Sharp Tongue Quotes

We've searched our database for all the quotes and captions related to Sharp Tongue. Here they are! All 100 of them:

A quick temper, sharp tongue, and restless spirit were always getting her into scrapes, and her life was a series of ups and downs, which were both comic and pathetic.
Louisa May Alcott (Little Women)
Arrogance is a creature. It does not have senses. It has only a sharp tongue and the pointing finger.
Toba Beta
The tongue like a sharp knife... Kills without drawing blood.
Gautama Buddha
What are you?” She demanded. “My dad? Osiris? Are you even alive?” Dad looked at Anubis. “What did I tell you about her? Fiercer than Ammit, I said.” “You didn’t need to tell me that.” Anubis’s face was grave. “I’ve learned to fear that sharp tongue.” Sadie looked outraged. “Excuse me?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
A tart temper never mellows with age, and a sharp tongue is the only edged tool that grows keener with constant use.
Washington Irving (Rip Van Winkle)
Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
My new knight mistress is famed for wielding sharp edges: Sword, Knife and Tongue!
Tamora Pierce (Squire (Protector of the Small, #3))
He's a contradiction: taut magic coiled to strike, gentleness at war with severity, a tongue as sharp as a whip's edge, yet skin so soft he could be swathed in clouds.
A.G. Howard (Splintered (Splintered, #1))
she got a reputation for an easy smile and a sharp tongue, and using one to balance the other, she seemed friendly but distant
Dorothy Allison
Hang on," Sadie said. She stomped right up to the throne. Ammit growled at her, but Sadie growled back, which confused the monster into silence. "What are you?" she demanded. "My dad? Osiris? Are you even alive?" Dad looked at Anubis. "What did I tell you about her? Fiercer than Ammit, I said." "You didn't need to tell me." Anubis's face was grave."I've learned to fear that sharp tongue." Sadie looked outraged. "excuse me?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Listen sharp, think deep, and guard your tongue- Tam al'Thor
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Faerie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold...The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost.
J.R.R. Tolkien (On Fairy-Stories)
Such sharp words,” he said. “Your tongue ought to come with a warning.” “Truth is often compared to a blade,” I said. “I question those who marvel when it pricks.
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
Our children begin to drift away because of the scars and burdens. The sharp tongue of the silent killer constantly creates a cloud of confusion and friction over our children’s heads due to the verbal, mental, emotional, and physical abuse.
Charlena E. Jackson
In my experience, women with sharp tongues usually have soft lips.
Ashley Poston (The Dead Romantics)
A sharp tongue is no match for a sharp tooth.
Holly Black (How the King of Elfhame Learned to Hate Stories)
She had been the quiet, rather plain girl, with a surprisingly sharp tongue if she was put out, lovely eyes and pretty hair and a way of looking very directly at one. Now he had to admit that she had become more important to him than anyone else in the world. The idea of a future without her wasn't to be borne. She had by some mysterious metamorphosis become more beautiful than anyone else he had ever encountered.
Betty Neels
What about you?" I kept my voice carefully indifferent. He flashed me a cold smile, sharp at the edges. "Worried about me?" Because I couldn't think of anything snide to say, I stuck my tongue out at him. Jude wagged his head. "More tongue exercises? Would have thought you'd had enough last night." "Go to hell." "Sorry, love, but we're already there.
Becca Fitzpatrick (Black Ice)
What's this?" Amarantha said, her voice lilting despite the adder's smile she gave me . . . "Just a human thing I found downstairs," the Attor hissed, and a forked tongue darted out between his razor-sharp teeth.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
They wondered at her bruised and mysterious court: the raven-haired Squaller with her sharp tongue, the Ruined One with her black prayer shawl and hideous scars, the pale scholar who huddled away with his books and strange instruments. These were the sorry remnants of the Second Army—unfit company for a Saint.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Then I drove over to get my snaked-haired, sharp-tongued, unpredictable, and very perplexing girlfriend, like the besotted sap that I very much was.
Raine Miller (All In (The Blackstone Affair, #2))
Because I’m not enough, she thought. That was the terrible echo shouting up at her: Fraud, fraud, fraud. She got drunk and talked too much and danced on tables. She had a temper and a sharp tongue, and she often blurted out things she instantly regretted. Worst of all, she suspected that was who she truly was—not so much a bright young thing as a messy young thing.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
What’s three?” I asked, hoping to move away from this uncomfortable topic. The smile pulled at his lips again. “Three.” One of his hands cupped my face and the other slid around my back. He pulled my body against his and my heart began to pound. I took advantage of my free hand and pushed at his chest. “I don’t think so, Lily,” he said. “If you want to get rid of me, you’ll need to do better than that.” I drew a sharp breath and tried to wiggle away, but he held me firmly in place, watching me struggle. He grinned as he lifted me up onto the sink. “What are you doing?” I started to panic. “Someone could come in!” “If they see us, they’ll just turn around and get out of here,” he murmured, lips touching my ear. “No one crosses me.” His hips pressed against my knees, opening them, pushing my skirt up my legs. I gripped his shirt, clinging to him so I wouldn’t fall into the sink. His hand pushed into my lower back. I gasped as his body fitted against mine. Heat flooded my chest, my pelvis. I thought I would drown in it. “We can’t—” His lips stopped my words. The kiss just made me dizzier. I dug my fingers into his shoulders. “You said you didn’t want to be left alone.” His tongue flicked over my cheekbone. “This is me pestering you.” “Aren’t you breaking the rules?” I could barely get the words out. “What about the union?” “I’d rather have you on my own terms.” His hand slipped between my thighs. All strength fled my limbs. “I can’t breathe.” “That means you like it.” He kissed me again.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
I was terrified of my weakness, of my sharp tongue, of my every flaw. I was terrified that this moment, my chance to live in happiness for however short a time we may have had, would be ruined because I was simply not carved out of the same wood as happiness, and that my grain was too twisted to ever take its form.
