Sharp Nose Quotes

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I am not the first person you loved. You are not the first person I looked at with a mouthful of forevers. We have both known loss like the sharp edges of a knife. We have both lived with lips more scar tissue than skin. Our love came unannounced in the middle of the night. Our love came when we’d given up on asking love to come. I think that has to be part of its miracle. This is how we heal. I will kiss you like forgiveness. You will hold me like I’m hope. Our arms will bandage and we will press promises between us like flowers in a book. I will write sonnets to the salt of sweat on your skin. I will write novels to the scar of your nose. I will write a dictionary of all the words I have used trying to describe the way it feels to have finally, finally found you. And I will not be afraid of your scars. I know sometimes it’s still hard to let me see you in all your cracked perfection, but please know: whether it’s the days you burn more brilliant than the sun or the nights you collapse into my lap your body broken into a thousand questions, you are the most beautiful thing I’ve ever seen. I will love you when you are a still day. I will love you when you are a hurricane.
Clementine von Radics
Ronan and Declan Lynch were undeniably brothers, with the same dark brown hair and sharp nose, but Declan was solid where Ronan was brittle. Declan’s wide jaw and smile said Vote for me while Ronan’s buzzed head and thin mouth warned that this species was dangerous.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
And when my body shall cease, my soul will still be yours, Claire? I swear by my hope of heaven, I will not be parted from you." The wind stirred the leaves of the chestnut trees nearby, and the scents of late summer rose up rich around us; pine and grass and strawberries, sun-warmed stone and cool water, and the sharp, musky smell of his body next to mine. "Nothing is lost, Sassenach; only changed." "That's the first law of thermodynamics," I said, wiping my nose. "No," he said. "That's faith.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
You promised to be my undoing,” I murmur, lowering my head close enough to hear her sharp intake of breath. “So, prove it.” Her face angles up toward mine, our noses brushing. She never lowers her dagger, and the point of her blade still draws blood from my throat. “Prove it,” I repeat, voice quiet. “Hate me enough to make me want you.” I cup her jaw, feeling her eyes burning into mine. “Ruin me.” Our mouths crash together.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
Why don't they cut their own children's ears into points to make them look sharp? Why don't they cut off their noses to make them look plucky? One would be just as sensible as the other. What right have they to torment and disfigure God's creatures?
Anna Sewell (Black Beauty)
I KNOW THE WAY YOU CAN GET I know the way you can get When you have not had a drink of Love: Your face hardens, Your sweet muscles cramp. Children become concerned About a strange look that appears in your eyes Which even begins to worry your own mirror And nose. Squirrels and birds sense your sadness And call an important conference in a tall tree. They decide which secret code to chant To help your mind and soul. Even angels fear that brand of madness That arrays itself against the world And throws sharp stones and spears into The innocent And into one's self. O I know the way you can get If you have not been drinking Love: You might rip apart Every sentence your friends and teachers say, Looking for hidden clauses. You might weigh every word on a scale Like a dead fish. You might pull out a ruler to measure From every angle in your darkness The beautiful dimensions of a heart you once Trusted. I know the way you can get If you have not had a drink from Love's Hands. That is why all the Great Ones speak of The vital need To keep remembering God, So you will come to know and see Him As being so Playful And Wanting, Just Wanting to help. That is why Hafiz says: Bring your cup near me. For all I care about Is quenching your thirst for freedom! All a Sane man can ever care about Is giving Love!
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I'll just do a round around of the house and make sure the rest of the family are fast asleep. We don't want that sharp-nosed aunt of yours catching us when we find the diamonds." "What diamonds?" "Think positive for once...Which would you rather, diamonds or the remains of a murdered maidservant? It's all a question of attitude.
Kerstin Gier (Smaragdgrün (Edelstein-Trilogie, #3))
The hook-nosed teacher looked past Quirrell’s turban straight into Harry’s eyes — and a sharp, hot pain shot across the scar on Harry’s forehead.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.
Nina LaCour (Hold Still)
It's a soft-sounding word, 'never,' but its velvety timbre can't hide its sharp edges...Never pressed down on him. It grabbed him by the neck and shook him. He sucked in a deep breath, sucked in all that never and started to sneeze. Never filled his nose, his eyes, his soaking fur.
Kathi Appelt (The Underneath)
My nose remembers more than my eyes. The sharp oily smell of eucalyptus combines with afternoon dust from the hockey field. But my heart feels the different then and now.
Phyllis Theroux (The Journal Keeper: A Memoir)
Herr Bosch was purple nosed; the oxygen which by rights belonged to the veins of his face had for years gone to feed the sharp blue flame of all that liquor.
Thomas Keneally (Schindler's List)
I hate Breeds,” she muttered. “Do you know that? You and your sharp, damned noses. Just because I want to doesn’t mean I should. Hell, I want cheesecake but I know better. It goes right to my hips. Does that mean I have to eat it anyway?” He stared back at her in disbelief. “You’re comparing me to cheesecake?” Offended male fury and outrage glittered in his eyes. She huffed, “Well, the same principle applies.
Lora Leigh (Mercury's War (Breeds, #12))
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Mouthful of Forevers I am not the first person you loved. You are not the first person I looked at with a mouthful of forevers. We have both known loss like the sharp edges of a knife. We have both lived with lips more scar tissue than skin. Our love came unannounced in the middle of the night. Our love came when we’d given up on asking love to come. I think that has to be part of its miracle.   This is how we heal. I will kiss you like forgiveness. You will hold me like I’m hope. Our arms will bandage and we will press promises between us like flowers in a book. I will write sonnets to the salt of sweat on your skin. I will write novels to the scar on your nose. I will write a dictionary of all the words I have used trying to describe the way it feels to have finally, finally found you.   And I will not be afraid of your scars.   I know sometimes it’s still hard to let me see you in all your cracked perfection, but please know: Whether it’s the days you burn more brilliant than the sun or the nights you collapse into my lap, your body broken into a thousand questions, you are the most beautiful thing I’ve ever seen. I will love you when you are a still day. I will love you when you are a hurricane.
Clementine von Radics (Mouthful of Forevers)
YOU TRIED TO WARN HIM, he said, removing Binky’s nose-bag. “Yes, sir. Sorry.” YOU CANNOT INTERFERE WITH FATE. WHO ARE YOU TO JUDGE WHO SHOULD LIVE AND WHO SHOULD DIE? Death watched Mort’s expression carefully. ONLY THE GODS ARE ALLOWED TO DO THAT, he added. TO TINKER WITH THE FATE OF EVEN ONE INDIVIDUAL COULD DESTROY THE WHOLE WORLD. DO YOU UNDERSTAND? Mort nodded miserably. “Are you going to send me home?” he said. Death reached down and swung him up behind the saddle. BECAUSE YOU SHOWED COMPASSION? NO. I MIGHT HAVE DONE IF YOU HAD SHOWN PLEASURE. BUT YOU MUST LEARN THE COMPASSION PROPER TO YOUR TRADE. “What’s that?” A SHARP EDGE.
Terry Pratchett (Mort (Discworld, #4; Death, #1))
I curled into a ball underneath my thick comforter, and inhaled through my nose; Travis’ scent still lingered on my skin. The bed felt cold and foreign, a sharp contrast to the warmth of Travis’ mattress. I had spent thirty days in a cramped apartment with Eastern’s most infamous tramp, and after all the bickering and late-night houseguests, it was the only place I wanted to be.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
He opens one bottle and holds it out to me. ‘Drink this one.’ Inside is a milky blue liquid with what looks like thin slivers of glass floating in it. Surely he doesn’t mean for me to drink glass. ‘Am I going to regret consuming its contents?’ ‘No. But I imagine you’ll still call me every expletive you can possibly think of.’ He presses it into my palm. ‘I don’t like the sound of that.’ I sniff the vial and scrunch up my nose at a sharp tang that burns my nostrils. Like something that might come out of my chemistry set. ‘Ugh! What’s in this? It smells vile.’ ‘I knew a human girl once. She was stubborn, like you. Refused to drink the paltry contents of that bottle, like you . . .’ He pauses for dramatic effect. ‘And she died a horrible, painful death – torturous, really – because she wouldn’t take my advice.’ I scrutinise him. ‘There was no girl who died, was there?’ ‘There will be if you don’t drink what’s in that damned bottle.
