ago. She’d told me before she was planning to write a song about what had happened that day, but that was the moment ‘Rehab’ came to life. Amy had also been working on a tune for the ‘hook’, but when she played it to Mark later that day it started out as a slow blues shuffle – it was like a twelve-bar blues progression. Mark suggested that she should think about doing a sixties girl-group sound, as she liked them so much. He also thought it would be fun to put in the Beatles-style E minor and A minor chords, which would give it a jangly feel. Amy was unaccustomed to this style – most of the songs she was writing were based around jazz chords – but it worked and that day she wrote ‘Rehab’ in just three hours. If you had sat Amy down with a pen and paper every day, she wouldn’t have written a song. But every now and then, something or someone turned the light on in her head and she wrote something brilliant. During that time it happened over and over again. The sessions in the studio became very intense and tiring, especially for Mark, who would sometimes work a double shift and then fall asleep. He would wake up with his head in Amy’s lap and she would be stroking his hair, as if he was a four-year-old. Mark was a few years older than Amy, but he told me he found her very motherly and kind.
Mitch Winehouse
That soul, that is accustomed to direct herself to God, upon every occasion, that, as a flower at sun-rising, conceives a sense of God, in a thankfulness, in every small blessing that he sheds upon her; that soul, that as a flower at the sun's declining, contracts and gathers in, and shuts up herself, as though she had received a blow, whensoever she hears her Saviour wounded by an oath, or blasphemy, or execration; that soul, who, whatsoever string be strucken in her, base or treble, her high or her low estate, is ever tuned toward God, that soul prays sometimes when it does not know that it prays. (323)
John Donne (The Major Works: Including Songs and Sonnets and Sermons)
Right, and things were so great back when everyone was ugly. Or did you miss that day in school?” “Yeah, yeah, I know,” Shay recited. “Everyone judged everyone else based on their appearance. People who were taller got better jobs, and people even voted for some politicians just because they weren’t quite as ugly as everybody else. Blah, blah, blah.” “Yeah, and people killed one another over stuff like having different skin color.” Tally shook her head. No matter how many times they repeated it at school, she’d never really quite believed that one. “So what if people look more alike now? It’s the only way to make people equal.
Scott Westerfeld (Uglies (Uglies, #1))
Heather whistles to round us all up. Oliver and I reach for each other’s hands at the same time, falling into step with each other as easily as breathing. “To the Milkshake Bar,” Heather calls. “Millie Mias on the house!” “That’s what I was hoping she’d say,” says Oliver. Perhaps the most delicious consequence of all this is that Heather coined a new sundae on the menu based on last summer’s shenanigans. It’s got a scoop of mint chip for me and Georgie, strawberry for Heather and Chloe, vanilla for my dad and Beth, Nutella for Farrah, sea salt chocolate chip cookie pieces for Oliver, and Reese’s Puffs for Teddy. The whole thing is a big ooey-gooey fantastic mess, but I wouldn’t have it any other way.
Emma Lord (When You Get the Chance)
Candace was actually using her boyfriend and all of the conditions in her outer world to reaffirm who she thought she was. Her need to feel anger, frustration, insecurity, unworthiness, fear, and victimization was associated with that relationship. Even though it wasn’t serving her greatest ideal, she was too afraid of change to remedy the situation. In fact, she became so bonded to those emotions, because they reaffirmed her identity, that she would rather feel those familiar toxic feelings constantly than leave and embrace the unfamiliar—to step from the known into the unknown. Candace began to believe that she was her emotions, and as a result, she memorized a personality based on the past that she’d create
Joe Dispenza (You Are the Placebo: Making Your Mind Matter)
Tell me you're bare underneath the dress." She gulped. "I'm bare underneath this dress." Gently dropping her arms back to her sides, he slid his finger down the center of her chest. Tingles shot out from the tips of her breasts and gathered at the base of her spine, between her legs. "Tell me you want me as much as I want you," he said, his voice husky. Never had she imagined doing something as reckless as sleeping with a guy for one night. But this wasn't any guy. And it wasn't just about her getting off--God, how she needed to do that. It was about closure. Saying goodbye on her terms. It might be a bad idea, but it was the best bad idea she'd ever had. She dropped the panties and put her hands on his chest. "I want you.
Robin Bielman (Take a Risk Bundle)
Oscar pushed a strand of her loose raven hair behind her ear, and Camille knew she hadn’t completely failed. The man she loved, and who loved her, was alive when, under all normal circumstance, he shouldn’t be. How could that be seen as failure? “You know, and I know.” Oscar paused to take a breath. “William would never have approved of us being together.” He held his eyes level with hers, as if trying to detect any flicker of doubt or apprehension in her. “We won’t be tying bait bags for a living, will we?” she asked, willing to give up her wealth, her good name, but never her dignity. Oscar laughed. “No bait bags.” “Well, of that my father would at least approve. And even if he didn’t,” she said with a sly grin, “I do.” She rose to the tips of her toes and kissed him. “Oy, lovebirds!” Ira shouted from the ground. He and Samuel had reached the base and now looked into the sunlight, shielding their eyes with the planes of their hands. “Should I build a campfire and start sending smoke signals? Here we are, beasties! Come have lunch!” Oscar’s familiar sarcasm slipped back into place. “No smoke signals needed, Ira, the shouting will do just fine.” He released his arms from around her waist, and Camille reluctantly let him go, too. He descended the first boulder. “I’ll go first, in case you slip.” Oscar’s eyes came level with Camille’s ratty wool stockings. He looked up at her, his dimples as irresistible as the first time she’d seen them. “Well, at least it’s an improvement from bare feet,” he said. Camille wiggled her toes, laughing. She started down the mound of boulders toward the world that lay ahead, her footing sure and steady.
Angie Frazier (Everlasting (Everlasting, #1))
The entire idea of it was arrogant and defiant and grandiose. Anna loved it. As she walked across a wide empty plain of steel that should have been covered in topsoil and crops, she thought that this audaciousness was exactly what humanity had lost somewhere in the last couple of centuries. When ancient maritime explorers had climbed into their creaking wooden ships and tried to find ways to cross the great oceans of Earth, had their voyage been any less dangerous than the one the Mormons had been planning to attempt? The end point any less mysterious? But in both cases, they’d been driven to find out what was on the other side of the long trip. Driven by a need to see shores no one else had ever seen before. Show a human a closed door, and no matter how many open doors she finds, she’ll be haunted by what might be behind it. A few people liked to paint this drive as a weakness. A failing of the species. Humanity as the virus. The creature that never stops filling up its available living space. Hector seemed to be moving over to that view, based on their last conversation. But Anna rejected that idea. If humanity were capable of being satisfied, then they’d all still be living in trees and eating bugs out of one another’s fur. Anna had walked on a moon of Jupiter. She’d looked up through a dome-covered sky at the great red spot, close enough to see the swirls and eddies of a storm larger than her home world. She’d tasted water thawed from ice as old as the solar system itself. And it was that human dissatisfaction, that human audacity, that had put her there. Looking at the tiny world spinning around her, she knew one day it would give them the stars as well.
