She's A Winner Quotes

We've searched our database for all the quotes and captions related to She's A Winner. Here they are! All 100 of them:

Arin wondered if she would lift her eyes, but wasn’t worried he would be seen in the garden’s shadows. He knew the law of such things: people in brightly lit places cannot see into the dark.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
There was dishonor, she decided, in accepting someone else’s idea of honor without question.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
He did not want her to know. He did not want her to see. But: Look at me, he found himself thinking furiously at her. Look at me. She lifted her eyes, and did.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Arin pulled her onto his lap. He held her shaking form, tucked his face into the crook of her cold neck as she sobbed against him. He murmured that he loved her more than he could say. He promised that he would always choose her first.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She reminded herself bitterly that this was what curiosity had bought her: fifty keystones for a singer who refused to sing, a friend who wasn't her friend, some one who was hers and yet would never be hers.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She’d felt it before, she felt it now: the pull to fall in with him, to fall into him, to lose her sense of self.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Arin. I've wanted to do this for a long time." Her words silenced him, steadied him. Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. "Ready?" He smiled. "Play.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He changed us both." She seemed to struggle for words. "I think of you, all that you lost, who you were, what you were forced to be, and might have been, and I—I have become this, this person, unable to—" She shut her mouth. "Kestrel," he said softly, "I love this person.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She tried to imagine her former self. Enemy. Prisoner. Friend? Daughter. Spy. Prisoner again. “What am I now?” Sarsine held both of Kestrel’s hands. “What ever you want to be.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized she didn't mean me, she meant you!" bursts out Peeta. "Oh, she meant you," I say with a wave of dismissal. "She said, 'She's a survivor, that one.' She is," says Peeta. That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying. Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
You could offer her a seat,” Arin said. “Ah, but I have only two chairs in my tent, little Herrani, and we are three. I suppose she could always sit on your lap.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She had done everything she could. And he didn't even know.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
A winner is that person who gets up one more time than she is knocked down.
Mia Hamm (Go For the Goal: A Champion's Guide To Winning In Soccer And Life)
An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that it wasn’t how he had said it, and she was wrong, and she’d heard a question simply because the sound of him speaking her name made her wish that she were his answer.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
He'd believed it. She couldn't believe that he believed it. Sometimes, she hated him for that.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He let you have the pants anyway?" she asked. I had started talking about Maxon as soon as I could, eager to know how their conversation had gone. "Yeah. He was very generous about it all." "I think it's charming that he's a good winner." "He is a good winner. He's even gracious when he's gotten the raw end of things." Like a knee to the royal jewels, for example.
Kiera Cass (The Selection (The Selection, #1))
The snow fell on her, it fell on him, but Kestrel knew that no single flake could ever touch them both. She didn’t look back when he spoke again. “You don’t, Kestrel, even though the god of lies loves you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She breathed in the cold, and it felt free, so she felt free, and it felt alive, so she felt alive.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
She would never give him her dagger. “I tried so hard to live in your world,” she told him. “Now it’s your turn to live in mine.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
His dear face, dear to her, dearer still. how could she love his face more for its damage? What kind of person saw someone's suffering and felt her heart crack open even wider, even more sweetly than before? There was something wrong with her. It was wrong to want to touch a scar and call it beautiful.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She pressed her face into the pillow. His scent was there. She was stupid to have come, yet didn’t have the strength to leave. The ghost of him between the sheets. The shadow of her old self curled into the shadow of him.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Soon I'll be thinner than all of you, she swore to herself. And then I'll be the winner. The thinner is the winner.
