Romantic Lake Quotes

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Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
... you are never so smart again in a language learned in middle age nor so romantic, brave or kind.
Garrison Keillor (Lake Wobegon Days)
Now we lie here, a decapitated generation, our child-like names vanishing on tombstones, can't you see? Once there was Rock 'n' Roll, freedom of speech, baroque picnics on miraculous boats, there was resurrection on romantic lakes, there were melting kisses under golden trees, there was ticking laughter, clicking metaphors, there were wine and poetic sex, beauty...
Laura Gentile (Seraphic Addiction)
I could just envision Sam imagining that I wanted him to go out to the lake with me, only to be confronted by Jannalynn and whatever she thought of as a romantic dinner -- live rabbits they could chase together, maybe.
Charlaine Harris (Deadlocked (Sookie Stackhouse, #12))
May I? My hands were asking. May I touch you? May I devote myself to you? May I take you in my arms and mold my body to yours? May I fall in love with you even if you never do?
Iris Lake (Meet Me in the Ether)
New skin, a new land! And a land of liberty, if that is possible! I chose the geology of a land that was new to me, and that was young, virgin, and without drama, that of America. I traveled in America, but instead of romantically and directly rubbing the snakeskin of my body against the asperities of its terrain, I preferred to peel protected within the armor of the gleaming black crustacean of a Cadillac which I gave Gala as a present. Nevertheless all the men who admire and the women who are in love with my old skin will easily be able to find its remnants in shredded pieces of various sizes scattered to the winds along the roads from New York via Pittsburgh to California. I have peeled with every wind; pieces of my skin have remained caught here and there along my way, scattered through that "promised land" which is America; certain pieces of this skin have remained hanging in the spiny vegetation of the Arizona desert, along the trails where I galloped on horseback, where I got rid of all my former Aristotelian "planetary notions." Other pieces of my skin have remained spread out like tablecloths without food on the summits of the rocky masses by which one reaches the Salt Lake, in which the hard passion of the Mormons saluted in me the European phantom of Apollinaire. Still other pieces have remained suspended along the "antediluvian" bridge of San Francisco, where I saw in passing the ten thousand most beautiful virgins in America, completely naked, standing in line on each side of me as I passed, like two rows of organ-pipes of angelic flesh with cowrie-shell sea vulvas.
Salvador Dalí (The Secret Life of Salvador Dalí)
I’ve always known the contours of your existence, the form you take between the stars. You are the inception and destruction of my sky. I will always be able to recognize you, even in the abysmal darkness.
Iris Lake (Meet Me in the Ether)
I will not be the girl that teeters on the edge between love and abuse and finds it romantic.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
IT rose for them—their honey-moon—over the waters of a lake so famed as the scene of romantic raptures that they were rather proud of not having been afraid to choose it as the setting of their own.
Edith Wharton (The Glimpses of the Moon)
Let’s pretend that you trust me and that I forgive you. Let’s stay in this room and confess all of our sins and only leave when we’re ready to be ourselves out in the world. Let’s make love until our bodies ache so we don’t feel our hearts breaking. Let’s pretend.
Iris Lake (Meet Me in the Ether)
In all my fantasies about our first kiss—and there’d been about six hundred thousand of them—I never once imagined it would be like that one. Our dream kiss usually involved moonlight, or fog, or moonlight and fog, a very mysterious and romantic combination, at least in the right locale. Moonlit fog beside a lake or a lazy river: romantic. Moonlit fog in almost any other place, like a narrow alleyway: Jack the Ripper.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
I headed to the church at five-thirty, wearing jeans, flip-flops, and brick red lipstick. My mom, calm and cool as a mountain lake, carried my white dress--plain and romantic, with a bodice that laced up corset-style in the back and delicate sheer sleeves. I carted in my shoes…my earrings…my makeup…and my exfoliating scrub, in case my face decided to pull a last-minute sloughing. I wasn’t about to roll over and take a last-minute sloughing without a fight. Not on my wedding day.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I have no need for money or a manor; I would be perfectly content living in a hut so long as I had you by my side. You know that I love you a thousand times more than any reason you could give for why we ought not be together. There is no other possible future for me than you. I would sooner die than stop loving you,' he growled. They stared at each other, their chests rising and falling in unison. 'Then you had better make sure you find Rothbart because I'm not letting you go after a speech like that.