James S.A. Corey (Abaddon’s Gate (The Expanse, #3))
BAYARD: How can you say that? Hitler is the creation of the capitalist class. VON BERG, in terrible mourning and anxiety: But they adore him! My own cook, my gardeners, the people who work in my forests, the chauffeur, the gamekeeper—they are Nazis! I saw it coming over them, the love for this creature—my housekeeper dreams of him in her bed, she’d serve my breakfast like a god had slept with her; in a dream slicing my toast! I saw this adoration in my own house! That, that is the dreadful fact. Controlling himself: I beg your pardon, but it disturbs me. I admire your faith; all faith to some degree is beautiful. And when I know that yours is based on something so untrue—it’s terribly disturbing. Quietly: In any case, I cannot glory in the facts; there is no reassurance there. They adore him, the salt of the earth. . . . Staring: Adore him.
Arthur Miller (The Penguin Arthur Miller: Collected Plays)
Sitting out on the canoe tonight, watching the indigo waters of the South China Sea, I noticed the waxing moon calculating that maybe by the time it is full we’ll be back in the U.S. of A. I shed a few tears for Michael again. I was hoping his ghost would materialize just to let me know there actually is a spiritual realm but no such luck. It was just me, alone. It’s so bizarre. He was here and now… he’s gone. That’s the way it is. We are… and then, we are no more. Two or three loved ones keep our memory alive… and then, they are no more. And we all fade into that massive vapor cloud of forgotten souls. Why were we even here in the first place? I began to stand up. That’s when I saw it. It entered the night sky from the west and streaked to the east, forming a brilliant but thin arc of flame. A shooting star. A meteorite. Was that my confirmation? I would like to think so.
Gerald Maclennon (God, Bombs & Viet Nam: Based on the Diary of a 20-Year-Old Navy Enlisted Man in the Vietnam Air War - 1967)
I drew a long breath so I could point out to her all the fallacies in her argument, but then I thought; why? Out of an overwhelming duty to the truth? Fuck, as I may have observed before, the truth. If it was here, would it go out of its way to defend me? Unlikely. The truth is utterly selfish and doesn’t give a damn about anyone else. Serving the truth is like serving the empire. Nobody thanks you for it and you die poor. Besides, what is the truth, anyway? In a court of law, it’s the testimony of credible witnesses corroborating each other. She’d been a witness and she knew what she saw. So was I, but even my mother wouldn’t say I was credible. And there’d been hundreds of people there, all rock-solid upright pillars of Dejauzi society. And when I stabbed myself, there were loads of people watching, and they saw what happened with their own eyes. And, come to that, Alyattes was now the nephew of the old emperor and the rightful heir to the throne. He hadn’t been until quite recently, but pretty soon anyone who could testify against his claim would be dead or singing a very different tune, and what was once a lie would become the truth, official, carved on the lintels of triumphal arches; and if you can’t believe what you read on a government arch, what can you believe? All the books would tell it that way, and in a thousand years’ time it will be the truth, just as what was once the bottom of the sea is now a mountaintop. Ask the wise men at the university what truth is and they’ll tell you it’s the consensus of informed and qualified scholars, based on the best evidence available. Availability is governed by what gets burned in the meanwhile, but I see no real problem with that. All living things change or else they die, and why should the truth be any different?
K.J. Parker (A Practical Guide to Conquering the World (The Siege, #3))
Near the Mexican border, rocky canyons cleave the mountains, laying them aside like broken wedges of gray cheese furred with a dark mold of pinon and juniper that sheds hard shadows on moon glazed stone, etched lithographs in gray and black, taupe and silver. Beneath feathery chamisa a rattlesnake flicks his tongue, following a scent. Along a precarious rock ledge a ring-tailed cat strolls, nose snuffling the cracks. At the base of the stone a peccary trots along familiar foot trails, toward the toes of a higher cliff where a seeping spring gathers in a rocky goblet. In the desert, sounds are dry and rattling: pebbles toed into cracks, hoofs tac-tacking on stone, the serpent rattle warning the wild pig to veer away, which she does with a grunt to the tribe behind her. From the rocky scarp the ring-tailed cat hears the whole population of the desert pass about its business in the canyon below.
Sheri S. Tepper (The Fresco)
Having a TV—which gives you the ability to receive information—fails to establish any capacity for sending information in the opposite direction. And the odd one-way nature of the primary connection Americans now have to our national conversation has a profound impact on their basic attitude toward democracy itself. If you can receive but not send, what does that do to your basic feelings about the nature of your connection to American self-government? “Attachment theory” is an interesting new branch of developmental psychology that sheds light on the importance of consistent, appropriate, and responsive two-way communication—and why it is essential for an individual’s feeling empowered. First developed by John Bowlby, a British psychiatrist, in 1958, attachment theory was further developed by his protégée Mary Ainsworth and other experts studying the psychological development of infants. Although it applies to individuals, attachment theory is, in my view, a metaphor that illuminates the significance of authentic free-flowing communication in any relationship that requires trust. By using this new approach, psychologists were able to discover that every infant learns a crucial and existential lesson during the first year of life about his or her fundamental relationship to the rest of the world. An infant develops an attachment pathway based on different patterns of care and, according to this theory, learns to adopt one of three basic postures toward the universe: In the best case, the infant learns that he or she has the inherent ability to exert a powerful influence on the world and evoke consistent, appropriate responses by communicating signals of hunger or discomfort, happiness or distress. If the caregiver—more often than not the mother—responds to most signals from the infant consistently and appropriately, the infant begins to assume that he or she has inherent power to affect the world. If the primary caregiver responds inappropriately and/or inconsistently, the infant learns to assume that he or she is powerless to affect the larger world and that his or her signals have no intrinsic significance where the universe is concerned. A child who receives really erratic and inconsistent responses from a primary caregiver, even if those responses are occasionally warm and sensitive, develops “anxious resistant attachment.” This pathway creates children who feature anxiety, dependence, and easy victimization. They are easily manipulated and exploited later in life. In the worst case, infants who receive no emotional response from the person or persons responsible for them are at high risk of learning a deep existential rage that makes them prone to violence and antisocial behavior as they grow up. Chronic unresponsiveness leads to what is called “anxious avoidance attachment,” a life pattern that features unquenchable anger, frustration, and aggressive, violent behavior.
