Death By Scrabble Quotes

We've searched our database for all the quotes and captions related to Death By Scrabble. Here they are! All 29 of them:

When people got old, why did they always develop a passion for scrabbling in the earth? Were they trying to get used to it?
Sergei Lukyanenko (Twilight Watch (Watch, #3))
Normal life is nuts. It's a downhill deterioration to death no matter how you spice it along the way, and there's nothing you can do about it. Now, a sane person, when faced when that, would just plunk his ass down at the starting line, or wherever along the way this realization finally came to him, and say, "Are you kidding? I quit. I'll slide the rest of the way or sit here and smoke." It takes a true lunatic, or someone functioning with the critical apparatus of a worker bee, to keep scrabbling up that hill when he knows his destiny is dust. But that us what is required. Go on.
Norah Vincent (Voluntary Madness: My Year Lost and Found in the Loony Bin)
There was something wrong with me. The human body doesn't want to get hurt. We're programmed to feel squeamish at the sight of blood. Pain is a careful orchestration of chemical processes so that we keep our body alive. Studies have shown that people born with congenital analgesia -- the inability to feel pain -- bite off the tips of their tongues and scratch holes in their eyes and break bones. We are a wonder of checks and balances to keep running. The human body doesn't want to get hurt. There was something wrong with me, because sometimes I didn't care. There was something wrong with me, because sometimes I wanted it. We fear death; we fear the void; we scrabble to keep our pulses. I was the void. What are you afraid of? Nothing ... I wasn't meant to live, probably. This was why I was wired this way. Biology formed me and then took a look and wondered what the hell it was thinking and put in a mental fail-safe. In case of emergency pull cord.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
Hagrid’s hut loomed out of the darkness. There were no lights, no sound of Fang scrabbling at the door, his bark booming in welcome. All those visits to Hagrid, and the gleam of the copper kettle on the fire, and rock cakes and giant grubs, and his great bearded face, and Ron vomiting slugs, and Hermione helping him save Norbert . . .
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
My hands scrabbled in a wide, frantic arc and touched something hard and round. Wood. I pulled myself forward a few inches, grasped it and, afraid to look, felt above it to a firm, cloth-covered surface. It was a chair. I forced my eyes open. I
Maxine O'Callaghan (Death is Forever (Delilah West, #1))
It's an established fact that death rates go up on Black Wednesday... All junior doctors change hospitals on exactly the same day every six or twelve months, which is known as Black Wednesday. You might think it would be a terrible idea to exchange all your Scrabble tiles in one go and expect the hospital to run exactly as it did the day before, and you'd be quite right.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
There was something wrong with me. The human body doesn’t want to get hurt. We’re programmed to feel squeamish at the sight of blood. Pain is a careful orchestration of chemical processes so that we keep our body alive. Studies have shown that people born with congenital analgesia — the inability to feel pain — bite off the tips of their tongues and scratch holes in their eyes and break bones. We are a wonder of checks and balances to keep on running. The human body doesn’t want to get hurt. There was something wrong with me, because sometimes I didn’t care. There was something wrong with me, because sometimes I wanted it. We fear death; we fear the void; we scrabble to keep our pulses. I was the void. What are you afraid of? Nothing. You are not doing this you are not doing this you are not doing this But my eyes were already clawing over the bathroom for ways out. Trust you? I wasn’t meant to live, probably. This was why I was wired this way. Biology formed me and then took a look and wondered what the hell it was thinking and put in a mental fail-safe. In case of emergency pull cord. I was crouching by the wall, breathing into my hands. Victor had told me once that he’d never considered suicide, not even for a second, not even at his darkest moments. It’s the only life we have, he’d said. Even when I was happy, I felt like I was always looking for the edges on life. The seams. I was so perfectly born to die.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
Goodness is adorable, and it is immortal. When it is trodden down into the earth it springs up again, and human beings scrabble in the dust to find the first green seedling of its return. The stock cannot survive save by the mutual kindness of men and women, of old and young, of state and individual. Hatred comes before love, and gives the hater strange and delicious pleasures, but its works are short-lived; the head is cut from the body before the time of natural death, the lie is told to frustrate the other rogue’s plan before it comes to fruit. Sooner or later society tires of making a mosaic of these evil fragments; and even if the rule of hatred lasts some centuries it occupies no place in real time, it is a hiatus in reality, and not the vastest material thefts, not world wide raids on mines and granaries, can give it substance.