Elizabeth May (The Falconer (The Falconer, #1))
Lady Selyse was as tall as her husband, thin of body and thin of face, with prominent ears, a sharp nose, and the faintest hint of a mustache on her upper lip. She plucked it daily and cursed it regularly, yet it never failed to return. Her eyes were pale, her mouth stern, her voice a whip. She cracked it now.
George R.R. Martin
But you know, there's one simple thing I see absolutely clearly, now that I am so very old. I looked at her. The Albert Einstein hairstyle, and the bright black eyes and the sharp nose. That pallor on her face. She put her small hand on mine. The world is wonderful, she said. All its little things. It is wonderful.
Nuala O'Faolain (My Dream of You)
This house bleeds memories," he whispered, with his fingers stroking down her cheek, her neck. "There's no fucking escaping it. It's all rotten and gone to shit and I can feel it dying all around me." She felt his sharp nose brush against her scalp, through her hair. "If you're not careful, I'll drag you down with me.
Nenia Campbell (Batter My Heart)
What’s your name?” I asked her after making a study of her face for a half dozen years. There was a cragginess to her features, her strong nose and her sharp jaw. It would crash ships rather than launch them, but I never knew a woman who didn’t want to crash at least a few ships.
Nghi Vo (Siren Queen)
Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shriveled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days and didn't thaw it one degree at Christmas.
Charles Dickens (A Christmas Carol)
first, the countenance of the patient, if it be like those of persons in health, and more so, if like itself, for this is the best of all; whereas the most opposite to it is the worst, such as the following; a sharp nose, hollow eyes, collapsed temples; the ears cold, contracted, and their lobes turned out: the skin about the forehead being rough, distended, and parched; the color of the whole face being green, black, livid, or lead-colored.
Hippocrates (Works of Hippocrates)
with a sharp nose like a sharp autumn evening, inclining to be frosty towards the end.
Charles Dickens (Bleak House)
The Lachrymose Leeches,' Aunt Josephine said, 'are quite different from regular leeches. They each have six rows of very sharp teeth ad one very sharp nose - they can smell even the smallest bit of food from far far away. The Lachrymose Leeches are usually quite harmless, preying only on small fish. But if they smell food on a human they will swarm around him
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
You look ill,” Matthew observed. “Is it my dancing? Is it me personally?” “Perhaps I’m nervous,” she said. “Lucie did say you didn’t like many people.” Matthew gave a sharp, startled laugh, before schooling his face back into a look of lazy amusement. “Did she? Lucie’s a chatterbox.” “But not a liar,” she said. “Well, fear not. I do not dislike you. I hardly know you,” said Matthew. “I do know your brother. He made my life miserable at school, and Christopher’s, and James’s.” “Alastair and I are very different,” Cordelia said. She didn’t want to say more than that. It felt disloyal to Alastair. “I like Oscar Wilde, for instance, and he does not.” The corner of Matthew’s mouth curled up. “I see you go directly for the soft underbelly, Cordelia Carstairs. Have you really read Oscar’s work?” “Just Dorian Gray,” Cordelia confessed. “It gave me nightmares.” “I should like to have a portrait in the attic,” Matthew mused, “that would show all my sins, while I stayed young and beautiful. And not only for sinning purposes—imagine being able to try out new fashions on it. I could paint the portrait’s hair blue and see how it looks.” “You don’t need a portrait. You are young and beautiful,” Cordelia pointed out. “Men are not beautiful. Men are handsome,” objected Matthew. “Thomas is handsome. You are beautiful,” said Cordelia, feeling the imp of the perverse stealing over her. Matthew was looking stubborn. “James is beautiful too,” she added. “He was a very unprepossessing child,” said Matthew. “Scowly, and he hadn’t grown into his nose.” “He’s grown into everything now,” Cordelia said. Matthew laughed, again as if he was surprised to be doing it. “That was a very shocking observation, Cordelia Carstairs. I am shocked.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
I wrenched the door out of my way―ridiculously eager―and there he was, my personal miracle. Time had not made me immune to the perfection of his face, and I was sure that I would never take any aspect of him for granted. My eyes traced over his pale white features: the hard square of his jaw, the softer curve of his full lips―twisted up into a smile now, the straight line of his nose, the sharp angle of his cheekbones, the smooth marble span of his forehead―partially obscured by a tangle of rain-darkened bronze hair . . . I saved his eyes for last, knowing that when I looked into them I was likely to lose my train of thought. They were wide, warm with liquid gold, and framed by a thick fringe of black lashes. Staring into his eyes always made me feel extraordinary―sort of like my bone were turning spongy. I was also a little lightheaded, but that could have been because I'd forgotten to keep breathing. Again.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
They healed in time, and they forgot the pain, but the nice soft flap, that of course was intended to protect the delicate part of their ears from dust and injury, was gone forever. Why don't they cut their own children's ears into points to make them look sharp? Why don't they cut the end off their noses to make them look plucky? One would be just as sensible as the other. What right have they to torment and disfigure God's creatures?
Anna Sewell (Black Beauty)
memories were tricky things…they weren’t stable. they changed with perception over time. …they shifted, and [she] understood how the passage of time affected them. the hard working striver might recall his childhood as one filled with misery and hardship marred by the cat calls and mae calling of playground bullies, but later, have a much more forgiving understanding of past injustices. the handmade clothes he had been forced to wear, became a testament to his mother’s love. each patch and stitch a sign of her diligence, instead of a brand of poverty. he would remember father staying up late to help him with his homework – the old old man’s patience and dedication, instead of the sharpness of his temper when he returned home – late- from the factory. it went the other way as well. [she] had scanned thousands of memories of spurned women, whose handsome lovers turned ugly and rude. roman noses, perhaps too pointed. eyes growing small and mean. while the oridnary looking boys who had become their husbands, grew in attractiveness as the years passed, so that when asked if it was love at first site, the women cheerfully answered yes. memories were moving pictures in which meaning was constantly in flux. they were stories people told themselves.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
Why don't they cut their own children's ears into points to make them look sharp? Why don't they cut the end off their noses to make them look plucky? One would be just as sensible as the other. What right have they to torment and disfigure God's creatures?
Anna Sewell (Black Beauty)
He came to me in pieces, like a painting in the works. His gray-blue eyes were the first to pop out from behind the fog of fear. They were sapphire and silver swirled together, the color of a moonstone. Next was his straight nose and symmetrical lips, his cheekbones sharp enough to cut diamonds. He was pungently masculine and intimidating in his looks, but that was not what made me recognize him immediately. It was what rolled off of him in dangerous quantities, the menace and the ruggedness. He was a dark knight made of coarse material. Cruel in his silence and punishing in his confidence.