Al Gore (The Assault on Reason)
My hypothesis is mimetic: because humans imitate one another more than animals, they have had to find a means of dealing with contagious similarity, which could lead to the pure and simple disappearance of their society. The mechanism that reintroduces difference into a situation in which everyone has come to resemble everyone else is sacrifice. Humanity results from sacrifice; we are thus the children of religion. What I call after Freud the founding murder, in other words, the immolation of a sacrificial victim that is both guilty of disorder and able to restore order, is constantly re-enacted in the rituals at the origin of our institutions. Since the dawn of humanity, millions of innocent victims have been killed in this way in order to enable their fellow humans to live together, or at least not to destroy one another. This is the implacable logic of the sacred, which myths dissimulate less and less as humans become increasingly self-aware. The decisive point in this evolution is Christian revelation, a kind of divine expiation in which God through his Son could be seen as asking for forgiveness from humans for having revealed the mechanisms of their violence so late. Rituals had slowly educated them; from then on, humans had to do without. Christianity demystifies religion. Demystification, which is good in the absolute, has proven bad in the relative, for we were not prepared to shoulder its consequences. We are not Christian enough. The paradox can be put a different way. Christianity is the only religion that has foreseen its own failure. This prescience is known as the apocalypse. Indeed, it is in the apocalyptic texts that the word of God is most forceful, repudiating mistakes that are entirely the fault of humans, who are less and less inclined to acknowledge the mechanisms of their violence. The longer we persist in our error, the stronger God’s voice will emerge from the devastation. […] The Passion unveiled the sacrificial origin of humanity once and for all. It dismantled the sacred and revealed its violence. […] By accepting crucifixion, Christ brought to light what had been ‘hidden since the foundation of the world,’ in other words, the foundation itself, the unanimous murder that appeared in broad daylight for the first time on the cross. In order to function, archaic religions need to hide their founding murder, which was being repeated continually in ritual sacrifices, thereby protecting human societies from their own violence. By revealing the founding murder, Christianity destroyed the ignorance and superstition that are indispensable to such religions. It thus made possible an advance in knowledge that was until then unimaginable. […] A scapegoat remains effective as long as we believe in its guilt. Having a scapegoat means not knowing that we have one. Learning that we have a scapegoat is to lose it forever and to expose ourselves to mimetic conflicts with no possible resolution. This is the implacable law of the escalation to extremes. The protective system of scapegoats is finally destroyed by the Crucifixion narratives as they reveal Jesus’ innocence, and, little by little, that of all analogous victims. The process of education away from violent sacrifice is thus underway, but it is going very slowly, making advances that are almost always unconscious. […] Mimetic theory does not seek to demonstrate that myth is null, but to shed light on the fundamental discontinuity and continuity between the passion and archaic religion. Christ’s divinity which precedes the Crucifixion introduces a radical rupture with the archaic, but Christ’s resurrection is in complete continuity with all forms of religion that preceded it. The way out of archaic religion comes at this price. A good theory about humanity must be based on a good theory about God. […] We can all participate in the divinity of Christ so long as we renounce our own violence.
René Girard (Battling to the End: Conversations with Benoît Chantre)
Many of us have the false idea that a relationship’s purpose is to somehow fulfill our needs and desires. We look to see what we can get out of the relationship instead of what we can put in. Looked at like this, relationships are often little more than a needs exchange. We need this (safety, love, intimacy); a man needs that (security, companionship, sex). When we come across a good fit, both parties tacitly agree to do a trade and call it love. This transaction-based relationship model is why so many relationships feel empty and dead. They are completely devoid of anything real and intimate. After the initial rush of excitement is over, they’re more like business contracts than sacred unions. Let’s face it. We’ve all been conditioned to use relationships for the wrong reasons: to end loneliness, relieve depression, recover from a previous breakup, or find security. The problem is that this is not what relationships are for. Relationships are a spiritual opportunity for personal evolution. There is no greater arena for discovering your capacity for love, forgiveness, compassion, personal greatness, and full self-expression. Nowhere else will you meet the grandest and smallest parts of yourself. Nowhere else will you confront your self-imposed limits to intimacy. Nowhere else can you forgive so deeply or love so purely. This is relationship’s real purpose: to serve the mutual growth and soulful expression of each individual. It’s a chance to share your enthusiasm for being alive and give of yourself to another. Relationships provide the opportunity to shed light on any area within you that remains cloaked in fear and uncertainty, to hold a vision of another’s greatness so that he may step into the magnificence his soul is yearning to express. In this way, relationship becomes the ultimate tool for personal discovery and spiritual growth. When we engage in relationship to see what we can put into it rather than what we can get out of it, our whole lives transform. We no longer see our partners as antagonists. We see them as teachers and allies who are here to help us discover and experience our glory.
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
Ever since he’d set eyes on Elizabeth Cameron he’d been blind-no, he corrected himself with furious self-disgust, in England he’d recognized instinctively what she was-gentle and proud, brave and innocent and…rare. He’d known damned well she wasn’t a promiscuous little flirt, yet he’d later convinced himself she was, and then he’d treated her like one here-and she had endured it the entire time she’d been here! She had let him say those things to her and then tried to excuse his behavior by blaming herself for behaving like “a shameless wanton” in England! Bile rose up in his throat, suffocating him, and he closed his eyes. She was so damned sweet, and so forgiving, that she even did that for him. Duncan hadn’t moved; in taut silence he watched his nephew standing at the window, his eyes clenched shut, his stance like that of a man who was being stretched on the rack. Finally Ian spoke, and his voice was rough with emotion, as if the words were being gouged out of him: “Did the woman say that, or was that your own opinion?” “About what?” Drawing a ragged breath, he asked, “Did she tell you that Elizabeth was in love with me two years ago, or was that your opinion?” The answer to that obviously meant so much to Ian that Duncan almost smiled. At the moment, however, the vicar was more concerned with the two things he wanted above all else: He wanted Ian to wed Elizabeth and rectify the damage he’d done to her, and he wanted Ian to reconcile with his grandfather. In order to do the former, Ian would have to do the latter, for Elizabeth’s uncle was evidently determined that her husband should have a title if possible. So badly did Duncan want those two things to happen that he almost lied to help the cause, but the precepts of his conscience forbade it. “It was Miss Throckmorton-Jones’s opinion when she was under the influence of laudanum. It is also my opinion, based on everything I saw in Elizabeth’s character and behavior to you.” He waited through another long moment of awful suspense, knowing exactly where Ian’s thoughts would have to turn next, and then he plunged in, ready to press home his advantage with hard, systematic logic. “You have no choice except to rescue her from that repugnant marriage.