Amy Lane (Truth in the Dark)
A small smile turns up a corner of my mouth. I feel the sharpness of my teeth and roll my tongue over them. For the first time, I like the feeling.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
He was a volatile mixture of confidence and vulnerability. He could deliver extended monologues on professional matters, then promptly stop in his tracks to peer inquisitively into his guest's eyes for signs of boredom or mockery, being intelligent enough to be unable fully to believe in his own claims to significance. He might, in a past life, have been a particularly canny and sharp-tongued royal advisor.
Alain de Botton (The Pleasures and Sorrows of Work)
I should warn you, I’m an expert on vampires. I’ve seen every episode made of Buffy, Angel, and Forever Knight, so don’t think a little fang-flashing is going to scare me.” – Nell to Adrian Oh, my God! You bit me on the leg! You drank my blood! I am not an appetizer!” You are much more then an appetizer. You are a twelve-course banquet. – Nell & Adrian I slid my tongue around the glossy enamel of his teeth, pausing to stroke down the length of an elongated canine tooth. Yeah. I know. How stupid is it to French kiss a vampire and not expect sharp teeth? – Nell
Katie MacAlister (Sex, Lies and Vampires (Dark Ones #3))
Women's Tongues are as sharp as two-edged Swords, and wound as much, when they are anger'd.
Margaret Cavendish
Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.
Michael Tobert (Karna's Wheel)
People don't talk like this, theytalklikethis. Syllables, words, sentences run together like a watercolor left in the rain. To understand what anyone is saying to us we must separate these noises into words and the words into sentences so that we might in our turn issue a stream of mixed sounds in response. If what we say is suitably apt and amusing, the listener will show his delight by emitting a series of uncontrolled high-pitched noises, accompanied by sharp intakes of breath of the sort normally associated with a seizure or heart failure. And by these means we converse. Talking, when you think about it, is a very strange business indeed.
Bill Bryson (The Mother Tongue: English and How It Got That Way)
They say a witch used to live in these woods, a long long time ago,” she began. And this is what the little girl would tell her children and what they would tell their children long after the ones who came before were gone. “They say an old witch lived in the east, in Iron Wood. And there, she bore the wolves who chase the sun and moon. They say she went to Asgard and was burned three times upon a pyre and three times she was reborn before she fled. They say she loved a man with scarred lips and a sharp tongue; a man who gave her back her heart and more. They say she loved a woman too, a sword-wielding bride of the Gods; as bold as any man and fiercer still. They say she wandered, giving aid to those who needed it most, healing them with potions and spells. They say she stood her ground against the fires of Ragnarok, until the very end, until she was burned a final time. All but her heart reduce to ashes once more. But others say she lives yet.
Genevieve Gornichec (The Witch's Heart)
She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.
Haruki Murakami (Norwegian Wood)
It wouldn’t be the first time his sharp tongue had cut his own throat.
Brent Weeks (The Way of Shadows (Night Angel, #1))
Jo’s ambition was to do something very splendid; what it was she had no idea as yet, but left it for time to tell her; and, meanwhile, found her greatest affliction in the fact that she couldn’t read, run, and ride as much as she liked. A quick temper, sharp tongue, and restless spirit were always getting her into scrapes, and her life was a series of ups and downs, which were both comic and pathetic.
Louisa May Alcott (Little Women)
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.” His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
Emily Henry (Book Lovers)
I had always been a great talker and teller of tales. 'You should put a lock on that tongue of yours. It's long enough and sharp enough to slit your own throat,' our guardian warned me, the night before I left home to go to the royal court at Versailles ... I just laughed. 'Don't you know a woman's tongue is her sword? You wouldn't want me to let my only weapon rust, would you?
Kate Forsyth (Bitter Greens)
Eve held his eyes and confidently licked the length of the razor-sharp blade with the tip of her tongue. Red blood beaded up on her tongue, and she licked her lips, giving them a fresh coat of color. Eve used the knife to blow a kiss in Beckett’s direction and disappeared into the crowd. Beckett forgot to keep dancing. He stood stock still with Kyle still twirling around him. Eve had just f*cked his mind so hard, he wanted to smoke a cigarette and cuddle like some soap-watching woman.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
He mumbled words against her lips, too low for her to hear, but she imagined she got a strong impression of what he wanted to say, as he coaxed her lips apart, letting Scarlett taste the coolness of his tongue and the tips of his teeth as he grazed her lower lip. Every touch created colours she had never seen. Colours as soft as velvet and as sharp as sparks that turned into stars.
Stephanie Garber (Caraval (Caraval, #1))
An ugly man, with a face sharp like a weasel and a habit of running a flickering tongue over his lips before he speaks. But most ugly of all are his eyes: blue, bright blue. When people see them, they flinch. Such things are freakish. He is lucky he was not killed at birth.
Madeline Miller (The Song of Achilles)
No one had asked her to marry him, nor was there someone she wished to wed. Not that she did not enjoy the company of young men; She did. But her sharp tongue sliced through their egos and her intellectual thirst quickly soaked up what drops of knowledge they shed.
Janet Wallach (Desert Queen: The Extraordinary Life of Gertrude Bell: Adventurer, Adviser to Kings, Ally of Lawrence of Arabia)
What's wrong?" His voice was loud, so sharp that he sounded angry. I knew I should be careful, keep the secret, but I was too far gone to talk around it. My chest was working in huge spasms and I could barely breathe. "I kissed her." "And then you went into anaphylactic shock?" I closed my eyes and let the rain patter against my face through the open window "She has her tongue pierced.
Brenna Yovanoff (The Replacement)
Fear has a lot of flavors and textures. There's a sharp, silver fear that runs like lightning through your arms and legs, galvanizes you into action, power, motion. There's heavy, leaden fear that comes in ingots, piling up in your belly during the empty hours between midnight and morning, when everything is dark, every problem grows larger, and every wound and illness grows worse. And there is coppery fear, drawn tight as the strings of a violin, quavering on one single note that cannot possibly be sustained for a single second longer—but goes on and on and on, the tension before the crash of cymbals, the brassy challenge of the horns, the threatening rumble of the kettle drums. That's the kind of fear I felt. Horrible, clutching tension that left the coppery flavor of blood on my tongue. Fear of the creatures in the darkness around me, of my own weakness, the stolen power the Nightmare had torn from me. And fear for those around me, for the folk who didn't have the power I had.
