Sharp Knife Quotes

This is my knife. It is very sharp and very eager to hurt you.

Think outside the box, collapse the box, and take a fucking sharp knife to it.

The tongue like a sharp knife... Kills without drawing blood.

Run my dear, From anything That may not strengthen Your precious budding wings. Run like hell my dear, From anyone likely To put a sharp knife Into the sacred, tender vision Of your beautiful heart.

I am not the first person you loved. You are not the first person I looked at with a mouthful of forevers. We have both known loss like the sharp edges of a knife. We have both lived with lips more scar tissue than skin. Our love came unannounced in the middle of the night. Our love came when we’d given up on asking love to come. I think that has to be part of its miracle. This is how we heal. I will kiss you like forgiveness. You will hold me like I’m hope. Our arms will bandage and we will press promises between us like flowers in a book. I will write sonnets to the salt of sweat on your skin. I will write novels to the scar of your nose. I will write a dictionary of all the words I have used trying to describe the way it feels to have finally, finally found you. And I will not be afraid of your scars. I know sometimes it’s still hard to let me see you in all your cracked perfection, but please know: whether it’s the days you burn more brilliant than the sun or the nights you collapse into my lap your body broken into a thousand questions, you are the most beautiful thing I’ve ever seen. I will love you when you are a still day. I will love you when you are a hurricane.

Give me a good sharp knife and a good sharp cheese and I’m a happy man.

My new knight mistress is famed for wielding sharp edges: Sword, Knife and Tongue!

A robber who steals a knife and cuts himself cannot cry out against the woman who kept it sharp.

Proposing is like giving someone your dick and a sharp knife, then waiting to see what they do next.

Will bit at his lip. This was the last time Jem, as Jem, might ever touch him. The sharp memory went through him like a knife—of years of Jem’s light tap on his shoulder, his hand reaching to help Will up when he fell, Jem holding him back when he was furious, Will’s own hands on Jem’s thin shoulders as Jem coughed blood into his shirt. “Listen to me. I am leaving, but I am living. I will not be gone from you entirely, Will. When you fight now, I will be still by you. When you walk in the world, I will be the light at your side, the ground steady under your feet, the force that drives the sword in your hand. We are bound, beyond the oath. The Marks did not change that. The oath did not change that. It merely gave words to something that existed already.

The supposedly immaterial soul, we now know, can be bisected with a knife, altered by chemicals, started or stopped by electricity, and extinguished by a sharp blow or by insufficient oxygen.

So you want a knife, a nice sharp knife. You hone that blade to its limits. It even cuts through stone when you want it to. It saves your life. And then you're outraged when it cuts you accidentally. You see, knives don't switch off. And neither do people, not when you hone them to a fine edge.

If I had to tell you how humans made their way to Earth, it would go like this: In the beginning, there was nothing at all but the moon and the sun. And the moon wanted to come out during the day, but there was something so much brighter that seemed to fill up all those hours. The moon grew hungry, thinner and thinner, until she was just a slice of herself, and her tips were as sharp as a knife. By accident, because that is the way most things happen, she poked a hole in the night and out spilled a million stars, like a fountain of tears. Horrified, the moon tried to swallow them up. And sometimes this worked, because she got fatter and rounder.. But mostly it didn't, because there were just so many. The stars kept coming, until they made the sky so bright that the sun got jealous. He invited the stars to his side of the world, where it was always bright. What he didn't tell them, though, was that in the daytime, they'd never be seen. So the stupid ones leaped from the sky to the ground, and they froze under the weight of their own foolishness. The moon did her best. She carved each of these blocks of sorrow into a man or a woman. She spent the rest of her time watching out so that her other stars wouldn't fall. She spent the rest of her time holding onto whatever scraps she had left.

A moment later, Cat hurtled back into the room as if chased by demons. She stationed herself in front of Raisa, a knife in either hand, all of her genteel patina swept away. "Cuffs! Look sharp! It's him, the whey-faced, gutter-swiving, prig-napping bastard! He's here!" Han looked as mystified as Raisa. "Who's here?

The thought makes me reach back for my knife, my sharp, throat-cutting security blanket, as I look around.

A human body in no way resembles those that were born for ravenousness; it hath no hawk’s bill, no sharp talon, no roughness of teeth, no such strength of stomach or heat of digestion, as can be sufficient to convert or alter such heavy and fleshy fare. But if you will contend that you were born to an inclination to such food as you have now a mind to eat, do you then yourself kill what you would eat. But do it yourself, without the help of a chopping-knife, mallet or axe, as wolves, bears, and lions do, who kill and eat at once. Rend an ox with thy teeth, worry a hog with thy mouth, tear a lamb or a hare in pieces, and fall on and eat it alive as they do. But if thou had rather stay until what thou eat is to become dead, and if thou art loath to force a soul out of its body, why then dost thou against nature eat an animate thing? There is nobody that is willing to eat even a lifeless and a dead thing even as it is; so they boil it, and roast it, and alter it by fire and medicines, as it were, changing and quenching the slaughtered gore with thousands of sweet sauces, that the palate being thereby deceived may admit of such uncouth fare.