Rebecca West (Black Lamb and Grey Falcon)
Bast’s ears pricked at this news. Oh yes, this is good, she gloated inwardly. Felicity could be a useful tool if she was close to the Vanguard’s commanding officer. A plan began to form in her mind, an opportunity for some amusement and a chance to take down her target. Too good to miss. She laughed. “Lucky you. I don’t suppose he has any spare seats for us poor sales reps out here scrabbling to earn a living.” Felicity smiled. “I’d ask, but I suspect the answer would be only if I stayed here to free up a seat—and I’m not that self-sacrificial.” She laughed. “See you on the Dock, Yelendi. Mr Cardington, maybe I’ll be able to catch up with you soon. It’s been nice chatting with you both.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
Most activities in Valhalla were done to the death: Scrabble, whitewater rafting, pancake eating, croquet. (Tip: don’t ever play Viking croquet.)
Rick Riordan (Magnus Chase and the Hammer of Thor (Magnus Chase and the Gods of Asgard #2))
Gardening is about a balance of different forces, human and natural, life and death. When it comes to contemplating the inevitability of death, decay, and decomposition, however, much of the garden’s power derives from a direct and earthy engagement with it. If you are not a gardener, it may seem strange to think that scrabbling about in the soil can be a source of existential meaning, but gardening gives rise to its own philosophy, and it is one that gets worked out in the flower beds.
Sue Stuart-Smith (The Well-Gardened Mind: The Restorative Power of Nature)
The metabolic rate of history is too fast for us to observe it. It's as if, attending to the day-long life cycle of a single mayfly, we lose sight of the species and its fate. At the same time, the metabolic rate of geology is too slow for us to perceive it, so that, from birth to death, it seems to us who are caught in the beat of our own individual human hearts that everything happening on this planet is what happens to us, personally, privately, secretly. We can stand at night on a high, cold plain and look out toward the scrabbled, snow-covered mountains in the west, the same in a suburb of Denver as outside a village in Baluchistan in Pakistan, and even though beneath our feet continent-sized chunks of earth grind inexorably against one another, go on driving one or the other continent down so as to rise up and over it, as if desiring to replace it on the map, we poke with our tongue for a piece of meat caught between two back teeth and think of sarcastic remarks we should have made to our brother-in-law at dinner.
Russell Banks (Continental Drift)
How could you leave me?' she cried out loud, scrambling up onto her feet. Her voice sounded ugly and guttural to her ears, and she did not feel like herself. She wanted to kick the gravestone; she wanted to tear out the earth beneath which her mother lay and pull the body out of the ground and shake it until it gave her an answer. She fell to the ground again and dug her fingers into the winter-hard earth, scrabbling at the soil until her fingers began to bleed. The ground would not come up. It was frozen. Her mother was dead.
Malinda Lo (Ash)
The machine turns, turns and must keep on turning—for ever. It is death if it stands still. A thousand millions scrabbled the crust of the earth. The wheels began to turn. In a hundred and fifty years there were two thousand millions. Stop all the wheels. In a hundred and fifty weeks there are once more only a thousand millions; a thousand thousand thousand men and women have starved to death.
Aldous Huxley (Brave New World)
That was Sea Island cotton the slaver had ordered for his rows, but scattered among the seeds were those of violence and death, and that crop grew fast. The whites were right to be afraid. One day the system would collapse in blood. An insurrection of one. She smiled for a moment, before the facts of her latest cell reasserted themselves. Scrabbling in the walls like a rat. Whether in the fields or underground or in an attic room, America remained her warden.