Judith McNaught (Almost Heaven (Sequels, #3))
But there is also some empirical evidence that sheds light on the relationship between quantum principles and consciousness. Anesthesiologist Stuart Hameroff claims to have found evidence that anesthesia arrests consciousness by hindering the motion of electrons in microtubules, minute tunnels of protein that serve as a kind of skeleton for cells. Hameroff speculates that microtubules could be a possible site for quantum effects in the brain,17 and his speculations have led mathematical physicist Roger Penrose to endorse the hypothesis.18 Attempts to develop models of consciousness based on quantum mechanics have also been made by neuroscientist John Eccles, and physicists Henry Stapp and Evan Harris Walker.o Walker and the experimental physicist Helmut Schmidt (the latter responsible for many of the micro-PK experiments described earlier) have also proposed mathematical theories of psi based on quantum mechanics.19 These theories rest upon two propositions that are now supported by experimental evidence: that mind can influence random quantum events, and that influence can occur instantaneously at a distance.p
Chris Carter (Science and Psychic Phenomena: The Fall of the House of Skeptics)
If Abraham had gone ahead and killed his son he would have done something morally wrong. A father has a basic duty to look after his son, and certainly shouldn't tie him to an altar and cut his throat in a religious ritual. What God asked Abraham to do was to ignore morality and make a leap of faith. In the Bible Abraham is presented as admirable for ignoring this normal sense of right and wrong and being ready to sacrifice Isaac. But couldn't he have made a terrible mistake? What if the message wasn't really from God? Perhaps it was a hallucination; perhaps Abraham was insane and hearing voices. How could he know for sure? If he had known in advance that God wouldn't follow through on his command, it would have been easy for Abraham. But as he raised that knife ready to shed his son's blood, he really believed that he was going to kill him. That, as the Bible describes the scene, is the point. His faith is so impressive because he put his trust in God rather than in conventional ethical considerations. It wouldn't have been faith otherwise. Faith involves risk. But it is also irrational: not based on reason. Kierkegaard
Nigel Warburton (A Little History of Philosophy (Little Histories))
After they hung up, Hunter took aside Renaat Van den Hooff, who was in charge of the pilot on the Walgreens side, and told him something just wasn’t right. The red flags were piling up. First, Elizabeth had denied him access to their lab. Then she’d rejected his proposal to embed someone with them in Palo Alto. And now she was refusing to do a simple comparison study. To top it all off, Theranos had drawn the blood of the president of Walgreens’s pharmacy business, one of the company’s most senior executives, and failed to give him a test result! Van den Hooff listened with a pained look on his face. “We can’t not pursue this,” he said. “We can’t risk a scenario where CVS has a deal with them in six months and it ends up being real.” Walgreens’s rivalry with CVS, which was based in Rhode Island and one-third bigger in terms of revenues, colored virtually everything the drugstore chain did. It was a myopic view of the world that was hard to understand for an outsider like Hunter who wasn’t a Walgreens company man. Theranos had cleverly played on this insecurity. As a result, Walgreens suffered from a severe case of FoMO—the fear of missing out.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Our marriage wouldn’t protect me,” she said. “Randa wouldn’t pardon me simply because I married.” “But he would be more lenient,” Giddon said. “Our engagement would offer him an alternative. It would be dangerous for him to try to punish you, and he knows that. If we say we’re to be married, then he can send us away from court; he can send us here, and he’ll be out of your reach, and you out of his. And there will be some pretense of good feeling between you.” And she would be married, and to Giddon. She would be his wife, the lady of his house. She’d be charged with entertaining his wretched guests. Expected to hire and dismiss his servants, based on their skill with a pastry, or some such nonsense. Expected to bear him children, and stay at home to love them. She would go to his bed at night, Giddon’s bed, and lie with a man who considered a scratch to her face an affront to his person. A man who thought himself her protector—her protector when she could outduel him if she used a toothpick to his sword. She breathed it away, breathed away the fury. He was a friend, and loyal to the Council. She wouldn’t speak what she thought. She would speak what Raffin had told her to speak.
Kristin Cashore (Graceling (Graceling Realm #1))
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
Lauren Groff (Fates and Furies)
Daniel came up and walked beside her, and the other victor walked beside Ghanan. For the briefest instant,Daniel's fingertips grazed her bound wrists. Ix Caut tingled at the touch. Just outside the temple door,the four drummers were waiting on the ledge. They fell in line behind the processional and, as the party descended the pyramid's steep steps, played the same hectic beats Luce had heard when she'd first arrived in this life. Luce focused on walking,feeling as if she were riding a tide instead of choosing to put one foot in front of the other,down the pyramid,and then, at the base of the steps,along the wide, dusty path that led to her death. The drums were all she could hear, until Daniel leaned in and whispered, "I'm going to save you." Something deep inside Ix Caut soared. This was the first time he had ever spoken to her in this life. "How?" she whispered back, leaning toward him,aching for him to free her and fly her far,far away. "Don't worry." His fingertips found hers again,brushing them softly. "I promise,I'll take care of you." Tears stung her eyes.The ground was still searing the soles of her feet,and she was still marching to the place where Ix Caut was supposed to die, but for the first time since arriving in this life,Luce was not afraid.
Lauren Kate (Passion (Fallen, #3))
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him. Ian opened the front door just as Jake came hurrying in from the back of the cottage. “I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.” “Couldn’t you have moved ‘em before they burned?” Jake burst out. “I cannot cook, sir.” “Can you smell?” Ian demanded. “Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.” “My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.” “Whaat?” Elizabeth burst out. “What? Why?” Jake echoed, looking balky. “Because selecting good female servants is best done by a woman. How far must we go?” If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“ “Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems. In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.” She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?” “Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
Judith McNaught (Almost Heaven (Sequels, #3))
In the section with edible flowers I stopped short, a bright yellow-and-purple pansy in my hands, hearing my mother's voice from long ago. Pansies are the showgirls of the flower world, but they taste a little grassy, she'd confided to me once as we pulled the weeds in her herb and flower garden. I put a dozen pansies in my cart and moved on to carnations. Carnations are the candy of the flower world, but only the petals. The white base is bitter, she'd instructed, handing me one to try. In my young mind carnations had been in the same category as jelly beans and gumdrops. Treats to enjoy. "Impatiens." I browsed the aisles of Swansons, reading signs aloud. "Marigolds." Marigolds taste a little like citrus, and you can substitute them for saffron. My mother's face swam before my eyes, imparting her kitchen wisdom to little Lolly. It's a poor woman's saffron. Also insects hate them; they're a natural bug deterrent. I placed a dozen yellow-and-orange marigolds into my cart along with a couple different varieties of lavender and some particularly gorgeous begonias I couldn't resist. I had a sudden flash of memory: my mother's hand in her floral gardening glove plucking a tuberous begonia blossom and popping it in her mouth before offering me one. I was four or five years old. It tasted crunchy and sour, a little like a lemon Sour Patch Kid. I liked the flavor and sneaked a begonia flower every time I was in the garden for the rest of the summer.