L.J. Shen (Scandalous (Sinners of Saint, #3))
What are you doing here?" I whispered, smiling in the dark. "I had to see you," he breathed into my cheek as he wrapped his arms around me, pulling me down until we were lying side by side on the bed. "I have so much to tell you, Aspen." "Shhh, don't say a word. If anyone hears, there'll be hell to pay. Just let me look at you." And so I obeyed. I stayed there, quiet and still, while Aspen stared into my eyes. When he had his fill of that, he went to nuzzling his nose into my neck and hair. And then his hands were moving up and down the curve of my waist to my hip over and over and over. I heard his breathing get heavy, and something about that drew me in. His lips, hidden in my neck, started kissing me. I drew in sharp breaths. I couldn't help it. Aspen's lips traveled up my chin and covered my mouth, effectively silencing my gasps. I wrapped myself around him, our rushed grabbing and the humidity of the night covering us both in sweat. It was a stolen moment. Aspen's lips finally slowed, though I was nowhere near ready to stop. But we had to be smart. If we went any further, and there was ever evidence of it, we'd both be thrown in jail. Another reason everyone married young: Waiting is torture. "I should go," he whispered. "But I want you to stay." My lips were by his ears. I could smell his soap again. "America Singer, one day you will fall asleep in my arms every night. And you'll wake up to my kisses every morning. And them some." I bit my lip at the thought. "But now I have to go. We're pushing our luck." I sighed and loosened my grip. He was right. "I love you, America." "I love you, Aspen." These secret moments would be enough to get me through everything coming: Mom's disappointment when I wasn't chosen, the work I'd have to do to help Aspen save, the eruption that was coming when he asked Dad for my hand, and whatever struggles we'd go through once we were married. None of it mattered. Not if I had Aspen.
Kiera Cass (The Selection (The Selection, #1))
Nice job denuding your face, by the way," she said, waggling her fingers under her chin to indicate his shave. "I'd forgotten what it looked like under there." He grimaced. "Oh. Well, I'm sorry to have to remind you, but it itched." "What are you talking about, sorry? You have an excellent face," she said, examining him. "It isn't pretty, but there are other ways for a face to be excellent." He touched the sharp angle of his nose. "I do have a face," was about as far as he was willing to go. "Lazlo," called Eril-Fane from across the room. "Gather everyone, will you?" Lazlo nodded and rose. "Consider yourself gathered," he informed Calizte, before going off in search of the rest of the team.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
His very person and appearance were such as to strike the attention of the most casual observer. In height he was rather over six feet, and so excessively lean that he seemed to be considerably taller. His eyes were sharp and piercing, save during those intervals of torpor to which I have alluded; and his thin, hawk-like nose gave his whole expression an air of alertness and decision. His chin, too, had the prominence and squareness which mark the man of determination. His hands were invariably blotted with ink and stained with chemicals, yet he was possessed of extraordinary delicacy of touch, as I frequently had occasion to observe when I watched him manipulating his fragile philosophical instruments.
Arthur Conan Doyle (A Study in Scarlet)
...the thin straight line of her nose, the painful sharpness of her jaw, how she held herself with such stillness. Was it because she was afraid of breaking? Or because she had been broken so many times that the idea no longer frightened her?
Claire Legrand (Lightbringer (Empirium, #3))
I need to keep sharp. But when you're this damned close to me, all I think about is you. I think about your mouth, and I think about your breasts, and I think about your pink tongue and your legs wrapped around me. I think about touching you and you touching me--and then I look at you and you're giving me that look--yes, that one, just there, as if you want me to kiss you--please stop--" He exhaled on a hiss, tipping his head back against the wood and pressing two fingers to the bridge of his nose.
Shana Abe (The Dream Thief (Drakon, #2))
Calo had dark liquor-colored skin and hair like an inky slice of night; the tautness of the flesh around his dark eyes was broken only by a fine network of laugh-lines (though anyone who knew the Sanza twins would more readily describe them as smirk-lines). An improbably sharp and hooked nose preceded his good looks like a dagger held at guard position.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Each of her features alone was nothing, her nose too sharp, her chin over-strong. Yet together they made a whole like the heart of a flame. You could not look away.
Madeline Miller (Circe)
with a sharp nose like a sharp autumn evening,
Charles Dickens (Bleak House)
I heard the Avarosh aunt say, 'She should grow her hair to hide that pointy chin and pointy nose.'" "If I see that pointy chin and nose hidden, I'll have to hurt someone." "You're supposed to say I don't have a pointy chin or pointy nose." "But you do. And you also have pointy eyes," he added as he kissed both lids, "and a pointy mouth," he teased, pressing his lips against hers, "and a pointy tongue." His body covered hers as he held her face in his hands and captured her mouth, the silk warmness of her tongue matching his, stroke for stroke. Then he felt the sharp nip of her teeth as his mouth dared leave hers, traveling down toward her throat, fleetingly tracing the scars of the noose. "And a pointy, pointy heart.
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
Ready to have some fun?” She didn’t give him time to answer. Weighed down with the chains, she flashed to a busy street in New York—fingers crossed he would be run over—then to a gay strip club in Italy—fingers crossed he would be groped—then to a zoo in Oklahoma—fingers crossed the elephant shit was ripe. “Enjoy,” she muttered with relish. Anya flashed one final time, back to where she’d begun: his home in Greece. Lucien was still following her trail. Lightning-quick, she hid the chains under the bed and palmed her Taser. When she straightened he was there, just in front of her. Her breath caught. He was still scowling, teeth bared and sharp, Death glowing in his eyes. He had a bleeding cut on his leg and he smelled like shit. Her nose wrinkled. “Step in something?” she asked innocently. “That, I did not mind.” He took a menacing step toward her. “What I did mind was being hit by a cab, then landing on the lap of a naked man. With an erection, Anya. He had an erection.” She grinned. She just couldn’t help herself.
Gena Showalter (The Darkest Kiss (Lords of the Underworld, #2))
Nathaniel Upchurch. Margaret couldn’t believe it. Gone were the pale features, the thin frame, the hesitant posture, the spectacles. Now broad shoulders strained against his cutaway coat. Form-fitting leather breeches outlined muscular legs. The unfashionable dark beard emphasized his sharp cheekbones and long nose. His skin was golden brown. His hair unruly, some escaping its queue. Even his voice sounded different—lower, harsher, yet still familiar.
Julie Klassen (The Maid of Fairbourne Hall)
The scent of linden blossoms hung heavy on the air. Dortchen made a sharp, jerking movement, as if to walk away. But she hesitated, then turned and went down the long, winding path, past the tangle of briar roses and into the secret grove of linden trees. She picked a blossom and held it to her nose, inhaling deeply. Then she sat on the grass, the blossom cupped in her hand, leant her head back against the tree and closed her eyes. All she could hear was the soft sough of the wind in the leaves, and the humming of innumerable bees as they gathered the nectar from the creamy-white flowers.
Kate Forsyth (The Wild Girl)
Yes, sir," Hicks said. He was a small young man, very officious, who would never contradict a superior. If Morris claimed the clouds were made of cheese Hicks would just stand to attention, twitch his nose, and swear blind he could smell Cheddar.
Bernard Cornwell (Sharpe's Tiger (Sharpe, #1))
Bok knows everything about me, including my thing with auras. Truth is, though, he isn't much good as a bodyguard. Bok is a shade heavier than an eating disorder, has a cute button nose and long, silky, straight hair most girls would kill for. We've been friends since prep when he used to sit behind me in class and hit me with his ruler. I put up with it for weeks, and then one day when the teacher stepped out of the room I pushed him off his chair and watched as he fell flat on his skinny, pretty arse.
Marianne Delacourt (Sharp Shooter (Tara Sharp, #1))
Ashley’s obliging giggle was cut off as Ronan’s bedroom door opened. A cloud like there would never be sun again crossed Declan’s face. Ronan and Declan Lynch were undeniably brothers, with the same dark brown hair and sharp nose, but Declan was solid where Ronan was brittle. Declan’s wide jaw and smile said, Vote for me while Ronan’s buzzed head and thin mouth warned that this species was poisonous. “Ronan,” Declan said. On the phone with Adam earlier, he had asked, When will Ronan not be available? “I thought you had tennis.” “I did,” Ronan replied.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
I didn’t fuck Beau. I made slow, tantalizing love to him. Hey, first time for everything. We went slowly. My dick was rock hard. He used his hands to stroke his cock. My fingers were wrapped around his ankles so hard they might leave bruises. And yet we maintained eye contact. Even as the first threads of orgasm pulled at me. I watched his face. I memorized those dimples, the wide brown eyes, slightly flat nose, and his sharp jaw.