M.A. Kuzniar (Upon a Frosted Star)
To-morrow the rediscovery of romantic love, The photographing of ravens; all the fun under Liberty's masterful shadow; To-morrow the hour of the pageant-master and the musician, The beautiful roar of the chorus under the dome; To-morrow the exchanging of tips on the breeding of terriers, The eager election of chairmen By the sudden forest of hands. But to-day the struggle, To-morrow for the young poets exploding like bombs, The walks by the lake, the weeks of perfect communion; To-morrow the bicycle races Through the suburbs on summer evenings. But to-day the struggle. To-day the deliberate increase in the chances of death, The conscious acceptance of guilt in the necessary murder; To-day the expending of powers On the flat ephemeral pamphlet and the boring meeting, Today the makeshift consolations: the shared cigarette, The cards in the candlelit barn, and the scraping concert, The masculine jokes; to-day the Fumbled and unsatisfactory embrace before hurting. The stars are dead. The animals will not look. We are left alone with our day, and the time is short, and History to the defeated May say alas but cannot help or pardon.
W.H. Auden (Collected Shorter Poems, 1927-1957)
At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries — stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever. But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic
Herman Melville (Moby Dick)
It’s a theory that we all have a twin soul, a soul identical to ours that we meet out there in our lives when we’re ready. We fall for them because we connect so deeply on a physical, spiritual, and mental level, but the twin soul is not a sexual relationship. Sex is crude. Primitive. The twin soul is far deeper, and the train wrecks of marriages you see are from people trying to make a romantic relationship work with their twin souls, rather than recognizing it’s deeper than that. Your soul mate, who you should be in a romantic relationship with, and your twin soul, who you should be in a spiritual relationship with, are not the same thing. But when you meet your twin soul, it’s like the rest of the world disappears, and there’s nothing you want more than to be with them.
Victor Methos (Crimson Lake Road (Desert Plains, #2))
Do you know about twin souls? It’s a theory that we all have a twin soul, a soul identical to ours that we meet out there in our lives when we’re ready. We fall for them because we connect so deeply on a physical, spiritual, and mental level, but the twin soul is not a sexual relationship. Sex is crude. Primitive. The twin soul is far deeper, and the train wrecks of marriages you see are from people trying to make a romantic relationship work with their twin souls, rather than recognizing it’s deeper than that. Your soul mate, who you should be in a romantic relationship with, and your twin soul, who you should be in a spiritual relationship with, are not the same thing. But when you meet your twin soul, it’s like the rest of the world disappears, and there’s nothing you want more than to be with them.” She paused and seemed lost in thought a moment. “I was Edward’s twin soul. You must have really had a hold on him for him to not even be tempted to make love to me.
Victor Methos (Crimson Lake Road (Desert Plains, #2))
He retrieves a fluffy white robe from the bathroom and drapes me in it. Then he sits next to me and opens the black folder. Inside, there’s a single sheet of paper, covered in words and symbols. There’s a rough square in the center of the page, surrounded by wavy lines. Is that supposed to be water? Inside the square, there are small symbols: cliffs, mountains, an oval lake. The symbols are labeled. The Pillowy Mountains. Shipwreck Cove. Bathtub Lake. Pirate’s Lookout. Rum-un Cliffs. There are three fancy Xs on the map, drawn with curlicues and shaded in. One in Rum-un Cliffs, one in the Pillowy Mountains, and one in Pirate’s Lookout. “Is this a treasure map?” I ask, tracing my fingers over it. “Did you draw this? It’s so cool.” He nods. “X marks the spot, see? You have an hour to find the three treasures and bring them back to me.” A treasure hunt? He’s made a treasure hunt for me? A n4ked treasure hunt? “Pirate treasure?” I ask, blinking up at him. “Uh-huh.” I can play pirates. I have the perfect thing.
E.J. Frost (Daddy P.I. (Daddy P.I. Casefiles, #1))
He mailed me a Christmas card every year, one of those newsletters that foreigners send to their friends with domestic news and photos of triumphant families. They only tell of their successes in these collective missives: travels, births and marriages. No one ever goes bankrupt, is sent to prison, or has cancer, no one commits suicide or gets divorced. Luckily that stupid tradition doesn’t exist in our culture. Harald Fiske’s newsletters were even worse than the idyllic families’: birds, birds, and more birds, birds from Borneo, birds from Guatemala, birds from the Arctic. Yes, apparently there are even birds in the Arctic. I think I already told you that the man was in love with our country, which he said was the most beautiful place in the world since we had every type of landscape: a lunar desert, long coastline, tall mountains, pristine lakes, valleys of orchards and vineyards, fjords and glaciers. He thought we were friendly and welcoming people because he judged us with his romantic heart and little real-life experience. However odd his reasons, he decided he was going to live out his final days here. I never understood it, Camilo, because if you can live legally in Norway, you’d have to be demented to move to this catastrophic country.