Colson Whitehead (The Underground Railroad)
But civilization, you know…” He trailed off, unable to describe the change inherent in that featureless noun, the death of romance and the lingering of its sterile, carnal revenant, a world living on the forced respiration of glitter and ceremony; the geometric steps of make-believe courtship during the Sowing Night Coil that had replaced the truer, madder, scribble-scrabble of love which he could only intuit dimly; hollow grandeur in place of true passions which might once have built kingdoms and sustained them.
Stephen King (The Gunslinger (The Dark Tower, #1))
Within a week, I understood that in the wild, time moves much more slowly. A wind is never just a wind—it’s the email system of the natural world, bringing in new information about weather patterns, animals coming into and leaving the area, potential predators. Rain isn’t a nuisance—it’s a respite from bugs and fresh water for drinking. A snowfall isn’t an inconvenience—it’s a new source for tracks and animals that might become a meal. The rustling of the trees or the song of a bird or the scrabble of a rodent is the key to your survival; being able to spot a flicker of movement through the dense block of foliage is essential. When it is a matter of life and death, the volume of nature gets turned up loud.
Jodi Picoult (Lone Wolf)
Driving alone along the Northway, feeling more haunted than I really had the courage to be, I cried in the car the way one does when leaving someone in a bitter and unbearable way. I don't know why I should have picked that time to grieve, to summon everything before me--my own monsterousness, my two-bit affections, three-bit, four. It could have been sooner, it could have been later, it could have been one of the hot, awkward funerals (my grandmother's, LaRoue's, my father who one morning in Vero Beach clutched his fiery arm and fell dead off his chair mouthing to my mother, "Help. Heart. I love you" --how every death makes the world a lonelier place), it oculd have been some other time when the sun wasn't so bright, and there was no news on the raido, and my arms were not laced in a bird's nest on the steering wheel, my life going well, I believed, pretty well. It could have been any other time. But it was then: I cried for Sils and LaRoue, all that devotion and remorse, stars streaming light a million years after dying; I cried for the boyfriends I was no longer with, the people and places I no longer knew very well, for my parents and grandmother ailing and stuck in Florida, their rough, unchanging forms conjured only in memory; a jewel box kept in the medicine cabinet in the attic of a house on the moon; that's where their unchanging forms were kept. I cried for everyone and for all the scrabbly, funny love one sent out into the world like some hit song that enters space and bounds off to another galaxy, a tune so pretty you think the words are true, you do! There was never any containing a song like that, keeping it. It went off and out, speeding out of earshot or imagining or any reach at all, like a rocket invented in sleep.
Lorrie Moore (Who Will Run the Frog Hospital?)