Steven Levenkron (The Best Little Girl in the World)
She was learning to live around it.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Later, Kestrel wished she had spoken then, that no time had been lost. She wished that she’d had the courage that very moment to tell Arin what she’d finally known to be true: that she loved him with the whole of her heart.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel thought that maybe she had been wrong, and Risha had been wrong, about forgiveness, that it was neither mud nor stone, but resembled more the drifting white spores. They came loose from the trees when they were ready. Soft to the touch, but made to be let go, so that they could find a place to plant and grow.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She saw, yet again, that her friend's compliments were just bits of art and artifice. They were paper swans, cunningly folded so that they could float on the air for a few moments. Nothing more.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel felt a slow, slight throb, a shimmer in the blood. She knew it well. Her worst trait. Her best trait. The desire to come out on top, to set her opponent under her thumb. A streak of pride. Her mind ringed with hungry rows of foxlike teeth.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel's cruel calculation appalled her. This was part of what had made her resist the military: the fact that she could make decisions like this, that she did have a mind for strategy, that people could be so easily become pieces in a game she was determined to win...
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
How much easier everything would be if that were so. But Kestrel wouldn't let herself consider the truth. She didn't want to know its shape or see its face.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You are important to me,” she said, and touched his face. Important. The word swelled and deflated. More than he’d thought. Less than he wanted.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
Being married is easy, she usually thinks. You just pick an argument you’re really good at, then repeat it at least once a week for all eternity.
Fredrik Backman (The Winners (Beartown, #3))
She'd betrayed her country because she'd believed it was the right thing to do. Yet would she have done this, if not for Arin? He knew none of it. Had never asked for it. Kestrel had made her own choices. It was unfair to blame him. But she wanted to.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel let the words echo in her mind. There had been a supple strength to his voice. An unconscious melody. Kestrel wondered if Arin knew how he exposed himself as a singer with every simple, ordinary word. She wondered if he meant to hold her in thrall.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
They ought to do away with divorce settlements. Instead, both parties should flip a coin. The winner gets to stay where he or she is and keep everything. The loser goes to Paraguay. That´s it.
Suzanne Finnamore (Split: A Memoir of Divorce)
Her blood felt laced with black powder. How could she have forgotten what it was like to burn on a fuse before him?
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
I can't - Kestrel, you must understand that I would never claim you. Calling you a prize - my prize - it was only words. But it worked. Cheat won't harm you, I swear that he won't, but you must...hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you're not better off dead. Swallow your pride." "Maybe it's not as easy for me as it is for you." He wheeled on her. "It's not easy for me," "You know that it's not. What do you think I have had to swallow these past ten years? What do you think I have had to do to survive?" "Truly," she said, "I haven't the faintest interest. You may tell your sad story to someone else." He flinched as if slapped. His voice came low: "You can make people feel so small.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She Knows three things: (a) that men are less treacherous than women; (b) that they never notice what a woman is wearing because they're always mentally undressing her, (c) that as long as you've got breasts,thighs,buttocks and belly in good trim, you can conquer the world.
Paulo Coelho (The Winner Stands Alone)
Tell me, little ghost: do you enjoy my company?” She was surprised. “Yes.” “I enjoy yours, too. I can see why you like me. I’m intelligent, charming—not to mention handsome.” “And skilled at preening. Let’s not forget that.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It was an old Herrani flag, stitched with the royal crest. Arin said, "But the royal line is gone." "They're looking for something to call you, Kestrel said, nudging Javelin forward. "Not this. It's not right." "Don't worry. They'll find the right words to describe you." "And you." "Oh, that's easy." "It is?" It seemed impossible to name every thing she was to him. Kestrel's expression was serious, luminous. He loved to see her like this. "They'll say that I'm yours," she told him, "just as you are mine.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Now began the part of her life where she was just very beautiful, except for nothing. Only winners will know what this feels like. Have you ever wanted something very badly and then gotten it? Then you know that winning is many things, but it is never the thing you thought it would be.