Stephanie,' Valerie said. 'She's going to have a baby, and she's getting married.' My father was confused. He looked around the room. No Joe. No Ranger. His eyes locked on Diesel. 'Not the psycho,' he said. Diesel blew out a sigh. My father turned to my mother. 'Get me the carving knife. Make sure it's sharp.

Movement from Brenda grabbed Thomas's attention. He looked to see her drop the knife away from Minho and step back, absently wiping the small trace of blood there on her pants. "I really would've killed you, ya know," she said in a slightly scratchy voice. Almost husky. "Charge Jorge again and I'll sever an artery." Minho wiped at his small wound with his thumb, then looked at the bright red smear. "That's one sharp knife. Makes me like you more.

Be sweet and carry a sharp knife, was her motto.

...called nine-one-one," Howie was saying, "and then I heard something in the alleyway, so I went back there and" --Howie coughed-- "and valiantly attacked his knife with my guts, to no avail." "Did you get a good look at him? Could you describe him?" Howie smiled wanly. "Yeah. He was about yay long" --he held up his hands, four inches apart-- "thin, made of steel. Pointy. Sharp.

Discipline and constant work are the whetstones upon which the dull knife of talent is honed until it becomes sharp enough, hopefully, to cut through even the toughest meat and gristle.

Decision is a sharp knife that cuts clean and straight; indecision, a dull one that hacks and tears and leaves ragged edges behind it.

There was this girl. I met her on a train. The first time I saw her, she was covered in coffee and smelled like pancakes, and she was beautiful like a city you always wanted to go to, like how you wait years and years for the right time, and then as soon as you get there, you have to taste everything and touch everything and know every street by name. I felt like I knew her. She reminded me who I was. She had soft lips and green eyes and a body that wouldn’t quit. Hair like you wouldn’t believe. Stubborn, sharp as a knife. And I never, ever wanted a person to save me until she did.

Sharing his memories felt like handing over a sharp knife. A knife that others might handle carelessly. A knife that could be used to hurt him.

The sharp knife of a short life, well I've had, just enough time.

Sometimes I wished I could cut away old memories and let the wind take them. If a sharp knife could pare away the weakness of those days, I would slice until nothing but the hard lessons remained.

I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.

Patrick's entire front torso was covered with gruesome stab wounds. Like he'd been run through again and again with a sharp knife - and it hadn't been an accident. "Oh, love," I whispered. "What did you do to yourself?" Hot tears stung my eyes as I began to trace his scars with my fingertips, leaning in to kiss them softly, one by one. "Sui Caedere," he said. "I couldn't live without you.

Do you know what it’s like to kill a man? You just pushed a knife into living, moving skin and you realize you pierced a heart that beats against your sharp knife. -Lucas Tyrel

They don't know what poor is. They don't know that poverty is a sharp knife carving away at you. They don't know what it does to the body. To a mind.

Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.

Then your tail will divide and shrink until it becomes what the people on earth call a pair of shapely legs. But it will hurt; it will feel as if a sharp sword slashed through you. Everyone who sees you will say that you are the most graceful human being they have ever laid eyes on, for you will keep your gliding movement and no dancer will be able to tread as lightly as you. But every step you take will feel as if you were treading upon knife blades so sharp that blood must flow. I am willing to help you, but are you willing to suffer all this?" "Yes," the little mermaid said in a trembling voice, as she thought of the Prince and of gaining a human soul.

One of the things you learn, after years of dealing with drug people, is that everything is serious. You can turn your back on a person, but never turn your back on a drug—especially when it’s waving a razor-sharp hunting knife in your eyes.

The first time she carved something into her skin, she used the sharp tip of an X-Acto knife. She lifted up her shirt to show me after the cuts had scabbed over. She had scrawled F*** YOU on her stomach. I stood quiet for a moment, feeling the breath get knocked out of me. I should have grabbed her arm and taken her straight to the nurse's office, into that small room with two cots covered in paper sheets and the sweet, stale medicinal smell. I should have lifted Ingrid's shirt to show the cuts. Look, I would've said to the nurse at her little desk, eyeglasses perched on her pointed nose. Help her. Instead, I reached my hand out and traced the words. The cuts were shallow, so the scabs only stood out a little bit. They were rough and brown. I knew that a lot of girls at our school cut themselves. They wore their long sleeves pulled down past their wrists and made slits for their thumbs so that the scars on their arms wouldn't show. I wanted to ask Ingrid if it hurt to do that to herself, but I felt stupid, like I must have been missing something, so what I said was, F*** you too, b****. Ingrid giggled, and I tried to ignore the feeling that something good between us was changing.