In the tumultuous business of cutting-in and attending to a whale, there is much running backwards and forwards among the crew. Now hands are wanted here, and then again hands are wanted there. There is no staying in any one place; for at one and the same time everything has to be done everywhere. It is much the same with him who endeavors the description of the scene. We must now retrace our way a little. It was mentioned that upon first breaking ground in the whale’s back, the blubber-hook was inserted into the original hole there cut by the spades of the mates. But how did so clumsy and weighty a mass as that same hook get fixed in that hole? It was inserted there by my particular friend Queequeg, whose duty it was, as harpooneer, to descend upon the monster’s back for the special purpose referred to. But in very many cases, circumstances require that the harpooneer shall remain on the whale till the whole flensing or stripping operation is concluded. The whale, be it observed, lies almost entirely submerged, excepting the immediate parts operated upon. So down there, some ten feet below the level of the deck, the poor harpooneer flounders about, half on the whale and half in the water, as the vast mass revolves like a tread-mill beneath him. On the occasion in question, Queequeg figured in the Highland costume—a shirt and socks—in which to my eyes, at least, he appeared to uncommon advantage; and no one had a better chance to observe him, as will presently be seen. Being the savage’s bowsman, that is, the person who pulled the bow-oar in his boat (the second one from forward), it was my cheerful duty to attend upon him while taking that hard-scrabble scramble upon the dead whale’s back. You have seen Italian organ-boys holding a dancing-ape by a long cord. Just so, from the ship’s steep side, did I hold Queequeg down there in the sea, by what is technically called in the fishery a monkey-rope, attached to a strong strip of canvas belted round his waist. It was a humorously perilous business for both of us. For, before we proceed further, it must be said that the monkey-rope was fast at both ends; fast to Queequeg’s broad canvas belt, and fast to my narrow leather one. So that for better or for worse, we two, for the time, were wedded; and should poor Queequeg sink to rise no more, then both usage and honor demanded, that instead of cutting the cord, it should drag me down in his wake. So, then, an elongated Siamese ligature united us. Queequeg was my own inseparable twin brother; nor could I any way get rid of the dangerous liabilities which the hempen bond entailed. So strongly and metaphysically did I conceive of my situation then, that while earnestly watching his motions, I seemed distinctly to perceive that my own individuality was now merged in a joint stock company of two; that my free will had received a mortal wound; and that another’s mistake or misfortune might plunge innocent me into unmerited disaster and death. Therefore, I saw that here was a sort of interregnum in Providence; for its even-handed equity never could have so gross an injustice. And yet still further pondering—while I jerked him now and then from between the whale and ship, which would threaten to jam him—still further pondering, I say, I saw that this situation of mine was the precise situation of every mortal that breathes; only, in most cases, he, one way or other, has this Siamese connexion with a plurality of other mortals. If your banker breaks, you snap; if your apothecary by mistake sends you poison in your pills, you die. True, you may say that, by exceeding caution, you may possibly escape these and the multitudinous other evil chances of life. But handle Queequeg’s monkey-rope heedfully as I would, sometimes he jerked it so, that I came very near sliding overboard. Nor could I possibly forget that, do what I would, I only had the management of one end of it.
Herman Melville (Moby-Dick or, The Whale)
Give…give me a second.” Aleks spoke quietly. He lifted his hands to his face, wiping the sweat and tears from his eyes, then with an almighty roar, he rose up like a grizzly bear, grabbed the chair that had held him prisoner, and smashed it into Dostiger’s remaining interrogator. The man doubled over, trying to shield his face. Aleks dropped the chair and grabbed him by his collar, hauling him across the room like a doll. He swept the man’s legs from under him, catching him around the neck in a powerful chokehold. The solid Russian’s bicep bulged and the man’s face turned a deathly gray as Aleks whispered something in his ear. The man’s eyes grew wide and he scrabbled at the Russian’s arm in a feeble attempt to escape the deathly grip, then with a shudder, he went limp and was dropped to the floor unconscious. Aleks turned and spat at the corpse of the other torturer. “This piece of shit was going to drill out my eyes. Let’s get the fuck out of here.
Jack Silkstone (PRIMAL Unleashed (PRIMAL #2))
Bordan’s heart beat a quick march while snakes coiled around in his stomach. He took a deep breath, forcing his heart to slow and the snakes to hibernate. It was like this before a battle. The waiting and the knowing that very soon your life blood could be spilled upon the earth. That amongst the press of bodies, the stench of sweat mingled with urine, blood and fear, the screams of dying and roars of the frightened, you would be scrabbling just to stay alive.