Miranda July (No One Belongs Here More Than You)
She’d wanted to put her fear inside a white box and give it to Arin. You, too, she would tell him. I fear for you. I fear for me if I lost you.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You can't just skip the boring parts." "Of course I can skip the boring parts." "How do you know they're boring if you don't read them?" "I can tell." "Then you can't say you've read the whole play." "I think I can live a happy life, Meryl Lee, even if I don't read the boring parts of The Tragedy of Hamlet, Prince of Denmark." "Who knows?" she said. "Maybe you can't.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
The guard hit Kestrel across the face. “I said, what did you give him?” You had a warrior’s heart, even then. Kestrel spat blood. “Nothing,” she told the guard. She thought of her father, she thought of Arin. She told her final lie. “I gave him nothing.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Remember something, if you will, about voting: Voting is not a horse race, you're not going there thinking "Gee, I gotta pick the winner so I can brag to my friends 'Oh, I picked so-and-so and he or she won'". Voting is voting your heart and voting your conscience and when you've done that, don't ever, EVER let a Democrat or Republican tell you that you've wasted your vote because the fact is, if you DON'T vote your heart and conscience then you HAVE wasted your vote.
Jesse Ventura
Did you find yourself?" "What?" said my sister. "Did you find yourself?" "She found me," I said.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
Someone was coming through the velvet. He was pulling it wide, he was stepping onto Kestrel’s balcony—close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows. He was here. He had come. Arin.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
A singer who refused to sing, a friend who wasn't her friend, someone who was hers and yet would never be hers. Kestrel looked away from Arin. She swore to herself that she would never look back
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin, who had set hooks into her heart and drawn her to him so that she wouldn't see anything but his eyes. Arin was her enemy
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
But honesty requires courage. As she cornered the thief in his lair, she found that she wasn’t so sure of herself. She was sure of only one thing. It made her fall back a little. She lifted her chin. Her heart had an unsteady rhythm they both could hear when she told the thief that he might keep what he had stolen.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She could've slept then. She wanted to. Sleep was blind, it was deaf, and it would take her away from this room and these men.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Once there was a seamstress who could weave fabric from feeling. She sewed gowns of delight: sheer, sparkling, sleek. She cut cloth out of ambition and ardor, idyll and industry.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel hadn’t known until she saw her father’s face how much she still loved him. Wrong, that she felt this way. Wrong, that love could live with betrayal and hurt and anger.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He had sleepless eyes, his mouth a little swollen, the deeply tanned skin somehow burnished. Kestrel thought that she, too, must look like this: polished by desire, the way a river stone holds a luster from having been made so smooth.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Once there was a girl who was too sure of herself. Not everyone would call her beautiful, but they admitted that she had a certain grace that intimidated more often than it charmed. She was not, society agreed, someone you wanted to cross. She keeps her heart in a porcelain box, people whispered, and they were right.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You talk about her as if she's made of spun glass. Know what I see? Steel.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Every chip of her being slid into place, into the image of a lost world. The boy discovering it. The girl who sees it spark and flare, and understands, now, what she feels. She realizes that she has felt this for a long time.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Music made her feel as if she were holding a lamp that cast a halo of light around her, and while she knew there were people and responsibilities in the darkness beyond it, she couldn't see them. The flame of what she felt when she played made her deliciously blind.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She'd lost two more pounds. A picture of the models she'd cut out of the magazine flashed through Kessa's mind. And the winner is... seventy-three!
Steven Levenkron (The Best Little Girl in the World)
Sometimes when the god is vexed or simply bored, she decides that the most beautiful thing is disaster.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Music made her feel as if she were holding a lamp that cast a halo of light around her,
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He did not want her to know. He did not want her to see. But: Look at me, he found himself thinking furiously at her. Look at me. She lifted her eyes, and did.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
What did you tell the queen?" "I told Inisha about you." "What, exactly?" He hesitated. "I'm afraid to say." "I want you to." "You might leave." "I won't." He stayed silent. She said, "I give you my word." "I told her that I belong to you, and no other. I said that I was sorry.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She said, I'm going to miss you when you when I wake up. Don't wake up, he answered. But he did. Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to." It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake. "You were sleeping so sweetly," she said. "Dreaming" He touched her tender mouth. "About what?" "Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
What happened to the winner" Adina asked. "She tripped." "And the first runner-up?" Miss Michigan cracked her knuckles. "She tripped, too.