James Cox (Chaos Unchained (Outlaw MC #1))
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
The poet he was escorting into Wales was a Horus-headed dud of some personal magnetism. The hair was feathered gell, the nose hooked. He stared at me and he didn’t. His eyes belonged to a magician; one bored into you, right through the lens into the depths of the vitreous humor—while the other popped and wobbled in the style of Ben Turpin. He folded in on himself, profile sharp as an axe. A labrys. This man would have no problem seeing around a corner.
Iain Sinclair (Landor's Tower: or, Imaginary Conversations)
We had been here often before as tourists, desperate for our annual ration of two or three weeks of true heat and sharp light. Always when we left, with peeling noses and regret, we promised ourselves that one day we would live here. We had talked about it during the long gray winters and the damp green summers, looked with an addict’s longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window.
Peter Mayle (A Year in Provence (Provence, #1))
You still haven't told me what you're up to,’ she said at last. ‘One more minute,’ Tamani said, smiling against her lips. ‘We don't need minutes,’ Laurel said. ‘We have forever.’ Tamani pulled back to look at her, his eyes shining with wonder. ‘Forever,’ he whispered before pulling her into another kiss. ‘So does this make us entwined?’ Laurel asked, a sharp twinge of grief piercing her happiness as she repeated the word Katya had used, so long ago, to describe committed faerie couples. ‘I believe it does,’ Tamani said, beaming. He leaned closer, his nose touching hers. ‘A sentry and a mixer? We shall be quite the scandal.’ Laurel smiled. ‘I love a good scandal.’ ‘I love you,’ Tamani whispered. ‘I love you, too,’ Laurel replied, relishing the words as she said them. And with them, the world was new and bright-- there was hope. There were dreams. But most of all, there was Tamani.’ “ Aprilynne Pike Destined pgs. 284-292.
Aprilynne Pike (Destined (Wings, #4))
There was a sharp ‘phut’, no louder than a bubble of air escaping from a tube of toothpaste. No other noise at all, and suddenly Le Chiffre had grown another eye, a third eye on a level with the other two, right where the thick nose started to jut out below the forehead. It was a small black eye, without eyelashes or eyebrows.
Ian Fleming (Casino Royale (James Bond, #1))
She was a diminutive, withered up old woman of sixty, with sharp malignant eyes and a sharp little nose
Fyodor Dostoevsky (Crime and Punishment)
Life was still sprouting in him—over the sharp rocks and right on the nose of a cliff, he was yet far from death.
A. Yavuz Oruc (Tomris: October 1942)
For a moment she studied the sketch. It had been done in pencil and the artist was very skilled. The single sharp line that edged her nose, the delicate shading on her bottom lip, the suggestion of light reflected off her forehead. In the sketch she lay asleep and peaceful- and beautiful. Iris had never thought of herself as beautiful. That word was for the lauded belles of society. The women who walked into ballrooms and made conversations stop. But in this sketch she was beautiful. And in the corner were the initials R.d' C. This was how he saw her.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
See, how cruel the whites are: their lips are thin, their noses sharp, their faces furrowed and distorted by holes. Their eyes have a staring expression. They are always seeking something. What are they seeking? The whites always want something, they are always uneasy and restless. We do not know what they want, we do not understand them, we think that they are mad.” I asked him why he thought the whites were all mad. “They say they think with their heads,” he replied. “Why, of course. What do you think with?” I asked him in surprise. “We think here,” he said, indicating his heart.
C.G. Jung (Memories, Dreams, Reflections)
There was a quality to her that is hard to describe, a fervency, a heat that went to your head. I had expected her to be beautiful, for she walked like a queen of the gods, but it was an odd beauty, not like my mother's or sister's. Each of her features alone was nothing, her nose too sharp, her chin over-strong. Yet together they made a whole like the heart of a flame. You could not look away.
Madeline Miller (Circe)
Snuggle up with a hot fireman! Meet Tanner West. Sharon looked up into the most gorgeous face she had ever seen. Eyes like dark chocolate, deep and warm, stared out at her from a face that looked like it could have been chiseled in stone. Skin the color of burnished copper, high cheekbones, a sharp nose, full lips, and a cleft chin. How the hell had she failed to notice him before? Her heart skipped a beat and she ran her gaze down the rest of his body. He was tall, well over six feet, she would guess, with broad shoulders that tapered into a trim waist. His thighs, encased in worn denim, fit like a second skin against legs the size of tree trunks, and oh my, what lay between those thighs… Her attention snapped back to his face and she could feel the heat of a blush suffuse her skin.
Tamara Hoffa (A Special Kind of Love)
I know it must sound harsh to you, but if I try to take you with me, it will slow me down and may well kill you." The crow and the serving girl regarded me with sharp, bright eyes. The Fool was breathing hard through his nose, as if he'd just climbed a towerful of stairs. His hands gripped the edge of the table. "You mean it," he said in a shaking voice. "You're leaving me here. I hear it in your voice." I drew a deep breath. "If I could, Fool, I would-" "But you can. You can! Take the risk! Take all the risks! So we die in a stone, or on a ship, or at Clerres. So we die, and it ends. We die together.
Robin Hobb (Fool's Quest (The Fitz and the Fool, #2))
Take my memories of my mother, and the feelings that went with them. I do not want to know them at all. Take the ache in my throat when I think of Molly, take all the sharp-edged, bright-colored days I recall with her. Take their brilliance and leave me but the shadows of what I saw and felt. Let me recall them without cutting myself on their sharpness. Take my days and nights in Regal’s dungeons. It is enough to know what was done to me. Take it to keep, and let me stop feeling my face against that stone floor, hearing the sound of my nose breaking, smelling and tasting my own blood. Take my hurt that I never knew my father, take my hours of staring up at his portrait when the great hall was empty and I could do so alone. Take my— Fitz. Stop. You give her too much, there will be nothing left of you.
Robin Hobb (Assassin's Quest (Farseer Trilogy, #3))
Joffrey called out, “Dog!” Sandor Clegane seemed to take form out of the night, so quickly did he appear. He had exchanged his armor for a red woolen tunic with a leather dog’s head sewn on the front. The light of the torches made his burned face shine a dull red. “Yes, Your Grace?” he said. “Take my betrothed back to the castle, and see that no harm befalls her,” the prince told him brusquely. And without even a word of farewell, Joffrey strode off, leaving her there. Sansa could feel the Hound watching her. “Did you think Joff was going to take you himself?” He laughed. He had a laugh like the snarling of dogs in a pit. “Small chance of that.” He pulled her unresisting to her feet. “Come, you’re not the only one needs sleep. I’ve drunk too much, and I may need to kill my brother tomorrow.” He laughed again. He was mocking her, she realized. “No one could withstand him,” she managed at last, proud of herself. It was no lie. Sandor Clegane stopped suddenly in the middle of a dark and empty field. She had no choice but to stop beside him. “Some septa trained you well. You’re like one of those birds from the Summer Isles, aren’t you? A pretty little talking -bird, repeating all the pretty little words they taught you to recite.” “ Take your look.” His fingers held her jaw as hard as an iron trap. His eyes watched hers. Drunken eyes, sullen with anger. She had to look. The right side of his face was gaunt, with sharp cheekbones and a grey eye beneath a heavy brow. His nose was large and hooked, his hair thin, dark. He wore it long and brushed it sideways, because no hair grew on the other side of that face. The left side of his face was a ruin. His ear had been burned away; there was nothing left but a hole. His eye was still good, but all around it was a twisted mass of scar, slick black flesh hard as leather, pocked with craters and fissured by deep cracks.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
I’m thinking about this—about him—way too hard. I shut the sketch pad too forcefully and place it back where I found it. It causes something that was at the very end of the notebook to slip out. A portrait. My heart halts as I scramble to lift it up, expecting—no, sure— that I’ll find Serena’s smiling face on it. The pouty lips, upturned eyes, narrow nose, and pointed chin; they’re all so familiar to me that I think it must be her, because who else’s face would I know so well? It can only be Serena’s, or . . . Mine. Lowe Moreland has drawn my face, and then stuffed it at the bottom of his bottom drawer. I’m not sure when he observed it long enough to pluck this level of detail out of me, the serious, detached air, the tight-lipped expression, the wispy hair curling around the cusp of an ear. Here’s what I do know: there is something sharp about the drawing. Something searing and intense and expansive that’s simply not there in the other sketches. Force, and power, and lots of feelings were involved in the making of this portrait. Lots.