G.R. Matthews (Seven Deaths of an Empire)
Nesta surged to her feet, staggering across the clearing, blood at her mouth from where he'd hit her, and threw herself to her knees before Cassian. 'Get up,' she sobbed, hauling at his shoulder. 'Get up.' He tried- and failed. 'You're too heavy,' she pleaded, but still tried to raise him, fingers scrabbling in his black, bloodied armour. 'I can't- he's coming-' 'Go,' Cassian groaned. Her powers had stopped hurling the king across the forest. He now stalked toward them, brushing off splinters and leaves from his jacket- taking his time. Knowing she would not leave. Savouring the awaiting slaughter. Nesta gritted her teeth, trying to haul Cassian up once more. A broken sound of pain ripped from him. 'Go!' he barked at her. 'I can't,' she breathed, voice breaking. 'I can't.' The same words Rhys had given him. Cassian grunted in pain, but lifted his bloodied hands- to cup her face. 'I have no regrets in my life, but this.' HIs voice shook with every word. 'That we did not have time. That I did not have time with you, Nesta.' She didn't stop him as he leaned up and kissed her- lightly. As much as he could manage. Cassian said softly, brushing away the tear that streaked down her face. 'I will find you again in the next world- the next life. And we will have that time. I promise.' The King of Hybern stepped into that clearing, dark power wafting from his fingertips. And even the Cauldron seemed to pause in surprise- surprise or some... feeling as Nesta looked at the king with death twining around his hands, then down at Cassian. And covered Cassian's body with her own. Cassian went still- then his hand slid over her back. Together. They'd go together.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
At the age of fifteen, during the winter when she’d discovered smashball, romance, and her parents’ profound imperfections, Mon Mothma had decided to devote her life to studying history; decided to turn her back on her family’s political dynasty and to spend her days in a cramped study reading thousand-year-old diaries and letters and cargo manifests until her eyes burned. She would be detective, coroner, and philosopher all at once, examining means and motive and cause of death for entire civilizations. She hadn’t become a historian, of course. By the next summer, Mon’s moment of rebellion had been forgotten. Inertia and family pressures and a genuine love of governance had returned her to the road to politics. She’d gone on to become a senator (far too young, she thought now) and scrabbled for votes and smiled and kept her head above water until she’d learned how to play the game for real.
Alexander Freed (Rogue One: A Star Wars Story (Star Wars Novelizations, #3.5))
Some pull back. Some cry. Some scrabble for crying babies, rot-gutted women, soft-eyed men, shivering children clustered about us in the dim cold before dawn. To this death before death. To this selling. Nan and Cleo and my mother talked about what it was to be sold—we all did, since we heard stories about what it was like, stories carried from one farm to another, one work camp to another. Bog bottomed, the boy sent to trade scrap metal with our blacksmith said. Manacle awash, the man sent to trade livestock said. Smoked and sunk, the farrier sent through the rice counties to shoe horses said. Hell, my mother said, and more of us marching there every day.
Jesmyn Ward (Let Us Descend)
Hagrid's hut looked out of the darkness. There were no lights, no sound of Fang scrabbling at the door, his bark booming in welcome. All those visits to Hagrid, and the gleam of the copper kettle on the fire, and rock cakes and giant grubs, and his great, bearded face, and Ron vomiting slugs, and Hermione helping him save Norbert...