Jim Butcher (Grave Peril (The Dresden Files, #3))
What good is a smooth tongue without sharp teeth?
Jocelyn Murray (The Gilded Mirror: Constantinople (#3))
What could it be in this country that transforms young, vibrant, innocent guys like me into steely-eyed, sharp-tongued, single -minded killers with “the thousand yard stare?
Michael Zboray (Teenagers War: Vietnam 1969)
I guess if I'd wanted a nice, biddable wife, I should've looked somewhere other than a tattooed, sharp-tongued, Harley-riding, motorcycle designer.
Julie Ann Walker (In Rides Trouble (Black Knights Inc., #2))
And though Remi was having worklife problems and bad lovelife with a sharp-tongued woman, he at least had learned to laugh almost better than anyone in the world, and I saw all the fun we were going to have in Frisco.
Jack Kerouac (On the Road)
I know her by her angry air, Her brightblack eyes, her brightblack hair, Her rapid laughters wild and shrill, As laughter of the woodpecker From the bosom of a hill. 'Tis Kate--she sayeth what she will; For Kate hath an unbridled tongue, Clear as the twanging of a harp. Her heart is like a throbbing star. Kate hath a spirit ever strung Like a new bow, and bright and sharp As edges of the scymetar. Whence shall she take a fitting mate? For Kate no common love will feel; My woman-soldier, gallant Kate, As pure and true as blades of steel. Kate saith "the world is void of might". Kate saith "the men are gilded flies". Kate snaps her fingers at my vows; Kate will not hear of lover's sighs. I would I were an armèd knight, Far famed for wellwon enterprise, And wearing on my swarthy brows The garland of new-wreathed emprise: For in a moment I would pierce The blackest files of clanging fight, And strongly strike to left and right, In dreaming of my lady's eyes. Oh! Kate loves well the bold and fierce; But none are bold enough for Kate, She cannot find a fitting mate.
Alfred Tennyson
When you speak of your neighbour, look upon your tongue as a sharp razor in the surgeon’s hand, about to cut nerves and tendons; it should be used so carefully, as to insure that no particle more or less than the truth be said.
Francis de Sales (Introduction to the Devout Life - Enhanced Version)
A needle is such a small brittle thing. It is easily broken. It can hold but one fragile thread. But if the needle is sharp, it can pierce the coarsest cloth. Ply the needle in and out of a canvas and with a great length of thread one can make a sail to move a ship across the ocean. In such a way can a sharp glossy tongue, with the thinnest of thread of a rumor, stitch together a story to flap in the breeze. Hoist that story upon the pillar of superstitious belief and a whole town can be pulled along with the wind of fear.
Kathleen Kent (The Heretic's Daughter)
Don't you want to know why I don't love Bianca?" "Because you met her?" I said into the rough fabric of his coat, sure he couldn't hear me. He could, and he laughed. "That's why I love you Stella. You have a good hear, but also a sharp tongue. The perfect combination.
Alexa Donne (Brightly Burning)
that clever mind, that sharp tongue and droll wit. His love for Ella, manifested in sacrifice and secret smiles; his sense of honor and duty; his pride in the face of unceasing subjugation. His joy of nature, his respect for all things living, his skill with . . . well, everything.
Rachel Haimowitz (Counterpoint (Song of the Fallen, #1))
Did he use tongue? Did he growl? Was he shirtless? Did he motorboat you? Did you touch his abs? Did you lick his sharp jaw? Is he the size of a horse? Did you giddy up? Did you find his Nemo? Did you Grace his Frankie? Did you Justin his Timberlake?
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
Mothers have need of sharp eyes and discreet tongues when they have girls to manage
Louisa May Alcott (Little Men (Little Women, #2))
If your blade were as sharp as your tongue, you'd have sliced me through years ago.
Erica Goros (The Daisy Chain)
Silence is the rule. Words are complications, sharp edges that cut up our tongues. We keep them in with walls of teeth, preserve the peace.
S.J. Sindu (Marriage of a Thousand Lies)
Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer- nearer. I could feel the soft, shivering touch of the lips on the supersensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in a languorous ecstasy and waited- waited with beating heart.
Bram Stoker (Dracula)
I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen. I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man... Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing. Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object. ...we, perhaps, remember him best for his declaration: 'The world is my country; to do good my religion.' Again we see the spontaneous genius at work in 'The Rights of Man', and that genius busy at his favorite task - liberty. Written hurriedly and in the heat of controversy, 'The Rights of Man' yet compares favorably with classical models, and in some places rises to vaulting heights. Its appearance outmatched events attending Burke's effort in his 'Reflections'. Instantly the English public caught hold of this new contribution. It was more than a defense of liberty; it was a world declaration of what Paine had declared before in the Colonies. His reasoning was so cogent, his command of the subject so broad, that his legion of enemies found it hard to answer him. 'Tom Paine is quite right,' said Pitt, the Prime Minister, 'but if I were to encourage his views we should have a bloody revolution.' Here we see the progressive quality of Paine's genius at its best. 'The Rights of Man' amplified and reasserted what already had been said in 'Common Sense', with now a greater force and the power of a maturing mind. Just when Paine was at the height of his renown, an indictment for treason confronted him. About the same time he was elected a member of the Revolutionary Assembly and escaped to France. So little did he know of the French tongue that addresses to his constituents had to be translated by an interpreter. But he sat in the assembly. Shrinking from the guillotine, he encountered Robespierre's enmity, and presently found himself in prison, facing that dread instrument. But his imprisonment was fertile. Already he had written the first part of 'The Age of Reason' and now turned his time to the latter part. Presently his second escape cheated Robespierre of vengeance, and in the course of events 'The Age of Reason' appeared. Instantly it became a source of contention which still endures. Paine returned to the United States a little broken, and went to live at his home in New Rochelle - a public gift. Many of his old companions in the struggle for liberty avoided him, and he was publicly condemned by the unthinking. {The Philosophy of Paine, June 7, 1925}
Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
Strong-willed, intelligent, sharp-tongued, doesn’t suffer fools gladly . . . remind you of anyone?” “Yes. Gordon.” “Interesting,” said the man. “Because those are the exact same words he used to describe you.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
You see, when we met I thought, "There's a brown mouse of a girl with a sharp tongue," and then before I knew what was happening I was in love with you. Oh, I did my best to ignore it, and I thought that if I ignored you too I'd be safely back in my bachelor state in no time—only it didn't work out like that. You were under my skin, in my bones, my very heartbeat. And I'd gone out of my way to make you dislike me so that it would be easier for me to get over you. Only I haven't done that, my darling.
