Sharp Objects Camille Quotes

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Camille?" Her voice quiet and girlish and unsure. "You know how people sometimes say they have to hurt because if they don't, they're so numb they won't feel anything?" "Mmm." "What if it's the opposite?" Amma whispered. "What if you hurt because it feels so good? Like you have a tingling, like someone left a switch on in your body. And nothing can turn that switch off except hurting? What does that mean?" I pretended to be asleep. I pretended not to feel her fingers tracing vanish over and over on the back of my neck.
Gillian Flynn (Sharp Objects)
Your health is not a debt you just cancel. The body collects, Camille.
Gillian Flynn (Sharp Objects)
Lately, I've been leaning towards kindness. - Camille Preaker
Gillian Flynn (Sharp Objects)
Camille, do you ever feel like bad things are going to happen, and you can’t stop them? You can’t do anything, you just have to wait?
Gillian Flynn (Sharp Objects)
Every phrase had to be captured on paper or it wasn't real, it slipped away. I'd see the words hanging in midair--Camille, pass the milk-- and anxiety coiled up in me as they began to fade, like jet exhaust. Writing them down, though, I had them. No worries that they'd become extinct. I was a lingual conservationist. I was the class freak, a tight, nervous eighth-grader frenziedly copying down phrases ("Mr. Feeney is totally gay," "Jamie Dobson is ugly," "They never have chocolate milk") with a keenness bordering on the religious.
Gillian Flynn (Sharp Objects)
Camille, non hai mai la sensazione che stia per accadere qualcosa di orribile e che tu non possa fare niente per evitarlo? La sensazione di poter solo aspettare?
Gillian Flynn (Sharp Objects)
Camille, if you could be any fairy-tale person in the world, who would you be?” Amma asked. “Sleeping Beauty.” To spend a life in dreams, that sounded too lovely. “I’d be Persephone.” “I don’t know who that is,” I said. Gayla slapped some collards on my plate, and fresh corn. I made myself eat, a kernel at a time, my gag reflex churning with each chew. “She’s the Queen of the Dead,” Amma beamed. “She was so beautiful, Hades stole her and took her to the underworld to be his wife. But her mother was so fierce, she forced Hades to give Persephone back. But only for six months each year. So she spends half her life with the dead, and half with the living.” “Amma, why would such a creature appeal to you?” Alan said. “You can be so ghastly.” “I feel sorry for Persephone because even when she’s back with the living, people are afraid of her because of where’s she’s been,” Amma said. “And even when she’s with her mother, she’s not really happy, because she knows she’ll have to go back underground.” She grinned at Adora and jabbed a big bite of ham into her mouth, then crowed.
Gillian Flynn (Sharp Objects)
Adora changed her color scheme from peach to yellow. She promised me she'd take me to the fabric store so I can make new coverings to match. This dollhouse is my fancy." She almost made it sound natural, my fancy. The words floated out of her mouth sweet and round like butterscotch, murmured with just a tilt of her head, but the phrase was definitely my mother's. Her little doll, learning to speak just like Adora. "Looks like you do a very good job with it," I said, and motioned a weak wave good-bye. "Thank you," she said. Her eyes focused on my room in the dollhouse. A small finger poked the bed. "I hope you enjoy your stay here," she murmured into the room, as if she were addressing a tiny Camille no one could see.
Gillian Flynn (Sharp Objects)
I hope you’re feeling better about yourself too, Camille. That’s an important thing, liking oneself. A good attitude infects just as easily as a bad one.” “Enjoy the horses.” “I always do.
Gillian Flynn (Sharp Objects)
No, no. I could barely stand, much less give speeches. I can’t believe you can’t remember these things, Camille. I’d think you’d be embarrassed to have forgotten so much.” “I was only thirteen when she died, Momma. Remember, I was young.
Gillian Flynn (Sharp Objects)
Right, Annabelle,” Jackie said. “I’m sure if Joya were alive today, they’d have a grand old time. At least Joya would. She’d just love to tear at Camille. Remember those long, long nails of hers? Never painted them. I always thought that was weird.
Gillian Flynn (Sharp Objects)
I’ll take those for my room, Momma. They look fine to me.” “They’re not.” “I don’t mind.” “Camille, I was just looking at them, and they’re not good blooms.” She dropped the pliers to the ground, began tugging at a stem. “But they’re fine for me. For my room.” “Oh, now look what you’ve done. I’m bleeding.
Gillian Flynn (Sharp Objects)
We have some great museums. You'd love the lake." "I don't know that I can enjoy any kind of water anymore." "Why not?" I already knew. "After that little girl, little Ann Nash, was left in the creek to drown." She paused to take a sip of her iced tea. "I knew her, you know." Amma whined and began fidgeting in her seat. "She wasn't drowned though," I said, knowing my correction would annoy her. "She was strangled. She just ended up in the creek." "And then the Keene girl. I was fond of both of them. Very fond." She stared away wistfully, and Alan put his hand over hers. Amma stood up, released a little scream the way an excited puppy might suddenly bark, and ran upstairs. "Poor thing," my mother said. "She's having nearly as hard a time as I am." "She actually saw the girls every day, so I'm sure she is," I said peevishly in spite of myself. "How did you know them?" "Wind Gap, I need not remind you, is a small town. They were sweet, beautiful little girls. Just beautiful." "But you didn't really know them." "I did know them. I knew them well." "How?" "Camille, please try not to do this. I've just told you that I am upset and unnerved, and instead of being comforting, you attack me." "So. You've sworn off all bodies of water in the future, then?" My mother emitted a quick, creaky sound. "You need to shut up now, Camille." She folded the napkin around the remains of her pear like a swaddling and left the room. Alan followed her with his manic whistling, like an old-time piano player lending drama to a silent movie.
Gillian Flynn (Sharp Objects)