Libba Bray (Beauty Queens)
She entered Roshar’s tent. “I need your help.” Blinking, he propped himself up on his bed. He said groggily, “And I need a real door. With a lock.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
A slow fear, heavy, like sadness . . . which made her realize that her fear was a kind of sadness, because she couldn’t be better than her fear.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She looked into the shadowed corners of the room. Talking with him was like having a flower unfold inside her chest, then close up tight. Creep open. Collapse in on itself.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She didn’t like the way he was right. How she listened. She wondered if there was any difference between how she listened to him and how Arin listened to his god.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel could say that she’d learned that one’s life is also the lives of others. A wrong is not an egg, separate unto itself and sealed. She could say that she understood the wrong in ignoring a wrong. She could say this, but the truth was that she should have learned it long before.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I would do anything for you. She knew exactly who had written them and why. She became aware that she had been pretending to herself when she’d believed her words had been untrue, or that any of the limits she’d set between her and Arin mattered, because in the end she was here and he was free. She had done everything she could. And he didn’t even know.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She remembered her letter confessing every thing to Arin. I am the Moth. I am your country’s spy, she’d written. I have wanted to tell you this for so long. She’d scrawled the emperor’s secret plans. It didn’t matter that this was treason. It didn’t matter that she was supposed to marry the emperor’s son on First-summer’s day, or that her father was the emperor’s most trusted friend. Kestrel ignored that she’d been born Valorian. She’d written what she felt. I love you. I miss you. I would do anything for you.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
...and she ran out of the diesel combustion and right to me and we held each other and we were not empty at all. "Holling," she said. "I was so afraid I wouldn't find you." "I was standing right here, Heather." I said. "I'll always be standing right here.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
Sometimes she wished she could eat herself. She’d swallow everything—her soiled blue dress, the shackles on her wrists, her puffy face. If she could eat herself up, there’d be no trace left of her or the mistakes she had made.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
When Roshar saw her ripped, one-legged trousers and Arin at her side as they stood outside the prince’s tent, his eyes glinted with mirth and Kestrel felt quite sure that the prince was going to say it was about time Arin tore her clothes off. Then Roshar might comment coyly on Arin’s inability to reach a full conclusion (Only one trouser leg? she imagined Roshar saying. How lazy of you, Arin), or on the quaint quality of Arin’s modesty (What a little lamb you are). Perhaps he’d offer condolences to Kestrel on the partial death of her trousers. He’d ask whether she’d gotten injured on purpose.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
And it occurred to her that reading was, among other things, a muscle and one that she had seemingly developed. She could read the novel with ease and great pleasure, laughing at remarks, they were hardly jokes, that she had not even noticed before.
Alan Bennett (The Uncommon Reader)
Why did her family think pachinko was so terrible? Her father, a traveling salesman, had sold expensive life insurance policies to isolated housewives who couldn't afford them, and Mozasu created spaces where grown men and women could play pinball for money. Both men had made money from chance and fear and loneliness. Every morning, Mozasu and his men tinkered with the machines to fix the outcomes--there could only be a few winners and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones. How could you get angry at the ones who wanted to be in the game? Etsuko had failed in this important way--she had not taught her children to hope, to believe in the perhaps-absurd possibility that they might win. Pachinko was a foolish game, but life was not.
Min Jin Lee (Pachinko)
And it really doesn't matter if we're under our desks with our hands over our heads or not, does it? No, said Mrs. Baker. It doesn't really matter. So, why are we practicing? She thought for a minute. Because it gives comfort, she said. People like to think that if they're prepared then nothing bad can really happen. And perhaps we practice because we feel as if there's nothing else we can do because sometimes it feels as if life is governed by the slings and arrows of outrageous fortune.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
There was a Princess Somebody of Denmark sitting at a table with a number of people around her, and I saw an empty chair at their table and sat down. She turned to me and said, "Oh! You're one of the Nobel-Prize-winners. In what field did you do your work?" "In physics," I said. "Oh. Well, nobody knows anything about that, so I guess we can't talk about it." "On the contrary," I answered. "It's because somebody knows something about it that we can't talk about physics. It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance--gold transfers we can't talk about, because those are understood--so it's the subject that nobody knows anything about that we can all talk about!" I don't know how they do it. There's a way of forming ice on the surface of the face, and she did it!