Rachel Linden (The Magic of Lemon Drop Pie)
It is through the Holocaust that they sustain their connection to world Jewry, especially to privileged, secure American Jewry, with its exploitable guilt over being unimperiled and successful. Without the connection to world Jewry, where is their historical claim to the land? Nowhere! If they were to lose their custodianship of the Holocaust, if the mythology of the dispersion were to be exposed as a sham—what then? What happens when American Jews shed their guilt and come to their senses? What happens when American Jews realize that these people, with their incredible arrogance, have taken on a mission and a meaning that is utterly preposterous, that is pure mythology? What happens when they come to realize that they have been sold a bill of goods and that, far from being superior to Diaspora Jewry, these Zionists are inferior by every measure of civilization? What happens when American Jews discover that they have been duped, that they have constructed an allegiance to Israel on the basis of irrational guilt, of vengeful fantasies, above all, above all, based on the most naive delusions about the moral identity of this state? Because this state has no moral identity. It has forfeited its moral identity, if it ever had any to begin with. By relentlessly institutionalizing the Holocaust it has even forfeited its claim to the Holocaust! The state of Israel has drawn the last of its moral credit out of the bank of the dead six million—this is what they have done by breaking the hands of Arab children on the orders of their illustrious minister of defense. Even
Philip Roth (Operation Shylock: A Confession)
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
I suppose we ought to go back,” she said when several minutes had passed, and his silence became unsettling. In answer Ian tipped his head back and closed his eyes, looking like a man in the throes of some deep, internal battle. “Why?” he said, still in that odd posture. “Because there’s nowhere else to walk,” she answered, stating the obvious. “We did not come out tonight to walk,” he said flatly. Elizabeth’s sense of security began to disintegrate. “We didn’t?” “You know we didn’t.” “Then-then why are we here?” she asked. “Because we wanted to be alone together.” Horrified at the possibility that he’d somehow known what thoughts had been running through her mind at supper, she said uneasily, “Why should you think I want to be alone with you?” He turned his head toward her, and his relentless gaze locked with hers. “Come here and I’ll show you why.” Her entire body began to vibrate with a mixture of shock, desire, and fear, but somehow her mind remained in control. It was one thing to want to be kissed by him at the cottage where the vicar was nearby, but here, with absolute privacy and nothing to prevent him from taking all sorts of liberties, it was another matter entirely. Far more dangerous. More frightening. And based on her behavior in England, she couldn’t even blame him for thinking she’d be willing now. Struggling desperately to ignore the sensual pull he was exerting on her, Elizabeth drew a long, shaky breath. “Mr. Thornton,” she began quietly. “My name is Ian,” he interrupted. “Considering our long acquaintance-not to mention what has transpired between us-don’t you think it’s a little ridiculous to call me Mr. Thornton?” Ignoring his tone, Elizabeth tried to keep hers nonjudgmental and continue her explanation. “I used to blame you entirely for what happened that weekend we were together,” she began softly. “But I’ve come to see things more clearly.” She paused in that valiant speech to swallow and then plunged in again. “The truth is that my actions that first night, when we met in the garden and I asked you to dance with me, were foolish-no, shameless.” Elizabeth stopped, knowing that she could partly exonerate herself by explaining to him that she’d only done all that so her friends wouldn’t lose their wagers, but he would undoubtedly find that degrading and insulting, and she wanted very much to soothe matters between them, not make them much, much worse. And so she said haltingly, “Every other time we were alone together after that I behaved like a shameless wanton. I can’t completely blame you for thinking that’s exactly what I was.” His voice was heavy with irony. “Is that what I thought, Elizabeth?” His deep voice saying her name in the darkness made her senses jolt almost as much as the odd way he was looking at her across the distance that separated them. “Wh-what else could you have thought?” Shoving his hands into his pockets, he turned fully toward her. “I thought,” he gritted, “you were not only beautiful but intoxicatingly innocent. If I’d believed when we were standing in the garden that you realized what the hell you were asking for when you flirted with a man of my years and reputation, I’d have taken you up on your offer, and we’d both have missed the dancing.” Elizabeth gaped at him. “I don’t believe you.” “What don’t you believe-that I wanted to drag you behind the hedges then and there and make you melt in my arms? Or that I had scruples enough to ignore that ignoble impulse?
Judith McNaught (Almost Heaven (Sequels, #3))
Guilt and self-image. When someone says, “I can’t forgive myself,” it indicates that some standard or condition or person is more central to this person’s identity than the grace of God. God is the only God who forgives — no other “god” will. If you cannot forgive yourself, it is because you have failed your true god — that is, whatever serves as your real righteousness — and it is holding you captive. The moralists’ false god is usually a god of their imagination, a god that is holy and demanding but not gracious. The relativist/pragmatist’s false god is usually some achievement or relationship. This is illustrated by the scene in the movie The Mission in which Rodrigo Mendoza, the former slave-trading mercenary played by Robert de Niro, converts to the church and as a way of showing penance drags his armor and weapons up steep cliffs. In the end, however, he picks up his armor and weapons to fight against the colonialists and dies at their hand. His picking up his weapons demonstrates he never truly converted from his mercenary ways, just as his penance demonstrated he didn’t get the message of forgiveness in the first place. The gospel brings rest and assurance to our consciences because Jesus shed his blood as a “ransom” for our sin (Mark 10:45). Our reconciliation with God is not a matter of keeping the law to earn our salvation, nor of berating ourselves when we fail to keep it. It is the “gift of God” (Rom 6:23). Without the gospel, our self-image is based on living up to some standards — either our own or someone else’s imposed on us. If we live up to those standards, we will be confident but not humble; if we don’t live up to them, we will be humble but not confident. Only in the gospel can we be both enormously bold and utterly sensitive and humble, for we are simul justus et peccator, both perfect and sinner!
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
On her second screen, there were the number of messages sent by other staffers that day, 1,192, and the number of those messages that she’d read, 239, and the number to which she’d responded, 88. There was the number of recent invitations to Circle company events, 41, and the number she’d responded to, 28. There was the number of overall visitors to the Circle’s sites that day, 3.2 billion, and the number of pageviews, 88.7 billion. There was the number of friends in Mae’s OuterCircle, 762, and outstanding requests by those wanting to be her friend, 27. There were the number of zingers she was following, 10,343, and the number following her, 18,198. There was the number of unread zings, 887. There was the number of zingers suggested to her, 12,862. There was the number of songs in her digital library, 6,877, number of artists represented, 921, and based on her tastes, the number of artists recommended to her: 3,408. There was the number of images in her library, 33,002, and number of images recommended to her, 100,038. There was the temperature inside the building, 70, and the temperature outside, 71. There was the number of staffers on campus that day, 10,981, and number of visitors to campus that day, 248. Mae had news alerts set for 45 names and subjects, and each time any one of them was mentioned by any of the news feeds she favored, she received a notice. That day there were 187. She could see how many people had viewed her profile that day, 210, and how much time on average they spent: 1.3 minutes. If she wanted, of course, she could go deeper, and see precisely what each person had viewed. Her health stats added a few dozen more numbers, each of them giving her a sense of great calm and control. She knew her heart rate and knew it was right. She knew her step count, almost 8,200 that day, and knew that she could get to 10,000 with ease.