Isabel Allende (Violeta)
They contain round archipelagoes of romantic isles, even as the Polynesian waters do; in large part, are shored by two great contrasting nations, as the Atlantic is; the furnish long maritime approaches to out numerous territorial colonies from the East, dotted all round their banks; here and there are frowned upon by batteries, and by the goat-like craggy guns of lofty Mackinaw; they have heard the fleet thunderings of naval victories; at intervals, they yield their beaches to wild barbarians, whose red painted faces flash from out their peltry wig-wams; for leagues and leagues are flanked by ancient and unentered forest, where the gaunt pines stand like serried lines of kings in Gothic genealogies; those same woods harboring wild Afric beasts of prey, and silken creatures whose exported furs give robes to Tartart Emperors; they mirror the paved capitals of Buffalo and Cleveland, as well as Winnebago villages; they float alike the full-rigged merchant ship, the armed cruiser of the State, the steamer, and the beech canoe; they are swept by Borean and dismasting blasts as direful as any that lash the salted wave; they know what shipwrecks are, for out of sight of land, however inland, they have drowned full many a midnight ship with all its shrieking crew.
Herman Melville (Moby Dick)
That’s right, whine,” said Katharine. “Children,” said their mother. “I,” said Mr. Smith, “suggest we stop and have lunch.” So they did, and it was a town called Angola, which interested Mark because it was named after one of the countries in his stamp album, but it turned out not to be very romantic, just red brick buildings and a drugstore that specialized in hairnets and rubber bathing caps and Allen’s Wild Cherry Extract. Half an hour later, replete with sandwiches and tasting of wild cherry, the four children were on the open road again. Only now it was a different road, one that kept changing as it went along. First it was loose crushed stone that slithered and banged pleasingly underwheel. Then it gave up all pretense of paving and became just red clay that got narrower and narrower and went up and down hill. There was no room to pass, and they had to back down most of the fourth hill and nearly into a ditch to let a car go by that was heading the other way. This was interestingly perilous, and Katharine and Martha shrieked in delighted terror. The people in the other car had luggage with them, and the four children felt sorry for them, going back to cities and sameness when their own vacation was just beginning. But they forgot the people as they faced the fifth hill. The fifth hill was higher and steeper than any of the others; as they came toward it the road seemed to go straight up in the air. And halfway up it the car balked, even though Mr. Smith used his lowest gear, and hung straining and groaning and motionless like a live and complaining thing. “Children, get out,” said their mother. So they did. And relieved of their cloying weight, the car leaped forward and mounted to the brow of the hill, and the four children had to run up the hill after it. That is, Jane and Mark and Katharine did.
Edward Eager (Magic by the Lake (Tales of Magic))
In 1910 Leroux had his greatest literary success with Le Fantôme de l’Opéra (The Phantom of the Opera). This is both a detective story and a dark romantic melodrama and was inspired by Leroux’s passion for and obsession with the Paris Opera House. And there is no mystery as to why he found the building so fascinating because it is one of the architectural wonders of the nineteenth century. The opulent design and the fantastically luxurious furnishings added to its glory, making it the most famous and prestigious opera house in all Europe. The structure comprises seventeen floors, including five deep and vast cellars and sub cellars beneath the building. The size of the Paris Opera House is difficult to conceive. According to an article in Scribner’s Magazine in 1879, just after it first opened to the public, the Opera House contained 2,531 doors with 7,593 keys. There were nine vast reservoirs, with two tanks holding a total of 22,222 gallons of water. At the time there were fourteen furnaces used to provide the heating, and dressing-rooms for five hundred performers. There was a stable for a dozen or so horses which were used in the more ambitious productions. In essence then the Paris Opera House was like a very small magnificent city. During a visit there, Leroux heard the legend of a bizarre figure, thought by many to be a ghost, who had lived secretly in the cavernous labyrinth of the Opera cellars and who, apparently, engineered some terrible accidents within the theatre as though he bore it a tremendous grudge. These stories whetted Leroux’s journalistic appetite. Convinced that there was some truth behind these weird tales, he investigated further and acquired a series of accounts relating to the mysterious ‘ghost’. It was then that he decided to turn these titillating titbits of theatre gossip into a novel. The building is ideal for a dark, fantastic Grand Guignol scenario. It is believed that during the construction of the Opera House it became necessary to pump underground water away from the foundation pit of the building, thus creating a huge subterranean lake which inspired Leroux to use it as one of his settings, the lair, in fact, of the Phantom. With its extraordinary maze-like structure, the various stage devices primed for magical stage effects and that remarkable subterranean lake, the Opera House is not only the ideal backdrop for this romantic fantasy but it also emerges as one of the main characters of this compelling tale. In using the real Opera House as its setting, Leroux was able to enhance the overall sense of realism in his novel.