Ali Hazelwood (Bride)
How thin she is in her coffin, how sharp her nose has grown! Her eyelashes lie straight as arrows. And, you know, when she fell, nothing was crushed, nothing was broken! Nothing but that "handful of blood." A dessertspoonful, that is. From internal injury. A strange thought: if only it were possible not to bury her? For if they take her away, then... oh, no, it is almost incredible that they take her away! I am not mad and I am not raving - on the contrary, my mind was never so lucid - but what shall I do when again there is no one, only the two rooms, and me alone with the pledges? Madness, madness, madness! I worried her to death, that is what it is!
Fyodor Dostoevsky (The Gentle Spirit)
He called me Jess because that is the name of the hood which restrains the falcon. I was his falcon. I hung on his arm and fed at his hand. He said my nose was sharp and cruel and that my eyes had madness in them. He said I would tear him to pieces if he dealt softly with me. At night, if he was away, he had me chained to our bed. It was a long chain, long enough for me to use the chamber pot or to stand at the window and wait for the late owls. I love to hear the owls. I love to see the sudden glide of wings spread out for prey, and then the dip and the noise like a lover in pain. He used the chain when we went riding together. I had a horse as strong as his, and he’d whip the horse from behind and send it charging through the trees, and he’d follow, half a head behind, pulling on the chain and asking me how I liked my ride. His game was to have me sit astride him when we made love and hold me tight in the small of my back. He said he had to have me above him, in case I picked his eyes out in the faltering candlelight. I was none of these things, but I became them. At night, in June I think, I flew off his wrist and tore his liver from his body, and bit my chain in pieces and left him on the bed with his eyes open. He looked surprised, I don’t know why. As your lover describes you, so you are.
Jeanette Winterson (Sexing the Cherry)
My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered... A small ugly boy born to be a king... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone.
Ben Bova
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
Bram Stoker (Dracula (Annotated))
His face was a strong—a very strong—aquiline, with high bridge of the thin nose and peculiarly arched nostrils; with lofty domed forehead, and hair growing scantily round the temples but profusely elsewhere. His eyebrows were very massive, almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale, and at the tops extremely pointed; the chin was broad and strong, and the cheeks firm though thin. The general effect was one of extraordinary pallor.
Bram Stoker (Dracula)
Hannah was his, too, yes, except that she had Rachel’s straight blond hair and narrow blue eyes and sharp nose—her whole face an accusation, just like her mother’s. But she had a specific kind of sarcasm that was a characteristic of the Fleishman side. At least she once did. Her parents’ separation seemed to ignite in her a humorlessness and a fury that had already been coming either because her parents fought too often and too viciously, or because she was becoming a teenager and her hormones created a rage in her. Or because she didn’t have a phone and Lexi Leffer had a phone. Or because she had a Facebook account she was only allowed to use on the computer in the living room and she didn’t even want that Facebook account because Facebook was for old people. Or because Toby suggested that the sneakers that looked just like Keds but were $12 less were preferable to the Keds since again they were exactly the same just without the blue tag on the back and what about being too-overt victims of consumerism?
Taffy Brodesser-Akner (Fleishman Is in Trouble)
My nose flared involuntarily and my eyes started watering. You ever been near an animal-processing plant, you know what I mean. The smell isn’t like water or air; it’s a solid. Like you should be able to cut a hole in the stink to get some relief. You can’t.
Gillian Flynn (Sharp Objects)
The Hail Mary has always looked like something out of a Heinlein novel. Shiny silver, smooth hull, sharp nose cone. Why do all that for a ship that’ll never have to deal with an atmosphere? Because of the interstellar medium. There’s a teeny, tiny amount of hydrogen and helium wandering around out there in space. It’s on the order of one atom per cubic centimeter, but when you’re traveling near the speed of light, that adds up. Not only because you’re hitting a whole bunch of atoms but also because those atoms, from your inertial reference frame, weigh more than normal. Relativistic physics is weird.
Andy Weir (Project Hail Mary)
Unglamoured, my skin is the pale blue-grey of hydrangea blooms, smeared with dirt along one cheek and across my nose. My hair is so woven with leaves and twigs and mud that it would be almost impossible to know that underneath it is an even darker blue. I have the same pointy chin I had when I thought I was mortal. A thin face, with large eyes, and an expression of startlement, as though I expect someone else when I look in the mirror. At least my eyes could pass for human. They're green, deep and dark. I smile a little to see the awfulness of my sharp teeth. A mouth full of knives. They make even the Folk flinch.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
Arthur said brightly, “Actually I quite liked it.” Ford turned and gaped. Here was an approach that had quite simply not occurred to him. The Vogon raised a surprised eyebrow that effectively obscured his nose and was therefore no bad thing. “Oh good …” he whirred, in considerable astonishment. “Oh yes,” said Arthur, “I thought that some of the metaphysical imagery was really particularly effective.” Ford continued to stare at him, slowly organizing his thoughts around this totally new concept. Were they really going to be able to bareface their way out of this? “Yes, do continue …” invited the Vogon. “Oh … and, er … interesting rhythmic devices too,” continued Arthur, “which seemed to counterpoint the … er … er …” he floundered. Ford leaped to his rescue, hazarding “… counterpoint the surrealism of the underlying metaphor of the … er …” He floundered too, but Arthur was ready again. “… humanity of the …” “Vogonity,” Ford hissed at him. “Ah yes, Vogonity—sorry—of the poet’s compassionate soul”—Arthur felt he was on the homestretch now—“which contrives through the medium of the verse structure to sublimate this, transcend that, and come to terms with the fundamental dichotomies of the other”—he was reaching a triumphant crescendo—“and one is left with a profound and vivid insight into … into … er …” (which suddenly gave out on him). Ford leaped in with the coup de grace: “Into whatever it was the poem was about!” he yelled. Out of the corner of his mouth: “Well done, Arthur, that was very good.” The Vogon perused them. For a moment his embittered racial soul had been touched, but he thought no—too little too late. His voice took on the quality of a cat snagging brushed nylon. “So what you’re saying is that I write poetry because underneath my mean callous heartless exterior I really just want to be loved,” he said. He paused, “Is that right?” Ford laughed a nervous laugh. “Well, I mean, yes,” he said, “don’t we all, deep down, you know … er …” The Vogon stood up. “No, well, you’re completely wrong,” he said, “I just write poetry to throw my mean callous heartless exterior into sharp relief. I’m going to throw you off the ship anyway. Guard! Take the prisoners to number three airlock and throw them out!” “What?” shouted Ford. A huge young Vogon guard stepped forward and yanked them out of their straps with his huge blubbery arms. “You can’t throw us into space,” yelled Ford, “we’re trying to write a book.” “Resistance is useless!” shouted the Vogon guard back at him. It was the first phrase he’d learned when he joined the Vogon Guard Corps.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn’t thaw it one degree at Christmas.