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Please tell me we don’t have to go all the way upstairs for a condom,” she said. “Back pocket.” She leaned with him as he fished it out, then tried to help him get his jeans down over his hips. Her foot hit the coffee table, which snagged on the throw rug and sent the Scrabble tiles sliding all over the board. She laughed as he tore open the condom packet. “Now nobody wins.” “I was ahead.” He put one hand on her hip, using the other to guide himself into her. “So I win.” Emma moaned as he filled her, bracing herself against the couch with a hand on either side of his head. “The game wasn’t over. It’s a draw.” He pulled down on her hips as he drove up into her, making her gasp. “Ties are for pussies. Admit I won.” She looked down into his blue eyes, crinkled with amusement as he grinned at her. God, she loved…having sex with this man. “One good word isn’t a victory.” “That’s not what the score sheet said.” He stopped moving, and when she tried to rock against him, he held down on her hips so she couldn’t move, either. Then he had the nerve to chuckle at her growl of sexual frustration. “Admit it. I can sit here all night.” “Oh, really?” She went straight for a known weak spot—nipping at his earlobe before sucking it into her mouth. He let go of her hips with one hand, intending to push her mouth away, but she rocked her hips. He groaned and put his hand back. She breathed softly against his ear and then ran her tongue along the outside. “Admit I was going to win,” she whispered, “because I can do this all night.” With one leg, he kicked at the table, sending it over and the letter tiles flying. Before Emma could react, she was on her back on the throw rug with Sean between her legs and her hands held over her head. “I don’t lose.” He crossed her wrists so he could hold them with one hand, then used the other to pull her leg up over his hip so he was totally buried in her. “Give up?” She shook her head, but couldn’t hold back the sigh as he oh, so slowly withdrew almost completely and then just as slowly filled her again. “You’re cheating.” He did it again and again, the slow friction delicious and frustrating, until they were both trembling and on the edge. Then, as he was pulling out of her once again with a self-control that made her want to scream, it became a matter of life or death, because she was going to die if she didn’t get what her body was looking for. “Okay, fine. You win.” He drove into her hard, his fingers biting into her wrists before he released them so he could lift her legs to her shoulder. She cried his name as his fingers dug into her hips and he gave them what they both wanted. When he collapsed on top of her, breathing hard against her neck, she wrapped her legs and arms around him, holding him close. “Another one for the win column,” he said once they’d caught their breath. “It has an asterisk, though, because you totally cheated.” “All’s fair in sex and Scrabble, baby.” He propped his head on his hand and smiled down at her. “What should we play next?” “I’ve still got clothes on. You’ve still got clothes on. Maybe we should break out a deck of cards.” “You’re my kinda girl, Emma Shaw,” he said, and thankfully, he was in the process of getting up off the floor, because she didn’t think she did a good job of hiding how happy those words made her.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
We must get out of the banged-up century, some said, out of this cheating, murderous century of riot and secret death, of scrabbling for public land and damn well getting them by any means.
John Steinbeck
Big as a cart horse. Deep fetid marsh rot snot shit filth green. Traced out in scar tissue like embroidered cloth. Wings black and white and silver, heavy and vicious as blades. The Stink of it came choking. Fire and ash. Hot metal. Fear. Joy. Pain. There are dragons in the desert, said the old maps of the empire, and they had laughed and said no, no, not that close to great cities, if there ever were dragons there they are gone like the memory of a dream. Its teeth closed ripping on Gulius's arm, huge, jagged; its eyes were like knives as it twisted away with the arm hanging bloody in its mouth. It spat blood and slime and roared out flame again, reared up beating its wings. Men fell back screaming, armor scorched and molten, melted into burned melted flesh. The smell of roasting meat surrounded them. Better than steak. Gulius was lying somehow still alive, staring at the hole where his right arm had been. The dragons front legs came down smash onto his body. Plume of blood. Gulius disappeared. Little smudge of red on the green. A grating shriek as its claws scrabbled over hot stones. Screaming. Screaming. Beating wings. The stream rose up boiling. Two men were in the stream trying to douse burning flesh and the boiling water was in their faces and they were screaming too. Everything hot and boiling and burning, dry wind and dry earth and dry fire and dry hot scales, the whole great lizard body scorching like a furnace, roaring hot burning killing demon death thing.
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
Oh, strawberries don’t taste as they used to and the thighs of women have lost their clutch! And some men eased themselves like setting hens into the nest of death. History was secreted in the glands of a million historians. We must get out of this banged-up century, some said, out of this cheating, murderous century of riot and secret death, of scrabbling for public lands and damn well getting them by any means at all. Think back, recall our little nation fringing the oceans, torn with complexities, too big for its britches. Just got going when the British took us on again. We beat them, but it didn’t do us much good. What we had was a burned White House and ten thousand widows on the public pension list. Then the soldiers went to Mexico and it was a kind of painful picnic. Nobody knows why you go to a picnic to be uncomfortable when it is so easy and pleasant to eat at home.
John Steinbeck (East of Eden)