Betty Neels (Heaven Around The Corner)
The sharp bite of pain that came from the cut on my lip made me wince, until his tongue came out and soothed it in a gesture so incredibly intimate, I felt my entire body tremble.
Ella Frank (Veiled Innocence)
...if his cruelty had the sharp edge of despair, if slights and taunts were all that fell from his tongue now, what did it matter? He had always been awful. Now he was just worse.
Holly Black (How the King of Elfhame Learned to Hate Stories)
I don’t want to be the one-night stand who’s used to scratch an itch. I want a woman like Winter Hamilton—beautiful, and smart, and sharp-tongued—to look at me and see a future.
Elsie Silver (Reckless (Chestnut Springs, #4))
Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End, #1))
Now that we’ve settled that,” Rhys drawled from behind me, “can we please eat? I’m famished.” Amren opened her mouth with a wry smile, but he added, “Do not say what you were going to say, Amren.” Rhys gave Cassian a sharp look. Both of them were still bruised—but healing fast. “Unless you want to have it out on the roof.” Amren clicked her tongue and instead jerked her chin at me. “I heard you grew fangs in the forest and killed some Hybern beasts. Good for you, girl.” “She saved his sorry ass is more like it,” Mor said, filling her glass of wine. “Poor little Rhys got himself in a bind.” I held out my own glass for Mor to fill. “He does need unusual amounts of coddling.” Azriel choked on his wine, and I met his gaze—warm for once. Soft, even. I felt Rhys tense beside me and quickly looked away from the spymaster
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Give your daughters difficult names. Names that command the full use of the tongue. My name makes you want to tell me the truth. My name doesn’t allow me to trust anyone who cannot pronounce it right. —Warsan Shire
Prisca Dorcas Mojica Rodríguez (For Brown Girls with Sharp Edges and Tender Hearts: A Love Letter to Women of Color)
Pain! Deep, tearing, throbbing, needle-sharp, hammer-blunt pain – ripping through his body and through his mind, twisting deep in his guts and slicing at his skin with razors and broken glass. Oskan wanted to scream, but his vocal cords had burned away. He was desperate for water and he could hear it dripping all around him, but his charred tongue found nothing in his mouth but blisters and scorched flesh. For hours he lay on the ropes of the low bed, unable to move, the pressure of the hemp on his destroyed skin sending new agonies deep into his body.
Stuart Hill (The Cry of the Icemark)
Most abusive men put on a charming face for their communities, creating a sharp split between their public image and their private treatment of women and children. He may be: Enraged at home but calm and smiling outside Selfish and self-centered with you but generous and supportive with others Domineering at home but willing to negotiate and compromise outside Highly negative about females while on his own turf but a vocal supporter of equality when anyone else is listening Assaultive toward his partner or children but nonviolent and nonthreatening with everyone else Entitled at home but critical of other men who disrespect or assault women The pain of this contrast can eat away at a woman. In the morning her partner cuts her to the quick by calling her a “brainless fat cow,” but a few hours later she sees him laughing with the people next door and helping them fix their car. Later the neighbor says to her, “Your partner is so nice. You’re lucky to be with him—a lot of men wouldn’t do what he does.” She responds with a mumbled “Yeah,” feeling confused and tongue-tied. Back at home, she asks herself over and over again, “Why me?
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Mr. Brundy, you are no doubt as well acquainted with my circumstances as I am with yours, so let us not beat about the bush. I have a fondness for the finer things in life, and I suppose I always will. As a result, I am frightfully expensive to maintain. I have already bankrupted my father, and have no doubt I should do the same to you, should you be so foolhardy as to persist in the desire for such a union. Furthermore, I have a shrewish disposition and a sharp tongue. My father, having despaired of seeing me wed to a gentleman of my own class, has ordered me to either accept your suit or seek employment. If I married you, it would be only for your wealth, and only because I find the prospect of marriage to you preferable –but only slightly!- to the life of a governess or a paid companion. If, knowing this, you still wish to marry me, why, you have only to name the day.” Having delivered herself of this speech, Lady Helen waited expectantly for Mr. Brundy’s stammering retraction. Her suitor pondered her words for a long moment, then made his response. “’ow about Thursday?
Sheri Cobb South (The Weaver Takes a Wife (Weaver, #1))
Tea is the tast of my land:it is bitter and warm,strong,and sharp with memory.It tastes of longing.It tastes of the distance between where you are and where you come from.Also it vanishes-the taste of it vanishes from your tongue while your lips are still hot from the cup.It disappears,like plantations stretching up into the mist.I have heard that your country drinks more tea than any other.How sad that must make you-like children who long for absent mothers.I am sorry.