Charles Dickens (A Christmas Carol)
She stepped in his path, getting right near those too-sharp canines. “No one here can know who I am. Do you understand?” His green eyes gleamed, animal-bright in the dark. “My aunt has given me a harder task than she realizes, I think.” My aunt. Not our aunt. And then she said one of the foulest things she’d ever uttered in her life, bathing in the pure hate of it. “Fae like you make me understand the King of Adarlan’s actions a bit more, I think.” Faster than she could sense, faster than anything had a right to be, he punched her. She shifted enough to keep her nose from shattering but took the blow on her mouth. She hit the wall, whacked her head, and tasted blood. Good.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
While awake, he was all angles and tension- the muscles of his jaw were strung tight as a bow, as though he were in a perpetual state of holding himself back. But now, in slumber, in the glow of the fire, he was... Beautiful. The angles were still there, sharp and perfect, as though a master sculptor had had a hand in creating him- the tilt of his jaw, the cleft of his chin, his long, straight nose, the perfect curve of his brows, and those eyelashes, just as they were when he was a boy, unbelievably long and lush, a black, sooty caress against his cheeks. And his lips. Not pressed in a firm, grim line at the moment, instead lovely and full. They had once been so quick to smile, but... they had become dangerous and tempting in a way they'd never been when he was a boy. She traced the peak and valleys of his upper lip with her gaze, wondering how many women had kissed him. Wondering what his mouth would feel like- soft or firm, light or dark. She exhaled, temptation making the breath long and heavy. She wanted to touch him.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
In height he was rather over six feet, and so excessively lean that he seemed to be considerably taller. His eyes were sharp and piercing, save during those intervals of torpor to which I have alluded; and his thin, hawk-like nose gave his whole expression an air of alertness and decision. His chin, too, had the prominence and squareness which mark the man of determination.
Arthur Conan Doyle (A Study in Scarlet)
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
Louisa May Alcott (Little Women)
Toward nightfall, Khrenov’s temperature had risen. The thermometer was warm, alive—the column of mercury climbed high on the little red ladder. For a long time he muttered unintelligibly, kept biting his lips and gently shaking his head. Then he fell asleep. Natasha undressed by a candle’s wan flame, and saw her reflection in the murky glass of the window—her pale, thin neck, the dark braid that had fallen across her clavicle. She stood like that, in motionless languor, and suddenly it seemed to her that the room, together with the couch, the table littered with cigarette stubs, the bed on which, with open mouth, a sharp-nosed, sweaty old man slept restlessly—all this started to move, and was now floating, like the deck of a ship, into the black night.
Vladimir Nabokov
I imagine this midnight moment's forest: Something else is alive Besides the clock's loneliness And this blank page where my fingers move. Through the window I see no star: Something more near Though deeper within darkness Is entering the loneliness: Cold, delicately as the dark snow, A fox's nose touches twig, leaf; Two eyes serve a movement, that now And again now, and now, and now Sets neat prints into the snow Between trees, and warily a lame Shadow lags by stump and in hollow Of a body that is bold to come Across clearings, an eye, A widening deepening greenness, Brilliantly, concentratedly, Coming about its own business Till, with sudden sharp hot stink of fox It enters the dark hole of the head. The window is starless still; the clock ticks, The page is printed.
Ted Hughes (The Thought-Fox)
What I can make people do . . . it’s not what they want to do. It may sound corny, but I want people to like me for me, not because I can force them to or because of who my mom is or who I am in the Family. You know?” He raised his green gaze to my blue one. “That’s one of the things I like about you, Lila. You don’t care about any of that.” “Just one of the things?” I teased, trying to make him laugh a little, just so he’d forget his guilt and grief, if only for a few moments. “Just one.” His voice took on a low, husky note. “I could list all the others, if you want.” My gaze locked with his and my soulsight kicked in, showing me all of his emotions. And I felt them, too—more intensely than I ever had before. His heart still ached with that soul-crushing guilt, and it always would. But that hot spark I’d seen inside him that first day at the Razzle Dazzle had finally ignited into a roaring fire, burning as hot and bright as my own emotions were right now. Devon hesitated, then leaned in, just a little. My breath caught in my throat. He inched forward a little more. I wet my lips. He came even closer, so close that his warm breath brushed my cheek and his scent flooded my nose, that sharp, fresh tang of pine. Clean and crisp, just like he was, inside and out. I sighed. Suddenly, my hands itched to touch him, to trace my fingers over the sharp planes of his face, and then slide them lower, over all of his warm, delicious muscles . . . “Lila,” he whispered. I shivered, loving the sound of my name on his lips—lips that were heartbreakingly close to mine—
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
Looking at her with a wolf’s gaze, with a hunger satiated only by violence and destruction, he pulled back only slightly with the sight of blood trickling from her nose. When she smiled at him, her teeth stained red, her tongue running over her gums, however, Blossom’s entire body juxtaposed the idea between sweet and innocent to malicious and coarse. She was as sharp as a blade, yet as sweet as a flowering bruise. And his affection for her was as equally a perfect mixture—balance—between the desire to destroy her, tear her limb from limb, devour her, and protect, nurture, save her from all the evil in the world, including himself. But what he didn’t realize, as she batted her lashes back up at him, her body molding under his fingertips so easily he for a minute was convinced she had been created for the sole purpose of him, was that she was a wolf, too. A wolf in sheep’s clothing, a false prey. A predator of equal conviction.
Kate Winborne
You always said I knew nothing, but that was the place to begin. I would never claim to know what women in prison dreamed about, or the rights of beauty, or what the night’s magic held. If I thought for a second I did, I’d never have the chance to find out, to see it whole, to watch it emerge and reveal itself. I don’t have to put my face on every cloud, be the protagonist of every random event. Who am I, Mother? I’m not you. That’s why you wish I were dead. You can’t shape me anymore. I am the uncontrolled element, the random act, I am forward movement in time. You think you can see me? Then tell me, who am I? You don’t know. I am nothing like you. My nose is different, flat at the bridge, not sharp as a fold in rice paper. My eyes aren’t ice blue, tinted with your peculiar mix of beauty and cruelty. They are dark as bruises on the inside of an arm, they never smile. You forbid me to cry? I’m no longer yours to command. You used to say I had no imagination. If by that you meant I could feel shame, and remorse, you were right. I can’t remake the world just by willing it so. I don’t know how to believe my own lies. It takes a certain kind of genius.
Janet Fitch (White Oleander)
O Tell Me The Truth About Love - Poem by WH Auden Some say love's a little boy, And some say it's a bird, Some say it makes the world go round, Some say that's absurd, And when I asked the man next door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't even there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories vulgar but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
W.H. Auden
The citizens of the City of Rome, therefore, could not believe it when toward the end of the first decade of the fifth century, they woke to find Alaric, king of the Visigoths, and all his forces parked at their gates. He might as well have been the king of the Fuzzy-Wuzzies, or any other of the inconsequential outlanders that civilized people have looked down their noses at throughout history. It was preposterous. They dispatched a pair of envoys to conduct the tiresome negotiation and send him away. The envoys began with empty threats: any attack on Rome was doomed, for it would be met by invincible strength and innumerable ranks of warriors. Alaric was a sharp man, and in his rough fashion a just one. He also had a sense of humor. “The thicker the grass, the more easily scythed,” he replied evenly. The envoys quickly recognized that their man was no fool. All right, then, what was the price of his departure? Alaric told them: his men would sweep through the city, taking all gold, all silver, and everything of value that could be moved. They would also round up and cart off every barbarian slave. But, protested the hysterical envoys, what will that leave us? Alaric paused. “Your lives.” In that pause, Roman security died and a new world was conceived.
Thomas Cahill (How the Irish Saved Civilization (Hinges of History Book 1))
Lady Blonos is a horrifying sight, and it takes all of my manners to keep my jaw from dropping. Blood healer, able to heal herself. I understand now what that means. She must be over fifty, older than my mother, but her skin is smooth and shockingly tight over her bones. Her hair is perfectly white, slicked back, and her eyebrows seem fixed in a constant state of shock, arched on her unwrinkled forehead. Everything about her is wrong, from her too-full lips to the sharp, unnatural slope of her nose. Only her deep gray eyes look alive. The rest, I realize, is fake. Somehow she was able to heal or change herself into this monstrous thing in an attempt to look younger, prettier, better.