Adam described the circumstances surrounding his eye and his hand with the same level tone he would use to answer a question in class. He allowed Ronan to lean in to compare his eyes – close enough that Ronan felt his breath on his cheek – and he allowed Ronan to study the palm of his hand. The latter was not strictly necessary, and they both knew it, but Adam watched Ronan closely as he lightly traced the lines there. This was like walking the line between dream and sleep. The night-sharp balance of being asleep enough to dream and awake enough to remember what he wanted. He knew Adam had figured out how he felt. But he didn’t know if he could step off this knife-slender path without destroying what he had.

The moon was a crescent, thin and sharp as the blade of a knife.

For real? I dropped my cell phone in a puddle this morning, couldn’t find my keys, can’t hold down a relationship, and here I am clutching a sharp knife about to cut someone’s head open. And they could die. Who is letting me do this? This is BULLSHIT.

I was terrified of my weakness, of my sharp tongue, of my every flaw. I was terrified that this moment, my chance to live in happiness for however short a time we may have had, would be ruined because I was simply not carved out of the same wood as happiness, and that my grain was too twisted to ever take its form.

Eve held his eyes and confidently licked the length of the razor-sharp blade with the tip of her tongue. Red blood beaded up on her tongue, and she licked her lips, giving them a fresh coat of color. Eve used the knife to blow a kiss in Beckett’s direction and disappeared into the crowd. Beckett forgot to keep dancing. He stood stock still with Kyle still twirling around him. Eve had just f*cked his mind so hard, he wanted to smoke a cigarette and cuddle like some soap-watching woman.

You can make an oyster surrender its pearl,” Clara says. “All you need is persistence and a sharp enough knife.

Enough tiny sharp jabs can cut as deeply as any knife.

Cairn groaned as unconsciousness gave way. By the time Cairn awoke, chained to that metal table, Rowan was ready. Cairn beheld who stood over him, the tool in Rowan’s tattooed hand, the others he had also laid out on that piece of velvet, and began thrashing. The iron chains held firm. Then Cairn beheld the frozen rage in Rowan’s eyes. Understood what he intended to do with that sharp, sharp knife. A dark stain spread across the front of Cairn’s pants. Rowan wrapped an ice-kissed wind around the tent, blocking out all sound, and began.

It's a little scary, what you do." As I tried to figure out how to respond, and with words as sharp and cold as the blade of a knife, Criminy said, "If you're scared of her talent, then you don't truly know what fear is.

Carefully, with the sharpness of the knife tucked within the curved grip of his hand, he began to probe my entrance with the handle. It was hard, but warm from his hand. The edges were rounded, smooth as it rubbed over my wet, swollen flesh. "You're going to get off on this knife, Jess," he said. "And I'm going to hold you open, nice and still, so you don't get hurt.

The moment he laid eyes on Kuga, I knew. There's a reason I'm doing this to him. I want to see it; how he's fallen in love with a guy, and how he makes him his own. And then what I've done will become a sharp knife, thrown right back at me. That's right. I just wanted to see. And the meaning behind the sharp knife flying towards me: Why not me? Why can't it be me? All this time, I would be lying if I said I've never wished for it, but by being merely an observer, I've somehow managed to distance myself. Kuga is a bright light, like the sun. I, on the other hand... (Yashiro)

Yesterday I bought myself a new, very sharp kitchen knife. And I managed to cut my finger within 5 minutes of getting home! Those plastic packages are bloody dangerous!!!

Dying is like the ocean, sometimes the tide comes in gently with soft, delicate waves quietly working in the background. Other days, the waves violently crash into explosions, demanding to be noticed but regardless of how it chooses to do its job, the tide will always come in.

What happens to a marriage when one partner ignores the other? After a short period of time bitterness begins to enter the heart. Words begin to cut like a sharp knife. Soon the animosity turns to anger, jealousy, and even worse. For many it results in separation, divorce, and hatred. But the rift can so easily be mended.All it takes is a fresh surrender that comes from your very soul.And a renewing of the vow to “love, honor, and cherish.

So John took out of his pocket A knife both long and sharp, And stuck it through his brother's heart, And the blood came pouring down. Says John to William, "Take off thy shirt, And tear it from gore to gore, And wrap it round your bleeding heart, And the blood will pour no more.

Mouthful of Forevers I am not the first person you loved. You are not the first person I looked at with a mouthful of forevers. We have both known loss like the sharp edges of a knife. We have both lived with lips more scar tissue than skin. Our love came unannounced in the middle of the night. Our love came when we’d given up on asking love to come. I think that has to be part of its miracle.   This is how we heal. I will kiss you like forgiveness. You will hold me like I’m hope. Our arms will bandage and we will press promises between us like flowers in a book. I will write sonnets to the salt of sweat on your skin. I will write novels to the scar on your nose. I will write a dictionary of all the words I have used trying to describe the way it feels to have finally, finally found you.   And I will not be afraid of your scars.   I know sometimes it’s still hard to let me see you in all your cracked perfection, but please know: Whether it’s the days you burn more brilliant than the sun or the nights you collapse into my lap, your body broken into a thousand questions, you are the most beautiful thing I’ve ever seen. I will love you when you are a still day. I will love you when you are a hurricane.