Chris Cleave
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
I'm sorry Donatella wounded you so badly,' Evangeline said. And she meant it. She imagined Jacks was probably leaving a few things out, but she believed his hurt was genuine. 'Maybe the stories have it wrong and there's another true love waiting for you.' Jacks laughed derisively. 'Are you saying this because you think you can be her?' He eyed Evangeline through the bars, gaze bordering on indecent. 'Do you want to kiss me, Little Fox?' Something new and terrible knotted up inside her. 'No, that's not what I'm saying.' 'You don't sound too sure about that. You might not like me, but I bet you'd like it if I kissed you.' His eyes went to her lips, and the heat that swept across her mouth felt like the beginning of a kiss. 'Jacks, stop it,' she demanded. He didn't really want to kiss her. He was just teasing her to deflect the pain. 'I know what you're doing.' 'I doubt it.' He smiled, flashing his dimples as he ran his tongue over the tip of a very sharp and long incisor, looking suddenly thoughtful. 'Maybe it wouldn't be so bad to stay like this. I rather like these.' 'You also like daylight.' Evangeline reminded him. 'I could probably live without the sun if I could trade it for other things.' He cocked his head. 'I wonder... if I were to become a true vampire, perhaps my kiss wouldn't be fatal anymore.' His fangs lengthened. 'You could let me bite you and we could try it out.' Another piercing lick of heat, this time right beneath her jaw, then her wrist, and a few other intimate places she'd have never thought anyone would bite. Evangeline blushed from her neck down to her collarbone. 'We're not talking about biting,' she said hotly.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
I need to keep sharp. But when you're this damned close to me, all I think about is you. I think about your mouth, and I think about your breasts, and I think about your pink tongue and your legs wrapped around me. I think about touching you and you touching me--and then I look at you and you're giving me that look--yes, that one, just there, as if you want me to kiss you--please stop--" He exhaled on a hiss, tipping his head back against the wood and pressing two fingers to the bridge of his nose.
Shana Abe (The Dream Thief (Drakon, #2))
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Vasco lived in Mangrove Heights, on a bluff overlooking the river. The first time Jed saw the house, he couldn't help thinking of the Empire of Junk. Towers jostled with gables, beams with columns. Gargoyles leered from the eaves, tongues sharp as the heads of arrows, eyes like shelled eggs. The front garden had been planted with all kinds of trees, so the house seemed to skulk. The path to the front door crackled with dead leaves. He could smell plaster, the inside of birds' nests, river sewage. 'I should have been born in a place like this,' Jed said, but Vasco was opening the door and didn't hear.
Rupert Thomson (The Five Gates of Hell)
He asks me which of them two I liked best. Perhaps I liked Mr. Harry Carson once--I don't know--I've forgotten; but I loved James Wilson, that's now on trial, above what tongue can tell--above all else on earth put together; and I love him now better than ever, though he has never known a word of it till this minute... I never found out how dearly I loved another till one day, when James Wilson asked me to marry him, and I was very hard and sharp in my answer (for indeed, sir, I'd a deal to bear just then), and he took me at my word and left me; and from that day to this I've never spoken a word to him, or set eyes on him; though I'd fain have done so, to try and show him we had both been too hasty; for he'd not been gone out of my sight above a minute before I knew I loved--far above my life," said she, dropping her voice as she came to this second confession of the strength of her attachment. "But, if the gentleman asks me which I loved the best, I make answer, I was flattered by Mr. Carson, and pleased with his flattery; but James Wilson, I"-- She covered her face with her hands, to hide the burning scarlet blushes, which even dyed her fingers.
Elizabeth Gaskell (Mary Barton)
I am the dangerous daughter, thigh-stroking, soft-tongued lover, the pit, the well, and the well of horniness, laughter rolling up out of me like gravy boiling over the edge of a pan. I become the romantic, the mystic, the one without shame, rocking myself on the hip of a rock, a woman as sharp as coral. I make in my mind the muscle that endures, tame rage and hunger to spirit and blood. I become the rock. I become the knife. I am myself the mystery. The me that will be waits for me. If I cannot dream myself new, how will I find my true self?
Dorothy Allison (Trash)
Henry gripped the axe handle and wiggled it free. The monster dropped to the ground and roared. Gathering his last vestiges of strength, Henry swung the axe at the sound. The monster grabbed Henry's arm that held the weapon and twisted. A loud crack of bone accompanied Henry's pain-filled scream. The axe slipped to the floor. Henry faced the monster and stared into its evil, soulless eyes. The fiend's jaws opened. Its tongue slid across sharp teeth. Though he dreaded
Ben Hammott (Ice Rift (Ice Rift, #1))
Don’t you ever do that to me again,” I said, my tongue sharp, trying to make up for the fact that I probably wasn’t too intimidating after the failed push. “Not ever.” Startled by my outburst, Cole stared at me momentarily, his mouth half open. I narrowed my eyes and glared at him with as much menace as I could muster, fully expecting an apology. But then he started laughing, and it wasn’t a tiny chuckle, more of a full-bellied, hands-on-your-knees kind of laugh. “Quit it!” I said, when he didn’t stop. “Oh God,” he gasped, wiping away a few stray tears. “That was priceless.” “I don’t find anything about this funny.” “Yeah, because you couldn’t see your face. You were all ‘Grrr,’ and it was adorable.
Ali Novak (My Life with the Walter Boys (My Life with the Walter Boys, #1))
She cried out as he quickly shoved a hand into the front of her panties, the sharp sound becoming a breathless moan when he cupped her warm sex in his palm and gave a predatory growl. Her delicate hands were on the sides of his neck, clutching him to her, her tongue sliding against his in a way that made his blood boil. Heat poured off him in blistering, sweltering waves as he shoved two thick fingers inside the slick, narrow opening of her body, stretching tender tissues, surprised by how perfect and small she felt. By how tightly she gripped him. “I knew,” he groaned, nipping her mouth with his teeth as he pushed his fingers deeper into that hot, melting honey. “I fucking knew you were going to feel like this.