Victoria Aveyard (Red Queen (Red Queen, #1))
After that, we don't talk much until she brings out a ginger cake from the larder. "An old family recipe," she says. "I've been experimenting with the quantities of cloves and Jamaica ginger. Tell me what you think." And she pushes a slice toward me. I try not to gobble for it, for I am starving. "The most important thing with this cake is to beat in every ingredient, one by one, with the back of a wooden spoon," she says. "Simply throwing everything in together and then beating produces a most unsuccessful cake. I know because my first attempt was as heavy as a brick---quite indigestible!" She gives a rueful smile and asks if I think it needs more ginger. I feel the crumb, dense and dark, melt on my tongue. My mouth floods with warmth and spice and sweetness. As I swallow, something sharp and clean seems to lift through my nose and throat until my head swims. "I can see you like it." Miss Eliza watches me and smiles. And then I blurt something out. Something I know Reverend Thorpe and his wife would not like. But it's too late, the words jump from my throat of their own accord. "I can taste an African heaven, a forest full of dark earth and heat." The smile on Miss Eliza's face stretches a little wider and her eyes grow brighter. And this gives me the courage to ask a question that's nothing to do with my work. "What is the flavor that cuts through it so keenly, so that it sings a high note on my tongue?" She stares at me with her forget-me-not eyes. "It's the lightly grated rinds of two fresh lemons!
Annabel Abbs (Miss Eliza's English Kitchen)
I don’t care about Jackson, I said. “You know what’s awesome?” she murmured. “How you’re so bad at lying. Say that again – about how you don’t care for him. maybe this time you’ll be able to look at me while you do it. Oh, and also? Try to say it as if you believe it, too, and you’re not asking me a damn question.” I shot a sharp glance across the table. “Okay, fine,” I said. “I care about Jackson. He’s my neighbour and I see him around town but--” “Oh my fucking god,” Brooke said, groaning. She pushed her sunnies to the top of her head and rubbed the bridge of her nose. “I love you but I also want to slap you. Really hard. Not some quick tap but a full slap, the kind that leaves a handprint on your face and knocks this bullshit out of your head.” “I’d slap you back,” I muttered. “I’d fucking hope so,” she replied.
Kate Canterbary (Hard Pressed (Talbott’s Cove, #2))
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
Despite the gloom she could make out enough of his finely chiseled features to fleetingly rethink the CPR issue. The man was a knock out, with cheek bones sharp enough to cut cheese on, an arrow straight nose, a strong jaw, and a well cut mouth that subjected both cruelty and sensuality. He stirred groaning softly, hands flailing as if he was searching for something. Mary moved out the way as he rolled towards her coming to rest on his back. As she lent over him to get another look dark eyelashes flickered, opened. His eyes were pale and striking, something flashing in them like lightning cutting through turbulent storm clouds. A pair of fey owlish brows slanted down in to a perplexed frown as he stared up at her. Mary let out a startled yelp when she was grabbed, and then rolled beneath a larger body, his heavy weight, her arms pinioned above her in just one of his large hands. Her hat yanked off and her features quickly scanned. Outrage quickly turned in to fear. The glacial scrutiny made her tremble as if an arctic wind had caressed her body, not that the shear brute strength the stranger wielded alone was not frightening enough. “I’m just trying to help you.” Mary breathed, fighting down the rising panic as his gaze bored in to her. “You must have fallen of your bike.” She had worked Crown defense long enough to have encountered more then a few clients who were nothing more then malicious, ill tempered, brutal thugs. This man Mary knew on an intuitive level was far more dangerous, because he was a killer, because he was devoid of all those things. There was a detachment to his inspection of her, considering if she was pray or a pet. Not human. Something deeply buried stirred. An ancestral memory whispered through her mind like the scent of wood smoke on the night air, instinctive as the fear of the falling, and things that lurked in the dark.
D.M. Alexandra
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
He watched her watch him, a little surprised that she didn't seem distracted by the noisy procession. She held her hands clasped at her waist, her expression so serene that he felt his own tension begin to slip away. As they drew closer to the chapel, her features became clearer. He was still too far away to tell the color of her eyes, yet they looked hauntingly familiar. Where had he seen those eyes before? They were her only remarkable feature. Her hair was a plain, dark chestnut color, the slope of her nose not as dainty as he preferred, and her cheekbones too high and sharp to flatter the roundness of her chin. He stared openly, trying to summon a word to describe her. Few would call her pleasing or even pretty. Those terms were too earthy to describe a face such as hers. He stared harder. Exquisite. That word came very close. "Breathtaking" was a more apt description. He wondered that all in the bailey didn't gape at her, dumbfounded by such perfection. Not that he would know if others stared or not. He couldn't take his eyes from her. No matter how common or mismatched her features, they somehow combined to create the face of an angel.
Elizabeth Elliott (Betrothed (Montagues, #2))
I was here. I was fine. It was a beautiful day, and I was around people who gave me more love and happiness in a month than I’d had for seventeen years. I would never have to see those jerks again. And today was going to be a good day, damn it. So I got it together and finally looked back down at my best friend to ask, “Did I tell you I stole a bottle of Visine once because I wanted to put a few drops into my dad’s coffee, but I always chickened out?” Lenny snickered. “No. Psycho. Did I tell you that one time I asked Santa to bring my mom back?” I made a face. “That’s sad, Lenny.” I blinked. “I pretty much did the same thing.” “Uh-huh.” I raised my eyebrows at her. “Did I ever tell you that I wanted to have like ten kids when I was younger?” The laugh that came out of her wasn’t as strong as it usually was, but I was glad she let it out anyway. It sounded just like her, loud and direct and so full of happiness it was literally infectious. “Ten? Jesus, why?” I wrinkled my nose at her. “It sounded like a good number.” The scoff that came out of her right then was a little louder. “You’re fucking nuts, Luna. One, two, three, four, five, six, seven, eight, nine, ten-ten?” “That’s what ten means.” I grinned at her. “I said that was back when I was younger, not any time recently. I can’t afford ten kids.” “Still. How about… none?” I glanced down the table again when I heard Thea’s sharp laugh. “Okay, Only Child.” I laughed. “I think four’s a good number now.” My friend beside me groaned before reaching forward to grab a chip, dipping it into the tiny bowl of guacamole beside it. “Look, Grandpa Gus was basically my brother, my dad, my uncle, and my grandpa all rolled into one, and I had a bunch of kids to play with,” she claimed. “Whatever makes you happy, but I think I’m fine with zero kids in my future.” I reached over and grabbed one of the pieces of fajita from her plate and plopped it into my mouth. “Watch, you’ll end up with two,” I told her, covering my mouth while I chewed the meat. “You’ve already got that ‘mom’ vibe going on better than anyone I know.” That had her rolling her eyes, but she didn’t argue that she didn’t, because we both knew it was true. She was a twenty-seven-year-old who dealt with full-grown man babies daily. She had it down. I was friends with my coworkers. Lenny was a babysitter for the ones she was surrounded with regularly. “Like you’re one to talk, bish,” she threw out in a grumpy voice that said she knew she couldn’t deny it. She had a point there. She picked up a piece of fajita and tossed it into her mouth before mumbling, “For the record, you should probably get started on lucky number four soon. You aren’t getting any younger.” I rolled my eyes, still chewing. “Bish.” “Bish.