Dave Eggers (The Circle)
Very well-why don't you make your case?" And perhaps if she listened and closely observed, she might get some hint of what, beneath the words, behind his so often impassive mask, was really going on inside him. "Your case beyond the obvious social imperatives, that is." "Difficult given my case is based on the obvious social imperatives." "Nevertheless, you might at least try to find a broader foundation." From the corner of her eye, she saw him look up as if imploring divine aid-or perhaps more prosaically asking why me?-and had to hide a smile. Eventually he lowered his head and leveled his hazel gaze at her. "All right-let's try for a broader perspective. You're a Cynster, well bred, well connected, well dowered, and more than passably attractive." She inclined her head. "Thank you, kind sir." "Don't thank me yet. You're also opinionated, willful to a fault, argumentative, and at times irrationally stubborn. Be that as it may, for some reason I don't comprehend, we managed to run along reasonably well through the last week or so, when we had a common goal. I take that as an indication that, were we to marry and jointly take on the common goal of managing my father's estate, the estate that will in time be ours, we would again find ourselves on common ground, enough at least to make a marriage work." He'd surprised her. Leaning back, she looked at him. He'd angled his shoulders into the curve of the wall, stretching one arm along the upper edge, long legs stretched out so that his boots brushed her hems. At ease, relaxed and debonair, he appeared the epitome of the sophisticated London rake, which, of course, he was. He was also an enigma. At some point during their hike through the mountains, she'd realized that no matter what he allowed her to see, there was something different, something even more attractive, beneath his polished veneer. "You'd share the responsibilities of running the estate?" She hasn't expected him to speak of such matters. "If you wished to involve yourself with it.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
When Bush and Clinton were talking in 1984, Bush told Clinton ‘when the American people become disillusioned with Republicans leading them into the New World Order, you, as a Democrat, will be put into place.’ I expect that Clinton will be our next President based on that conversation I heard.” “This is serious information!” Billy looked up from his work. “Its no wonder the Feds are worried about your revealing what you know.” “There are a lot of people who know what I know7,” I assured him. “And even more are waking up to reality fast. People with Intelligence operating on a Need-to-Know are gaining insight into a bigger picture with the truth that is emerging. They gain one more piece of the puzzle and the Big Picture suddenly comes into focus. When it does, their paradigms shift. Mark and I are also aware of numerous scientists waking up to the reality of a New World Order agenda who are furious that they’ve been mislead and used. These people are uniting with strength, and the New World Order elite will need to play their hold card and switch political parties. Watch and see. Clinton will appear to ‘defeat’ Bush according to plan, while Bush continues business as usual from behind the scenes of the New World Order.” “Who do you think will follow Clinton?” “A compliant, sleeping public mesmerized by his Oxford learned charisma.” Billy looked up from his work again to clarify his question. “I mean into the Presidency.” “Hillary?” I smiled half-heartedly. “Seriously, she is brighter than Bill, and is even more corrupt. Knowing her, she’d probably rather work behind the scenes, although she may be used as another appearance of ‘change’ since she’s a woman. That’s just speculation based on how these criminals operate. They want to keep their power all in the family. I did see Bush, Jr. being conditioned, and trained for the role of President at the Mount Shasta, California military programming compound in 19868. He’s not very bright, though, so I don’t know how they could possibly prop him up…
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
They've never been able to ignore you, Ma'am." "I made damn sure they couldn't. I never let them or anyone tell me what to do, except where Peter was concerned." She sighed, her weak chest rising and falling beneath the teal hospital down. "I'd trade my diamonds for a cigarette." Vera reached into her purse and pulled out a package of Gigantes she'd purchased at a tobacconist shop on the way to the hospital. She removed the cellophane wrapper and handed it to the Princess, the ability to anticipate Her Royal Highness's needs never having left her, even after all these years. The Princess didn't thank her, but the delight in her blue eyes when she put one in the good side of her mouth and allowed Vera to light it was thanks enough. The Princess struggled to close her lips around the base, revealing the depths of her weakness but also her strength. She refused to be denied her pleasure, even if it took some time to bring her lips together enough to inhale. Pure bliss came over her when she did before she exhaled. "I don't suppose you brought anything to drink?" "As a matter of fact, I did." Vera took the small bottle of whiskey she'd been given on the plane and held it up. "It isn't Famous Grouse, I'm afraid." "I don't care what it is." She snatched the plastic cup off the bedside table and held it up. "Pour." Vera twisted off the cap and drained the small bottle into the cup. The Princess held it up, whiskey in one hand, the cigarette in the other, and nodded to Vera. "Cheers." She drank with a rapture equal to the one she'd shown with the cigarette, sinking back into the pillows to enjoy the forbidden luxuries. "It reminds me of when we used to get drinks at the 400 Club after a Royal Command Film Performance or some other dry event. Nothing ever tasted so good as that first whiskey after all the hot air of those stuffy officials." "We could work up quite a thirst, couldn't we, Ma'am?" "We sure could." She enjoyed the cigarette, letting out the smoke slowly to savour it before offering Vera a lopsided smile. "We had fun back then, didn't we, Mrs. Lavish?
Georgie Blalock (The Other Windsor Girl: A Novel of Princess Margaret, Royal Rebel)
Things I know about Project Moonlark I’m the moonlark—which means I get to have lots of people trying to kill me. Calla came up with the name for the project because of the way moonlarks treat their eggs. She also helped the Black Swan figure out my genetics, which are mostly based off alicorn DNA. That’s why I have brown eyes and can teleport. (And yeah, it’s hard not to feel like “the horse girl.”) They chose a lot of the abilities they gave me because they were hoping I’d be able to use them to heal broken minds (since the Black Swan knew some of their members might endure memory breaks—like poor Prentice). I grew up with humans, partly to make sure no one found me. But mostly so I’d understand humans differently from how other elves understand them. And I guess I do, but… I’m not sure what I’m supposed to do with that information. It’s possible I may end up manifesting another special ability (or more than one—anything’s possible at this point). But I hope not. Five is seriously enough! My biological mother is Councillor Oralie, which means she lied to me every time she saw me for years (and signed me up for a genetic experiment and then totally abandoned me). I also can’t tell anyone who she is, because then she’d have to resign from the Council, and that would create so much chaos that it could give the Neverseen the opportunity to take control. So, lucky me—I get to be unmatchable! The Black Swan loves to tell me I have a choice in all of this, and I guess I do for certain things. But it’s not like I can change my genetics. Or everything I’ve gone through. Or the fact that everyone’s expecting me to be this big important THING, and I have no idea what I’m supposed to do or how I’m supposed to do it. Sometimes I wonder if the real reason the Black Swan won’t tell me what they’re planning is because they don’t actually have a PLAN. They just made their little moonlark and are expecting me to figure out the rest. Which, you know, would be pretty terrifying if I’m right. But at the same time… I kinda think it might be better—because if they do have a PLAN, then wouldn’t that mean they also knew exactly what the Neverseen were going to do and could’ve prevented it all from happening in the first place?
