Shaun Tan Quotes

You discover how confounding the world is when you try to draw it. You look at a car, and you try to see its car-ness, and you’re like an immigrant to your own world. You don’t have to travel to encounter weirdness. You wake up to it.

Today is the tomorrow you were promised yesterday.

Sometimes the day begins with nothing to look forward to...

The Federal Department of Odds and Ends: sweepus underum carpetae.

So you want to hear a story? Well, I used to know a whole lot of pretty interesting ones. Some of them so funny you'd laugh yourself unconscious, others so terrible you'd never want to repeat them. But I can't remember any of those. So I'll just tell you about the time I found that lost thing....

And when you died I took you down to the river. And when I died you waited for me by the shore. So it was that time passed between us.

Why do I always listen to your insane plans? Why aren't we at home watching TV like everyone else? What possible difference will any of this make?

It's as if they take all our questions and offer them straight back: Who are you? Why are you here? What do you want?

It's funny how these days, when every household has its own inter-continental ballistic missile, you hardly even think about them. . . . A lot of us, though, have started painting the missiles different colors, even decorating them with our own designs, like butterflies or stenciled flowers. They take up so much space in the backyard, they might as well look nice, and the government leaflets don't say that you have to use the paint they supply.

Yes, we all know that there's a good chance the missiles won't work properly when the government people finally come to get them, but over the years we've stopped worrying about that. Deep down, most of us feel it's probably better this way. After all, if there are families in faraway countries with their own backyard missiles, armed and pointed back at us, we would hope that they too have found a much better use for them.

There is an implicit recognition here that important things in life are not always immediately visible, and can't always be named, or even fully understood. Others still are entirely imaginary -- like a red tree growing suddenly in a room -- although this does not make them any less real.

terrible fates are inevitable

without sense or reason

Horses know this more than most: The greatest curse of any animal is to be worth money to men.

He makes me wonder what damage I could do with them, how badly I could hurt someone if I hit them with a story.

Explanation is a luxury we can't afford these days, and reality doesn't care for it, being far too busy following its own unknowable course.

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

And, once again, the bears showed us. There they were, God help us, the Ledgers of the Earth, written in clouds and glaciers and sediments, tallied in the colours of the sun and the moon as light passed through the millennial sap of every living thing, and we looked upon it all with dread. Ours was not the only fiscal system in the world, it turned out. And worse, our debt was severe beyond reckoning. And worse than worse, all the capital we had accrued throughout history was a collective figment of the human imagination: every asset, stock and dollar. We owned nothing. The bears asked us to relinquish our hold on all that never belonged to us in the first place. Well, this we simply could not do. So we shot the bears.

Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing. The artist Paul Klee refers to this simple act as 'taking a line for a walk', an apt description of my own basic practice: allowing the tip of a pencil to wander through the landscape of a sketchbook, motivated by a vague impulse but hoping to find something much more interesting along the way. Strokes, hooks, squiggles and loops can resolve into hills, faces, animals, machines -even abstract feelings- the meanings of which are often secondary to the simple act of making (something young children know intuitively). Images are not preconceived and then drawn, they are conceived as they are drawn. Indeed, drawing is its own form of thinking, in the same way birdsong is 'thought about' within a bird's throat.

The world is a deaf machine

That they would publish for adults and which would find currency with children.

Little people can be empowered through art.

The green painted concrete out in front of the house, which at first seemed like a novel way to save money on lawn-moving, was now just plain depressing. The hot water came reluctantly to the kitchen sink as if from miles away, and even then without conviction, and sometimes a pale brownish color. Many of the windows wouldn't open properly to let flies out. Others wouldn't shut properly to stop them getting in. The newly planted fruit trees died in the sandy soil of a too-bright backyard and were left like grave-markers under the slack laundry lines, a small cemetery of disappointment. It appeared to be impossible to find the right kinds of food, or learn the right way to say even simple things. The children said very little that wasn't a complaint.

Maybe this is what our young doppelgangers failed to understand. They believed their good example would be enough. That being right was enough. They knew nothing about injured pride or the true inertia of human nature.

How much do I love our family? This much. When any kind of emergency strikes, good or bad, we snap together like parts in a machine, like a submarine crew at war in the tin-can clutter of our home, none of the usual debate, character assassination, woeful monologues, and turgid hand-wringing. I've learned to love crises for this reason, how they make us pull together and forget our separateness and sadness; this was the second great gift of the moonfish.

The shop enjoyed some success, particularly in raising the standard of sheep perms.

Maude had been rescued from a nearby lake. She had fallen into it after running two miles from their home, backwards all the way, desperately trying to escape her own feet.

Nunca somos tan vulnerables como cuando confiamos en el otro, pero si no confiamos jamás encontramos el amor. Abre el corazón, Shaun. Y da.

But there was a lot of happiness discovering so many small things in unexpected places.

All things foamed and fogged and our minds slept where they stood. There was always more shovelling to do.