Mariana Zapata (Luna and the Lie)
She took my wings,' he whispered. Tamlin's green eyes flickered and I knew right then, that the faerie was going to die. Death wasn't just hovering in this hall; it was counting down the faerie's remaining heartbeats. I took one of the faerie's hands in mine. The skin there was almost leathery, and, perhaps more of a reflex than anything, his long fingers wrapped around mine, covering them completely. 'She took my wings,' he said again, his shaking subsiding a bit. I brushed the long, damp hair from the faerie's half-turned face, revealing a pointed nose and a mouth full of sharp teeth. His dark eyes shifted to mine, beseeching, pleading. 'It will be all right,' I said, and hoped he couldn't smell the lies the way the Suriel was able to. I stroked his limp hair, its texture like liquid night- another I would never be able to paint but would try to, perhaps forever. 'It will be all right.' The faerie closed his eyes, and I tightened my grip on his hand. Something wet touched my feet, and I didn't need to look down to see that his blood had pooled around me. 'My wings,' the faerie whispered. 'You'll get them back.' The faerie struggled to open his eyes. 'You swear?' 'Yes,' I breathed. The faerie managed a slight smile and closed his eyes again. My mouth trembled. I wished for something else to say, something more to offer him than my empty promises. The first false vow I'd ever sworn. But Tamlin began speaking, and I glanced up to see him take the faerie's other hand. 'Cauldron save you,' he said, reciting the words of a prayer that was probably older than the mortal realm. 'Mother hold you. Pass through the gates, and smell that immortal land of milk and honey. Fear no evil. Feel no pain.' Tamlin's voice wavered, but he finished. 'Go, and enter eternity.' The faerie heaved one final sigh, and his hand went limp in mine. I didn't let go, though, and kept stroking his hair, even when Tamlin released him and took a few steps from the table. I could feel Tamlin's eyes on me, but I wouldn't let go. I didn't know how long it took for a soul to fade from the body. I stood in the puddle of blood until it grew cold, holding the faerie's spindly hand and stroking his hair, wondering if he knew I'd lied when I'd sworn he would get his wings back, wondering if, wherever he had now gone, he had gotten them back. A clock chimed somewhere in the house, and Tamlin gripped my shoulder. I hadn't realised how cold I'd become until the heat of his hand warmed me through my nightgown. 'He's gone. Let him go.' I studied the faerie's face- so unearthly, so inhuman. Who could be so cruel to hurt him like that? 'Feyre,' Tamlin said, squeezing my shoulder. I brushed the faerie's hair behind his long, pointed ear, wishing I'd known his name, and let go.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Mr. Ravenel, if you are to spend a fortnight here, you will conduct yourself like a gentleman, or I will have you forcibly taken to Alton and tossed onto the first railway car that stops at the station.” West blinked and looked at her, clearly wondering if she was serious. “Those girls are the most important thing in the world to me,” Kathleen said. “I will not allow them to be harmed.” “I have no intention of harming anyone,” West said, offended. “I’m here at the earl’s behest to talk to a set of clodhoppers about their turnip planting. As soon as that’s concluded, I can promise you that I’ll return to London with all possible haste.” Clodhoppers? Kathleen drew in a sharp breath, thinking of the tenant families and the way they worked and persevered and endured the hardships of farming…all to put food on the table of men such as this, who looked down his nose at them. “The families who live here,” she managed to say, “are worthy of your respect. Generations of tenant farmers built this estate--and precious little reward they’ve received in return. Go into their cottages, and see the conditions in which they live, and contrast it with your own circumstances. And then perhaps you might ask yourself if you’re worthy of their respect.” “Good God,” West muttered, “my brother was right. You do have the temperament of a baited badger.” They exchanged glances of mutual loathing and walked away from each other.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Catherine Marks came to stand on the other side of the doorway as if she were a fellow sentinel guarding the castle gate. Leo glanced at her covertly. She was dressed in lavender, unlike her usual drab of colors. Her mousy brown hair was pulled back into such a tight chignon as to make it difficult for her to blink. The spectacles sat oddly on her nose, one of the wire earpieces crimped. It gave her the appearance of a befuddled owl. "What are you looking at?" she asked tersely. "Your spectacles are crooked," Leo said, trying not to smile. She scowled. "I tried to fix them, but it only made them worse." "Give them to me." Before she could object, he took them from her face and began to fiddle with the bent wire. She spluttered in protest. "My lord, I didn't ask you to- if you damage them-" "How did you bend the earpiece?" Leo asked, patiently straightening the wire. "I dropped them on the floor, and as I was searching, I stepped on them." "Nearsighted, are you?" "Quite." Having reshaped the earpiece, Leo scrutinized the spectacles carefully. "There." He began to give them to her and paused as he stared into her eyes, all blue, green, and gray, contained in distinct dark rims. Brilliant, warm, changeable. Like opals. Why had he never noticed them before? Awareness chased over him, making his skin prickle as if exposed to a sudden change in temperature. She wasn't plain at all. She was beautiful, in a fine, subtle way, like winter moonlight, or the sharp linen smell of daisies. So cool and pale... delicious. For a moment, Leo couldn't move.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
I have done it! exclaimed Saphira. She arched her neck and loosed a jet of blue and yellow flame into the upper reaches of the building. I know my true name! She spoke a single line in the ancient language, and the inside of Eragon’s mind seemed to ring with a sound like a bell, and for a moment, the tips of Saphira’s scales gleamed with an inner light, and she looked as if she were made of stars. The name was grand and majestic, but also tinged with sadness, for it named her as the last female of her kind. In the words, Eragon could hear the love and devotion she felt for him, as well as all the other traits that made up her personality. Most he recognized; a few he did not. Her flaws were as prominent as her virtues, but overall, the impression was one of fire and beauty and grandeur. Saphira shivered from the tip of her nose to the tip of her tail, and she shuffled her wings. I know who I am, she said. Well done, Bjartskular, said Glaedr, and Eragon could sense how impressed he was. You have a name to be proud of. I would not say it again, however, not even to yourself, until we are at the…at the spire we have come to see. You must take great care to keep your name hidden now that you know it. Saphira blinked and shuffled her wings again. Yes, Master. The excitement running through her was palpable. Eragon sheathed Brisingr and walked over to her. She lowered her head until it was at his level. He stroked the line of her jaw, and then pressed his forehead against her hard snout and held her as tightly as he could, her scales sharp against his fingers. Hot tears began to slide down his cheeks. Why do you cry? she asked. Because…I’m lucky enough to be bonded with you. Little one.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
I can’t even see your face.” A strange chill still curled off of him like smoke and even though the glass garden was teeming with little lights, shades veiled him. “Is that what you want?” he said. “Would it make you trust me?” “It would be a start.” “You are impossible to please.” I said nothing. Amar leaned forward, and I felt the silken trails of his hood brush across my neck. My breath constricted. “Is that what you want? An unguarded gaze can spill a thousand secrets.” “I would know them anyway,” I said evenly. I waited for him to dissuade me, but when he remained silent, I reached out. Amar stood still, lean muscles tensed beneath his clothes. I could hear his breathing, see his chest rising and falling, smell that particular scent of mint and smoke that hung around him. Slowly, I untied the ends of the dove-gray hood. Small pearls snagged against the silk of his covering. Suddenly, his hands reached around my wrist. “I trust you,” he said. The hood fell to the ground, a mere rustle of silk against glass. I lifted my gaze, searching Amar’s face. He was young, and yet there was something worn about his features. I took in the stern line of his nose and the smooth expanse of tawny skin. His features possessed a lethal kind of elegance, like a predator at rest--bronzed jaw tapering to a knife’s point, lips curled in the faintest of grins and heavy brows casting dusky shadows over his eyes. When I looked at him, something stirred inside me. It felt like recognition sifted through dreams; like the moment before waking--when sleep blurred the true world, when beasts with sharp teeth and beautiful, winged things flew along the edges of your mind. Amar met my gaze and his eyes were raw. Burning. “Well?” he asked. There was no rebuke in his voice, only curiosity. “I see no secrets in your gaze,” I said. I see only night and smoke, dreams and glass, embers and wings. And I would not have you any other way.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))