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
The man’s heart was so full with all the love he felt that one night a great miracle happened. He was looking at the stars and he found the most beautiful one, and his love was so big that the star started coming down from the sky and soon that star was in his hands. Then a second miracle happened, and his soul merged with that star. He was intensely happy, and he could hardly wait to go to the woman and put that star in her hands to prove his love to her. As soon as he put the star in her hands, she felt a moment of doubt. This love was overwhelming, and in that moment, the star fell from her hands and broke in a million little pieces. Now there is an old man walking around the world swearing that love doesn’t exist. And there is a beautiful old woman at home waiting for a man, shedding a tear for a paradise that once she had in her hands, but for one moment of doubt, she let it go. This is the story about the man who didn’t believe in love. Who made the mistake? Do you want to guess what went wrong? The mistake was on the man’s part in thinking he could give the woman his happiness. The star was his happiness, and his mistake was to put his happiness in her hands. Happiness never comes from outside of us. He was happy because of the love coming out of him; she was happy because of the love coming out of her. But as soon as he made her responsible for his happiness, she broke the star because she could not be responsible for his happiness. No matter how much the woman loved him, she could never make him happy because she could never know what he had in his mind. She could never know what his expectations were, because she could not know his dreams. If you take your happiness and put it in someone’s hands, sooner or later, she is going to break it. If you give your happiness to someone else, she can always take it away. Then if happiness can only come from inside of you and is the result of your love, you are responsible for your happiness. We can never make anyone responsible for our own happiness, but when we go to the church to get married, the first thing we do is exchange rings. We put our star in each other’s hands, expecting that she is going to make you happy, and you are going to make her happy. It doesn’t matter how much you love someone, you are never going to be what that person wants you to be. That is the mistake most of us make right from the beginning. We base our happiness on our partner, and it doesn’t work that way. We make all those promises that we cannot keep, and we set ourselves up to fail.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
As she explained to her students, patients often awoke from very bad illnesses or cardiac arrests, talking about how they had been floating over their bodies. “Mm-hmmm,” Norma would reply, sometimes thinking, Yeah, yeah, I know, you were on the ceiling. Such stories were recounted so frequently that they hardly jolted medical personnel. Norma at the time had mostly chalked it up to some kind of drug reaction or brain malfunction, something like that. “No, really,” said a woman who’d recently come out of a coma. “I can prove it.” The woman had been in a car accident and been pronounced dead on arrival when she was brought into the emergency room. Medical students and interns had begun working on her and managed to get her heartbeat going, but then she had coded again. They’d kept on trying, jump-starting her heart again, this time stabilizing it. She’d remained in a coma for months, unresponsive. Then one day she awoke, talking about the brilliant light and how she remembered floating over her body. Norma thought she could have been dreaming about all kinds of things in those months when she was unconscious. But the woman told them she had obsessive-compulsive disorder and had a habit of memorizing numbers. While she was floating above her body, she had read the serial number on top of the respirator machine. And she remembered it. Norma looked at the machine. It was big and clunky, and this one stood about seven feet high. There was no way to see on top of the machine without a stepladder. “Okay, what’s the number?” Another nurse took out a piece of paper to jot it down. The woman rattled off twelve digits. A few days later, the nurses called maintenance to take the ventilator machine out of the room. The woman had recovered so well, she no longer needed it. When the worker arrived, the nurses asked if he wouldn’t mind climbing to the top to see if there was a serial number up there. He gave them a puzzled look and grabbed his ladder. When he made it up there, he told them that indeed there was a serial number. The nurses looked at each other. Could he read it to them? Norma watched him brush off a layer of dust to get a better look. He read the number. It was twelve digits long: the exact number that the woman had recited. The professor would later come to find out that her patient’s story was not unique. One of Norma’s colleagues at the University of Virginia Medical Center at the time, Dr. Raymond Moody, had published a book in 1975 called Life After Life, for which he had conducted the first large-scale study of people who had been declared clinically dead and been revived, interviewing 150 people from across the country. Some had been gone for as long as twenty minutes with no brain waves or pulse. In her lectures, Norma sometimes shared pieces of his research with her own students. Since Moody had begun looking into the near-death experiences, researchers from around the world had collected data on thousands and thousands of people who had gone through them—children, the blind, and people of all belief systems and cultures—publishing the findings in medical and research journals and books. Still, no one has been able to definitively account for the common experience all of Moody’s interviewees described. The inevitable question always followed: Is there life after death? Everyone had to answer that question based on his or her own beliefs, the professor said. For some of her students, that absence of scientific evidence of an afterlife did little to change their feelings about their faith. For others,
Erika Hayasaki (The Death Class: A True Story About Life)
I pull the fire escape door open, scoop my eyeshadow palette off the ground and slip back inside. For a moment, I pause in the corridor and catch my breath. Adrenaline is surging through me. Rage. A normal woman would call the police at this point. But a normal woman would never have been paranoid enough in the first place to pretend to go to the toilet, only to sneak out of the fire escape and spy through a window to watch what her date does when he has five minutes alone with her drink. Nope. A normal woman would have gone to the loo, done a pee and topped up her lipstick. Or she’d have texted a friend about her hot date, feeling giddy with hope and excitement. Now, let’s think about what would have happened to a normal woman. A normal woman would have headed back to her date, smiling prettily, before sitting down and drinking her drugged drink. Then, a short while later, that normal woman would have started feeling far more drunk than she normally does after just a couple of drinks, but she’d probably blame herself. She’d wonder if maybe she’d drunk too much. Or maybe she’d blame herself for having not eaten earlier in the day because she didn’t want to look fat in her dress. Or maybe she’d blame herself because that’s just what she does; she blames herself. And then, just as she started to feel woozy and a bit confused, her date would take her outside for some fresh air and she’d be grateful to him. She’d think he was caring and responsible, when really, he was just whisking her out of sight, before she started to look less like she was drunk and more like she’d been drugged. And then the next thing she’d know, she’d be staggering into the back of a cab and her date would be asking her to tell the driver where she lived. And when she’d barely be able to get the words out and her date made a joke to the driver about how drunk she was, she’d feel small and embarrassed. And then she’d find herself slumping into her date’s open arms, flopping against his big manly body, and she’d feel grateful once more that this man was taking care of her and getting her home safe. And then, once the taxi slowed down and she blinked her eyes open and found they’d pulled up outside her flat, she’d notice in a fleeting moment of clarity that when the driver asked for the fare, her date thrust two crisp ten-pound notes towards him in a weirdly premeditated move, as though he’d known this moment was going to happen all along. As though he’d had the cash lined up, the plan set, and she’d feel something. Something. But then she’d be staggering out of the taxi, even sloppier than when she got in, and her legs would be buckling, and she’d cling to her date for support, her make-up now smudged, her eyes half-closed, her hair messy. She’d look a state and he’d ask her which flat was hers, and she’d walk with him to her front door, to the flat where she lives alone. To the place that’s full of books and cute knick-knacks from charity shops and colourful but inexpensive clothes. She’d unlock her front door, her hand sliding drunkenly over the lock, and she’d lead him into the place she’s been using as a base to try to get ahead in life, and then he’d look around, keen-eyed, until he spotted her bedroom and he’d draw her in. And then all of a sudden he’d be in her bedroom and she wouldn’t be able to remember if she’d asked him back or not or quite how this happened, and it would all be moving so fast and her thoughts would be unable to keep up – they’d keep sliding away – and he’d be kissing her and she’d be unsure what was happening as he pulled off her dress and she’d wonder, did she ask for this? Does she want this? Has she been a ‘slut’ again? But the thoughts would be weak, they’d keep falling away and he’d be confident and he’d be certain and he’d be good-looking and he’d be pulling off her bra and taking off her knickers. He’d be pushing himself inside her. The next day, he’d be gone by the time she woke up. She’d be blocked, unmatched...