David Stuart Davies (The Phantom of the Opera)
In 1853, Haussmann began the incredible transformation of Paris, reconfiguring the city into 20 manageable arrondissements, all linked with grand, gas-lit boulevards and new arteries of running water to feed large public parks and beautiful gardens influenced greatly by London’s Kew Gardens. In every quarter, the indefatigable prefect, in concert with engineer Jean-Charles Alphand, refurbished neglected estates such as Parc Monceau and the Jardin du Luxembourg, and transformed royal hunting enclaves into new parks such as enormous Bois de Boulogne and Bois de Vincennes. They added romantic Parc des Buttes Chaumont and Parc Montsouris in areas that were formerly inhospitable quarries, as well as dozens of smaller neighborhood gardens that Alphand described as "green and flowering salons." Thanks to hothouses that sprang up in Paris, inspired by England’s prefabricated cast iron and glass factory buildings and huge exhibition halls such as the Crystal Palace, exotic blooms became readily available for small Parisian gardens. For example, nineteenth-century metal and glass conservatories added by Charles Rohault de Fleury to the Jardin des Plantes, Louis XIII’s 1626 royal botanical garden for medicinal plants, provided ideal conditions for orchids, tulips, and other plant species from around the globe. Other steel structures, such as Victor Baltard’s 12 metal and glass market stalls at Les Halles in the 1850s, also heralded the coming of Paris’s most enduring symbol, Gustave Eiffel’s 1889 Universal Exposition tower, and the installation of steel viaducts for trains to all parts of France. Word of this new Paris brought about emulative City Beautiful movements in most European capitals, and in the United States, Bois de Boulogne and Parc des Buttes Chaumont became models for Frederick Law Olmsted’s Central Park in New York. Meanwhile, for Parisians fascinated by the lakes, cascades, grottoes, lawns, flowerbeds, and trees that transformed their city from just another ancient capital into a lyrical, magical garden city, the new Paris became a textbook for cross-pollinating garden ideas at any scale. Royal gardens and exotic public pleasure grounds of the Second Empire became springboards for gardens such as Bernard Tschumi’s vast, conceptual Parc de La Villette, with its modern follies, and “wild” jardins en mouvement at the Fondation Cartier and the Musée du Quai Branly. In turn, allées of trees in some classic formal gardens were allowed to grow freely or were interleaved with wildflower meadows and wild grasses for their unsung beauty. Private gardens hidden behind hôtel particulier walls, gardens in spacious suburbs, city courtyards, and minuscule rooftop terraces, became expressions of old and very new gardens that synthesized nature, art, and outdoors living.
Zahid Sardar (In & Out of Paris: Gardens of Secret Delights)
Sitting, years later, watching the last of the ice finally melting on our lake one morning in early April and hearing my husband and children walking through the woods behind me. They were laughing and talking, and I touched for a moment the deepest joy, the kind of joy that was, and still is, entirely enough to fill up my heart for this lifetime.
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection, 2))
Could it be true that some people were literally made for each other? Proof of that romantic notion seemed to be standing before them.
Wendy Webb (Daughters of the Lake)
The bookshelves were lined with Joan Didion and Flannery O'Connor, a small, unexpected collection of musicalia, essay collections on Leonard Cohen and Neil Young. There was a framed poster of an exhibit of romantic landscape paintings in Dresden. Intellectuals had their own thing going, that was for sure.
Gary Shteyngart (Lake Success)
Romantic retrospect aside, the night spent in the truck is distinctly unpleasant. We are cramped and cold. The much-vaunted heating of the truck is ineffectual. The wind prises through the cracks in the sides of the windows, and penetrates us to the bone. My feet are moist in my shoes, yet to take my socks off is to chill my feet even further. We take every warm item of clothing out of our bags and swaddle ourselves into immobility. The sheepskin on the seat cuts out a bit of the cold rising from below. We share a blanket and Sui, before he goes off to sleep, makes sure I get a generous part of this. He then drops off to sleep, and tugs it away. He jockeys for space, and I am forced to lean forward. He begins to snore. To make it all worse, both he and Gyanseng sleeptalk. They have told me before tat I do, too, but I've never noticed it. What I do notice, however, late at night, with my two territorially acquisitive companions wedging me forwards, is that I have started talking to myself: naming the constellations I can see move across the mud-stained windscreen, interviewing myself, reciting odd snatches of poetry. I also notice that I am hungry, which is curious, because during the day I was not; and itchy, which is to be expected after so much unwashed travel; and sleepy, though I cannot sleep for cold and headache and discomfort; and alas, bored out of my mind. When things get really bad, I imagine myself in a darkened room, up to my shoulders in a tub of hot water, with a glass of Grand Marnier beside me and the second movement of Mozart's Clarinet Quintet sounding gently in my ears. This voluptuous vision, rather than making my present condition seem even more insupportable, actually enables me to escape for a while from the complaints of my suffering body.