Rhyannon Byrd (Deadly is the Kiss (Primal Instinct, #9))
Other ideas still, though, were darker, underwater, or he underwater and they above the surface, clear and sharp and focused. He could hear them in his head, feel their weight in his chest and their shapes in his throat, but he was slow of tongue and they went unworded. He knew everyone had the same kind of ideas, but that his thoughts outdistanced his words sooner than with other people—even the words for what he meant when he thought about this hovered above the water—dark, familiar circling birds he could not name.
Paul Harding (This Other Eden)
Keep his mind on the inner life. He thinks his conversion is something inside him, and his attention is therefore chiefly turned at present to the state of his own mind--or rather to that very expurgated version of them which is all you should allow him to see. Encourage this. Keep his mind off the most elementary duties of directing it to the most advanced and spiritual ones. Aggravate the most useful human characteristics, the horror and neglect of the obvious. You must bring him to a condition in which he can practise self-examination for an hour without discovering any of those facts about himself which are perfectly clear to anyone who has ever lived in the same house with him or worked in the same office. 2. It is, no doubt, impossible to prevent his praying for his mother, but we have means of rendering the prayers innocuous. Make sure that they are always very 'spiritual', that is is always concerned with the state of her soul and never with her rhuematism. Two advantages will follow. In the first place, his attention will be kept on what he regards are her sins, by which, with a little guidance from you, he can be induced to mean any of her actions which are inconvenient or irritating to himself. Thus you can keep rubbing the wounds of the day a little sorer even while he is on his knees; the operation is not at all difficult and you will find it very entertaining. In the second place, since his ideas about her soul will be very crude and often erroneous, he will, in some degree, be praying for an imaginary person, and it will be your task to make that imaginary person daily less and less like the real mother--the sharp-tongued old lady at the breakfast table. In time you may get the cleavage so wide that no thought or feeling from his prayers for the imagined mother will ever flow over into his treatment of the real one. I have had patients of my own so well in hand that they could be turned at a moment's notice from impassioned prayer for a wife's or son's soul to beating or insulting the real wife or son without any qualm. 3. When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face whice are almost unedurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother's eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy--if you know your job he will not notice the immense improbablity of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this is easily managed.
C.S. Lewis (The Screwtape Letters)
The Witch's knife like nails drummed the crystal of the windowsill, chipping and scoring it. They sounded like death beatles clicking in the walls.'Taste it,' the pearl was telling her, 'That I may know my daughter's heart.' Almost without a thought, Ariel touched a few grains of the Witch's dust to her tongue, and a sharp sensation went through her like a pinprick. It was the bitterest thing she has ever known. it tasted like despair.
Meredith Ann Pierce (The Pearl of the Soul of the World (Darkangel Trilogy, #3))
It hadn’t happened in a moment, but a series of moments, as slow and insidious as the melting of the ice caps. Women had been ushered out of the workplace, so subtly that few noticed until it was too late. There had been no grand lowering of an iron curtain, with passports voided and bank accounts emptied. There had been a few men in sharp suits quoting scripture with silver tongues, but it was cursory, just enough to wrangle part of the Christian vote. Really, they were afraid of women. Or hated them. Wasn’t that much the same thing? The country saw those angry men as a fringe movement right up until one was elected president.
L.R. Lam (Goldilocks)
The fact that Cincinnati thought I resembled him in any way sickened me. It made me want to run and hide. When I was a child in Detroit and terrors chased me, I would run to my hiding spot, a crawl space under the front porch of the boardinghouse we lived in. I’d wedge my small body into the cool brown earth and lie there, escaping the ugliness that was inevitably going on above me. I’d plug my ears with my fingers and hum to block out the remnants of Mother’s toxic tongue or sharp backhand. It became a habit, humming, and a decade later, I was still doing it. Life had turned cold again, the safety of the cocoon under the porch was gone, and lying in the dirt had become a metaphor for my life.
Ruta Sepetys (Out of the Easy)
Driven by that extraordinary oppression which falls on every human being when, childhood over, he begins to divine that he is fated to go on in isolation and unaided towards his own death; driven by this extraordinary oppression, which may with justice be called a fear of God, man looks round him for a companion hand in hand with whom he may tread the road to the dark portal, and if he has learned by experience how pleasurable it undoubtedly is to lie with another fellow-creature in bed, then he is ready to believe that this extremely intimate association of two bodies may last until these bodies are coffined: and even if at the same time it has its disgusting aspects, because it takes place under coarse and badly aired sheets, or because he is convinced that all a girl cares for is to get a husband who will support her in later life, yet it must not be forgotten that every fellow-creature, even if she has a sallow complexion, sharp, thin features and an obviously missing tooth in her left upper jaw, yearns, in spite of her missing tooth, for that love which she thinks will for ever shield her from death, from that fear of death which sinks with the falling of every night upon the human being who sleeps alone, a fear that already licks her as with a tongue of flame when she begins to take off her clothes, as Fraulein Erna was doing now; she laid aside her faded red-velvet blouse and took off her dark-green shirt and her petticoat.
Hermann Broch (The Sleepwalkers (The Sleepwalkers, #1-3))
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
O thou well skill'd in curses, stay awhile And teach me how to curse mine enemies! QUEEN MARGARET. Forbear to sleep the nights, and fast the days; Compare dead happiness with living woe; Think that thy babes were sweeter than they were, And he that slew them fouler than he is. Bett'ring thy loss makes the bad-causer worse; Revolving this will teach thee how to curse. QUEEN ELIZABETH. My words are dull; O, quicken them with thine! QUEEN MARGARET. Thy woes will make them sharp and pierce like mine. DUCHESS. Why should calamity be fun of words? QUEEN ELIZABETH. Windy attorneys to their client woes, Airy succeeders of intestate joys, Poor breathing orators of miseries, Let them have scope; though what they will impart Help nothing else, yet do they case the heart. DUCHESS. If so, then be not tongue-tied. Go with me, And in the breath of bitter words let's smother My damned son that thy two sweet sons smother'd. The trumpet sounds; be copious in exclaims.