The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.

I think that writers are made, not born or created out of dreams of childhood trauma—that becoming a writer (or a painter, actor, director, dancer, and so on) is a direct result of conscious will. Of course there has to be some talent involved, but talent is a dreadfully cheap commodity, cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work and study; a constant process of honing. Talent is a dull knife that will cut nothing unless it is wielded with great force—a force so great the knife is not really cutting at all but bludgeoning and breaking (and after two or three of these gargantuan swipes it may succeed in breaking itself…which may be what happened to such disparate writers as Ross Lockridge and Robert E. Howard). Discipline and constant work are the whetstones upon which the dull knife of talent is honed until it becomes sharp enough, hopefully, to cut through even the toughest meat and gristle. No writer, painter, or actor—no artist—is ever handed a sharp knife (although a few are handed almighty big ones; the name we give to the artist with the big knife is “genius”), and we hone with varying degrees of zeal and aptitude.

You believe that you keep yourself safe, she thought. You lock up your mind and guard your reactions so nobody, not an interrogator or a parent or a friend, will break in. You earn a graduate degree and a good position. You keep your savings in foreign currency and you pay your bills on time. When your colleagues ask you about your home life, you don't answer. You work harder. You exercise. Your clothing flatters. You keep the edge of your affection sharp, a knife, so that those near you know how to handle it carefully. You think you established some protection and then you discover that you endangered yourself to everyone you ever met.

Fallen. Who tracks our footsteps, I wonder? We who are the forgotten, the discounted and the ignored. When the path is failure, it is never willingly taken. The fallen. Why does my heart weep for them? Not them but us, for most assuredly I am counted among them. Slaves, serfs, nameless peasants and labourers, the blurred faces in the crowd—just a smear on memory, a scuffing of feet down the side passages of history. Can one stop, can one turn and force one’s eyes to pierce the gloom? And see the fallen? Can one ever see the fallen? And if so, what emotion is born in that moment? There were tears on his cheeks, dripping down onto his chafed hands. He knew the answer to that question, knife-sharp and driven deep, and the answer was…recognition.

Loss is a knife, constantly cutting, but over time the blade dulls, and the cuts aren't as sharp. It's always there in the drawer, but you realize it doesn't cut as deeply anymore.

Everyone has a moment where life goes off the rails. Mine was the day Marian died. The day I picked up that knife is a tight second.

But carving turns you into a knife. Cold, hard, sharp, at least on the outside.

The entrant mooed like a calf but in insolence looked about him. Hew saw Kit. Kit saw him. Nay, it was more than pure seeing. It was Jove's bolt. It was, to borrow from the papists, the bell of the consecration. It was the revelation of the possibility nay the certainty of the probability or somewhat of the kind of the. It was the sharp knife of a sort of truth in the disguise of danger. Both went out together, and it was as if they were entering, rather than leaving, the corridor outside with its sour and burly servant languidly asweep with his broom, the major-domo in livery hovering, transformed to a sweet bower of assignation, though neither knew the other save in a covenant familiar through experience unrecorded and unrecordable whose terms were not of time and to which space was a child's puzzle.

[F]or he had heard an inarticulate promise: he has been pierced by Spring, that sharp knife. And life unscales its rusty weathered pelt, and earth wells out in tender exhaustless strength, and the cup of a man’s heart runs over with dateless expectancy, tongueless promise, indefinable desire. Something gathers in the throat, something blinds him in the eyes, and faint and valorous horns sound through the earth.

And her brother John set her on her horse.'Now you are high and I am low,Give me a kiss before ye go.’She leaned down to give him a kiss,He gave her a deep wound and did not miss.And with a knife as sharp as a dart,Her brother stabbed her to the heart. 

Watching, she had felt unusually and keenly alive, alive the way a knife is sharp, so that the humiliation she was enduring was perfect, like the paring of skin from a hard apple.

It takes sharper axes to chops bigger trees just as it takes deeper enthusiasm to overcome stronger challenges. Timidity only increases your fears.

The knife was sharp in the way of bitter nights.

Dolores liked that story. Men were wolves and practical women took the knife to them, and those wolves, those sharp-toothed men, they didn’t come back after that.

What a lark! What a plunge! For so it had always seemed to her, when, with a little squeak of the hinges, which she could hear now, she had burst open the French windows and plunged at Bourton into the open air. How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter Walsh said, "Musing among the vegetables?"—was that it?—"I prefer men to cauliflowers"—was that it? He must have said it at breakfast one morning when she had gone out on to the terrace—Peter Walsh. He would be back from India one of these days, June or July, she forgot which, for his letters were awfully dull; it was his sayings one remembered; his eyes, his pocket-knife, his smile, his grumpiness and, when millions of things had utterly vanished—how strange it was!—a few sayings like this about cabbages.