Vikram Seth (From Heaven Lake: Travels Through Sinkiang and Tibet)
By surprising me, John had instantly found a way of making our wedding special and unique, however it turned out. Such a spontaneous ceremony wouldn't work for everyone, of course. But it's worth considering the role that unpredictable events might play in love and whether we can benefit by making more room for improvisation in our relationships. So much of our social experience, especially when it comes to romance, has to do with expectations. Maybe we have an image of the person we will marry long before we've met them. Usually, we call this a type, an ideal. Or maybe we have in our mind's eye the perfect first date—a walk by the lake, a hike in the woods, a romantic restaurant. When it comes to the wedding—an opportunity not only to proclaim our love but also to show off our good taste and social network—we probably know how it should look. Perhaps more importantly, we know how it should not look. If these expectations set us on a course toward genuine happiness, then they are all well and good. But I would argue that in many cases, such plans can become a kind of mind trap, forcing us to pursue a preconceived kind of happiness that we may never reach or that, once reached, may never make us happy.
Stephanie Cacioppo (Wired for Love: A Neuroscientist's Journey Through Romance, Loss, and the Essence of Human Connection)
Oh yes" Mrs. Cheever laughed a little and shook her head. "In those days it was thought elegant to give names to houses. Mr. Tuckertown, for instance, being southern and romantic, named his house Bellemere, and he nearly died when it was brought to his attention that that name--pronounced a little differently--means 'mother-in-law' in the French language, particularly as his mother-in-law did live with them and was a very strong-minded lady and a close friend of Mrs. Brace-Gideon.
Elizabeth Enright (Gone-Away Lake (Gone-Away Lake, #1))
The French dominion is a memory of the past; and when we evoke its departed shades, they rise upon us from their graves in strange, romantic guise. Again their ghostly campfires seem to burn, and the fitful light is cast around on lord and vassal and black robed priest, mingled with wild forms of savage warriors, knit in close fellowship on the same stern errand. A boundless vision grows upon us; an untamed content; vast wastes of forest verdure; mountains silent in primeval sleep; river, lake, and glimmering pool; wilderness oceans mingling with the sky. Such was the domain which France conquered for Civilization.
Francis Parkman (Pioneers of France in the New World)
The French dominion is a memory of the past; and when we evoke its departed shades, they rise upon us from their graves in strange, romantic guise. Again their ghostly campfires seem to burn, and the fitful light is cast around on lord and vassal and black-robed priest, mingled with wild forms of savage warriors, knit in close fellowship on the same stern errand. A boundless vision grows upon us; an untamed continent; vast wastes of forest verdure; mountains silent in primeval sleep; river, lake, and glimmering pool; wilderness oceans mingling with the sky. Such was the domain which France conquered for Civilization
Francis Parkman (Pioneers of France in the New World)
The French dominion is a memory of the past; and when we evoke its departed shades, they rise upon us from their graves in strange, romantic guise. Again their ghostly campfires seem to burn, and the fitful light is cast around on lord and vassal and black-robed priest, mingled with wild forms of savage warriors, knit in close fellowship on the same stern errand. A boundless vision grows upon us; an untamed continent; vast wastes of forest verdure; mountains silent in primeval sleep; river, lake, and glimmering pool; wilderness oceans mingling with the sky. Such was the domain which France conquered for Civilization.
Francis Parkman (Pioneers of France in the New World)
Which it literally could be. Many of history’s greatest thinkers, leaders, scientists, artists, and entrepreneurs found some of their greatest inspiration going for walks. Beethoven used to take walks carrying blank pages of sheet music and a pencil. The Romantic poet William Wordsworth used to write as he took walks around a lake where he lived. Ancient Greek philosophers like Aristotle would lecture their students while taking long walks with them, often working out their ideas at the same time. Two thousand years later, the philosopher Friedrich Nietzsche would say, “It is only ideas gained from walking that have any worth.” Einstein refined many of his theories about the universe while walking around the Princeton University campus. The writer Henry David Thoreau would say, “The moment my legs begin to move, my thoughts begin to flow.
Arnold Schwarzenegger (Be Useful: Seven Tools for Life)
What if there is no pot of gold, Anna?” Her mother’s voice joined the breeze. “You need to find your own treasure in moments because life is short and passing as we speak. Don’t waste it.