Zoe Rosi
Even after baking that afternoon while Dre covered the counter, she'd been left with very few cupcakes to refrigerate overnight, as she routinely did, selling them as day olds the next day, for a reduced price. She still had fresh frozen extra batches of unfrosted cupcakes, her base vanilla bean cake and semi-sweet chocolate, which she'd thaw, then pipe fresh frosting on in the morning. Even with those she'd still be behind with her freshly baked trademark flavors, no matter how early a start she got. She'd whipped up some of those frostings this evening, but everything else would have to be made fresh from scratch in the morning. She should be in bed, sleeping. Not standing in the shop kitchen, experimenting with a pavlova roulade she didn't need and couldn't sell. But therapy was therapy, and she needed that, too.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
Chanel had changed my life. She’d helped me realize that I had the potential to be more than just that tool. Just when I thought maybe, just maybe, I could have more than this base and that profound sense of duty, the Commander offered me a swift kick to the ass and a wakeup call. “It was a mistake,” I said.
Chance Carter (Jacked)
a moment later the second of Sverdlov’s men leapt out from behind the truck with his automatic raised. He was about take the shot at Maria, but Cris snapped off two rounds. Both buried themselves in his chest, and he collapsed to the sidewalk in a welter of blood. Bystanders were running, and a woman was screaming. He ignored them, reached the table, and stuck his gun in Sverdlov’s face. "Keep your hands in view, and don't move. Maria, we're leaving. You’ve seen the deal they were about to make with you. All they wanted was to get you here to kill you. Isn't that right, Major?" The Russian didn't reply, but his silence was eloquent. They raced across the street back to the Dodge and leapt inside. Sirens were starting to wail, and they had to get out of the city. He drove away fast and out of town, heading north. “Use your phone. Call March, and tell him we’re heading his way. You’ll be able to ask him about Alexander, and see if he can fix us up somewhere remote to stay. Like before, but not his place, an address with no connection to him, and nowhere near Alexander. They could use him again to reach you.” She made the call. It was brief, and she relayed it to him when she’d finished the call. “March said he’d do what he can to find us a place. Cris, what are you planning?” Her voice sounded different, not frightened, but hollow, empty of hope. He spoke as he weaved through the traffic to get away before someone came after them. The Russians, Chicago PD, U.S. Immigration, and maybe a couple more agencies he wasn’t yet aware of. "We need to go back to where it all started, where these bastards first picked us up. I’ll drive to the floatplane base, and if Warner is still there, I'll get him to fly us back to Vermont. It’s time to get ahead of them and make preparations for when they try again." "Why Vermont?" He frowned; annoyed he’d got it so wrong before. "I made a mistake coming here. I thought we could lose ourselves in the city, but the Russians have the same technical resources as U.S. Law Enforcement. Which means wherever we go, they'll find us. We have to go back to somewhere remote. Where there are no cameras.” “And what then? More shooting, more killing?” It didn’t sound like Maria. More like a frightened girl, frightened for the safety of her son.
Eric Meyer (The Kremlin Assassins (Black Operator #2))
Very slowly, he leaned toward her. He took her face between his hands. His lips were gentle, but his kiss was firm--she melted beneath it as he pressed her tight against his chest. His lips traced a shivery path to her neck and lingered at the base of her throat. His hands slid to her shoulders and down her body, an embrace both relentless and tender--burning where it touched, but never forcing, never intrusive. He whispered to her in his secret language…their lips locked in a kiss… “Miranda?” Aunt Teeta called softly. Miranda’s cry was instantly muffled beneath Etienne’s lips. Shocked, she stared at him, even as he pulled away from her, snapped off the light, and slipped out of sight beneath the covers. After a second’s hesitation, Miranda slid in beside him and yanked the bedspread up to her chin. “What?” she called back, with what she hoped was convincing grogginess. Aunt Teeta opened the door, her bathrobe askew, her hair disheveled, and several oversize curlers bobbing on top of her head. “Oh, darlin’, I’m so sorry. I didn’t think you’d be asleep yet. You know, I was just thinking--since you and Etienne have been spending so much time together, why don’t you invite him over sometime? So your mama can meet him? And ask Gage over, too--he’s such a cutie.” Miranda yawned loudly. “That’s a great idea, Aunt Teeta. Thanks a lot.” “All right now, hon, you go on back to sleep. Love you.” “Love you, too.” Miranda waited till the door closed. Till Aunt Teeta’s footsteps faded down the stairs, till the house was silent once more. She waited a long time. At last the covers moved, and Etienne, after a thorough look around, threw them back and sat up. He seemed immensely amused. “Damn, that was close. Your aunt, she woulda skinned me alive if she’d caught me here.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
Please.” Slipping her arms around Parker’s waist, Ashley leaned into him, peered up at him. “It’s too horrible out there. I’m scared.” Parker raised his arms, flexed his muscles. “Fear? Fear is foreign to me!” “Don’t joke about this! I’m really scared something bad will happen. I just feel it.” “Ash, nothing bad is going to happen. I’ll be careful, okay? I’ll be safe.” Miranda suddenly realized she’d been eavesdropping. She hadn’t meant to intrude on their private conversation, yet she’d been watching their faces and hearing every word. An eerie chill had settled at the base of her spine. She felt anxious and restless and afraid. She glanced at Roo. Roo hadn’t said anything in such a long time, just sitting there holding gage, her head bent over his face. Miranda’s heart reached out to Roo, but her own uneasiness persisted. Something dangerous, something tragic… Something familiar… Reluctantly she turned her attention to Ashley and Parker. Though Ashley’s features were pale and drawn, she seemed composed now, even quietly resigned. Parker was squeezing her in a tight hug. “You better hurry, Parker Wilmington.” Ashley’s voice was muffled against his chest. “Promise me you’ll come back to me.” Parker rolled his eyes. “Yeah, yeah, sure. I promise.” “Tonight.” “Tonight,” Parker echoed dutifully. “Cross your heart.” “Oh, for Christ’s sake, Ashley, I said I’d be back, didn’t I? Don’t I always come back? Even when you don’t want me to?
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))