Glanced up and caught Ammu's gaze. Centuries telescoped into one evanescent moment. History was wrong-footed, caught off guard. Sloughed off like an old snakeskin. Its marks , its scars its wouns from old wars and the walking backwards days all fell away. In its abscence it left an aura, a palpable shimmering that was as plain as water in a river or the sun in the sky. As plain to feel the heat on a hot day, or the tug of a fish on a taut line. So obvious that no-one noticed. In that brief moment, Velutha looked up and saw things that he hadn't seen before. Things that had been out of bounds so far, obscured by histor's blinkers. ...This knowing slid into him cleanly, like the sharp edge of a knife. Cold and hot at once. It only took a moment. Ammu saw that he saw. She looked away. He did too. History's fiends returned to claim them. To rewrap them in its old scarred pelt and drag them back to where they really lived. Where the Love Laws lay down who should be loved. And how. And how much.

Why are you holding a knife?” he asked, mimicking her tone. Shock blurred her vision. The ease had gone out of his posture. Suddenly she knew he was a man poised to spring if he needed to. And this was what he’d been leading up to all along. She cleared her throat. “Oh . . . this?” “Yes,” he said softly. “That.” She remained silent. She idly tested the tip of the knife with her fingertip. Very sharp. Perfectly deadly. “Let me guess. It’s not what I think.” Think, Tommy, think. “I’m carrying a knife,” she said slowly, “because . . . I don’t own a pistol.

She was beautiful like a city you always wanted to go to, like how you wait years and years for the right time, and then as soon as you get there, you have to taste everything and touch everything and learn every street by name. I felt like I knew her. She reminded me who I was. She had soft lips and green eyes and a body that wouldn't quit. Hair like you wouldn't believe. Stubborn, sharp as a knife. And I never, ever wanted a person to save me until she did.

Learning kindness late in life was a kind of torture. The pain often came from the past, form kindnesses withheld. The knife was particularly sharp when those who most deserved your kindness were long gone. And unless you wanted to die of sorrow, you had to give this unspent kindness to those you loved less.

He banished all memories and, with them, the longing for a world that had gifted him those memories. He narrowed his willpower into a knife-edge, razor sharp and formidable. At knifepoint, he kept madness at bay.

There was something sly about his smile, his eyes so black and sharp, his rufous hair. Something that sent her early to their trysting place, beneath the oak, beside the thornbush, something that made her climb the tree and wait. Climb a tree, and in her condition. Her love arrived at dusk, skulking by owl-light, carrying a bag, from which he took a mattock, shovel, knife. He worked with a will, beside the thornbush, beneath the oaken tree, he whistled gently, and he sang, as he dug her grave, that old song... shall I sing it for you, now, good folk?

Magic,” he said. Black magic. Strong magic. Dead magic. “Bad magic.” Finally, Lila slipped. For the briefest moment, her eyes flicked to a chest along the wall. Kell didn’t hesitate. He lunged for the top drawer, but before his fingers met the wood, a knife found his throat. It had come out of nowhere. A pocket. A sleeve. A thin blade resting just below his chin. Lila’s smile was as sharp as its metal edge. “Sit down before you fall down, magic boy.” Lila

This is my knife. It is very sharp and very eager to hurt you.

They were a well-mixed bunch of men whose mental sharpness ranged from that of a butter knife to an overripe plum.

Specificity refers to the ability of any medicine to discriminate between its intended target and its host. Killing a cancer cell in a test tube is not a particularly difficult task: the chemical world is packed with malevolent poisons that, even in infinitesimal quantities, can dispatch a cancer cell within minutes. The trouble lies in finding a selective poison—a drug that will kill cancer without annihilating the patient. Systemic therapy without specificity is an indiscriminate bomb. For an anticancer poison to become a useful drug, Meyer knew, it needed to be a fantastically nimble knife: sharp enough to kill cancer yet selective enough to spare the patient.

If there was a religion of Annaism, and I had to tell you how humans made their way to Earth, it would go like this: In the beginning, there was nothing at all but the moon and the sun. And the moon wanted to come out during the day, but there was something so much brighter that seemed to fill up all those hours. The moon grew hungry, thinner and thinner, until she was just a slice of herself, and her tips were as sharp as a knife. By accident, because that is the way most things happen, she poked a hole in the night and out spilled a million stars, like a fountain of tears. Horrified, the moon tried to swallow them up. And sometimes this worked, because she got fatter and rounder.. But mostly it didn't, because there were just so many. The stars kept coming, until they made the sky so bright that the sun got jealous. He invited the stars to his side of the world, where it was always bright. What he didn't tell them, though, was that in the daytime, they'd never be seen. So the stupid ones leaped from the sky to the ground, and they froze under the weight of their own foolishness. The moon did her best. She carved each of these blocks of sorrow into a man or a woman. She spent the rest of her time watching out so that her other stars wouldn't fall. She spent the rest of her time holding onto whatever scraps she had left.