William Shakespeare (Richard III)
You are the greatest comfort for exhausted spirits. By the weight of your tenets and the delightfulness of your singing you have so refreshed me that I now think myself capable of facing the blows of Fortune. You were talking of cures that were rather sharp. The thought of them no longer makes me shudder; in fact I'm so eager to hear more, I fervently beg you for them.' 'I knew it,' She replied. 'Once you began to hang onto my words in silent attention, I was expecting you to adopt this attitude, or rather, to be more exact, I myself created it in you. The remedies still to come are, in fact, of such a kind that they taste bitter to the tongue, but grow sweet once they are absorbed. But you say you are eager to hear more. You would be more than eager to hear if you knew the destination I am trying to bring you to.' I asked what it was and she told me that it was true happiness. 'Your mind dreams of it,' she said, 'but your sight is clouded by shadows of happiness and cannot see reality.' I begged her to lead on and show me the nature of true happiness without delay. 'For you,' she said, 'I will do so gladly.
Boethius (The Consolation of Philosophy)
And she just takes it, drinking me down, sucking my cock with sharp tugs that have me babbling demands. “God, honey, promise you’ll marry me one day. I have to have this for the rest of our lives. Forever. Always. Fuck.” She releases me with a long pull, her finger sliding away. My skin prickles. I feel vaguely empty, my body sore in places I don’t want to think about. And as she slowly kisses her way up my stomach, I’m still babbling. “Give it to me on Christmas. Birthdays.” Her tongue flicks in my belly button. I grunt, my hips twitching. “My days off. Major holidays. Midnight surprises…” Mac licks my nipple, and I shiver, my voice going raspy. “Twice on Tuesdays.
Kristen Callihan (The Friend Zone (Game On, #2))
I heard the Avarosh aunt say, 'She should grow her hair to hide that pointy chin and pointy nose.'" "If I see that pointy chin and nose hidden, I'll have to hurt someone." "You're supposed to say I don't have a pointy chin or pointy nose." "But you do. And you also have pointy eyes," he added as he kissed both lids, "and a pointy mouth," he teased, pressing his lips against hers, "and a pointy tongue." His body covered hers as he held her face in his hands and captured her mouth, the silk warmness of her tongue matching his, stroke for stroke. Then he felt the sharp nip of her teeth as his mouth dared leave hers, traveling down toward her throat, fleetingly tracing the scars of the noose. "And a pointy, pointy heart.
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
Occasionally, in the stillness of a taxi or an airplane, she would catalog the pleasures she had lost. Cigarettes. Chewing gum. Strong mint toothpaste. Any food with hard edges or sharp corners that could pierce or abrade the inside of her mouth: potato chips, croutons, crunchy peanut butter. Any food that was more than infinitesimally, protozoically, spicy or tangy or salty or acidic: pesto or Worcestershire sauce, wasabi or anchovies, tomato juice or movie-theater popcorn. Certain pamphlets and magazines whose paper carried a caustic wafting chemical scent she could taste as she turned the pages. Perfume. Incense. Library books. Long hours of easy conversation. The ability to lick an envelope without worrying that the glue had irritated her mouth. The knowledge that if she heard a song she liked, she could sing along to it in all her dreadful jubilant tunelessness. The faith that if she bit her tongue, she would soon feel better rather than worse.
Kevin Brockmeier (The Illumination)
She swung her fist at Nicolae’s head. He raised an arm to block the blow, and she delivered a killing stab with her wooden dagger. Nicolae laughed, staggering dramatically to the ground. “Dead, again, at the hands of the ugliest girl in creation.” He stuck out his tongue, face contorted in a grimace. Lada kicked him in the stomach. “I am no girl. Who is next?” The other Janissaries, gathered in a loose circle around Lada and Nicolae, shuffled their feet and avoided eye contact. Nicolae pushed himself up on an elbow. “Really? Cowards!” “I still have bruises from the last time.” “I cannot sit without pain.” “She fights dirty.” Ivan did not even respond, having never forgiven Lada for besting him when they were introduced. He refused to fight her and rarely acknowledged her presence. Lada laughed, showing all her sharp teeth. “Because when you are on the battlefield, honor will mean so much. You will die with a blade between your ribs, secure in the knowledge that you fought with manners.” She picked up her dull practice sword, abandoned on the edge of the circle, and swung it through the air, sweeping it across the line of the Janissaries’ collective throats.
Kiersten White (And I Darken (The Conqueror's Saga, #1))
For the liquor of Miss Amelia has a special quality of its own. It is clean and sharp on the tongue, but once down a man it glows inside him for a long time afterward. And that is not all. It is known that if a message is written with lemon juice on a clean sheet of paper there will be no sign of it. But if the paper is held for a moment to the fire then the letters turn brown and the meaning becomes clear. Imagine that the whisky is the fire and that the message is that which is known only in the soul of a man – then the worth of Miss Amelia's liquor can be understood. Things that have gone unnoticed, thoughts that have been harbored far back in the dark mind, are suddenly recognized and comprehended. A spinner who has thought only of the loom, the dinner pail, the bed, and then the loom again – this spinner might drink some on a Sunday and come across a marsh lily. And in his palm he might hold this flower, examining the golden dainty cup, and in him suddenly might come a sweetness keen as pain. A weaver might look up suddenly and see for the first time the cold, weird radiance of midnight January sky, and a deep fright at his own smallness stop his heart. Such things as these, then, happen when a man has drunk Miss Amelia's liquor. He may suffer, or he may be spent with joy – but the experience has shown the truth; he has warmed his soul and seen the message hidden there.