Rebecca Lake (Where Secrets Lie: A Clean Romantic Suspense Novel (Deception In The Mountains Book 1))
Unfortunately the hostility that the European displayed toward the native cultures he encountered he carried even further into his relations with the land. The immense open spaces of the American continents, with all their unexploited or thinly utilized resources, were treated as a challenge to unrelenting war, destruction, and conquest. The forests were there to be cut down, the prairie to be plowed up, the marshes to be filled, the wildlife to be killed for empty sport, even if not utilized for food or clothing. In the act of 'conquering nature' our ancestors too often treated the earth as contemptuously and as brutally as they treated its original inhabitants, wiping out great animal species like the bison and the passenger pigeon, mining the soils instead of annually replenishing them, and even, in the present day, invading the last wilderness areas, precious just because they are still wildernesses, homes for wildlife and solitary human souls. Instead we are surrendering them to six-lane highways, gas stations, amusement parks, and the lumber interests, as in the redwood groves, or Yosemite, and Lake Tahoe-though these primeval areas, once desecrated, can never be fully restored or replaced. I have no wish to overstress the negative side of this great exploration. If I seem to do so here it is because both the older romantic exponents of a new life lived in accordance with Nature, or the later exponents of a new life framed in conformity to the Machine, overlooked the appalling losses and wastages, under the delusion either that the primeval abundance was inexhaustible or else that the losses did not matter, since modern man through science and invention would soon fabricate an artificial world infinitely more wonderful than that nature had provided-an even grosser delusion. Both views have long been rife in the United States where the two phases of the New World dream came together; and they are still prevalent.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
Oh, no; it’s fascinating,” Ursula said. “A rising star of the English poetry scene kills himself by a dark lake on the eve of a huge society party. His only witnesses are two beautiful sisters who never speak to each other again. One his fiancée, the other rumored to be his lover. It’s terribly romantic.
Kate Morton (The House at Riverton)
Brick stood silhouetted against the frozen lake through this front window. "Be careful. It sounds like you've got at least one killer out there. Someone who thought they'd gotten away with murder. It's easier to kill after the first time, they say.
B.J. Daniels (Crime Scene at Cardwell Ranch (Cardwell Ranch, #1))
People marry for different reasons. Mine had nothing to do with love. I’ve lost my faith in romantic love. I don’t believe in it anymore.
Keri Lake (Ricochet (Vigilantes, #1))
Rick looked at his watch and gave a nod. “Yup! We have enough time before our next appointment.” “Enough time for what?” asked Amelia. He grinned and began dancing around her and singing in jazz style: “Goin’ down the bayou! Goin’ down the bayou! Goin’ down the bayou! Doodle-ee doodle-ee-doo!” When Rick saw her eyes brighten, he said, I checked out a few bayous at Cross Lake. We’re goin’ down the bayou, sweetie.” Amelia asked with laughter in her voice, “Were you just singing a Disney tune? From the Princess and the Frog?” “Yup! I have many talents.
Linda Weaver Clarke (Mystery on the Bayou (Amelia Moore Detective Series #6))
It was another beautiful crisp, clear day, in what has always been considered picturesque Überlingen. The village was internationally known for its traditional beauty and was a popular vacation destination long before the war. As usual, there was just a hint of a breeze off the brilliantly blue lake and I could understand why so many Germans would come here for their urlaub or vacation. Having a little money left over from the last check sent by Mina, I found a nice room for the three of us, overlooking the lake at a classy resort hotel. For the next two days we lived quite comfortably in our new surroundings. In fact we even enjoyed a real hot bath, something that I had almost forgotten. As I soaked in the warm, sudsy water I could hear my children laughing and giggling in the next room, and longed for a time when the world would be at peace again. During the day we walked along the shore of the beautiful Bodensee, but in the back of my mind, I knew that this was nothing more than a horrible illusion and couldn’t last; besides I had to find work. In reality, the children and I would have to settle in somewhere so that we could find some sort of stability. It was also important that they enroll in a school again. That “somewhere” turned out to be a room in a house owned by two old ladies who took in boarders. The old house faced the railroad station and was quaint in the old world style. It fit right into the picture postcard appearance of romantic Überlingen. Erika, the younger of the two ladies, was very kind and helpful to me. There were also two other tenants, Mr. and Mrs. Koestoll. He was German and she seemed to be what could be considered a typical French housewife, who devoted her life to her German husband. Herr Koestoll, was old and feeble and they sustained themselves on a very small pension. In fact it was so bad that he couldn’t even afford shoes. However their happiness didn’t seem to depend on money. I grew very fond of them for the short time that we knew each other.
Hank Bracker
FIRST DIP, THIRD NIP We went out on the lake and, after his first dip in the water, I noticed the mole on his chest had reacted to the cold. Triple nipple is a deal breaker. —Jillian
Robert K. Elder (It Was Over When: Tales of Romantic Dead Ends)
But life is beautiful, Sariel!’ Gabriel said, trying to convince him. ‘Watch the sunrise sometime lying in the scented flowers of the field, or the shooting stars at the end of summer! Read a couple of really exciting books or lose yourself in the unselfconscious smiles of children. Have a swim in a clear mountain lake or take a run among trees clothed in autumn colours. If you can see the good in Earth, your own existence will become the richer for it!’ ‘That all sounds very well and good, but you haven’t convinced me,’ the deep-voiced angel murmured and Ariel laughed. ‘My friend, Gabriel was very gently trying to suggest that you should fall in love and that will better dispose you to the world!