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Kestrel." The general touched her shoulder. When he spoke, his voice was uncharacteristically hesitant."It's every child's duty to survive her parents. My profession isn't a safe one. I would like- Kestrel, when I die, do not mourn me." She smiled. "You do not command me," she said, and kissed his cheek
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Shogo looked at Shuya and Noriko. "The winner's forced to transfer to another school where he or she is ordered not to mention the game and is instructed instead to lead a normal life. That's all." Shuya felt his chest well up inside and his face froze. He stared at Shogo and realized that Noriko was holding her breath. Shogo said, "I was a student in Third Year Class C, Second District, Kobe, Hyogo Prefecture." He added, "I survived the Program held in Hyogo Prefecture last year.
Koushun Takami (Battle Royale)
I started writing because of a terrible feeling of powerlessness," the novelist Anita Brookner has said. The National Book Award winner Alice McDermott noted that the most difficult thing about becoming a writer was convincing herself that she had anything to say that people would want to read. "There's nothing to writing," the columnist Red Smith once commented. "All you do is sit down at a typewriter and open a vein.
Wally Lamb (Couldn't Keep it to Myself: Wally Lamb and the Women of York Correctional Institution)
Kestrel...” An emotion clamped down on her heart. It squeezed her into a terrible silence. But he said nothing after that, only her name, as if her name were not a name but a question. Or perhaps that wasn't how he had said it, and she was wrong, and she'd heard a question simply because the sound of him speaking her name made her wish that she were his answer.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
It looked like she held a basketful of woven gold. Arin leap down the stairs. He strode up to his cousin and seized her arm. “Arin!” “What did you do?” Sarsine jerked away. “What she wanted. Pull yourself together.” But Arin only saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into those braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror, and didn’t know, couldn’t tell her feelings. He only knew the fire of his own. “It’s just hair,” Sarsine said. “It will grow back.” “Yes,” said Arin, “but no everything does.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
They were talking more distantly than if they were strangers who had just met, for if they had been he would have been interested in her just because of that, and curious, but their common past was a wall of indifference between them. Kitty knew too well that she had done nothing to beget her father's affection, he had never counted in the house and had been taken for granted, the bread-winner who was a little despised because he could provide no more luxuriously for his family; but she had taken for granted that he loved her just because he was her father, and it was a shock to discover that his heart was empty of feeling for her. She had known that they were all bored by him, but it had never occurred to her that he was equally bored by them. He was as ever kind and subdued, but the sad perspicacity which she had learnt in suffering suggested to her that, though he probably never acknowledged it to himself and never would, in his heart he disliked her.