Carson McCullers (The Ballad of the Sad Café and Other Stories)
Last night, at a press conference, the City Council reminded everyone that the Dog Park is there for our community enjoyment and use, and so it is important that no one enter, look at, or think about the Dog Park. They are adding a new advanced camera system to keep an eye on the great black walls of the Dog Park at all times, and if anyone is caught trying to enter it, they will be forced to enter it, and will never be heard from again. If you see hooded figures in the Dog Park, no you didn’t. The hooded figures are perfectly safe, and should not be approached at any costs. The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams. We have also received word via encrypted radio pulses about the opening of a new store: Lenny’s Bargain House of Gardenwares and Machine Parts, which until recently was that abandoned warehouse the government was using for the highly classified and completely secret tests I was telling you about last week. Lenny’s will serve as a helpful new source for all needs involving landscaping and lawn-decorating materials and also as a way for the government to unload all the machines and failed tests and dangerous substances that otherwise would be wasted on things like “safe disposal” or “burying in a concrete tomb until the sun goes out.” Get out to Lenny’s for their big grand opening sale. Find eight government secrets and get a free kidnapping and personality reassignment so that you’ll forget you found them!
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Val turned, still naked, still impossibly beautiful. Only the gore spattered on his belly, chest, and arm, marred his perfection. He walked toward her and she couldn't help it. She backed away from him. He smiled. Sweetly. Like a boy. The dagger still in his left hand. And caught her arm with his right hand. "This is who I am, Séraphine. Naked, with blade and blood. I am vengeance. I am hate. I am sin personified. Never mistake me for the hero of this tale, for I am not and shall never be. I am the villain." And he laid his lips over hers and pushed his hot tongue into her mouth and kissed her until she couldn't breathe and it was only later that she found the bloodstains on her dress. Her lips had been sweet, like ripe figs, her mouth a cavern of delight. But her eyes- those dark inquisitor's eyes- had held only horror and disgust. Val sipped his China tea the next morning and gazed out the window. The sun shone on his garden, giving the illusion of warmth, though his empty chest was ice-cold. He could have explained to her that a razor-sharp blade was kinder than a hangman's noose. That death delivered in seconds with a few thrusts was preferable to a laughing, jabbering mob, gleeful at the jerking, agonizing execution. But those saint's eyes would've seen the hypocrisy.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
A near half hour passed as Salvatore weaved his way through the winding tunnel, his steps slowing as he tilted back his head to sniff the air. The scent of cur was still strong, but he was beginning to pick up the distant scent of other curs, and…pure-blood. Female pureblood. Coming to a sharp halt, Salvatore savored the rich vanilla aroma that filled his senses. He loved the smell of women. Hell, he loved women. But this was different. It was intoxicating. “Cristo,” he breathed, his blood racing, an odd tightness coiling through his body, slowly draining his strength. Almost as if… No. It wasn’t possible. There hadn’t been a true Were mating for centuries. “Curs,” Levet said, moving to his side. “And a female pureblood.” “Si,” Salvatore muttered, distracted. “You think it’s a trap?” Salvatore swallowed a grim laugh. Hell, he hoped it was a trap. The alternative was enough to send any intelligent Were howling into the night. “There’s only one way to find out.” He moved forward, sensing the end of the tunnel just yards in front of him. “Salvatore?” Levet tugged on his pants. Salvatore shook him off. “What?” “You smell funny. Mon Dieu, are you…” With blinding speed, Salvatore grasped the gargoyle by one stunted horn and yanked him off his feet to glare into his ugly face. Until that moment, he hadn’t noticed the musky scent that clung to his skin. Merda. “One more word and you lose that tongue,” he snarled. “But…” “Do not screw with me.” “I do not intend to screw with anyone.” The gargoyle curled his lips in a mocking smile. “I am not the one in heat.
Alexandra Ivy (Beyond the Darkness (Guardians of Eternity, #6))
I think we must only a few of us go," Laurence said, low. "I will take a few volunteers - " "Oh, the devil you will!" Granby exclaimed furiously. "No, this time I damned well put my foot down, Laurence. Send you off to go scrambling about in that warren with no notion where you are going, and nothing more likely than running into a dozen guards round every corner; I should like to see myself do it. I am not going back to England to tell them I sat about twiddling my thumbs whilst you got yourself cut to pieces. Temeraire, you are not to let him go, do you hear me? He is sure to be killed; I give you my word." "If the party are sure to be killed, I am not going to let anyone go!" Temeraire said, in high alarm, and sat up sharp, quite prepared to physically hold anyone back who made an attempt to leave. "Temeraire, this is plain exaggeration," Laurence said. "Mr. Granby, you overstate the case, and you overstep your bounds." "Well, I don't," Granby said defiantly. "I have bit my tongue a dozen times over, because I know it is wretched hard to sit about watching and you haven't been trained up to it, but you are a captain, and you must be more careful of your neck. It isn't only your own but the Corps' affair if you snuff it, and mine too." "If I may," Tharkay said quietly, interrupting when Laurence would have remonstrated further with Granby, "I will go; alone I am reasonably sure I can find a way to the eggs, without rousing any alarm, and then I can return and guide the rest of the party there." "Tharkay," Laurence said, "this is no service you owe us; I would not order even a man under oath of arms to undertake it, without he were willing." "But I am willing," Tharkay gave his faint half-smile, "and more likely to come back whole from it than anyone else here." "At the cost of running thrice the risk, going and coming back and going again," Laurence said, "with a fresh chance of running into the guards every time through." "So it is very dangerous, then," Temeraire said, overhearing to too much purpose, and pricking up his ruff further. "You are not to go, at all, Granby is quite right; and neither is anyone else." "Oh, Hell," Laurence said, under his breath. "It seems there is very little alternative to my going," Tharkay said. "Not you either!" Temeraire contradicted, to Tharkay's startlement, and settled down as mulish as a dragon could look; and Granby had folded his arms and wore an expression very similar. Laurence had ordinarily very little inclination to profanity, but he was sorely tempted on this occasion. An appeal to Temeraire's reason might sway him to allow a party to make the attempt, if he could be persuaded to accept the risk as necessary for the gain, like a battle; but he would surely balk at seeing Laurence go, and Laurence had not the least intention of sending men on so deadly an enterprise if he were not going himself, Corps rules be damned.
Naomi Novik (Black Powder War (Temeraire, #3))
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
Émile Zola