A.O. Esther (Breath of Darkness (Shattered Glories, #4))
sexual relations are kept strictly separate from Mosuo family relations. At night, Mosuo men are expected to sleep with their lovers. If not, they sleep in one of the outer buildings, never in the main house with their sisters. Custom prohibits any talk of love or romantic relationships in the family home. Complete discretion is expected from everyone. While both men and women are free to do as they will, they’re expected to respect one another’s privacy. There’s no kissing and telling at Lugu Lake. The mechanics of the açia relationships, as they are referred to by Mosuo, are characterized by a sacred regard for each individual’s autonomy—whether man or woman.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
UNCONVENTIONAL DESTINATION WEDDING LOCALES Destination Wedding Jan 6 This wedding season, fall in love with endearing unconventional destination wedding locales Theme Weavers Designs Since all the travel restrictions have been lifted, destination weddings are back in vogue. However, the pandemic has led to a major paradigm shift. In this case, Indian couples are looking into hidden gems to take on as their wedding destination, instead of opting for an international location. With the rich cultural heritage and a myriad of local traditions, it has been observed by industry insiders that couples feel closer to their past and history after getting married in a regional wedding destination. At the same time, it is a very cumbersome task to find the perfect wedding destination - it has to be perfectly balanced in terms of the services it offers as well as having breathtaking views. This wedding season, choose something offbeat, by opting for an unexplored destination, that is both visually appealing and has a romantic vibe to them. Start off your wedding journey with an auspicious location. Rishikesh, on the banks of the holy river Ganges is one of the most sacred places a couple can tie the knot. This tiny town’s interesting traditions, picturesque locales, and ancient customs make this one of the most underrated places to get married in india. Perfect for a riverside wedding in extravagant outdoor tents, this wedding season, it is high time Rishikesh gets the hype it deserves. “The Glasshouse on the Ganges,” is one of the most stunning places to get married. While becoming informed travellers, this place is interred with a vast and vibrant cultural history. It offers an extremely unique experience as it revitalises ruined architectural wonders for the couple to tour or get married in, making it a heartwarming and wonderful experience for all those who are involved. Steep your wedding party in the lap of nature, in Naukuchiatal, Nainital, Uttarakhand. This place is commonly referred to as “treasure of natural beauty,” where it offers mesmerising natural spectacles for a couple to get married in a gorgeous outdoor ceremony. Away from the hustle and bustle of the urban jungles that have slowly been taking over the Indian subcontinent, this location provides a much needed breath of fresh air. This location also provides much needed reprieve from the fast paced lifestyle that we live, making a wedding a truly relaxing affair. As this is a quaint hill station, surrounded with lush greens, there are numerous ideas to create a natural and sustainable wedding. The most distinguishing feature of this location is the nine-cornered lake, situated 1,220 m above sea level. There is something classic and timeless about the Kerala backwaters. This location is enriching and chock full of unique cultural traditions. With spectacular and awe-inspiring views of the backwaters, Kumarakom in Kerala easily qualifies as one of the top wedding destinations in india. Just like Naukuchiatal, this space is a study in serenity, where it is far away from the noisy streets and bazaars. Perfect for a cozy and intimate wedding, the Kerala backwaters are a gorgeous choice for couples who are opting for a socially distant wedding, along with having a lot of indigenous flora and fauna. Punctuated with the salty sea and the sultry air, the backwaters in Kerala are an underrated gem that presents couples with a unique wedding location that is perfect for a historical and regal wedding. The beaches of Goa and the forts of Rajasthan are a classic for a reason, but at the same time, they can get boring. Couples have been exploring more underrated wedding locations in order to experience the diverse local cultures of India that can also host their weddings
Theme Weavers
You want to know how I see you?' Forster's voice turned husky. Detta's mouth was swollen from grazing his stubble and he couldn't stop looking at it, at her. 'When we are together, all I can think of is you, and when sleep comes, I dream of you.' Detta had stilled yet he continued, unable to stop. 'And when we're apart, I ache for you. Missing you is a physical pain that I cannot rid myself of and nor would I ever choose to because there is no sweeter pain than that which reminds me of you. You are my everything.
M.A. Kuzniar (Upon a Frosted Star)
...all I want, all I could ever need, is you.
M.A. Kuzniar (Upon a Frosted Star)
...I do not care for any future that doesn't include you. You, Detta, are my everything and I plan on loving you for a very very long time to come.
M.A. Kuzniar (Upon a Frosted Star)
I love you, Forster; whatever the future may hold for us, I want us to face it together,' she whispered. 'I will never leave you.' His heart swelled. 'It's you, Detta. For me, it's always been you.