W. Somerset Maugham (The Painted Veil)
I wrote a letter to you when I was in the capital. So stupid, to put it all in writing. Every thing I’d done. The information I passed to Tensen. The way I worked against the empire. What I felt. My father read it. He gave it to the emperor.” She was weeping. “And I know, I know that it hurt him, that I broke something, that he felt it break. Maybe I wasn’t me anymore, to him. Do you understand? Not his daughter. Not anyone he knew. Just a lying stranger. But how could he? Why couldn’t he love me most? Or enough. Why couldn’t he love me enough to choose me over his rules?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
As he described the night of the Valorian invasion and himself as a child, she began to see how natural the reflex of self-blame was for him. Ingrained. Insidious. You’re the reason I was in that prison. Yes. It occurred to her that he might have taken blame he didn’t deserve. It occurred to her that she had already guessed this even before he’d begun telling his nakedly awful story. And that maybe she had been cruel. This thinking was not the same as trust. Still, she listened. After he finished, she listened to his silence.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin remmembered seeing her hand in Javelin’s mane, curling into the coarse strands. This made him remember the almost freakish lenghth between her littlest finger and thumb as her hand spanned piano keys. The black star of the birth-mark. He saw her again in the imperial palace. Her music room. He’d seen that room only once. About a month ago, right before Firstsummer. Her blue sleeves were fastened at the wrist. Something tugged inside him. A flutter of unease. Do you sing? Those had been her first words to him, the day she had bought him. A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason. She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
NO MUSE IS GOOD MUSE To be an Artist you need talent, as well as a wife who washes the socks and the children, and returns phone calls and library books and types. In other words, the reason there are so many more Men Geniuses than Women Geniuses is not Genius. It is because Hemingway never joined the P.T.A. And Arthur Rubinstein ignored Halloween. Do you think Portnoy's creator sits through children's theater matinees--on Saturdays? Or that Norman Mailer faced 'driver's ed' failure, chicken pox or chipped teeth? Fitzgerald's night was so tender because the fender his teen-ager dented happened when Papa was at a story conference. Since Picasso does the painting, Mrs. Picasso did the toilet training. And if Saul Bellow, National Book Award winner, invited thirty-three for Thanksgiving Day dinner, I'll bet he had help. I'm sure Henry Moore was never a Cub Scout leader, and Leonard Bernstein never instructed a tricycler On becoming a bicycler just before he conducted. Tell me again my anatomy is not necessarily my destiny, tell me my hang-up is a personal and not a universal quandary, and I'll tell you no muse is a good muse unless she also helps with the laundry.
Rochelle Distelheim
I told you everything I know", said the messenger. Arin had gone to his childhood suite, feeling anxiety verging on panic at the thought of not finding the man there, of having to track him down, of time lost…but the man had opened the outermost door almost immediately after Arin’s pounding knock. "I didn’t ask you the right questions,“ Arin said. "I want to start again. You said that the prisoner reached trough the bars of the wagon to give you the moth.” “Yes” “And you couldn’t really see her.” “That’s right.” “But you said she was Herrani. Why would you say that if you couldn’t see her?” “Because she spoke in Herrani.” “Perfectly.” “Yes.” “No accent.” “No.” “Describe the hand.” “I’m not sure…” “Start with the skin. You said it was paler than yours, than mine.” “Yes, like a house slave’s.” Which wasn’t very different from a Valorian’s. “Could you see her wrist, her arm?” “The wrist, yes, now that you mention it. She was in chains. I saw the manacle.” “Did you see the sleeve of a dress?” “Maybe. Blue?” Dread churned inside Arin. “You think or you know?” “I don’t know. Things happened too fast.” “Please. This is important.” “I don’t want to say something I’m not sure is true.” “All right, all right. Was this her right hand or her left?” “I don’t know.” “Can you tell me anything about it? Did she wear a seal ring?” “Not that I saw, but –” “Yes?" "She had a birthmark. On the hand, near the thumb. It looked like a little black star.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Ronan raised his brows. “To the tune of fifty keystones?” “What do I care?” Kestrel wanted to end this conversation. “I am wealthy enough.” She touched Ronan’s sleeve. “And how much”—she rubbed the silk between her fingers—“did this cost?” “Ronan, whose deftly embroidered shirt was easily the same price the slave had been, allowed that a point had been made. “He will last longer than this shirt.” Kestrel let go of the cloth. “I’d say I got a bargain.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Something terrible was clawing up her throat. “I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.” “Damn your god.” Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.” “Why not? I can say anything. Anything except what really matters.” “Kestrel, take it back. You’ll offend him.” “Your god risks you.” “He protects me.” “You’re his plaything.” “You’re wrong. He loves me.” Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe. “It’s true,” Arin insisted. She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Life is Beautiful? Beyond all the vicissitudes that are presented to us on this short path within this wild planet, we can say that life is beautiful. No one can ever deny that experiencing the whirlwind of emotions inside this body is a marvel, we grow with these life experiences, we strengthen ourselves and stimulate our feelings every day, in this race where the goal is imminent death sometimes we are winners and many other times we lose and the darkness surprises us and our heart is disconnected from this reality halfway and connects us to the server of the matrix once more, debugging and updating our database, erasing all those experiences within this caracara of flesh and blood, waiting to return to earth again. "Life is beautiful gentlemen" is cruel and has unfair behavior about people who looked like a bundle of light and left this platform for no apparent reason, but its nature is not similar to our consciousness and feelings, she has a script for each of us because it was programmed that way, the architects of the game of life they know perfectly well that you must experiment with all the feelings, all the emotions and evolve to go to the next levels. You can't take a quantum leap and get through the game on your own. inventing a heaven and a hell in order to transcend, that comes from our fears of our imagination not knowing what life has in store for us after life is a dilemma "rather said" the best kept secret of those who control us day by day. We are born, we grow up, we are indoctrinated in the classrooms and in the jobs, we pay our taxes, we reproduce, we enjoy the material goods that it offers us the system the marketing of disinformation, Then we get old, get sick and die. I don't like this story! It looks like a parody of Noam Chomsky, Let's go back to the beautiful description of beautiful life, it sounds better! Let's find meaning in all the nonsense that life offers us, 'Cause one way or another we're doomed to imagine that everything will be fine until the end of matter. It is almost always like that. Sometimes life becomes a real nightmare. A heartbreaking horror that we find impossible to overcome. As we grow up, we learn to know the dark side of life. The terrors that lurk in the shadows, the dangers lurking around every corner. We realize that reality is much harsher and ruthless than we ever imagined. And in those moments, when life becomes a real hell, we can do nothing but cling to our own existence, summon all our might and fight with all our might so as not to be dragged into the abyss. But sometimes, even fighting with all our might is not enough. Sometimes fate is cruel and takes away everything we care about, leaving us with nothing but pain and hopelessness. And in that moment, when all seems lost, we realize the terrible truth: life is a death trap, a macabre game in which we are doomed to lose. And so, as we sink deeper and deeper into the abyss, while the shadows envelop us and terror paralyzes us, we remember the words that once seemed to us so hopeful: life is beautiful. A cruel and heartless lie, that leads us directly to the tragic end that death always awaits us.
Marcos Orowitz (THE MAELSTROM OF EMOTIONS: A selection of poems and thoughts About us humans and their nature)
When 1:45 came, half the class left, and Danny Hupfer whispered, "If she gives you a cream puff after we leave, I'm going to kill you" - which was not something that someone headed off to prepare for his bar mitzvah should be thinking. When 1:55 came and the other half of the class left, Meryl Lee whispered, "If she gives you one after we leave, I'm going to do Number 408 to you." I didn't remember what Number 408 was, but it was probably pretty close to what Danny Hupfer had promised. Even Mai Thi looked at me with narrowed eyes and said, "I know your home." Which sounded pretty ominous.
Gary D. Schmidt (The Wednesday Wars: A Newbery Honor Award Winner)
Sometimes, Arin almost understood what Kestrel had done. Even now, as he felt the drift of the boat and didn't fight its pull, Arin remembered the yearning in Kestrel's face whatever she'd mentioned her father. Like a homesickness. Arin had wanted to shake it out of her. Especially during those early months when she had owned him. He had wanted to force her to see her father for what he was. He had wanted her to acknowledge what she was, how she was wrong, how she shouldn't long for her father's love. It was soacked in blood. Didn't she see that? How could she not? Once, he'd hated her for it. Then it had somehow touched him. He knew it himself. He, too, wanted what he shouldn't. He, too, felt the heart chooses its own home and refuses reason. Not here, he'd tried to say. Not this. Not mine. Never. But he had felt the same sickness. In retrospect, Kestrel's role in the taking of the eastern plains was predictable. Sometimes he damned her for currying favor with the emperor, or blamed her playing war like a game just because she could. Yet he thought he knew the truth of her reasons. She'd done it for her father. It almost made sense. At least, it did when he was near sleep and his mind was quiet, and it was harder to help what entered. Right before sleep, he came close to understanding. But he was awake now.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))