I was told that the disorder was not really in my eyes, but in my central nervous system. I might or might not experience symptoms of neural damage all my life. These symptoms, which might or might not appear, might or might not involve my eyes. They might or might not involve my arms or legs, they might or might not be disabling. Their effects might be lessened by cortisone injections, or they might not. It could not be predicted. The condition had a name, the kind of name usually associated with telethons, but the name meant nothing and the neurologist did not like to use it. The name was multiple sclerosis, but the name had no meaning. This was, the neurologist said, an exclusionary diagnosis, and meant nothing. I had, at this time, a sharp apprehension not of what it was like to be old but of what it was like to open the door to the stranger and find that the stranger did indeed have the knife. In a few lines of dialogue in a neurologist’s office in Beverly Hills, the improbable had become the probable, the norm: things which happened only to other people could in fact happen to me. I could be struck by lightning, could dare to eat a peach and be poisoned by the cyanide in the stone. The startling fact was this: my body was offering a precise physiological equivalent to what had been going on in my mind.

First the rituals went, and were replaced by guilt. And then the guilt went, and soon his belief faltered, before vanishing almost entirely, too. Belief in hellfire, and the narrow bridge one had to cross to reach Heaven, thin as a hair, sharp as the blade of a knife.

For so long, talking about Samira, acknowledging her as someone who no longer lived in him, had felt dangerous as running his fingers along a sharp edge. It had been Miel eating a slick of honey off a knife. It was an heirloom blade his mother would not leave out, fearing Sam was still a child who might cut himself. But now he was Samir, and Samira was the friend he almost thought he imagined. And she would be a little more imaginary once he and his mother finished changing his name. He wanted to neither forget she existed nor live inside her. She was someone he could not be.

Three never-ending days I've spent in this armchair, walking a knife's edge between sanity and madness, studying every rise and fall of her chest just to be sure she's still breathing. My lungs only fill when hers do, and the time between my heartbeats is filled with sharp, all consuming fear.

She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.

Crazy Love Anyone who knew me then would say I loved you far too much. Like a wildfire or the sharp edge of a knife. Anyone would have told you I stopped being the person I was the second you walked into my life. They would have said love wasn’t supposed to drive you crazy, make you want to scratch at your skin. And they were right. Because there was love and then there was you. 

Time is the greatest weapon you have. Patiently keep in mind a long-term goal and neither person nor army can resist you. And charm is the best way of playing for time, of widening your options in any situation. Through charm you can seduce your enemy into backing off, giving you the psychological space to plot an effective counterstrategy. The key is to make other people emotional while you remain detached. They may feel grateful, happy, moved, arrogant—it doesn’t matter, as long as they feel. An emotional person is a distracted person. Give them what they want, appeal to their self-interest, make them feel superior to you. When a baby has grabbed a sharp knife, do not try to grab it back; instead, stay calm, offer candy, and the baby will drop the knife to pick up the tempting morsel you offer.

.... So Cu Chulainn asked and he asked, and at length he learned that the best teacher of the arts of war was a woman, Scathach, a strange creature who lived on a tiny island off the coast of Alba." "A woman?" someone echoed scornfully. "How could that be?" "Ah, well, this was no ordinary woman, as our hero soon found out for himself. When he came to the wild shore of Alba and looked across the raging waters to the island where she lived with her warrior women, he saw that there could be a difficulty before he even set foot there. For the only way across was by means of a high, narrow bridge, just wide enough for one man to walk on. And the instant he set his foot upon its span, the bridge began to shake and flex and bounce up and down, all along its considerable length, so that anyone foolish enough to venture farther along it would straightaway be tossed down onto the knife-sharp rocks or into the boiling surf." "Why didn't he use a boat?" asked Spider with a perplexed frown. "Didn't you hear what Liadan said?" Gull responded with derision. "Raging waters? Boiling surf? No boat could have crossed that sea, I'd wager.

Scientists and inventors alike, they first guess a new explanation—a hypothesis—as wild and innovative as they can conjure. And then they test it rigorously, their hearts filled with the hope they’ll find a door or a window that reframes their understanding of the universe, of life, of a flower, or a cure for cancer. And it all starts with a guess, a good explanation as unlikely as it is plausible. A story at the knife’s edge of innovation, bleeding truth and pushing the limits of knowledge further afield. That impossibly sharp place where dreams and reality converge. A hard-to-vary idea as powerful as the one that broke Einstein’s General Relativity and his assumption that the laws of nature don’t depend on the motion of an observer.

If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life. Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared.