M.A. Kuzniar (Upon a Frosted Star)
I would gladly wait a hundred months for a single day like this,' he told her.
M.A. Kuzniar (Upon a Frosted Star)
No,' he told her fiercely, tilting her chin up and looking deep into her ocean eyes. 'You deserve more. But I shall never stop trying to give you everything. For you, I would cut the stars from the sky.
M.A. Kuzniar (Upon a Frosted Star)
And love, I shall think, musn't leave you hungry for love.
Iris Lake (Meet Me in the Ether (Meet Me in the Ether, #1))
The One Who Moves Me by Stewart Stafford Her caress and laughter, Cast out the darkness, And lull the choppy waters, Her embrace, a flowering meadow. Her absence stills the earth, Cracked ice on a frozen lake, Asphyxiating silence descends, The Faustian poker of loneliness. Lexicons filled with her silences, Seismic shifts of stinging rage, She, in naked imperfection as I, Together, reuniting in shelter. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
He answered the phone quickly. “Hahn.” “Did you get my message about the clowns? I told you they were going to get me someday.” Ezra refused to let the relief he felt leak into his voice. He snapped his fingers in Toliver’s direction. With a few clicks, she had the call being recorded. “Lake, you asshole. Care to tell us where you are?” “Us?” “You have Brockmans, me, and Agent Toliver. She’s searching for her little friend. You got her?” “Sure do. May just keep her. She’s pretty. Watch out for Toliver. She’s just as pretty.
Calle J. Brookes (Hiding (PAVAD: FBI Romantic Suspense, #13))
On Saturday morning, he'd chosen his favorite place in Taipei to show me, Chung-shan Park. We wandered on a beautiful walking path around a lake with spraying fountains, surrounded by trees, and under the shadow of Taipei's iconic skyscraper, which was called Taipei 101. It was a great place for people-watching, with young couples on romantic walks, parents pushing babies in strollers, older people practicing tai chi, kids riding bikes, and nature lovers snapping photos of flowers. Best of all were the baobing- delicious shaved ices with a super-thin texture and condensed milk that added an extra sweet flavor. I topped my baobing with mango chunks, while Uncle Masa chose sweet potato chunks on his, an addition I never imagined could be delicious until I sampled his for myself.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
Being instruments of the kingdom of God in this world means yielding to the agenda of the King, not following our own romantic notions of what that should look like. "A person can sow the seed, but the kingdom itself is God's deed."6 Our obligation is to obedience; God is responsible for the outcomes.
Stephanie O. Hubach (Same Lake, Different Boat: Coming Alongside People Touched by Disability)
Lake Como," she said the little name to herself lingeringly. He had described a marble palace amongst cypress trees, had made her feel that she was there with him listening to the lap of the water, the singing of a nightingale, the love serenade of a boatman on the lake. "Piangi, piangi fanciulla," he had sung for them the first line. She hadn't known that he could sing.
Anya Seton (Dragonwyck)
He said no. That he was faithful to you. Quite rare in a man to be able to deny someone who is so connected to him, heart and soul. Do you know about twin souls? It’s a theory that we all have a twin soul, a soul identical to ours that we meet out there in our lives when we’re ready. We fall for them because we connect so deeply on a physical, spiritual, and mental level, but the twin soul is not a sexual relationship. Sex is crude. Primitive. The twin soul is far deeper, and the train wrecks of marriages you see are from people trying to make a romantic relationship work with their twin souls, rather than recognizing it’s deeper than that. Your soul mate, who you should be in a romantic relationship with, and your twin soul, who you should be in a spiritual relationship with, are not the same thing. But when you meet your twin soul, it’s like the rest of the world disappears, and there’s nothing you want more than to be with them.
Victor Methos (Crimson Lake Road (Desert Plains, #2))
There was so much unfairness in life, especially when one was the youngest, and a girl. I planned to change that one day. I was going to be an astronaut or a president, maybe an astronaut and then the president. And here we are, more than thirty-five years later, and we have plenty of female astronauts and we’re within spitting distance of a female president. But you know what I consider true progress? The fact that we had a female astronaut disturbed enough to make that famous cross-country trip in adult diapers, intent on killing a romantic rival. When your kind is allowed to be mediocre or crazy—that’s true equality.
Laura Lippman (Wilde Lake)
replaced by a detail posted on a Web page, which may be more accurate but is probably less true. Gone is the friend you knew from home. Gone is the sled and the lake and the winter. Gone are the stories that existed in the gap between imagining and knowing and, with them, the distance that turned the particular into the universal and the mundane into the romantic.
David L. Ulin (The Lost Art of Reading: Books and Resistance in a Troubled Time)
My life was a turbulent storm, and she sat in the center of it, in the calm, making me forget the chaos that swirled all around me.
Keri Lake (Backfire (Vigilantes, #2))