Tis torture and not mercy. Heaven is here, Where Juliet lives, and every cat and dog And little mouse, every unworthy thing, Live here in heaven and may look on her, But Romeo may not. More validity, More honorable state, more courtship lives In carrion flies than Romeo. They may seize On the white wonder of dear Juliet’s hand And steal immortal blessing from her lips, Who even in pure and vestal modesty, Still blush, as thinking their own kisses sin. But Romeo may not. He is banishèd. Flies may do this, but I from this must fly. They are free men, but I am banishèd. And sayst thou yet that exile is not death? Hadst thou no poison mixed, no sharp-ground knife, No sudden mean of death, though ne'er so mean, But “banishèd” to kill me?—“Banishèd”! O Friar, the damnèd use that word in hell. Howling attends it. How hast thou the heart, Being a divine, a ghostly confessor, A sin-absolver, and my friend professed, To mangle me with that word “banishèd”?

The Witch's knife like nails drummed the crystal of the windowsill, chipping and scoring it. They sounded like death beatles clicking in the walls.'Taste it,' the pearl was telling her, 'That I may know my daughter's heart.' Almost without a thought, Ariel touched a few grains of the Witch's dust to her tongue, and a sharp sensation went through her like a pinprick. It was the bitterest thing she has ever known. it tasted like despair.

There is a saying among the peoples of the Northwest Coast: “The world is as sharp as the edge of a knife,” and Robert Davidson, the man responsible for carving Masset’s first post-missionary pole, imagines this edge as a circle. “If you live on the edge of the circle,” he explained in a documentary film, “that is the present moment. What’s inside is knowledge, experience: the past. What’s outside has yet to be experienced. The knife’s edge is so fine that you can live either in the past or in the future. The real trick,” says Davidson, “is to live on the edge.

By the way, I may have misled you by using the word 'tea'. None of your wafer slices of bread-and-butter. We're good trencher-men, we of the Revolution. What we shall require will be something on the order of scrambled eggs, muffins, jam, ham, cake and sardines. Expect us at five sharp." "But, I say, I'm not quite sure - " "Yes, you are. Silly ass, don't you see that this is going to do you a bit of good when the Revolution breaks loose? When you see old Rowbotham sprinting up Piccadilly with a dripping knife in each hand, you'll be jolly thankful to be able to remind him that he once ate your tea and shrimps.

I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She’s holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow. There’s a watch tattooed on his left wrist with ‘Fuck Time’ inscribed on its face. Fuck o’clock. He’s not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He’s beautiful, in the way that a knife is beautiful.

It's like a stomach ache after not eating for five days. The muscles are starting to eat themselves, and you couldn't care less. It's about holding on to every moment with every ounce of your being, every atom. It's about memorising every expression, the way your muscles work, the way you speak, how your voice sounds during every part of the day. It's about not feeling the goodbye in every kiss, in every hug, in every touch. It's about trying to keep your voice steady even with a knife to your throat. It's August and I'm tired of being strong. I never really was very brave. Throw me on sharp edges, I've never felt so destructive.

I am the dangerous daughter, thigh-stroking, soft-tongued lover, the pit, the well, and the well of horniness, laughter rolling up out of me like gravy boiling over the edge of a pan. I become the romantic, the mystic, the one without shame, rocking myself on the hip of a rock, a woman as sharp as coral. I make in my mind the muscle that endures, tame rage and hunger to spirit and blood. I become the rock. I become the knife. I am myself the mystery. The me that will be waits for me. If I cannot dream myself new, how will I find my true self?

I have imagined him in my mind for so long, my imagination creating a monster of grotesque features and proportions. But standing before me, his head tilted and eyes sharp, is just a man. Slightly balding, twenty pounds too heavy, whose mouth is turning into a sneer. Whose eyes are narrowing, stance strong, the combined effect sinister. This man, this balding thick man, has whispered in my ear, poured out the disgusting thoughts in his soul, showed me the dark evil in his heart. And now he is stepping closer, the excitement radiating from his body like a foul smell. He thinks I am weak. He thinks he can manipulate me and subdue me. Kill me. He has no idea that my small frame and delicate features contain an evil that rivals his own. I finger the knife in my pocket and fight to keep a grin off my face. This is it. This is my time.

Perfect knowledge is hallowed ground. It caresses you, cradles you with the barbed wire of truth. It grazes and tears at your flesh as though it ever really mattered- as if there were anything you could have done to stop it from penetrating you so completely. Revenge in the hand of your enemies is a loaded gun. You can beg them for mercy, wave the white flag of surrender, but the only true elixir for the vitriol they bestow is a measure of hatred dispensed of you own. Never lie down for the enemy. Never hand them the knife with which to slaughter you. The truth is a labyrinth. Secrets are the truths as sharp as razors ready to spread like a virus- ready to saw your existence in half. My truths came to light. They took shape in the form of my enemies until all of the color bled out from my world. It lacked the beauty and majesty of a black and white portrait. The landscape had glazed over in rusted tones of sepia-rancid-tarnished- with urine colored sky. My world glittered from the fragmented glass it had become. This is what I know. These are my truths.

But Talin was scared of him. She had told him that to his face, and the sharp knife of it was still buried in his heart. The man wasn’t sure he wanted to chance another rejection. Keeping the animal’s instincts in check, he finally stepped out of the shadows. “Do you want to be held, Talin?” Her damp eyes widened at the blunt question, then she nodded in a little jerking motion. Something in him quieted, waiting. “Then come here.” A pause during which the entire forest seemed to freeze, the night creatures aware of the leopard’s tense watchfulness. “Oh, God, Clay.” Suddenly her arms were wrapped around his back, her cheek pressed against the white cotton of his T-shirt. Hardly daring to breathe, he closed his own arms around her feminine warmth, blindingly aware of every inch of her pressed into him, every spot of wetness soaking through his T-shirt. She was so small, so damn soft, her humanity apparent in the delicacy of her skin, the lightness of her bones. The Psy might be fragile in comparison to changelings, but they had powers of the mind to compensate. Humans had the same fragility but none of the psychic abilities. A wave of protectiveness washed over him. “Shh, Tally.” He used the nickname because, at this moment, he knew her. She had always had a heart too big for her body, a heart that felt such pain for others while ignoring its own. “I’ll find your lost one.” She shook her head against him. “It’s too late. Three bodies already. Jonquil is probably dead, too.” “Then I’ll find who did this to them and stop him.” She stilled against him. “I didn’t come here to turn you into a killer again.

Silence is another element we find in classic fairy tales — girls muted by magic or sworn to silence in order to break enchantment. In "The Wild Swans," a princess is imprisoned by her stepmother, rolled in filth, then banished from home (as her older brothers had been before her). She goes in search of her missing brothers, discovers that they've been turned into swans, whereupon the young girl vows to find a way to break the spell. A mysterious woman comes to her in a dream and tells her what to do: 'Pick the nettles that grow in graveyards, crush and spin them into thread, then weave them into coats and throw them over your brothers' backs.' The nettles burn and blister, yet she never falters: picking, spinning, weaving, working with wounded, crippled hands, determined to save her brothers. All this time she's silent. 'You must not speak,' the dream woman has warned, 'for a single world will be like a knife plunged into your brothers' hearts.' You must not speak. That's what my stepfather said: don't speak, don't cry, don't tell. That's what my mother said as well, as we sat in hospital waiting rooms -- and I obeyed, as did my brothers. We sat as still and silent as stone while my mother spun false tales to explain each break and bruise and burn. Our family moved just often enough that her stories were fresh and plausible; each new doctor believed her, and chided us children to be more careful. I never contradicted those tales. I wouldn't have dared, or wanted to. They'd send me into foster care. They'd send my young brothers away. And so we sat, and the unspoken truth was as sharp as the point of a knife.

In the long ago, in the gentle days, Brother Grumlow carved wood, worked with saw and chisel. When hard times come carpenters are apt to get nailed to crosses. Grumlow took up the knife and learned to carve men. He looks soft, my brother of the blade, slight in build, light in colour, weak chin, sad eyes, all of him drooping like the moustache that hangs off his lip. Yet he has fast hands and no fear of a sharp edge. Come against him with just a dagger for company and he will cut you a new opinion.

I came to feel a tenderness for them all. This was something new to me. It gave me a curious pleasure to touch them, to help them in and out of the chair, to shave their weather-toughened old faces. They had known hard use, nearly all of them. You could tell it by the way they held themselves and moved. Most of all you could tell it by their hands, which were shaped by wear and often by the twists and swellings of arthritis. They had used their hands forgetfully, as hooks and pliers and hammers, and in every kind of weather. The backs of their hands showed a network of little scars where they had been cut, nicked, thornstuck, pinched, punctured, scraped, and burned. Their faces told that they had suffered things they did not talk about.Every one of them had a good knife in his pocket, sharp, the blades whetted narrow and concave, the horn of the handle worn smooth.

The faeries took no notice of my cry. No doubt they were used to lost travelers screaming for help. One of them grabbed me by my cloak and wrenched me painfully back and forth, like an animal wishing to drag me to the ground. But I did not need to call for Wendell again. He stepped out from behind a tree---or perhaps from the tree; I didn't see. He reached a hand out and snapped the neck of the faerie gripping me, which I had not expected, and I staggered back from both him and the crumpling body. He saw the mark on my neck, and his entire face darkened with something that seemed to go beyond fury and made him look like some feral creature. The faeries scattered like leaves, though they were too intrigued and too stupid to run. "Are you hurt?" "No." I don't know how I made myself speak. I have seen Wendell angry before, but this was something that seemed to surge through him like lightning, threatening to burn everything in its path. He moved his hand, and a hideous tree rose up from the snow, dark and terrifying, all thorns and knife-sharp branches. The boughs darted out, and he skewered the faeries on them. Once they were all immobilized, held squirming and screaming above the ground, he moved from one to the other, tearing them apart with perfect, calm brutality. Limbs, hearts, other organs I did not recognize scattered the snow. He did not rush, but killed them methodically while the others howled and writhed.